The Last of the Mohicans / Glenlivet Enigma
Bob and Brad wrap up Season 6 with Michael Mann's 1992 historical epic The Last of the Mohicans, a film that neither Bob nor Brad had seen before. Luckily, they're joined by film critic Daniel Joyaux to break it down. Daniel counts this among his favorite movies, largely because of just how rewatchable it is.
Together, the trio discuss Daniel Day-Lewis having the movie stolen out from under him by the phenomenal Wes Studi, the career of Madeleine Stowe, and how this movie fits into the catalog of Mann's filmography. (Daniel sips on three whiskeys that were generously delivered to him by our friends at Detroit City Distillery.)
Meanwhile, they stay in Scotland to try The Glenlivet Enigma. This special-release scotch is part of the brand's Mystery Series, which are marketed without tasting notes or much info in the way of provenance. At around a $150 price tag, is it worth the guessing game?
Film & Whiskey Podcast. New episodes every Monday.
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Hey everyone.
Before we get into today's
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episode, I just wanted to remind
you that we have a ton of extra
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content over on our patreon.
We do movie watch parties
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special page here on the bonus
episodes and all other sorts of
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wacky stuff that you can access
easily.
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If you head on over to
patreon.com slash film whiskey
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in 1992 director, Michael Mann
and star.
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Daniel Day-Lewis gave the world.
A historical action drama that
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set the formula of similar films
for years.
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Years to come in 2023.
We returned to Scotland to try a
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puzzling whiskey.
The film is The Last of the
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Mohicans.
The whiskey is Glenlivet Enigma
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and we'll review them both.
This is the film had whiskey
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podcast.
Welcome to the film and whiskey
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podcast, where each week, we
review a classic movie and a
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glass of whiskey.
I'm Bob book, I'm Brad G and
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this week we're looking at the
1992 historical epic.
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The Last of the Mohicans Brad
this is the last episode.
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Of season 6, the last of the
most seasoned that we have saved
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the best for last man.
Yeah, I am super excited to talk
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about this movie and it's for a
very rare reason on this show.
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Oh, this is my first time seeing
the Last of the Mohicans.
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What, what I've never seen that,
man.
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Bob, this is a very famous
movie.
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It is indeed.
And I just like, I never
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happened to catch it on the
cable growing up.
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My dad always told me it was a
good movie and so I always
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wanted to see it and I Of movies
in this vein early 90s
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historical epics.
That's like my jam.
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Yeah and I've just never gotten
around to seeing it and spoiler
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alert.
We have a guest joining us today
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who will intro in just a minute,
but when I heard that our guests
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wanted to talk about this movie,
I said, well I can't watch it
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now.
I have to wait and save myself
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for this moment.
So this is a big deal man.
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Yeah it really is that this
might be the second or third
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time in podcast history that
we've both entered you know, the
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The recording booth on equal
ground, that's true.
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I usually am just objectively
Superior to you.
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Wow, but not today way of
putting it.
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Well, maybe it's a balance out
the playing field a little bit.
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We should intro Our Guest.
It is our friend film critic,
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Daniels y OU, re joining us
again.
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Every year around Oscar season.
Daniel, how you doing?
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I'm great.
How about you guys?
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I'm doing well, man.
Man, I am doing so, so good.
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Good.
And I'm just assuming that this
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is your first time seeing it as
well.
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Dave yeah, something like that.
So A while back, I discovered
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that Daniel lists this movie
among his favorites of all time
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and I mean maybe it would you
call this your favorite film
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ever?
Yes, and no.
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Okay.
I definitely have called it that
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at times.
I generally have like a top four
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in that are in some order and it
just depends on which day you
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catch me, which one of those
four.
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I list is my actual number one,
but last Mohicans is one of them
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and does frequently get cited as
my number one, That is super
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exciting.
Oh, before we dive into Last of
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the Mohicans, let's catch up
with Daniel a little bit.
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You may remember him from last
year when he completely fixed
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the Oscars and they did not heed
his call at all.
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I don't know if what we had on
Oscar Bingo when we talked last
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but all the stuff that went down
was certainly not on it.
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I'll say that much I guess
that's one way to drum up
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ratings.
You know you came up with this
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complicated formula and then all
you need is assault and that'll
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do it.
So Daniel, you're back again,
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it's Oscar season, you've just
wrapped up Sundance coverage and
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it was I mean I don't want to
speak for you here.
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It was a pretty big deal for
you.
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Your Sundance coverage this
year?
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Yeah, I wrote for the ringer for
the first time, which was super
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exciting.
I think as the three of us are
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probably all men of a certain
age and probably discovered Bill
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Simmons at an early time in
collagen, is right when it
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mattered to us so writing for,
you know, great.
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And then the ringer had always
been a huge goal for me.
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So I was really excited to
finally do it.
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I wrote a big Sundance recap
Roundup piece for them last week
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so we've got the Oscars coming
up in.
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What about a month now?
Which is I mean just way too
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late.
I don't know if you agree with
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me on this but a third of the
way through the year seems a
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little bit late for the Oscars.
We haven't done an Oscars
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preview on our podcast yet
because like you you know, I
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live in the midwest where a lot
of times the film's don't come
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out until like February.
I wanted to submit my 10 best of
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the year at the end of the year,
but I don't get screeners like a
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lot of people do.
And so I have to actually go to
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the theater or, you know, rent
VOD.
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And I think the last one that I
really had to catch up with was
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women talking, which I got
around to seeing and now I feel
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like I'm ready to submit my top
10 of the year and it's
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February.
So we're going to hold off a
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little bit on our Oscars
preview.
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But what are some things that
you're most looking forward to,
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with this year's crop of
nominees?
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I'm really fascinated by Best
Actress.
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I think it's an absolute dead
heat between Cate Blanchett.
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Michelle.
And so I am, I think, you know,
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a lot of people are saying that
everything everywhere, all at
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once, they think is the film to
beat.
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And I think that best actress
could be the real determination
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of that, you know, as you're
watching the show this year, if
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Cate Blanchett winds, that could
mean that maybe voters aren't
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quite as high on everything
everywhere, as we thought they
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were, or if Michelle wins, then
that could mean that.
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That's our best picture.
Yeah, I remember walking out of
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the theater from everything
everywhere and I realized I was
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like that movie is a movie that
justifies the existence of
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Cinema.
Like you couldn't tell the
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story, they were trying to tell
in any other medium like I like
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it wouldn't work as a book or a
radio play or however else you
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would want to communicate like
that movie Just exist to be a
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movie and I Like man, I just was
very, very excited about that
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film.
Yep.
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Totally agree.
My other big Oscars.
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Question is I feel like the
Banshees of in a Sharon is going
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to win an acting oscar.
But I have no idea which one I
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feel like supporting actors is
still way up in the air and I
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think Kerry Condon could really
come in and steal that I don't
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know if they steal that one
because it would be well
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deserved.
But I think once again, it all
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comes down to some of the major
categories are people going to
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reward?
Brendan Fraser is it?
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I feel like Whale has kind of
fallen out of favor with a huge
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chunk of critics that, you know,
I don't want to say they're
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looking down on the movie now,
but will that reflect back on
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Brendan Fraser?
Because he's really the only
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major nomination that movie
gets.
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And if that goes to Colin
Farrell, I think everything's
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fair game at that point because
like, you're saying everything
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everywhere might be in pole
position right now but I think
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banshees have been sharing is
right there with it.
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Probably great.
All right.
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There you go.
There's the Oscars preview for
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2023.
Let's let's dive into talking
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about The Last of the Mohicans
Brad and that means that it is
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time to segue into Brad.
Explains the part of the podcast
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where Brad breaks down the plot
of the film that he has just
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seen often for the first time.
As we know, this was your first
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time seeing Last of the Mohicans
Brad before you dive into your
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explanation of this movie were
you familiar with the source
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text at all?
Like, did you read the book when
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you were growing up?
I did not read the book.
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I was like, culturally Familiar
with the film.
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I knew that it was a Daniel
Day-Lewis movie.
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One of his earlier ones if I'm
correct.
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And that it's a historical, you
know, french-indian War drama.
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And so that those are about the,
the most I was a familiar with
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it.
All right, so you went into this
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pretty cold which means we
should get a hell of an
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entertaining Braddock's places
out of this.
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Brad, you've got 60 seconds on
the clock and go.
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Daniel Day-Lewis is Is a Trapper
who has been adopted into a
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Mohican family, and is
conscripted by the British army
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into fighting against the French
Huron Indian forces and the
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area, and the New York
territory, he initially refuses
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to help the British but
eventually falls in love with
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one of the kernel or generals
daughters and he tries to save
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her.
The fourth that they're fighting
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in is conquered by the French,
but As they are allowed to leave
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peaceably, the Huron, Indians
attacked, the British in an
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ambush.
And lots of wild things happen.
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He saves them.
Once again, from the Huron has
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to escape them by jumping into a
waterfall.
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And then he goes and he goes
peaceably and convinces.
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The chief of the Huron tribe to
give s the the girls and his
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brother dies.
All right, all right, I'm gonna
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catch up there man.
That thing really tailed off
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there, at the end, there's a lot
that happens at this movie Bob,
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there is a lot that happens and
I guess I'll say the first thing
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that really struck me about this
movie.
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I don't want to say that the
first hour in 15 minutes are
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slow, but there's certainly less
that happens and it just so
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happened that I had to turn the
movie off for a bit at about
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that one hour and 15 minute
Mark.
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And it's right when they are,
they've made their deal with the
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French that they're going to
surrender.
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And they're kind of leaving
through that Valley where they
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end up getting surrounded on
both sides and ambushed and it
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00:10:02,300 --> 00:10:06,000
was right before that scene.
And I see them on Horseback, I
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00:10:06,000 --> 00:10:08,000
had to hit pause, I came back to
it.
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And from that moment on, there
are so many developments in this
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movie and it just moves like
crazy and Brad.
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I feel like a broken record
because this was kind of what we
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00:10:17,600 --> 00:10:20,600
said about Heat last week.
That first hour of the movie
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Heat is all set up.
And then the payoff is the last
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00:10:24,500 --> 00:10:27,500
two hours, where he just feels
like, everything is flying at
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00:10:27,500 --> 00:10:31,500
you at such a rapid Pace.
This movie felt structurally,
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very similar to that.
It's almost like it.
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Had the same director, I know.
Right, who would hot?
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Daniel, I'm curious.
I want to throw it over to you.
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Like, this is your favorite
film, and I don't feel like I've
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00:10:45,900 --> 00:10:48,800
set you up very well talking
about how I like literally
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00:10:48,800 --> 00:10:50,900
bifurcated this movie and came
back to it.
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00:10:50,900 --> 00:10:53,300
But, I mean, do you see what
we're talking about here?
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There's a lot of setup and then
last 45 minutes, I thought the
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00:10:58,000 --> 00:11:00,600
movie was over.
And then even after that, there
201
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was another much more tragic
ending that came.
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00:11:04,000 --> 00:11:06,500
Of it, like it was full of
surprises.
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00:11:06,500 --> 00:11:09,300
I guess, is what I'm saying.
Yeah, so a few things that I
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00:11:09,300 --> 00:11:12,200
just have in my, you know,
random set of notes that I want
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to hit on first of all, to your
point about how fast it moves
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for the end.
This movie is under two hours
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which for a historical action
epic.
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That's extremely rare.
Yeah, and like by extremely
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rare, I mean like maybe this is
the only one like I can't off
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the top.
My head think of another high
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budget by a major director
Hollywood historical action
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00:11:32,300 --> 00:11:35,800
movie that is under two hours.
Theoretically want exist but I
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00:11:35,808 --> 00:11:38,600
can't think of it so that's
already.
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00:11:38,600 --> 00:11:42,600
I feel like A huge point of
interest in the way.
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00:11:42,600 --> 00:11:44,500
Michael Mann was envisioning.
The still am that.
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00:11:44,500 --> 00:11:48,200
It's unlike most historical
action epics, you know, like
217
00:11:48,200 --> 00:11:50,800
just the Rocks a gladiator, Like
Gladiator cares.
218
00:11:50,800 --> 00:11:55,300
A lot about the politics of
ancient Rome in a that into the
219
00:11:55,300 --> 00:11:57,000
action scenes.
And, you know, you end up with a
220
00:11:57,008 --> 00:11:59,200
two-and-a-half-hour movie.
Last night, he gets his not
221
00:11:59,200 --> 00:12:01,200
care.
Last Mohicans is purely just
222
00:12:01,200 --> 00:12:05,700
about the adventure iconography
that Michael Mann want to put on
223
00:12:05,700 --> 00:12:07,500
the screen in the movie, is that
and nothing.
224
00:12:07,500 --> 00:12:10,300
But that, which I think is part
of what I find.
225
00:12:10,400 --> 00:12:13,500
So appealing about it.
And the other thing that I want
226
00:12:13,500 --> 00:12:16,300
to mention is that my love for
this movie.
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00:12:16,300 --> 00:12:21,000
I feel like is a real relic of
the channel surfing era, which
228
00:12:21,000 --> 00:12:26,300
is that I don't know when I saw
this movie for in, its entirety
229
00:12:26,400 --> 00:12:28,300
for the first time but I'm
almost positive.
230
00:12:28,300 --> 00:12:33,000
I had seen the last probably
half hour 45 minutes multiple
231
00:12:33,000 --> 00:12:35,300
times before I'd ever seen the
full thing.
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00:12:36,100 --> 00:12:40,800
And I think that's that's part
of what became so powerful about
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00:12:40,800 --> 00:12:45,700
it for me is that is how perfect
the ending of this film is for a
234
00:12:45,700 --> 00:12:47,200
long time?
That was the only part of the
235
00:12:47,200 --> 00:12:48,900
film.
I knew before, I eventually
236
00:12:48,900 --> 00:12:51,300
discovered the whole thing.
I love that.
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00:12:51,300 --> 00:12:54,900
Yeah, I have to say, it reminded
me so much of some of those
238
00:12:54,900 --> 00:12:58,700
like, Edward, zwick kept coming
to mind his movies.
239
00:12:58,700 --> 00:13:01,000
Like this.
Like it reminds me so much of
240
00:13:01,000 --> 00:13:03,700
glory and even if you fast
forward, a few years or reminds
241
00:13:03,700 --> 00:13:05,200
me a lot of The Last Samurai as
well.
242
00:13:05,200 --> 00:13:10,200
But there, It is just like
something rhythmic about these
243
00:13:10,200 --> 00:13:15,000
historical epics from from the
late 80s to the early 2000s that
244
00:13:15,400 --> 00:13:17,900
I don't want to say they're all
alike, but they're all kind of a
245
00:13:17,900 --> 00:13:21,800
piece and there is a very
specific sub genre of historical
246
00:13:21,800 --> 00:13:24,300
epics that they kind of all look
the same.
247
00:13:24,300 --> 00:13:27,400
They kind of all flow the same.
You know, you could watch this
248
00:13:27,400 --> 00:13:29,400
back to back with glory and it
makes sense.
249
00:13:29,400 --> 00:13:32,200
You could watch this back to
back with Braveheart and it
250
00:13:32,200 --> 00:13:35,300
would make sense and I just, I
don't know, man.
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00:13:35,300 --> 00:13:38,800
Maybe it's because I'm a Out of
the 90s, I have a huge soft spot
252
00:13:38,800 --> 00:13:41,200
for this specific sub genres of
movie.
253
00:13:41,800 --> 00:13:44,500
So you bring up Edwards ich,
Edward zwick, made me, do a real
254
00:13:44,500 --> 00:13:47,000
quick fact.
Check the Last Samurai, is in
255
00:13:47,000 --> 00:13:50,100
the two-and-a-half hour realm.
Glory is just over two hours,
256
00:13:50,100 --> 00:13:53,100
122 minutes.
So it doesn't quite fit the
257
00:13:53,108 --> 00:13:57,800
mold, but it's pretty close.
Not quite as compact as the,
258
00:13:57,800 --> 00:14:00,200
Michael Mann classic here.
I get hey Brad.
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00:14:00,200 --> 00:14:02,200
Let me, let me ask you this.
You know, we've been talking
260
00:14:02,200 --> 00:14:05,900
about this for a while now and I
keep mentioning that I don't.
261
00:14:06,100 --> 00:14:07,100
Aunt.
I don't know enough about like
262
00:14:07,100 --> 00:14:11,100
film stock to speak
intelligently about this but
263
00:14:11,100 --> 00:14:13,200
that I totally do.
I know you do right?
264
00:14:13,800 --> 00:14:17,300
But that movies like Braveheart
and movies from the early to
265
00:14:17,300 --> 00:14:21,700
mid-90s have this very kind of
flat look to them and it just
266
00:14:21,700 --> 00:14:23,200
looks so much different than the
high.
267
00:14:23,200 --> 00:14:26,000
Contrast of we start getting in
the late 90s with like Michael
268
00:14:26,000 --> 00:14:31,600
Bay and even watching this movie
a week, after we watched heat,
269
00:14:31,900 --> 00:14:36,500
like the visuals in heat and I'm
not just saying like Has it set
270
00:14:36,500 --> 00:14:40,400
in the modern day, right?
But just the stylistic choices
271
00:14:40,500 --> 00:14:44,300
of how he films heat looks so
much more similar to what we get
272
00:14:44,300 --> 00:14:47,800
in 2023.
Then what this movie was, it
273
00:14:47,800 --> 00:14:52,300
feels like these two films are,
you know, a decade apart, and
274
00:14:52,308 --> 00:14:55,000
not three years apart, I don't
know if you like, did you pick
275
00:14:55,000 --> 00:14:59,100
up on that as well visually?
Yeah, I think that for me, I
276
00:14:59,100 --> 00:15:02,200
just kept seeing Brave heart
because that's probably the
277
00:15:02,200 --> 00:15:04,700
historical, you know, action
drama that.
278
00:15:04,700 --> 00:15:08,100
I'm most familiar with.
Like from the, from the, the
279
00:15:08,100 --> 00:15:11,700
theme songs in the movie to the
visuals.
280
00:15:11,700 --> 00:15:15,300
It, it just reminded me a lot of
Brave heart and we talked about
281
00:15:15,300 --> 00:15:19,300
that in our Braveheart episode,
that there's just kind of a flat
282
00:15:19,300 --> 00:15:24,600
look to the colors in the movie.
That, as you said, it's Unique
283
00:15:24,600 --> 00:15:27,100
to the era and the Shen, the
genre.
284
00:15:27,700 --> 00:15:29,500
And I don't think it's a bad
thing at all.
285
00:15:29,500 --> 00:15:32,600
I think it's just something that
you once you've seen enough
286
00:15:32,600 --> 00:15:35,900
movies in this era, you can
immediately pick it out.
287
00:15:36,400 --> 00:15:40,300
From like anything else.
Yeah, you know, we came into
288
00:15:40,500 --> 00:15:43,100
this Michael Mann, miniseries
and Brad, you hadn't seen any of
289
00:15:43,100 --> 00:15:44,900
his films.
And I had seen the first two
290
00:15:44,900 --> 00:15:47,900
that we did, but I was a little
bit of a Michael Mann skeptic
291
00:15:48,300 --> 00:15:52,000
and re-watching heat.
I think doing heat a second
292
00:15:52,000 --> 00:15:55,200
time, really made me a Michael
Mann fan.
293
00:15:55,500 --> 00:15:58,200
He didn't work for me the way it
did for some people the first
294
00:15:58,200 --> 00:16:00,400
time I saw it and now watching
it a second time I'm like, oh,
295
00:16:00,400 --> 00:16:04,700
this is a masterpiece and then I
watch this movie and it feels so
296
00:16:04,700 --> 00:16:07,000
far out of the Wheelhouse that
We've kind of created for
297
00:16:07,000 --> 00:16:12,900
ourselves, which is urban sprawl
and high-level crime that that I
298
00:16:12,900 --> 00:16:15,500
don't know exactly how to fit it
into his filmography.
299
00:16:15,900 --> 00:16:19,100
And it reminds me a lot of the
struggles that people have when
300
00:16:19,100 --> 00:16:21,700
they try to pigeonhole.
Someone like Scorsese, which is
301
00:16:22,000 --> 00:16:25,200
gangster movie and then you
watch a movie like kundan or
302
00:16:25,200 --> 00:16:29,400
silence and you have to take a
step back and examine the themes
303
00:16:29,400 --> 00:16:32,000
that he's working with.
If you're really trying to apply
304
00:16:32,000 --> 00:16:37,000
sort of o2 or things to him will
see Bob if you At the Japanese
305
00:16:37,000 --> 00:16:41,200
government in silence, like, the
mob, then it really starts to
306
00:16:41,200 --> 00:16:43,600
actually make sense.
Well, I guess what I'm saying?
307
00:16:43,600 --> 00:16:47,300
Here is this, I do still see a
lot of the Fingerprints of
308
00:16:47,300 --> 00:16:51,100
Michael Mann on this movie,
because it is so much about
309
00:16:51,100 --> 00:16:56,100
codes and honoring codes and
disrespecting codes the way that
310
00:16:56,100 --> 00:16:59,000
we had in movies like heat.
And I think there's there's
311
00:16:59,000 --> 00:17:01,800
something there.
But Daniel, I mean, you're the
312
00:17:01,800 --> 00:17:05,099
expert on this movie.
How do you see this fitting into
313
00:17:05,099 --> 00:17:06,200
man's filmography?
Fee.
314
00:17:07,500 --> 00:17:11,000
Well, the short answer I guess
is that Michael Mann has
315
00:17:11,000 --> 00:17:15,099
honestly, never seemed to me a
filmmaker who cares much about
316
00:17:15,099 --> 00:17:16,300
themes.
Hmm.
317
00:17:16,599 --> 00:17:19,700
I have always felt like he's a
filmmaker who cares
318
00:17:19,700 --> 00:17:23,900
predominantly about what is
interesting to him visually and
319
00:17:23,900 --> 00:17:28,500
he'll, you know, story hunt or
adapt a film purely around that.
320
00:17:29,200 --> 00:17:33,000
And it's true that a lot of his
films end up involved with or
321
00:17:33,000 --> 00:17:37,400
end up about, you know, crime
stories in some way or another I
322
00:17:37,400 --> 00:17:42,200
don't think that's because he's
interested in in, you know, good
323
00:17:42,200 --> 00:17:46,300
or bad or criminal punishment or
anything like that.
324
00:17:46,600 --> 00:17:50,500
In terms of themes, I think it's
just about the way he wants to
325
00:17:51,200 --> 00:17:54,100
portray action.
Hmm, I was going to say.
326
00:17:54,300 --> 00:18:01,200
It seems to me like man is very
interested in how crime creates
327
00:18:01,200 --> 00:18:06,900
high tension situations like he
would never direct like 500 Days
328
00:18:06,900 --> 00:18:09,000
of Summer.
Summer, you know, just about a
329
00:18:09,008 --> 00:18:12,100
normal relationship and how it
affects this guy's life.
330
00:18:12,100 --> 00:18:15,100
Like he, it doesn't seem like
man would be interested in a
331
00:18:15,108 --> 00:18:19,200
story like that he wants to put
his characters into really
332
00:18:19,300 --> 00:18:22,900
high-pressure situations and
kind of see what comes out of
333
00:18:22,900 --> 00:18:24,200
them.
Is that fair?
334
00:18:25,100 --> 00:18:27,300
Yeah, I think the most part
that's there and I mean, you
335
00:18:27,300 --> 00:18:29,000
know, like you said with
high-pressure situation, I think
336
00:18:29,000 --> 00:18:33,400
you can even fit Ali and The
Insider it is Insider.
337
00:18:33,400 --> 00:18:36,100
Yeah for sure.
All right, so I want to press
338
00:18:36,100 --> 00:18:39,700
you a little bit on man, then
because I'm still like I tipped
339
00:18:39,700 --> 00:18:42,500
into being a man fan.
And now I'm back into being a
340
00:18:42,500 --> 00:18:45,200
man agnostic, a little bit
because, you know, I mentioned
341
00:18:45,400 --> 00:18:48,300
Edward, zwick, a little bit
earlier and as I watched this
342
00:18:48,300 --> 00:18:52,100
film, I thought to myself What
is man doing here?
343
00:18:52,100 --> 00:18:54,500
Visually that an Edward zwick
wouldn't do.
344
00:18:55,100 --> 00:18:57,900
And, you know, I don't mean to
pit the two of them against each
345
00:18:57,900 --> 00:19:01,500
other, but in a lot of ways,
this did feel like you're kind
346
00:19:01,500 --> 00:19:06,400
of standard Studio historical
Epic from the the early to mid
347
00:19:06,400 --> 00:19:08,400
90s.
And so when you look at this
348
00:19:08,400 --> 00:19:11,100
film in particular, like what do
you think man?
349
00:19:11,100 --> 00:19:14,700
Brings to the table visually
that other directors couldn't or
350
00:19:14,700 --> 00:19:17,600
wouldn't do.
So, when I think about the last
351
00:19:17,600 --> 00:19:21,000
of Mohicans, Hey, I do love the
whole movie.
352
00:19:21,100 --> 00:19:23,600
I don't want to minimize that,
but I almost feel like I have to
353
00:19:23,600 --> 00:19:28,300
specify that I'm really mostly
talking about the last how that
354
00:19:28,300 --> 00:19:31,100
I think the last half hour is
about as perfect as filmmaking
355
00:19:31,100 --> 00:19:35,000
gets and then T even Zoom more
hyper specifically, the last 10
356
00:19:35,000 --> 00:19:38,900
minutes and the last 10 minutes
is why I think of is pure
357
00:19:38,900 --> 00:19:42,000
Cinema.
There is no dialogue in the last
358
00:19:42,000 --> 00:19:44,900
10 minutes except for the final
coat aware there you know,
359
00:19:46,300 --> 00:19:49,200
standing at the cliff and
talking about being the Unquote,
360
00:19:49,200 --> 00:19:54,300
last on the weekends, but before
that, the final ten minutes is
361
00:19:54,300 --> 00:19:57,400
three things.
It is music, it is imagery, and
362
00:19:57,400 --> 00:19:59,800
it is editing and there is no
dialogue at all.
363
00:20:00,500 --> 00:20:04,600
And so, when you ask about what
man brings to this story, that's
364
00:20:04,600 --> 00:20:08,000
what, you know that that's an
Edward zwick, doesn't that's
365
00:20:08,000 --> 00:20:10,700
what it is.
Is it for man this story is all
366
00:20:10,700 --> 00:20:16,200
about how I can tell this story
with a camera and Edward zwick I
367
00:20:16,200 --> 00:20:17,900
think is much more interested
in.
368
00:20:18,700 --> 00:20:22,200
Kind of educating audiences.
And also kind of moralizing to
369
00:20:22,208 --> 00:20:26,000
audiences which isn't to say
that he's not good at the visual
370
00:20:26,000 --> 00:20:27,500
elements of film.
I mean, I like a lot of bad
371
00:20:27,500 --> 00:20:31,500
words like movies but he has an
agenda that goes beyond
372
00:20:31,500 --> 00:20:32,400
filmmaking.
I would say.
373
00:20:32,400 --> 00:20:34,600
Where's Michael, man?
Really doesn't from for man.
374
00:20:34,600 --> 00:20:38,000
I think it's, the filmmaking is
the be-all end-all for the
375
00:20:38,000 --> 00:20:40,300
Lesser cinephiles out there.
Can you give me some Edward,
376
00:20:40,300 --> 00:20:43,000
zwick movies?
That would be common knowledge
377
00:20:43,000 --> 00:20:45,200
to the public?
Yeah, the most famous ones are
378
00:20:45,200 --> 00:20:47,900
probably going to be glory Blood
Diamond.
379
00:20:48,300 --> 00:20:53,100
The Last Samurai, okay?
Okay, he made some bangers.
380
00:20:53,100 --> 00:20:56,400
I really wish that that
Hollywood was still like
381
00:20:56,400 --> 00:20:58,400
utilizing him to his full
extent.
382
00:20:58,600 --> 00:21:00,700
Although I guess I'm glad that
he's avoided, like, making a
383
00:21:00,708 --> 00:21:03,900
superhero movie because that's
it seems like that's the last
384
00:21:03,900 --> 00:21:06,800
and now is like don't don't sell
out to Marvel.
385
00:21:07,200 --> 00:21:10,900
Yeah, you know, he was really
good at just making my bulleted
386
00:21:10,900 --> 00:21:13,900
historical crowd-pleasers which
is kind of a niche and on in you
387
00:21:13,900 --> 00:21:16,100
know, into itself.
Hmm.
388
00:21:16,400 --> 00:21:18,100
Yeah, absolutely.
And something that we don't
389
00:21:18,100 --> 00:21:20,700
really You anymore.
Yeah, it feels like those would
390
00:21:20,700 --> 00:21:27,300
make tons of money in 2023 just
like just like the woman getting
391
00:21:27,300 --> 00:21:29,700
in Babylon dead.
Hmm, exactly.
392
00:21:29,700 --> 00:21:31,500
Brad.
Seriously, I think by the time
393
00:21:31,500 --> 00:21:35,100
this episode comes out the woman
King is going to be streaming on
394
00:21:35,100 --> 00:21:37,800
Netflix.
And I've been telling you like
395
00:21:37,800 --> 00:21:42,100
all year that the great thing
about the woman King is that it
396
00:21:42,100 --> 00:21:45,300
has the feel of an early 90s
historical epic.
397
00:21:45,500 --> 00:21:49,600
Like yeah, it doesn't feel like
Like a movie that's being made
398
00:21:49,600 --> 00:21:52,500
in 2023 and take that for what I
mean, you know, I'm not trying
399
00:21:52,500 --> 00:21:55,000
to insinuate anything about that
other than it just has that
400
00:21:55,300 --> 00:21:59,400
rousing Classic Hollywood
structure and looseness and
401
00:21:59,400 --> 00:22:03,000
humor and like I couldn't
believe as I was sitting in the
402
00:22:03,000 --> 00:22:05,800
theater watching that movie that
it was coming out now and that
403
00:22:05,800 --> 00:22:07,900
it wasn't something from 30
years ago that I just happened
404
00:22:07,900 --> 00:22:11,800
to stumble upon, it's so good.
I really, really like the woman
405
00:22:11,800 --> 00:22:13,900
King, it's in my top 10 of the
year and when I saw it in
406
00:22:13,900 --> 00:22:16,600
Toronto, you know, I even
treated like it feels reductive
407
00:22:16,600 --> 00:22:20,500
somehow to compare.
To Gladiator and Braveheart, but
408
00:22:20,500 --> 00:22:23,300
those really are the most apt
comparisons because they are
409
00:22:23,300 --> 00:22:25,600
movies that don't exist anymore
and then I'll decide to here is
410
00:22:25,600 --> 00:22:29,000
one.
Yeah hmm. 100% well I mean I
411
00:22:29,000 --> 00:22:33,600
wasn't sold before but Daniel
hearing you say that, I've
412
00:22:33,600 --> 00:22:36,400
suddenly feel the urge to go
watch the woman King.
413
00:22:36,600 --> 00:22:40,300
It's really, really good.
You are just, I worst man.
414
00:22:40,300 --> 00:22:42,500
I will take your word for a
Daniel.
415
00:22:43,700 --> 00:22:46,400
Alright, let's talk about the
performances in this movie.
416
00:22:46,600 --> 00:22:48,100
There's a few that I want to
hone in on.
417
00:22:48,300 --> 00:22:51,700
But you know the most obvious
one is Daniel Day-Lewis Brad.
418
00:22:51,700 --> 00:22:54,700
This is I think the only only
the second Daniel Day-Lewis
419
00:22:54,700 --> 00:22:56,500
film, we've had on the show thus
far.
420
00:22:56,500 --> 00:22:59,900
We haven't gotten around to, you
know, Phantom thread.
421
00:22:59,900 --> 00:23:02,900
But we've done There Will Be
Blood and now there's this one.
422
00:23:02,900 --> 00:23:08,300
And so, it's a very, very weird
dichotomy of Daniel Day-Lewis
423
00:23:08,300 --> 00:23:13,000
films because There Will Be
Blood, is a movie that is built
424
00:23:13,100 --> 00:23:14,700
around.
The Daniel Day-Lewis
425
00:23:14,700 --> 00:23:17,600
performance, like as much as I
love that movie.
426
00:23:18,300 --> 00:23:21,800
There are very few filmmakers
who are willing to just kind of
427
00:23:21,800 --> 00:23:26,300
like let their scenes go on for
a too long amount of time
428
00:23:26,400 --> 00:23:29,300
because the actors just cooking
and that's what Day Lewis is
429
00:23:29,300 --> 00:23:32,700
doing in that movie.
And that's not the case here.
430
00:23:32,800 --> 00:23:35,800
And I feel like to be quite
Frank, I really like Daniel
431
00:23:35,800 --> 00:23:38,600
Day-Lewis in this movie, but
because it is such a
432
00:23:38,600 --> 00:23:43,100
conventional, Hollywood
historical drama, I don't know
433
00:23:43,100 --> 00:23:44,900
that.
Like anything about the
434
00:23:44,900 --> 00:23:49,100
performance really stands out in
a kind of like, Transcendent way
435
00:23:49,100 --> 00:23:52,400
for me here.
Yeah, I will say for some
436
00:23:52,400 --> 00:23:57,400
reason, I don't know why I was
under the impression that he won
437
00:23:57,500 --> 00:24:01,200
the Academy Award for best actor
for this performance.
438
00:24:01,200 --> 00:24:03,900
So interesting, like I knew that
he had won a few throughout his
439
00:24:03,900 --> 00:24:07,900
career but I really genuinely
thought he had won it for The
440
00:24:07,900 --> 00:24:10,100
Last of the Mohicans.
And so like I was getting near
441
00:24:10,100 --> 00:24:12,900
the end of the movie and I was
like, man, like this is a good
442
00:24:12,900 --> 00:24:15,900
performance, you know, it's
nothing to sneeze at but I don't
443
00:24:15,900 --> 00:24:19,200
know if it's a oscar-worthy.
Performance, you know,
444
00:24:19,200 --> 00:24:22,300
especially with There Will Be
Blood being being the other
445
00:24:22,300 --> 00:24:24,700
example of Daniel Day-Lewis I
had in my head.
446
00:24:25,000 --> 00:24:27,900
So I think there are two
interesting points to pick up on
447
00:24:27,900 --> 00:24:31,900
there one is that this movie
actually was almost completely
448
00:24:31,900 --> 00:24:35,500
ignored by the Oscars.
I think it won best sound, but I
449
00:24:35,508 --> 00:24:38,800
also it's only nomination.
Yep, you are right there.
450
00:24:38,800 --> 00:24:43,200
You know and even weirder thing
about that is the last Mohicans
451
00:24:43,200 --> 00:24:46,100
was a box office hit, you know,
a lot of times with films like
452
00:24:46,100 --> 00:24:48,700
this, you can point to why the
Oscars ignored Like, well,
453
00:24:48,700 --> 00:24:51,300
audience is kind of rejected it.
And so, you know, Academy
454
00:24:51,300 --> 00:24:54,500
members just never saw it.
This one, it was a hit and Oscar
455
00:24:54,500 --> 00:24:55,500
voters.
Ignore to anyway.
456
00:24:55,500 --> 00:24:57,100
So that's a weird thing in and
of itself.
457
00:24:57,500 --> 00:25:01,300
But then the other thing that
pickup on there is that so
458
00:25:01,300 --> 00:25:03,900
Daniel Day-Lewis did not win an
Oscar for this movie, he won
459
00:25:03,900 --> 00:25:06,000
from my left foot, which was
1989.
460
00:25:06,300 --> 00:25:08,600
But this was his first movie
after that even though it was
461
00:25:08,600 --> 00:25:13,900
three years later and it's
fascinating to me to see Daniel
462
00:25:13,900 --> 00:25:17,100
Day-Lewis in the 80s and films,
like my left foots, and my
463
00:25:17,100 --> 00:25:18,300
beautiful laundrette.
That.
464
00:25:18,300 --> 00:25:22,200
Yep.
And Room with a View, is this
465
00:25:22,200 --> 00:25:24,600
very sort of proper English
actor?
466
00:25:24,600 --> 00:25:27,300
Doing very staid domestic
period.
467
00:25:27,300 --> 00:25:29,900
Dramas.
And then all the sudden here he
468
00:25:29,900 --> 00:25:32,900
is in a Hollywood action
Blockbuster.
469
00:25:33,700 --> 00:25:36,700
And so, not only amazes me that
this was his very next film.
470
00:25:36,700 --> 00:25:40,000
And this is his first Hollywood
film in his first American film.
471
00:25:40,000 --> 00:25:43,200
His first action movie.
But that Michael man, saw
472
00:25:43,200 --> 00:25:46,900
something in his 80s work, that
made him think this is, you
473
00:25:46,900 --> 00:25:50,400
know, they somehow Michael Watch
my left foot and thought this is
474
00:25:50,400 --> 00:25:55,300
this is the guy for last week.
I'd like to actually think that
475
00:25:55,300 --> 00:25:58,600
Daniel Day Lewis has like
precognitive abilities and he
476
00:25:58,600 --> 00:26:00,200
knew he was going to get this
role.
477
00:26:00,500 --> 00:26:04,800
So he was just like, living in
the forest where Michael Mann,
478
00:26:04,800 --> 00:26:08,800
went to scout for the movie and
he just stumbled upon Daniel
479
00:26:08,800 --> 00:26:11,200
Day-Lewis.
Already being Nathaniel Coe,
480
00:26:11,200 --> 00:26:13,500
it's hilarious.
That you said that because I
481
00:26:13,500 --> 00:26:16,700
watched the director's
commentary on last weekend's for
482
00:26:16,700 --> 00:26:19,100
the first time today just to See
if, you know, I was going to
483
00:26:19,108 --> 00:26:21,100
pick up any, I've seen the movie
a million times, but I don't
484
00:26:21,100 --> 00:26:22,600
think I'd ever watch the
directors commentary.
485
00:26:22,900 --> 00:26:26,300
I want to see if I picked up
anything extra and I'm sorry
486
00:26:26,300 --> 00:26:27,700
this wasn't even the directors
commentary.
487
00:26:27,700 --> 00:26:29,500
This is a making up on the
Blu-ray.
488
00:26:29,900 --> 00:26:31,800
There's interview with Daniel
Day-Lewis on the making of where
489
00:26:31,800 --> 00:26:34,800
he says that the reason he took
the role is because of the way
490
00:26:34,800 --> 00:26:38,600
Michael Mann pitch to him, the
idea of people living in the
491
00:26:38,600 --> 00:26:42,100
forest and living off the land.
Let's look for like what
492
00:26:42,100 --> 00:26:46,900
appealed to me about wanting to,
you know, enter that world and
493
00:26:46,900 --> 00:26:50,400
do this film with Michael.
Speaking of entering a world, I
494
00:26:50,408 --> 00:26:52,900
want you guys to enter an
alternate reality with me, just
495
00:26:52,900 --> 00:26:56,500
for a moment here where it's
kind of too bad.
496
00:26:56,600 --> 00:26:58,800
You know, a lot of times people
win an Oscar and then they go
497
00:26:58,800 --> 00:27:00,900
make their big action
Blockbuster after the fact,
498
00:27:00,900 --> 00:27:04,500
because it's like, all right.
I you know, I labored away
499
00:27:04,500 --> 00:27:06,800
trying to win this thing.
Now I want to go have some fun
500
00:27:07,800 --> 00:27:11,900
but we were only a few years
away from like if Day-Lewis wins
501
00:27:11,900 --> 00:27:15,900
his Oscar in in 92 and then
takes three years off, we could
502
00:27:15,900 --> 00:27:17,900
have plausibly had him come
back.
503
00:27:18,000 --> 00:27:20,800
Back with an action Blockbuster
directed by Michael Bay.
504
00:27:21,400 --> 00:27:25,800
And I am I am so sad that we
never got the Day-Lewis Bay
505
00:27:25,800 --> 00:27:28,800
pairing.
Like the rock could have been
506
00:27:28,800 --> 00:27:34,900
Day-Lewis and not Nicolas Cage.
That would have been something
507
00:27:35,100 --> 00:27:37,400
easily could have been Daniel
Day-Lewis that gets the Sean
508
00:27:37,400 --> 00:27:39,200
Connery lecture about going to
prom queen.
509
00:27:39,200 --> 00:27:42,100
Yes.
And he would have done it with
510
00:27:42,100 --> 00:27:45,200
such gravitas like that's his
Oscars clip right there.
511
00:27:46,000 --> 00:27:47,900
All right, Brad, I guess.
Let's go.
512
00:27:48,100 --> 00:27:50,900
Didn't talk about Madeleine
Stowe in this movie.
513
00:27:50,900 --> 00:27:55,000
Who is somebody you know to
borrow shamelessly from a
514
00:27:55,008 --> 00:27:56,500
podcast that we've already
mentioned on.
515
00:27:56,500 --> 00:28:00,200
Here is an actress that really
got swallowed up by the mid to
516
00:28:00,200 --> 00:28:03,800
late 90s and we can say got
Market corrected by a couple
517
00:28:03,800 --> 00:28:07,000
other actresses.
But truly, I mean she had a
518
00:28:07,008 --> 00:28:10,600
moment there and then was pretty
much gone.
519
00:28:10,900 --> 00:28:13,700
And, you know, Daniel a you're a
few years older than we are.
520
00:28:13,700 --> 00:28:16,400
So I'm sure that you may be
followed her career a little bit
521
00:28:16,400 --> 00:28:19,900
more closely than we did.
But I mean, in your opinion like
522
00:28:20,100 --> 00:28:23,900
what happened to Madeleine Stowe
the short answer is I have no
523
00:28:23,900 --> 00:28:27,000
idea.
I think of her and Julia Ormond
524
00:28:27,000 --> 00:28:32,000
and and the same kind of
category is these beautiful
525
00:28:32,000 --> 00:28:35,500
brunette actresses that had this
sort of classical range to them.
526
00:28:35,700 --> 00:28:40,800
MIT were in a pretty good number
of major, huge Hollywood movies
527
00:28:40,800 --> 00:28:43,100
in the early to mid 90s and then
just disappear off the face of
528
00:28:43,100 --> 00:28:46,200
the Earth.
And you know, II don't know the
529
00:28:46,200 --> 00:28:48,600
answer.
So I don't want to pretend Do I
530
00:28:48,600 --> 00:28:50,900
do?
But with a lot of these
531
00:28:51,000 --> 00:28:54,200
actresses, I think sometimes the
cases they didn't want it that
532
00:28:54,200 --> 00:28:56,800
they that they, you know, wanted
to raise a family.
533
00:28:56,800 --> 00:28:58,600
Instead, you know, that's
definitely what happened to
534
00:28:58,600 --> 00:29:00,300
Bridget Fonda and she said as
much.
535
00:29:00,300 --> 00:29:03,000
Yeah.
But whether or not that's the
536
00:29:03,008 --> 00:29:05,000
case with what happened,
Madeleine Stowe, I have no idea
537
00:29:05,500 --> 00:29:07,500
but you know, another one of my
favorite movies from the air has
538
00:29:07,500 --> 00:29:09,300
12 Monkeys, which she was also
fantastic.
539
00:29:09,300 --> 00:29:13,500
Yeah, I do think that you can
never underestimate the Julia
540
00:29:13,500 --> 00:29:16,200
Roberts atomic bomb.
That went off in Hollywood in
541
00:29:16,200 --> 00:29:19,500
the 90s and how I mean, your,
you hit the nail on the head,
542
00:29:19,500 --> 00:29:24,700
there was just like a plethora
of brunette leading women, and,
543
00:29:24,700 --> 00:29:26,800
you know, she's one of them and
I think very, like, her face.
544
00:29:26,800 --> 00:29:29,500
Very structurally, reminds me a
lot of Juliette binoche as well.
545
00:29:29,500 --> 00:29:32,800
And so, I think there may have
been some confusion, you know?
546
00:29:32,800 --> 00:29:34,600
I think she looks a lot like
Andie MacDowell.
547
00:29:34,600 --> 00:29:37,600
Like, there were just so many
people competing for these roles
548
00:29:37,600 --> 00:29:41,700
and then all of a sudden, Julia
Roberts upends all that and now
549
00:29:41,700 --> 00:29:44,800
there's no more rules because
everybody wants like this
550
00:29:44,800 --> 00:29:47,800
redhead, who's do, you know,
doing a completely different
551
00:29:47,800 --> 00:29:49,900
thing.
It's just really interesting to
552
00:29:49,900 --> 00:29:55,200
me to see people throughout, you
know, Hollywood history, who had
553
00:29:55,200 --> 00:29:58,300
such a good career and then they
just happened to run up against
554
00:29:58,300 --> 00:30:02,800
the 2017 Warriors of of
actresses or actors.
555
00:30:03,200 --> 00:30:06,900
And it just seems like the whole
climate of Hollywood changes and
556
00:30:06,900 --> 00:30:08,800
the rug gets pulled out from
under them a little bit.
557
00:30:09,200 --> 00:30:11,500
Yeah, you know that I was
listening to a Hollywood
558
00:30:11,500 --> 00:30:14,300
Reporter podcast interview with
Michelle Pfeiffer a while back
559
00:30:14,500 --> 00:30:17,500
and there's a part where in the
interview where they just said,
560
00:30:17,600 --> 00:30:19,600
you know, I I've seen your name
attached to a lot of roles that
561
00:30:19,600 --> 00:30:21,600
you allegedly turned down.
Can we just go through some of
562
00:30:21,600 --> 00:30:24,600
them and the interviewer Wist
off, probably 15 movies in a
563
00:30:24,608 --> 00:30:26,700
row.
Just were you offered that one
564
00:30:26,700 --> 00:30:29,800
and she says yep that one.
Yep and it was it was everything
565
00:30:29,800 --> 00:30:32,500
from that are it was it was
pretty woman, it was Thelma and
566
00:30:32,500 --> 00:30:36,100
Louise, you know, every major
lead female role from that era
567
00:30:36,100 --> 00:30:37,500
and Silence of the Lambs and
movie.
568
00:30:37,500 --> 00:30:40,000
That remember Michelle, Pfeiffer
turned down before when someone
569
00:30:40,000 --> 00:30:41,500
else.
Hmm, all right?
570
00:30:41,500 --> 00:30:43,300
Brad, what do you think of
Madeleine Stowe in this movie?
571
00:30:43,800 --> 00:30:47,800
I thought she was really great.
I think that she has a gravity.
572
00:30:48,000 --> 00:30:53,300
Is, she has like a solidness to
her character and the way she
573
00:30:53,300 --> 00:30:57,200
portrays her character that like
really draws you in.
574
00:30:57,200 --> 00:31:01,700
And I think that one of the most
important things for me with any
575
00:31:02,000 --> 00:31:07,400
romance in a movie, is that it
has to be believable that the
576
00:31:07,400 --> 00:31:09,500
two people would fall for each
other.
577
00:31:09,900 --> 00:31:14,100
And I think that with Daniel
Day-Lewis playing this man
578
00:31:14,100 --> 00:31:19,200
caught in between two worlds,
extremely serious, you know,
579
00:31:19,200 --> 00:31:23,100
motivated person.
You have to have a similar
580
00:31:23,100 --> 00:31:27,000
character opposite of him and I
think that Madeline Stowe really
581
00:31:27,000 --> 00:31:30,200
does a great job with that.
You know, you couldn't just have
582
00:31:30,800 --> 00:31:34,500
oh, I don't know like like one
of the the younger sisters from
583
00:31:34,500 --> 00:31:38,000
Pride and Prejudice.
You know some young British girl
584
00:31:38,000 --> 00:31:40,500
who's just completely silly
about her life, like you needed
585
00:31:40,500 --> 00:31:43,500
somebody who's a little bit
older, a little more mature and
586
00:31:43,500 --> 00:31:45,600
I thought you did really really
great with that.
587
00:31:46,600 --> 00:31:49,800
Yeah, I want her in the role and
more important.
588
00:31:49,800 --> 00:31:52,400
I think she and Daniel Day-Lewis
is have fantastic chemistry in
589
00:31:52,400 --> 00:31:54,700
the movie?
I'm young, you know, the the
590
00:31:54,700 --> 00:31:56,900
seduction scene where he
famously.
591
00:31:57,200 --> 00:31:58,500
She asked him what he's looking
at.
592
00:31:58,500 --> 00:32:02,000
He says I'm looking at you miss
just the way they look at each
593
00:32:02,000 --> 00:32:04,600
other.
You know that's you can't.
594
00:32:04,900 --> 00:32:07,000
You can't manufacture that kind
of chemistry.
595
00:32:07,200 --> 00:32:09,500
Hmm.
It makes you it makes you wonder
596
00:32:09,500 --> 00:32:12,400
like what Day-Lewis was up to
with his method acting?
597
00:32:13,900 --> 00:32:16,300
He just actually fall head over
heels in love.
598
00:32:16,500 --> 00:32:19,400
Her like as part of the role.
Well, let me tell you something
599
00:32:19,400 --> 00:32:21,700
about his method acting that I
weren't in the making of is that
600
00:32:21,700 --> 00:32:25,400
he really did learn how to run
and load to muskets at the same
601
00:32:25,400 --> 00:32:27,200
time.
That's incredible.
602
00:32:27,200 --> 00:32:31,400
If she didn't fall in love with
him after that, I don't know
603
00:32:31,400 --> 00:32:34,100
what else he could do.
Yeah, this is so funny.
604
00:32:34,100 --> 00:32:35,700
Brad.
Usually we don't talk about
605
00:32:35,700 --> 00:32:37,900
people's like physical looks on
the show.
606
00:32:37,900 --> 00:32:40,100
It's something that's not
usually apropos to.
607
00:32:40,100 --> 00:32:42,400
What we're talking about
Sylvester Stallone with a beard.
608
00:32:42,400 --> 00:32:46,200
I was gonna say over the last
few weeks, the attractiveness of
609
00:32:46,400 --> 00:32:48,500
Male leads has come up.
Repeatedly.
610
00:32:48,900 --> 00:32:52,300
Yeah and you know last week we
said De Niro and heat might be
611
00:32:52,300 --> 00:32:56,000
Peak attractive De Niro.
I don't know man.
612
00:32:56,300 --> 00:32:59,800
This might be Peak attractive
Day-Lewis 100%.
613
00:32:59,800 --> 00:33:02,100
I don't even know what else
would be a competitor.
614
00:33:02,400 --> 00:33:04,700
I mean I think if you wanted to
go like the salt and pepper look
615
00:33:04,700 --> 00:33:07,500
you could you could offer up
Phantom thread but it's a
616
00:33:07,508 --> 00:33:10,100
completely different look.
Yeah you know and to say a
617
00:33:10,100 --> 00:33:12,900
little bit more about the
chemistry between Daniel
618
00:33:12,900 --> 00:33:16,000
Day-Lewis and Madeleine Stowe in
the film The the scene under the
619
00:33:16,000 --> 00:33:18,400
water All were Daniel day was
gives the famous, you know, no
620
00:33:18,400 --> 00:33:21,200
matter how far no matter, you
know, how I'll find you, no
621
00:33:21,200 --> 00:33:25,100
matter how long like that is one
of the corniest scenes in movie
622
00:33:25,100 --> 00:33:27,900
history.
But it works here because you
623
00:33:27,900 --> 00:33:31,500
actually believe in that set of
emotions between these two
624
00:33:31,500 --> 00:33:33,900
characters.
Mmm, and you replace it with any
625
00:33:33,900 --> 00:33:37,000
other actors and that becomes
one of the most laughable scenes
626
00:33:37,000 --> 00:33:39,700
in film history.
But with these two because of
627
00:33:39,700 --> 00:33:43,100
what they brought to the film up
to that point the movie gets
628
00:33:43,100 --> 00:33:45,000
away with it.
Yeah.
629
00:33:45,200 --> 00:33:46,300
Bob you know, I have talked a
lot.
630
00:33:46,400 --> 00:33:50,900
A lot about how there's not
really any young, you know,
631
00:33:50,900 --> 00:33:54,300
super star talent in the acting
world right now.
632
00:33:54,900 --> 00:33:58,200
And I like I really think about,
you know what if you threw a
633
00:33:58,200 --> 00:34:03,600
Chris Evans in that role or a
Michael B Jordan or something
634
00:34:03,600 --> 00:34:08,500
like that, where I'm like I just
don't see them being able to,
635
00:34:08,500 --> 00:34:11,300
you know, if I'm guessing the
Daniel Day-Lewis was in his
636
00:34:11,300 --> 00:34:15,100
mid-30s when he had this role.
Yeah, thereabouts.
637
00:34:15,400 --> 00:34:16,199
Yeah.
I don't see them.
638
00:34:16,400 --> 00:34:20,000
Mid-30s being able to pull off
that line and that scene in the
639
00:34:20,000 --> 00:34:22,900
way the Day-Lewis does.
Because you're right Daniel he
640
00:34:22,900 --> 00:34:26,500
knocks it out of the park.
Now if there is somebody in this
641
00:34:26,500 --> 00:34:29,800
cast that I think actually
steals the whole damn movie it's
642
00:34:29,800 --> 00:34:33,400
Wes studi as magua he is
fantastic.
643
00:34:33,699 --> 00:34:37,100
Like talk about the kind of
performance that should have
644
00:34:37,100 --> 00:34:40,199
been nominated for an Oscar as
much as I love ddl.
645
00:34:40,199 --> 00:34:43,600
Like the best performance in
this movie is him as the
646
00:34:43,600 --> 00:34:44,800
villain.
Yeah.
647
00:34:44,800 --> 00:34:48,000
He's an incredible villain.
It should not go unsaid that.
648
00:34:48,000 --> 00:34:50,000
He speaks I think three
different languages in the film.
649
00:34:50,000 --> 00:34:52,800
Mhm.
And Wes studi did actually get
650
00:34:52,800 --> 00:34:56,100
an honorary, Oscar, a few years
back for being one of the great
651
00:34:56,100 --> 00:34:59,400
Native, American actors.
Yeah, and well deserved man and
652
00:34:59,400 --> 00:35:01,300
it's just, you know, again, it's
too bad.
653
00:35:01,300 --> 00:35:04,100
That it couldn't be recognized
in the moment because it sounds
654
00:35:04,100 --> 00:35:05,000
like we're all in agreement
here.
655
00:35:05,000 --> 00:35:07,600
He's the best performance in the
film for me easily.
656
00:35:08,300 --> 00:35:14,200
Yeah, he he brings a tenacity to
that role that you just don't
657
00:35:14,200 --> 00:35:18,000
often see in villains.
And I loved it, man.
658
00:35:18,800 --> 00:35:20,900
And while we're talking about
the Native American actors in
659
00:35:20,900 --> 00:35:24,700
the film, we should mention.
I just found out that the actor
660
00:35:24,700 --> 00:35:26,500
who plays Daniel Day-Lewis is
adoptive.
661
00:35:26,500 --> 00:35:30,600
Father, the Mohican Chingo took
in the film is his name is
662
00:35:30,600 --> 00:35:33,200
Russell Means and this is his
first movie.
663
00:35:33,200 --> 00:35:37,500
He was actually one of the main
characters in The Wounded Knee,
664
00:35:37,500 --> 00:35:42,400
standoff against the FBI in
1973, and Michael man sought him
665
00:35:42,400 --> 00:35:44,500
out to put him in the movie for
that reason.
666
00:35:44,500 --> 00:35:47,600
Wow.
Man talk about a great debut.
667
00:35:48,100 --> 00:35:49,300
Yeah.
Ho like he didn't even kick
668
00:35:49,300 --> 00:35:52,000
around on the Indie scene for
any amount of time is just
669
00:35:52,000 --> 00:35:53,600
straight into Last of the
Mohicans.
670
00:35:53,900 --> 00:35:56,800
Yeah, Michael Mann said in the
commentary that, you know,
671
00:35:56,800 --> 00:36:00,300
Russell Means, is in his mid-50s
at the time and had saw him out
672
00:36:00,500 --> 00:36:02,400
because he thought, you know,
and making a film about Native
673
00:36:02,400 --> 00:36:04,800
Americans would be beautiful.
If the, you know, one of the
674
00:36:04,800 --> 00:36:07,500
Public's main imagery of Native
Americans was in the film.
675
00:36:07,900 --> 00:36:11,000
And so years in his mid-50s and
he was out of shape, as most
676
00:36:11,000 --> 00:36:12,700
people in the mid 50's are the
way Michael Mann.
677
00:36:12,700 --> 00:36:14,600
Put it, but it only took him
about three weeks to get
678
00:36:14,600 --> 00:36:17,200
completely ready.
E for the film, holy cow.
679
00:36:17,300 --> 00:36:19,600
I guess when you hang around
with Day-Lewis, living in the
680
00:36:19,600 --> 00:36:22,300
forest, life is exactly just
whip you into shape.
681
00:36:23,900 --> 00:36:25,200
All right.
Before we go to break guys, is
682
00:36:25,200 --> 00:36:27,200
there anybody else from the cast
that you want to call out for
683
00:36:27,200 --> 00:36:30,900
their performances?
There are a lot of actors in the
684
00:36:30,900 --> 00:36:33,400
film who have smaller parts that
people might not.
685
00:36:33,400 --> 00:36:36,200
Realize are there?
No from elsewhere, the actor who
686
00:36:36,200 --> 00:36:40,800
played price in Mad Men is one
of the British soldiers.
687
00:36:40,800 --> 00:36:43,600
Oh yeah.
What is his name price?
688
00:36:43,600 --> 00:36:45,200
We'll just call him price.
Yeah.
689
00:36:45,400 --> 00:36:45,700
Yeah.
Yeah.
690
00:36:45,700 --> 00:36:48,900
There you go.
He postlethwaite shows up for a
691
00:36:48,900 --> 00:36:50,500
hot dog.
People, the waiters in the film.
692
00:36:50,800 --> 00:36:52,700
Sorry, I'm gonna look at this
actor's name real fast.
693
00:36:54,000 --> 00:36:58,000
And also the actress who plays
Madeleine Stowe is that younger
694
00:36:58,000 --> 00:37:02,600
sister in the film Cora?
She only met go team a.
695
00:37:02,600 --> 00:37:05,200
Yeah, she was in Game of
Thrones, she was Maggy.
696
00:37:05,200 --> 00:37:09,200
The Frog who gives the
prophecies to Cersei that her
697
00:37:09,200 --> 00:37:11,700
kids will all die, huh?
Oh, that's cool.
698
00:37:12,300 --> 00:37:16,100
I love when people like kind of
kick around in the same genres
699
00:37:16,100 --> 00:37:18,300
for most of their career, like
Brad.
700
00:37:18,300 --> 00:37:22,300
The guy in Braveheart with the
scars on his face every time he
701
00:37:22,300 --> 00:37:24,400
was in a movie.
After that, it was like, yep,
702
00:37:24,400 --> 00:37:26,700
you see that guy in a movie?
And you're like, I know exactly
703
00:37:26,700 --> 00:37:27,900
what kind of movie this is going
to be.
704
00:37:27,900 --> 00:37:32,000
Now like I just love it when you
can find an actor and when you
705
00:37:32,000 --> 00:37:35,000
see them show up in a movie, you
immediately know like what
706
00:37:35,000 --> 00:37:38,300
trajectory the movies going to
go on Bob book?
707
00:37:38,300 --> 00:37:41,700
Huge fan of Typecast.
Jared Harris is the British
708
00:37:41,700 --> 00:37:43,400
actors name to his price and
admitted.
709
00:37:43,400 --> 00:37:48,900
He was also the star of the HBO
miniseries about the reactor
710
00:37:48,900 --> 00:37:50,900
explosion.
Oh, Chernobyl, yeah, your Noble,
711
00:37:50,900 --> 00:37:52,200
yes, he was the star of
Chernobyl.
712
00:37:52,400 --> 00:37:55,100
No, man.
Well, Brad on that note.
713
00:37:55,100 --> 00:37:57,100
I think it's time for us to hit
pause.
714
00:37:57,200 --> 00:38:00,200
We're going to try this
Glenlivet Enigma, but before we
715
00:38:00,200 --> 00:38:04,000
get into that, our friends at
Detroit City, Distillery have
716
00:38:04,000 --> 00:38:06,100
hooked, Daniel up with some
samples.
717
00:38:06,100 --> 00:38:09,300
So, unfortunately, you know, the
u.s. mail being what it is, we
718
00:38:09,300 --> 00:38:12,400
could not send Daniel a sample
of the Enigma that we're tasting
719
00:38:12,400 --> 00:38:16,200
today, but we have some good
Connections in the Michigan area
720
00:38:16,500 --> 00:38:19,600
and I think they made a like, a
home delivery to Daniel to drop
721
00:38:19,600 --> 00:38:21,500
off some samples.
And I'd love to get your
722
00:38:21,500 --> 00:38:22,800
thoughts on them.
Daniel before we go to break.
723
00:38:22,900 --> 00:38:24,300
Rake here.
They did.
724
00:38:24,300 --> 00:38:26,700
I unfortunately have not tasted
them yet but in addition to the
725
00:38:26,700 --> 00:38:31,200
samples they gave us a a past
for a tour of the Distillery of
726
00:38:31,200 --> 00:38:33,000
the to James.
Distillery in Detroit, that my
727
00:38:33,000 --> 00:38:34,600
wife and I are very excited to
go on.
728
00:38:35,000 --> 00:38:36,800
Oh nice.
We tried.
729
00:38:36,800 --> 00:38:39,400
We tried all three of those I
think earlier in the season and
730
00:38:39,400 --> 00:38:41,400
there's one it's a vermouth
finish.
731
00:38:41,400 --> 00:38:45,200
Try Phenomenal.
Yeah.
732
00:38:45,500 --> 00:38:48,400
Like just yeah so so good.
And so how do you recommend
733
00:38:48,400 --> 00:38:51,200
drinking that as fast as
possible?
734
00:38:54,400 --> 00:38:57,700
No, I think it's honestly, it'll
be really good over a big rock.
735
00:38:57,700 --> 00:38:59,600
It's good neat.
You know it's like it's pretty
736
00:38:59,600 --> 00:39:02,600
high proof as I remember Brad.
I think it was like 115 proof or
737
00:39:02,607 --> 00:39:04,900
something.
But yeah, man.
738
00:39:04,900 --> 00:39:08,200
It was darn good.
Yeah, honestly, Daniel, I am
739
00:39:08,200 --> 00:39:10,700
really excited for you to get up
to Detroit City.
740
00:39:10,700 --> 00:39:13,000
Distillery that that'll be a
blast for you guys.
741
00:39:13,700 --> 00:39:14,900
Yeah, we're looking forward to
it.
742
00:39:15,400 --> 00:39:17,400
All right, Brad, let's jump into
this Glenlivet.
743
00:39:17,400 --> 00:39:19,400
What do you say?
Let's get to it.
744
00:39:21,400 --> 00:39:25,000
Are you popinjays me?
George, be stagger, your trusted
745
00:39:25,000 --> 00:39:26,900
voice in the world of selective
Spirits.
746
00:39:27,200 --> 00:39:29,800
Today's 60-second whiskey
appraisal is brought to you by
747
00:39:29,800 --> 00:39:33,900
doc Swensons, doc Swensons the
perfect whiskey for adventurous
748
00:39:33,900 --> 00:39:36,300
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Explorers today we're reviewing
749
00:39:36,300 --> 00:39:40,200
their Tres Amigos, one of their
exploratory Cask Series, this is
750
00:39:40,200 --> 00:39:42,300
a straight rye, whiskey,
finishing rum, and to kill
751
00:39:42,300 --> 00:39:44,000
barrels.
On the nose.
752
00:39:44,000 --> 00:39:47,500
It's all orange to me, friends
citrus fruit and agave with just
753
00:39:47,500 --> 00:39:50,500
a hint of pair.
The palette is a main mix of
754
00:39:50,500 --> 00:39:53,900
toasted, sugar, peppercorn, and
citrus and the Finish is just
755
00:39:53,900 --> 00:39:58,600
burst in for pineapple vanillin.
Oh my golly, this whiskey is
756
00:39:58,600 --> 00:39:59,700
Bonkers.
Delicious.
757
00:40:00,100 --> 00:40:02,700
If you are in the market for a
grand old time, then you must go
758
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partake in the delicious
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759
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legendary blunders over at Doc's
Swensons.
760
00:40:08,800 --> 00:40:11,600
Remember this, 60 second review
has been brought to you by doc
761
00:40:11,600 --> 00:40:14,400
Swensons, find the closest.
Retailer to you at Doc's
762
00:40:14,400 --> 00:40:17,600
whisky.com.
That's tocbs whisky.com.
763
00:40:17,700 --> 00:40:21,400
Until next time folks.
This is George be stagger
764
00:40:21,400 --> 00:40:30,100
signing off.
Alright, so today we are
765
00:40:30,107 --> 00:40:33,500
checking out the Glenlivet
Enigma Brad.
766
00:40:33,500 --> 00:40:36,100
This is a special release
whiskey from the Glenlivet.
767
00:40:36,100 --> 00:40:38,900
Distillery, it is part of a
series that they called The
768
00:40:38,900 --> 00:40:42,400
Mysteries Series where they put
out a whiskey with.
769
00:40:42,400 --> 00:40:44,200
Absolutely no information about
it.
770
00:40:44,300 --> 00:40:47,300
Like they, they legally, they
have to put the ABV on the
771
00:40:47,300 --> 00:40:49,700
packaging.
So we know that this is a very
772
00:40:49,700 --> 00:40:52,900
high proof Scotch but they don't
release any tasting notes.
773
00:40:52,900 --> 00:40:55,600
They don't release any of the
information about The barrel or
774
00:40:55,600 --> 00:40:58,400
how long it's been aged, like,
it's kind of cool.
775
00:40:58,400 --> 00:41:01,300
It's like a little game.
And then later on, in the year
776
00:41:01,300 --> 00:41:05,800
of that special release, they
ostensibly release that
777
00:41:05,800 --> 00:41:08,100
information to the public so
they can play along.
778
00:41:08,400 --> 00:41:10,300
This was the fourth one in that
series.
779
00:41:10,300 --> 00:41:13,900
It came out in 2019, so it's
like, you know, it was a one-off
780
00:41:13,900 --> 00:41:16,100
release, you might still find
some on the Shelf.
781
00:41:16,200 --> 00:41:20,200
Brad, I think I picked this up
in the Ohio liquor last call
782
00:41:20,200 --> 00:41:22,800
section because you know, it's a
limited release so they had to
783
00:41:22,800 --> 00:41:25,300
get it off their books.
And so we've been Open onto it
784
00:41:25,300 --> 00:41:27,300
for a while.
I wanted to try to pair it up
785
00:41:27,300 --> 00:41:30,100
with the movie A Beautiful Mind,
because we've been talking about
786
00:41:30,100 --> 00:41:32,300
doing that one for a while and
then when that didn't make it
787
00:41:32,300 --> 00:41:35,000
onto this year's list of movies,
I was just like, screw it.
788
00:41:35,200 --> 00:41:37,900
Like we need to, we need to
drink it before it's been
789
00:41:37,900 --> 00:41:42,100
available for five years, right?
So we're pairing it up with Last
790
00:41:42,100 --> 00:41:44,200
of the Mohicans.
And we'll have to find some
791
00:41:44,200 --> 00:41:47,100
clever way of linking the two,
but that's what we're drinking
792
00:41:47,100 --> 00:41:49,800
today.
This is, hey, if it's if all of
793
00:41:49,800 --> 00:41:52,600
them are based on Mysteries, do
they like send you a deerstalker
794
00:41:52,600 --> 00:41:54,600
hat to go with it?
They say.
795
00:41:54,700 --> 00:41:57,000
Should, here's the funny thing
about this one though.
796
00:41:57,000 --> 00:42:00,400
Brad I can find information
about all of their other mystery
797
00:42:00,400 --> 00:42:04,900
releases, but it doesn't look
like they ever actually released
798
00:42:04,900 --> 00:42:09,200
the info on Enigma truly.
Truly an Indiana.
799
00:42:09,200 --> 00:42:12,300
Yeah, I mean I guess maybe you
know it was late 2019.
800
00:42:12,300 --> 00:42:15,300
So maybe they were really
worried about this new pandemic
801
00:42:15,300 --> 00:42:18,100
thing that was about to go
around the world but like I just
802
00:42:18,100 --> 00:42:20,900
can't believe like it looks like
they finally posted some tasting
803
00:42:20,900 --> 00:42:24,500
notes but then they actually
incorrectly labeled them.
804
00:42:24,800 --> 00:42:28,200
As belonging to a different
bottle in this mystery Series.
805
00:42:28,200 --> 00:42:30,800
So I don't know if they're even
really the right tasting notes,
806
00:42:30,800 --> 00:42:34,100
so we're really going into this
blind, and I'm kind of happy
807
00:42:34,100 --> 00:42:36,800
about that.
What you're saying is that the
808
00:42:36,800 --> 00:42:40,200
only tasting notes, people
really need is ours.
809
00:42:40,200 --> 00:42:42,900
That's right.
So you have had this already.
810
00:42:42,900 --> 00:42:46,300
I have not, like I said, this is
clocking in at a pretty
811
00:42:46,300 --> 00:42:50,400
staggering.
Let's see what's that at 60.6%
812
00:42:50,400 --> 00:42:55,400
ABV or 120. 1.2 proof.
Making this I believe the
813
00:42:55,400 --> 00:42:58,300
highest proof Scotch whiskey
we've ever had on the show.
814
00:42:58,700 --> 00:43:00,400
Yeah, I was in say, is it
Ardbeg?
815
00:43:00,400 --> 00:43:04,700
That has a barrel proof Scotch
that we had?
816
00:43:04,900 --> 00:43:06,500
Yeah.
And Laphroaig has one too, but I
817
00:43:06,508 --> 00:43:08,800
don't think we've tried their
Cask strength version.
818
00:43:08,900 --> 00:43:12,400
We have with the Ardbeg.
Which one was that?
819
00:43:12,800 --> 00:43:15,300
Iguodala who good?
All yeah, who'd always
820
00:43:15,300 --> 00:43:18,700
delicious.
Yeah, I honestly after having
821
00:43:18,700 --> 00:43:22,500
this one I think that more
scotches need to be made at Cask
822
00:43:22,500 --> 00:43:26,200
strength because they're Is Bob
live, really?
823
00:43:26,200 --> 00:43:28,500
Really good.
I am swirling this around in my
824
00:43:28,500 --> 00:43:30,700
glass right now, Brad, and I
have to say the color on.
825
00:43:30,700 --> 00:43:33,700
This is really interesting.
It's a little bit more, like
826
00:43:33,700 --> 00:43:36,800
caramely and color than you'd
normally get with a scotch and
827
00:43:36,800 --> 00:43:38,900
an almost has like, a reddish
Hue to it.
828
00:43:38,900 --> 00:43:42,400
It's like a strawberry blond,
kind of like, kind of whiskey.
829
00:43:42,800 --> 00:43:45,600
I'm digging it so far, man, but
let's go ahead and jump into our
830
00:43:45,600 --> 00:43:47,700
nosing notes.
I'm going to stick my nose in
831
00:43:47,700 --> 00:43:50,100
this class while you Regale us
with yours.
832
00:43:50,600 --> 00:43:53,700
Yeah, this one has an incredible
knows.
833
00:43:53,700 --> 00:43:56,900
I got a little It of Honey at
the start and then there's some
834
00:43:56,900 --> 00:44:00,600
charcuterie, there's some
vanilla and then a little hint
835
00:44:00,600 --> 00:44:03,900
of an herbal almost like a
Watercress.
836
00:44:04,400 --> 00:44:07,700
It has such a fascinating.
Those here that I really, really
837
00:44:07,700 --> 00:44:09,700
like I will give it an eight and
a half.
838
00:44:10,600 --> 00:44:12,800
I'm going to just stick it a
seven and a half on this.
839
00:44:12,800 --> 00:44:15,600
And the only reason for that is
I'm picking up pretty much
840
00:44:15,600 --> 00:44:18,100
everything that you're laying
down here.
841
00:44:18,800 --> 00:44:21,500
But the first thing that jumped
out to me is that this almost
842
00:44:21,500 --> 00:44:25,600
reminds me of like a younger Rye
or a Hunger bourbon.
843
00:44:25,700 --> 00:44:29,900
There's some yeast Enos on this
that I don't typically get on
844
00:44:29,900 --> 00:44:33,100
Irish or scotch whiskies and
it's kind of the first time I've
845
00:44:33,100 --> 00:44:35,200
ever really experienced this on
a scotch.
846
00:44:35,200 --> 00:44:37,500
So, I have to imagine that
that's intentional.
847
00:44:37,500 --> 00:44:41,300
That this is not just a really
young Scotch, because Brad we've
848
00:44:41,300 --> 00:44:44,800
had really young malt whiskies
before they don't smell yeasty.
849
00:44:44,900 --> 00:44:48,100
You know what I mean?
So, this smells like very, very
850
00:44:48,100 --> 00:44:49,600
bready.
And that's kind of the
851
00:44:49,600 --> 00:44:53,100
predominant note here for me.
I like it, but my past
852
00:44:53,100 --> 00:44:56,500
experience with things that
smell like, Yeast is not great.
853
00:44:56,600 --> 00:44:58,400
So I'm gonna give it a seven and
a half.
854
00:44:58,700 --> 00:45:02,400
Well I am going to move onto the
palette here on the taste.
855
00:45:02,400 --> 00:45:06,100
I think that you get some mint
right off the front and there's
856
00:45:06,100 --> 00:45:10,000
that honey coming through
vegetable hits the mid palate
857
00:45:10,000 --> 00:45:13,400
and then there's a little bit of
caramel mixed with almost like a
858
00:45:13,400 --> 00:45:17,100
peppery.
White pepper feel as well.
859
00:45:17,100 --> 00:45:21,500
I think that this is an
incredible tasting Scotch Bob.
860
00:45:21,700 --> 00:45:23,200
This is to give it.
This is beautiful.
861
00:45:23,600 --> 00:45:26,100
Yeah, I'm gonna give it Nine out
of ten on the palate.
862
00:45:26,900 --> 00:45:32,000
Yeah man this wow it's got the
sweet and light and bright notes
863
00:45:32,000 --> 00:45:35,300
of an Irish whiskey on the front
but with even more sweetness
864
00:45:35,300 --> 00:45:38,100
this is like almost Bourbon
sweet on the front.
865
00:45:38,400 --> 00:45:41,000
It hits the mid palate and then
it really opens up and it kind
866
00:45:41,000 --> 00:45:43,900
of reminds me just like
experientially of that
867
00:45:43,900 --> 00:45:48,000
Glenmorangie a star we had last
week where it was pretty tame on
868
00:45:48,000 --> 00:45:50,600
the front and then once it hit
the mid palate it was like hey
869
00:45:50,800 --> 00:45:54,800
here's that alcohol it's very
tingly on the tongue it Don't
870
00:45:54,800 --> 00:45:58,000
really hit you as much on the
Finish or like the the sort of
871
00:45:58,000 --> 00:46:01,800
chest burn on the way down, but
it also doesn't drink like 120
872
00:46:01,800 --> 00:46:04,500
proof.
It brings those great kind of
873
00:46:04,500 --> 00:46:09,500
herbal almost bitter, notes of a
smoky scotch on the back like in
874
00:46:09,500 --> 00:46:13,500
this is not PD, but it has that
great sort of smokiness.
875
00:46:13,500 --> 00:46:16,600
We've come to expect just in
terms of like how it delivers
876
00:46:16,600 --> 00:46:20,200
that Char level.
This is a beautiful Scotch man,
877
00:46:20,200 --> 00:46:21,800
it's software.
It needs to be soft.
878
00:46:21,800 --> 00:46:24,000
It packs a punch where it needs
to pack a punch.
879
00:46:24,100 --> 00:46:25,900
I'm going to give this Not
attend on the flavor.
880
00:46:26,700 --> 00:46:29,100
Yeah.
I like I said before, there
881
00:46:29,100 --> 00:46:31,700
needs to be more cash strength
scotches out there.
882
00:46:31,700 --> 00:46:36,800
People the finish here comes off
a little bit from the palette.
883
00:46:37,300 --> 00:46:40,900
There's some folks some tobacco
and then it kind of took on a
884
00:46:40,908 --> 00:46:44,500
little bit of a cherry cordial
flavor at the end a little bit
885
00:46:44,500 --> 00:46:48,000
creamy that I liked, I'll give
it an 8 out of 10 on the Finish,
886
00:46:48,500 --> 00:46:50,000
you know.
It kind of reminds me of on the
887
00:46:50,000 --> 00:46:53,500
Finish is like the nose and the
initial tasting notes of like a
888
00:46:53,508 --> 00:46:55,100
Willett bourbon.
Duct.
889
00:46:55,300 --> 00:47:00,000
It's got that sort of like Rosie
but also cherry flavor but it's
890
00:47:00,000 --> 00:47:03,600
mingled with that sort of like
cigarette Ash thing you get on
891
00:47:03,600 --> 00:47:05,900
Scotch.
It's a really interesting it
892
00:47:05,900 --> 00:47:09,100
doesn't quite get medicinal but
it's kind of teetering on the
893
00:47:09,100 --> 00:47:11,700
edge there.
I like it because it still stays
894
00:47:11,700 --> 00:47:14,800
pretty sweet but I do think it
is a step down from the palette
895
00:47:14,800 --> 00:47:16,400
a little bit.
I'm going to give it an 8 out of
896
00:47:16,400 --> 00:47:17,800
10.
Yeah.
897
00:47:17,800 --> 00:47:21,000
And then we get into balance.
I actually think that this is
898
00:47:21,000 --> 00:47:24,300
one of the best balanced
Whiskey's we've had in a little
899
00:47:24,300 --> 00:47:26,700
while.
You know, I my scores for nose
900
00:47:26,700 --> 00:47:29,500
and finish were a little below
the taste, but I think this is a
901
00:47:29,500 --> 00:47:33,400
really complex whiskey.
That has a lot of interesting
902
00:47:33,400 --> 00:47:35,600
flavors working together
beautifully.
903
00:47:35,900 --> 00:47:37,900
I'm going to give it a nine and
a half on balance.
904
00:47:38,000 --> 00:47:41,000
Wow, yeah I don't know if it's
quite that well balanced for me
905
00:47:41,000 --> 00:47:46,000
just because the nose didn't
give away how complex and how
906
00:47:46,000 --> 00:47:49,500
much of a journey it would be on
the palate and on the finish, it
907
00:47:49,500 --> 00:47:52,400
was kind of a dull nose by
comparison and that's going to
908
00:47:52,400 --> 00:47:55,300
dig me just a little bit, but
I'm going to I'm out to an eight
909
00:47:55,300 --> 00:47:57,500
and a half on the balance.
Yeah.
910
00:47:57,500 --> 00:48:00,400
And then that takes us into our
value category.
911
00:48:00,400 --> 00:48:05,100
Now obviously you're not able to
purchase this, you know, from
912
00:48:05,100 --> 00:48:08,400
retailers anymore as it's been
out for a few years but the best
913
00:48:08,400 --> 00:48:13,500
I can find is that currently you
could find it online for $150.
914
00:48:14,000 --> 00:48:19,000
I've seen a couple online stores
offering it for about 110 and I
915
00:48:19,008 --> 00:48:21,600
again I'm not factoring in the
shipping on that so I have no
916
00:48:21,600 --> 00:48:23,700
idea after shipping how much
this would cost you.
917
00:48:24,100 --> 00:48:29,600
When I This up off the shelf in
Ohio, it was at $100 and I think
918
00:48:29,600 --> 00:48:32,800
that's a fantastic value for
this Brad and I'll get into my
919
00:48:32,800 --> 00:48:37,400
score on was the market.
Currently is but for a barrel
920
00:48:37,400 --> 00:48:41,200
proof, Scotch whiskey.
That is like, let's be frank
921
00:48:41,200 --> 00:48:43,100
here.
It's part of the gimmick and I
922
00:48:43,100 --> 00:48:45,300
have no idea how old this
actually ended up being.
923
00:48:45,300 --> 00:48:48,500
But I have to imagine that this
is, you know, at the very least
924
00:48:48,500 --> 00:48:53,000
what 68 years old Brad, like is
not to be normally sold at under
925
00:48:53,000 --> 00:48:56,800
that age points.
So I mean, I think a hundred
926
00:48:56,800 --> 00:48:59,000
dollars is a pretty darn good
value for what you're getting
927
00:48:59,000 --> 00:49:03,400
here.
At 110, 120 130, I have to
928
00:49:03,400 --> 00:49:07,100
factor that in a little bit, but
I still think Brad that this is
929
00:49:07,100 --> 00:49:08,900
like, at least an 8 out of 10 on
value.
930
00:49:09,100 --> 00:49:15,100
Yeah, I think at a well, yeah, I
think if we're talking 110 120,
931
00:49:15,100 --> 00:49:20,800
I'm with you at an 8 out of 10.
I did do my value at $150, which
932
00:49:20,800 --> 00:49:24,400
I would, I would give it a 7 out
of 10, so I'll stick it a 7 out
933
00:49:24,400 --> 00:49:26,200
of 10.
And I think it's a little bit
934
00:49:26,200 --> 00:49:29,900
high at 150 but still a really
good value.
935
00:49:29,900 --> 00:49:32,500
But yeah, you're right if this
was a hundred dollars, this
936
00:49:32,500 --> 00:49:35,600
would be like a 99 and a half
out of ten value.
937
00:49:36,200 --> 00:49:39,000
I mean I'm really glad we held
off on this one till the last
938
00:49:39,000 --> 00:49:42,400
episode of the season.
This feels like it feels like a
939
00:49:42,408 --> 00:49:45,000
special occasion whiskey.
I'm not necessarily saying that
940
00:49:45,000 --> 00:49:48,000
it is and it's certainly not in
that sort of rarefied air of
941
00:49:48,200 --> 00:49:51,400
some of these allocated bottles.
We've tried before but because
942
00:49:51,400 --> 00:49:53,800
it is a special release.
It's hard to get your hands on
943
00:49:53,800 --> 00:49:55,900
now.
And then when you factor in the
944
00:49:55,900 --> 00:49:59,300
proof point, and just how
complex the flavor is man, if
945
00:49:59,300 --> 00:50:03,100
you can find a bottle of
Glenlivet Enigma, I would highly
946
00:50:03,100 --> 00:50:05,300
recommend trying out or buying
it.
947
00:50:05,900 --> 00:50:09,100
Yeah, 100%.
This is a whiskey that would be
948
00:50:09,100 --> 00:50:11,200
awesome to have on your shelf.
Also if you haven't seen it
949
00:50:11,200 --> 00:50:14,700
before please Google an image of
it because it is a killer
950
00:50:14,700 --> 00:50:16,500
bottle.
Yeah, the packaging Is Awesome
951
00:50:16,500 --> 00:50:19,700
on this man.
Brad, I'm coming out to a 40 1
952
00:50:19,700 --> 00:50:21,700
out of 50.
What do you coming out to?
953
00:50:22,100 --> 00:50:24,500
I'm at a 42 out of 50 Bob.
Oh wow.
954
00:50:24,600 --> 00:50:31,200
Okay, so we're at a 41.5 on
average or an 83 out of 100 and
955
00:50:31,200 --> 00:50:33,900
you did that math.
So fast, dude, I'm so good at
956
00:50:33,900 --> 00:50:36,700
this.
This is pretty much a no-brainer
957
00:50:36,700 --> 00:50:40,100
recommendation, I think yeah,
easy, easy recommend.
958
00:50:40,100 --> 00:50:43,600
If you see it at the bar, get
up, or if you are able to get a
959
00:50:43,607 --> 00:50:45,900
bottle, definitely buy it.
All right.
960
00:50:45,900 --> 00:50:48,300
Brad well that was pretty
painless and dare I say
961
00:50:48,300 --> 00:50:51,500
enjoyable let's get back into
talking about Last of the
962
00:50:51,500 --> 00:50:52,900
Mohicans.
What do you say?
963
00:50:53,200 --> 00:50:59,500
Let's get to it.
All right, everybody that was
964
00:50:59,500 --> 00:51:04,100
Glenlivet Enigma a whiskey that
I had the very least thought was
965
00:51:04,200 --> 00:51:05,800
truly incredible.
Hmm.
966
00:51:06,200 --> 00:51:11,600
A true Enigma a true Enigma you
know it isn't a true Enigma, how
967
00:51:11,600 --> 00:51:15,400
terrible you are at two facts in
the faucet to facts and a
968
00:51:15,408 --> 00:51:19,400
falsehood every time I am given
a glimmer of hope that I will
969
00:51:19,400 --> 00:51:23,700
finish above 500 on this season.
The door just said, yes.
970
00:51:23,700 --> 00:51:26,400
I mean, it slams.
Shut, you got me again last week
971
00:51:26,400 --> 00:51:29,800
with heat.
You I as I recall last week, you
972
00:51:29,800 --> 00:51:32,200
crafted some pretty good ones.
Yeah.
973
00:51:32,300 --> 00:51:34,900
Well I only craft one.
That's all, that's true.
974
00:51:34,900 --> 00:51:38,700
That's the internet crafts.
The other two, how long till you
975
00:51:38,700 --> 00:51:42,300
start using like chat GPT to
start making these these
976
00:51:42,300 --> 00:51:45,600
questions who's to say that I
haven't been using it all.
977
00:51:45,600 --> 00:51:48,800
It's all been an AI simulation.
I'm an AI.
978
00:51:48,800 --> 00:51:51,900
That's it.
All right, man.
979
00:51:52,200 --> 00:51:56,200
So for those who are uninitiated
to facts in a falsehood is
980
00:51:56,200 --> 00:52:00,000
exactly what it sounds like Brad
pulls a couple facts, facts in
981
00:52:00,000 --> 00:52:03,100
quotation marks, off of the
internet, about the making of
982
00:52:03,100 --> 00:52:05,100
this movie.
He adds one of his own
983
00:52:05,100 --> 00:52:08,000
falsehoods to the mix, and I
have to try to parse out which
984
00:52:08,000 --> 00:52:10,900
ones are true.
And which one is the falsehood.
985
00:52:11,200 --> 00:52:14,400
Brad, go ahead and hit me with
your two facts in a falsehood.
986
00:52:15,000 --> 00:52:19,300
Alright, eFax number one,
Colonel, Munro here is a heavily
987
00:52:19,300 --> 00:52:22,300
fictionalized Version of his
real-life counterpart.
988
00:52:22,300 --> 00:52:25,200
The real Colonel Munro.
Never married had no children.
989
00:52:25,400 --> 00:52:28,500
He survived the massacre of his
men and reached Albany.
990
00:52:28,500 --> 00:52:30,300
Only the died.
Three months later of an
991
00:52:30,300 --> 00:52:34,000
epileptic seizure.
That's what you get, fact number
992
00:52:34,000 --> 00:52:37,200
two, the story told by Nathaniel
when they are hiding from the
993
00:52:37,200 --> 00:52:41,800
Huron war party was based on the
poem Stargazer written by famous
994
00:52:41,800 --> 00:52:44,800
Native, American poet crisostomo
Apache.
995
00:52:46,600 --> 00:52:49,700
Fax number three.
As a personally as a big Star
996
00:52:49,700 --> 00:52:51,900
Wars fan myself.
Elf I couldn't help but notice
997
00:52:52,100 --> 00:52:55,100
that the Wilhelm scream was
inserted about an hour and a
998
00:52:55,100 --> 00:52:58,600
half into the movie, right?
When Daniel Day-Lewis bludgeons
999
00:52:58,600 --> 00:53:04,000
an enemy in the face Oh man,
what was inserted half hour and
1000
00:53:04,000 --> 00:53:07,500
the Earth The Wilhelm scream,
huh?
1001
00:53:08,100 --> 00:53:10,500
Are you familiar?
I don't think I am.
1002
00:53:10,600 --> 00:53:14,400
It's a sound effect that is in
like hundreds and hundreds of
1003
00:53:14,400 --> 00:53:18,800
movies and it's the sound effect
of the guy just going like like
1004
00:53:18,800 --> 00:53:20,100
when they falls off of
something.
1005
00:53:20,100 --> 00:53:25,300
It's like a howl.
It's in hundreds of films.
1006
00:53:25,400 --> 00:53:30,700
Yeah, I believe the very first
use of it though was in 1977 s.
1007
00:53:30,900 --> 00:53:31,900
Star Wars.
Was it really?
1008
00:53:31,900 --> 00:53:34,400
I don't know, it was from like
the 30s, like King Kong or
1009
00:53:34,400 --> 00:53:38,400
something.
Oh, I I might just be a Star
1010
00:53:38,400 --> 00:53:42,000
Wars stand and assume that
everything came out of Star
1011
00:53:42,000 --> 00:53:43,600
Wars, but I thought it came from
Star Wars.
1012
00:53:44,200 --> 00:53:47,300
Well, we'll fact check that but
I have to fact-check to other
1013
00:53:47,300 --> 00:53:51,000
things first here.
So, Man, here's the thing Brad
1014
00:53:51,000 --> 00:53:54,400
sometimes you come up with very
innocuous sounding facts like
1015
00:53:54,400 --> 00:53:57,500
none of these sounded spicy or
sexy at all.
1016
00:53:57,900 --> 00:54:00,900
So I just assume that they're
all true because they're kind of
1017
00:54:00,900 --> 00:54:03,200
boring.
Yeah, you're not gonna get much
1018
00:54:03,200 --> 00:54:05,000
help from you on this because I
have absolutely no idea.
1019
00:54:05,000 --> 00:54:06,900
Yeah.
And sense is that the first one
1020
00:54:06,900 --> 00:54:09,700
sounded too?
Well, research to be made up,
1021
00:54:09,700 --> 00:54:12,600
but beyond that, I have no clue.
Number two.
1022
00:54:13,100 --> 00:54:16,300
I also just kind of feel like,
okay, I like it doesn't add
1023
00:54:16,300 --> 00:54:18,200
anything to the enjoyment of the
film.
1024
00:54:18,300 --> 00:54:19,900
So it just kind of seems like
Cool.
1025
00:54:19,900 --> 00:54:22,900
Maybe there's a maybe there's a
pineapple know that my job was
1026
00:54:22,900 --> 00:54:24,800
to add to your enjoyment of the
film.
1027
00:54:24,800 --> 00:54:29,300
Bob I'm just gonna go ahead and
say number three is the
1028
00:54:29,300 --> 00:54:34,000
falsehood and that you didn't
have anything on your mind to
1029
00:54:34,000 --> 00:54:35,600
think about except for Star
Wars.
1030
00:54:35,600 --> 00:54:39,300
So you just made up the Star
Wars one Bob.
1031
00:54:39,700 --> 00:54:45,800
That is not true because the
fact is true, The Wilhelm scream
1032
00:54:45,800 --> 00:54:49,200
is in the film.
At the our I think it's our 38.
1033
00:54:49,300 --> 00:54:51,400
Minutes.
It's somewhere in the like right
1034
00:54:51,400 --> 00:54:54,200
around an hour and a half.
Now did you notice that yourself
1035
00:54:54,200 --> 00:54:58,300
or was that on IMDb somewhere?
It was on IMDb and then I went
1036
00:54:58,300 --> 00:55:02,100
back to that that area and
heard, okay, okay.
1037
00:55:02,100 --> 00:55:05,500
It's not quite as clear as it is
in the Star Wars films, but it
1038
00:55:05,500 --> 00:55:08,000
is there.
Okay, fact.
1039
00:55:08,000 --> 00:55:11,200
Number two was the falsehood.
Oh, wow.
1040
00:55:11,200 --> 00:55:14,000
Okay.
Yeah, Stargazer, although I did,
1041
00:55:14,000 --> 00:55:19,200
do research Cristo so Apache is
a famous, Native, American poet.
1042
00:55:19,700 --> 00:55:22,800
Well, there you go, man.
So you got me again.
1043
00:55:23,400 --> 00:55:25,900
Nailed it.
I'm ending the season on such a
1044
00:55:25,900 --> 00:55:29,200
downer here.
I'm ending the season on a great
1045
00:55:29,200 --> 00:55:33,000
great upswing, so I'm not
complaining Bob.
1046
00:55:33,400 --> 00:55:36,400
All right, well let's steer out
of that because that was just a
1047
00:55:36,400 --> 00:55:38,200
brutal.
And let's start talking about
1048
00:55:38,200 --> 00:55:41,700
this movie some more and Daniel,
I think the thing that I really
1049
00:55:41,700 --> 00:55:46,100
want to key in on here is I love
the fact that you are just like
1050
00:55:46,100 --> 00:55:47,800
you came on the podcast.
You're like it's my favorite
1051
00:55:47,800 --> 00:55:51,200
movie ever and then And then
immediately said, Honestly,
1052
00:55:51,200 --> 00:55:54,100
though, it's the last half hour
and I'm really glad you said
1053
00:55:54,100 --> 00:55:56,700
that because right before you
hopped on the call with us
1054
00:55:56,700 --> 00:55:58,800
tonight.
Brad and I were talking about
1055
00:55:58,800 --> 00:56:03,600
how you know, this movie really
felt a little bit not dated, but
1056
00:56:03,600 --> 00:56:08,900
just kind of slow and a little
bit stayed in the first hour or
1057
00:56:08,900 --> 00:56:11,300
so.
And then, that last 40 something
1058
00:56:11,300 --> 00:56:14,900
minutes was like a breath of
fresh air.
1059
00:56:15,500 --> 00:56:17,400
And I want to go in a little bit
on that.
1060
00:56:17,400 --> 00:56:19,900
I mean, you've talked about the
Cinematic Of the last 10
1061
00:56:19,900 --> 00:56:22,900
minutes, but I really think it
Bears repeating here because
1062
00:56:22,900 --> 00:56:25,900
it's so similar to our
experience with heat last week.
1063
00:56:26,000 --> 00:56:28,400
I think, man just really knows
how to end a film.
1064
00:56:28,800 --> 00:56:30,200
Yeah.
So I basically think of the film
1065
00:56:30,200 --> 00:56:33,400
is, there's the whole film.
There's the last 40 minutes and
1066
00:56:33,400 --> 00:56:36,100
there's the last 10 minutes, the
whole film.
1067
00:56:36,100 --> 00:56:37,800
I give a B+.
Hmm.
1068
00:56:38,000 --> 00:56:41,500
Last 40 minutes.
I given a and the last 10
1069
00:56:41,500 --> 00:56:43,600
minutes I give an A plus plus
plus.
1070
00:56:46,200 --> 00:56:48,100
I love that Brad.
Can you think of any other
1071
00:56:48,100 --> 00:56:49,600
movies that you feel that way
about?
1072
00:56:49,600 --> 00:56:53,600
Like, all right, if you just
crop out this segment of the
1073
00:56:53,600 --> 00:56:56,300
movie, it's a 10 out of 10 but
the rest of it's like an eight.
1074
00:56:56,800 --> 00:56:59,600
Honestly, we can jump back into
Star Wars for a second.
1075
00:56:59,700 --> 00:57:04,700
I think that the endings of both
Revenge of the Sith and Return
1076
00:57:04,700 --> 00:57:09,100
of the Jedi are flat-out.
Incredible.
1077
00:57:09,100 --> 00:57:12,000
You know, like when we when we
did Return of the Jedi said the
1078
00:57:12,000 --> 00:57:15,000
final battle scene from you
know, about the last 40 minutes
1079
00:57:15,000 --> 00:57:15,800
of the movie.
Movie.
1080
00:57:16,100 --> 00:57:19,000
I think is just some of the
greatest action sequences of all
1081
00:57:19,000 --> 00:57:21,200
time.
I think the same thing about
1082
00:57:21,200 --> 00:57:23,900
Revenge of the Sith, the last
like, 30, 40 minutes, that movie
1083
00:57:23,900 --> 00:57:27,000
are impeccable.
The first half's of both.
1084
00:57:27,000 --> 00:57:31,800
Those movies.
As a, as a massive Star Wars fan
1085
00:57:32,800 --> 00:57:38,000
are really not good movies.
We're just not great and I end
1086
00:57:38,000 --> 00:57:40,600
and that doesn't detract from my
enjoyment of them.
1087
00:57:41,000 --> 00:57:45,100
But I'm with you in that, like,
if you honed in, it's almost
1088
00:57:45,100 --> 00:57:48,000
like your Going to telescope and
you're looking at, you know, the
1089
00:57:48,000 --> 00:57:51,100
whole forest and the zoom in
onto a little bit of it and
1090
00:57:51,100 --> 00:57:53,600
you're like, oh wow, that's
really beautiful there and then
1091
00:57:53,600 --> 00:57:56,800
you hone in even further like
you said the last 10 minutes and
1092
00:57:56,800 --> 00:57:59,200
you're like oh wow, there's some
great stuff going on here.
1093
00:57:59,800 --> 00:58:04,000
Yeah, kind of the Howard, Hawks
famous quote of it, the key to a
1094
00:58:04,000 --> 00:58:07,700
great film is no bad side is 3.
Good scenes and no bad scenes.
1095
00:58:08,800 --> 00:58:12,200
And last Mohicans is like, no
bad scenes and then the last the
1096
00:58:12,200 --> 00:58:14,000
best half-hour you're ever going
to see in your life.
1097
00:58:15,500 --> 00:58:20,400
I was on Twitter today as I am
want to do, and I saw a clip
1098
00:58:20,400 --> 00:58:23,400
from The Social Network.
And I mean, my spicy take is
1099
00:58:23,400 --> 00:58:26,800
that I think the social network
is a really good movie, but it's
1100
00:58:26,800 --> 00:58:31,100
no zodiac.
However, it was the scene
1101
00:58:31,100 --> 00:58:33,300
towards the end of the movie
like in the last 15 minutes,
1102
00:58:33,300 --> 00:58:36,700
where Andrew Garfield blows up
on him and smashes the laptop
1103
00:58:36,700 --> 00:58:39,900
and tells him you better lawyer
up ass like it's such a great
1104
00:58:39,900 --> 00:58:42,700
sequence.
I think I saw the same tweet
1105
00:58:42,700 --> 00:58:46,600
because it was someone talking
about how The random quote I'm
1106
00:58:46,600 --> 00:58:48,400
sorry I wasn't wearing my you
flip.
1107
00:58:48,400 --> 00:58:51,800
Yeah it was like her favorite
lines ever and I started
1108
00:58:51,800 --> 00:58:54,800
thinking about how good the
ending of that movie is like I
1109
00:58:54,800 --> 00:58:59,500
don't know that that movie is
really like the the ultimatum on
1110
00:58:59,700 --> 00:59:03,400
society that people want to make
it into like it's a very small
1111
00:59:03,400 --> 00:59:09,100
and intimate story, but from
that moment to, you know, the
1112
00:59:09,100 --> 00:59:12,000
the final speech that Rashida
Jones gives where she says,
1113
00:59:12,000 --> 00:59:14,500
you're not an asshole, you're
just trying so hard to be and
1114
00:59:14,500 --> 00:59:16,400
then immediately, the Needle
drop of baby.
1115
00:59:16,400 --> 00:59:19,900
You're a rich man.
It is such a great last, 15
1116
00:59:19,900 --> 00:59:21,900
minutes.
Whereas the rest of the movie is
1117
00:59:21,900 --> 00:59:25,300
like a b-plus to me.
I adore The Social Network, my
1118
00:59:25,300 --> 00:59:28,100
hot take on why it hasn't
survived as well.
1119
00:59:28,100 --> 00:59:31,600
Historically is because we no
longer think of Facebook as a
1120
00:59:31,600 --> 00:59:33,800
social network.
We now think of it is the
1121
00:59:33,800 --> 00:59:36,600
network them on parents and
aunts and uncles just spread
1122
00:59:36,600 --> 00:59:42,900
Republican disinformation on her
as if Facebook were still like a
1123
00:59:42,900 --> 00:59:45,100
big part of our daily lives as a
real.
1124
00:59:45,100 --> 00:59:48,500
So, Network that we use to
maintain contact with our
1125
00:59:48,500 --> 00:59:51,400
friends, then the movie would
feel more.
1126
00:59:51,700 --> 00:59:54,400
It work, you would retain more
power to us more relevant.
1127
00:59:54,400 --> 00:59:58,400
Yeah, I like that guys.
I I so adore the fact that we
1128
00:59:58,400 --> 01:00:00,900
have gotten off on so many
tangents today and it's like
1129
01:00:00,900 --> 01:00:04,200
really making me wonder how
we're going to do our next
1130
01:00:04,200 --> 01:00:06,400
segment, which we call.
Let's make it a double.
1131
01:00:06,600 --> 01:00:09,500
I'm not going to pair this up
with the social network, but
1132
01:00:09,500 --> 01:00:12,300
let's make it.
A double is our challenge to
1133
01:00:12,300 --> 01:00:15,200
ourselves and to our guests to
find a movie too.
1134
01:00:15,400 --> 01:00:18,200
Pair up with Last of the
Mohicans to make the perfect
1135
01:00:18,200 --> 01:00:21,400
double feature Brad, you want to
start or should we let our
1136
01:00:21,400 --> 01:00:23,900
guests start?
Yeah, I think I actually have a
1137
01:00:23,900 --> 01:00:28,300
pretty unique pick here.
The theme song.
1138
01:00:28,300 --> 01:00:33,800
In this movie obviously has a
very brave Hardy Gladiator type
1139
01:00:33,800 --> 01:00:37,500
of feel to it but there's
moments of it where I was
1140
01:00:37,500 --> 01:00:39,600
listening to it at the end of
the film and I was like, you
1141
01:00:39,600 --> 01:00:43,900
know, this actually kind of
reminds me of like a western
1142
01:00:43,900 --> 01:00:46,700
theme song.
There was something about that,
1143
01:00:46,700 --> 01:00:50,100
that just clicked in my brain.
I'm going to pair this with the
1144
01:00:50,100 --> 01:00:54,800
Searchers, so interesting.
I think that there's enough of a
1145
01:00:54,800 --> 01:00:59,200
Vibe of the man dedicated to
find his person.
1146
01:00:59,200 --> 01:01:02,100
No matter.
What's that, like, connects them
1147
01:01:02,100 --> 01:01:05,200
as a through line, and I think
it'd be a really unique viewing
1148
01:01:05,200 --> 01:01:08,100
experience, but I think watching
The Last of the Mohicans and
1149
01:01:08,100 --> 01:01:10,800
then going into the Searchers
would be a really fascinating
1150
01:01:11,100 --> 01:01:14,100
movie evening, I think that
would be like, like, I can just
1151
01:01:14,100 --> 01:01:17,800
see that pairing on A syllabus
in like an intro to film class
1152
01:01:17,800 --> 01:01:21,700
where it the point of it is
depictions of Native Americans
1153
01:01:21,700 --> 01:01:25,500
on film because there are such
wildly different.
1154
01:01:25,600 --> 01:01:28,600
You know, very famously.
We just did the Searchers a
1155
01:01:28,600 --> 01:01:32,700
couple months ago, like, the
main villain in that movie is
1156
01:01:33,300 --> 01:01:35,000
supposed to be a Native
American, it's played by a
1157
01:01:35,000 --> 01:01:38,200
German guy.
Like you ain't just really rough
1158
01:01:38,200 --> 01:01:41,400
that did not age well at all,
and but I think you're right.
1159
01:01:41,400 --> 01:01:45,200
Brad that there are some some
themes that they share in
1160
01:01:45,200 --> 01:01:46,700
common.
Common and they do have that
1161
01:01:46,700 --> 01:01:50,300
sort of, I don't know if they
have that, that weightiness to
1162
01:01:50,300 --> 01:01:54,200
them, that these kind of
sprawling historical epics.
1163
01:01:54,200 --> 01:01:55,600
Have I like that pairing?
Yeah.
1164
01:01:56,200 --> 01:01:59,200
Thanks man.
I'll go next because I don't
1165
01:01:59,200 --> 01:02:00,900
think that mine is going to be
that good this week.
1166
01:02:00,900 --> 01:02:03,900
Sometimes I come up with really
clever ones and I was trying to
1167
01:02:03,900 --> 01:02:08,300
think of like oh maybe if you
just want to watch five hours of
1168
01:02:08,300 --> 01:02:12,200
British soldiers getting shot
like pair it up with rrr that
1169
01:02:12,200 --> 01:02:14,400
would be a fantastic double
parent great.
1170
01:02:14,400 --> 01:02:18,700
But I think, honestly, the one
that keeps coming back to me is
1171
01:02:18,700 --> 01:02:20,800
The Last Samurai, which is
again.
1172
01:02:20,800 --> 01:02:24,200
I think would be an interesting
pairing to compare and contrast.
1173
01:02:24,500 --> 01:02:27,400
The Last Samurai is a movie that
has caught a lot of crap over
1174
01:02:27,400 --> 01:02:30,400
the last decade or so.
Because, you know, it gets
1175
01:02:30,400 --> 01:02:32,000
lumped in as a white, savior
movie.
1176
01:02:32,000 --> 01:02:34,200
I think it's a little bit more
Nuance than people make it out
1177
01:02:34,200 --> 01:02:38,500
to be, but they both have that
sort of Classic Hollywood feel
1178
01:02:38,500 --> 01:02:42,100
to them and I think they also
share really similar themes,
1179
01:02:42,300 --> 01:02:43,800
Brad.
You said it perfectly earlier
1180
01:02:43,800 --> 01:02:46,400
about a man torn.
Between Two Worlds.
1181
01:02:47,000 --> 01:02:49,100
We haven't talked about the
ending of this film yet.
1182
01:02:49,100 --> 01:02:52,800
I think I will a little bit in
my final score, but the way the
1183
01:02:52,800 --> 01:02:58,600
note that this movie ends on is
not quite a downer but it it
1184
01:02:58,600 --> 01:03:01,700
makes you think more than any
other part of the movie, makes
1185
01:03:01,700 --> 01:03:04,800
you think.
And I really love that questions
1186
01:03:04,800 --> 01:03:07,800
of identity, arise towards the
end of this film and it's really
1187
01:03:07,800 --> 01:03:10,500
similar with The Last Samurai so
that's going to be my pairing.
1188
01:03:11,200 --> 01:03:13,600
Can I ask a quick question to
clarify?
1189
01:03:14,100 --> 01:03:16,800
Did I miss something?
NG where they talked about how
1190
01:03:16,800 --> 01:03:18,800
like the Mohican tribe had died
out.
1191
01:03:18,800 --> 01:03:20,900
Yeah, that was like right at the
beginning and actually might
1192
01:03:20,900 --> 01:03:24,400
have been in the title card.
Yeah, I would say, I don't think
1193
01:03:24,400 --> 01:03:27,400
you missed anything.
And again, this goes again to
1194
01:03:27,400 --> 01:03:30,700
what man's idea of the movie is.
I don't think he cared that much
1195
01:03:30,700 --> 01:03:34,200
about teaching people anything.
I think he just wanted to make a
1196
01:03:34,207 --> 01:03:35,900
story that appealed to his
visual sense.
1197
01:03:36,000 --> 01:03:37,900
Hmm.
Okay.
1198
01:03:37,900 --> 01:03:39,500
I just want to make sure I
didn't miss anything.
1199
01:03:39,500 --> 01:03:42,300
So I was like wait a second.
So like Ching, got Chuck just
1200
01:03:42,300 --> 01:03:44,800
announces that he's The Last of
the Mohicans and I was kind of
1201
01:03:44,808 --> 01:03:46,500
like Wait, wait.
Wait, like I know that's the
1202
01:03:46,500 --> 01:03:50,300
title of the film but but the
title is over, Daniel Day-Lewis
1203
01:03:50,300 --> 01:03:53,500
and I thought he was The Last of
the Mohicans and I remember him
1204
01:03:53,500 --> 01:03:56,700
saying anything about it but but
if that's not what man was going
1205
01:03:56,700 --> 01:03:59,700
for then that's fine.
I'm in something interesting
1206
01:03:59,700 --> 01:04:03,700
about this film is that in the
entry you guys talked about
1207
01:04:03,700 --> 01:04:05,600
whether you're familiar with the
source material or ever read the
1208
01:04:05,600 --> 01:04:07,900
book.
I don't think Michael Mann's
1209
01:04:07,900 --> 01:04:10,700
ever read the book either and I
know I say that and I don't say
1210
01:04:10,700 --> 01:04:12,400
that as a joke, I think it was
intentional.
1211
01:04:12,500 --> 01:04:15,500
He talked about in the
director's commentary that That
1212
01:04:15,500 --> 01:04:20,300
his impetus for making, the film
is that he loved seeing the 1936
1213
01:04:20,300 --> 01:04:22,600
version when he was like, five
years old.
1214
01:04:22,800 --> 01:04:25,300
Hmm.
And he wanted to basically
1215
01:04:25,500 --> 01:04:28,900
remake his memory of the 1936
version.
1216
01:04:29,200 --> 01:04:31,500
So I don't think he cared about
the book as Source material at
1217
01:04:31,500 --> 01:04:33,800
all to him.
The source material was the 1936
1218
01:04:33,800 --> 01:04:35,400
film.
I love that.
1219
01:04:35,900 --> 01:04:38,500
I just love it when directors
completely discard the sort,
1220
01:04:38,500 --> 01:04:41,900
like, you know, all the stories
about Scorsese never watching
1221
01:04:41,900 --> 01:04:44,100
infernal Affairs before he did
The Departed.
1222
01:04:44,200 --> 01:04:46,400
Like, I don't know if I buy it.
I love that they're just like,
1223
01:04:46,400 --> 01:04:48,200
nope.
I'm gonna do my own thing, not
1224
01:04:48,200 --> 01:04:49,700
even worried about the source
material.
1225
01:04:50,000 --> 01:04:53,600
Yeah, I mean far, be it for me
to call Scorsese a liar, but I'm
1226
01:04:53,600 --> 01:04:56,400
not sure I buy that because when
you see the two films, The
1227
01:04:56,400 --> 01:04:58,200
Departed is almost a
shot-for-shot remake.
1228
01:04:58,200 --> 01:05:01,800
Yeah.
So, anyway, Last Samurai is my
1229
01:05:01,800 --> 01:05:04,200
pick and I think it goes back to
what you're saying here to Brad.
1230
01:05:04,200 --> 01:05:07,100
Like not only does it ask these
questions of identity, but it
1231
01:05:07,100 --> 01:05:09,400
also kind of asked the question
of like, who is The Last
1232
01:05:09,400 --> 01:05:13,400
Samurai, who is The Last of the
Mohicans and, you know, we can
1233
01:05:13,400 --> 01:05:16,300
make it a triple feature and
just bring your Edit Star Wars
1234
01:05:16,300 --> 01:05:18,800
film into that and do the Last
Jedi as well.
1235
01:05:18,800 --> 01:05:22,600
Let's have a last series,
Daniel, what is your pick for
1236
01:05:22,600 --> 01:05:26,300
the double feature?
So, you know everything I love
1237
01:05:26,300 --> 01:05:29,600
about the last Mohicans is the
way the last 10 minutes or
1238
01:05:29,600 --> 01:05:33,000
structured.
And the way Michael man creates
1239
01:05:33,000 --> 01:05:37,500
what I think is this absolute
perfect Fusion between imagery
1240
01:05:37,600 --> 01:05:41,100
music and editing and dialogue
isn't even remotely a part of
1241
01:05:41,107 --> 01:05:42,900
that.
So I tried to think of another
1242
01:05:42,900 --> 01:05:48,300
movie where the ending is.
Perfect capture of visuals music
1243
01:05:48,300 --> 01:05:50,100
and editing and doesn't need
dialogue.
1244
01:05:50,400 --> 01:05:52,600
And guess what?
I've stumbled on another Michael
1245
01:05:52,600 --> 01:05:57,600
Mann film.
So, it is Ali, the Will Smith
1246
01:05:57,600 --> 01:06:02,500
Muhammad Ali biopic from 2001,
which is not one of man's most
1247
01:06:02,500 --> 01:06:07,300
well-regarded films, and there
are parts of it that don't work
1248
01:06:07,300 --> 01:06:09,300
there parts that the come off as
a bit of a mess.
1249
01:06:09,900 --> 01:06:13,900
But when you get to the last 15
minutes of that film, which are
1250
01:06:13,900 --> 01:06:17,300
the famous Rumble, In the jungle
fights between Muhammad Ali and
1251
01:06:17,300 --> 01:06:22,000
George Foreman that the last 15
minutes just bang on all
1252
01:06:22,000 --> 01:06:26,900
cylinders and especially their.
What's interesting to me about
1253
01:06:26,900 --> 01:06:30,700
both Ali.
And in last weekend's is just
1254
01:06:30,700 --> 01:06:34,400
before the ending.
I can point to an exact moment
1255
01:06:34,400 --> 01:06:38,400
where it's like, okay, this is
where it like almost like really
1256
01:06:38,400 --> 01:06:40,600
starts for me with last
Mohicans.
1257
01:06:40,600 --> 01:06:44,100
It's right, when the music kicks
in and they put the guy on the
1258
01:06:44,100 --> 01:06:47,000
flyer and they Walking away from
the Indian work out.
1259
01:06:47,000 --> 01:06:49,900
Yeah.
With all we, it is during the
1260
01:06:49,900 --> 01:06:53,800
ali/foreman fight during a
timeout between rounds.
1261
01:06:54,200 --> 01:06:57,800
And one of the girls holding the
round cards is kind of walking
1262
01:06:57,800 --> 01:07:01,600
around the ring and she catches
a glimpse of Ali and Ali Winx in
1263
01:07:01,607 --> 01:07:04,100
her.
And from that moment, the next
1264
01:07:04,100 --> 01:07:06,700
five minutes are about the best
five minutes, you'll ever see in
1265
01:07:06,707 --> 01:07:10,800
your life and it's a perfect
Recreation of the ending of the
1266
01:07:10,800 --> 01:07:15,100
ali/foreman. 1974 fight scene
only the way Michael Mann.
1267
01:07:15,200 --> 01:07:19,300
Can see it.
No dialogue just music ends on
1268
01:07:19,300 --> 01:07:21,500
the most gorgeous, freeze-frame,
you'll ever see.
1269
01:07:21,800 --> 01:07:24,000
And it gives me goosebumps no
matter how many times I watch
1270
01:07:24,000 --> 01:07:25,900
it.
Yeah, I think Brad, that's one
1271
01:07:25,900 --> 01:07:28,400
thing we haven't really talked
about with man, and it's because
1272
01:07:28,400 --> 01:07:31,100
there haven't been a lot of
needle drops in the movies that
1273
01:07:31,100 --> 01:07:36,000
we watched, but he really is one
of the best when it comes to
1274
01:07:36,000 --> 01:07:39,500
incorporating existing music
into his movies and his
1275
01:07:39,500 --> 01:07:43,400
sensibility, for, like, what
music can do to transport you.
1276
01:07:43,900 --> 01:07:47,500
And I've been holding On this
because I know that you have
1277
01:07:47,500 --> 01:07:51,400
never watched anything by man,
but he helped create Miami, Vice
1278
01:07:51,400 --> 01:07:54,700
the TV show, the famous TV show,
there's an episode of Miami
1279
01:07:54,700 --> 01:07:58,700
Vice, it's like the second or
third episode ever and there's
1280
01:07:58,700 --> 01:08:02,500
been this like overarching story
arc where they're going to try
1281
01:08:02,500 --> 01:08:05,900
to take down this drug kingpin
and it's the, you know, it's
1282
01:08:05,900 --> 01:08:08,900
these two cops and they are
pretty much convinced that
1283
01:08:08,900 --> 01:08:13,100
they're going to die.
And Don Johnson's character is
1284
01:08:13,100 --> 01:08:16,700
divorced and lonely.
Lee and brooding.
1285
01:08:17,100 --> 01:08:19,100
And there's a letter for you to
know that I have Goosebumps
1286
01:08:19,100 --> 01:08:20,600
because I already know what
scene you're talking about.
1287
01:08:20,600 --> 01:08:24,600
It's so freaking good, man.
And and he pulls over on the
1288
01:08:24,600 --> 01:08:27,100
side of the road as they're like
going to try to take down this
1289
01:08:27,100 --> 01:08:30,399
drug kingpin and he calls his
wife on a pay phone.
1290
01:08:30,800 --> 01:08:33,000
And they had this conversation
where he just asks like you
1291
01:08:33,008 --> 01:08:37,100
know, was it real between us you
know, and behind all that he
1292
01:08:37,100 --> 01:08:41,000
layers in Phil Collins In the
Air Tonight and then the drums
1293
01:08:41,000 --> 01:08:45,000
hit and it's like nothing had
ever been like that on TV
1294
01:08:45,000 --> 01:08:47,700
before.
Or I think since it's like one
1295
01:08:47,700 --> 01:08:52,100
of the best directed things I've
ever seen in my entire life to
1296
01:08:52,100 --> 01:08:54,200
your point.
Daniel it's probably the most
1297
01:08:54,200 --> 01:08:57,800
Blissful three minutes I've ever
spent like watching anything.
1298
01:08:57,800 --> 01:09:01,100
It just like it really is this
kind of like transporting
1299
01:09:01,100 --> 01:09:03,800
experience.
Yeah and something I love about
1300
01:09:03,800 --> 01:09:10,200
Cinema is the the very specific
curation of the last shots and
1301
01:09:10,200 --> 01:09:12,899
knowing exactly, you know, do
the the credits start rolling
1302
01:09:12,899 --> 01:09:16,600
this second or two seconds later
And I feel like no one is better
1303
01:09:16,600 --> 01:09:19,000
at that than Michael, man.
You know, I don't know if you
1304
01:09:19,008 --> 01:09:21,800
guys have seen his Miami Vice
film adaptation with Colin
1305
01:09:21,800 --> 01:09:26,000
Farrell and Jamie Foxx, but the
way that film ends and he uses a
1306
01:09:26,000 --> 01:09:31,800
Mogwai song to soundtrack the
ending and the final shot of I
1307
01:09:31,808 --> 01:09:34,399
think it's Colin Farrell walking
into the hospital to check on
1308
01:09:34,399 --> 01:09:37,000
someone and just everything
about it is just the perfect
1309
01:09:37,000 --> 01:09:39,200
ending.
Well I think this has been about
1310
01:09:39,200 --> 01:09:41,700
the perfect ending to our season
six, Brad.
1311
01:09:42,300 --> 01:09:44,200
That means we only have one
thing left to do and that's to
1312
01:09:44,200 --> 01:09:46,899
give this movie A Final score
out of 10.
1313
01:09:47,399 --> 01:09:51,100
I do feel a little bit better
knowing that Daniel kind of
1314
01:09:51,100 --> 01:09:54,100
thinks of the movie as a whole,
is a B+ because I'm kind of in
1315
01:09:54,100 --> 01:09:56,700
the same boat like there are
moments in this movie that are
1316
01:09:56,700 --> 01:09:59,800
absolutely Transcendent and then
taken as a whole.
1317
01:10:00,200 --> 01:10:02,700
I really do think it kind of
belongs in the conversation with
1318
01:10:02,700 --> 01:10:05,500
the movie like Glory with a
movie like Braveheart.
1319
01:10:05,600 --> 01:10:08,700
I think Brad I'm going to give
this movie an 8 out of 10 at
1320
01:10:08,700 --> 01:10:12,600
that hour and 15-minute Mark.
I was at like a seven and that
1321
01:10:12,600 --> 01:10:16,200
was kind of generous honestly
and then the last 45 minutes
1322
01:10:16,200 --> 01:10:19,200
happened and I was like, oh my
gosh, this man, Michael man
1323
01:10:19,200 --> 01:10:22,700
knows how to end a film, that's
in the moment from the moment.
1324
01:10:22,700 --> 01:10:25,700
They are surrendering the
forward and start marching out
1325
01:10:25,700 --> 01:10:29,700
of the for ya from that moment.
You're in for one hell of a next
1326
01:10:29,700 --> 01:10:31,000
40 minutes.
Absolutely.
1327
01:10:31,000 --> 01:10:33,600
And again, I, you know, I want
to talk real briefly about that
1328
01:10:33,600 --> 01:10:36,700
very last scene because I
thought the movie was going to
1329
01:10:36,700 --> 01:10:40,100
end in a very conventional way.
And then they make that that
1330
01:10:40,100 --> 01:10:45,100
last kind of Ambush to get the
girls back and it ends,
1331
01:10:45,200 --> 01:10:47,500
Tragically.
And then you have the Reflection
1332
01:10:47,500 --> 01:10:51,100
Point at the end of the movie,
with Hawkeye and his adoptive
1333
01:10:51,100 --> 01:10:54,800
father, and his, his father is
saying like, I Am The Last of
1334
01:10:54,800 --> 01:10:57,500
the Mohicans.
And then they just shared this
1335
01:10:57,500 --> 01:11:04,200
very long knowing look where it
says and you are not like you're
1336
01:11:04,200 --> 01:11:07,500
not The Last of the Mohicans
like you might be My adoptive
1337
01:11:07,500 --> 01:11:09,300
son.
But my son is dead.
1338
01:11:09,800 --> 01:11:13,200
And I'm the last one in this
lineage and it really hammers
1339
01:11:13,200 --> 01:11:15,900
home.
This idea that Hawk guy is a guy
1340
01:11:15,900 --> 01:11:19,500
that's caught between two worlds
and we'll never really feel like
1341
01:11:19,500 --> 01:11:23,900
he belongs in either of them and
it really deepened the movie and
1342
01:11:23,900 --> 01:11:26,600
added so much Nuance that hadn't
been there before.
1343
01:11:26,900 --> 01:11:30,100
I think that exchange alone kind
of bumped.
1344
01:11:30,100 --> 01:11:31,800
This movie up to an 8 for me
Brad.
1345
01:11:32,400 --> 01:11:34,600
Yeah, I think all of that is
fair.
1346
01:11:34,800 --> 01:11:38,600
I think for me I'm going to give
it a seven and a half out of
1347
01:11:38,600 --> 01:11:41,900
ten.
There's just a lot of this movie
1348
01:11:41,900 --> 01:11:45,800
that didn't totally work for me
and for being Somebody who's
1349
01:11:45,800 --> 01:11:48,000
kind of known for a lot of his
action scenes.
1350
01:11:48,000 --> 01:11:51,200
I think the action scenes in
this movie, let me down a lot
1351
01:11:51,300 --> 01:11:53,900
and at least some of the bigger
set pieces.
1352
01:11:54,500 --> 01:11:57,700
I can't tell you how many times
I was watching this and you just
1353
01:11:57,700 --> 01:12:01,100
kind of have this big old shot
of the entire battle that
1354
01:12:01,100 --> 01:12:04,100
lingers a little too long, which
I think is another issue I have
1355
01:12:04,100 --> 01:12:09,700
with man man's action scenes,
but you just see like, you know,
1356
01:12:09,700 --> 01:12:12,700
actors just kind of standing
around waiting for somebody to
1357
01:12:12,700 --> 01:12:17,100
come attack them and and the
Choreography of the scenes is
1358
01:12:17,100 --> 01:12:20,200
not very impactful and then
there's moments where it is
1359
01:12:20,200 --> 01:12:23,200
really impactful and, you know,
when he kills magua at the end
1360
01:12:23,200 --> 01:12:26,300
of the movie, it's like brutal
and awesome.
1361
01:12:26,500 --> 01:12:28,400
So I don't want to see.
It doesn't do any of it.
1362
01:12:28,400 --> 01:12:30,400
Good.
It just there's enough moments
1363
01:12:30,400 --> 01:12:34,600
that for me.
I just felt like this was a fine
1364
01:12:34,600 --> 01:12:36,100
movie.
All right.
1365
01:12:36,100 --> 01:12:38,400
Daniel, are you splitting?
The difference between us?
1366
01:12:38,400 --> 01:12:39,900
Are you gonna raise it a little
bit here?
1367
01:12:40,600 --> 01:12:46,800
No, it's a 10, ha ha, ha.
No, it's okay.
1368
01:12:46,800 --> 01:12:50,000
You guys are sports guys.
So it's the question of like, do
1369
01:12:50,000 --> 01:12:52,200
you how do you evaluate
someone's career?
1370
01:12:52,200 --> 01:12:53,800
Do you evaluate the breadth of
their career?
1371
01:12:53,800 --> 01:12:55,500
Do you evaluate who they were at
their best?
1372
01:12:55,600 --> 01:13:00,200
Mmm, and for me, you know, I can
understand watching lots of
1373
01:13:00,200 --> 01:13:02,800
Mohicans and thinking, that it
doesn't grab you until the last
1374
01:13:02,800 --> 01:13:06,500
40 minutes.
But the way, those last 40
1375
01:13:06,500 --> 01:13:08,700
minutes, grab you just erases
all sentence.
1376
01:13:08,700 --> 01:13:13,100
Yeah, I've got a few movies like
that where because I was going
1377
01:13:13,100 --> 01:13:15,000
to say, it sounds like you're
talking to yourself right now.
1378
01:13:15,100 --> 01:13:17,500
Because the whole podcast up to
now, you're like, yeah, it's
1379
01:13:17,500 --> 01:13:20,000
really just the last 40 minutes
and then you come in at the end
1380
01:13:20,000 --> 01:13:22,500
and you're like yeah but the
last 40 minutes cover everything
1381
01:13:22,500 --> 01:13:25,100
else.
I definitely got a few movies
1382
01:13:25,100 --> 01:13:27,900
like that in my life, where the
ending is so good.
1383
01:13:28,000 --> 01:13:31,300
That it elevates everything
around it.
1384
01:13:31,400 --> 01:13:34,900
So yeah, man, I'm down for it.
Give it a 10, but don't get me
1385
01:13:34,900 --> 01:13:36,200
wrong.
I mean, there are stuff in the
1386
01:13:36,200 --> 01:13:39,400
first hour and 15 minutes but I
still really like it.
1387
01:13:39,400 --> 01:13:42,600
Just it's not like the last 40
minutes.
1388
01:13:43,600 --> 01:13:46,000
Well Brad we've finished out
Michael, man.
1389
01:13:46,500 --> 01:13:48,500
We've done it.
I'd like to hear what you think.
1390
01:13:48,500 --> 01:13:51,600
Can you rank the three movies
that we did in terms of your
1391
01:13:51,600 --> 01:13:55,500
preference heat collateral
Mohicans?
1392
01:13:55,800 --> 01:13:59,200
Yeah, I think I'm in the same
spot collateral on the re-watch
1393
01:13:59,700 --> 01:14:04,300
was a bigger letdown for me than
I expected it to be because it
1394
01:14:04,300 --> 01:14:07,700
just tried to do what he did and
it did it more on the nose and
1395
01:14:07,700 --> 01:14:11,100
that really bothered me, he
definitely got bumped up in my
1396
01:14:11,100 --> 01:14:13,300
estimation like I never would
have thought of giving it.
1397
01:14:13,400 --> 01:14:17,200
Nine before this watch through
and I think this movie Last of
1398
01:14:17,208 --> 01:14:20,000
the Mohicans might grow in my
estimation on re-watch.
1399
01:14:20,000 --> 01:14:23,000
But you know, coming out of it
really fresh on my first watch
1400
01:14:23,000 --> 01:14:25,200
through.
I think I'm in the same spot as
1401
01:14:25,200 --> 01:14:27,900
you on ranking these, which is
probably hurting Daniel in the
1402
01:14:27,900 --> 01:14:30,300
heart right now.
He just gave it a 10 and you and
1403
01:14:30,300 --> 01:14:31,400
me are like yeah, it's the
worst.
1404
01:14:31,400 --> 01:14:33,600
One of the three.
Well no it doesn't.
1405
01:14:33,600 --> 01:14:35,200
It doesn't hurt me.
What it says to me is that you
1406
01:14:35,208 --> 01:14:40,200
guys haven't watched this movie
three dozen times like that for
1407
01:14:40,200 --> 01:14:44,400
you over the years, exactly.
All right, so that has been The
1408
01:14:44,400 --> 01:14:47,400
Last of the Mohicans Brad and I
are coming out to an average of
1409
01:14:47,400 --> 01:14:51,000
a seven point seven five out of
ten but we'd like to know what
1410
01:14:51,000 --> 01:14:53,100
you think.
So please reach out to us on our
1411
01:14:53,100 --> 01:14:57,500
social medias Instagram,
Twitter, Facebook, at film
1412
01:14:57,500 --> 01:15:00,500
whiskey or jump into the
conversation on our Discord.
1413
01:15:00,500 --> 01:15:03,500
We are on there every single
day, talking to all of you.
1414
01:15:03,500 --> 01:15:06,500
The people who love the film was
he podcast?
1415
01:15:06,700 --> 01:15:08,700
So if you want to join the
conversation, you can find a
1416
01:15:08,708 --> 01:15:10,800
link to our Discord.
At the end of every single one
1417
01:15:10,800 --> 01:15:12,900
of our show notes.
Once again, we want to say thank
1418
01:15:12,900 --> 01:15:14,200
you to our friends.
Daniel's why?
1419
01:15:14,200 --> 01:15:17,000
Oh, Daniel as much as you're
allowed to share, what do you
1420
01:15:17,000 --> 01:15:18,100
have coming down the pike for
us?
1421
01:15:19,100 --> 01:15:22,900
Nothing definitely set in stone
yet or that I can talk about
1422
01:15:22,900 --> 01:15:26,300
yet, but hopefully maybe another
ringer piece about the Oscars in
1423
01:15:26,300 --> 01:15:30,700
the near future doing an
interview for a Movie Maker that
1424
01:15:30,700 --> 01:15:34,500
I can't.
That is the the former flame of
1425
01:15:34,500 --> 01:15:36,200
someone we have talked about on
this episode.
1426
01:15:36,200 --> 01:15:38,800
Oh, okay.
That's it.
1427
01:15:38,800 --> 01:15:40,100
All right, I love it.
All right.
1428
01:15:40,100 --> 01:15:42,700
Well then in that case, where
can we find you to follow you
1429
01:15:42,700 --> 01:15:46,500
when these things I'll drop.
I am at Third Man.
1430
01:15:46,500 --> 01:15:50,700
Movies on Twitter, first.
Initial last name on letter box
1431
01:15:50,700 --> 01:15:56,300
which is d j0.
Y aux and I have an Instagram
1432
01:15:56,300 --> 01:15:59,100
for my newsletter.
Which is your the good things.
1433
01:16:00,000 --> 01:16:01,300
I love it.
All right.
1434
01:16:01,300 --> 01:16:04,800
Well once again, thanks to
Daniel Brad this wraps up season
1435
01:16:04,800 --> 01:16:07,100
6 for us but we're not quite
done yet.
1436
01:16:07,400 --> 01:16:11,600
We get to put all 32 movies from
season six into a Madness style
1437
01:16:11,600 --> 01:16:14,000
bracket and eliminate the Them
one by one.
1438
01:16:14,000 --> 01:16:16,900
Until only one film can be.
Crowned, the season six
1439
01:16:16,900 --> 01:16:20,300
Champion, our bracket episodes
will be premiering next week.
1440
01:16:20,300 --> 01:16:23,300
You can follow along with us on
our Instagram page.
1441
01:16:23,300 --> 01:16:26,400
You can download your own
bracket and see how closely we
1442
01:16:26,400 --> 01:16:30,700
resemble yours.
As always be wary of Brad G when
1443
01:16:30,700 --> 01:16:33,900
he flips the coin of Destiny
when we are at an impasse
1444
01:16:34,200 --> 01:16:36,300
because that dude is a known
cheater.
1445
01:16:37,300 --> 01:16:41,700
So I don't mess around when it
comes to Faith I can't wait for
1446
01:16:41,700 --> 01:16:44,300
our bracket episodes man.
It's my favorite time of every
1447
01:16:44,300 --> 01:16:47,400
single season.
Yeah, I'm super excited to get
1448
01:16:47,400 --> 01:16:49,100
into it.
This is this has been a really
1449
01:16:49,100 --> 01:16:51,900
fascinating season, dude.
I think that the director
1450
01:16:52,300 --> 01:16:55,200
miniseries idea has been a lot
more fun than I thought it would
1451
01:16:55,200 --> 01:16:56,200
be.
Yeah, me too.
1452
01:16:56,200 --> 01:16:59,100
And I have no idea.
This is 32 movie bracket on
1453
01:16:59,100 --> 01:17:00,000
Twitter.
I want to see this.
1454
01:17:00,100 --> 01:17:01,800
Oh absolutely.
I will tag you in it.
1455
01:17:02,000 --> 01:17:04,400
Like actually, I'll just make
your name, one of the entries in
1456
01:17:04,400 --> 01:17:06,000
the bracket.
We'll see how far you go.
1457
01:17:07,800 --> 01:17:10,200
All right, so join us next week,
for our bracket episodes.
1458
01:17:10,200 --> 01:17:14,000
But until then, I'm Bob book,
I'm Reggie and we'll see you
1459
01:17:14,000 --> 01:17:14,600
next time.
Film Critic, Oscar Whisperer, Vanity Fair Contributor
Daniel Joyaux writes about movies with the kind of precision usually reserved for costume design nominations. Based in Ann Arbor, Michigan, his bylines have appeared in Vanity Fair, The Ringer, RogerEbert.com, The Verge, and Rotten Tomatoes, where he breaks down awards seasons, auteur obsessions, and everything in between. On Film & Whiskey, Daniel is our go-to Oscars expert—whether he’s sipping Glenlivet through The Last of the Mohicans or tearing apart Argo with an exceptional pour in hand. You’ll find him on Letterboxd obsessing over noir, Hitchcock, and which movies truly deserved Best Picture.