Dec. 10, 2020

Whiskey Talk with Chris Morris and Elizabeth McCall, Woodford Reserve

Whiskey Talk with Chris Morris and Elizabeth McCall, Woodford Reserve

Bob is joined by the master distillers at Woodford Reserve, Chris Morris and Elizabeth McCall, to discuss the new release from their Master's Collection, the Very Fine Rare Bourbon. This blend of barrels includes the oldest whiskey ever released by Woodford Reserve: 17-year-old bourbon, distilled in 2003, Morris' first year as Master Distiller.

We walk through the idea behind both the whiskey and the new bottle that contains it, and Elizabeth teases her favorite film for a future bonus episode.

Film & Whiskey Podcast. New episodes every Monday.

Theme music: "New Shoes" by Blue Wednesday

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On today's film in whiskey, I'm
flying solo for an unscheduled

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bonus episode.
We have some fantastic interview

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guests and I get to drink a
whiskey that would make rad

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jealous.
That's all ahead on film and

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whiskey.
Hey everyone, welcome to the

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podcast.
I'm Bob book, Brad is not

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joining us today.
He is still taking some

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well-deserved time off from
having his first child.

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So, congratulations again to
Brad, I'm back today with an

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unplanned bonus episode.
I received an email the other

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day saying that our guest today
wanted to, Come on the show and

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talk about their new product.
And when Woodford Reserve comes

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a-knockin, you don't say, no,
I'm joined today by Woodford.

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Reserve Master distiller, Chris
Morris, and assistant, Master

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distiller, Elizabeth McCall.
We're here to talk about the new

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Woodford, Reserve Masters
collection, very fine, Rare

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bourbon, and we're going to get
to that.

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But before we get there, Chris
Morris, this is your second

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appearance on our show.
The first time you were here, we

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talked about your favorite
films.

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I had no idea that you were such
an expert at Sci-fi.

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But that episode was such a
blast that I have just been

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dying to talk to you.
Since, thanks for being here

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today.
How are you sir?

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Are you?
I'm very fine.

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Thank you, Rob.
And I bought.

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I enjoyed our last visit.
That was so fun.

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We're also joined today by
assistant Master distiller,

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Elizabeth McCall, Elizabeth.
It sounds like Chris has kind of

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set the bar pretty high for
movie breakdowns.

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And we may not have a chance to
talk about your favorite movie

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today, but just know that Chris
has become a favorite around

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here, but it is so good to meet
you.

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I cannot Not wait to get into
talking about today's product.

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Thanks for being on the show.
How are you today?

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I'll thank you for having me and
I have to say, you know, Chris

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Morris is like no other.
I mean, and breadth of knowledge

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of different topics is always
astounding to me, so I don't

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know if I can quite reach that
far.

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Maybe on my tippy toes, oh my
gosh.

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Well if you don't mind me giving
just a little bit of bio for

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you.
Elizabeth since this is your

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first time on our show,
Elizabeth started out in the R&D

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department at Brown Forman and
Nine as a sensory expert, she

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quickly Rose through the ranks
in that field eventually working

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with brown-forman to train
people at different brands,

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under the brown-forman name in
their sensory methodology

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eventually.
She caught the attention of

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Chris Morris and was named the
master taster at Woodford

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Reserve before.
Becoming assistant Master

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distiller, she continues to rack
up the accolades.

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I just saw that she was named
one of wine enthusiasts 40 under

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40 for 2020, so Elizabeth,
congratulations on that.

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Accomplishment, thank you very
much.

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It was a huge honor and just all
of it is just astounding to me

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and I just got to keep working
hard to keep, keep going.

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So, my first question for both
of you today, I love that.

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You both came up through the R&D
worlds with brown-forman, and

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obviously, it's not totally out
of the ordinary for a master

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distiller, to have a background
in the sort of chemistry and the

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development side of things.
But we've done enough episodes

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of this podcast now that we've
interacted with some Whiskey

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Brands who is master distillers
are really just kind of

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installed in a figurehead sort
of roll and you guys seem to be

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the exact opposite of that.
And so, how unusual I guess is

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it for somebody in a position
like yours to still be as

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heavily involved in the research
and development side of things

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as you both are?
Well, well, thank you for saying

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or we're in.
I mean, we're very proud that

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every, every product under the
woofers Nerve umbrella, we've

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created proposed created, and it
also takes great partnership

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with our brand teams in sales
teams.

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So we work as one team at
brown-forman parent company,

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Brown of with reserve, of
course, but at brown-forman, the

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distiller is, is in charge of
the product.

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So we're very, very proud of
that that tradition we continue

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on and, and Elizabeth, of
course, Is still heading a lot

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of our R&D not still heading.
She is heading a lot of our R&D

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initiative so I let her talk
about that.

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Yeah Bob I think it's really
interesting at brown-forman to

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we have I mean I'm in a
development program it is not a

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title that is just thrust upon
someone.

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It is a full development that
takes years and years of working

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in the distilleries getting to
know all the teams.

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And then also knowing the The
commercialization side, the

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supply chain side, the marketing
side.

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So it really is a something that
ground form and takes a lot of

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pride in and it's somebody that
has technical but then the

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marketing side as well.
So it's a very unique role

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within the company and it's one
that I think coming up through

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Rd has been beneficial for me.
And as Chris mentioned, I mean,

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I still work with those teams to
develop our our Innovation.

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So it's it's a group.
A team effort and I work with

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our processing team to really
get down to the nitty-gritty of.

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How do we take a concept that
I've talked through with Chris

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and, and we've talked it
through.

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And I said, I think that this
flavor sounds interesting for

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whiskey and then we work out the
Kinks with our processing team

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to understand how do we, how do
we do this and how do we work to

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make sure that the micro side
Works in fermentation and then

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scaling it up because
scalability is A huge, huge

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component when it comes to
Innovation and we can do a lot

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of small things that are pilot
plant and have fun and maybe

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that becomes a Distillery series
but for something to be scalable

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to become a masters collection
is definitely a huge Challenge

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and it's something we work with
our teams closely on Elizabeth.

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You started out as a sensory
expert in the quality department

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at Brown Forman in doing
background.

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I thought this was like, the
most interesting thing that you

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actually We're training to go
into psychology and then in the

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sensory field they kind of seek
out psychology Majors because

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it's a huge component of the
sensory experience.

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Could you maybe like elaborate
on that a little bit?

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Why is it that sensory is
looking for people with

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psychology backgrounds?
Yes.

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Actually my, the entire team I
worked with at the time and I

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believe still the the sensory
team is all comprised of people

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with psychology degrees and that
is because in sensory, Three

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you're using human beings as
your instrument and though it's

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looking at human response, the
same thing if I were doing a

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psychological assessment on
someone and trying to see

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behaviourally how they're
working, or how their mind is

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working, it's the same kind of
concept with sensory and it's a

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very methodical practice and
something that you need to know

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the statistics on how to analyze
your results and properly set up

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an experiment so that you are
eliminating different.

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Bowls to making sure that you
can really know what you're

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testing for and so we have three
different areas within sensory

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just to break down what it is.
We're trying to do to look for

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in our testing.
So we have quality control,

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which is where I started out,
and then we also have our

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research side which is all the
shelf life testing.

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So any product out there on the
market goes through these sort

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of sensory tests depending on
the product.

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But you do shelf life, testing,
or for your reformulating,

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something you're going.
To test it in a lab first to see

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if people can figure out.
Is there a visual difference or

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a nose or taste difference?
And then we look at it from a

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consumer side as well.
Going through a consumer

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advisory panel.
So, and then we have a

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descriptive analysis panel.
So really have a guess for

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different panels that are at our
fingertips.

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So, when you're interviewing for
a job like that, or when you go

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in for your performance review,
how are they like testing your

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palate and your nose things like
that, I'm kind of just picturing

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those game shows where they,
like, put a blindfold on

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somebody and feed them tartar
sauce off of a spoon or

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something.
How do they gauge?

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How fine-tuned your palate is?
We don't, I mean, we do get, so

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we do get tested but it's not
going to make or break us having

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our job, I guess?
Because I mean, My job as the

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sensory technician was to run
panels and analyze data and

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really help our plants
troubleshoot whenever they have

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a quality issue.
So that's really your goal.

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And then the bonus is that you
become highly trained with your

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palate because you're dealing
with all these, the whiskies are

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the different Liquors.
You're making every day.

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And the other component of that
is how do you make sure that you

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are a good instrument?
And so Chris sits on the panel.

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So we have these panels that run
all of our regular lives

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samples, but then we put in
markers samples or Spike two

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samples, to make sure that
people are properly evaluating

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and catching those.
And if you don't do well, your

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data doesn't get counted.
So you are essentially

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considered broken for that panel
and you just your data is not

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used.
So there's a way that we

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calibrate to make sure that our
panelists all know how to

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properly nose and taste pick out
any defects And can do different

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tasks that are required for
sensory, work.

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Thanks a lot of sense.
Okay.

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Yeah.
There is a way to check it, but

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it doesn't mean if I don't get
it that day of my job is never

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pretty, I don't know, Chris
might say, has have a different

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opinion.
I was gonna say you might be

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cutting a closer than you think
actually.

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So Elizabeth.
The first time we had Chris on

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here, I mean, it's very obvious
that he is known for his

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Innovative spirit.
It.

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And one of the things that
you've become really passionate

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about and known for is returning
the production of Rye grain to

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Kentucky especially because of
the the conservation efforts

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involved in that.
But when it comes to the more

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Innovative and experimental
things, is there a grain that

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you prefer to work with, is it
right?

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Because of your focus on Rye or
is there may be another one that

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you like to toy with a little
bit more in your Mash bills, you

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know, without giving away any
top secret recipe.

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That are coming up.
What do you like to experiment

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with in terms of grains?
Well, that's a great question

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and a lot of it.
So I feel like a lot of my

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brainstorming at always bounce
off of Chris because Chris is

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the original Just Master
innovator.

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And kind of, it's taking, you
have to look at not just

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something that we're passionate
about.

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But also, what is the market?
What are people looking for?

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And so, yes.
I'm very passionate about rye

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and more Particular, just not
because of that grain in

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particular, but because of the
overall project of the

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sustainability regenerative,
agricultural practices that it

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is helping to bring back and
supporting Kentucky.

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There's so many positive
elements to that, but when it

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comes to looking at Flavour
crisps and miles down and talk

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about like different roasted
notes, we did chocolate malted

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Rye, which was kind of, I had,
just I'm, I worked with the new

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make on that, but Chris, you
know, worked on that grain.

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And so after I fell in love with
that whiskey and then talking to

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him about what can we do?
We went down and looked at

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there's a whole library of
different roasted grains and and

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just kind of thinking of ideas
of how from a flavor standpoint

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and then also what's the story
and how do we Market this?

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Because that's another component
to it is not just does it taste

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good but why do we want to do
this?

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And what's the thought process
behind it?

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Well, and that's one of the
things that I've really

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appreciated about the Masters
collection in In general, is

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that Woodford is not afraid to
put its name on some of these

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more experimental Mash bills are
talking about chocolate malt.

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And I've seen that the oat one
as well and I feel like Woodford

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is really on The Cutting Edge of
some of these more experimental,

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00:12:30,300 --> 00:12:33,500
Mash bills and grain recipes.
You know, I just saw one the

221
00:12:33,500 --> 00:12:36,300
other day, from a smaller
distiller here in Ohio that uses

222
00:12:36,300 --> 00:12:39,300
spelt in their grain recipe.
And, you know, I know you guys

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00:12:39,300 --> 00:12:42,800
may not have gone that far yet,
but I think it says a lot about

224
00:12:42,800 --> 00:12:47,300
Woodford, that it Used to plant
its flag in that experimental

225
00:12:47,300 --> 00:12:50,500
mindset and I guess that's a
good segue into talking about

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00:12:50,500 --> 00:12:53,700
the Masters collection here.
Chris, I'm wondering if maybe

227
00:12:53,700 --> 00:12:56,500
for our listeners you could just
give us a brief history of the

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00:12:56,500 --> 00:12:59,200
Masters collection.
What was the impetus behind it?

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00:12:59,200 --> 00:13:02,800
What sparked this really
Innovative collection and run of

230
00:13:02,800 --> 00:13:05,600
Whiskey's that you all are doing
Under The Heading of the Masters

231
00:13:05,600 --> 00:13:08,800
collection?
Certainly this is our 16th

232
00:13:08,800 --> 00:13:12,400
release.
So going back 16 years of

233
00:13:12,600 --> 00:13:15,700
bottles on the Shelf.
If which means, production

234
00:13:15,700 --> 00:13:18,400
predates that.
So, from the very early, very

235
00:13:18,400 --> 00:13:24,300
early years, we were innovating
and experimenting and that goes

236
00:13:24,300 --> 00:13:28,800
back to Alice, Lee Brown, the
second delayed owsley Brown.

237
00:13:28,800 --> 00:13:30,700
Who's the creator of Woodford,
Reserve?

238
00:13:30,700 --> 00:13:32,900
Chairman of brown-forman at the
time.

239
00:13:33,300 --> 00:13:38,900
And as Lee said, what for
Reserve would be the home of

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00:13:39,200 --> 00:13:44,400
innovative whiskies Innovative
Whiskey's plural and I That

241
00:13:44,600 --> 00:13:49,200
comment to heart and of course
innovation in our industry,

242
00:13:49,200 --> 00:13:54,200
really began our was solidified
at our current building long

243
00:13:54,200 --> 00:13:57,000
before we owned it.
When James Christopher, Crowe

244
00:13:57,000 --> 00:14:01,600
and Oscar pepper.
Again, defined, the sour mash

245
00:14:01,600 --> 00:14:05,400
process that uses new charred,
Oak, barrels, and also

246
00:14:07,400 --> 00:14:10,200
introduced other aspects of
modern bourbon production,

247
00:14:10,200 --> 00:14:13,500
whiskey production to Kentucky
in the United States.

248
00:14:13,800 --> 00:14:17,000
So we were playing off that
history of innovation.

249
00:14:18,100 --> 00:14:23,400
And also we wanted to, you know,
these are the early years Bob

250
00:14:23,400 --> 00:14:26,100
before bourbon was even popular
again.

251
00:14:26,100 --> 00:14:29,800
And and we thought that this
would give us a good chance to

252
00:14:29,800 --> 00:14:33,900
develop future products, as a
trial.

253
00:14:34,100 --> 00:14:38,000
And also to generate some
publicity zappy, are to get

254
00:14:38,000 --> 00:14:40,500
stories written about the
Woodford Reserve, Distillery.

255
00:14:40,700 --> 00:14:46,200
So there were multiple aspects
to the Concept and chosen a

256
00:14:46,200 --> 00:14:50,200
masters collection.
I chose that name and it was

257
00:14:50,200 --> 00:14:54,600
again to honor the masters of
the past was not bold enough at

258
00:14:54,600 --> 00:15:01,900
the time or 21 honor us.
It was about the past And again,

259
00:15:01,900 --> 00:15:06,100
we were pushing the envelope.
And as you very kindly noted, we

260
00:15:06,100 --> 00:15:09,900
have done it, we've been adduced
wood finishes to to America in a

261
00:15:09,908 --> 00:15:14,900
way that no one ever had thought
before using varietal wines

262
00:15:14,900 --> 00:15:17,900
using all new wood.
Such as sugar, maple,

263
00:15:18,300 --> 00:15:23,000
introducing oats to Bourbon and
other specialty grains.

264
00:15:23,000 --> 00:15:26,100
And just, you know, the list is
16 116 long.

265
00:15:27,200 --> 00:15:34,700
So this current release marks a
transition, we're still going to

266
00:15:35,600 --> 00:15:39,000
be Innovative, but now the
Masters collection is about

267
00:15:39,000 --> 00:15:42,500
Elizabeth and myself and that's
noted in the Hang tag.

268
00:15:42,500 --> 00:15:46,200
That little brochure book like
that is a fixed each bottle.

269
00:15:46,500 --> 00:15:49,200
We're no longer talking about
the past, we're talking about

270
00:15:49,200 --> 00:15:52,700
the future.
So this is a bridge, the product

271
00:15:52,700 --> 00:15:57,200
is a bridge to the past and, and
the new package And going

272
00:15:57,200 --> 00:16:01,500
forward, the name is is a bridge
to the future or the present.

273
00:16:01,500 --> 00:16:05,100
You might want to say.
So Elizabeth's name, joins my

274
00:16:05,100 --> 00:16:10,300
name on the product and it's
about the masters of today and

275
00:16:10,300 --> 00:16:13,900
tomorrow going forward, it's
about Innovation.

276
00:16:14,300 --> 00:16:18,200
It's about developing
potentially developing future

277
00:16:18,200 --> 00:16:22,100
products are rye, whiskey came
for the Masters clutch and oo2

278
00:16:22,100 --> 00:16:26,000
came from the Masters, clutching
our wheat, and malt whiskies

279
00:16:26,000 --> 00:16:29,000
have come for the Masters
collection, those were the the

280
00:16:29,000 --> 00:16:31,600
sounding boards.
This Elizabeth was saying with

281
00:16:31,600 --> 00:16:36,000
consumers for tweaking them and
changing them for scalability

282
00:16:36,000 --> 00:16:39,100
purposes.
But they've led to, our current

283
00:16:39,100 --> 00:16:42,900
products are, would Reserve
Baccara, as its, as its

284
00:16:42,900 --> 00:16:44,600
foundation in the Masters
collection.

285
00:16:44,600 --> 00:16:48,000
So the Masters collection has
really served as well.

286
00:16:48,100 --> 00:16:51,300
Well, in that takes us into
talking about today is whiskey,

287
00:16:51,300 --> 00:16:52,800
which is this Masters
collection?

288
00:16:52,800 --> 00:16:57,400
Very fine Rare bourbon.
Now this is a is a blend of

289
00:16:57,400 --> 00:17:01,700
Bourbons with the oldest among
them being 17 year old barrels

290
00:17:01,700 --> 00:17:05,500
of Woodford Reserve bourbon
which I believe is the oldest

291
00:17:05,500 --> 00:17:08,099
stock that you all had in your
possession.

292
00:17:08,500 --> 00:17:12,000
These 17 year old barrels were
distilled in Chris's first year

293
00:17:12,400 --> 00:17:16,599
as Master distiller, 2003.
And what I love about it is it

294
00:17:16,599 --> 00:17:20,400
just has such a great story to
tell it represents a transition

295
00:17:20,700 --> 00:17:23,900
from, you know, honoring the
history but looking towards the

296
00:17:23,900 --> 00:17:26,300
future.
But I want to zero in on these

297
00:17:26,300 --> 00:17:27,400
seven.
Here old barrels.

298
00:17:27,400 --> 00:17:30,200
This is a huge deal.
Did it just come to a point

299
00:17:30,200 --> 00:17:32,900
where they had hit the perfect
maturity point and you said,

300
00:17:32,900 --> 00:17:34,300
okay it's time to pull the
trigger on.

301
00:17:34,300 --> 00:17:37,800
These were you holding them back
with this sort of a release in

302
00:17:37,800 --> 00:17:40,000
mind?
How do you, you know, just kind

303
00:17:40,000 --> 00:17:43,200
of let something sit around
Beijing for that long?

304
00:17:43,200 --> 00:17:46,000
I'm curious to hear the story
behind those barrels.

305
00:17:47,800 --> 00:17:51,900
They were not intended for this
product was not conceived

306
00:17:52,000 --> 00:17:56,300
because as you, well, know, we
do not believe in an age claims

307
00:17:56,300 --> 00:17:59,800
or a Statements.
There is none and very fine

308
00:17:59,800 --> 00:18:02,300
Rare.
Whiskey is using terms from the

309
00:18:02,300 --> 00:18:06,500
past from Oscar pepper and
James, Christopher crows day

310
00:18:06,500 --> 00:18:09,100
because they didn't use age
statements in the past.

311
00:18:09,300 --> 00:18:12,900
They use those kind of terms for
older whiskies and we have all

312
00:18:12,900 --> 00:18:15,800
this in various old
advertisement.

313
00:18:16,100 --> 00:18:18,400
We've obtained from the
University of Kentucky, the

314
00:18:18,400 --> 00:18:22,400
Kentucky historical society and
the Filson Historical Society in

315
00:18:22,800 --> 00:18:24,700
Louisville as well as our own
archive.

316
00:18:24,700 --> 00:18:28,900
So again, there's that nod to
the Past using the old terms for

317
00:18:29,100 --> 00:18:33,100
very rare.
Well, special whiskey and the

318
00:18:33,100 --> 00:18:38,200
core, the oldest Barrels in this
group or if it were through

319
00:18:38,200 --> 00:18:43,000
experimentation.
We were seeing how long Wicked

320
00:18:43,100 --> 00:18:47,800
old barrels and our unique heat
cycle warehousing.

321
00:18:48,000 --> 00:18:52,300
So they're these barrels.
Were they just got to a point

322
00:18:52,300 --> 00:18:56,600
where they were so old and the
yield or the volume left in.

323
00:18:56,600 --> 00:19:02,800
The barrels was getting so solo
as well, and I tasted them.

324
00:19:04,700 --> 00:19:07,600
Took samples of each and then
hand Elizabeth taste them and

325
00:19:07,600 --> 00:19:11,400
they were just incredible like
oh my gosh these are so good.

326
00:19:12,200 --> 00:19:14,300
Let's put them to use before
they're all gone.

327
00:19:14,300 --> 00:19:17,200
They would have been gone in a
couple more years.

328
00:19:17,200 --> 00:19:23,800
Barrels would have been empty.
So that's that's why is

329
00:19:24,200 --> 00:19:28,100
Elizabeth has learned from me,
is sometimes just opportunities

330
00:19:28,100 --> 00:19:31,700
present themselves, you hadn't
planned on them but like here's

331
00:19:31,700 --> 00:19:35,700
a here's something we might be
able to use Use and and that's

332
00:19:35,700 --> 00:19:38,100
what we did.
Well and I'm just so curious

333
00:19:38,100 --> 00:19:42,300
about the 17-year old barrels
because it's so unusual to see

334
00:19:42,300 --> 00:19:45,300
whiskey that's been aged that
long in the bourbon world and

335
00:19:45,300 --> 00:19:49,700
generally it's considered much
much riskier to aged bourbon for

336
00:19:49,700 --> 00:19:52,300
that long as opposed to like a
scotch whiskey because at some

337
00:19:52,300 --> 00:19:55,200
point the oak kind of overtakes
things and you just given up too

338
00:19:55,200 --> 00:19:58,700
much to the angels, I'm
wondering as you continue to go

339
00:19:58,700 --> 00:20:02,300
back to these barrels as they
age and as you took samples, was

340
00:20:02,300 --> 00:20:05,100
there an element that you were
kind of Playing with fire.

341
00:20:05,600 --> 00:20:07,800
The more and more you went back
to the well and said, you know,

342
00:20:07,800 --> 00:20:09,800
maybe not yet.
Let's let him sit a little while

343
00:20:09,800 --> 00:20:14,700
longer does it seem risky to you
to take that approach?

344
00:20:14,700 --> 00:20:17,700
Oh, yes.
And that's and let's be clear.

345
00:20:18,600 --> 00:20:22,400
This bottling is not all 17 year
old whisky.

346
00:20:22,400 --> 00:20:25,700
It's a bad Sheena, barrels that
are all still quite old.

347
00:20:25,700 --> 00:20:31,200
There's 12 and 13, and some 11s.
So it's a bashing of various

348
00:20:31,200 --> 00:20:35,600
ages, but their flavor profiles
and I think again, it's one of

349
00:20:35,600 --> 00:20:38,800
their so many storylines that we
can't cover them all on a

350
00:20:38,808 --> 00:20:41,600
package, the importance of
batching, which is the

351
00:20:41,600 --> 00:20:45,200
fundamental practice at
Woodford, Reserve, we batch

352
00:20:45,200 --> 00:20:48,900
barrels together to develop a
flavor profile.

353
00:20:49,500 --> 00:20:51,800
So some of the barrels may have
been Woody.

354
00:20:51,800 --> 00:20:54,900
I can't say they all they were
or they weren't some could have

355
00:20:54,900 --> 00:20:56,800
been, I can't remember each and
every barrel.

356
00:20:57,000 --> 00:21:01,300
But again, we're batching them
with other very rare find

357
00:21:01,300 --> 00:21:04,600
barrels to come up with what we
thought was a In flavor

358
00:21:04,600 --> 00:21:08,600
combination and of course, it's
a masters collection.

359
00:21:08,700 --> 00:21:12,200
So it's its own standard.
We don't compare it to anything,

360
00:21:12,200 --> 00:21:15,600
we compare it only to itself and
we don't have to make it again

361
00:21:15,600 --> 00:21:19,100
because Masters collection is a
one-time release.

362
00:21:19,100 --> 00:21:23,000
So it's a unique flavor profile
created from batching our oldest

363
00:21:23,000 --> 00:21:26,500
barrels together to come up with
what we did.

364
00:21:27,100 --> 00:21:29,400
Well and I've been sippin on
this throughout our discussion

365
00:21:29,400 --> 00:21:32,100
and if I could just give even
the briefest of tasting notes

366
00:21:32,100 --> 00:21:33,900
Here.
What immediately?

367
00:21:34,000 --> 00:21:37,600
Oops, out to me on the nose is
the rice spice, just jumps out

368
00:21:37,600 --> 00:21:40,300
of the glass on this.
Obviously, there's a Great Oak

369
00:21:40,300 --> 00:21:43,300
character from the 17-year that
that's kind of bumping up some

370
00:21:43,300 --> 00:21:47,900
of that Oak heavy, you know,
aged scent and flavor here.

371
00:21:48,300 --> 00:21:51,100
But the predominant thing for me
on the nose, is the rise spice.

372
00:21:51,100 --> 00:21:54,000
And then on the flavor, there's
some really great fruit notes.

373
00:21:54,000 --> 00:21:57,600
It's incredibly fruity, which I
was not necessarily expecting.

374
00:21:57,900 --> 00:22:01,000
There's some great summary,
stone fruit like a peach but

375
00:22:01,000 --> 00:22:03,900
then also some much darker
elements like a raise.

376
00:22:04,100 --> 00:22:07,900
And poem a little bit of red
wine character as well.

377
00:22:08,300 --> 00:22:11,400
But the crazy thing is that this
doesn't fall outside.

378
00:22:11,400 --> 00:22:14,700
The general sort of flavor,
profile of Woodford, Reserve.

379
00:22:14,700 --> 00:22:19,700
It's a great kind of marrying of
these additional fruity flavors

380
00:22:19,700 --> 00:22:22,400
into what we all know and love
with the Woodford.

381
00:22:22,400 --> 00:22:25,400
Reserve flavor profile.
Well, thank you, thank you,

382
00:22:25,700 --> 00:22:27,300
Elizabeth.
You want to mention anything on

383
00:22:27,300 --> 00:22:31,600
the flavor profile.
Other than just, you know, we

384
00:22:31,600 --> 00:22:35,400
taste our barrels throughout
Maturation and whenever we have

385
00:22:35,400 --> 00:22:41,700
something kind of earmarked as a
project or as a a yeah I guess

386
00:22:41,700 --> 00:22:44,500
special project or future
Masters collection, Distillery

387
00:22:44,500 --> 00:22:46,700
series, whatever you want to
call it.

388
00:22:47,100 --> 00:22:50,100
We make sure we have access to
those barrels and we taste them

389
00:22:50,100 --> 00:22:53,400
on a regular basis so it's
they're very nurtured and loved

390
00:22:53,400 --> 00:22:55,100
from the get-go.
Not that we don't love and

391
00:22:55,100 --> 00:22:58,200
nurture all of our barrels.
But we can't possibly taste

392
00:22:58,200 --> 00:23:00,500
every single barrel.
We have resting Chris and I

393
00:23:00,500 --> 00:23:04,700
would do nothing but live in
warehouses but We taste every

394
00:23:04,700 --> 00:23:07,700
batch, we always give a quality
rating to every batch of whiskey

395
00:23:07,700 --> 00:23:11,100
we produce and then we have
things that we're marking for

396
00:23:11,100 --> 00:23:12,700
something special.
We keep tasting.

397
00:23:12,700 --> 00:23:15,800
And we make sure that they hit
the flavor we're looking for.

398
00:23:15,800 --> 00:23:19,600
And and you know, these, we kind
of you taste them as they're

399
00:23:19,600 --> 00:23:23,100
aging and it kind of hit that
sweet spot and some about, you

400
00:23:23,108 --> 00:23:25,900
know, and all the back barrels
that went into these batches is

401
00:23:26,700 --> 00:23:28,600
Masters collection.
So it was just kind of a fun

402
00:23:28,600 --> 00:23:32,000
project.
A good learning for me, I'm kind

403
00:23:32,000 --> 00:23:33,600
of how we monitor whiskey that
goes.

404
00:23:33,600 --> 00:23:37,800
That Long because we struggle to
age a long time in our

405
00:23:37,800 --> 00:23:40,100
warehouses because they are heat
cycled.

406
00:23:40,200 --> 00:23:45,100
So this is not something that we
can do and have it be a real

407
00:23:45,500 --> 00:23:48,200
winning thing because we're
going to see with this key lost

408
00:23:48,200 --> 00:23:51,200
at a greater rate than most
warehouses in Kentucky.

409
00:23:53,200 --> 00:23:57,700
We've had a barrel that if you
looked at as contents by itself,

410
00:23:57,700 --> 00:24:00,500
it had six bottles of whiskey in
it.

411
00:24:00,500 --> 00:24:03,500
Wow.
So it is very fine and rare

412
00:24:03,500 --> 00:24:04,800
indeed.
I love that.

413
00:24:05,200 --> 00:24:07,700
Well, the other thing that's
debuting along with this

414
00:24:07,700 --> 00:24:10,700
product, is this new bottle
design that you all have, which

415
00:24:10,700 --> 00:24:14,900
is just absolutely gorgeous.
And, you know, I've always said,

416
00:24:15,100 --> 00:24:18,200
I love Woodford, Reserve and
their bottles but I just can't

417
00:24:18,200 --> 00:24:22,100
use it as a weapon.
So I feel like you have really

418
00:24:22,100 --> 00:24:24,900
remedied that, it's got a nice
club shape to it.

419
00:24:24,900 --> 00:24:28,700
Now, I'm wondering if you could
just give any insight on, you

420
00:24:28,700 --> 00:24:30,400
know, the development of this
bottle.

421
00:24:30,500 --> 00:24:33,300
What was the thought process
behind kind of this new design?

422
00:24:33,300 --> 00:24:35,800
This new rebranding.
Branding of the collection.

423
00:24:36,700 --> 00:24:40,300
Well again the pot still shaped
bottle the now-familiar.

424
00:24:40,300 --> 00:24:46,400
Pot still shaped bottle was a
not a generic model by any

425
00:24:46,400 --> 00:24:51,700
means, but it was a bottle that
we did not own but we had some

426
00:24:51,700 --> 00:24:56,400
rights to it over the years and
and we didn't have anything

427
00:24:56,400 --> 00:24:58,300
else.
We had the original Woodford

428
00:24:58,600 --> 00:25:02,900
bottle didn't have double oaked
or baccarat and again going back

429
00:25:02,900 --> 00:25:05,200
so many years.
How can you for tell the future?

430
00:25:05,200 --> 00:25:10,400
But now as we've expanded to the
distillers, select range with

431
00:25:10,400 --> 00:25:14,300
four expressions and then we've
added Double Oak with its unique

432
00:25:14,300 --> 00:25:16,800
bottle baccarat with its unique
bottle.

433
00:25:16,800 --> 00:25:20,800
It was time to look at that,
that pillar that held the

434
00:25:20,800 --> 00:25:23,100
Masters collection and batch
proof.

435
00:25:23,100 --> 00:25:28,300
And again, that bottle look like
the family anymore because the

436
00:25:28,300 --> 00:25:31,400
family had grown.
So the brand team decided to

437
00:25:31,400 --> 00:25:35,800
design a new bottle that we
would only I'm 100% that would

438
00:25:35,800 --> 00:25:42,600
fit in with the price tearing
with the the premiumness of the,

439
00:25:42,800 --> 00:25:45,500
of the family.
And of course, look like

440
00:25:45,500 --> 00:25:47,100
Woodford.
Look like it belonged to the

441
00:25:47,100 --> 00:25:49,500
would Reserve family.
And I think they've come up with

442
00:25:49,500 --> 00:25:56,500
a real nice response to that.
And there we have it.

443
00:25:58,100 --> 00:26:01,500
I never thought of it as a
weapon but you know, that's

444
00:26:01,500 --> 00:26:03,800
that's what we're here for.
You know, we're constantly

445
00:26:04,000 --> 00:26:07,300
Trying to give new ideas.
So you're welcome for that one

446
00:26:08,500 --> 00:26:11,600
so Elizabeth.
I can't let you go today without

447
00:26:11,600 --> 00:26:14,100
talking about one other thing
that we do here on the film and

448
00:26:14,100 --> 00:26:17,300
whiskey podcast, when we had
Chris, the first time he joined

449
00:26:17,300 --> 00:26:20,000
us for a series of bonus
episodes that we do called my

450
00:26:20,000 --> 00:26:22,900
favorite movie and we kind of
hinted earlier that he brought

451
00:26:22,900 --> 00:26:25,800
up a western and he also brought
up The Day the Earth Stood Still

452
00:26:26,200 --> 00:26:29,200
I'm wondering for you if you
could maybe just give us a small

453
00:26:29,200 --> 00:26:32,900
teaser of what your favorite
movie might be because I'd love

454
00:26:32,900 --> 00:26:35,300
to have you back on the show?
Though we'd love to do a my

455
00:26:35,300 --> 00:26:38,600
favorite movie bonus episode and
talked about this at length.

456
00:26:39,000 --> 00:26:41,700
But if you you know, on the
spot, if we asked you, what your

457
00:26:41,700 --> 00:26:43,500
favorite movie was, what would
you say?

458
00:26:43,800 --> 00:26:47,200
Okay.
Um, I had to come to mind,

459
00:26:47,500 --> 00:26:49,300
they're both very different
films.

460
00:26:49,800 --> 00:26:55,100
First of all, Forrest Gump is my
I love that movie, I could sit

461
00:26:55,100 --> 00:26:57,900
down and watch it at any time,
start watching it, no matter

462
00:26:57,900 --> 00:27:01,200
what where it is in the movie.
I know what they're going to say

463
00:27:01,200 --> 00:27:03,800
next.
I just love love.

464
00:27:04,000 --> 00:27:08,400
That movie another one that I
love is Steel Magnolias.

465
00:27:08,500 --> 00:27:11,600
So yeah, I mean that's just a
classic for any.

466
00:27:12,000 --> 00:27:14,500
I think southern woman just
loves Steel Magnolias.

467
00:27:14,800 --> 00:27:18,200
Yeah.
So the holiday movies, the what

468
00:27:18,400 --> 00:27:20,900
Chris pointer was talking about
is that we all really like

469
00:27:20,900 --> 00:27:24,300
Christmas vacation, I mean and
when somebody doesn't know that

470
00:27:24,300 --> 00:27:29,800
movie it just it's my soul.
I don't understand how you don't

471
00:27:29,800 --> 00:27:33,500
know Christmas vacation but
that's definitely a classic

472
00:27:33,900 --> 00:27:37,000
Well, this sounds like a
fantastic future episode is

473
00:27:37,000 --> 00:27:39,600
shaping up already, Chris and
Elizabeth.

474
00:27:39,600 --> 00:27:41,800
I cannot thank you enough for
being on the show today,

475
00:27:41,900 --> 00:27:43,300
everybody, this has been
Woodford.

476
00:27:43,300 --> 00:27:46,400
Reserve Master distillers, Chris
Morris and assistant Master

477
00:27:46,400 --> 00:27:49,600
distiller, Elizabeth McCall,
talking about this new Woodford,

478
00:27:49,600 --> 00:27:52,100
Reserve.
Masters collection release very

479
00:27:52,100 --> 00:27:55,000
fine.
Rare bourbon, guys, it's

480
00:27:55,000 --> 00:27:56,800
fantastic.
If you get a chance to try a sip

481
00:27:56,800 --> 00:27:58,900
of it, it is absolutely worth
it.

482
00:27:59,200 --> 00:28:01,300
I have to say thank you both
again for being on the show.

483
00:28:01,400 --> 00:28:02,700
Thank you.
Thank you.

484
00:28:03,100 --> 00:28:05,000
All right.
We'll see you again on Monday

485
00:28:05,000 --> 00:28:06,800
for a regularly scheduled
episode.

486
00:28:06,900 --> 00:28:09,700
But until then I'm Bob book and
we'll see you next time.