Aug. 5, 2019

Amadeus / Redbreast 12 (with Bonus Interview)

Amadeus / Redbreast 12 (with Bonus Interview)
Amadeus / Redbreast 12 (with Bonus Interview)
Film & Whiskey
Amadeus / Redbreast 12 (with Bonus Interview)

As it celebrates the big 3-5, Bob and Brad look at 1984's best Picture winner, Amadeus. This is a film that's still extremely well-regarded, even though it seems a lot of people haven't heard of it. The guys discuss whether it holds up, whether it's as stuffy as the subject matter suggests, and just what on earth is going on with those american accents.

Along the way, they dissect director Milos Forman's decision to create a director's cut of the film and yank the original cut completely from home video circulation. Should directors be allowed to limit the public's access to theatrical versions of their films?

Also, who gives the better performance: F. Murray Abraham as Salieri or Tom Hulce as Mozart?

Meanwhile, they return to Ireland to try Redbreast 12, an absolute classic of Irish whiskey. But at a steep price and at only 80-proof, is it worth it?

Finally, enjoy a bonus interview with Justin Sloan, founder and owner of Justins' House of Bourbon, the coolest liquor store in Lexington, KY.

0:00 - Intro and Initial Thoughts
23:30 - Redbreast 12 Review
31:00 - Analysis and Final Thoughts
41:35 - Interview with Justin Sloan, Justins' House of Bourbon

Film & Whiskey Podcast. New episodes every Monday.

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Theme music: "New Shoes" by Blue Wednesday
Sound effects via Daniel Simion and espectral

--- Send in a voice message: https://anchor.fm/filmwhiskey/message Support this podcast: https://anchor.fm/filmwhiskey/support
1
00:00:00,800 --> 00:00:04,000
In 1984 director, Milos Forman
and star F.

2
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Murray Abraham gave the world a
scandalous foray into the

3
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legendary life of Wolfgang
Amadeus.

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00:00:10,400 --> 00:00:13,800
Mozart in 2019.
We returned to Europe to try one

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00:00:13,800 --> 00:00:15,700
of Ireland's.
Most famous whiskeys.

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00:00:16,300 --> 00:00:19,700
The film is Amadeus.
The whiskey is redbreast 12 and

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00:00:19,700 --> 00:00:23,600
we'll review them both.
This is the film and whiskey

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00:00:23,600 --> 00:00:43,300
podcast.
Welcome to the film and whiskey

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00:00:43,300 --> 00:00:46,000
podcast, where each week, we
review a classic movie and a

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00:00:46,008 --> 00:00:47,600
glass of whiskey.
I'm Bob book.

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I'm Reggie.
And this week.

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We are looking at the 1984 film
Amadeus.

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Now, this is the 35th
anniversary of the, this Oscar

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award-winning film 35 years.
Yeah.

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That's a really long time.
Hey, It really is one might say

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it's 35 rotations of the Earth
around the Sun.

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00:01:06,000 --> 00:01:08,200
Indeed, today.
We're actually coming to you

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from live from Brad's house
spreads, how it is a beautiful

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summer day.
So we decided to sit out on the

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patio and try some whiskey
today.

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We are super excited to try some
redbreast. 12-year, as you all

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know, Irish whiskey is the best.
So, I'm really curious to try

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this out.
Yeah, we've just come off of our

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summer of bourbon six, straight
weeks of bourbon, and this is

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our first week returning to
other whiskies, and The fact

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that we're done with the summer
of bourbon, we're right in the

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middle of the bonus Bonanza,
bonus Bonanza.

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So we're coming at you, with
five straight weeks of bonus

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content, as you know, by now,
it's going to be wonderful.

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We hope that you're enjoying
both the bobbin Brad bonus

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episodes as well as the my
favorite movie episodes.

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Today.
We're actually going to do

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something a little different
with the episode.

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We're going to go a little bit
shorter today.

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I'm sure some of you are already
rejoicing about that, but at the

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end of today's episode, we are
going to throw.

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Over to an interview.
We conducted down in Lexington,

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Kentucky with a great retailer
called, Justin's house of

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bourbon.
They specialize in unique and

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they are purveyors of fine,
whiskey, that's right, vintage.

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That was the word.
I was thinking of vintage

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vintage whiskey.
So, so, we're going to wrap up a

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little bit quicker today, but
please stick around and listen

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to our interview with Justin.
Sloan from Justin's house of

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bourbon.
All right, but back to Amadeus,

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Brad.
The million-dollar question, had

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you seen this movie before this
viewing.

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I had never heard of this movie
until I saw it on the list that

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you gave me.
Yeah, it's kind of funny because

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I feel like people who have seen
this movie.

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Really hold it in high regard,
but it kind of I mean, it's A

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Hard Sell.
It's a movie about classical

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music.
It's not like it's you know,

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Bohemian Rhapsody where you can
just sell somebody on the idea.

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Freddy Mercury Bob.
Can you tell me how much you

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loved the movie?
Bohemian Rhapsody me, and

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Rhapsody is my favorite film of
all time.

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Brad.
Wow.

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Yeah, it beat out Casablanca.
It really did.

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Yeah.
Can you like really delve?

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Vin to the depth of the
characters portrayed and I don't

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think a movie has ever been
better written than Bohemian

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Rhapsody, man.
We should probably do this next

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week.
I think we should, or we could

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just stick to Amadeus because
it's a million times better.

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So here's the thing, the problem
with Amadeus.

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Let's hear it.
It's just too long.

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It's a long movie.
It's a really long movie.

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And in my mind, I feel like you
could cut out, 30 minutes of

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this and it would be a great
movie.

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You know, what's funny is I have
always really, really like.

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Smoothie and I sat down to watch
it with my wife and I said, all

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right.
Listen, it's 2 hours and 40

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minutes long and at the end of
it I said wow, I still really

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like this movie but a half-hour
was the number.

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I came up with to, it could have
had 30 minutes Less in it and it

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would have been nearly perfect.
Yeah, I remember I got it on an

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old-school DVD and I actually
had to switch the DVD to the

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other side to finish it.
Yeah, and so like literally on

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the tracker, the bottom and said
that I had an hour and 47

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minutes when I put on the other
side.

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And it said that I had like 59
minutes.

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Left.
I was just like, oh man, I need

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a drink.
So here's the funny thing.

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You know, I actually made sure
that Brad got the old-school DVD

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because this movie when it came
out in 1984, it clocked in at 2

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hours and 40 minutes in 2002.
The director Milos Forman, had

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the opportunity to create a
director's cut and he did and he

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screwed the pooch.
He upped it to three hours in

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length.
He added 20 minutes of material.

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Now, there's one scene that was
cut out, that a lot of people

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think, was kind of a key scene
where the main character of the

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Salieri kind of humiliates and
shames and Sadducees Mozart's

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wife, and we'll get into that
the the scene where that's been

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deleted from, but the rest of
it, I've been told, is not even

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worth it at three hours in
length.

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And so I said, Brad, listen, if
you don't want to be watching

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this movie for three hours, you
need to go to the library and

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find the old two hour and 40
minute version, because you

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00:04:52,300 --> 00:04:54,100
can't find it on DVD or Blu-ray
anymore.

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They only released the three
hour version.

102
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Yeah.
I think that directors cuts are

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really interesting beasts.
Yeah, because sometimes You do

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00:05:00,800 --> 00:05:03,300
get into a movie that, you know,
and love.

105
00:05:03,500 --> 00:05:06,500
And you're like, wow, like I
wish that this had been in the

106
00:05:06,500 --> 00:05:10,200
original showing sure.
But for whatever reason, whether

107
00:05:10,200 --> 00:05:13,600
it's Studio pressure, or you
know, time crunch, they're not

108
00:05:13,600 --> 00:05:16,800
always able to finish it the way
that they want to, but the

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00:05:16,800 --> 00:05:19,300
problem is a lot of times you
get into directors cuts and it's

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00:05:19,400 --> 00:05:21,600
it feels like the directors just
indulging themselves.

111
00:05:21,600 --> 00:05:23,600
Yeah, absolutely.
Well and I think that what

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00:05:23,600 --> 00:05:26,100
really bothers me about this
director's cut is that this

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movie won Best Picture?
This movie was on the original

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00:05:29,500 --> 00:05:32,800
AFI top. 100 list and it wasn't
the director's cut.

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00:05:32,800 --> 00:05:36,200
It was the 2 hour and 40 minute
version and in addition to best

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00:05:36,200 --> 00:05:38,400
picture, this movie actually won
eight Oscars.

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That's amazing.
Yeah, it's only one picture.

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00:05:40,900 --> 00:05:43,400
Can I can I guess let's do it
costume.

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00:05:43,800 --> 00:05:46,900
It one costumes.
Well, I guess it wouldn't be

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00:05:46,907 --> 00:05:49,500
original music because yeah, it
didn't win for music.

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00:05:49,500 --> 00:05:52,200
Okay.
Did any of the actors win?

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00:05:52,300 --> 00:05:58,000
Yes, I'm gonna guess that
scalieri or F Murray Abraham one

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00:05:58,000 --> 00:06:00,000
supporting actor.
No best actor.

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00:06:00,100 --> 00:06:01,300
He won.
Beth Murray, Abraham.

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00:06:01,300 --> 00:06:03,800
Best actor idea?
See I didn't know if they would

126
00:06:03,800 --> 00:06:07,100
classify him or Tom whole says
as the main actor.

127
00:06:07,100 --> 00:06:08,500
Yeah.
So this is one of those rare

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00:06:08,500 --> 00:06:11,300
years where both of the lead
actors were competing against

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00:06:11,300 --> 00:06:13,700
each other for best actor.
See ya.

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00:06:13,700 --> 00:06:14,400
I was right?
Yeah.

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00:06:14,400 --> 00:06:16,900
It happens sometimes.
Well, that's really what else

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00:06:16,900 --> 00:06:18,500
did It win?
So it won best, picture Best

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Director, best adapted,
screenplay best actor, best art

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Direction and costumes, and
sound, and makeup.

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00:06:26,000 --> 00:06:28,000
And that we Define art
Direction.

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00:06:28,300 --> 00:06:30,300
It's also been called set
Direction in the past.

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00:06:30,500 --> 00:06:34,100
Kind of like everything on
screen if a character lives in

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00:06:34,100 --> 00:06:36,400
an apartment, it's how they
decorate the apartment.

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00:06:36,400 --> 00:06:38,300
You know, it's is there a bag of
chips on top of the

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00:06:38,300 --> 00:06:40,200
refrigerator?
All those decisions are made by

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somebody on set and that's
considered part of the art

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00:06:42,400 --> 00:06:43,400
Direction.
Okay.

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00:06:43,600 --> 00:06:45,500
So Brad, you said, you'd never
even heard of this movie.

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Before we sat down to watch at
this time.

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Is there another movie called
asmodeus?

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00:06:49,900 --> 00:06:53,100
I don't think so about a snake.
No, because when I when I first

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00:06:53,100 --> 00:06:55,100
saw the title for this, I would
get thought it was going to be

148
00:06:55,100 --> 00:06:59,600
like a suspense horror film
about like a giant snake like

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00:06:59,600 --> 00:07:02,000
chasing people.
All down and killing them before

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00:07:02,000 --> 00:07:04,100
we hit record.
We had to remind Brad, that the

151
00:07:04,100 --> 00:07:07,800
name of the movie is actually
Amadeus and not asmodeus as you

152
00:07:07,808 --> 00:07:11,000
like to call it.
I'm just gonna just walk on the.

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00:07:11,000 --> 00:07:14,200
That's the Wolfgang.
Amadeus Mozart.

154
00:07:14,300 --> 00:07:19,300
So when you sat down to watch
Amadeus, what I did not watch

155
00:07:19,300 --> 00:07:21,800
any such movie, what were your
thoughts going into it?

156
00:07:21,800 --> 00:07:24,900
What were you expecting?
I really didn't know what to

157
00:07:24,900 --> 00:07:27,700
expect.
I definitely was not expecting

158
00:07:27,800 --> 00:07:29,500
Mozart to laugh, the way he
left.

159
00:07:29,600 --> 00:07:32,900
Yeah that I just don't know if I
don't know.

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00:07:32,900 --> 00:07:34,600
Is there any historical proof
that he laughed?

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00:07:34,600 --> 00:07:36,700
I don't think so donkey.
There's not a lot of historical

162
00:07:36,700 --> 00:07:38,900
proof that anything that
happened in this movie happened.

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00:07:39,000 --> 00:07:42,100
Oh, that's good to know, because
it was a very interesting movie

164
00:07:42,100 --> 00:07:44,800
to say the least.
Yeah, so going into the movie,

165
00:07:45,200 --> 00:07:47,200
while forget going into the
movie.

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00:07:47,300 --> 00:07:48,700
We should probably just do
brushes.

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00:07:48,700 --> 00:07:50,000
Do Brad explains.
Yeah.

168
00:07:50,500 --> 00:07:53,200
I should probably explain this
movie for about 2 hours and 47

169
00:07:53,200 --> 00:07:53,700
minutes.
I think.

170
00:07:53,700 --> 00:07:56,800
So, it might take that long
except to explain everything

171
00:07:56,800 --> 00:07:59,400
that happens.
The very shortest synopsis is

172
00:07:59,400 --> 00:08:03,400
this is supposedly Lee a story
about the life of Wolfgang

173
00:08:03,400 --> 00:08:08,000
Amadeus Mozart, however, it's a
story that is told Through The

174
00:08:08,000 --> 00:08:13,100
Eyes of one of his main Rivals.
His musical Rivals, scalieri,

175
00:08:13,100 --> 00:08:14,800
salieri, salieri.
Yep.

176
00:08:14,800 --> 00:08:17,400
Okay.
So salieri is this Italian guy

177
00:08:17,400 --> 00:08:23,500
who is the court composer in
Austria for the emperor?

178
00:08:24,700 --> 00:08:28,600
Ed Rooney and Rooney.
What's the name of the emperor?

179
00:08:28,900 --> 00:08:30,900
Yes forever.
Rooney.

180
00:08:31,000 --> 00:08:34,000
It's just so funny to see the
guy from Ferris, Bueller, that

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00:08:34,000 --> 00:08:36,000
cast, the emperor that threw me
off.

182
00:08:36,000 --> 00:08:37,500
Like when I saw him, come on
screen.

183
00:08:37,500 --> 00:08:39,500
I was like, wait a second.
Is that?

184
00:08:39,500 --> 00:08:41,100
Yeah, is that principal Rooney?
Yeah.

185
00:08:42,100 --> 00:08:45,600
So anyways, it's about their
rivalry over the years and how

186
00:08:45,600 --> 00:08:50,800
salieri is a older musician, who
realizes the Brilliance of

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00:08:50,800 --> 00:08:55,700
Mozart, and he spends his entire
life trying to ruin Mozart's

188
00:08:55,700 --> 00:08:59,100
career.
And according to him at the end.

189
00:08:59,200 --> 00:09:02,900
He kills most Mozart rights.
And so the whole movie is told

190
00:09:02,900 --> 00:09:07,900
as a flashback salieri is in a
prison Asylum, basically, Alec

191
00:09:07,900 --> 00:09:11,300
an insane, asylum in insane,
asylum, and he is giving his

192
00:09:11,300 --> 00:09:14,400
confession to a priest.
Yep, and he's talking about all

193
00:09:14,400 --> 00:09:17,000
the different things that they
did and how poorly he treated

194
00:09:17,000 --> 00:09:21,000
Mozart and how he pretended to
befriend him and the internal

195
00:09:21,000 --> 00:09:22,700
struggle that that brought.
Yeah.

196
00:09:23,300 --> 00:09:25,900
It was really well done.
Yeah, so I want to talk for a

197
00:09:25,900 --> 00:09:28,600
second about Milos Forman, the
director of this movie.

198
00:09:28,700 --> 00:09:32,100
He actually Very famous in
Hollywood at this point, because

199
00:09:32,100 --> 00:09:35,100
he directed in 1975.
He did the movie One.

200
00:09:35,100 --> 00:09:37,000
Flew Over the Cuckoo's Nest,
with Jack Nicholson.

201
00:09:37,000 --> 00:09:40,000
And this was kind of like his
big return to form.

202
00:09:40,000 --> 00:09:43,100
And what I love about what
Foreman does in this movie is

203
00:09:43,100 --> 00:09:45,100
you could tell he's kind of
having fun.

204
00:09:45,100 --> 00:09:48,500
Like there's some kind of like
weird sadistic jokes going on.

205
00:09:48,500 --> 00:09:50,700
In this movie.
There's there's a moment where

206
00:09:50,700 --> 00:09:54,400
salieri as the old man talking
to the priest is talking about

207
00:09:54,400 --> 00:09:57,800
his childhood and how his dad
was really hard and oppressive

208
00:09:57,800 --> 00:10:00,100
on him and then he says, and you
know what?

209
00:10:00,400 --> 00:10:04,200
And next a miracle and cut to
his dad's dead.

210
00:10:04,300 --> 00:10:06,900
Yeah, and it's like this joyous
music.

211
00:10:06,900 --> 00:10:10,800
Yeah, and I think it's really
cool to see how Foreman isn't

212
00:10:10,800 --> 00:10:12,500
taking the sub.
It's really serious subject

213
00:10:12,500 --> 00:10:16,700
matter, but he finds ways to be
really playful with it in almost

214
00:10:16,700 --> 00:10:18,200
like perverse ways.
Yeah.

215
00:10:18,200 --> 00:10:20,600
And one of the one of my
favorite things about the movie

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00:10:21,100 --> 00:10:26,800
is that the way he used the
classical music, truly portrayed

217
00:10:26,800 --> 00:10:31,200
it in the best sense possible.
So that You could you could

218
00:10:31,200 --> 00:10:34,900
understand why classical music
has been a thing for hundreds

219
00:10:34,900 --> 00:10:37,100
and hundreds of years.
Yep, the way he used it,

220
00:10:37,100 --> 00:10:39,700
especially in that scene where
you know, salieri says that his

221
00:10:39,700 --> 00:10:43,500
dad died and they give that
Triumph and bit of music.

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00:10:43,500 --> 00:10:47,900
It's almost it's just perfect if
it's everything that he did.

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00:10:47,900 --> 00:10:51,600
And so I think really the reason
this movie won Best Picture in

224
00:10:51,600 --> 00:10:55,100
my mind would be because the
music was used.

225
00:10:55,100 --> 00:10:57,900
So perfect.
Yeah, to illustrate and

226
00:10:57,900 --> 00:11:00,200
illuminate, where the characters
were at.

227
00:11:00,400 --> 00:11:03,400
At any point in the movie?
This like this.

228
00:11:03,400 --> 00:11:06,100
Seems like the kind of movie,
that would come across really

229
00:11:06,100 --> 00:11:08,500
pretentious, and stuffy.
But for sure, you know what I

230
00:11:08,508 --> 00:11:11,800
mean, but then, you turn it on
and there's fart jokes and no

231
00:11:11,800 --> 00:11:14,800
one's talking with an accent.
Everyone has an American accent,

232
00:11:14,800 --> 00:11:17,100
right?
And I think Foreman is doing

233
00:11:17,100 --> 00:11:20,100
this thing where he wants this
movie to be as accessible as

234
00:11:20,100 --> 00:11:23,300
possible because in order to
take you to some of the darker,

235
00:11:23,300 --> 00:11:26,400
more theological things that are
going on in the story that you

236
00:11:26,400 --> 00:11:28,000
have to be on board from the
beginning.

237
00:11:28,400 --> 00:11:29,700
And that's kind of what I love
about it is.

238
00:11:29,708 --> 00:11:32,400
It's like, We don't care about
historical accuracy.

239
00:11:32,500 --> 00:11:34,200
We're not going to be speaking a
different language.

240
00:11:34,200 --> 00:11:36,200
No one's going to have an
accent, but you're going to be

241
00:11:36,200 --> 00:11:37,700
along for the ride anyway,
right.

242
00:11:37,700 --> 00:11:41,200
And then like, I could see
somebody doing this movie in

243
00:11:41,500 --> 00:11:47,600
2019 or 2020 and doing it all in
German and Italian.

244
00:11:47,600 --> 00:11:50,400
Yeah, and you know speaking
those languages and I could see

245
00:11:50,400 --> 00:11:53,600
it being a really beautiful
artistic movie, but I couldn't

246
00:11:53,600 --> 00:11:55,600
see it winning best picture.
No, not at all.

247
00:11:56,400 --> 00:11:58,900
So I do want to talk about the
story a little bit because this

248
00:11:58,900 --> 00:12:01,900
this was adapted from From a
play, which had been really

249
00:12:01,900 --> 00:12:05,100
successful play and the author
of the play, actually adapted it

250
00:12:05,100 --> 00:12:08,800
to the screenplay this movie
from like the first minute,

251
00:12:08,800 --> 00:12:12,200
almost is a movie.
That's about someone's

252
00:12:12,200 --> 00:12:15,100
relationship with God.
F Murray Abraham who plays

253
00:12:15,100 --> 00:12:21,700
salieri he's talking about how
he saw in Mozart God's gifts of

254
00:12:21,700 --> 00:12:24,600
Music, perfected, and he become
so enraged.

255
00:12:24,600 --> 00:12:26,400
And so jealous.
Because he'd been trying to

256
00:12:26,400 --> 00:12:30,200
please God with his gift for so
long and he realizes he's not as

257
00:12:30,200 --> 00:12:31,600
good.
Is Mozart that.

258
00:12:31,600 --> 00:12:35,400
He vows not to make Mozart his
enemy, but to make God his enemy

259
00:12:35,700 --> 00:12:39,800
and in order to kind of get one
over on God, he wants to destroy

260
00:12:39,800 --> 00:12:43,300
Mozart and prove that he can win
against God.

261
00:12:43,600 --> 00:12:46,400
Yeah.
He essentially turns Mozart into

262
00:12:46,400 --> 00:12:51,200
the Paragon of God, like the the
the champion that God has sent

263
00:12:51,200 --> 00:12:53,000
to this earth to represent
himself.

264
00:12:53,000 --> 00:12:56,400
Yeah sure.
And he had a misconceived notion

265
00:12:56,400 --> 00:13:00,100
that he was supposed to be that
champion that he was supposed

266
00:13:00,100 --> 00:13:02,100
to.
Be the one representing God's

267
00:13:02,100 --> 00:13:07,100
musical genius on this Earth and
then he runs into Mozart and 10

268
00:13:07,100 --> 00:13:10,100
seconds later.
He just realizes I can never

269
00:13:10,100 --> 00:13:12,900
come close to this to this young
man's genius.

270
00:13:12,900 --> 00:13:14,700
It's true.
And there's something about this

271
00:13:14,700 --> 00:13:19,200
that like I related very deeply
to salieri because having run

272
00:13:19,200 --> 00:13:21,500
track for 10 years.
All through middle school, high

273
00:13:21,500 --> 00:13:26,100
school and college.
You come to realize that it's at

274
00:13:26,100 --> 00:13:28,200
some point.
I could train like an Olympic

275
00:13:28,200 --> 00:13:30,200
Athlete.
I could train six days a week.

276
00:13:30,700 --> 00:13:32,600
You know two or three workouts a
day.

277
00:13:32,600 --> 00:13:36,400
I could have all the nutrition.
I could do everything right and

278
00:13:36,400 --> 00:13:38,600
yet some people are still just
going to be faster.

279
00:13:38,600 --> 00:13:40,800
Yeah, and they could just roll
out of the track eating a Big

280
00:13:40,800 --> 00:13:41,500
Mac.
Yes.

281
00:13:41,500 --> 00:13:43,600
Run circles around and just run
circles around me.

282
00:13:43,600 --> 00:13:46,100
Absolutely.
And I think that's kind of where

283
00:13:46,100 --> 00:13:49,800
salieri fell of this sense of
like I've worked so hard at this

284
00:13:49,800 --> 00:13:54,000
and I do have a moderate measure
of talent that has been granted

285
00:13:54,000 --> 00:13:57,500
to me, but it doesn't matter.
Yeah, and it's not just that

286
00:13:57,500 --> 00:13:58,700
there's someone that's better
than him.

287
00:13:58,700 --> 00:14:01,600
It's that Mozart's better.
Than him and he doesn't even

288
00:14:01,600 --> 00:14:03,900
try.
Yeah, and he, it's almost like

289
00:14:03,900 --> 00:14:05,900
he flaunts it, like he can just
roll in.

290
00:14:06,100 --> 00:14:09,000
There's this great scene where
Mozart first gets kind of

291
00:14:09,000 --> 00:14:14,000
summoned to The Emperor's Palace
and salieri has composed a march

292
00:14:14,000 --> 00:14:17,000
to play when Mozart comes in and
Mozart.

293
00:14:17,000 --> 00:14:19,500
Here's at one time through and
says, hey, can I have a go at

294
00:14:19,500 --> 00:14:21,400
that?
And they're all like what you

295
00:14:21,400 --> 00:14:23,600
mean after hearing it once?
Don't you need the music?

296
00:14:23,600 --> 00:14:26,600
Yeah, and he sits down and
basically says, oh yeah, this is

297
00:14:26,600 --> 00:14:29,300
really simple and then he plays
for men and and he says, oh it

298
00:14:29,308 --> 00:14:41,500
just repeats from here.
The rest is just the same.

299
00:14:47,000 --> 00:14:48,400
It doesn't really work.
Does it?

300
00:14:52,200 --> 00:14:58,800
Did you try?
Shouldn't it be a bit more or

301
00:14:58,800 --> 00:15:08,400
this?
But he's thinking,

302
00:15:30,000 --> 00:15:31,400
That doesn't quite work.
Does it?

303
00:15:31,400 --> 00:15:34,200
Why don't we let me do something
else here and he basically

304
00:15:34,200 --> 00:15:36,900
rewrites salieri's music in
front of him.

305
00:15:37,200 --> 00:15:39,200
And that's kind of the turning
point for salieri.

306
00:15:39,300 --> 00:15:41,600
That's yeah, that's where he
realizes.

307
00:15:42,200 --> 00:15:44,200
I need to destroy this person.
Yeah.

308
00:15:44,500 --> 00:15:46,800
Yeah, for me.
I think, the most interesting

309
00:15:46,800 --> 00:15:50,600
thing is the very first scene
that you see, Mozart, you see,

310
00:15:50,600 --> 00:15:54,700
him chasing his future, wife
around an empty room and an in

311
00:15:54,700 --> 00:15:59,700
this huge Palace and he is He's
obnoxious.

312
00:15:59,700 --> 00:16:02,200
He's obnoxious.
Yeah, he's raunchy.

313
00:16:02,200 --> 00:16:05,500
He's kind of gross.
Like like he's making like

314
00:16:05,500 --> 00:16:08,500
little little kid jokes.
Yeah, basically like you would

315
00:16:08,500 --> 00:16:10,100
expect a 13 year old boy to
make.

316
00:16:10,100 --> 00:16:12,400
Yep.
And yet he's I don't know.

317
00:16:12,400 --> 00:16:14,300
How old would you say?
He is at the start.

318
00:16:14,400 --> 00:16:16,300
I don't know.
I mean maybe 2022.

319
00:16:16,300 --> 00:16:18,600
Yeah, so he's supposed to be in
his 20s and yet he's acting like

320
00:16:18,600 --> 00:16:22,300
a 12 year old, right.
And celery sees this and he's

321
00:16:22,300 --> 00:16:26,700
like, oh, well, this is Mozart.
Like he doesn't take his craft.

322
00:16:26,700 --> 00:16:28,200
Seriously.
He doesn't care about it the

323
00:16:28,200 --> 00:16:30,000
way.
I do and this is one of the

324
00:16:30,000 --> 00:16:33,000
things I love about this movie.
Is it really does.

325
00:16:33,000 --> 00:16:38,100
Go to some places in the human
psychology where we don't like

326
00:16:38,100 --> 00:16:40,300
to admit that we've had these
thoughts before, but like when

327
00:16:40,300 --> 00:16:42,300
you are presented with someone,
who's better than you at

328
00:16:42,300 --> 00:16:44,300
something, you kind of do
question.

329
00:16:44,300 --> 00:16:46,500
Is this Fair?
Like, haven't I been working

330
00:16:46,500 --> 00:16:48,900
hard enough at this?
And how can this person just be

331
00:16:48,900 --> 00:16:51,700
better than me?
And there's some great quotes

332
00:16:51,700 --> 00:16:54,300
that they give salieri to kind
of drive this point home.

333
00:16:54,600 --> 00:16:58,400
He starts talking about how he
came to Vienna, and, and he says

334
00:16:58,400 --> 00:17:00,300
that, I made a name for myself
here.

335
00:17:00,300 --> 00:17:02,300
And then he says, everybody
liked me.

336
00:17:02,800 --> 00:17:07,700
I liked myself until he came.
Yeah, and you get this sense

337
00:17:07,700 --> 00:17:11,400
that salieri's sense of
self-worth is wrapped up in the

338
00:17:11,400 --> 00:17:13,000
approval of others.
Right?

339
00:17:13,099 --> 00:17:15,599
And I think that, at the end of
the day, he knows, he's not as

340
00:17:15,599 --> 00:17:19,000
good as Mozart and that's what
sends everything crashing down

341
00:17:19,000 --> 00:17:21,500
is that he knows I will no
longer have the approval of

342
00:17:21,500 --> 00:17:23,800
others, because they can see
just as plainly as I can.

343
00:17:23,800 --> 00:17:27,300
That there's someone out there,
that's even better than me, but

344
00:17:27,300 --> 00:17:29,600
the place salieri goes with it.
All right.

345
00:17:29,600 --> 00:17:32,700
Well, if I can't be the best,
then there is no God.

346
00:17:32,800 --> 00:17:36,300
I am the enemy of God and I will
destroy God's creation, which is

347
00:17:36,300 --> 00:17:38,500
a funny place to come to,
because he does kind of say

348
00:17:38,500 --> 00:17:41,600
that, like, there must be no
God, but I'm going to be the

349
00:17:41,600 --> 00:17:45,500
enemy of God, which is like, if
there isn't a garden, could you

350
00:17:45,500 --> 00:17:47,200
be his enemy?
Well, he starts going through

351
00:17:47,200 --> 00:17:49,000
these.
He really does go through kind

352
00:17:49,000 --> 00:17:51,100
of a Dark Night of the Soul
though, because he has this

353
00:17:51,100 --> 00:17:53,900
great quote, where he he's
talking to the priest and about

354
00:17:53,900 --> 00:17:56,000
God.
And he says, if God didn't want

355
00:17:56,000 --> 00:17:58,600
me to praise him with music.
Why did he implanted?

356
00:17:58,800 --> 00:18:02,700
The desire in me like a lust in
my body and then deny me the

357
00:18:02,700 --> 00:18:04,400
talent.
I mean it really is.

358
00:18:04,400 --> 00:18:08,100
It gets into these really
complex areas of yeah, salieri

359
00:18:08,100 --> 00:18:11,700
genuinely did have the desire to
make music and for a while, at

360
00:18:11,708 --> 00:18:14,800
least he did have the desire to
praise God through music, but

361
00:18:14,800 --> 00:18:17,200
then he even recognizes the
limitations of himself.

362
00:18:17,200 --> 00:18:19,700
Right?
And he comes to this point where

363
00:18:19,700 --> 00:18:22,100
he's still writing music and
he's still, you know, writing

364
00:18:22,100 --> 00:18:24,000
operas.
And at one point, one of his

365
00:18:24,000 --> 00:18:27,800
operas is announced as the
greatest Opera in Vienna, right?

366
00:18:27,800 --> 00:18:32,800
And the Rooney announces him.
Yes, you know, the greatest

367
00:18:32,800 --> 00:18:36,000
composer that the world has ever
seen, right and all this, but

368
00:18:36,000 --> 00:18:38,200
you get the sense even in those
moments.

369
00:18:38,600 --> 00:18:42,700
I think the problem with salieri
is that he initially found all

370
00:18:42,700 --> 00:18:45,200
of his self-worth and the
opinions of others.

371
00:18:45,200 --> 00:18:49,600
Yeah, but once Mozart arrives,
he only finds his self-worth and

372
00:18:49,600 --> 00:18:53,500
Mozart's opinion, absolutely.
And so, even when the emperor

373
00:18:53,500 --> 00:18:56,500
announces him to the public, as
the greatest composer in the

374
00:18:56,500 --> 00:18:58,600
world, it's not enough.
Yeah.

375
00:18:58,700 --> 00:19:03,000
And his anger is still present
within his heart because he

376
00:19:03,000 --> 00:19:05,100
personally knows that he isn't.
Yeah.

377
00:19:05,500 --> 00:19:07,300
So why do we talk about the
performances for a minute?

378
00:19:07,300 --> 00:19:08,800
We're going to get ready to
break here and drink some

379
00:19:08,800 --> 00:19:11,500
whiskey but there really are
only two big performances in

380
00:19:11,508 --> 00:19:13,700
this movie.
And that's F Murray Abraham as

381
00:19:13,700 --> 00:19:18,700
salieri and Tom Hulse as Mozart.
So Brad tell me about both of

382
00:19:18,700 --> 00:19:20,900
them.
Which performance did you prefer

383
00:19:21,100 --> 00:19:23,700
or did you think one stuck out
more than the other or did they

384
00:19:23,700 --> 00:19:24,400
work together?
Really?

385
00:19:24,400 --> 00:19:28,600
Well, that's so hard.
Because the there's kind of that

386
00:19:28,600 --> 00:19:32,100
that Where if a character
annoys, you does that mean that

387
00:19:32,100 --> 00:19:34,000
they you know, you don't like
their performance or they're

388
00:19:34,000 --> 00:19:36,300
just really good at being what
they're supposed to be and

389
00:19:36,300 --> 00:19:37,500
that's kind of where I would
Place.

390
00:19:37,500 --> 00:19:41,300
Tom holes as Mozart like the way
he laughs.

391
00:19:42,000 --> 00:19:44,500
Oh, yeah, makes me want to
strangle a small cat.

392
00:19:44,500 --> 00:19:47,300
Oh, yeah, like I think it's
supposed to and that's the

393
00:19:47,300 --> 00:19:48,400
thing.
It's supposed to.

394
00:19:48,400 --> 00:19:51,200
But does that make me like his
performance or hate is for for?

395
00:19:51,200 --> 00:19:51,800
Yeah.
Sure.

396
00:19:52,200 --> 00:19:55,000
So he kind of drove me nuts, but
it and it wasn't just in the way

397
00:19:55,000 --> 00:19:56,600
that he laughed.
It's in the way that he

398
00:19:56,600 --> 00:19:59,800
approached the world in the way
that That he was just so

399
00:19:59,800 --> 00:20:03,200
flippant and he was so.
But in the end, that's exactly

400
00:20:03,200 --> 00:20:05,900
what they wanted him to do.
So, yeah, I would honestly say

401
00:20:05,900 --> 00:20:08,800
that I think Tom Hulse gave a
better performance, you know, I

402
00:20:08,808 --> 00:20:12,800
would actually agree, salieri is
performance, F Murray Abraham as

403
00:20:12,800 --> 00:20:15,000
salieri.
He basically gets to walk around

404
00:20:15,000 --> 00:20:17,600
chewing scenery all day.
Like as the old man, he gets to

405
00:20:17,608 --> 00:20:20,500
be this diabolical.
Listen to what I did to God's

406
00:20:20,500 --> 00:20:22,700
creation.
As a young man, you gets to be

407
00:20:22,700 --> 00:20:25,900
this sort of vengeful person.
And I think the harder

408
00:20:25,900 --> 00:20:30,600
performance is Tom Halls.
As I'm as Amadeus Mozart, it's

409
00:20:30,600 --> 00:20:32,600
asmodeus.
Asmodeus.

410
00:20:33,400 --> 00:20:35,600
And that's because you see where
he goes from.

411
00:20:35,600 --> 00:20:40,800
You know, what a 20-something
Carefree immature to seeing his

412
00:20:40,800 --> 00:20:43,500
life, kind of get destroyed
piece by piece and how every

413
00:20:43,500 --> 00:20:46,500
Opera he writes less and less
people come, the emperor is not

414
00:20:46,500 --> 00:20:48,600
satisfied with his music.
He becomes more and more

415
00:20:48,600 --> 00:20:50,800
destitute and desperate for
money.

416
00:20:50,900 --> 00:20:54,800
And I think by the end where you
see Mozart on his deathbed, that

417
00:20:54,800 --> 00:20:57,500
vision of that, young Carefree
boy is completely gone and I

418
00:20:57,500 --> 00:21:00,100
think Tom Halls delivers A
fantastic performance.

419
00:21:00,100 --> 00:21:04,100
All the way through the film.
Yeah, he really showcases the

420
00:21:04,100 --> 00:21:08,700
ability to devolve, you know, a
lot of characters in a lot of

421
00:21:08,700 --> 00:21:11,600
movies that we see, we want to
see them grow, and we want to

422
00:21:11,608 --> 00:21:14,200
see them move forward and become
better people by the end.

423
00:21:14,200 --> 00:21:16,200
Yeah, you can't say that about
Mozart.

424
00:21:16,200 --> 00:21:19,700
No, and so to turn in a
performance, that Tom Holtz did

425
00:21:20,000 --> 00:21:24,400
of showcasing somebody's descent
into madness descent into

426
00:21:24,800 --> 00:21:28,600
destitution and poverty.
He really, portrays.

427
00:21:28,800 --> 00:21:30,500
It in a phenomenal way.
Mmm-hmm.

428
00:21:31,000 --> 00:21:33,400
Talk to me about Elizabeth
barrage is performance.

429
00:21:33,500 --> 00:21:36,200
I'm really curious about what
you thought about her in this

430
00:21:36,200 --> 00:21:37,800
move.
I don't know what I think about

431
00:21:37,800 --> 00:21:43,000
her and I think in some degree
like Milos Forman cast that role

432
00:21:43,000 --> 00:21:45,400
perfectly because she kind of
just does come across as like a

433
00:21:45,408 --> 00:21:47,200
little girl.
Yes that she doesn't she's

434
00:21:47,200 --> 00:21:49,200
completely oblivious to whatever
is going on.

435
00:21:49,600 --> 00:21:52,200
But at the same time, I don't
know that she's a fantastic

436
00:21:52,200 --> 00:21:53,400
actress.
Yeah.

437
00:21:53,400 --> 00:21:57,500
That was my struggle.
I couldn't tell if she was

438
00:21:57,500 --> 00:22:00,300
trying to be cute.
Cute or if she just kind of like

439
00:22:00,300 --> 00:22:03,200
was cute but didn't really know
how to act.

440
00:22:03,200 --> 00:22:06,300
Yeah, and the thing is I thought
she did certain parts really

441
00:22:06,300 --> 00:22:08,700
well when she when she got
really angry about things.

442
00:22:08,700 --> 00:22:10,500
Yes.
I thought she came across really

443
00:22:10,500 --> 00:22:13,200
strong.
Yep, that she was angry with

444
00:22:13,300 --> 00:22:15,600
Mozart's, dad for mooching off
of them.

445
00:22:15,600 --> 00:22:18,600
And and she gets angry with
Mozart for the way that he's

446
00:22:18,600 --> 00:22:21,100
treating her and just spending
money and not working on the

447
00:22:21,100 --> 00:22:23,900
things he needed to work on.
Yeah, so and those moments, I

448
00:22:23,908 --> 00:22:26,900
thought she turned an extremely
convincing performance, but for

449
00:22:26,900 --> 00:22:29,300
the rest of the movie when she's
just kind of this You naive

450
00:22:29,300 --> 00:22:32,000
little girl.
You kind of Wonder like I didn't

451
00:22:32,000 --> 00:22:33,500
know if there was really any
acting going.

452
00:22:33,500 --> 00:22:36,900
Yeah, completely agreed.
So I was a little unsure about

453
00:22:36,900 --> 00:22:39,000
her.
How do you feel like the rest of

454
00:22:39,000 --> 00:22:42,200
the Supporting Cast did as a
whole?

455
00:22:42,200 --> 00:22:43,800
I think everybody played their
role as well.

456
00:22:43,800 --> 00:22:46,500
But everyone else in the movie
is kind of a one-dimensional

457
00:22:46,500 --> 00:22:49,000
character, so it wasn't like
they were really flushing people

458
00:22:49,000 --> 00:22:50,300
out.
If you were a good guy, you were

459
00:22:50,300 --> 00:22:51,700
a good guy.
If you were bad guy, you were a

460
00:22:51,700 --> 00:22:54,100
bad guy and that's who you
played and if you're the emperor

461
00:22:54,100 --> 00:22:55,700
you the a you're the emperor.
Yeah.

462
00:22:55,900 --> 00:22:58,500
Yeah, and and that's where I
kind of.

463
00:22:58,600 --> 00:23:02,100
With this movie a little bit.
I just felt like there was so

464
00:23:02,100 --> 00:23:07,200
much Focus paid on salieri and
Mozart, but but with it being a

465
00:23:07,200 --> 00:23:10,900
two hour and 47 minute movie,
you did spend a lot of time with

466
00:23:10,900 --> 00:23:14,500
other characters and I just
didn't know if I felt like the

467
00:23:14,500 --> 00:23:18,400
actors in the movie really did a
great job and all the supporting

468
00:23:18,400 --> 00:23:19,300
roles.
Yeah.

469
00:23:19,900 --> 00:23:21,100
Brad.
There's a ton of directions we

470
00:23:21,100 --> 00:23:22,400
can go with this.
I run.

471
00:23:22,400 --> 00:23:25,000
I'm really excited to get into
more of our analysis after the

472
00:23:25,000 --> 00:23:28,600
break, but for now, I think that
we need to hop over to Ireland.

473
00:23:28,700 --> 00:23:37,100
And that's Rising whiskey.
So we are here.

474
00:23:37,100 --> 00:23:39,600
Trying some Redbreast Irish
whiskey.

475
00:23:39,600 --> 00:23:42,600
It's a 12-year.
Yeah, this is their standard

476
00:23:42,600 --> 00:23:44,400
whiskey.
So they they basically start out

477
00:23:44,400 --> 00:23:46,500
at 12 year.
What I did was we actually

478
00:23:46,500 --> 00:23:49,400
bought a sample pack of red
breast and it's just comes in

479
00:23:49,400 --> 00:23:53,000
these 50 ml shot sizes.
So Brad and I are sharing the 12

480
00:23:53,000 --> 00:23:55,200
year.
They also have their lust ow and

481
00:23:55,200 --> 00:23:57,800
their 15-year.
But today, we're just sipping on

482
00:23:57,900 --> 00:24:00,800
the redbreast, 12.
Now, this clocks in at 80 proof.

483
00:24:00,900 --> 00:24:03,400
So, pretty much just a standard
whiskey, right?

484
00:24:03,400 --> 00:24:04,400
Brad.
What are you picking up on the

485
00:24:04,400 --> 00:24:08,000
nose of this one?
It kind of smells like a stream

486
00:24:08,000 --> 00:24:11,400
coming out of the mountains.
Oh, wow, like like a little bit

487
00:24:11,400 --> 00:24:13,500
of moss.
This sounds like complete BS.

488
00:24:13,500 --> 00:24:15,300
I was just like he's just making
this up.

489
00:24:15,400 --> 00:24:17,900
No, I'm serious, man.
It smells really refreshing.

490
00:24:18,300 --> 00:24:20,800
You know, I'm getting two things
on this and its really

491
00:24:20,800 --> 00:24:23,000
interesting.
I'm getting some smoke that I'm

492
00:24:23,000 --> 00:24:26,500
used to getting on a scotch.
Not necessarily Pete, but

493
00:24:26,500 --> 00:24:29,400
definitely, some sort of smoke.
And I'm getting a ton of fruit

494
00:24:29,400 --> 00:24:31,300
as well.
I got a lot of like, pair on

495
00:24:31,300 --> 00:24:32,100
this.
Yeah.

496
00:24:32,100 --> 00:24:34,300
I don't know if you're picking
up fruit, but I definitely am.

497
00:24:34,800 --> 00:24:36,600
So, how would you score?
Or this out on the nose.

498
00:24:37,100 --> 00:24:39,500
I'm gonna give this a seven and
a half on the nose 7 and I'm

499
00:24:39,500 --> 00:24:42,200
really enjoying where it takes
us.

500
00:24:42,600 --> 00:24:43,900
Yeah.
I think I'm gonna give you a

501
00:24:43,900 --> 00:24:45,900
seven on the nose.
It's definitely interesting and

502
00:24:45,900 --> 00:24:48,400
it makes me want to try it.
All right.

503
00:24:48,400 --> 00:24:49,900
On the taste Brad.
What are you picking up on the

504
00:24:49,908 --> 00:24:52,100
taste?
So it's a little thin.

505
00:24:52,700 --> 00:24:53,800
Yeah.
I think it's a little bit

506
00:24:53,800 --> 00:24:57,000
thinner than I would expect and
I know that the, a lot of the

507
00:24:57,000 --> 00:24:59,700
Irish whiskeys, they don't have
the heaviness that you get from

508
00:24:59,700 --> 00:25:01,500
a bourbon, but this one, I don't
know.

509
00:25:01,500 --> 00:25:04,800
It's, it's thin and it's not
bring a lot of flavor.

510
00:25:05,700 --> 00:25:07,600
Very sweet.
It is thin.

511
00:25:08,200 --> 00:25:11,200
It's like a darker fruit flavor.
It's not Citrus.

512
00:25:11,300 --> 00:25:13,000
I can't tell if I can't place it
yet.

513
00:25:13,200 --> 00:25:15,400
It's almost got some weird.
Like, tropical notes to me.

514
00:25:15,600 --> 00:25:18,500
Yeah, like a mango or pineapple.
I was literally just thinking.

515
00:25:18,500 --> 00:25:22,200
It does kind of have that, that
sweetness that you would get

516
00:25:22,200 --> 00:25:24,200
from like pineapple.
Yeah, for sure.

517
00:25:24,500 --> 00:25:27,000
So, not the pair that I was
picking up on the nose.

518
00:25:27,100 --> 00:25:29,800
I do get a little bit of smoke
and I'm kind of surprised at

519
00:25:29,800 --> 00:25:31,900
that.
Yeah, it kind of hits you a

520
00:25:31,908 --> 00:25:36,400
little bit on the back of your
tongue that Hits and its

521
00:25:36,400 --> 00:25:37,700
pleasant.
It's really nice.

522
00:25:37,800 --> 00:25:40,300
I am wondering why they watered
this down to 80 proof.

523
00:25:40,600 --> 00:25:43,300
I feel like this could be a
phenomenal 90-95 roof.

524
00:25:43,400 --> 00:25:44,600
Yeah.
It really just thinking like 90

525
00:25:44,600 --> 00:25:46,900
to 95.
Yeah, would be great for this

526
00:25:46,900 --> 00:25:47,700
whiskey.
Yeah.

527
00:25:47,700 --> 00:25:49,700
It's a little too thin, but I
don't know if that really goes

528
00:25:49,700 --> 00:25:52,300
into taste for me.
I like the taste a lot.

529
00:25:52,300 --> 00:25:54,100
I think I would give the taste
an eight.

530
00:25:54,200 --> 00:25:56,900
I'm going to give the taste of
seven and a half, the first

531
00:25:56,900 --> 00:25:57,900
moment.
It hit my tongue.

532
00:25:57,900 --> 00:26:00,600
I was a little disappointed.
Yeah, but the more I've sat here

533
00:26:00,600 --> 00:26:03,000
and sipped on more of it.
I'm really enjoying this a lot.

534
00:26:03,000 --> 00:26:05,200
I feel like this could be a
really dangerous whiskey because

535
00:26:05,200 --> 00:26:07,600
it goes And so smoothly because
it is a thinner whiskey.

536
00:26:07,600 --> 00:26:10,200
Oh, there's not a harsh burn or
an aftertaste.

537
00:26:10,500 --> 00:26:12,300
Yeah.
This is a good one to sip on,

538
00:26:12,300 --> 00:26:14,300
for sure.
Which leads us into finish.

539
00:26:14,500 --> 00:26:15,300
Yeah.
What do you think about the

540
00:26:15,300 --> 00:26:17,600
finish?
The Finish is smooth, man.

541
00:26:17,700 --> 00:26:19,700
It's super smooth.
You get that little hint of

542
00:26:19,700 --> 00:26:22,800
smoke on the back of your
tongue, but the longer it sits

543
00:26:22,800 --> 00:26:25,300
on your palate.
The more that sweetness comes

544
00:26:25,300 --> 00:26:27,000
very pleasant.
And I don't feel like I get that

545
00:26:27,000 --> 00:26:28,400
with a lot of Whiskey's.
A lot of times.

546
00:26:28,400 --> 00:26:31,700
I feel like you have that Rai in
there and that Rai will sit on

547
00:26:31,700 --> 00:26:33,500
the back of your tongue and
almost sours.

548
00:26:33,500 --> 00:26:35,900
Yeah.
Whereas this the longer It's on

549
00:26:35,900 --> 00:26:39,500
my tongue and my palate.
It tastes more and more sweet.

550
00:26:39,500 --> 00:26:41,900
Definitely.
So I'm going to give the Finish

551
00:26:42,000 --> 00:26:45,400
an eight and a half, eight and a
half while it's sitting super

552
00:26:45,400 --> 00:26:47,600
well for me.
Yeah, it really is refreshing

553
00:26:47,700 --> 00:26:50,100
and, and it doesn't dry my mouth
out.

554
00:26:50,200 --> 00:26:53,400
It doesn't burn going down.
I do wish that there was

555
00:26:53,400 --> 00:26:57,000
something more to it though.
And I think I like it, its

556
00:26:57,000 --> 00:26:58,700
pleasant, but it's just not
enough for me.

557
00:26:58,900 --> 00:27:00,600
I'm going to give the finish a
six and a half.

558
00:27:00,800 --> 00:27:02,900
Yeah.
I think this is one that as I'm

559
00:27:02,900 --> 00:27:05,500
sitting here, we're drinking it
straight like we always do.

560
00:27:05,700 --> 00:27:07,800
Sure, I could see this one being
good chilled.

561
00:27:08,000 --> 00:27:09,500
Oh, absolutely.
Whether or not you put an ice

562
00:27:09,500 --> 00:27:11,400
cube in or you put it into a
chilled glass.

563
00:27:11,400 --> 00:27:13,000
Yep.
I could see this being really

564
00:27:13,000 --> 00:27:15,000
good just a little bit of chili.
Yeah.

565
00:27:15,500 --> 00:27:17,800
Alright.
So overall balance, Brad knows

566
00:27:17,800 --> 00:27:19,000
taste finish.
What do you think?

567
00:27:19,200 --> 00:27:20,900
I'm gonna give it a seven and a
half.

568
00:27:21,100 --> 00:27:24,100
I think it's a solid balance
from start to finish.

569
00:27:24,100 --> 00:27:26,400
The nose does not necessarily
give you everything.

570
00:27:26,400 --> 00:27:30,000
You're going to get ya on The
Taste, but it's really well

571
00:27:30,000 --> 00:27:31,500
balanced.
It's very smooth.

572
00:27:31,700 --> 00:27:33,900
Yeah.
I don't think any component of

573
00:27:33,900 --> 00:27:37,500
the nose taste finish.
Stuck out or led me to believe

574
00:27:37,500 --> 00:27:38,800
something else was going to
happen, you know.

575
00:27:38,800 --> 00:27:40,200
Right from the time.
We smelled it.

576
00:27:40,300 --> 00:27:42,500
It was very bright.
It was very fruity.

577
00:27:42,700 --> 00:27:44,400
You knew what we were getting.
So I'm gonna go ahead and give

578
00:27:44,400 --> 00:27:48,300
it a seven on the balance, which
brings us to our last category.

579
00:27:48,300 --> 00:27:51,600
Now, that category is value
redbreast is an expensive

580
00:27:51,600 --> 00:27:53,900
whiskey.
It just is they label it on the

581
00:27:53,900 --> 00:27:56,200
bottle as coming from a single
pot still.

582
00:27:56,300 --> 00:27:58,300
I don't really know how much
difference that makes it think

583
00:27:58,300 --> 00:28:01,200
that's mostly just marketing,
but a fifth of redbreast in the

584
00:28:01,200 --> 00:28:05,400
state of Ohio will put you back
64 99 60s.

585
00:28:05,700 --> 00:28:07,600
Sixty five dollar bottle of
whiskey.

586
00:28:07,800 --> 00:28:11,000
I did not know that.
Yeah, this is, I mean, this is

587
00:28:11,000 --> 00:28:13,600
in the upper tier of Irish
whiskeys.

588
00:28:13,600 --> 00:28:16,300
This is what you get.
If you're going classy, it's not

589
00:28:16,300 --> 00:28:17,300
Jameson.
It's not tell them.

590
00:28:17,300 --> 00:28:20,100
Or do you get a bottle of red
breast and people know that you

591
00:28:20,100 --> 00:28:22,500
mean business?
Wow, I did not realize it was

592
00:28:22,500 --> 00:28:23,700
going to cost that much.
Yeah.

593
00:28:23,700 --> 00:28:26,400
Honestly that obviously that's
going to push my score down a

594
00:28:26,408 --> 00:28:27,400
little bit.
Yep.

595
00:28:27,500 --> 00:28:30,300
Honestly, this is a really good
like you can taste it.

596
00:28:30,300 --> 00:28:32,300
This is a sixty five dollar
bottle of whiskey.

597
00:28:32,900 --> 00:28:35,100
I would pay like 40 to 45 for
yeah.

598
00:28:35,100 --> 00:28:36,700
Top.
Soooo, so, I guess I'm going to

599
00:28:36,708 --> 00:28:39,900
give it on value a four and a
half.

600
00:28:39,900 --> 00:28:43,400
I think I'm right there with you
Brad, because if this was an 80

601
00:28:43,400 --> 00:28:46,200
proof, I think I might feel
differently, but the fact that

602
00:28:46,200 --> 00:28:50,400
they watered it all the way down
to the lowest possible proof

603
00:28:50,400 --> 00:28:54,000
that you can call something
whiskey and then charge $65 for

604
00:28:54,000 --> 00:28:55,500
I struggle with that.
Yeah, I do too.

605
00:28:56,000 --> 00:28:57,100
All right.
So what does that bring you out

606
00:28:57,100 --> 00:28:58,600
to that?
Brings me out.

607
00:28:58,700 --> 00:29:00,300
We were good.
We're doing really well.

608
00:29:00,300 --> 00:29:02,200
I thought we might break the 40
Mark.

609
00:29:02,200 --> 00:29:04,400
We are.
I'm at a 35.5.

610
00:29:04,900 --> 00:29:07,700
It brings me out. 33.
Yeah, yeah, so that brings us

611
00:29:07,700 --> 00:29:11,000
out to a little bit over a 34
out of 50, you know, not

612
00:29:11,000 --> 00:29:13,700
terrible, but we're at about it,
you know, where 268 out of 100

613
00:29:13,700 --> 00:29:17,600
now, what really brought it down
was that value score, you know,

614
00:29:17,600 --> 00:29:20,400
if you really like Irish whiskey
and you want to have a nice

615
00:29:20,700 --> 00:29:24,600
recognizable, fancy classy
bottle on your shelf, then, you

616
00:29:24,600 --> 00:29:27,200
know knock yourself out but I
don't see myself ever spending

617
00:29:27,200 --> 00:29:29,000
$65 on this.
Yeah.

618
00:29:29,000 --> 00:29:33,700
I've had some some bourbons and
Whiskey's and scotches that I

619
00:29:33,700 --> 00:29:36,700
would much rather pay.
Fifty to seventy dollars you

620
00:29:36,708 --> 00:29:39,400
more than this.
Yeah, kind of a disappointing

621
00:29:39,400 --> 00:29:41,700
way to end it because like like
we both said, it's very

622
00:29:41,700 --> 00:29:43,100
pleasant.
You enjoyed it a lot.

623
00:29:43,100 --> 00:29:46,900
I mean, it's a very good whiskey
and if we didn't add in the

624
00:29:46,900 --> 00:29:50,400
value category, I would have
been at a 31 out of 40.

625
00:29:50,400 --> 00:29:52,300
Yeah, which is a really good
school.

626
00:29:52,300 --> 00:29:53,200
Yeah.
Absolutely.

627
00:29:53,200 --> 00:29:54,900
That value, man.
Your pain.

628
00:29:55,000 --> 00:29:56,700
That's a lot of money.
That's just too much.

629
00:29:56,700 --> 00:29:58,700
Yeah.
So this has been redbreast 12.

630
00:29:58,700 --> 00:30:00,700
Brad, any final thoughts.
And would you recommend?

631
00:30:01,000 --> 00:30:04,100
I would recommend it's a good
Pleasant, drinking whiskey.

632
00:30:04,300 --> 00:30:07,500
If you're out at a Our and you
can find it reasonably price

633
00:30:07,500 --> 00:30:10,000
get, you know, a glass of it.
I'd say go for it.

634
00:30:10,000 --> 00:30:11,900
Yeah, I mean, you know, just
knowing what the price of the

635
00:30:11,900 --> 00:30:13,100
bottle is.
This is probably going to put

636
00:30:13,100 --> 00:30:15,600
you back ten to twelve bucks to
try at a bar.

637
00:30:15,600 --> 00:30:17,300
Right?
I think it's probably worth that

638
00:30:17,300 --> 00:30:18,500
just to say you tried it.
Yeah.

639
00:30:18,500 --> 00:30:21,000
I just don't know if you're ever
going to need to spend 65 on it.

640
00:30:21,000 --> 00:30:23,100
Right?
I would recommend based on what

641
00:30:23,100 --> 00:30:25,100
the whiskey itself is not based
on the price.

642
00:30:25,400 --> 00:30:27,800
Yeah, and honestly, I'm going to
I'm going to give away a little

643
00:30:27,800 --> 00:30:32,000
bit of my Amadeus.
I kind of feel similarly about

644
00:30:32,000 --> 00:30:33,500
the movie.
So interesting.

645
00:30:33,500 --> 00:30:35,400
It's a really good movie.
It's solid.

646
00:30:35,400 --> 00:30:37,200
It's fun.
It's interesting.

647
00:30:37,400 --> 00:30:39,600
There's just too much of it.
But there's there, whether it's

648
00:30:39,600 --> 00:30:42,600
a price, the amount of dollars.
You're going to spend on this

649
00:30:42,600 --> 00:30:44,400
bottle of whiskey or the amount
of minutes.

650
00:30:44,400 --> 00:30:45,900
You're going to spend watching
this movie.

651
00:30:45,900 --> 00:30:47,800
Yeah.
It's just a little bit too much

652
00:30:47,800 --> 00:30:51,500
and I think if they cut it down
about 30, yea, whether it be

653
00:30:51,500 --> 00:30:56,100
$30, or 30 minutes, you'd have
yourself a phenomenal whiskey /

654
00:30:56,100 --> 00:30:57,600
movie.
Well, let's talk about it.

655
00:30:57,600 --> 00:30:59,600
Why don't we get back into our
analysis on?

656
00:31:00,100 --> 00:31:08,900
Yes, asmodeus.
Alright, so that was redbreast,

657
00:31:08,900 --> 00:31:12,600
12 kind of a disappointment,
kind of kind of.

658
00:31:12,600 --> 00:31:15,700
It's hard to explain.
Yeah, it's only the dollar

659
00:31:15,700 --> 00:31:16,900
amount that makes it a
disappoint.

660
00:31:16,900 --> 00:31:19,400
Absolutely.
Alright, so getting back into

661
00:31:19,400 --> 00:31:22,600
Amadeus, I think it's time that
we kind of, you know, put on our

662
00:31:22,600 --> 00:31:24,900
thinking caps a little bit and
we get into what this movie is

663
00:31:24,900 --> 00:31:26,400
trying to say because they are
dunce.

664
00:31:26,400 --> 00:31:30,300
Caps off.
Well, you thinking caps put on,

665
00:31:30,400 --> 00:31:32,100
right?
Like we said, at the top of the

666
00:31:32,100 --> 00:31:35,100
episode, this movie is intensely
theological.

667
00:31:35,100 --> 00:31:37,200
It's all about what people
think.

668
00:31:37,400 --> 00:31:40,300
Think of God and how people
react to God.

669
00:31:40,800 --> 00:31:43,700
And I think that this movie has
a lot to say and Brad, I wanted

670
00:31:43,700 --> 00:31:47,400
to ask you about the big turning
point for salieri, is when he

671
00:31:47,400 --> 00:31:51,500
throws that crucifix Into the
Fire and he makes a vow that

672
00:31:51,500 --> 00:31:54,100
he's going to ruin Mozart.
And the way that he talks about

673
00:31:54,100 --> 00:31:56,900
Mozart is by calling him God's
Incarnation.

674
00:31:57,300 --> 00:31:59,400
And he says, I'm gonna ruin your
Incarnation.

675
00:31:59,700 --> 00:32:04,200
And my question is does salieri
succeed, because he says that he

676
00:32:04,200 --> 00:32:06,700
kills Mozart.
And at the end of the movie, the

677
00:32:06,700 --> 00:32:11,000
priest is in Such shock and
salieri gets this one last kind

678
00:32:11,000 --> 00:32:14,800
of cackle where he gets to prove
that he was right all along and

679
00:32:14,800 --> 00:32:16,300
that he has defeated.
God.

680
00:32:17,000 --> 00:32:20,000
How do you view the the overall
message of this movie does

681
00:32:20,000 --> 00:32:21,800
salieri win.
Bob?

682
00:32:21,800 --> 00:32:23,100
He's in an insane.
Asylum.

683
00:32:23,100 --> 00:32:24,800
Yeah, talking to a priest.
Yeah.

684
00:32:25,300 --> 00:32:26,600
He did not win.
You don't think so.

685
00:32:26,800 --> 00:32:30,300
So, and honestly, the reason I
would say it is the very opening

686
00:32:30,300 --> 00:32:34,600
scene of the movie when he is
with the priest.

687
00:32:34,600 --> 00:32:37,900
Yep, and he plays the piano.
Yeah, and the Goes?

688
00:32:38,400 --> 00:32:41,000
No, I don't think I've heard
that tune before as well.

689
00:32:41,000 --> 00:32:43,400
I wrote that tune.
Yeah, and then he plays a tune

690
00:32:43,800 --> 00:32:46,300
by Mozart.
He goes how I have heard that

691
00:32:46,300 --> 00:32:48,900
tune before you and he starts
humming it.

692
00:32:48,900 --> 00:32:52,100
Yeah.
And salieri says that was his

693
00:32:52,100 --> 00:32:54,200
to, yeah, something along those
lines.

694
00:32:54,400 --> 00:32:56,100
And I think that that's the
answer your question right

695
00:32:56,100 --> 00:32:59,000
there.
Did he win know, Mozart is the

696
00:32:59,008 --> 00:33:03,200
one that people remember Mozart,
is the one who will last

697
00:33:03,200 --> 00:33:06,400
throughout the agent.
Not solely re well, and I think,

698
00:33:06,400 --> 00:33:08,500
and the fact, the UK, Even
pronounce his name correctly.

699
00:33:08,500 --> 00:33:12,000
I think is what really salieri.
It's not the Eyrie salieri.

700
00:33:12,000 --> 00:33:14,900
Yeah.
No, but, but even before that

701
00:33:14,900 --> 00:33:17,700
seen, the very first scene of
the movie, salieri still living

702
00:33:17,700 --> 00:33:19,400
on his own.
And what looks like some sort of

703
00:33:19,400 --> 00:33:23,000
like retirement home in the
1700s and he's locked himself in

704
00:33:23,000 --> 00:33:25,500
his bedroom and they break down
the door and they found that

705
00:33:25,500 --> 00:33:28,200
salieri has slit his throat that
he's trying to kill himself

706
00:33:28,200 --> 00:33:31,400
because he feels so guilty about
what he did to Mozart.

707
00:33:31,400 --> 00:33:35,100
And so the character that we get
for the rest of the movie, the

708
00:33:35,400 --> 00:33:38,800
the conniving sort of salieri.
He's just playing a game.

709
00:33:38,800 --> 00:33:41,700
He's toying with the priest and
I think the he beats the priest,

710
00:33:42,000 --> 00:33:45,100
but I don't think he's beaten
God because it's clear that he's

711
00:33:45,100 --> 00:33:47,300
still.
So racked with guilt about what

712
00:33:47,300 --> 00:33:49,900
he did that.
He can't really feel justified

713
00:33:49,900 --> 00:33:53,400
in his actions or comfortably
feel like he has one in this

714
00:33:53,400 --> 00:33:56,500
game against God.
I think his his struggle with

715
00:33:56,500 --> 00:34:01,100
God starts because he just has a
terrible view of God.

716
00:34:01,100 --> 00:34:03,500
Yeah, I think that his
conception of who God is and

717
00:34:03,500 --> 00:34:05,800
what God does is slanted from
the beginning.

718
00:34:06,100 --> 00:34:09,900
You know, he tells God that his
desire was for God to make him a

719
00:34:09,900 --> 00:34:12,600
composer, but he doesn't just
say, make me a composer.

720
00:34:12,600 --> 00:34:16,199
He says make me a composer and
make me be immortal.

721
00:34:16,600 --> 00:34:19,300
He wanted something from God.
He wanted what God could do for

722
00:34:19,300 --> 00:34:21,600
him.
And I think his deal was, as

723
00:34:21,600 --> 00:34:24,800
long as you keep giving me Fame
and recognition, then I'll serve

724
00:34:24,800 --> 00:34:27,699
you but the moment that it was
kind of uphill sledding for him,

725
00:34:27,699 --> 00:34:29,000
the moment.
It got hard.

726
00:34:29,199 --> 00:34:31,699
It's very clear where his
intentions were it was never to

727
00:34:31,699 --> 00:34:33,400
honor God.
It was to get recognition for

728
00:34:33,400 --> 00:34:36,500
himself, right?
And and the problem with that,

729
00:34:36,500 --> 00:34:40,000
that I With is the fact that
Mozart doesn't seem to have any

730
00:34:40,000 --> 00:34:42,800
intentions towards God or anyone
other than himself.

731
00:34:42,800 --> 00:34:44,000
Yeah.
He just wants to write his own

732
00:34:44,000 --> 00:34:47,000
music and enjoy his life.
Yeah, and, and you almost see

733
00:34:47,000 --> 00:34:51,400
him rewarded for that with
immortality, even though his

734
00:34:51,500 --> 00:34:53,300
current life was a struggle,
right?

735
00:34:53,300 --> 00:34:57,200
And so it's interesting because
Sally re really desperately

736
00:34:57,200 --> 00:35:01,800
wanted immortality, but what he
got was a pretty comfy life as

737
00:35:01,800 --> 00:35:04,300
the court, you know composer,
right?

738
00:35:04,400 --> 00:35:07,600
Mozart wanted a Glee.
Eful.

739
00:35:07,600 --> 00:35:10,600
Joyful life or he's chasing
women and you know, doing his

740
00:35:10,600 --> 00:35:13,200
own thing and he didn't get that
by the end.

741
00:35:13,200 --> 00:35:17,900
He got poverty and destitution
and Madness but what he did get

742
00:35:17,900 --> 00:35:19,600
was immortality.
Yeah.

743
00:35:19,800 --> 00:35:22,500
So you almost see that both of
the characters wanted what the

744
00:35:22,500 --> 00:35:23,900
others had.
Yeah, for sure.

745
00:35:24,100 --> 00:35:25,600
Well, and getting back to what
you were saying to.

746
00:35:25,600 --> 00:35:28,900
I think, when you look at a guy
like Mozart, who wants not,

747
00:35:29,100 --> 00:35:31,800
doesn't seem to want anything to
do with God and and creates this

748
00:35:31,800 --> 00:35:34,400
beautiful music that's you know,
as salieri sees it.

749
00:35:34,400 --> 00:35:37,400
Like God inspired.
I think there's two ways to On

750
00:35:37,400 --> 00:35:40,900
to that one way is to read the
movie in a really cynical kind

751
00:35:40,900 --> 00:35:44,300
of atheistic way, which is to
say there is no God.

752
00:35:44,300 --> 00:35:47,100
Or if there is a God he doesn't
care about classical music and

753
00:35:47,100 --> 00:35:49,300
you get to be a good classical
musician by being a good

754
00:35:49,300 --> 00:35:51,700
classical musician.
It's the story of hard work.

755
00:35:52,200 --> 00:35:55,500
I think the other way to see it
is to see the flaw in salieri's

756
00:35:55,500 --> 00:35:59,100
thinking from the beginning.
Because salieri saw it as a

757
00:35:59,100 --> 00:36:03,800
servant of God versus a pagan.
Yeah, but I think the point that

758
00:36:03,800 --> 00:36:05,800
you and I are trying to make is
that I don't really think

759
00:36:05,800 --> 00:36:08,000
salieri was a servant of God.
Odd to begin with.

760
00:36:08,000 --> 00:36:10,400
He might have thought himself
that way, but he was kind of

761
00:36:10,400 --> 00:36:14,300
setting himself up for a fall,
based on what he wanted from

762
00:36:14,300 --> 00:36:16,700
God, right?
And I think that's one of the

763
00:36:16,707 --> 00:36:21,100
big things where, when you're
dealing with with issues like

764
00:36:21,100 --> 00:36:22,700
this.
There's a level of

765
00:36:22,700 --> 00:36:28,200
self-awareness to know that what
I want isn't always the best.

766
00:36:28,200 --> 00:36:31,700
Yeah, and usually that comes out
in community and they're the

767
00:36:31,707 --> 00:36:34,100
ones that are able to help you
with that self-examination.

768
00:36:34,100 --> 00:36:35,800
And salieri doesn't have that
know.

769
00:36:35,800 --> 00:36:39,600
He doesn't have anybody to Call
him out of his pride and his

770
00:36:39,600 --> 00:36:43,000
desire to be immortal and part
of that is the circle of people.

771
00:36:43,000 --> 00:36:45,100
He's with everyone that
surrounding the emperor is a

772
00:36:45,100 --> 00:36:46,700
yes, man.
Oh, yeah, you know what?

773
00:36:46,700 --> 00:36:49,000
I mean?
So there's no keeping each other

774
00:36:49,000 --> 00:36:51,200
in check because everyone's just
backstabbing and trying to get

775
00:36:51,200 --> 00:36:53,100
ahead.
And when that's the community of

776
00:36:53,100 --> 00:36:55,900
people you surround yourself
with, then you kind of Bring it

777
00:36:55,900 --> 00:36:59,200
on yourself, right?
So Brad, I want to take a really

778
00:36:59,200 --> 00:37:02,100
hard left turn here, the
hardest, the hardest of left

779
00:37:02,100 --> 00:37:03,300
turns, we're going back to
Tarantino.

780
00:37:03,300 --> 00:37:06,000
I'm just getting that you said
at the beginning that you had

781
00:37:06,000 --> 00:37:10,000
not even heard of Has right?
And I do think that this movie

782
00:37:10,000 --> 00:37:11,800
has really fallen out of fashion
with people.

783
00:37:11,800 --> 00:37:13,500
I don't think a lot of people
will have heard of it.

784
00:37:13,600 --> 00:37:16,900
But that doesn't mean that this
movie is not still influencing

785
00:37:16,900 --> 00:37:19,400
media today, and I want to do a
little experiment here.

786
00:37:19,400 --> 00:37:23,300
If you'll just give me a second.
So I've got a clip to play for

787
00:37:23,300 --> 00:37:25,000
you.
Brad a bit of a thought

788
00:37:25,000 --> 00:37:26,000
experiment.
Yeah.

789
00:37:26,200 --> 00:37:28,200
So if you remember the very
first scene in the movie where

790
00:37:28,200 --> 00:37:30,800
salieri's talking about the
first time that he heard

791
00:37:30,800 --> 00:37:33,200
Mozart's music.
Yeah, he starts wax and

792
00:37:33,200 --> 00:37:34,200
poetical.
Yeah.

793
00:37:34,200 --> 00:37:36,600
It's saying like this is the
voice of God through music.

794
00:37:38,400 --> 00:37:45,900
And then suddenly high above it.
An oboe.

795
00:37:49,600 --> 00:37:51,500
A single note, hanging their
unwavering.

796
00:37:55,200 --> 00:38:04,200
Until a clarinet, took it over.
Sweetened it into a phrase of

797
00:38:04,200 --> 00:38:10,200
such Delight.
I want to throw your memory back

798
00:38:10,400 --> 00:38:14,400
to one of our favorite TV shows
and they did an omage to the

799
00:38:14,400 --> 00:38:18,900
movie Amadeus in an episode
titled, best burger in New York

800
00:38:19,700 --> 00:38:22,700
Robin.
It's so much more than just a

801
00:38:22,700 --> 00:38:26,800
burger.
I mean that first bite.

802
00:38:27,600 --> 00:38:32,700
Oh what heaven that first bite,
is the bomb like a sesame

803
00:38:32,700 --> 00:38:36,500
freckled, breast of an Angel
resting gently on the ketchup

804
00:38:36,500 --> 00:38:40,200
and mustard below flavors.
Mingling in a seductive Pas du

805
00:38:40,200 --> 00:38:48,000
du and then.
A pickle, the most playful,

806
00:38:48,500 --> 00:38:52,300
little pickle, and then a slice
of tomato, a leaf of lettuce,

807
00:38:52,300 --> 00:39:00,300
and a Patty of ground beef.
So, Exquisite swirling in your

808
00:39:00,300 --> 00:39:03,600
mouth breaking apart and
combining again in a Fugue of

809
00:39:03,600 --> 00:39:07,800
sweets and savories.
So delightful.

810
00:39:08,900 --> 00:39:12,800
This is no mere sandwich of
grilled, meat, toasted bread

811
00:39:12,800 --> 00:39:16,700
Robin.
This God. speaking to us through

812
00:39:16,700 --> 00:39:20,400
food, So as you can see, I'm a
day.

813
00:39:20,400 --> 00:39:21,900
Is it still going strong in pop?
Culture?

814
00:39:21,900 --> 00:39:23,600
Brad?
Yeah, that's crazy to me.

815
00:39:23,600 --> 00:39:26,300
I obviously, I've seen all of
How I Met Your Mother.

816
00:39:26,400 --> 00:39:28,100
If you haven't seen it, go watch
it right now.

817
00:39:28,100 --> 00:39:29,800
Joe.
It's a really good show.

818
00:39:29,800 --> 00:39:33,200
But yeah, that clip I would have
never known that.

819
00:39:33,300 --> 00:39:35,200
Until this moment.
We were watching that and I was

820
00:39:35,200 --> 00:39:37,200
like, this seems familiar.
And then all of a sudden, I

821
00:39:37,200 --> 00:39:39,200
remembered Marshall.
Eriksen talking about his

822
00:39:39,200 --> 00:39:41,100
Burger.
All right.

823
00:39:41,100 --> 00:39:44,100
So let's wrap this up, Brad.
Can you give this movie A score

824
00:39:44,100 --> 00:39:48,100
and would you recommend?
I would give Amadeus innate?

825
00:39:48,100 --> 00:39:51,900
Okay, and I I would recommend.
Yeah, it's a solid movie.

826
00:39:51,900 --> 00:39:53,800
It's really well done.
There's flaws.

827
00:39:53,800 --> 00:39:56,300
I think that all of the minor
could supporting characters

828
00:39:56,300 --> 00:39:59,600
could use some development and
maybe better actors.

829
00:39:59,600 --> 00:40:01,900
Yeah.
I think there's issues and the

830
00:40:01,900 --> 00:40:05,800
main minor character is his wife
who has a pretty major role in

831
00:40:05,800 --> 00:40:08,400
the movie.
Sure, but overall, I think that

832
00:40:08,400 --> 00:40:12,800
F Murray Abraham gives in a B
plus to a minus performance.

833
00:40:12,800 --> 00:40:15,300
I think, Tom holsters Phenom.
Yeah idea to he really gives an

834
00:40:15,300 --> 00:40:18,000
A+ perform a duty to this.
So yeah, I would give it an 8.

835
00:40:18,000 --> 00:40:20,900
It's a really Good movie.
Yeah, it's not something that I

836
00:40:20,908 --> 00:40:22,900
would go back and watch again
anytime soon.

837
00:40:22,900 --> 00:40:25,900
Yeah, but it's a good movie.
You know, I had this movie at a

838
00:40:25,908 --> 00:40:28,500
10 on my IMDb and after this
viewing I was like I'm ready to

839
00:40:28,500 --> 00:40:30,500
take her down to an eight.
I don't know if one viewing

840
00:40:30,500 --> 00:40:33,300
should really lower it too far.
But I think for now I'm with you

841
00:40:33,300 --> 00:40:34,500
Brad.
I think I am going to give it an

842
00:40:34,500 --> 00:40:37,100
eight this movie really could
have been 25 to 30 minutes

843
00:40:37,100 --> 00:40:40,000
shorter, but it's definitely
worth seeing and if you have

844
00:40:40,000 --> 00:40:41,700
never seen Amadeus, I'm telling
you.

845
00:40:41,900 --> 00:40:44,300
It's not the kind of movie.
You're probably expecting it's

846
00:40:44,300 --> 00:40:46,500
not really pretentious and
stuffy.

847
00:40:46,600 --> 00:40:48,800
It's a movie that that asks big
questions.

848
00:40:49,000 --> 00:40:50,700
But in a way that's accessible
to people.

849
00:40:50,700 --> 00:40:52,900
Yeah, it's amusing.
It's fun.

850
00:40:52,900 --> 00:40:56,100
It draws you in the drama of the
movie.

851
00:40:56,200 --> 00:41:00,500
Spirals into Insanity in a way
that you don't often see in

852
00:41:00,500 --> 00:41:02,700
movies.
It's really well done.

853
00:41:02,800 --> 00:41:05,100
But there's something about it
that keeps me from giving a 9 or

854
00:41:05,107 --> 00:41:08,700
9 and a half, which would be my
definition of, you got yourself

855
00:41:08,700 --> 00:41:10,000
a heck of a move.
Yeah for sure.

856
00:41:10,000 --> 00:41:11,300
So there's just something about
it.

857
00:41:11,300 --> 00:41:13,600
That keeps it from that level,
but we're still talking about a

858
00:41:13,600 --> 00:41:15,500
movie.
That's an 8 out of 10.

859
00:41:15,600 --> 00:41:17,400
Definitely is a really good
movie.

860
00:41:17,400 --> 00:41:20,000
I think it did deserve better.
S picture and all the other

861
00:41:20,000 --> 00:41:22,100
awards that got.
And I would definitely

862
00:41:22,100 --> 00:41:24,100
recommend.
Well guys, we thank you so much

863
00:41:24,100 --> 00:41:25,500
for hanging in there with us
today.

864
00:41:25,600 --> 00:41:28,400
I want to get us over to
Lexington, Kentucky, where I sat

865
00:41:28,400 --> 00:41:32,300
down with Justin Sloan the owner
and founder of Justin's house of

866
00:41:32,300 --> 00:41:34,100
bourbon.
Let's listen to this interview.

867
00:41:40,300 --> 00:41:41,900
Hey everybody.
Welcome to the podcast.

868
00:41:41,900 --> 00:41:44,900
I am coming to you live from
Lexington, Kentucky.

869
00:41:44,900 --> 00:41:46,900
We are at Justin's house of
bourbon.

870
00:41:46,900 --> 00:41:48,400
I'm sitting here with Justin
Sloan.

871
00:41:48,600 --> 00:41:50,400
Who's the owner of Justin's
house of bourbon?

872
00:41:50,400 --> 00:41:51,500
Justin.
How are you today?

873
00:41:51,700 --> 00:41:52,900
Pretty good.
Get a whiskey in the hand.

874
00:41:52,900 --> 00:41:54,900
That's right.
Yeah, we are day drinking.

875
00:41:54,900 --> 00:41:56,900
So we're doing real.
Well, so no, nyet.

876
00:41:56,900 --> 00:41:59,100
No, no, not even close.
Don't look at the clock.

877
00:41:59,500 --> 00:42:03,700
That's a rookie mistake.
So, Justin is operating one of

878
00:42:03,700 --> 00:42:07,700
the coolest little liquor stores
that I've ever seen, because

879
00:42:07,700 --> 00:42:10,100
it's Solis.
Enter Don Bourbon and they

880
00:42:10,100 --> 00:42:12,200
specialize as well in vintage
Bourbon.

881
00:42:12,500 --> 00:42:13,800
And so I came in here,
yesterday.

882
00:42:13,800 --> 00:42:17,100
We had found them on Instagram
and Justin and I started up a

883
00:42:17,107 --> 00:42:19,900
conversation and he offered very
graciously to have us.

884
00:42:19,900 --> 00:42:22,400
Come in and do a little
interview and he has poured us a

885
00:42:22,408 --> 00:42:24,500
couple nice pores here.
So why don't you tell everybody

886
00:42:24,500 --> 00:42:26,900
what we're sipping on today?
Yeah, right now we're hitting a

887
00:42:27,200 --> 00:42:30,500
the American Spirit 15-year from
Wild Turkey.

888
00:42:30,600 --> 00:42:33,500
It's a limited edition.
They did a few years ago.

889
00:42:33,700 --> 00:42:37,000
Probably is before Campari
bottom, so I can't remember the

890
00:42:37,000 --> 00:42:39,800
year, but came out probably.
Thousand Seven or not seem like

891
00:42:39,800 --> 00:42:43,600
that but it's a fantastic.
Fantastic whiskey.

892
00:42:44,200 --> 00:42:46,500
And we also have a 15-year Knob
Creek a barrel.

893
00:42:46,500 --> 00:42:50,700
Pick that we did recently.
That was pretty, pretty weird

894
00:42:50,700 --> 00:42:53,600
one who picked it.
But to have that many old

895
00:42:53,600 --> 00:42:55,200
barrels.
We ended up with Five Barrels

896
00:42:55,200 --> 00:43:00,300
over 14 years old and 3:15.
So, it worked out great for us.

897
00:43:00,300 --> 00:43:03,600
And we ended up buying them all
and it's a great whiskey, to why

898
00:43:03,600 --> 00:43:05,300
don't we try this American
Spirit?

899
00:43:05,300 --> 00:43:06,100
Cheers?
Yeah.

900
00:43:06,100 --> 00:43:12,900
Cheers to you, sir.
That's everything you want.

901
00:43:12,900 --> 00:43:14,600
No Walter.
I'm sorry.

902
00:43:16,000 --> 00:43:19,800
Wild turkey on steroids.
Yeah, great proof, Justin.

903
00:43:19,800 --> 00:43:21,700
Why don't you tell me a little
bit about the history of this

904
00:43:21,700 --> 00:43:24,700
place and how you got into
collecting vintage burdens as

905
00:43:24,700 --> 00:43:28,900
well?
Start with myself and just was a

906
00:43:28,900 --> 00:43:33,200
hobby that kind of went rogue.
We or I I was buying a bunch of

907
00:43:33,200 --> 00:43:37,000
whiskey and if I liked it, I
would buy multiples and was in

908
00:43:37,000 --> 00:43:41,200
an IT world before this.
And so had a little On the mess

909
00:43:41,200 --> 00:43:45,000
with.
So was fine, whiskey and met my

910
00:43:45,000 --> 00:43:48,100
business partner.
JT the other Justin around town.

911
00:43:48,100 --> 00:43:49,900
He's in Lexington and, and his
brother.

912
00:43:49,900 --> 00:43:53,400
Seth and they their friend, Bob
did the bourbon Review magazine.

913
00:43:53,400 --> 00:43:58,000
So, got him with those guys and
I was planning on taking a

914
00:43:58,000 --> 00:44:02,300
couple years off of work, and I
think two weeks later, I was a

915
00:44:02,300 --> 00:44:05,700
bought into the magazine and
couldn't couldn't hardly stand

916
00:44:05,700 --> 00:44:07,400
it.
So it got got dope into there.

917
00:44:07,400 --> 00:44:11,400
And then whenever we got wind
that house, Bill 100 was going

918
00:44:11,400 --> 00:44:14,400
to be passed.
I approached JT and said, hey,

919
00:44:14,400 --> 00:44:17,000
let's do this.
We've got the wherewithal, we

920
00:44:17,000 --> 00:44:20,400
got the collection and we can do
something really cool that

921
00:44:20,400 --> 00:44:23,800
nobody's done and kind of beat
everybody, the punch, and the

922
00:44:23,800 --> 00:44:26,800
law went into effect January
1st, and we were open February,

923
00:44:26,800 --> 00:44:30,700
like, six or something.
So it's been been a little bit

924
00:44:30,700 --> 00:44:32,600
of fun little ride there.
So we've been open since

925
00:44:32,600 --> 00:44:36,700
February 6, 2018 and and we're
working on a little location

926
00:44:36,700 --> 00:44:39,400
now, so it's a going to be going
to be fun.

927
00:44:39,700 --> 00:44:41,600
I can explain.
A little bit to our non Kentucky

928
00:44:41,600 --> 00:44:43,000
listeners.
What this law?

929
00:44:43,400 --> 00:44:46,800
How it helped you get open?
Oh, it's been such a good thing

930
00:44:46,800 --> 00:44:49,300
for the state.
But basically it allows us to

931
00:44:49,300 --> 00:44:56,800
purchase unopened whiskey or
really spirits that there's a

932
00:44:56,900 --> 00:44:59,800
like, three things are criteria.
Can be open, can't be owned by

933
00:44:59,800 --> 00:45:02,000
Distillery.
So, hence, we couldn't bypass

934
00:45:02,300 --> 00:45:05,900
the distributor and it can't be
available from distributor.

935
00:45:05,900 --> 00:45:09,100
So if it's if it meets those
three criterias, we can buy it

936
00:45:09,100 --> 00:45:12,100
from an unlicensed individuals.
Violin resell it by the poor or

937
00:45:12,100 --> 00:45:14,800
the or the bottle.
Wow, so it opened it up a lot

938
00:45:14,800 --> 00:45:18,300
and I'll tell you the first, you
know, coming into this, I'd say

939
00:45:18,300 --> 00:45:21,700
I would say, you know, half half
the people that came in would be

940
00:45:21,700 --> 00:45:24,200
tourist but it's about 80 to 85
percent of the people that walk

941
00:45:24,200 --> 00:45:26,500
in our door are from out of
town.

942
00:45:26,500 --> 00:45:28,900
So it's been great for towards
more in Lexington.

943
00:45:28,900 --> 00:45:31,400
So can imagine what that's going
to do in Louisville, and, you

944
00:45:31,400 --> 00:45:33,500
know, yesterday, I was sitting
here for probably a half hour

945
00:45:33,500 --> 00:45:35,000
and someone came in from
Chicago.

946
00:45:35,000 --> 00:45:37,400
Yep, and this morning, someone's
already come in from Washington

947
00:45:37,400 --> 00:45:39,200
DC.
So it's really cool.

948
00:45:39,400 --> 00:45:41,500
I mean, tell me, It's like as a
business owner.

949
00:45:41,500 --> 00:45:44,800
To know that people are coming
from far and wide just to shop

950
00:45:44,800 --> 00:45:46,400
in your store.
It's crazy.

951
00:45:46,400 --> 00:45:48,300
And we had a Canada.
I got from Canada yesterday.

952
00:45:48,300 --> 00:45:52,100
So I mean it's a it's pretty,
pretty humbling and pretty cool.

953
00:45:52,100 --> 00:45:54,000
That, you know, obviously we're
getting the word out there.

954
00:45:54,000 --> 00:45:55,500
We don't spend a lot of money on
Advertising.

955
00:45:55,500 --> 00:45:58,800
We let the bottles kind of do
the, do the advertising on

956
00:45:58,800 --> 00:46:01,700
Instagram and, and, and that
kind of stuff.

957
00:46:01,700 --> 00:46:04,200
So it's really cool that the
word is getting out, and I got a

958
00:46:04,207 --> 00:46:07,500
text message from a buddy, who's
a doctor in Illinois yesterday,

959
00:46:07,500 --> 00:46:10,100
and he said, hey, a guy came in
was talking about bourbon.

960
00:46:10,200 --> 00:46:12,300
And who you were and all these.
Like, I thought I was pretty

961
00:46:12,300 --> 00:46:13,700
cool.
I was like, that's pretty cool.

962
00:46:13,700 --> 00:46:16,300
So, I mean, it's the words
getting out there and like I

963
00:46:16,308 --> 00:46:18,900
said, is, you know, you can look
on our views and it's nothing

964
00:46:18,900 --> 00:46:21,800
but five star, five star reviews
on Google Facebook.

965
00:46:21,800 --> 00:46:25,200
And we really pride ourselves
into talking to every customer

966
00:46:25,200 --> 00:46:28,600
that comes in, whether they're
going to spend 10 dollars or

967
00:46:28,600 --> 00:46:31,000
twenty thousand dollars.
We talked on the same.

968
00:46:31,000 --> 00:46:32,500
We spend the same amount of time
with them.

969
00:46:32,600 --> 00:46:35,100
You can, the way our store set
up, you can't walk in without

970
00:46:35,100 --> 00:46:36,000
being greeted.
Yeah.

971
00:46:36,300 --> 00:46:39,500
So we, that's kind of what
we've, you know, instilled in

972
00:46:39,500 --> 00:46:42,500
our Our employees and they do a
fantastic job.

973
00:46:42,500 --> 00:46:46,000
Most of the reviews actually
will mention an employee's name

974
00:46:46,600 --> 00:46:49,100
in the review.
So it's been a, it's been a very

975
00:46:49,100 --> 00:46:51,500
cool thing and humbling thing
there and that the employees

976
00:46:51,500 --> 00:46:54,100
take pride in and doing what
they're doing and it's kind of

977
00:46:54,100 --> 00:46:57,100
given us an edge on on any other
really, you know, little

978
00:46:57,100 --> 00:46:59,900
mom-and-pop liquor stores or the
big guys, but you know, we don't

979
00:46:59,900 --> 00:47:01,200
have to really compete with
those guys.

980
00:47:01,200 --> 00:47:03,500
So we're kind of our own thing.
So it's kind of cool.

981
00:47:03,500 --> 00:47:07,400
Yeah, now obviously the bourbon
boom that we're experiencing is

982
00:47:07,400 --> 00:47:10,500
helping you guys a lot but you
know, my sense is that You are

983
00:47:10,500 --> 00:47:13,800
an OG bourbon Drinker.
And so when you were coming up

984
00:47:13,800 --> 00:47:16,400
and you were starting to collect
all these vintage bottles, like

985
00:47:16,400 --> 00:47:19,600
what was your most prized
possession, man?

986
00:47:19,600 --> 00:47:23,200
I remember just loading up on
the age Taylor tornadoes and

987
00:47:23,200 --> 00:47:25,100
just loving those and just
drinking them.

988
00:47:25,300 --> 00:47:27,400
I mean, I remember events that
we go to and we would just be

989
00:47:27,408 --> 00:47:30,500
drinking out of the bottle.
I mean, that's just it didn't

990
00:47:30,500 --> 00:47:31,800
matter.
We were, you know, we're just

991
00:47:31,800 --> 00:47:34,500
crushing those things.
And, but those, those were the

992
00:47:34,500 --> 00:47:36,100
fun.
Those were the fun times and

993
00:47:36,100 --> 00:47:39,000
stuff like the American Spirit
was on the Shelf, you know, you

994
00:47:39,000 --> 00:47:42,500
could as a new Bourbon, you
know, somebody was getting into

995
00:47:42,500 --> 00:47:43,800
bourbon.
You could find these things on

996
00:47:43,800 --> 00:47:48,900
the shelf and really explore.
What is now harder to explore,

997
00:47:49,100 --> 00:47:52,000
but there was a lot, you know,
less things on the Shelf than

998
00:47:52,000 --> 00:47:53,800
there are today.
I mean, we have a whole wall of

999
00:47:53,800 --> 00:47:55,600
stuff.
That's the new stuff that's out.

1000
00:47:55,600 --> 00:47:57,200
So the Contemporary kind of
stuff.

1001
00:47:57,800 --> 00:48:01,900
So that's very exciting to see
that, you know, this whole thing

1002
00:48:01,900 --> 00:48:05,800
has just blown up as far as the
the options are out there the

1003
00:48:05,800 --> 00:48:08,100
the you can go as expensive or
cheap as you want to.

1004
00:48:08,100 --> 00:48:09,800
There's great bottles for under
30.

1005
00:48:10,100 --> 00:48:12,000
Under 40 bucks.
Something that's a it's

1006
00:48:12,000 --> 00:48:14,600
definitely not like the old days
but it's still, it's still

1007
00:48:14,600 --> 00:48:16,700
really fun.
Yeah, I mean, has it been hard

1008
00:48:16,700 --> 00:48:19,000
to walk that line.
Now as a business owner knowing

1009
00:48:19,000 --> 00:48:22,700
that you have to price stuff it
competitively but also like as a

1010
00:48:22,700 --> 00:48:25,500
bourbon lover to know that some
of these really great Bourbons

1011
00:48:25,500 --> 00:48:29,900
just aren't available anymore.
Yeah, it's tough to price things

1012
00:48:29,900 --> 00:48:31,900
as a business owner.
You know, we have to have

1013
00:48:31,900 --> 00:48:35,000
replacement cost income payroll,
everything because we are doing

1014
00:48:35,000 --> 00:48:36,700
it legal.
So we have to have all that

1015
00:48:36,700 --> 00:48:39,700
stuff built into our cost and it
is discouraging sometimes.

1016
00:48:39,700 --> 00:48:43,200
But At the end of the day, we
don't have a problem selling

1017
00:48:43,200 --> 00:48:45,100
things.
I mean, you know, we it's supply

1018
00:48:45,100 --> 00:48:47,800
and demand and and people are
going to pay for it.

1019
00:48:47,800 --> 00:48:50,500
And if one person one customer,
doesn't pay for it.

1020
00:48:50,500 --> 00:48:53,500
The next one.
Well, so I mean, it's the, you

1021
00:48:53,500 --> 00:48:56,500
know, it's a luxury to be able
to walk in here and find

1022
00:48:56,500 --> 00:48:58,100
anything you want to on the
shelf.

1023
00:48:58,300 --> 00:49:01,400
And some people willing to pay
that some art and it for me,

1024
00:49:01,400 --> 00:49:05,400
it's like I'm happy to be able
to provide that to you know,

1025
00:49:05,400 --> 00:49:08,300
anybody anybody that can come in
and like like I said, we have

1026
00:49:08,300 --> 00:49:11,300
bottles from, you know, $12.
All the way up to 20,000.

1027
00:49:11,300 --> 00:49:15,100
So, you know, we'll find you
something in your Wheelhouse, in

1028
00:49:15,100 --> 00:49:17,700
your, in your budget, and your
palate wherever you want when

1029
00:49:17,700 --> 00:49:20,200
you come in.
Yeah, and it's super encouraging

1030
00:49:20,200 --> 00:49:22,400
to be able to walk into a store
and see the whole line of

1031
00:49:22,400 --> 00:49:25,100
Weller.
What btech or, you know, Pappy

1032
00:49:25,300 --> 00:49:28,700
and it's available for purchase.
It's not just for show.

1033
00:49:28,900 --> 00:49:31,300
So what you guys are doing here
is fantastic.

1034
00:49:31,300 --> 00:49:33,700
And I don't mean to hit pause on
our interview.

1035
00:49:33,700 --> 00:49:36,500
Yeah, but I am itching to try
this Knob Creek.

1036
00:49:37,900 --> 00:49:39,600
It's a good one.
So now, this is a barrel pick

1037
00:49:39,600 --> 00:49:40,900
that you all did.
It's a barrel.

1038
00:49:40,900 --> 00:49:43,300
Pick, we did.
Yeah, so we like I said, we

1039
00:49:43,300 --> 00:49:44,700
picked Five Barrels.
I think.

1040
00:49:44,700 --> 00:49:47,400
And, and we've got some chugging
there.

1041
00:49:47,800 --> 00:49:51,000
But we were lucky enough to get
it early in the year, when a

1042
00:49:51,000 --> 00:49:54,800
bunch of them were were coming
out and at the older age

1043
00:49:54,800 --> 00:49:56,300
statement.
Now, I think they're all back to

1044
00:49:56,300 --> 00:49:59,100
not attend every now and you'll
get a 15 or 14 thrown in there.

1045
00:49:59,100 --> 00:50:04,400
But man, it's a 450, you know,
56 58 bucks.

1046
00:50:04,400 --> 00:50:06,000
A bottle.
It's incredible.

1047
00:50:06,000 --> 00:50:07,700
I can't believe that's what
y'all are going to price this

1048
00:50:07,700 --> 00:50:10,600
at.
Yeah, so and then that What we

1049
00:50:10,600 --> 00:50:14,000
we price them all but I think
starting July 1st, the the price

1050
00:50:14,000 --> 00:50:16,200
of Knob creaks going up little
Insider information.

1051
00:50:16,200 --> 00:50:20,100
There are 88 dollars a bottle is
going up Kentucky and 16

1052
00:50:20,800 --> 00:50:22,500
Nationwide.
So I'll side of Kentucky.

1053
00:50:22,500 --> 00:50:25,700
Yeah, so get by Knob Creek now
before they goes up I just to

1054
00:50:25,700 --> 00:50:28,300
make you all jealous.
This is I mean just on the nose.

1055
00:50:28,300 --> 00:50:32,200
It's just a bomb of maple syrup
and brown sugar and I cannot

1056
00:50:32,200 --> 00:50:34,500
this is this might be the most
special whiskey we've had on the

1057
00:50:34,508 --> 00:50:36,600
podcast so far.
So I'm going to make sure to rub

1058
00:50:36,600 --> 00:50:39,800
it in to my co-host Brad, but
let's give this a taste.

1059
00:50:43,600 --> 00:50:45,200
Oh, yeah.
Oh my goodness.

1060
00:50:45,400 --> 00:50:47,800
That might be one of the better
ones we've brought in now.

1061
00:50:47,800 --> 00:50:50,000
Is this a barrel proof as well?
That's 120 proof.

1062
00:50:50,000 --> 00:50:51,600
Well, they they brought it down
a little bit.

1063
00:50:51,600 --> 00:50:54,300
I can't remember.
Going going when we did the

1064
00:50:54,300 --> 00:50:57,100
barrel that probably was, you
know, probably close to a

1065
00:50:57,100 --> 00:50:59,200
hundred thirty or so and they
probably brought it down.

1066
00:50:59,600 --> 00:51:00,500
Yeah.
This is great.

1067
00:51:00,500 --> 00:51:02,700
Really smooth?
Really Smoky on the, thank you.

1068
00:51:02,800 --> 00:51:04,900
Great.
So Justin, as you guys look to

1069
00:51:04,900 --> 00:51:06,900
expand, you know, you said,
you're starting another

1070
00:51:07,100 --> 00:51:09,500
franchise out in Louisville.
What do you what are your

1071
00:51:09,500 --> 00:51:10,800
Ambitions?
What are your hopes for the

1072
00:51:10,800 --> 00:51:13,400
house of bourbon?
Man, we're really kind of locked

1073
00:51:13,400 --> 00:51:15,700
into Kentucky and we could go to
a couple different markets.

1074
00:51:15,700 --> 00:51:19,800
But right now we're just want to
focus on on servicing Kentucky

1075
00:51:19,800 --> 00:51:21,400
and the tourists that come to
Kentucky.

1076
00:51:22,300 --> 00:51:25,500
Louisville was not expected to
be this soon after we open

1077
00:51:25,500 --> 00:51:29,200
Lexington.
But we, you know, were fortunate

1078
00:51:29,200 --> 00:51:32,200
enough to be very successful
here and want to expand to

1079
00:51:32,200 --> 00:51:35,700
Louisville and and kind of dive
into that the bourbon culture

1080
00:51:35,700 --> 00:51:37,100
there, which is such a great
City.

1081
00:51:37,100 --> 00:51:41,500
Such a great growing bourbon Hub
and probably Ground Zero for

1082
00:51:41,700 --> 00:51:43,700
for, for most of bourbon things
that are going on.

1083
00:51:43,700 --> 00:51:47,100
So it's a, it's exciting to go
to go there and expand, but

1084
00:51:47,100 --> 00:51:48,800
after that, I'm not, not really
sure.

1085
00:51:48,800 --> 00:51:50,700
We don't really have haven't
looked too far ahead.

1086
00:51:50,700 --> 00:51:54,000
We want to get want to get level
up and going and see if we can

1087
00:51:54,000 --> 00:51:57,300
handle a little Bland Lexington.
That's what it's a little scary.

1088
00:51:58,500 --> 00:51:59,700
Well, I have to say, first of
all.

1089
00:51:59,700 --> 00:52:01,000
Justin.
Thank you so much for your

1090
00:52:01,000 --> 00:52:02,300
hospitality.
Thank you for this.

1091
00:52:02,300 --> 00:52:04,900
Wonderful burden.
Thank you guys for coming in if

1092
00:52:04,900 --> 00:52:07,400
you are ever in Lexington.
Kentucky, if you're ever looking

1093
00:52:07,400 --> 00:52:10,200
for a specialty bourbon, or you
just want to talk to a couple

1094
00:52:10,200 --> 00:52:13,900
guys who know everything about,
Out this product, come down to

1095
00:52:13,900 --> 00:52:16,200
Justin's house of bourbon.
It's right downtown.

1096
00:52:16,400 --> 00:52:19,300
They and they will absolutely
find what you are looking for.

1097
00:52:19,300 --> 00:52:21,900
And it's going to be available
either on their shelf or in

1098
00:52:21,900 --> 00:52:23,800
their bar.
So, Justin Sloan, thank you so

1099
00:52:23,800 --> 00:52:26,000
much for getting the podcast.
Thank you so much for having me.

1100
00:52:26,100 --> 00:52:27,300
Look forward to seeing you guys
again.

1101
00:52:33,000 --> 00:52:35,000
So that was Justin's house of
bourbon Brad.

1102
00:52:35,000 --> 00:52:36,000
Seriously.
Cool.

1103
00:52:36,000 --> 00:52:39,200
Cool place.
I next time I am in Lexington.

1104
00:52:39,200 --> 00:52:41,000
I will be getting out to
Justin's house of bourbon.

1105
00:52:41,000 --> 00:52:43,400
Absolutely.
Lee Justin gave us that bottle

1106
00:52:43,400 --> 00:52:46,500
of Knob Creek, 15 year and I
brought some up for Brad to try.

1107
00:52:46,600 --> 00:52:49,200
I cannot wait for you to pop the
cork on that bad boy.

1108
00:52:49,200 --> 00:52:52,200
I am super excited to try that
next week.

1109
00:52:52,200 --> 00:52:55,400
We're going to be back talking
about the 1954 Best Picture

1110
00:52:55,400 --> 00:52:58,700
Winner on the waterfront.
We're on weirdest on a best

1111
00:52:58,700 --> 00:53:00,200
picture.
We are, we're finally back in

1112
00:53:00,200 --> 00:53:01,900
the Oscar race, meant for the
film.

1113
00:53:01,900 --> 00:53:03,500
And whiskey podcast.
I'm Bob book.

1114
00:53:03,500 --> 00:53:05,400
I'm Reggie.
We'll see you next time.