March 16, 2023

Top Fives: 24-Hour Movies

Top Fives: 24-Hour Movies
Top Fives: 24-Hour Movies
Film & Whiskey
Top Fives: 24-Hour Movies

Bob and Brad take a trip across the Ohio River to Kentucky to visit New Riff Distilling for a special whiskey tasting.

In today's episode, we are joined by New Riff Distilling global ambassador Jay Erisman as we discuss the top five movies that take place over 24 hours. And to make things even more special, we'll be sampling three whiskeys from New Riff that were all distilled on the same day.

Film & Whiskey Podcast. New episodes every Monday.

Theme music: "New Shoes" by Blue Wednesday

Pictured: Before Sunrise, 12 Angry Men, Do the Right Thing, Rashomon, High Noon

--- Send in a voice message: https://anchor.fm/filmwhiskey/message Support this podcast: https://anchor.fm/filmwhiskey/support
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As we get into today's episode,
I just want to take a second,

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remind you that there's a ton of
extra content, available to the

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members of film and whiskey
Nation who support us through

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our patreon.
Check us out on patreon.com

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film, whiskey.
Hey everybody.

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Welcome into the film and
whiskey podcast.

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I'm Bob book, I'm Brad G and
we're hanging out at new riff.

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Distillery new riff.
We have crossed the river into

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Kentucky, made it made it all
the way over that.

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Bridge man this is the first
time we've recorded in person in

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a long time so we're in Kentucky
in September.

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Yeah it's been a while man.
We're in between Seasons six and

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seven right now.
Yeah.

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And we're doing a little special
bonus episode because we all see

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food, we received a very special
invitation from our friend, Jay

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ayersman at new riff.
The greatest, the bearded Jason

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here right next to us.
I'll spare the graphic details

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of just exactly how Unbelievably
sexy.

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This beard is it is wearing.
Now just think about Stallone

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and Rambo for Rocky for, sorry.
What kind of movies are we

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talking about Jay?
How are you today?

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I'm all right.
Jay has unmistakably and without

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question.
One of the best voices in the

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world of whiskey.
Yeah, easily.

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Every time he's on the show,
there's a reason he hasn't been

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on in six seasons and it's
because I'm afraid he's gonna

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usurped my Throne ezel every
time he's on.

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Yeah, I mean, we all know that
you have the best.

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Voice on this podcast Bob.
I mean, you know, but Jay if he

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were a regular guest, it would
be closed is more intelligent

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and has a better voice.
It's true.

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So so we're on site at Nur if
we're going to be sampling, some

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Whiskey's today and we're going
to be doing a top 5 episode with

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a really, really killer theme.
This was all Jays idea, you

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know, he is the brainchild of
this podcast horror slasher

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theme killer theme Here, guys.
We're going to be looking at

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Whiskey's that come from the Mm
day of production.

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So we're trying three Bourbons
that were all produced on the

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same day and we're going to be
looking at movies.

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That take place over the course
of one day.

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Those are our top fives, a
twenty four-hour movie.

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Brilliant.
Not I'm so excited.

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Yeah, I'm really excited to Bob.
It is wonderful to be here

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today.
First off, thanks for having us.

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Glad to have you back.
This is Brad's first time at New

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riff.
We've taken a little tour of the

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facility and the, the tour is
apropos to what we're talking

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about here.
Because of the way that they

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distill their bourbon.
All their Whiskey's here at Nur

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if Jay.
Can you tell us a little bit

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more about the process and how
that affects the three Bourbons

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were drinking today?
Sure.

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Thing Bob so at new riff we
have, we have now nine

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fermenters, we expanded a year
ago, just about with nine more

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with seven, eight and nine.
So we have these fermenters and

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in a day's production, we empty
three fermenters and and make

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three matches and fill them back
up.

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So it's three batches a At Nur,
if it doesn't seem like that

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now, because we run in a 24-hour
cycle, not 24/7, but 24 hours.

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So sometimes in a day we
actually put into barrel for but

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conceptually, we always thought
of quote, unquote, a day's

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production as being three
batches and for reasons that

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will explain in a little bit
because of our unique size and

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the layout of the building and
some of the architectural.

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Constraints, we have and so on,
we don't have huge tanks to

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store spirit in.
And so, when we make these three

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batches, we distill a fermenter
and that goes in a Spirits tank,

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we call it the gauge tank and
it's where we gauge the whiskey,

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which is to find out exactly how
much whiskey do we have here?

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And in terms of alcohol, as well
as just liquid gallons.

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So we gauge the whiskey and we
cut it to 110 proof which is are

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barreling, proof, rather low,
barreling proof And put it in

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the barrel and now the tank is
empty.

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So then we go into still another
fermenter and we put that in the

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tank, we cut that to 110 proof
and we put that in the barrel.

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So now that one's empty and we
do three of these and that's

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considered a day's production
and that's differently than the

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way most distilleries run,
especially larger ones than us

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and we are sort of a mid-major
Distillery.

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We make twelve thousand barrels
a year.

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We make 40 odd barrels a day.
42, barrels a day.

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Which is no small bit of
production.

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I mean, it's healthy a little
bit of whiskey.

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It's a little bit of whiskey,
but we're still in many other

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ways small.
And so these tanks, only hold

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the output of one fermentation.
Well, one if we could one batch

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which is about 12 to 14 barrels
and most distilleries, don't

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really operate that way.
They have a much larger tank

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that they send their Spirits
into.

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They call it a cistern tank and
they distill a fermenter and it

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goes in the cistern tank, and
they distilled another

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fermenter, and that goes in the
tank.

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They distill three more from
enters.

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The tank is as big as your house
and eventually they start

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cutting that down to proof and
putting it into the barrel.

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What they've done is
homogenized, any differences

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between all those different
fermenters that they ran off and

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For Better or Worse, we don't
run that way.

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That's a super smart way for
those distilleries to operate

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because it builds a lot of
consistency into what's going

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into the barrel.
We're small enough that we just

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can't have these huge tanks so
we do not homogenize the flavor

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of each batch.
And we preserve to a much larger

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degree than most places, the
individual character of each

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fermentation.
And the truth is, we know each

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fermentation each given batch.
I mean, I don't mean the tank

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itself, like tank number one,
has a sweet flavor, that's not

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it at all, but each given batch
can have a unique character, a

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particular character.
And we know that because we

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taste all 12 to 14 barrels of
each batch.

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So he takes the 13 barrels out
of that fermentation, and it's

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generally sweet.
And the next one is generally

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Dry the next one, might be
spicy.

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The next one might be Smoky what
that means.

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For years later when we're
making single barrels, we

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present to the consumer.
A product that not only captures

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the flavor of that particular
piece of wood, you know, that

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particular Barrel, that that
influence that, that whiskey,

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and also the character of where
that Barrel was stored in the

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warehouse.
Was it high?

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Was it LO, was it sitting in the
sun?

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Things like that.
But we also offer them this

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fermentation character, and The
result is that new riff single

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Barrels have got a tremendous
range of flavor so much so that

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if somebody sample just a newer
single barrel and and they don't

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really like sweet whiskey and
that one happened to be a really

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dry tasting patch.
They might finally a bourbon,

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that's not too sweet and they
try the next one and it is sweet

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and now they're upset.
I'm sorry, that could happen.

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If you do your whiskey consumer,
please buy the bottled in bond

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from new riff.
But our single barrels can have

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a tremendously variable.
Character to them, that captures

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that, as a whiskey nerd, whiskey
lover.

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I find that fun.
I find it fascinating.

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Fascinating, I wouldn't have it
any other way.

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So it's always, you know,
intrigued me to compare the

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difference between a day's
production.

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And, of course, I've tasted
umpteen bajillion batches of

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them and certainly tasted many
different days, but I've never

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sat down like this, to do it,
with some other people to do, it

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sort of analytically, and to
have some fun with it.

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So, when you go into something
like this, like a days,

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Production is the intent.
Usually, these are these are

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intended for single barrels or
they could end up as bottled in

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bond.
They could end up batch

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together, like, you know, not
necessarily these three that are

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in front of us.
But like what would the intent

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be when you sit down with
multiple samples from a day's

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production?
Well, we analyze each batch and,

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and and taste each batch.
We actually sample and analyze

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damn near every Peril.
It is, people say all the time,

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I want that job, you know.
Are you hiring, buddy?

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You don't want to be hired for
that job.

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It is actually really difficult
and exhausting work, but we got

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to do it.
I'm saying that without an ounce

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of facetiousness.
Yeah.

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You know, it's, it is, it is
fun.

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But it's very taxing.
So we do sample, almost all of

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them and determine is this
Barrel fit for a single barrel.

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And when I say fit, I don't mean
that the best of the best all go

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to the single barrels, we're
really looking for, obviously a

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good.
Distant quality across the

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entire sample and experience.
But also for something unique,

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you know, does that Barrel?
That batch what's got?

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So we have to save some of those
to become our bottled in bond,

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which is made from a batching
together a wedding.

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If you will of about 25 to 30,
maybe 20 to 30 barrels and then

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we also hold back about twenty
to thirty percent of everything

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we make to become older.
And so that's another future

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life.
For these Whiskey's.

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Which, which of them do we hold
back, but we don't go into it

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saying.
This batch is all going to go

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single.
That's not really it at all,

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from a given batch.
We probably cut it up about

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three different ways.
Plenty of it goes to bottled and

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bond.
Some of it will go to single

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barrel production and some will
be held back.

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I'm curious.
Jay, do you feel like in the, in

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the world of the whiskey
consumer, it seems to me, like,

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people have been slowly moving
away from the more established

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Brands and just venturing out
into The wild west of craft

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distilleries and everything
that's going on out there.

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Where do you feel like new riff
is positioned in there.

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Where like you said, you're kind
of a mid-major producer.

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You're not just some tiny craft
Distillery but you're also

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diving into that a little bit
more experimental, a little more

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variety of flavor that you would
get from a place like that.

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Right.
Good question Brad.

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Well we don't really conceive of
ourselves as as craft whatever

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that means.
Yeah, we have much more in

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common with the Four Roses of
the world than we do.

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You know a guy in a shack with a
pot, still cranking It Out by

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hand and things like that field
but it must act now it was that

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the guy in the gal in the shack
with the pot still that did did

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play a huge inspiration in us.
You know, it's building new riff

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and creating it undoubtedly, had
it not been for the the craft

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distilling wave in the in.
The early 2000s.

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So we always thought we have
first of all, such inspiration

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and such a legacy of great
whiskey producing and Kentucky

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behind us generations of people
that made this industry what it

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is.
And we never think that we're

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just going to supplant all that
whatsoever.

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That was our inspiration.
I love it easily.

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One of the best looking bottles.
Thank you.

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My gosh.
Every time I see it I'm like

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that transition from the matte
black to the here's the thing,

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Packaging.
Matters it really.

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I don't care what anybody says
and you know, we've, we've

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talked to a wide range of people
on this podcast and sometimes

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people that are very
traditionalists.

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00:11:00,800 --> 00:11:03,800
And, and purists will say that,
like, anything that's in a

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flashy looking package, is just
a gimmick and it's all marketing

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00:11:06,700 --> 00:11:10,400
and no packaging matters.
Yeah, and you know, the thing I

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love about new riff is it's one
of the few that we found where

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the packaging is as striking as
what's inside of the bottle.

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Yep.
All right, Brad.

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It is time for us to talk
movies.

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00:11:18,900 --> 00:11:20,100
We're going to go to a quick
break.

219
00:11:20,100 --> 00:11:21,400
When we come back, we'll be
breaking.

220
00:11:21,500 --> 00:11:23,800
I'm down our top 5. 24-hour
movies.

221
00:11:23,800 --> 00:11:25,700
What do you say?
Let's get to it.

222
00:11:28,600 --> 00:11:31,600
All right, Brad, it's time for
us to break down our top 5

223
00:11:31,600 --> 00:11:34,400
movies that take place in the
course of a day.

224
00:11:34,700 --> 00:11:38,500
Hmm, this was kind of a hard
list to make because, you know,

225
00:11:38,600 --> 00:11:41,600
we've watched a lot of movies
that take place in real time.

226
00:11:41,900 --> 00:11:44,400
So like a, you know, an hour and
a half log movie, that is

227
00:11:44,400 --> 00:11:46,300
supposed to be 90 minutes long,
right?

228
00:11:46,600 --> 00:11:49,700
And I'm thinking of a really fun
little movie from like the early

229
00:11:49,700 --> 00:11:52,500
2000s called phone booth that
I'm really operates that way.

230
00:11:52,700 --> 00:11:54,000
I didn't choose a movie like
that.

231
00:11:54,000 --> 00:11:57,300
I wanted a movie where like
sunup to sundown.

232
00:11:57,500 --> 00:12:00,800
Yeah, was for Most part the
central conceit of the movie.

233
00:12:01,400 --> 00:12:03,200
And I think I've got a pretty
good list, how you feel about

234
00:12:03,200 --> 00:12:06,700
your list, great Trio, life
right up there.

235
00:12:08,000 --> 00:12:10,800
Now he gets about the entire
creation but liver days of

236
00:12:10,800 --> 00:12:13,400
creation.
Yeah, that's what you wanted.

237
00:12:14,300 --> 00:12:15,800
All right, Brad.
Why don't you kick us off here?

238
00:12:16,100 --> 00:12:18,600
Jay actually has just one movie.
He wants to talk about.

239
00:12:18,600 --> 00:12:23,100
He said, forget your top fives
does movie is as good as five

240
00:12:23,100 --> 00:12:24,200
films.
That's right.

241
00:12:24,200 --> 00:12:27,100
That's all I'll kick in with a
couple of them.

242
00:12:27,200 --> 00:12:30,100
Please do you guys may not.
Cover or more to the point

243
00:12:30,400 --> 00:12:33,300
include a couple that I love and
they're really great movies and

244
00:12:33,300 --> 00:12:38,000
blah blah blah but wouldn't
inform or Echo.

245
00:12:38,000 --> 00:12:40,400
What we have learned about new
riffs day of production.

246
00:12:40,400 --> 00:12:43,700
Are you guys there's a movie out
there that that I thought did so

247
00:12:43,800 --> 00:12:47,400
it was a very bad day.
Alright.

248
00:12:47,400 --> 00:12:49,500
Yeah, Dog Day Afternoon, that's
a man.

249
00:12:49,700 --> 00:12:52,300
Don't get too far ahead, doesn't
get much better than that.

250
00:12:53,900 --> 00:12:58,200
Alright so my number five, this
is honestly based a little more

251
00:12:58,400 --> 00:13:02,100
Memory then on having watched
the film recently, but I

252
00:13:02,108 --> 00:13:06,600
remember watching The Taking of
Pelham 123 in, probably the mid

253
00:13:06,600 --> 00:13:09,200
2000s.
I was probably a mid teenage

254
00:13:09,200 --> 00:13:11,300
years.
Are you talking the remake or

255
00:13:11,300 --> 00:13:15,100
the original, the Johnny
Travolta and Zell Washington?

256
00:13:15,300 --> 00:13:20,100
I just remember that movie being
incredibly suspenseful.

257
00:13:20,100 --> 00:13:22,100
Yeah.
And some great action in it,

258
00:13:22,100 --> 00:13:26,000
that movie is really underrated
and you know, people have really

259
00:13:26,000 --> 00:13:29,700
come around on the original.
It's got In a recent re-release

260
00:13:29,900 --> 00:13:33,300
in 4k and people have been, you
know, praising the original from

261
00:13:33,300 --> 00:13:36,400
the 70s, I loved the Remake, I
thought they know, it's a Tony

262
00:13:36,400 --> 00:13:39,100
Scott movie who's a director
that I want to do on the podcast

263
00:13:39,100 --> 00:13:42,200
at some point.
But I really really love that

264
00:13:42,200 --> 00:13:43,800
movie.
Yeah, it's especially with a

265
00:13:43,800 --> 00:13:46,900
very hammy, John Travolta
villain performance.

266
00:13:46,900 --> 00:13:48,200
Yep.
Like it does not get much better

267
00:13:48,200 --> 00:13:50,800
than that and Denzel being that
ends up being Denzel.

268
00:13:50,800 --> 00:13:52,800
So, yeah, that is my number
five.

269
00:13:52,900 --> 00:13:55,900
My number five is a movie from
1995.

270
00:13:56,800 --> 00:13:59,900
And the start of a Trilogy that
is really beloved in film

271
00:13:59,900 --> 00:14:02,400
circles from the director,
Richard linklater, it's a movie

272
00:14:02,400 --> 00:14:06,600
called Before Sunrise.
I love this movie, does the

273
00:14:06,600 --> 00:14:08,100
whole movie happened before
state does?

274
00:14:08,100 --> 00:14:12,300
Yeah, so it's about Ethan,
Hawke's character is an American

275
00:14:12,300 --> 00:14:15,400
overseas in Europe and he's kind
of like one of these movies,

276
00:14:15,400 --> 00:14:19,200
like a snooty college kid.
Mmm, and he meets Julie delpy.

277
00:14:19,200 --> 00:14:21,900
He's character who's a French
girl who's also traveling and

278
00:14:21,900 --> 00:14:24,500
they just spend an evening
walking around the streets of

279
00:14:24,500 --> 00:14:27,600
some European city.
And falling in love.

280
00:14:27,600 --> 00:14:30,600
And what I love about that movie
is Ethan.

281
00:14:30,600 --> 00:14:35,100
Hawke's character is so
obviously like 22 years old.

282
00:14:35,100 --> 00:14:36,700
Yeah.
And he knows everything about

283
00:14:36,700 --> 00:14:39,000
the world and he thinks he's
being super deep and

284
00:14:39,000 --> 00:14:42,200
philosophical and then you know
not to spoil everything.

285
00:14:42,200 --> 00:14:45,300
But the second film in the
trilogy happens, like, I don't

286
00:14:45,300 --> 00:14:48,000
know, seven years later.
And now before long now they're

287
00:14:48,000 --> 00:14:52,500
30, it's called Before Sunrise
Before Sunset and then before

288
00:14:52,500 --> 00:14:55,500
midnight or the three movies, do
they die in the third one?

289
00:14:55,500 --> 00:14:59,500
I broke.
Um, You're just the worst

290
00:15:00,000 --> 00:15:01,900
Before.
Sunrise is my number if I film

291
00:15:01,900 --> 00:15:03,300
right.
Hit us with your number four.

292
00:15:03,400 --> 00:15:07,200
Yeah, number four is a film.
We just did recently in season.

293
00:15:07,200 --> 00:15:10,300
Six collateral.
Oh nice.

294
00:15:10,500 --> 00:15:12,800
Famously takes place in one
evening.

295
00:15:12,800 --> 00:15:16,700
Yeah yeah five stops five stops
five deaths.

296
00:15:18,700 --> 00:15:20,200
Quite a few more than five
minutes.

297
00:15:22,100 --> 00:15:24,300
It wouldn't be a film in whiskey
episode of Brad.

298
00:15:24,300 --> 00:15:26,200
Did not get the chance to talk
about Tom Cruise.

299
00:15:26,600 --> 00:15:31,400
Tom Cruise is the reason we
still have Cinema, so had a

300
00:15:31,400 --> 00:15:34,900
podcast, a pair, and a podcast.
So that's all I'm going to say

301
00:15:35,300 --> 00:15:37,800
there is something to that.
Yeah, yeah, I mean, if not for

302
00:15:37,800 --> 00:15:40,100
top gun Maverick we wouldn't be
here.

303
00:15:40,200 --> 00:15:42,500
We wouldn't know.
Not hyperbole, none of us.

304
00:15:42,700 --> 00:15:45,900
We'd all be dead.
And I mean, I guess that's a

305
00:15:45,908 --> 00:15:47,400
perfect segue.
I think we should Dive Right

306
00:15:47,400 --> 00:15:50,000
into these three samples.
We've poured them all out in

307
00:15:50,000 --> 00:15:52,100
front of us, we know nothing
about them Brad.

308
00:15:52,200 --> 00:15:54,000
Other than that, they were
distilled on the same day.

309
00:15:54,000 --> 00:15:57,800
I was in and they're from new.
Or if they're from new riff.

310
00:15:58,300 --> 00:16:00,200
So J.
We are in your hands.

311
00:16:00,200 --> 00:16:01,600
Can you walk us through these
samples?

312
00:16:01,800 --> 00:16:04,700
Sure.
So we have in front of us, three

313
00:16:05,000 --> 00:16:07,900
samples that were distilled.
We're Puttin the barrel, but

314
00:16:07,900 --> 00:16:12,300
probably distilled on December
9th, 2018.

315
00:16:12,700 --> 00:16:18,800
So these turned for back in
December and they are part of

316
00:16:18,800 --> 00:16:22,500
our Single Barrel selection
barrels right now.

317
00:16:22,500 --> 00:16:26,900
So some some Lucky Soul will
come along and and find a Made

318
00:16:26,900 --> 00:16:31,000
in one of these barrels and take
it home to their store or their

319
00:16:31,000 --> 00:16:32,600
restaurant, or their borrow
whatever.

320
00:16:33,100 --> 00:16:37,800
So, or their home literally.
We sell private perils to, to

321
00:16:37,800 --> 00:16:40,600
the public as well.
Sell a lot of those.

322
00:16:40,600 --> 00:16:43,700
So, on the top of the, of the
little bottle, here, I have

323
00:16:43,700 --> 00:16:46,900
written down the lot code.
This is the federal

324
00:16:46,900 --> 00:16:50,200
government's, preferred code for
how we refer to a batch.

325
00:16:50,200 --> 00:16:56,300
It's called 18l 09 and that
translates to 18 the year 2018.

326
00:16:56,500 --> 00:16:59,100
Mean, l is the month, December?
Okay?

327
00:16:59,100 --> 00:17:03,200
It's okay.
ABCD a is January 18, L 09, of

328
00:17:03,200 --> 00:17:07,700
course, 18 lo9 is the is the
ninth of that month.

329
00:17:07,700 --> 00:17:16,599
So we have 18l 09:18 lo9 a and
18l 09b and respectively.

330
00:17:16,599 --> 00:17:20,700
Those Barrel numbers are one
five, five, three, five, one

331
00:17:20,700 --> 00:17:24,900
five, five, zero one, five,
five, six, six.

332
00:17:25,099 --> 00:17:26,400
Be on the lookout.
Yeah.

333
00:17:26,500 --> 00:17:28,800
You hit your retail stores here
in the next few years.

334
00:17:28,800 --> 00:17:31,100
I guess.
No, sir, I need to see the

335
00:17:31,100 --> 00:17:34,800
number of the barrel, please.
Well, it's on there on

336
00:17:34,800 --> 00:17:36,800
single-barrel someday someone
will find this.

337
00:17:37,400 --> 00:17:42,300
So what we have here is is and I
tasted these earlier so I can

338
00:17:42,300 --> 00:17:45,400
vouch for them all.
I didn't go necessarily

339
00:17:45,400 --> 00:17:49,300
selecting a day with wildly
different character.

340
00:17:49,300 --> 00:17:52,400
In all three batches that would
have been finding.

341
00:17:52,600 --> 00:17:55,800
It was hard enough to find this.
It took about 20 minutes.

342
00:17:57,000 --> 00:18:01,000
But it would be really tough to
find two intent.

343
00:18:01,000 --> 00:18:03,800
Fully find a day that that had
they did.

344
00:18:03,800 --> 00:18:05,400
In fact, have wildly different
care.

345
00:18:05,400 --> 00:18:07,800
I want a smoky one, Anna, sweet
one, and a dry one.

346
00:18:08,400 --> 00:18:11,300
But we run across this kind of
days and on any given day, any

347
00:18:11,300 --> 00:18:14,300
again, any given batch can have
particular character.

348
00:18:14,300 --> 00:18:16,900
So with that in mind.
Let's let's start just by nosing

349
00:18:16,900 --> 00:18:20,200
them.
One, two, three really beautiful

350
00:18:20,200 --> 00:18:24,300
I.
So I'd let it sit for about 5-10

351
00:18:24,300 --> 00:18:26,700
minutes here and I just knows it
as is.

352
00:18:27,300 --> 00:18:30,700
And it was just really deep
brown sugar and I mean, it was a

353
00:18:30,708 --> 00:18:35,300
classic bourbon nose with
absolutely no ethanol burn on

354
00:18:35,300 --> 00:18:38,600
the nose whatsoever.
It was almost like really fresh

355
00:18:39,000 --> 00:18:43,600
post rain water, like it smelled
fresh, and I gave it a little

356
00:18:43,600 --> 00:18:46,100
agitated, it a little bit, I
swirl it around and then these

357
00:18:46,100 --> 00:18:48,200
really beautiful floral notes
came out the spice.

358
00:18:48,300 --> 00:18:50,700
Came back a little bit.
I almost get like a little wisp

359
00:18:50,700 --> 00:18:54,200
of Dill on the end of this two.
Agates just really, really

360
00:18:54,200 --> 00:18:56,800
beautiful.
Yeah, for me, it wasn't

361
00:18:56,800 --> 00:18:58,900
necessarily Dale.
As a little bit minty, almost

362
00:18:58,900 --> 00:19:02,200
like a sweet mint mixed with
like a buttered popcorn.

363
00:19:02,600 --> 00:19:06,600
Like I think that this is a
really buttery almost creamy

364
00:19:06,600 --> 00:19:09,000
type of nose here.
Those herbal notes.

365
00:19:09,000 --> 00:19:11,500
You're describing.
I would certainly a tribute to

366
00:19:11,500 --> 00:19:15,500
the Rye in our whiskey, and it's
a high rhyme Asheville, 30% r.

367
00:19:15,500 --> 00:19:20,300
I so there can definitely be a
And herbaceousness coming from

368
00:19:20,300 --> 00:19:22,400
deal.
Sometimes and mint in particular

369
00:19:22,400 --> 00:19:26,700
is common, especially common in
our rye whiskey, which is 95% R.

370
00:19:26,700 --> 00:19:30,300
I5 % Malta dry.
So that is a very spicy meatball

371
00:19:30,300 --> 00:19:35,300
of a whiskey and mint and not
like peppermint or or Altoids or

372
00:19:35,300 --> 00:19:39,100
toothpaste or something.
But more of a floral herbaceous

373
00:19:39,600 --> 00:19:44,900
like Wintergreen spearmint
possibly crossing over into

374
00:19:44,900 --> 00:19:48,000
things like sassafras or
Sarsaparilla people.

375
00:19:48,000 --> 00:19:50,500
Sometimes Say, hey, remember
those root beer candies, we ate

376
00:19:50,500 --> 00:19:53,500
when we were kids, a little root
beer barrels like that, it can

377
00:19:53,500 --> 00:19:56,600
sometimes virgin to that kind of
a flavor from the Rye.

378
00:19:57,000 --> 00:20:00,900
Yeah, and even as I give that
number one, A Taste oh-ho, man,

379
00:20:01,200 --> 00:20:06,500
the Rye is just at the right
amount where you get the brown

380
00:20:06,500 --> 00:20:09,900
sugar, the caramel like I said
almost like a buttery salty

381
00:20:09,900 --> 00:20:14,200
popcorn but that that
herbaceousness comes through the

382
00:20:14,200 --> 00:20:17,400
rice spices there on the back
end Jay.

383
00:20:18,200 --> 00:20:21,200
That's an incredible whiskey.
I will say this is like, you

384
00:20:21,200 --> 00:20:23,500
know, Brad is the Rye Drinker of
the two of us.

385
00:20:23,500 --> 00:20:27,500
I'm the bourbon guy and I prefer
my Bourbons to be like, let's be

386
00:20:27,508 --> 00:20:28,900
frank here.
Like sickly sweet.

387
00:20:28,900 --> 00:20:32,000
I love a sweet permit.
Brad likes, his really strong

388
00:20:32,000 --> 00:20:35,400
ride punch on a bourbon and this
one definitely tips on the

389
00:20:35,400 --> 00:20:38,500
flavor, you know the Palin into
the right like it has the

390
00:20:38,500 --> 00:20:41,200
bourbon sweetness at the front
of the palate and then the mint

391
00:20:41,200 --> 00:20:43,700
and the Rye really take over
towards the back of the palette.

392
00:20:43,700 --> 00:20:46,100
For me.
It's really beautiful but it

393
00:20:46,100 --> 00:20:47,700
definitely has a spice to it.
Yeah.

394
00:20:48,300 --> 00:20:50,900
Are there any other tasting
notes on number one that you

395
00:20:50,900 --> 00:20:53,200
think we may have missed here?
Oh, I think you pretty much

396
00:20:53,200 --> 00:20:56,000
covered it for me.
The fascinating part is

397
00:20:56,900 --> 00:21:00,300
comparing these three and seeing
how, you know, an analogy I use

398
00:21:00,300 --> 00:21:02,600
sometimes is like a mixing
board.

399
00:21:02,600 --> 00:21:05,200
You guys are recorded on a
guitar player on the I'm a

400
00:21:05,200 --> 00:21:07,800
recorder also.
We deal with mixing board and

401
00:21:07,800 --> 00:21:09,700
you push the faders up and
things like that.

402
00:21:10,000 --> 00:21:13,900
These have broadly similar
characters.

403
00:21:13,900 --> 00:21:16,000
I don't think there's anything
in here that stands out like a

404
00:21:16,008 --> 00:21:20,400
sore thumb like the I And the
Smoky flavor truly there is like

405
00:21:20,400 --> 00:21:23,600
one in about, I don't know, 20,
18 or 20.

406
00:21:23,800 --> 00:21:26,400
If we sit down and taste, you
know, a month or a month and a

407
00:21:26,400 --> 00:21:31,200
half production, we eventually
run across a smoky batch and I

408
00:21:31,200 --> 00:21:35,300
do not know why it gets smoked,
it's not the barrel.

409
00:21:35,500 --> 00:21:38,700
It is not the barrel or else any
given Barrel would have some,

410
00:21:38,800 --> 00:21:41,600
some percentage chance of being
a smoky one.

411
00:21:41,800 --> 00:21:45,400
Know, it's something in the damn
fermentation and I can't imagine

412
00:21:45,400 --> 00:21:48,000
what it is see.
That's that's what I just love

413
00:21:48,000 --> 00:21:48,800
about.
Whiskey.

414
00:21:48,800 --> 00:21:53,200
Yeah, like, I have at this
point, we have talked to people

415
00:21:53,200 --> 00:21:56,400
from so many different
distilleries all across the

416
00:21:56,400 --> 00:22:00,700
Spectrum from owners to
distillers to everything and

417
00:22:00,700 --> 00:22:03,900
nobody has an answer.
As to why this isn't a science,

418
00:22:03,900 --> 00:22:06,500
it is a science.
It like the funny thing is, you

419
00:22:06,500 --> 00:22:09,000
could break this down on the
molecular level and say, like,

420
00:22:09,000 --> 00:22:12,200
oh this has the presence of this
many different types of things

421
00:22:12,200 --> 00:22:15,100
in it, that this one doesn't.
And, yeah, there's no explaining

422
00:22:15,100 --> 00:22:17,100
how it got that.
How it got exactly.

423
00:22:17,100 --> 00:22:21,300
And that's the Part for me where
I'm like, yes, it's a science,

424
00:22:22,100 --> 00:22:25,500
but it's not a mystery, it's an
art and it's a mystery and I

425
00:22:25,508 --> 00:22:27,300
love that.
Well, you're talking about

426
00:22:27,300 --> 00:22:30,900
smokiness and honestly that
segues me into number 2 here

427
00:22:30,900 --> 00:22:33,700
because if I can go down memory
lane for a minute Brad, you

428
00:22:33,708 --> 00:22:36,400
know, that I got up.
I grew up Catholic, you should I

429
00:22:36,408 --> 00:22:40,700
was an altar, server, fails and
snarls, baby bells and smell for

430
00:22:40,700 --> 00:22:43,700
a number of years.
I was, you know, donning, the

431
00:22:43,700 --> 00:22:46,000
white robe.
And were you an altar boy?

432
00:22:46,000 --> 00:22:47,700
I was.
Yeah, yeah.

433
00:22:48,300 --> 00:22:52,900
This you serving me or so much
of like, the combo of freshly

434
00:22:52,900 --> 00:22:55,100
washed like white linens.
Uh-huh.

435
00:22:55,200 --> 00:22:59,200
And freshly extinguished church,
candle wax.

436
00:22:59,200 --> 00:23:03,600
Like, it has like a wax Enos and
like a extinguished Wick to it.

437
00:23:03,700 --> 00:23:07,200
There's a smokiness to this.
That is like, I feel weird

438
00:23:07,200 --> 00:23:09,300
because I'm drinking whiskey,
but I'm also remembering being,

439
00:23:09,300 --> 00:23:11,900
like, 10 years old.
So it's very conflicted.

440
00:23:11,900 --> 00:23:15,400
You just feel like your soul,
I'm sitting pun hardcore right

441
00:23:15,400 --> 00:23:18,400
now.
Yeah, I was at, hey, If there's

442
00:23:18,400 --> 00:23:20,200
anybody who doesn't drink in the
Christian world, it's the

443
00:23:20,208 --> 00:23:24,400
Protestants not the Catholics.
Yeah, this one.

444
00:23:24,700 --> 00:23:28,300
It has a real again, once again,
it's a clean scent to it.

445
00:23:28,400 --> 00:23:30,800
Yeah, we use these words
sometimes, then, I like that,

446
00:23:30,800 --> 00:23:32,700
they're more evocative than they
are descriptive.

447
00:23:32,700 --> 00:23:35,400
But, you know, Brad, when we
drink Irish whiskey, we always

448
00:23:35,400 --> 00:23:37,500
use the word bright.
Get reminds us of citrus and

449
00:23:37,500 --> 00:23:41,200
melon.
This one has like a very clean.

450
00:23:41,300 --> 00:23:43,400
Your word of linen.
Yeah, it was perfect.

451
00:23:43,400 --> 00:23:44,100
Absolutely.
Yeah.

452
00:23:44,100 --> 00:23:48,000
Like like a freshly laundered
and not like an old old teachers

453
00:23:48,000 --> 00:23:51,100
on Like already new freshly
laundered.

454
00:23:51,400 --> 00:23:53,400
It's incredible.
We're breaking down, like the,

455
00:23:53,400 --> 00:23:57,200
the level of cotton versus rayon
Jay.

456
00:23:57,200 --> 00:23:58,400
How about you?
What are you getting on this

457
00:23:58,400 --> 00:24:00,900
one?
Yeah, I appreciate your comments

458
00:24:00,900 --> 00:24:03,200
of wax.
That's a waxing us.

459
00:24:03,200 --> 00:24:09,100
That that is probably a an
alarming or striking word that

460
00:24:09,100 --> 00:24:12,300
many people would run car wax.
What are they?

461
00:24:12,800 --> 00:24:16,700
It comes from.
A place of sort of lanolin, I

462
00:24:16,700 --> 00:24:21,400
often not often, but but I use
that term in my own notes, both

463
00:24:21,400 --> 00:24:25,000
a lot for Scotch but also
certainly for and for some wines

464
00:24:25,000 --> 00:24:28,900
chenin Blanc, for example, but I
have written that down many

465
00:24:28,900 --> 00:24:30,500
times in a new riff tasting
note.

466
00:24:30,500 --> 00:24:34,100
This waxy quality in a lovely
way?

467
00:24:34,700 --> 00:24:39,200
Beeswax often in fact sometimes
the if our barrels pick up a

468
00:24:39,200 --> 00:24:43,200
sort of specifically honey ish
characteristic, it often he's

469
00:24:43,200 --> 00:24:47,000
not just honey, but honeycomb
and the intersection of

470
00:24:47,000 --> 00:24:49,700
something waxy.
The bees have made, as well as

471
00:24:50,000 --> 00:24:53,700
as the honey itself.
It's maybe a little bit sweeter

472
00:24:53,700 --> 00:24:56,000
than one but how interesting
that it.

473
00:24:56,400 --> 00:24:58,500
It's not drastically.
I think it's a little bit

474
00:24:58,500 --> 00:25:00,500
sweeter.
You're the sweet tooth here.

475
00:25:01,200 --> 00:25:06,700
Bob you tell me but but but also
sweeter in a different way than

476
00:25:06,800 --> 00:25:09,300
than number one.
You know the funny thing is

477
00:25:09,600 --> 00:25:11,500
you're talking about the science
and the things that interest you

478
00:25:11,500 --> 00:25:13,900
with this, I'm always really
interested in the way that the

479
00:25:13,900 --> 00:25:17,300
ethanol presents itself because
I imagine that these have to be

480
00:25:17,300 --> 00:25:19,100
very similar.
Our proof points.

481
00:25:19,100 --> 00:25:21,000
I don't know exactly what proof
these are all sitting at.

482
00:25:21,000 --> 00:25:24,800
But number two, the ethanol was
just much more forward and the

483
00:25:24,800 --> 00:25:27,800
mouthfeel was like I could tell
that the the alcohol really

484
00:25:27,800 --> 00:25:30,300
presented itself.
More on the pallet for me, it

485
00:25:30,300 --> 00:25:34,400
was kind of that more thin
alcohol forward mouthfeel.

486
00:25:34,500 --> 00:25:36,900
The number one was more,
definitely more syrupy more

487
00:25:36,900 --> 00:25:38,300
viscous for me.
I don't know.

488
00:25:38,300 --> 00:25:39,000
What are you getting on this
one?

489
00:25:39,000 --> 00:25:40,700
Brad.
I think that Jay is you were

490
00:25:40,700 --> 00:25:42,300
talking about it being a little
bit sweeter.

491
00:25:42,300 --> 00:25:44,300
I'm with you.
It almost to me is like a

492
00:25:44,300 --> 00:25:49,100
bubblegum kind of sweet and and
similar like with Not just the

493
00:25:49,100 --> 00:25:52,000
flavor but with the wax Enos of
it.

494
00:25:52,000 --> 00:25:58,000
Like it almost kind of reminds
me of like Major League Chew or

495
00:25:58,100 --> 00:26:02,500
is is out there.
The the rope that you would get

496
00:26:02,500 --> 00:26:05,500
in the little thing, we're
Children of the 90s so you've

497
00:26:06,500 --> 00:26:08,900
made to skip ahead to number
three, but this was going to be,

498
00:26:09,100 --> 00:26:11,800
I was going to blow all of your
minds and it was going to be by

499
00:26:11,800 --> 00:26:14,900
saying this, you're welcome, I
had nosed all three of these

500
00:26:14,900 --> 00:26:17,900
even if we hadn't tasted them
yet and the consistent thing I

501
00:26:17,900 --> 00:26:21,400
got On all three of these.
Was that powdery pink bubblegum

502
00:26:21,500 --> 00:26:23,500
that you open up bubble tape.
Yep.

503
00:26:23,500 --> 00:26:25,600
Pull yourself out.
Some of them, there's a bubble

504
00:26:25,600 --> 00:26:28,100
gum especially on number three
when we get that on the nose,

505
00:26:28,100 --> 00:26:31,400
that is like unmistakable.
Yeah, yeah.

506
00:26:31,400 --> 00:26:35,100
I think that I'm getting that a
lot on the palate of number two.

507
00:26:36,500 --> 00:26:38,600
Yeah, and I guess we can go
ahead and jump into number 3

508
00:26:38,600 --> 00:26:40,500
here.
This one is kind of The Best of

509
00:26:40,500 --> 00:26:43,400
Both Worlds of one and two it
has some of those more classic

510
00:26:43,400 --> 00:26:46,400
bourbon notes on the nose.
That one had a little bit

511
00:26:46,400 --> 00:26:50,100
brighter, a little bit cleaner
on the nose reminiscent of

512
00:26:50,100 --> 00:26:52,100
number two and then it's got
some bubble gum.

513
00:26:52,200 --> 00:26:53,400
Yeah, you know.
Yeah.

514
00:26:53,500 --> 00:26:55,900
No number three is incredible.
I think it is a little bit of a

515
00:26:55,908 --> 00:26:59,200
mixture for me.
I do get a little more of the

516
00:26:59,200 --> 00:27:02,800
the traditional caramel that
you're getting from from most

517
00:27:02,800 --> 00:27:04,800
Bourbons.
Whereas the first two had a

518
00:27:04,808 --> 00:27:08,400
little more unique Twist on.
That this one feels like a

519
00:27:08,400 --> 00:27:14,100
really rich classic bourbon, but
as you were saying Jay like

520
00:27:14,100 --> 00:27:16,800
being from the same day, you
know, three different batches.

521
00:27:17,200 --> 00:27:20,100
It feels like there's a similar
Earnest there that you just

522
00:27:20,100 --> 00:27:22,100
don't see on a lot of other
whiskeys.

523
00:27:22,400 --> 00:27:27,600
Yeah, there is some commonality
between them all I think.

524
00:27:27,700 --> 00:27:31,000
And yet the the again the the
faders, the sliders of the

525
00:27:31,008 --> 00:27:33,900
mixing board are moving around
the EQ.

526
00:27:33,900 --> 00:27:37,300
Curve, you know, this one's got
You know, the scoop out the

527
00:27:37,300 --> 00:27:39,700
mid-range but it's got more
high-end.

528
00:27:39,700 --> 00:27:43,100
And so on speaking in musical
terms, and that's even without,

529
00:27:43,200 --> 00:27:46,500
I don't think we've gotten into
adding water to these but that

530
00:27:46,500 --> 00:27:50,800
will, of course shift and bring
out additional flavors.

531
00:27:50,800 --> 00:27:55,000
That's when people have been
asking me for 20 plus years back

532
00:27:55,000 --> 00:27:57,200
to my days as a retailer at the
store next door.

533
00:27:58,300 --> 00:28:00,800
How should I drink?
How do you think we should drink

534
00:28:00,800 --> 00:28:02,200
our whiskey?
And I've been telling them all

535
00:28:02,200 --> 00:28:03,200
that time.
Drink it.

536
00:28:03,200 --> 00:28:05,600
Anyway, you want?
Just buy it from me.

537
00:28:06,900 --> 00:28:08,100
That's it.
I tell them.

538
00:28:08,200 --> 00:28:10,900
I drink it with a little water
especially when it's a nun.

539
00:28:10,900 --> 00:28:15,100
Chill filtered whiskey like new
riff is, but here I actually

540
00:28:15,400 --> 00:28:18,000
appreciate.
I think tasting them initially

541
00:28:18,000 --> 00:28:21,000
and I always add water to my new
riff whiskey, but I haven't here

542
00:28:21,000 --> 00:28:22,600
today.
And I think it's instructive to

543
00:28:22,608 --> 00:28:26,100
just try them, sort of prima
facie, you know.

544
00:28:26,100 --> 00:28:29,500
Right on the face of it without
getting into the variables, that

545
00:28:29,500 --> 00:28:31,300
other flavors can come out with
water.

546
00:28:31,400 --> 00:28:33,000
Let's just compare them straight
up.

547
00:28:33,600 --> 00:28:36,300
The reason.
They're so harmonious at Barrel

548
00:28:36,300 --> 00:28:37,600
proofing, these are bear-proof
samples.

549
00:28:37,600 --> 00:28:38,700
I pulled them right out of the
barrel.

550
00:28:38,700 --> 00:28:42,100
Myself just a few hours ago.
They go in the barrel.

551
00:28:42,100 --> 00:28:44,700
As I said, at 110 proof for
years later.

552
00:28:44,700 --> 00:28:50,000
They, they are up a little bit
improved, maybe to 113, 114 or

553
00:28:50,000 --> 00:28:53,500
down to maybe, 107 108.
Let's just call these about

554
00:28:53,500 --> 00:28:56,600
110-proof.
They're very tractable, very

555
00:28:56,600 --> 00:28:59,400
approachable, straight up.
What you never get with a new

556
00:28:59,400 --> 00:29:03,600
riff.
Single Barrel is 139 proof, too

557
00:29:03,600 --> 00:29:04,900
strong to bring it on an
airplane.

558
00:29:04,900 --> 00:29:08,800
Proof that kind of Right?
Which people groove on that and

559
00:29:08,800 --> 00:29:11,200
it's may be fun.
It's also hard to drink

560
00:29:11,500 --> 00:29:17,600
obstreperous just very
obnoxiously strong whiskies and

561
00:29:18,000 --> 00:29:19,700
when people don't add water to
that.

562
00:29:19,700 --> 00:29:24,400
Now they're really facing down
some, some some stiff, drink and

563
00:29:24,400 --> 00:29:28,100
hours are very approachable.
If you do want to have a, an

564
00:29:28,100 --> 00:29:31,700
experience like this, which I
would add, and here's my

565
00:29:31,700 --> 00:29:34,600
ulterior motive of selling, some
more bottles of new riff.

566
00:29:34,600 --> 00:29:37,200
But when you're buying out there
in the world, World, a single

567
00:29:37,200 --> 00:29:39,500
barrel of new riff.
See if the store has got two

568
00:29:39,500 --> 00:29:43,400
single barrels, see if there's
22 bottles on that shelf, with

569
00:29:43,500 --> 00:29:46,400
with different numbers, with,
with different numbers

570
00:29:46,400 --> 00:29:50,100
especially that are well apart
from each other.

571
00:29:50,100 --> 00:29:54,100
If you if you find bear 100 and
bear 150 you can be assured.

572
00:29:54,100 --> 00:29:58,400
Those are from different Lots or
too fast or has got new riff

573
00:29:58,400 --> 00:30:00,900
Single Barrel as well as their
Barrel selection.

574
00:30:01,900 --> 00:30:05,900
Please buy a bottle of each but
you compare them and you're

575
00:30:05,900 --> 00:30:09,000
getting Again, not just the
difference between the barrels,

576
00:30:09,200 --> 00:30:13,700
you're getting a window into the
fermentation and that I just

577
00:30:13,700 --> 00:30:15,100
don't know of any place else
again.

578
00:30:15,100 --> 00:30:17,500
We didn't plan it this way.
Serendipitously!

579
00:30:17,500 --> 00:30:19,700
That's how these come out and
we're not going to change it

580
00:30:19,700 --> 00:30:21,700
now.
We're not going to put in a huge

581
00:30:21,700 --> 00:30:23,400
tanks.
We can mix up all our Bourbon

582
00:30:23,400 --> 00:30:25,600
and get rid of all this
inconsistency.

583
00:30:25,600 --> 00:30:30,300
It's a beautiful inconsistency.
And we again, I haven't done

584
00:30:30,300 --> 00:30:32,000
this before.
So really thank you guys for

585
00:30:32,000 --> 00:30:33,600
coming.
And yeah, kind of pushing me to

586
00:30:33,600 --> 00:30:35,300
do this.
No why?

587
00:30:35,500 --> 00:30:39,600
Hey, You for offering us this
little, you know, slice of a day

588
00:30:39,600 --> 00:30:43,000
in the life of new riff.
But what are your takeaways the

589
00:30:43,000 --> 00:30:46,800
expert here on new riff from
December 9th, 2018?

590
00:30:47,200 --> 00:30:51,500
Well, I wish I could reply with
some scientific certainty of

591
00:30:51,508 --> 00:30:53,400
what was going on as we were
discussing earlier.

592
00:30:53,700 --> 00:30:55,500
I don't know what the hell
happened on the other day.

593
00:30:55,500 --> 00:30:58,400
Like, like most days of
production at new riff, it was a

594
00:30:58,408 --> 00:31:02,500
good day in the words of that
Immortal, Bard Ice Cube.

595
00:31:03,400 --> 00:31:11,900
It was a good day.
My number for film is 1973

596
00:31:12,300 --> 00:31:16,500
George, Lucas, American
Graffiti, who I love this movie,

597
00:31:16,500 --> 00:31:19,200
man.
It is, there's something about

598
00:31:19,200 --> 00:31:24,500
the Shag Enos of it and it's
just a hangout movie where

599
00:31:24,500 --> 00:31:28,100
people are making big decisions
in their lives, but it just has

600
00:31:28,100 --> 00:31:31,800
the feel of any other night in a
small town in California in the

601
00:31:31,800 --> 00:31:34,600
early 60s.
Licorice, pizza borrowed a lot

602
00:31:34,600 --> 00:31:36,400
from that movie.
The opening credits are

603
00:31:36,400 --> 00:31:40,000
literally ripped from America.
Graffiti and I love that it has

604
00:31:40,000 --> 00:31:43,900
the same kind of flow and Rhythm
to it it's a movie that I really

605
00:31:43,900 --> 00:31:45,300
really want us to get around to
watching.

606
00:31:45,300 --> 00:31:49,200
Soon does American Graffiti is
that the Cherry Bomb seen that

607
00:31:49,200 --> 00:31:51,100
in licorice pizza?
Then happens in American

608
00:31:51,100 --> 00:31:52,000
Graffiti to.
Yep.

609
00:31:52,000 --> 00:31:55,100
Yeah, that's my number for nice
j.i.

610
00:31:55,100 --> 00:31:57,000
You said you might have a few
extra movies to throw in there

611
00:31:57,000 --> 00:31:59,900
with it was there.
Actually, I would chime in on

612
00:31:59,900 --> 00:32:02,500
American Graffiti.
I didn't really seriously

613
00:32:02,500 --> 00:32:06,500
consider that.
Although as I Googled, you know,

614
00:32:06,800 --> 00:32:09,200
films that take place.
Some 24 hours.

615
00:32:09,200 --> 00:32:13,000
Yep, that was on the list and I
thought, yeah, there's a four.

616
00:32:13,700 --> 00:32:15,400
So a new Riff on an old
tradition.

617
00:32:15,400 --> 00:32:18,800
Our Mantra on the back of the
bottle of new riff and that

618
00:32:18,800 --> 00:32:22,800
that's the old tradition that's
the Halcyon Days Of Youth.

619
00:32:22,800 --> 00:32:28,400
And and what we grew up with and
the past and and glorifying and

620
00:32:28,400 --> 00:32:33,600
and remembering in sepia toned
lenses and so on that that that

621
00:32:33,600 --> 00:32:37,300
that era and the past, and that
might have been fun but that's

622
00:32:37,300 --> 00:32:39,400
not That's only half of new
riff, right?

623
00:32:39,400 --> 00:32:43,500
Yeah, we need we need a new Riff
on an old tradition.

624
00:32:43,500 --> 00:32:47,200
So so no I wasn't going to go
for American Graffiti, but great

625
00:32:47,200 --> 00:32:48,300
choice.
Well, thank you.

626
00:32:48,600 --> 00:32:50,600
I feel like that was kind of a
backhanded compliment Jay.

627
00:32:53,300 --> 00:32:55,800
You did.
All right there, Bob wouldn't be

628
00:32:55,800 --> 00:32:58,500
my choice but good job.
What's Your Number 3?

629
00:32:58,500 --> 00:32:59,900
Brad.
My number three.

630
00:32:59,900 --> 00:33:04,000
I'm actually going to hold off
on because I would hate.

631
00:33:04,200 --> 00:33:05,500
That's right to do the wrong
thing.

632
00:33:05,600 --> 00:33:09,100
Brad's number three is Empire.
That's yeah I don't want to

633
00:33:09,108 --> 00:33:11,500
steal his thunder so I will go
ahead and do my number three I

634
00:33:11,500 --> 00:33:13,800
think I don't want to steal your
thunder Bob.

635
00:33:15,000 --> 00:33:18,700
My number three is Dog Day
Afternoon a movie that Brad she

636
00:33:18,700 --> 00:33:22,800
famously loves ya and has no
qualms with whatsoever, not a

637
00:33:22,808 --> 00:33:27,800
single one, it is truly one of
the better you know suspenseful

638
00:33:27,800 --> 00:33:29,800
films that take place over the
course of a day.

639
00:33:29,900 --> 00:33:32,600
Bob, when I have an issue with
movies, it's usually not that I

640
00:33:32,600 --> 00:33:34,700
don't like the movie, like, I
like Sunday afternoon.

641
00:33:34,700 --> 00:33:37,200
Yeah, big movie.
Yeah, it's when you give 10 out

642
00:33:37,200 --> 00:33:42,100
of 10, When two movies that I'm
like Eternal Sunshine of the

643
00:33:42,108 --> 00:33:44,500
Spotless, Mind is not a 10/10
film.

644
00:33:44,500 --> 00:33:47,800
It's not, it's a 9.5.
Did you ever feel like you

645
00:33:47,800 --> 00:33:51,700
overcorrect to like, try to make
the average score?

646
00:33:51,700 --> 00:33:53,300
Be closer to what you think it
should be?

647
00:33:53,300 --> 00:33:56,000
No, you do that?
I absolutely, I know you do

648
00:33:56,000 --> 00:33:57,300
that.
Absolutely?

649
00:33:57,800 --> 00:33:59,200
No.
I try to be pretty accurate with

650
00:33:59,200 --> 00:34:01,300
my, all right, my scoring Dog
Day Afternoon.

651
00:34:01,700 --> 00:34:03,500
You'd still sitting at like a
seven and a half on that one.

652
00:34:04,100 --> 00:34:06,800
Yeah, I'd have to go back and
revisit it but it was, it was

653
00:34:06,800 --> 00:34:08,400
good.
It was in Paris, we We'll put.

654
00:34:10,699 --> 00:34:12,500
All right.
That takes us to our number two

655
00:34:12,500 --> 00:34:16,100
picks Brad where you sit at
number two, my number-two pick

656
00:34:16,100 --> 00:34:18,500
is a another film that we did on
the podcast.

657
00:34:19,000 --> 00:34:22,400
It's High Noon.
High Noon, a great.

658
00:34:22,400 --> 00:34:24,199
See, that's a real time movie.
Yeah.

659
00:34:24,199 --> 00:34:27,800
It's like this movie takes place
in 85 minutes or something.

660
00:34:27,900 --> 00:34:30,000
And it's I think it's 87,
something like that.

661
00:34:30,000 --> 00:34:34,699
It's just an incredible film and
it really ratchets up the

662
00:34:34,699 --> 00:34:35,600
tension to.
Yeah.

663
00:34:35,600 --> 00:34:39,800
When it finally hits noon, It.
I mean like the orc.

664
00:34:39,800 --> 00:34:42,400
I remember that scene where, you
know, the clock, strikes noon,

665
00:34:42,800 --> 00:34:46,300
the orchestra, kind of swells.
There's like this big booming

666
00:34:46,300 --> 00:34:49,000
beat in the background and then
you get that wonderful shot of

667
00:34:49,400 --> 00:34:53,400
Gary Cooper just walking out
into the empty Street and you

668
00:34:53,400 --> 00:34:55,900
get that crane shot.
That pulls all the way up and

669
00:34:55,900 --> 00:34:58,500
the entire town is deserted.
I'm getting chills when he's by

670
00:34:58,500 --> 00:35:01,200
himself.
Yeah it is crushing.

671
00:35:01,300 --> 00:35:03,700
Yeah, the movie.
So perfectly balances, the

672
00:35:03,700 --> 00:35:07,800
suspenseful with, I mean the
crushing yeah, I do I'm really

673
00:35:07,800 --> 00:35:09,100
know a better word for it.
Yeah.

674
00:35:09,100 --> 00:35:14,500
The the way that they set him up
to be such an incredible man and

675
00:35:14,500 --> 00:35:16,400
everybody knows it.
Hmm.

676
00:35:16,500 --> 00:35:21,300
But nobody's going to help him.
Yeah, I love that movie.

677
00:35:22,100 --> 00:35:25,900
My number two pick is actually
Brad's number one, pick only.

678
00:35:25,900 --> 00:35:28,600
So we're down to only three
films to discuss.

679
00:35:28,700 --> 00:35:32,200
Yeah, all of our number ones.
I've been sitting on yours for a

680
00:35:32,207 --> 00:35:33,500
minute here.
So why don't you reveal your

681
00:35:33,500 --> 00:35:34,500
number one?
Yeah.

682
00:35:34,500 --> 00:35:38,900
My number one is 12 Angry Men.
It's a perfect choice, man.

683
00:35:39,100 --> 00:35:42,000
It's a perfect movie.
Bob like, it's just so good.

684
00:35:42,100 --> 00:35:46,500
Hey, it's the 90-minute movie
category, right?

685
00:35:46,500 --> 00:35:50,100
It's in its out its sharp.
It doesn't spend any extra time

686
00:35:50,100 --> 00:35:53,300
doing.
Anything frivolous be its Henry,

687
00:35:53,300 --> 00:35:59,100
Fonda being the most convincing
human being that's ever existed

688
00:35:59,100 --> 00:36:02,400
in film one of your favorite
notes to give on performances.

689
00:36:02,400 --> 00:36:05,700
You like is Ernest.
Yeah, and that man is just since

690
00:36:05,700 --> 00:36:07,500
yeah sincere.
Yeah, exactly.

691
00:36:07,600 --> 00:36:10,200
What sincere can see completely
Earnest?

692
00:36:10,200 --> 00:36:14,100
Like the way the way that he
just keeps going but could it be

693
00:36:14,100 --> 00:36:15,800
possible?
Yeah, when he's when he's

694
00:36:15,800 --> 00:36:20,200
talking about the the 40 or 50
feet down the hallway and he's

695
00:36:20,200 --> 00:36:22,500
like, it was 100 out what time's
it out.

696
00:36:22,500 --> 00:36:24,200
He was like you have to be
sprayed.

697
00:36:24,200 --> 00:36:26,600
This is a doubt it man.
It's a great movie.

698
00:36:27,000 --> 00:36:28,500
My number one is do the right
thing.

699
00:36:29,200 --> 00:36:31,200
I mean I think my number three
do the thing.

700
00:36:31,200 --> 00:36:36,500
Ya, it's a perfect example of
how things can shift so quickly

701
00:36:36,700 --> 00:36:39,800
and over the course of Day.
And I think it's, for me, it's

702
00:36:39,800 --> 00:36:43,600
the best example of why a day is
the perfect length to do in a

703
00:36:43,600 --> 00:36:46,300
movie because it's short enough
that you can think about.

704
00:36:46,300 --> 00:36:48,200
Wow.
When these people woke up they

705
00:36:48,200 --> 00:36:49,900
were completely different people
than when they went to bed that

706
00:36:49,900 --> 00:36:52,300
night.
Yep, but also throughout the

707
00:36:52,300 --> 00:36:55,300
course of a day you can see
these little micro.

708
00:36:55,300 --> 00:36:57,000
I don't know.
Say microagressions but yeah I

709
00:36:57,008 --> 00:37:00,000
like these little micro
incidents Domino set all yeah

710
00:37:00,100 --> 00:37:02,900
they pile up and it's more of a
Snowball Effect, right?

711
00:37:02,900 --> 00:37:04,900
That it gets to the point where
everything just kind of spills

712
00:37:04,900 --> 00:37:05,700
over.
Yeah.

713
00:37:06,100 --> 00:37:08,900
And honestly like when You look
at our world today and all the

714
00:37:08,908 --> 00:37:13,300
crazy stuff that goes on and it,
every single one of those crazy

715
00:37:13,300 --> 00:37:17,700
incidents has a do, the right
thing Dayton instructor for it.

716
00:37:17,700 --> 00:37:19,000
Exactly.
Yeah, exactly.

717
00:37:19,100 --> 00:37:21,300
And that's interesting.
Well, Jay has been sitting on

718
00:37:21,300 --> 00:37:23,300
his movie here for a while now
so we're going to let him go

719
00:37:23,300 --> 00:37:27,100
next.
So yeah, a few others, I could

720
00:37:27,100 --> 00:37:30,400
have, could have considered, you
know, Dog Day Afternoon.

721
00:37:30,400 --> 00:37:33,100
But but then, which of my
whiskies is what was the

722
00:37:33,100 --> 00:37:37,000
character in that the the really
unsavory once Al Was that his

723
00:37:37,000 --> 00:37:38,900
name?
Oh yeah, yeah, which one is sow,

724
00:37:38,900 --> 00:37:40,500
which one gets capped in the
head?

725
00:37:41,700 --> 00:37:45,000
You know, well that doesn't work
so Dog, Day Afternoon.

726
00:37:45,300 --> 00:37:49,400
There's great flicks, like one
day flicks like Reservoir Dogs

727
00:37:49,600 --> 00:37:51,900
or well, I was going to say,
Reservoir Dogs, at some point,

728
00:37:51,900 --> 00:37:55,400
but Pulp Fiction both of which
and especially Pulp Fiction,

729
00:37:56,200 --> 00:37:59,600
this this almost conceit of the
of the director in a wonderful

730
00:37:59,600 --> 00:38:01,300
way.
They're great flicks chopping

731
00:38:01,300 --> 00:38:06,500
the movie up and part of the fun
of it is of those films is The

732
00:38:06,500 --> 00:38:07,800
time on.
What the hell happened?

733
00:38:07,800 --> 00:38:08,700
Yeah.
Oh wait.

734
00:38:08,700 --> 00:38:09,900
I get it.
Not gonna hold on.

735
00:38:09,900 --> 00:38:11,900
And this part is the first thing
that happened, right?

736
00:38:12,000 --> 00:38:14,500
That's the last.
And it was the opening shot and

737
00:38:14,500 --> 00:38:16,300
things like that.
So those are fun.

738
00:38:16,300 --> 00:38:20,100
But those don't really reflect
anything about how we go and

739
00:38:20,100 --> 00:38:24,800
make whiskey, so finding a
one-day film.

740
00:38:24,800 --> 00:38:27,800
And, and it's not perhaps
clinically.

741
00:38:27,800 --> 00:38:30,900
Not in this category the way
other films are.

742
00:38:31,000 --> 00:38:35,200
There are some like, high noon
that unquestionably take place

743
00:38:35,200 --> 00:38:39,500
within a For our time frame.
And with, with my picket, it's

744
00:38:39,500 --> 00:38:42,000
on the list when you Google it.
So you know, it's official.

745
00:38:42,100 --> 00:38:45,100
But is it is it really in 24
hours and there's not

746
00:38:45,100 --> 00:38:48,300
necessarily markers that there
are, there's not clocks and

747
00:38:48,300 --> 00:38:51,900
there's not a literal narrative
sequence.

748
00:38:51,900 --> 00:38:54,400
It's clue it's a little bit.
But yeah, I put the, but he

749
00:38:54,408 --> 00:38:55,800
takes place, there's nothing to
say.

750
00:38:55,800 --> 00:38:58,900
It doesn't take place within 24
hours and with with other of the

751
00:38:58,900 --> 00:39:02,300
characters, they they frame The
Narrative such that it does.

752
00:39:02,300 --> 00:39:08,100
And so as I went into this, I
realized not only is it From one

753
00:39:08,100 --> 00:39:10,700
of my favorite directors, and a
great movie and everything, but

754
00:39:10,900 --> 00:39:15,200
as I peeled away, the layers, if
you will of this onion of how it

755
00:39:15,200 --> 00:39:18,700
told a story in its own
filmmaking and in its narrative

756
00:39:18,700 --> 00:39:24,700
thrust, but applies manifestly
to our model that we presented

757
00:39:24,700 --> 00:39:27,500
here of a day in the life of new
reproduction.

758
00:39:27,500 --> 00:39:32,200
What does that look like?
And I'm afraid to say Bob, I

759
00:39:32,200 --> 00:39:36,200
have gone back to the well.
Oh no, my feet.

760
00:39:36,300 --> 00:39:42,300
Film is rash Aman.
Oh, I love this and playing here

761
00:39:42,300 --> 00:39:45,900
behind us on the, on the
monitor, in our in our room

762
00:39:45,900 --> 00:39:49,200
here, in New riff.
It's, it's I love it.

763
00:39:49,200 --> 00:39:54,900
When, when people drop that,
that use of the word rash, Aman,

764
00:39:54,900 --> 00:40:00,500
to reflect multiple opinions of
an event of a day, or something

765
00:40:00,500 --> 00:40:04,500
like that.
And I did giggle inside that, I

766
00:40:04,500 --> 00:40:07,400
know what that means.
And have known it.

767
00:40:07,400 --> 00:40:10,400
Since I was a teenager, I saw, I
started getting into chorus Ava

768
00:40:10,800 --> 00:40:14,200
and for those of you who have
some, some time to spend in your

769
00:40:14,200 --> 00:40:18,200
lives, go back and listen to our
prior podcast, with film, and

770
00:40:18,200 --> 00:40:20,100
Whiskey, In which my pic was
Seven.

771
00:40:20,100 --> 00:40:23,300
Samurai also by cora����o, I
promise, we do this again, it

772
00:40:23,300 --> 00:40:25,800
won't be chorus.
I'll find something else until I

773
00:40:25,800 --> 00:40:27,400
won't, he's gonna take care of
those guys.

774
00:40:27,400 --> 00:40:31,600
A, here's the funny thing.
We've been doing this season

775
00:40:31,600 --> 00:40:34,500
based on directors, so we will
pick a director and we'll watch

776
00:40:34,500 --> 00:40:37,800
three or four of their films.
And we had so much fun doing it

777
00:40:37,800 --> 00:40:40,300
with season six that were
carrying it into season seven.

778
00:40:40,300 --> 00:40:43,000
And one of our directors is
Kurosawa fantastic, and it will

779
00:40:43,000 --> 00:40:46,400
be our first, our first set of
foreign language film.

780
00:40:46,400 --> 00:40:48,700
Yeah.
And so we would actually love to

781
00:40:48,700 --> 00:40:51,100
have you back on to talk about
more side now.

782
00:40:51,100 --> 00:40:52,300
You've talked about Seven
Samurai.

783
00:40:52,300 --> 00:40:54,500
You talked about rashomon.
So I think what were the other

784
00:40:54,500 --> 00:40:57,300
two that we had picked out here?
Ooo is here.

785
00:40:57,300 --> 00:40:58,800
Yeah.
What was the other one?

786
00:40:59,100 --> 00:41:01,300
I don't know.
I can pull this run of blood may

787
00:41:01,300 --> 00:41:03,300
be, but you gotta you gotta come
back on, man.

788
00:41:03,300 --> 00:41:05,200
We'll talk about.
That would be shocking Cinema.

789
00:41:05,500 --> 00:41:07,900
So, Come on.
If you're familiar with the

790
00:41:07,900 --> 00:41:15,600
movie, is the story of a samurai
and a brigand, a bandit and the

791
00:41:15,600 --> 00:41:20,500
wife of the Samurai, and the
apparently the brigand or Bandit

792
00:41:21,000 --> 00:41:25,800
attacks and rapes the wife, and
the three of them are giving

793
00:41:26,100 --> 00:41:32,500
their account of what happened.
And it's a moment in film

794
00:41:32,500 --> 00:41:36,800
history where the topic of
what's called, bye, Film critic

795
00:41:36,800 --> 00:41:39,800
smarter than me about these
things and unreliable narrator

796
00:41:39,800 --> 00:41:42,000
is introduced flashbacks up to
this point.

797
00:41:42,000 --> 00:41:47,300
We're used to Enlighten the
audience to the truth of what

798
00:41:47,300 --> 00:41:51,000
really happened and Kurosawa
applies.

799
00:41:51,000 --> 00:41:55,900
This to show, not only multiple
flashbacks, multiple viewpoints,

800
00:41:56,200 --> 00:41:58,300
but the fact that none of them
is true.

801
00:41:58,400 --> 00:42:00,100
Yeah.
All three of the of the

802
00:42:00,100 --> 00:42:04,100
characters in their flashbacks,
the the samurai, his wife and

803
00:42:04,100 --> 00:42:09,800
the Bandit a test or can Bess to
the crime that wound up with the

804
00:42:09,800 --> 00:42:12,100
husband dead and a dagger in his
chest.

805
00:42:12,100 --> 00:42:15,200
According to who you, you
believe, there is also a fourth

806
00:42:15,200 --> 00:42:19,600
person who is a Woodcutter who
is also apparently a witness.

807
00:42:19,600 --> 00:42:21,500
But also has his own agenda
going on.

808
00:42:21,500 --> 00:42:23,300
Yeah.
And at the end of the movie it

809
00:42:23,300 --> 00:42:25,500
concludes you still don't know
what was the truth about.

810
00:42:25,500 --> 00:42:31,800
What the hell really happened?
And that spoke to a model that

811
00:42:31,800 --> 00:42:34,200
described our Whiskey's here
before us.

812
00:42:34,400 --> 00:42:37,100
So you were asking earlier, I
think Brad, You ask a question?

813
00:42:37,200 --> 00:42:39,000
Tell us about what happened on
that day.

814
00:42:39,900 --> 00:42:45,900
December, 9th, 2018?
Or as we say, federally 18 lo9.

815
00:42:45,900 --> 00:42:49,300
What the hell happened?
And these three whiskeys have

816
00:42:49,300 --> 00:42:52,600
three different opinions, right?
Well, I think this happened, I

817
00:42:52,600 --> 00:42:55,500
just set that up and you just
knocked it out of the park.

818
00:42:55,500 --> 00:42:58,600
And and number three says, well,
I think it was a minerally day.

819
00:42:58,600 --> 00:43:00,100
Clearly, there was something
going on.

820
00:43:00,100 --> 00:43:03,200
And number two is got another
opinion, who are we to believe?

821
00:43:03,200 --> 00:43:05,000
Yeah.
Are we to believe the fourth

822
00:43:05,000 --> 00:43:05,900
Nader a door?
Narrator?

823
00:43:05,900 --> 00:43:08,600
Who is And I'm going to sit here
as the whiskey expert and say,

824
00:43:08,600 --> 00:43:11,100
well, let me explain what really
happened.

825
00:43:11,200 --> 00:43:13,800
If I do that, you shouldn't
believe me.

826
00:43:13,800 --> 00:43:18,400
Yeah, because that means chunk
of it is, I don't know either

827
00:43:18,500 --> 00:43:22,700
exactly why each fermentation
has a different character summer

828
00:43:22,700 --> 00:43:25,600
this Summer.
That some are are black, some

829
00:43:25,600 --> 00:43:29,900
are white, some our Smoky, Etc.
All new riff whiskey is a rash.

830
00:43:29,900 --> 00:43:32,900
Aman upon, what goes on here on
a daily basis?

831
00:43:33,000 --> 00:43:35,200
What does go on and what these
three?

832
00:43:35,200 --> 00:43:36,100
All of them.
Excellent.

833
00:43:36,200 --> 00:43:39,100
Whiskey's attest to Is our
commitment to Quality.

834
00:43:39,300 --> 00:43:42,000
We're here to give you the
unvarnished truth, you can

835
00:43:42,000 --> 00:43:44,700
decide maybe what happened,
maybe you can decide, which one

836
00:43:44,700 --> 00:43:48,700
of the three really put the
dagger in, in the film rashomon

837
00:43:49,000 --> 00:43:55,500
but that spoke powerfully to the
the conceit, if you will of a

838
00:43:55,500 --> 00:43:57,400
day's production at new riff,
what was that day?

839
00:43:57,400 --> 00:44:01,900
Like nobody knows what.
I really hear you saying is that

840
00:44:01,900 --> 00:44:05,300
you guys need to partner with
the Kurosawa estate and create a

841
00:44:05,300 --> 00:44:09,300
partnership.
Like Kurosawa try?

842
00:44:09,400 --> 00:44:11,400
Yeah, shame on rye.
There you go.

843
00:44:12,200 --> 00:44:15,800
Well, we know now, YJ is the
global brand ambassador at new

844
00:44:15,800 --> 00:44:16,600
riff.
Yeah.

845
00:44:16,600 --> 00:44:18,000
Listen, would you have a job
like this?

846
00:44:18,300 --> 00:44:20,200
And you're talking to people
about your whiskey?

847
00:44:20,200 --> 00:44:21,900
And you're trying to sell them
on the idea?

848
00:44:22,000 --> 00:44:23,600
You got to be able to tell a
good story.

849
00:44:24,200 --> 00:44:26,900
I am super pumped to watch
rashomon now.

850
00:44:26,900 --> 00:44:28,600
Yeah, can't wait till we get to
that episode.

851
00:44:28,600 --> 00:44:30,200
But yeah, it's going to be an
absolute blast.

852
00:44:30,200 --> 00:44:32,000
That's I've said for a while
now.

853
00:44:32,000 --> 00:44:35,300
I'm like, I'm ready.
I'm ready to dive in.

854
00:44:35,300 --> 00:44:37,000
I haven't watched curse.
Sally yet.

855
00:44:37,100 --> 00:44:40,000
Partially out of I knew we would
do him eventually in the

856
00:44:40,000 --> 00:44:42,700
podcast.
But also out of the fact that I

857
00:44:42,700 --> 00:44:45,600
just I didn't watch foreign
language films growing up, so I

858
00:44:46,200 --> 00:44:49,200
am really pumped.
Alright, well, that's it for us

859
00:44:49,200 --> 00:44:51,300
at new riff today.
Jay, thank you again so much for

860
00:44:51,300 --> 00:44:52,300
having us here.
You bet.

861
00:44:53,000 --> 00:44:55,500
We'll be back with another bonus
episode here in a couple weeks.

862
00:44:55,500 --> 00:44:58,000
Hopefully Brad.
Yeah, it's good to see you in

863
00:44:58,000 --> 00:44:59,400
person.
It's great to be in person.

864
00:44:59,400 --> 00:45:02,600
We normally record these cities
apart so we really do.

865
00:45:02,900 --> 00:45:04,400
All right, we'll see you guys
next time.