Feb. 7, 2022

The Secret Life of Walter Mitty / Glenlivet 12

The Secret Life of Walter Mitty / Glenlivet 12

Bob and Brad check out director and star Ben Stiller's noble effort The Secret Life of Walter Mitty, based on the classic sort story. Much like Chef, this is a movie that on its surface only wants to be a crowd pleaser. But Stiller's direction is assured, the cinematography is gorgeous, and overall this movie really punches above its weight.

Meanwhile, they try the first of four offerings from Glenlivet, the famous Speyside single malt producer. This week, it's the classic and affordable 12 year. Has this well-know dram earned its worldwide reputation?

Film & Whiskey Podcast. New episodes every Monday.

Theme music: "New Shoes" by Blue Wednesday

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In 2013 director and star Ben
Stiller gave the world.

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A smooth ride into the world of
one man's imagination in 2022.

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We try one of the world's most
famous single malts.

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The film is The Secret Life of
Walter, Mitty, the whiskey is

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the Glenlivet, 12-year and we'll
review them both.

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This is the film and whiskey
podcast.

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Welcome to the film and whiskey
podcast, where each week, we

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review a classic movie and a
glass of whiskey.

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I'm Bob book, I'm Brad G and
this week we're looking at the

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2013, Ben Stiller starring and
directed film The Secret Life of

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Walter Mitty.
Brad.

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This is not the first time this
movie has come up on our podcast

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before.
I feel like we've talked with a

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number of people during our my
favorite movie series who have

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kind of floated this out there
as a possibility.

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I know that Kate Douglas from
old elk actually chose it as her

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favorite movie.
So I like we've been kind of

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dancing around this one for a
while.

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Now you've been given it like
googly eyes in the hallway.

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We got to get it to fit their
back that the exactly, exactly.

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It's pretty much like Ben
Stiller and Austin wiggin this?

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Yeah.
All right.

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Listen.
Hold on.

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Before we go any further like
halfway through this movie?

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My wife was watching it with me
last night.

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We both really liked this movie
a lot.

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I just said, I wish these two
had made more movies together,

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because I really like them
together like that, every once

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in a while, you just see a star
pairing and you're like, damn

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it.
Why didn't we get more from them

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like Meg, Ryan and Billy
Crystal, it's like I need, I

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need more of them.
I like that.

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You're saying that like like
they died.

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What if we get more out of them?
While we had them we didn't know

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what we had before it was gone.
Dude.

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I'm not gonna lie.
I really, really despise,

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Kristen wigs, comedy style, not
a fan at all.

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I think that almost nothing she
does is genuinely funny.

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She's spectacular as a serious
actor.

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Oh, she's a great actress.
Yeah, like so so good in this

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movie and the one or two moments
where she like kind of gave into

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her awkward humor a little bit.
It worked because she came off

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as like a normal human being.
Yep.

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Totally agreement.
I just had a but I'm way far

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away from her in her, like,
actual comedy, comedy routine.

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I like how even when I try to
set you up, I give you like the

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lob of all lobs.
The alley-oop to end.

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All alley-oops.
How great is this John Starks?

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I'm too Patrick.
Yes, in NBA Jam.

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How great is this romantic
couple and you're like, you know

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what, I'm not even going to
answer your question.

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I'm just going to talk about how
much I typically don't like one

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of them.
Yeah, I mean it's obvious that

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you always have engaged with
every one of my points I've ever

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brought up with with genuine
authenticity.

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I have and and obstinate
thousand, bro.

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I'm just saying, man.
She is spectacular in this

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movie.
I think that her and Ben,

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Stiller's chemistry, as like a
normal group pairing of human

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beings, who are interested in
each other, might be one of the

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best portrayals of regular human
romance that I've ever seen on

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film.
Yeah, I think there's a lot to

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praise with this movie.
Obviously, it does have some

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flaws and we'll get into talking
about those but before, Get any

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further.
I have to ask you was this your

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first time seeing Walter Mitty.
Oh, The Secret Life of Walter

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Mitty.
You mean no.

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Just just Walter de never seen
him before.

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Oh, yes.
I have.

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I've met him many times.
He was on the cover of Life.

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Oh yeah.
Of course.

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Yeah.
Yes.

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Bob, I had seen The Secret Life
of Walter Mitty before at your

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house.
Oh really?

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Yeah, we were staying with you
guys one time.

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Like I said last week at the end
of the episode we won't

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remember.
This first of all, I don't

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remember you saying at the end
of last week and I also don't

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remember what let alone five
years ago.

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Exactly what.
No, you didn't watch it with me.

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You and Carrie were out and
about doing stuff and Haley.

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And I watch.
Oh nice.

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Nice.
Okay.

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Because you told me to watch it,
you're like, oh, you need to

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watch this.
It's really good.

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And I was like, okay, I'll watch
it.

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Well, I'm glad you did.
And then this, the same thing

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happened, five years later, and
it has led you back to me again.

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So, here we are.
Five years later at least one

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more viewing down and it's time
for us to move in.

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Brad explains.
This is the part of the podcast

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where Brad breaks down the plot
of the film that he has just

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seen often for the first time.
Brad.

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Do you think that with 60
seconds here on the clock?

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You can break down the plot of
The Secret Life of Walter.

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Mitty, The Secret Life of Walter
Mitty is about a man named

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Walter Mitty.
Who is a - asset producer

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something or other.
He basically takes film and

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turns it into pictures for Life
Magazine.

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His mom is getting old his
Esther's useless.

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Let's see.
What else is important about

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him.
Oh wait nothing, he's boring.

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They set him up.
Kind of like an accountant and

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he has a very vibrant and Rich
thought life.

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He imagines a lot of different
things and he is sent a photo

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Real by their most famous
photographer and one of the

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clips is missing and it's going
to be the cover of the year.

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It's gonna be the best cover
ever and they lose it.

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So he goes on a journey to find
the photographer so that he can

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find the missing.
Lip and he finds himself along

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the way.
Hmm, beautiful, dude, I think

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that was like, one of the first
times where I kind of caught

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like, the philosophy of the
movie and, like, the theme of

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the movie along with like the
actual plot details, you did a

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good job.
I'm very proud of ya.

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That's pretty smooth.
So this is a pretty simple

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movie.
So The Secret Life of Walter

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Mitty is based on a very famous
short story, which I remember

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reading in high school Brad.
Did you ever have to read the

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short story?
I'd never heard of it, all

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right.
So it's very famous and of

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course you'd never heard of it
because that's how this podcast

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works.
So I don't know about very

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famous.
It's really like I'm not

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exaggerating.
It's very, very famous.

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So take it, I don't believe you.
Okay, well, it's written by

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James.
Thurber it was written back in

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the 1940s and it's been
interpreted as the story of a

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guy who's kind of imagining
himself in all these situations,

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even though he's living, A very
mundane life and so they

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borrowed that element of the
story and they kind of

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modernized it with this film
here.

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This is actually the second film
adaptation of the Walter Mitty

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Story.
The first one was much more

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faithful to the original short
story.

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I really like what they did with
the like the premise of the film

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Brad and I like, where they go
with it and how in the second

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half of the film.
Once he finally does start

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taking those Adventures for
himself, you know, by the end of

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the movie, somebody even asks
him How's the daydreaming going?

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And he just says, you know, a
lot less So lately.

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And I think that's kind of like
the perfect line to summarize.

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This movie is like, you don't
have to wonder what life would

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be like if you actually go out
and live it.

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Yeah, man.
I mean, I picked this movie,

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it's on my season 5 list.
I have a lot of wonderful things

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to say about it.
I guess I just like to hear your

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initial Impressions about, you
know, the themes of the movie or

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the flow of the movie, wherever
you want to go with this.

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Let's let's just start diving in
here.

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I feel like what what Ben
Stiller really did?

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Well, in this movie is it feels
like he really honed in on like

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minor little small things and
made sure that they were done

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well, in this film.
Like the, the way the characters

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interact with one another, the,
the way he finds clues that all

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the little things that that
Stiller does as a director here,

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just feel Really intricate and
well done.

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One of the things I really loved
about the movie and I don't

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think this was necessarily
Stiller as a director, but I

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love that halfway through the
movie.

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Kristen Wiig comes out in the
middle of green land and sings

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Major, Tom to Walter Mitty,
right?

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And it's his imagination, he's
thinking about her, you know,

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propelling him off into the vast
unknown and it gives them

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courage to go get on a
helicopter being piloted by a

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drunk man.
And in the midst of that, you

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don't realize it.
But that is the last time he

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Daydreams the entire movie,
every single other thing that

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happens to him is real life.
It really happens.

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And I think there's something
about that that for me, it was

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almost like one of the most
perfectly executed flips in a

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script that I've ever seen.
Hmm, you know what I mean?

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Like The idea of this man who
Daydreams a lot.

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And at that point, he'd had a
few Adventures, he done a few

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crazy things, but it was at that
point he was like, you know

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what, I have the courage to do
this crazy stuff and he jumps

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into the ocean and is attacked
by sharks and he almost gets hit

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by a volcano eruption and all
this other stuff happens and you

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don't realize it because all
this fantastic stuff is

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happening, just like it was at
the start, but he's not

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daydreaming anymore.
And There's just something about

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that after the movie.
I was like, dang.

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That was really well, written.
Like, like hats off, man.

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That was so good.
You asked me at some point in

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the early seasons of this
podcast, to try to explain what

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it means for a movie to be
well-directed, I think you asked

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like, what what does a director
do?

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What can we credit a director
for as opposed to an editor or a

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writer or whatever?
And weirdly enough, I think this

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is one of those movies that I
would probably point to for an

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example of really clear up.
Parent, good directing and Ben.

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Stiller has directed a number of
movies but he's not exactly

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known.
You know like I wouldn't set him

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next to a Hitchcock or Spielberg
and yet I think with this movie

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he really just said I'm going to
make a movie that is yes.

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Funny and parts.
Yes silly and parts but I'm

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going to put every ounce of
Creative Energy that I have into

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it.
It's going to have a very unique

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but like super cohesive look and
aesthetic and style to it and he

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stuck with it throughout.
The entire movie.

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And I think the result of it is
a movie that in a lot of ways,

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Brad is greater than the sum of
its parts on paper.

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Like the acting is very good in
this movie but like the acting

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is probably like, you know, a
seven and a half to an 8 out of

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00:11:02,300 --> 00:11:05,300
10 and the visuals are very
breathtaking.

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But like you put all these
things together and it seems

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like they're going to add up to
a movie.

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That is a seven and a half,
there is just something about

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that extra amount of effort and
that extra amount of artistry.

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That this movie was not like
calling out for, but the fact

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that he gave it that extra
amount, I think really kind of

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pushes this movie over the edge
for me, into being something.

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That is kind of like
transcending The Source

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material, the ice Jace.
She moves like a woman.

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00:11:38,800 --> 00:11:45,800
I'm Walter Mitty Cheryl melhoff,
where have you been testing the

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limits of the human spirit Like
to climb your hair test that

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00:11:50,800 --> 00:11:53,300
out.
Perhaps I can contact you

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00:11:53,300 --> 00:11:57,100
possibly to my portrait Alcorn.
Poetry Falcon.

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I like that.
You think?

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00:12:03,700 --> 00:12:06,300
If I hit him with a paperclip
what do you move?

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I don't know.
Do it.

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Yeah it feels to me like this
movie is like basically Ben

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Stiller directing a reflection
of who he he wants himself to be

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00:12:20,300 --> 00:12:26,100
seen as the style of directing
the style of how they captured

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00:12:26,100 --> 00:12:31,500
images in this movie, the style
of how his relationship with

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00:12:31,500 --> 00:12:33,900
Kristen wigs character
progresses.

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It almost feels like all of
those things, riff are reflected

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00:12:39,500 --> 00:12:41,100
in the character of Walter
Mitty.

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He's not showy, he's not out to
draw attention to himself.

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He's not out to, you know, be
the big brash.

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You know, I'm going to take over
the world kind of guy.

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He's just and every man who puts
his head down goes to work cares

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00:12:57,100 --> 00:12:59,400
about the people in his life.
He cares about his co-workers a

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00:12:59,408 --> 00:13:01,100
lot.
He's interested in this cute

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00:13:01,100 --> 00:13:03,700
girl, he really cares for his
mom.

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Well like I love the small
things of like every time they

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00:13:09,300 --> 00:13:13,300
show Ben, Stiller basically
pumping out a large check for

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00:13:13,300 --> 00:13:17,700
his mom's retirement home.
His sister gives him a really

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00:13:17,700 --> 00:13:20,700
cheap meaningless Alice object,
right?

240
00:13:20,800 --> 00:13:24,700
Like there's this there's this
essence of Like Walter.

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00:13:24,700 --> 00:13:28,700
Mitty is the man who just does
what he needs to do because he's

242
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a responsible human being and I
feel like this movie, reflects

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00:13:33,900 --> 00:13:38,100
that attitude and every single
thing it just goes about doing

244
00:13:38,100 --> 00:13:41,000
its job quietly and with
Excellence.

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00:13:41,600 --> 00:13:44,300
Yeah I'm well I could not have
said it any better myself.

246
00:13:44,300 --> 00:13:47,400
That was really some better at
this than you really well done.

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00:13:47,900 --> 00:13:50,200
Well let's talk about And still
are a little bit then and we've

248
00:13:50,200 --> 00:13:52,600
kind of hinted at him as
director, but let's talk about

249
00:13:52,600 --> 00:13:55,500
him as actor.
Ben Stiller's one of those guys

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00:13:55,500 --> 00:13:59,300
that I feel like in the last
five or so years, we have kind

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of forgotten about how wonderful
he is and how brilliant he is.

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And if you kind of just plot out
the 21st century so far in terms

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00:14:07,700 --> 00:14:11,700
of, you know, film history, I
mean even like a Will Ferrell

254
00:14:11,700 --> 00:14:14,600
hasn't quite had the longevity
of Ben Stiller.

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00:14:14,600 --> 00:14:18,400
He started off this Century with
Meet the Parents, which is one

256
00:14:18,400 --> 00:14:20,600
of the the most successful
comedies of all time and then

257
00:14:20,600 --> 00:14:24,400
Meet the Fockers, like, went way
far above and beyond that at the

258
00:14:24,400 --> 00:14:26,600
box office, he directs
Zoolander.

259
00:14:26,900 --> 00:14:29,700
He directs this movie, he
directs Tropic Thunder.

260
00:14:29,900 --> 00:14:35,400
Like he has truly been a fixture
of American Comedy for years and

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00:14:35,408 --> 00:14:37,800
years and years stretching, you
know, as far back as the late

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80s, early 90s.
But I don't think we often kind

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00:14:41,600 --> 00:14:46,000
of frame him as potentially, the
most important figure in 21st

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00:14:46,000 --> 00:14:49,100
century comedy because Will
Ferrell, went on a run, That I

265
00:14:49,100 --> 00:14:51,900
think a lot of people will just
remember forever with Anchorman

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00:14:51,900 --> 00:14:55,100
and Talladega Nights and all
those films, Adam Sandler, has

267
00:14:55,100 --> 00:14:58,800
had really great longevity and
and Ben Stiller doesn't quite

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00:14:58,800 --> 00:15:03,300
have the like bombastic nature
of either of those two other

269
00:15:03,300 --> 00:15:07,600
guys I just mentioned and yet I
feel like we've let him kind of

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fly under the radar because of
that and you get him in a movie

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00:15:10,000 --> 00:15:13,700
like this and you're just
reminded like his comic timing

272
00:15:13,700 --> 00:15:17,900
is absolutely impeccable.
He's just perfect in some of

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00:15:17,900 --> 00:15:22,300
these scenes where R.
He is very dryly giving you the

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00:15:22,300 --> 00:15:25,700
punchline, but then also
dramatically he really has the

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00:15:25,700 --> 00:15:27,900
chops, man.
I thought that he was just

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00:15:27,900 --> 00:15:31,800
excellent in this movie.
Yeah, honestly he I'm really

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00:15:31,800 --> 00:15:36,700
glad you brought up Adam Sandler
because I feel like Ben Stiller

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00:15:36,700 --> 00:15:41,700
is Adam Sandler without the poop
humor and and I mean that in a

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00:15:41,708 --> 00:15:45,900
very good way.
You do you mean like, it kind of

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00:15:45,900 --> 00:15:48,800
helps that I think they look a
little bit alike There's

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00:15:48,800 --> 00:15:52,900
definitely a moment in this
movie when, when he is arguing

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00:15:52,900 --> 00:15:57,400
with the two guides that he
hired and he's got that red, you

283
00:15:57,400 --> 00:16:02,100
know, hiking jacket on and it's
over his head he's got the

284
00:16:02,108 --> 00:16:05,900
glasses on I was like oh they
got a cameo with Adam Sandler in

285
00:16:05,900 --> 00:16:09,500
here like a hundred percent.
I like I was convinced that that

286
00:16:09,500 --> 00:16:11,800
was not Ben Stiller anymore as
Adam Sandler.

287
00:16:12,200 --> 00:16:14,600
But I think that with Ben
Stiller, what you have in this

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00:16:14,600 --> 00:16:19,800
movie is a performance.
That once again, it just doesn't

289
00:16:19,800 --> 00:16:23,400
call attention to itself and
that's what calls attention to

290
00:16:23,400 --> 00:16:25,700
it, and makes it so daggone
good.

291
00:16:25,800 --> 00:16:30,900
He's not trying to be showy.
He uses the little nuances of

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00:16:30,900 --> 00:16:35,600
the face of the eyes to really
draw you into his character.

293
00:16:35,700 --> 00:16:38,400
Because, in all reality, he's
really boring.

294
00:16:38,500 --> 00:16:41,700
He's a, he's a boring guy.
That doesn't have the courage to

295
00:16:41,700 --> 00:16:46,000
ask a girl out in person.
And he still keeps a check book

296
00:16:46,100 --> 00:16:48,600
which I guarantee you if we show
this to our Our kids and 10

297
00:16:48,600 --> 00:16:51,700
years, they're going to be like,
why is he writing?

298
00:16:51,900 --> 00:16:54,500
What is he writing?
What is right?

299
00:16:54,800 --> 00:16:57,000
Why is he putting somebody is
writing?

300
00:16:57,000 --> 00:17:02,200
Yeah that's actually probably
what it's gonna be but like I

301
00:17:02,200 --> 00:17:06,000
think that's the beauty of his
character is that he doesn't

302
00:17:06,000 --> 00:17:09,500
have to do anything showy to
draw you in as a viewer.

303
00:17:10,200 --> 00:17:12,900
He just is.
And he's unique.

304
00:17:12,900 --> 00:17:16,300
And he's interesting.
And I don't know, I think about

305
00:17:17,800 --> 00:17:22,000
I don't remember where this
quote comes from, but basically

306
00:17:22,000 --> 00:17:28,200
the most important asset that
any Studio has any director has

307
00:17:28,200 --> 00:17:33,600
anything is a, is an actor's
face and like though, that is

308
00:17:33,600 --> 00:17:37,600
the window into whether or not
somebody is a good actor is if

309
00:17:37,600 --> 00:17:41,200
you are engaged with them, even
when they're not like gunning

310
00:17:41,200 --> 00:17:45,200
down enemies in an action movie
or, you know, doing poop humor

311
00:17:45,200 --> 00:17:48,400
and and in comedy movie These
things like that.

312
00:17:48,400 --> 00:17:50,000
It's stuff like this.
Where you go?

313
00:17:50,000 --> 00:17:51,700
Oh no.
Like Ben, Stiller can do the

314
00:17:51,700 --> 00:17:55,900
comedy and he's really funny but
he's also just a really good

315
00:17:55,900 --> 00:17:58,200
actor.
So I was on the cultural

316
00:17:58,200 --> 00:18:02,400
Cesspool that is Twitter the
other day and you nailed it.

317
00:18:02,400 --> 00:18:04,900
And there was a critic on there
that had just re-watched Walter

318
00:18:04,900 --> 00:18:05,900
Mitty.
And he was talking about how

319
00:18:05,900 --> 00:18:07,800
much he loved that movie, and
how bummed he was.

320
00:18:07,800 --> 00:18:09,900
That more critics didn't get
behind it.

321
00:18:10,300 --> 00:18:12,500
And I have to agree because I
went and looked at the, the

322
00:18:12,500 --> 00:18:14,700
Metacritic score on this
afterwards and I think it's like

323
00:18:14,700 --> 00:18:17,600
a 49 or something, it was really
low.

324
00:18:18,100 --> 00:18:21,300
I was really shocked at that.
This movie just works.

325
00:18:21,300 --> 00:18:24,300
I mean like it does exactly what
it sets out to do and I think it

326
00:18:24,300 --> 00:18:27,400
really over achieves is the word
that I've been looking for this

327
00:18:27,400 --> 00:18:29,800
movie just goes above and
beyond.

328
00:18:29,800 --> 00:18:32,300
I think what anybody expected or
even asked of it.

329
00:18:32,700 --> 00:18:36,200
And that kind of bums me out
because I feel like Ben Stiller

330
00:18:36,200 --> 00:18:41,700
has some really excellent like
directorial, impulses, and I

331
00:18:41,700 --> 00:18:44,200
feel like if this movie had been
a little bit better received, we

332
00:18:44,200 --> 00:18:46,400
might have seen him kind of
pursue those a little bit more

333
00:18:46,700 --> 00:18:49,600
and instead Like this movie
comes out, doesn't do super

334
00:18:49,600 --> 00:18:52,800
well, the critics don't like it
and then he goes and makes

335
00:18:52,800 --> 00:18:55,900
Zoolander 2 which is just an
awful awful and I love

336
00:18:55,900 --> 00:18:58,500
Zoolander.
But but that movie is terrible

337
00:18:58,900 --> 00:19:02,900
and it really just kind of
becomes a what-if for me because

338
00:19:02,900 --> 00:19:05,900
I think Ben Stiller could have
leaned into this side of

339
00:19:05,900 --> 00:19:09,100
himself, both as a director and
as a performer.

340
00:19:09,200 --> 00:19:12,200
If this had been a little bit
better received, this is just

341
00:19:12,200 --> 00:19:16,100
maybe it's just my perception
but you can confirm it for me or

342
00:19:16,100 --> 00:19:22,300
not do In general, just dislike.
SNL alums when they move into

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00:19:22,300 --> 00:19:23,500
Hallelujah.
I don't know.

344
00:19:23,500 --> 00:19:26,100
That there's any Rhyme or Reason
to it like some movies that you

345
00:19:26,100 --> 00:19:28,100
think are just not going to get
good reviews at all.

346
00:19:28,100 --> 00:19:30,100
Just do.
I think a lot of that has to do

347
00:19:30,100 --> 00:19:33,700
with the fact that like these
people are seeing 300-plus

348
00:19:33,700 --> 00:19:38,000
movies a year and maybe they're
still pissed off at the MCU

349
00:19:38,000 --> 00:19:39,400
movie.
They had to watch earlier in the

350
00:19:39,400 --> 00:19:42,100
day and they don't they're
dreading writing that long essay

351
00:19:42,100 --> 00:19:43,700
and then this hits them at a bad
time.

352
00:19:43,700 --> 00:19:45,900
You know what I mean?
Like there's so many variables.

353
00:19:45,900 --> 00:19:50,400
Like if this had opened in April
instead of September or whatever

354
00:19:50,400 --> 00:19:53,500
the hell it opened like what
would it have caught people in a

355
00:19:53,500 --> 00:19:55,900
different phase?
And I thought about that too.

356
00:19:55,900 --> 00:19:58,200
Like, I've been trying to put
together, my own kind of like

357
00:19:58,200 --> 00:20:02,800
top 10 list of 20 21 and I think
the most like important

358
00:20:02,800 --> 00:20:07,200
impactful thing I saw in 21 was
the Bo Burnham special called

359
00:20:07,200 --> 00:20:10,500
inside which has just haunted me
for months and months.

360
00:20:10,500 --> 00:20:14,900
But at this point in my life
like almost 12 months later

361
00:20:14,900 --> 00:20:18,100
after seeing that that really
dealt with like the Russian in

362
00:20:18,100 --> 00:20:22,200
the paranoia of the pandemic and
I just went and saw the new Paul

363
00:20:22,200 --> 00:20:24,900
Thomas Anderson movie last week.
Licorice pizza.

364
00:20:25,200 --> 00:20:28,200
And that was the most.
Like, just I was like, grinning

365
00:20:28,200 --> 00:20:30,400
at the screen for two hours.
I was so happy.

366
00:20:30,400 --> 00:20:33,400
It was just a joyous movie and
I'm like, all right.

367
00:20:33,400 --> 00:20:37,300
Well, one of them had a bigger
impact on me, but I don't know

368
00:20:37,300 --> 00:20:39,600
that I want that to be the movie
that I look back and that it

369
00:20:39,600 --> 00:20:42,500
defines the year for me.
Do you know what I'm saying?

370
00:20:43,000 --> 00:20:46,700
And so maybe this movie just
caught people at the wrong time.

371
00:20:46,800 --> 00:20:49,300
I don't know.
Yeah, I don't know why.

372
00:20:49,300 --> 00:20:53,100
I literally have never once had
a movie, catch me at the wrong

373
00:20:53,100 --> 00:20:55,300
time.
I've never had my emotions in

374
00:20:55,300 --> 00:20:57,700
the way when I reviewed a movie
for the podcast.

375
00:20:58,000 --> 00:21:03,000
So I think they're just I know
you've never ever not given a

376
00:21:03,000 --> 00:21:03,800
movie.
A chance.

377
00:21:04,300 --> 00:21:07,600
I have eternally given movies a
chance.

378
00:21:08,200 --> 00:21:09,700
All right.
So we have already talked about

379
00:21:09,700 --> 00:21:12,700
Kristen Wiig a little bit.
Let's let's kind of go down the

380
00:21:12,700 --> 00:21:16,000
the cast list here.
Everybody else, is kind of a

381
00:21:16,008 --> 00:21:18,800
true supporting player.
You've Shirley MacLaine showing

382
00:21:18,800 --> 00:21:21,600
up as his mob.
You've got Kathryn Hahn in kind

383
00:21:21,600 --> 00:21:23,100
of a thankless role as his
sister.

384
00:21:23,100 --> 00:21:27,300
You've got Sean Penn making a
great extended Cameo as Sean

385
00:21:27,300 --> 00:21:31,600
O'Connell the photographer.
You've got Adam Scott from Parks

386
00:21:31,600 --> 00:21:35,600
and Rec showing up as the The
Evil Nemesis of Walter bearded

387
00:21:35,800 --> 00:21:37,400
the year.
Yeah, yeah.

388
00:21:37,900 --> 00:21:39,300
Who do you want to talk about
first bread?

389
00:21:39,700 --> 00:21:42,000
Can we, can we talk about Adam
Scott's beard for a minute?

390
00:21:42,000 --> 00:21:44,700
Yeah, just the beard though.
Just the beard Bob.

391
00:21:44,700 --> 00:21:47,500
I don't know it.
Like, I genuinely this.

392
00:21:47,600 --> 00:21:48,900
Time through.
I remember the first time

393
00:21:48,900 --> 00:21:50,800
through thinking like, oh,
that's just a bad costume.

394
00:21:50,800 --> 00:21:52,600
Like, who did that this time
through?

395
00:21:52,600 --> 00:21:55,000
I was like, did they meet it
intentionally?

396
00:21:55,000 --> 00:21:59,800
Because like by the end of the
film Walter comes back from his

397
00:21:59,800 --> 00:22:02,800
journey and his one co-worker or
former co-workers that are all

398
00:22:02,800 --> 00:22:06,500
getting fired is like why do you
look rugged?

399
00:22:06,600 --> 00:22:09,900
And he's got like this little
stubble and right off and do you

400
00:22:10,100 --> 00:22:12,300
like, am I just searching too
deep or do you think there was

401
00:22:12,300 --> 00:22:15,500
like yeah he has to like fake
this beard.

402
00:22:15,600 --> 00:22:19,500
Like he probably pays $500.
Hours for his haircut and beard

403
00:22:19,500 --> 00:22:23,100
to be trimmed this way.
But Walter like earned it in the

404
00:22:23,108 --> 00:22:25,100
Himalayas.
Well, that might be.

405
00:22:25,100 --> 00:22:26,400
I never thought about it that
deeply.

406
00:22:26,900 --> 00:22:31,900
I do think the fake beard is, is
a, the worst fake piece of hair

407
00:22:31,900 --> 00:22:34,500
I've ever seen ever ever and
land.

408
00:22:34,500 --> 00:22:38,100
It has to be intentional like
this movie cost a lot of money

409
00:22:38,100 --> 00:22:39,500
to make.
I can't imagine that they

410
00:22:39,700 --> 00:22:42,600
because the thing is like, when
you, when you die something

411
00:22:42,600 --> 00:22:46,700
pitch black, it is a color of
black that human hair cannot

412
00:22:46,700 --> 00:22:48,500
actually.
Eve, exact.

413
00:22:48,500 --> 00:22:51,800
And like, even though Adam Scott
has dark hair like the beard is

414
00:22:51,800 --> 00:22:57,000
just significantly darker than
his actual air and it's the fact

415
00:22:57,000 --> 00:23:01,500
that it is so perfectly
manicured, like it, it almost

416
00:23:01,500 --> 00:23:06,900
looks like it was cgi'd onto his
face and pose maybe it's not

417
00:23:06,900 --> 00:23:09,100
real.
And and Walter's just imagining

418
00:23:09,100 --> 00:23:14,500
him with a beard.
Oh, that's a new Theory.

419
00:23:15,200 --> 00:23:19,500
Yeah, well at the very least
we've decided, That the beard is

420
00:23:19,500 --> 00:23:21,000
the worst character in the
movie.

421
00:23:21,100 --> 00:23:24,200
I agree with that.
Wholeheartedly Shirley MacLaine,

422
00:23:24,200 --> 00:23:25,600
though.
Wonderful.

423
00:23:25,700 --> 00:23:27,000
Let's go.
Do you under fight?

424
00:23:27,000 --> 00:23:31,800
Like, what a perfect supporting
performance.

425
00:23:31,900 --> 00:23:35,800
I was just Enchanted by her
every time she was on screen.

426
00:23:35,800 --> 00:23:38,700
So there's a huge plot point in
the movie where you find out.

427
00:23:38,700 --> 00:23:41,400
Basically, the thing that sets
the movie into motion is that

428
00:23:41,800 --> 00:23:45,000
Walter works at Life magazine.
And he develops photos,

429
00:23:45,000 --> 00:23:47,200
especially for this very famous
photographer.

430
00:23:47,600 --> 00:23:50,600
They find out that it is going
to be the last issue ever of

431
00:23:50,600 --> 00:23:55,400
Life magazine in physical form,
and the photographer sends along

432
00:23:55,500 --> 00:24:00,500
a very prized - for Walter to
process and when they go to

433
00:24:00,500 --> 00:24:03,000
like, you know, they take out
the whole roll of film and all

434
00:24:03,000 --> 00:24:04,800
the negatives to develop and
it's not there.

435
00:24:05,300 --> 00:24:07,700
And it sends Walter on this
journey, to find this

436
00:24:07,700 --> 00:24:12,100
photographer recover this - and
you find out, basically the end

437
00:24:12,100 --> 00:24:14,300
of the movie, Walter had it the
whole time and it was in a

438
00:24:14,300 --> 00:24:17,500
wallet, which we'll talk about
that scene.

439
00:24:17,600 --> 00:24:19,800
But that scene with Sean Penn is
really funny and I liked it a

440
00:24:19,800 --> 00:24:20,600
lot.
Yeah.

441
00:24:21,000 --> 00:24:24,200
Walter has discarded this wallet
at some point because he's so

442
00:24:24,200 --> 00:24:26,600
frustrated about his life and
his choices.

443
00:24:27,100 --> 00:24:30,100
And then you have, you know, the
reveal at the end that the Mom,

444
00:24:30,200 --> 00:24:34,000
Shirley MacLaine rescued the
wallet out of the garbage and

445
00:24:34,800 --> 00:24:38,400
Brad, I don't think you can
deliver those few lines she has

446
00:24:38,400 --> 00:24:42,200
in that scene where she says,
like I always save all your

447
00:24:42,200 --> 00:24:48,200
knickknacks and there is just
such a level of like Unbridled

448
00:24:48,200 --> 00:24:53,000
love between mother and son in
that scene that she conveys

449
00:24:53,000 --> 00:24:57,000
wordless lie and Stiller
conveys, wordless lie and it was

450
00:24:57,000 --> 00:25:00,100
just such a touching moment that
I don't even know if it was

451
00:25:00,100 --> 00:25:03,400
meant to be that touching in the
script but like, like it

452
00:25:03,400 --> 00:25:05,600
legitimately got me a little bit
choked up because those two

453
00:25:05,600 --> 00:25:08,300
actors just nailed that little
moment.

454
00:25:08,500 --> 00:25:12,100
Yeah, I was going to say, I
think that's probably the most

455
00:25:12,100 --> 00:25:15,400
poorly written line in the movie
like that.

456
00:25:15,600 --> 00:25:18,900
There is for some reason that
just felt so awkward to me,

457
00:25:18,900 --> 00:25:22,500
like, yeah, I always save your
knickknacks and and it feels

458
00:25:22,500 --> 00:25:25,500
like forced because earlier she
has a line where she talks

459
00:25:25,500 --> 00:25:28,900
about.
Oh, that's my Walter box and and

460
00:25:28,900 --> 00:25:31,200
that's where I keep all my
Walter things.

461
00:25:31,200 --> 00:25:34,600
And it feels like one of those
kind of forced like we had to

462
00:25:34,600 --> 00:25:37,900
write that first line in order
to make sense of why she keeps

463
00:25:37,900 --> 00:25:42,000
his wallet.
But all of that just fell away

464
00:25:42,400 --> 00:25:46,400
when I watched Ben, Stiller,
look at his mom.

465
00:25:46,700 --> 00:25:49,400
Gratitude for the fact that
she's being a mom.

466
00:25:49,500 --> 00:25:51,600
Yep, it just it just all fell
away.

467
00:25:51,600 --> 00:25:54,700
I didn't care about any of that.
I was like, yeah, we're good.

468
00:25:54,700 --> 00:25:59,900
Mom does keep knickknacks.
I'm with you man.

469
00:25:59,900 --> 00:26:02,700
And like again, these are the
little things that I think

470
00:26:02,700 --> 00:26:06,700
helped this movie kind of Click
into Focus because even though

471
00:26:06,900 --> 00:26:10,700
like on its surface, it has a
very clear message which is like

472
00:26:10,700 --> 00:26:13,700
go out and live instead of
thinking about it.

473
00:26:14,400 --> 00:26:16,500
When I started thinking about
like, all right, what's beneath?

474
00:26:16,600 --> 00:26:19,700
The surface, like, what is this
movie really about?

475
00:26:19,700 --> 00:26:22,900
I was kind of struggling because
I think sometimes it can send

476
00:26:22,900 --> 00:26:25,500
mixed messages and sometimes I'm
just looking deeper than I need

477
00:26:25,500 --> 00:26:28,400
to look, let's be honest.
But I think in moments like

478
00:26:28,400 --> 00:26:32,400
that, this movie really kind of
lasers in on what it's trying to

479
00:26:32,400 --> 00:26:34,600
say.
She saves all his knickknacks

480
00:26:34,600 --> 00:26:38,300
because it's a way of
demonstrating that like, yes,

481
00:26:38,300 --> 00:26:41,300
it's worth preserving things in
life, there are things worth

482
00:26:41,300 --> 00:26:43,300
remembering and you shouldn't
throw them away, and you

483
00:26:43,308 --> 00:26:46,400
shouldn't move past them.
And like, Walters mom saves all.

484
00:26:46,600 --> 00:26:48,900
Junk.
Because she's a mom, but it's

485
00:26:48,900 --> 00:26:52,100
also like one more lesson that
Walters learning along the way

486
00:26:52,100 --> 00:26:55,000
about, like, what it really
means to live life.

487
00:26:55,000 --> 00:26:57,900
And it's that, yeah, we need to
collect these memories for

488
00:26:57,900 --> 00:27:01,100
ourselves and I just I don't
think that would have been

489
00:27:01,100 --> 00:27:04,600
conveyed if you were just
reading the script on the page

490
00:27:04,600 --> 00:27:06,300
and it's just the performance of
those.

491
00:27:06,300 --> 00:27:09,200
Two actors that make that just a
really special scene for me.

492
00:27:09,200 --> 00:27:13,800
Well and the choice to not.
Look at the - right like at the

493
00:27:13,800 --> 00:27:16,100
end.
His coworker asks him like like,

494
00:27:16,100 --> 00:27:19,200
what was Jean.
It was the - and he goes, I

495
00:27:19,200 --> 00:27:22,200
didn't look at it and you know,
the guy is like, oh, you're

496
00:27:22,200 --> 00:27:24,200
crazy.
I don't understand you but like

497
00:27:24,700 --> 00:27:29,900
the journey to get, the - is
what he needed to collect.

498
00:27:29,900 --> 00:27:34,300
Not these actual - itself.
And so like that, that lesson is

499
00:27:34,300 --> 00:27:38,500
just under laid so many
different times, but it's never,

500
00:27:38,500 --> 00:27:40,800
it's never forced.
It's never shoved in the

501
00:27:40,800 --> 00:27:43,200
audience's face.
I, you've talked about this

502
00:27:43,200 --> 00:27:47,500
before, it's so frustrating when
a director Assumes that his

503
00:27:47,500 --> 00:27:52,800
audience is stupid right and
this movie does not do that.

504
00:27:52,900 --> 00:27:54,500
They don't shove it in your
face.

505
00:27:54,500 --> 00:27:59,700
They don't force you to think
about what the deep meaning or

506
00:27:59,700 --> 00:28:02,500
they don't just tell you what,
the deep meaning of the movie is

507
00:28:02,500 --> 00:28:05,700
they let you suss it out for
yourself and it's not very far

508
00:28:05,700 --> 00:28:07,700
under the surface.
It's not like it's hard to

509
00:28:07,700 --> 00:28:12,300
figure out but it's not right in
your face and I think still does

510
00:28:12,300 --> 00:28:18,100
a really great job as an actor
and as a director Allowing the

511
00:28:18,100 --> 00:28:21,800
audience to go on the journey
with him to find the meaning

512
00:28:21,800 --> 00:28:23,700
that the movie is trying to sell
you.

513
00:28:24,100 --> 00:28:26,100
All right, babe, I think we're
in a really good spot right now.

514
00:28:26,200 --> 00:28:29,500
The, I'm excited to keep talking
about this movie because it's

515
00:28:29,500 --> 00:28:33,400
just man, if Chef was a
feel-good movie, then this is a

516
00:28:33,408 --> 00:28:36,700
feel great movie.
Like, I came out of this just so

517
00:28:36,700 --> 00:28:40,400
freaking happy, but let's
continue our happiness with a

518
00:28:40,408 --> 00:28:42,700
review of Glenlivet 12.
What do you say?

519
00:28:43,300 --> 00:28:50,100
Let's get to it.
Alright, so today we are

520
00:28:50,100 --> 00:28:53,600
checking out the Glenlivet
12-year single malt scotch

521
00:28:53,600 --> 00:28:55,400
whiskey.
This is one of the most famous

522
00:28:55,400 --> 00:28:59,800
brands of scotch you know in the
world over super historic.

523
00:29:00,100 --> 00:29:01,500
If I'm being honest.
Brad.

524
00:29:01,600 --> 00:29:04,900
I have really regretted the fact
that we did not pair this up

525
00:29:04,900 --> 00:29:09,000
initially with our very first
preview episode Anchorman,

526
00:29:09,400 --> 00:29:12,300
because this is Ron burgundy's
Scotch of choice, he orders two

527
00:29:12,300 --> 00:29:15,300
fingers of Glenlivet when he
when he goes into the bar.

528
00:29:15,700 --> 00:29:17,700
Yeah, Yeah, thinking about it
ever since man.

529
00:29:17,700 --> 00:29:21,100
But, you know, we're close
enough here with Ben Stiller

530
00:29:21,100 --> 00:29:22,800
movie.
I guess.

531
00:29:25,700 --> 00:29:28,600
Well, we're kind of close
because, you know, they're both

532
00:29:28,600 --> 00:29:32,500
men and they're similar age and
they act sent Ben Stiller was in

533
00:29:32,500 --> 00:29:38,400
Anchorman.
So I know, man, I am excited for

534
00:29:38,400 --> 00:29:42,600
this.
I will say that in the, in the

535
00:29:42,600 --> 00:29:45,800
many, many jobs that I've
worked, I used to be.

536
00:29:46,400 --> 00:29:50,100
Wedding coordinator help
weddings go smoothly.

537
00:29:50,400 --> 00:29:53,900
And at one of those weddings
they had Glenlivet 12 double

538
00:29:53,900 --> 00:29:58,200
oaked and I was a lot of try, a
few shots of it and I remember

539
00:29:58,200 --> 00:30:01,200
thinking it was one of the first
scotches I ever had and I was

540
00:30:01,200 --> 00:30:04,900
like man I think Scott really
has a lot to offer this is good

541
00:30:04,900 --> 00:30:09,200
stuff so this is one that I've
honestly been quietly

542
00:30:09,200 --> 00:30:12,800
anticipating so this is a space
side single malt.

543
00:30:13,100 --> 00:30:15,900
We've had a couple space sides
on the show before note.

544
00:30:16,000 --> 00:30:18,800
Tably a burl.
Our and I think one thing that

545
00:30:18,800 --> 00:30:21,900
that at least I have noted about
them because Brad, I think you'd

546
00:30:21,900 --> 00:30:24,700
like them a little more than me
is that they're just very mild.

547
00:30:24,700 --> 00:30:27,500
They're really inoffensive.
You're not going to get tons of

548
00:30:27,500 --> 00:30:29,900
Pete on top of something from
this region, at least,

549
00:30:29,900 --> 00:30:34,100
typically, this is clocking in
at 40% ABV or 80 proof.

550
00:30:34,100 --> 00:30:37,400
So, it is, I mean, it's just a
really light whiskey, but this

551
00:30:37,400 --> 00:30:40,500
is the first time we've had an
80 proof in.

552
00:30:40,500 --> 00:30:42,800
It's been a while agent.
This is a guy's like a lot of

553
00:30:42,800 --> 00:30:44,600
really?
Yeah, really long time.

554
00:30:44,600 --> 00:30:47,300
So I'm actually trying it live.
The show Brad, you've already

555
00:30:47,300 --> 00:30:51,100
taken notes so while I give this
a nose and a sip, can you give

556
00:30:51,100 --> 00:30:52,900
us your scores for both of those
categories?

557
00:30:53,200 --> 00:30:58,800
Yeah, the nose for me was this
like Creamsicle orange almost

558
00:30:58,800 --> 00:31:02,300
heavy on the orange side.
With a little bit of Honey, a

559
00:31:02,300 --> 00:31:08,000
little bit of vanilla I really,
really love this like soft.

560
00:31:08,000 --> 00:31:11,800
Gentle creamy knows, I will give
it an eight and a half on the

561
00:31:11,800 --> 00:31:16,900
nose and then the taste jumped
into there's Like a candied,

562
00:31:16,900 --> 00:31:19,200
orange.
But then it was a little bit

563
00:31:19,200 --> 00:31:21,500
nutty.
I got to, like, soft hint of

564
00:31:21,500 --> 00:31:25,200
cinnamon on there.
I really like the taste as well.

565
00:31:25,500 --> 00:31:27,900
I'll give it an 8 out of 10.
So an eight and a half on the

566
00:31:27,908 --> 00:31:29,800
nose.
Eight out of ten on the palate.

567
00:31:29,900 --> 00:31:32,400
Yeah, I'm with you, man.
There's a lot of citrus fruit on

568
00:31:32,400 --> 00:31:33,500
this.
I don't know if it's quite

569
00:31:33,500 --> 00:31:36,600
orange for me, but it's
definitely in that family.

570
00:31:36,600 --> 00:31:39,500
You're totally right.
I got a little bit of pear on

571
00:31:39,500 --> 00:31:41,700
the nose as well.
When it comes to The Taste, I

572
00:31:41,708 --> 00:31:44,400
got like some apricot as well,
which was really, really nice.

573
00:31:44,400 --> 00:31:48,800
And I'm not used to that.
I think on the nose, it's just,

574
00:31:48,800 --> 00:31:50,700
it's super Pleasant.
There's not much more to say,

575
00:31:50,700 --> 00:31:54,200
there's not a strong scent of
like multi-.

576
00:31:54,200 --> 00:31:56,700
It really does kind of stay in
that fruity area.

577
00:31:57,000 --> 00:31:59,800
I think I'll give it a seven and
a half on the nose on The Taste.

578
00:31:59,800 --> 00:32:02,100
It's really beautiful.
Like all that creaminess you

579
00:32:02,100 --> 00:32:05,100
were talking about comes out.
It starts out fruity it kind of

580
00:32:05,100 --> 00:32:09,200
goes into like a like a really
heavy cream kind of flavor and

581
00:32:09,200 --> 00:32:10,300
then on the back end you're
right.

582
00:32:10,300 --> 00:32:14,800
It's like black coffee, with a
couple dashes of cinnamon on

583
00:32:14,800 --> 00:32:15,900
top.
Really.

584
00:32:16,000 --> 00:32:18,400
Ali really nice.
I like this a lot especially at

585
00:32:18,400 --> 00:32:21,200
80 proof.
This doesn't seem like a

586
00:32:21,200 --> 00:32:25,000
watered-down experience that the
mouthfeel is not super thin.

587
00:32:25,500 --> 00:32:28,300
The alcohol has just enough of a
tingle to let you know.

588
00:32:28,300 --> 00:32:30,600
It's there.
I think this is really nice on

589
00:32:30,600 --> 00:32:32,200
the pallet Brad.
So I think I'm going to give it

590
00:32:32,200 --> 00:32:36,900
a 9 out of 10 on the palate as I
get into the finish, it has just

591
00:32:36,900 --> 00:32:39,700
the tiniest hint of like, I
don't know.

592
00:32:39,700 --> 00:32:42,200
I didn't even want to call it a
sour finish that there's just a

593
00:32:42,208 --> 00:32:47,000
little hint of something there.
But overall, It's it's a little

594
00:32:47,000 --> 00:32:50,600
bit, okey there's a lot of
orange for me that has persisted

595
00:32:50,600 --> 00:32:54,500
through the entire experience.
But overall, I think what I love

596
00:32:54,500 --> 00:32:57,600
most about the finish, I feel
like I just ate like a spoonful

597
00:32:57,600 --> 00:33:02,300
of honey and there's just this
nice soft honey, presence on my,

598
00:33:02,300 --> 00:33:05,900
on my tongue, in my throat, as I
finish, I really like the finish

599
00:33:05,900 --> 00:33:07,100
a lot.
I'm going to jump back up to an

600
00:33:07,100 --> 00:33:09,500
eight and a half.
Yeah I'm pretty much right there

601
00:33:09,500 --> 00:33:11,100
with you.
I think I'm going to give it an

602
00:33:11,100 --> 00:33:14,500
eight and a half even though I
kind of only think it's an eight

603
00:33:14,500 --> 00:33:15,800
but that's because I want to
bump up.

604
00:33:15,900 --> 00:33:19,100
Up my seven and a half.
No score to 1/8 so this will

605
00:33:19,100 --> 00:33:21,300
help balance it out nicely.
You're right.

606
00:33:21,300 --> 00:33:23,400
There is something right there
on the very end.

607
00:33:23,400 --> 00:33:25,800
That's like a shout of a
cigarette tray.

608
00:33:25,800 --> 00:33:29,700
Like there's just this really
burnt kind of a she thing going

609
00:33:29,700 --> 00:33:33,500
on that almost turns the
experience a little bit bitter,

610
00:33:33,800 --> 00:33:36,800
but I think ultimately like what
you're left with are those

611
00:33:36,800 --> 00:33:39,500
sweeter lighter notes so I'm
going to give it an eight and a

612
00:33:39,500 --> 00:33:41,700
half on the nose on balance
bread.

613
00:33:41,700 --> 00:33:44,200
At this, is a really
well-balanced whiskey.

614
00:33:44,200 --> 00:33:45,800
I can't think of a lot of things
that I would.

615
00:33:45,900 --> 00:33:47,900
Get on except for maybe that
one.

616
00:33:48,200 --> 00:33:50,600
Kind of off note in the finish.
I guess, I'll give it an eight

617
00:33:50,600 --> 00:33:54,800
and a half again on balance.
Yeah, dude, I'm with you, man.

618
00:33:54,800 --> 00:33:58,400
That like there's nothing about
this whiskey that's like, out of

619
00:33:58,400 --> 00:34:01,300
this world but there's
absolutely nothing about it.

620
00:34:01,300 --> 00:34:03,900
That's poorly done.
So I'm with you, dude.

621
00:34:04,000 --> 00:34:06,500
Eight and a half.
It's just a really solid

622
00:34:06,500 --> 00:34:09,800
drinking experience.
And then when we jump into

623
00:34:09,800 --> 00:34:13,500
value, Bob this bottle of
whiskey will set you back in the

624
00:34:13,507 --> 00:34:16,400
state of Ohio.
Dollars.

625
00:34:16,400 --> 00:34:19,500
And if you really love it, you
can jump up to a whole liter for

626
00:34:19,500 --> 00:34:23,900
only $10 more $55 and you got a
leader, this bad boy.

627
00:34:24,199 --> 00:34:25,900
All right.
So that that's really not bad at

628
00:34:25,900 --> 00:34:26,400
all.
Brad.

629
00:34:26,400 --> 00:34:28,300
What are you thinking for your
value score?

630
00:34:28,800 --> 00:34:34,100
I mean I think this is one of
one of the better values in a

631
00:34:34,100 --> 00:34:36,800
single malt that you can really
grab.

632
00:34:36,900 --> 00:34:41,600
I'll give it an 8 out of 10 on
the value like it's not perfect

633
00:34:41,600 --> 00:34:43,199
this isn't my favorite Scotch
out there.

634
00:34:43,199 --> 00:34:47,199
I really I think I might like a
bird our a little More overall,

635
00:34:47,800 --> 00:34:51,000
but this is really good stuff
and 45 bucks.

636
00:34:51,800 --> 00:34:55,000
Go get yourself some come on.
Yeah, I think I'll give it an

637
00:34:55,000 --> 00:34:57,500
eight and a half as well.
This is definitely towards the

638
00:34:57,500 --> 00:34:59,700
top of the Heap.
When it comes to Affordable

639
00:34:59,700 --> 00:35:03,500
single malts, we're actually
starting four consecutive weeks

640
00:35:03,500 --> 00:35:06,600
of Glenlivet products here, and
that's because we got ourselves

641
00:35:06,600 --> 00:35:09,700
this nice little sample pack of
for Glenlivet.

642
00:35:09,700 --> 00:35:15,200
So they're 50 ml samples of the,
12-year the founders reserve,

643
00:35:15,300 --> 00:35:19,200
the Ian reserve and the 14 year
and in the state of Ohio that

644
00:35:19,200 --> 00:35:24,300
for pack costs 999.
So we had essentially, I think

645
00:35:24,300 --> 00:35:27,600
we split my sample into two.
So Brad, we just had a dollar

646
00:35:27,600 --> 00:35:31,100
twenty-five is worth of whiskey
and if that's the criteria for

647
00:35:31,100 --> 00:35:34,200
the value score than this is
like a 14 out of 10 because I

648
00:35:34,200 --> 00:35:39,000
will have darn good dollar 25.
We just spent, I think, you

649
00:35:39,000 --> 00:35:42,700
know, for the price of a 750
milliliter bottle.

650
00:35:43,000 --> 00:35:45,600
I'm going to go eight and a
half, but I will say, if you can

651
00:35:45,600 --> 00:35:49,800
find Glenlivet sampler.
Please get that because it is a

652
00:35:49,800 --> 00:35:52,400
really, really great value.
Yeah.

653
00:35:52,400 --> 00:35:57,100
That brings my total score out
to a 41.5 out of 50.

654
00:35:57,500 --> 00:36:00,100
I'm going to 42 out of 50.
So that is taking us to a

655
00:36:00,100 --> 00:36:05,400
41-point 75 or an eighty three
point five out of a hundred.

656
00:36:05,400 --> 00:36:09,100
This is kind of approaching the
upper reaches of our scores and

657
00:36:09,100 --> 00:36:11,500
I think it's because it's such
an affordable bottle.

658
00:36:11,600 --> 00:36:14,800
Yeah.
The the quality of the juice

659
00:36:14,800 --> 00:36:20,600
inside this 45 dollar single
malt speyside is almost

660
00:36:20,600 --> 00:36:23,100
unmatched.
So go out.

661
00:36:23,100 --> 00:36:26,700
Get yourself some Glenlivet 12
immediately.

662
00:36:26,700 --> 00:36:30,700
It is honestly Bob right now, it
doesn't, it doesn't try too

663
00:36:30,700 --> 00:36:33,200
hard.
It doesn't, it's not too showy.

664
00:36:33,200 --> 00:36:35,100
It's not putting itself out
there thinking.

665
00:36:35,100 --> 00:36:39,100
It's more than it is.
It's just almost exactly like

666
00:36:39,100 --> 00:36:40,800
the movie.
We're watching the vector midi

667
00:36:40,800 --> 00:36:42,800
of Whiskey's.
It's the Walter Mitty of

668
00:36:42,800 --> 00:36:44,700
Whiskey's whiskey midi right
here.

669
00:36:46,200 --> 00:36:48,200
Whiskey midi.
All right man.

670
00:36:48,200 --> 00:36:49,700
Let's get back into talking
about the movie.

671
00:36:49,700 --> 00:36:52,100
What do you say?
Let's have at it, man.

672
00:36:52,100 --> 00:36:56,900
I'm excited.
All right.

673
00:36:56,900 --> 00:36:59,600
That was Glenlivet 12-year a
whiskey that we really really

674
00:36:59,600 --> 00:37:02,100
liked Brad.
Before we left for the break, we

675
00:37:02,100 --> 00:37:05,900
kind of talked about Sean Penn
and his extended Cameo here as

676
00:37:05,900 --> 00:37:08,500
Sean, O'Connell the photographer
man.

677
00:37:08,500 --> 00:37:12,100
Oh man, is Sean Penn.
Like he just comes off the bench

678
00:37:12,100 --> 00:37:15,600
and hits 18 three-pointers in a
row like that, the entire

679
00:37:15,600 --> 00:37:19,300
sequence of Ben Stiller
encountering him on that

680
00:37:19,300 --> 00:37:21,900
Mountainside, and them sharing
that little moment.

681
00:37:21,900 --> 00:37:25,500
And then going to play soccer,
man, Sean Penn In is such a good

682
00:37:25,500 --> 00:37:26,800
actor.
I don't know if you guys needed

683
00:37:26,800 --> 00:37:31,200
to know that but Academy Award
winner Sean Penn actually a good

684
00:37:31,200 --> 00:37:33,900
actor.
Yeah, I think there's a reality

685
00:37:33,900 --> 00:37:37,800
where I actually don't know if I
like Sean Penn as an actor

686
00:37:38,200 --> 00:37:42,000
primarily because I've not
really seen many of his films.

687
00:37:42,000 --> 00:37:44,400
I get that.
You know, and you like him here

688
00:37:44,400 --> 00:37:46,900
though is the real question.
I do like him.

689
00:37:47,000 --> 00:37:50,700
I think he plays a small enough
role that he's not overwhelming.

690
00:37:50,800 --> 00:37:53,500
Yeah, you get that one, you
know, fun.

691
00:37:53,500 --> 00:37:57,300
But really the ones.
Scene with him where they're

692
00:37:57,300 --> 00:38:00,200
they're checking out the snow
leopard and he kind of imparts

693
00:38:00,200 --> 00:38:02,700
the wisdom of the movie of,
like, sometimes you don't need

694
00:38:02,700 --> 00:38:05,500
to take the picture sometimes,
just the journey to get there

695
00:38:05,500 --> 00:38:08,900
is, is worth more than what the
picture is worth.

696
00:38:08,900 --> 00:38:13,200
And yeah, there's like something
nice about that scene, but I

697
00:38:13,200 --> 00:38:15,800
don't know if he added like a
ton of the movie.

698
00:38:15,800 --> 00:38:19,400
I think you could have replaced
him with, with other actors, but

699
00:38:19,400 --> 00:38:21,800
I thought it was I thought he
was solid good.

700
00:38:22,500 --> 00:38:31,100
When are you gonna take it?
sometimes, I don't if I like a

701
00:38:31,107 --> 00:38:39,000
moment.
Made me personally, I don't like

702
00:38:39,000 --> 00:38:48,500
to have the distraction the Kim.
Just want to stay in it.

703
00:38:51,600 --> 00:38:55,700
Stand up.
Yeah, right there.

704
00:38:57,500 --> 00:39:02,000
Right here.
I think when you have a moment

705
00:39:02,000 --> 00:39:05,600
like this, when you have the
like surprise celebrity Cameo,

706
00:39:06,100 --> 00:39:09,800
there's a lot of ways that could
go and I think Sean Penn is one

707
00:39:09,800 --> 00:39:13,100
of those guys who likes to play
understated sometimes and you

708
00:39:13,100 --> 00:39:16,400
know, he'd like, I like that.
He's very restrained here

709
00:39:16,600 --> 00:39:19,800
because I think you could slide
a number of very famous people

710
00:39:19,800 --> 00:39:22,600
into this role, but it would
ultimately take away from the

711
00:39:22,600 --> 00:39:24,400
movie.
Like, if you put George Clooney

712
00:39:24,400 --> 00:39:31,100
in here, he's so disarmingly,
you know, ride and That it

713
00:39:31,100 --> 00:39:33,100
wouldn't fit with what this
character is supposed to be.

714
00:39:33,100 --> 00:39:36,100
You could not put a Tom Hanks in
this role even though he could

715
00:39:36,100 --> 00:39:40,700
very well acted like it's just
the the tone and the vibe that

716
00:39:40,700 --> 00:39:44,000
those kind of guys bring to the
table, I think really could take

717
00:39:44,000 --> 00:39:46,400
away from it here.
And Sean Penn does kind of have

718
00:39:46,400 --> 00:39:50,400
that like he has the look and
feel of a guy who's traveled,

719
00:39:50,400 --> 00:39:53,300
the world and is speaking from a
place of wisdom.

720
00:39:53,300 --> 00:39:55,600
And I think he plays that
really, really well.

721
00:39:55,900 --> 00:39:59,500
Yeah, these got that hermit
photographer vibe that is nails.

722
00:39:59,600 --> 00:40:01,400
I wouldn't mind.
I wouldn't mind seeing like a

723
00:40:01,400 --> 00:40:05,900
Tommy Lee Jones in this role
just as a guy who's, like really

724
00:40:05,900 --> 00:40:08,600
pissed and annoyed that Walter
Mitty showed up, you know what I

725
00:40:08,607 --> 00:40:09,200
mean?
Yeah.

726
00:40:09,200 --> 00:40:14,500
Just given him tons of get the F
out of my shot and then he just

727
00:40:14,500 --> 00:40:16,500
does the whole monologue from no
country.

728
00:40:16,600 --> 00:40:23,200
And then that's the end of the
movie directed by the Coen

729
00:40:23,200 --> 00:40:25,200
Brothers.
All right, man, I think that we

730
00:40:25,200 --> 00:40:27,500
have discussed this movie
probably enough.

731
00:40:27,500 --> 00:40:29,500
At this point, I love this movie
a lot.

732
00:40:29,700 --> 00:40:33,000
Is it a perfect movie know?
And I think I've said that twice

733
00:40:33,000 --> 00:40:37,000
and the reason primarily that I
say that is I think that some of

734
00:40:37,000 --> 00:40:41,500
Walters Flights of Fancy, they
get their point across and then

735
00:40:41,500 --> 00:40:44,000
they go on for like another two
minutes longer than they need to

736
00:40:44,000 --> 00:40:46,200
go.
And there's one in particular,

737
00:40:46,200 --> 00:40:50,100
it's the one where, where he
Stretch Armstrong, it's the one

738
00:40:50,100 --> 00:40:51,900
where?
No, not even that one summer.

739
00:40:51,900 --> 00:40:55,200
He imagines that he has Benjamin
Button disorder and, and the

740
00:40:55,200 --> 00:40:59,700
joke is like, haven't seen the
movie yet, but like that, That

741
00:40:59,700 --> 00:41:04,400
little vignette feels like a
clip from any other movie, Ben

742
00:41:04,400 --> 00:41:07,400
Stiller has ever done.
It's very silly, it's very

743
00:41:07,400 --> 00:41:10,400
over-the-top.
And it really every time I watch

744
00:41:10,400 --> 00:41:14,500
this movie, they go so far into
the future, where he's dying of

745
00:41:14,500 --> 00:41:18,300
Benjamin Button disorder.
And it's like, it just pulls me

746
00:41:18,300 --> 00:41:20,100
out of what this movie is trying
to do.

747
00:41:20,100 --> 00:41:24,800
And I honestly think like if you
had just not put that one gag in

748
00:41:24,800 --> 00:41:28,000
the movie, my score on this
movie would be like at least a

749
00:41:28,000 --> 00:41:31,600
half Point higher, you know.
In like I really want to give

750
00:41:31,600 --> 00:41:34,600
this movie a 9 because I love it
a lot.

751
00:41:35,600 --> 00:41:39,300
I'm kind of leaning towards an
eight and a half and I hate to

752
00:41:39,300 --> 00:41:42,400
say it but I think it's because
there are still a few moments in

753
00:41:42,400 --> 00:41:46,400
this movie where man you really
could have had me saying this

754
00:41:46,400 --> 00:41:50,000
was like an Alzheimer and
instead it's just like a very,

755
00:41:50,000 --> 00:41:52,800
very good film, that kind of
punches above its weight class

756
00:41:52,800 --> 00:41:54,000
for me.
So I'm going to give it an eight

757
00:41:54,000 --> 00:41:57,000
and a half out of ten.
Yeah, I think that's a fair

758
00:41:57,000 --> 00:41:57,800
score.
Bob.

759
00:41:57,800 --> 00:42:02,500
I'm going to sum up all my
Nations with this movie, in just

760
00:42:02,500 --> 00:42:09,500
a simple way, it has kind of a
Family Guy syndrome to it, like

761
00:42:09,500 --> 00:42:12,000
there's a lot of jokes in the
movie.

762
00:42:12,000 --> 00:42:14,300
There's even some of the serious
stuff that they do.

763
00:42:14,600 --> 00:42:18,600
That just lingers a little too
long.

764
00:42:18,600 --> 00:42:22,200
It goes a little too far and
that's like Family Guys entire

765
00:42:22,200 --> 00:42:25,400
premise, right?
Like the whole idea of the show

766
00:42:25,400 --> 00:42:28,700
is, let's just go a little too
far with everything, you know,

767
00:42:28,700 --> 00:42:32,300
they're not South They're not
going just wildly out of bounds

768
00:42:33,300 --> 00:42:37,900
and just disgusting ways usually
but Family Guy has that.

769
00:42:37,900 --> 00:42:39,500
That's like they're stick.
That's what they do.

770
00:42:39,500 --> 00:42:43,300
They go a little too far with
everything and it's mostly

771
00:42:43,300 --> 00:42:47,600
pretty amusing.
This movie does that with a lot

772
00:42:47,600 --> 00:42:50,200
of different things.
Whether it's his his Flights of

773
00:42:50,200 --> 00:42:55,900
Fancy, or the the awkward humor,
sometimes, or even when they're

774
00:42:55,900 --> 00:42:58,900
trying to be serious.
It just it just lasts a little

775
00:42:58,900 --> 00:43:01,200
bit too long.
Long as watching this, with my

776
00:43:01,200 --> 00:43:05,200
friend Michael and the the scene
that I mentioned earlier where

777
00:43:05,200 --> 00:43:09,800
he looks like Adam Sandler, they
literally spend about 45 to 60

778
00:43:09,800 --> 00:43:13,800
seconds of screen time.
Like just just stick you lating

779
00:43:13,800 --> 00:43:16,800
back and forth about like it's
almost like a Monty Python skit

780
00:43:16,800 --> 00:43:21,500
like like no, no you're going,
but I but I'm staying and then

781
00:43:21,500 --> 00:43:25,600
they're like, oh no.
So we take leave the sun here

782
00:43:25,600 --> 00:43:27,900
until he leaves and you're like
no no.

783
00:43:27,900 --> 00:43:30,700
Let me re explain it.
It's like, it's funny.

784
00:43:30,700 --> 00:43:36,000
It's fine, but it goes on too
long and so, yeah, I'm with you,

785
00:43:36,000 --> 00:43:38,100
dude.
I think that this is a just

786
00:43:38,100 --> 00:43:41,500
fantastically Pleasant fun movie
to watch.

787
00:43:41,700 --> 00:43:45,500
It's pleasing to the eye to the
ear like that.

788
00:43:45,500 --> 00:43:47,900
Like, I really like the
soundtrack that they use, for

789
00:43:47,900 --> 00:43:52,200
this movie, the songs that they
insert, I really enjoy Kristen

790
00:43:52,200 --> 00:43:55,500
Wiig and how she.
And, and Ben Stiller just

791
00:43:55,500 --> 00:43:58,800
portray a really fun relaxed
romance.

792
00:43:58,800 --> 00:44:00,600
That doesn't die.
Dominate the movie.

793
00:44:01,200 --> 00:44:03,000
There's a lot to love about this
movie.

794
00:44:03,000 --> 00:44:06,300
I think, honestly, Bob this is
the perfect whiskey and movie

795
00:44:06,300 --> 00:44:11,500
pairing of 40 out of 50 is
pretty much an 8 out of 10, so

796
00:44:11,500 --> 00:44:13,200
I'm going to give this an 8 out
of 10 Bob.

797
00:44:13,700 --> 00:44:16,100
All right, there you have it.
We have a shout-out to an eight

798
00:44:16,100 --> 00:44:20,400
point two five out of ten.
I kind of do almost want to, but

799
00:44:20,400 --> 00:44:22,800
mine up to a nine.
Just so that the average score

800
00:44:22,800 --> 00:44:25,600
is a little higher because I
think when I look at this movie,

801
00:44:26,200 --> 00:44:29,500
they means more to me and I
think it really is about.

802
00:44:29,700 --> 00:44:34,000
Filmed in an 82 out of 100, but
let's let our audience decide.

803
00:44:34,100 --> 00:44:37,400
Have you guys seen Walter Mitty?
If so, what do you think of it?

804
00:44:37,400 --> 00:44:40,500
Is it closer to a nine or is it
closer to a 2?

805
00:44:40,600 --> 00:44:43,000
Who knows what kind of answer
we're going to get, but you can

806
00:44:43,000 --> 00:44:47,100
tell us on our social media
accounts on Facebook, Twitter or

807
00:44:47,100 --> 00:44:51,400
Instagram at film whiskey.
Or if you want, you can join the

808
00:44:51,400 --> 00:44:54,600
conversation directly with us on
a daily basis.

809
00:44:54,900 --> 00:44:58,800
We are on Discord every single
day, interacting with the, with

810
00:44:58,800 --> 00:45:00,200
film and whiskey.
E Nation.

811
00:45:00,300 --> 00:45:03,500
So, jump on with us, we have new
people joining every single

812
00:45:03,500 --> 00:45:06,000
week.
You can find the link to our

813
00:45:06,000 --> 00:45:08,100
Discord.
At the end of every single, one

814
00:45:08,100 --> 00:45:11,000
of our show notes, you are down
to eight films.

815
00:45:11,000 --> 00:45:15,600
Now in your list and I have them
all in the randomizer wheel

816
00:45:15,600 --> 00:45:18,000
ready to go.
Are you ready to find out the

817
00:45:18,000 --> 00:45:22,800
fate of our podcast next week?
I am so excited.

818
00:45:22,800 --> 00:45:24,800
Bob, you know what this week?
I'm going to make some wheel

819
00:45:24,800 --> 00:45:25,900
clicking sounds.
You ready?

820
00:45:26,100 --> 00:45:30,300
Thank God.
Dddd.

821
00:45:30,300 --> 00:45:34,800
Dddd, dddd.
T-t-t-t-t-t-t-t-t-t Oh, we're

822
00:45:34,800 --> 00:45:38,200
looking at the first movie in a
really, really good Trilogy.

823
00:45:38,200 --> 00:45:41,900
And then a really bad reboot.
The first one is called The

824
00:45:41,900 --> 00:45:45,300
Bourne Identity.
The Matt Damon finds a man.

825
00:45:45,300 --> 00:45:46,700
I haven't Brett.
I'm telling you, I haven't seen

826
00:45:46,700 --> 00:45:50,400
the first one in years and years
so I'm really excited for that.

827
00:45:50,500 --> 00:45:54,800
But until then I'm Bob book, I'm
Brad G and we'll see you next

828
00:45:54,800 --> 00:45:55,200
time.