Amadeus / Redbreast 12 (with Bonus Interview)
As it celebrates the big 3-5, Bob and Brad look at 1984's best Picture winner, Amadeus. This is a film that's still extremely well-regarded, even though it seems a lot of people haven't heard of it. The guys discuss whether it holds up, whether it's as stuffy as the subject matter suggests, and just what on earth is going on with those american accents.
Along the way, they dissect director Milos Forman's decision to create a director's cut of the film and yank the original cut completely from home video circulation. Should directors be allowed to limit the public's access to theatrical versions of their films?
Also, who gives the better performance: F. Murray Abraham as Salieri or Tom Hulce as Mozart?
Meanwhile, they return to Ireland to try Redbreast 12, an absolute classic of Irish whiskey. But at a steep price and at only 80-proof, is it worth it?
Finally, enjoy a bonus interview with Justin Sloan, founder and owner of Justins' House of Bourbon, the coolest liquor store in Lexington, KY.
0:00 - Intro and Initial Thoughts
23:30 - Redbreast 12 Review
31:00 - Analysis and Final Thoughts
41:35 - Interview with Justin Sloan, Justins' House of Bourbon
Film & Whiskey Podcast. New episodes every Monday.
Film & Whiskey Instagram
Film & Whiskey Facebook
Film & Whiskey Twitter
Call-in Line: (216) 800-5923
Email us!
Theme music: "New Shoes" by Blue Wednesday
Sound effects via Daniel Simion and espectral
00:00:00,800 --> 00:00:04,000
In 1984 director, Milos Forman
and star F.
2
00:00:04,000 --> 00:00:07,200
Murray Abraham gave the world a
scandalous foray into the
3
00:00:07,200 --> 00:00:10,400
legendary life of Wolfgang
Amadeus.
4
00:00:10,400 --> 00:00:13,800
Mozart in 2019.
We returned to Europe to try one
5
00:00:13,800 --> 00:00:15,700
of Ireland's.
Most famous whiskeys.
6
00:00:16,300 --> 00:00:19,700
The film is Amadeus.
The whiskey is redbreast 12 and
7
00:00:19,700 --> 00:00:23,600
we'll review them both.
This is the film and whiskey
8
00:00:23,600 --> 00:00:43,300
podcast.
Welcome to the film and whiskey
9
00:00:43,300 --> 00:00:46,000
podcast, where each week, we
review a classic movie and a
10
00:00:46,008 --> 00:00:47,600
glass of whiskey.
I'm Bob book.
11
00:00:47,600 --> 00:00:49,100
I'm Reggie.
And this week.
12
00:00:49,100 --> 00:00:52,700
We are looking at the 1984 film
Amadeus.
13
00:00:52,800 --> 00:00:57,000
Now, this is the 35th
anniversary of the, this Oscar
14
00:00:57,000 --> 00:00:59,300
award-winning film 35 years.
Yeah.
15
00:00:59,400 --> 00:01:02,900
That's a really long time.
Hey, It really is one might say
16
00:01:02,900 --> 00:01:05,800
it's 35 rotations of the Earth
around the Sun.
17
00:01:06,000 --> 00:01:08,200
Indeed, today.
We're actually coming to you
18
00:01:08,200 --> 00:01:12,300
from live from Brad's house
spreads, how it is a beautiful
19
00:01:12,300 --> 00:01:13,900
summer day.
So we decided to sit out on the
20
00:01:13,908 --> 00:01:16,200
patio and try some whiskey
today.
21
00:01:16,200 --> 00:01:19,600
We are super excited to try some
redbreast. 12-year, as you all
22
00:01:19,600 --> 00:01:22,700
know, Irish whiskey is the best.
So, I'm really curious to try
23
00:01:22,700 --> 00:01:24,300
this out.
Yeah, we've just come off of our
24
00:01:24,300 --> 00:01:27,100
summer of bourbon six, straight
weeks of bourbon, and this is
25
00:01:27,100 --> 00:01:31,100
our first week returning to
other whiskies, and The fact
26
00:01:31,100 --> 00:01:33,500
that we're done with the summer
of bourbon, we're right in the
27
00:01:33,500 --> 00:01:39,600
middle of the bonus Bonanza,
bonus Bonanza.
28
00:01:39,800 --> 00:01:42,300
So we're coming at you, with
five straight weeks of bonus
29
00:01:42,300 --> 00:01:44,800
content, as you know, by now,
it's going to be wonderful.
30
00:01:44,800 --> 00:01:47,700
We hope that you're enjoying
both the bobbin Brad bonus
31
00:01:47,700 --> 00:01:50,200
episodes as well as the my
favorite movie episodes.
32
00:01:50,600 --> 00:01:51,500
Today.
We're actually going to do
33
00:01:51,500 --> 00:01:53,000
something a little different
with the episode.
34
00:01:53,200 --> 00:01:54,900
We're going to go a little bit
shorter today.
35
00:01:55,100 --> 00:01:58,100
I'm sure some of you are already
rejoicing about that, but at the
36
00:01:58,100 --> 00:02:00,400
end of today's episode, we are
going to throw.
37
00:02:00,500 --> 00:02:03,100
Over to an interview.
We conducted down in Lexington,
38
00:02:03,100 --> 00:02:06,200
Kentucky with a great retailer
called, Justin's house of
39
00:02:06,200 --> 00:02:09,199
bourbon.
They specialize in unique and
40
00:02:09,199 --> 00:02:13,700
they are purveyors of fine,
whiskey, that's right, vintage.
41
00:02:13,800 --> 00:02:15,200
That was the word.
I was thinking of vintage
42
00:02:15,200 --> 00:02:17,500
vintage whiskey.
So, so, we're going to wrap up a
43
00:02:17,500 --> 00:02:19,600
little bit quicker today, but
please stick around and listen
44
00:02:19,600 --> 00:02:22,100
to our interview with Justin.
Sloan from Justin's house of
45
00:02:22,100 --> 00:02:24,700
bourbon.
All right, but back to Amadeus,
46
00:02:25,300 --> 00:02:27,700
Brad.
The million-dollar question, had
47
00:02:27,700 --> 00:02:30,400
you seen this movie before this
viewing.
48
00:02:30,500 --> 00:02:34,000
I had never heard of this movie
until I saw it on the list that
49
00:02:34,000 --> 00:02:35,800
you gave me.
Yeah, it's kind of funny because
50
00:02:35,800 --> 00:02:37,800
I feel like people who have seen
this movie.
51
00:02:38,400 --> 00:02:41,900
Really hold it in high regard,
but it kind of I mean, it's A
52
00:02:41,900 --> 00:02:43,900
Hard Sell.
It's a movie about classical
53
00:02:43,900 --> 00:02:45,900
music.
It's not like it's you know,
54
00:02:45,900 --> 00:02:48,600
Bohemian Rhapsody where you can
just sell somebody on the idea.
55
00:02:48,600 --> 00:02:50,500
Freddy Mercury Bob.
Can you tell me how much you
56
00:02:50,500 --> 00:02:52,800
loved the movie?
Bohemian Rhapsody me, and
57
00:02:52,800 --> 00:02:55,000
Rhapsody is my favorite film of
all time.
58
00:02:55,000 --> 00:02:56,100
Brad.
Wow.
59
00:02:56,100 --> 00:02:58,300
Yeah, it beat out Casablanca.
It really did.
60
00:02:58,400 --> 00:03:00,400
Yeah.
Can you like really delve?
61
00:03:00,500 --> 00:03:03,900
Vin to the depth of the
characters portrayed and I don't
62
00:03:03,900 --> 00:03:06,900
think a movie has ever been
better written than Bohemian
63
00:03:06,900 --> 00:03:09,200
Rhapsody, man.
We should probably do this next
64
00:03:09,200 --> 00:03:11,900
week.
I think we should, or we could
65
00:03:11,900 --> 00:03:13,900
just stick to Amadeus because
it's a million times better.
66
00:03:13,900 --> 00:03:16,600
So here's the thing, the problem
with Amadeus.
67
00:03:16,700 --> 00:03:19,200
Let's hear it.
It's just too long.
68
00:03:19,300 --> 00:03:21,800
It's a long movie.
It's a really long movie.
69
00:03:21,800 --> 00:03:25,300
And in my mind, I feel like you
could cut out, 30 minutes of
70
00:03:25,300 --> 00:03:28,100
this and it would be a great
movie.
71
00:03:28,100 --> 00:03:30,400
You know, what's funny is I have
always really, really like.
72
00:03:30,600 --> 00:03:33,500
Smoothie and I sat down to watch
it with my wife and I said, all
73
00:03:33,500 --> 00:03:34,800
right.
Listen, it's 2 hours and 40
74
00:03:34,800 --> 00:03:37,600
minutes long and at the end of
it I said wow, I still really
75
00:03:37,600 --> 00:03:39,800
like this movie but a half-hour
was the number.
76
00:03:39,800 --> 00:03:42,900
I came up with to, it could have
had 30 minutes Less in it and it
77
00:03:42,900 --> 00:03:46,400
would have been nearly perfect.
Yeah, I remember I got it on an
78
00:03:46,400 --> 00:03:51,100
old-school DVD and I actually
had to switch the DVD to the
79
00:03:51,100 --> 00:03:54,100
other side to finish it.
Yeah, and so like literally on
80
00:03:54,100 --> 00:03:56,600
the tracker, the bottom and said
that I had an hour and 47
81
00:03:56,600 --> 00:03:58,300
minutes when I put on the other
side.
82
00:03:58,300 --> 00:04:00,400
And it said that I had like 59
minutes.
83
00:04:00,500 --> 00:04:03,400
Left.
I was just like, oh man, I need
84
00:04:03,400 --> 00:04:05,200
a drink.
So here's the funny thing.
85
00:04:05,200 --> 00:04:08,100
You know, I actually made sure
that Brad got the old-school DVD
86
00:04:08,100 --> 00:04:11,600
because this movie when it came
out in 1984, it clocked in at 2
87
00:04:11,600 --> 00:04:15,400
hours and 40 minutes in 2002.
The director Milos Forman, had
88
00:04:15,400 --> 00:04:19,200
the opportunity to create a
director's cut and he did and he
89
00:04:19,200 --> 00:04:21,800
screwed the pooch.
He upped it to three hours in
90
00:04:21,800 --> 00:04:23,900
length.
He added 20 minutes of material.
91
00:04:24,000 --> 00:04:26,600
Now, there's one scene that was
cut out, that a lot of people
92
00:04:26,600 --> 00:04:30,300
think, was kind of a key scene
where the main character of the
93
00:04:30,500 --> 00:04:35,000
Salieri kind of humiliates and
shames and Sadducees Mozart's
94
00:04:35,000 --> 00:04:38,900
wife, and we'll get into that
the the scene where that's been
95
00:04:39,100 --> 00:04:42,700
deleted from, but the rest of
it, I've been told, is not even
96
00:04:42,700 --> 00:04:44,500
worth it at three hours in
length.
97
00:04:44,700 --> 00:04:47,200
And so I said, Brad, listen, if
you don't want to be watching
98
00:04:47,200 --> 00:04:49,700
this movie for three hours, you
need to go to the library and
99
00:04:49,700 --> 00:04:52,300
find the old two hour and 40
minute version, because you
100
00:04:52,300 --> 00:04:54,100
can't find it on DVD or Blu-ray
anymore.
101
00:04:54,200 --> 00:04:55,800
They only released the three
hour version.
102
00:04:56,000 --> 00:04:57,800
Yeah.
I think that directors cuts are
103
00:04:57,800 --> 00:05:00,800
really interesting beasts.
Yeah, because sometimes You do
104
00:05:00,800 --> 00:05:03,300
get into a movie that, you know,
and love.
105
00:05:03,500 --> 00:05:06,500
And you're like, wow, like I
wish that this had been in the
106
00:05:06,500 --> 00:05:10,200
original showing sure.
But for whatever reason, whether
107
00:05:10,200 --> 00:05:13,600
it's Studio pressure, or you
know, time crunch, they're not
108
00:05:13,600 --> 00:05:16,800
always able to finish it the way
that they want to, but the
109
00:05:16,800 --> 00:05:19,300
problem is a lot of times you
get into directors cuts and it's
110
00:05:19,400 --> 00:05:21,600
it feels like the directors just
indulging themselves.
111
00:05:21,600 --> 00:05:23,600
Yeah, absolutely.
Well and I think that what
112
00:05:23,600 --> 00:05:26,100
really bothers me about this
director's cut is that this
113
00:05:26,100 --> 00:05:29,500
movie won Best Picture?
This movie was on the original
114
00:05:29,500 --> 00:05:32,800
AFI top. 100 list and it wasn't
the director's cut.
115
00:05:32,800 --> 00:05:36,200
It was the 2 hour and 40 minute
version and in addition to best
116
00:05:36,200 --> 00:05:38,400
picture, this movie actually won
eight Oscars.
117
00:05:38,700 --> 00:05:40,800
That's amazing.
Yeah, it's only one picture.
118
00:05:40,900 --> 00:05:43,400
Can I can I guess let's do it
costume.
119
00:05:43,800 --> 00:05:46,900
It one costumes.
Well, I guess it wouldn't be
120
00:05:46,907 --> 00:05:49,500
original music because yeah, it
didn't win for music.
121
00:05:49,500 --> 00:05:52,200
Okay.
Did any of the actors win?
122
00:05:52,300 --> 00:05:58,000
Yes, I'm gonna guess that
scalieri or F Murray Abraham one
123
00:05:58,000 --> 00:06:00,000
supporting actor.
No best actor.
124
00:06:00,100 --> 00:06:01,300
He won.
Beth Murray, Abraham.
125
00:06:01,300 --> 00:06:03,800
Best actor idea?
See I didn't know if they would
126
00:06:03,800 --> 00:06:07,100
classify him or Tom whole says
as the main actor.
127
00:06:07,100 --> 00:06:08,500
Yeah.
So this is one of those rare
128
00:06:08,500 --> 00:06:11,300
years where both of the lead
actors were competing against
129
00:06:11,300 --> 00:06:13,700
each other for best actor.
See ya.
130
00:06:13,700 --> 00:06:14,400
I was right?
Yeah.
131
00:06:14,400 --> 00:06:16,900
It happens sometimes.
Well, that's really what else
132
00:06:16,900 --> 00:06:18,500
did It win?
So it won best, picture Best
133
00:06:18,500 --> 00:06:22,600
Director, best adapted,
screenplay best actor, best art
134
00:06:22,600 --> 00:06:25,800
Direction and costumes, and
sound, and makeup.
135
00:06:26,000 --> 00:06:28,000
And that we Define art
Direction.
136
00:06:28,300 --> 00:06:30,300
It's also been called set
Direction in the past.
137
00:06:30,500 --> 00:06:34,100
Kind of like everything on
screen if a character lives in
138
00:06:34,100 --> 00:06:36,400
an apartment, it's how they
decorate the apartment.
139
00:06:36,400 --> 00:06:38,300
You know, it's is there a bag of
chips on top of the
140
00:06:38,300 --> 00:06:40,200
refrigerator?
All those decisions are made by
141
00:06:40,200 --> 00:06:42,400
somebody on set and that's
considered part of the art
142
00:06:42,400 --> 00:06:43,400
Direction.
Okay.
143
00:06:43,600 --> 00:06:45,500
So Brad, you said, you'd never
even heard of this movie.
144
00:06:45,500 --> 00:06:47,300
Before we sat down to watch at
this time.
145
00:06:47,600 --> 00:06:49,800
Is there another movie called
asmodeus?
146
00:06:49,900 --> 00:06:53,100
I don't think so about a snake.
No, because when I when I first
147
00:06:53,100 --> 00:06:55,100
saw the title for this, I would
get thought it was going to be
148
00:06:55,100 --> 00:06:59,600
like a suspense horror film
about like a giant snake like
149
00:06:59,600 --> 00:07:02,000
chasing people.
All down and killing them before
150
00:07:02,000 --> 00:07:04,100
we hit record.
We had to remind Brad, that the
151
00:07:04,100 --> 00:07:07,800
name of the movie is actually
Amadeus and not asmodeus as you
152
00:07:07,808 --> 00:07:11,000
like to call it.
I'm just gonna just walk on the.
153
00:07:11,000 --> 00:07:14,200
That's the Wolfgang.
Amadeus Mozart.
154
00:07:14,300 --> 00:07:19,300
So when you sat down to watch
Amadeus, what I did not watch
155
00:07:19,300 --> 00:07:21,800
any such movie, what were your
thoughts going into it?
156
00:07:21,800 --> 00:07:24,900
What were you expecting?
I really didn't know what to
157
00:07:24,900 --> 00:07:27,700
expect.
I definitely was not expecting
158
00:07:27,800 --> 00:07:29,500
Mozart to laugh, the way he
left.
159
00:07:29,600 --> 00:07:32,900
Yeah that I just don't know if I
don't know.
160
00:07:32,900 --> 00:07:34,600
Is there any historical proof
that he laughed?
161
00:07:34,600 --> 00:07:36,700
I don't think so donkey.
There's not a lot of historical
162
00:07:36,700 --> 00:07:38,900
proof that anything that
happened in this movie happened.
163
00:07:39,000 --> 00:07:42,100
Oh, that's good to know, because
it was a very interesting movie
164
00:07:42,100 --> 00:07:44,800
to say the least.
Yeah, so going into the movie,
165
00:07:45,200 --> 00:07:47,200
while forget going into the
movie.
166
00:07:47,300 --> 00:07:48,700
We should probably just do
brushes.
167
00:07:48,700 --> 00:07:50,000
Do Brad explains.
Yeah.
168
00:07:50,500 --> 00:07:53,200
I should probably explain this
movie for about 2 hours and 47
169
00:07:53,200 --> 00:07:53,700
minutes.
I think.
170
00:07:53,700 --> 00:07:56,800
So, it might take that long
except to explain everything
171
00:07:56,800 --> 00:07:59,400
that happens.
The very shortest synopsis is
172
00:07:59,400 --> 00:08:03,400
this is supposedly Lee a story
about the life of Wolfgang
173
00:08:03,400 --> 00:08:08,000
Amadeus Mozart, however, it's a
story that is told Through The
174
00:08:08,000 --> 00:08:13,100
Eyes of one of his main Rivals.
His musical Rivals, scalieri,
175
00:08:13,100 --> 00:08:14,800
salieri, salieri.
Yep.
176
00:08:14,800 --> 00:08:17,400
Okay.
So salieri is this Italian guy
177
00:08:17,400 --> 00:08:23,500
who is the court composer in
Austria for the emperor?
178
00:08:24,700 --> 00:08:28,600
Ed Rooney and Rooney.
What's the name of the emperor?
179
00:08:28,900 --> 00:08:30,900
Yes forever.
Rooney.
180
00:08:31,000 --> 00:08:34,000
It's just so funny to see the
guy from Ferris, Bueller, that
181
00:08:34,000 --> 00:08:36,000
cast, the emperor that threw me
off.
182
00:08:36,000 --> 00:08:37,500
Like when I saw him, come on
screen.
183
00:08:37,500 --> 00:08:39,500
I was like, wait a second.
Is that?
184
00:08:39,500 --> 00:08:41,100
Yeah, is that principal Rooney?
Yeah.
185
00:08:42,100 --> 00:08:45,600
So anyways, it's about their
rivalry over the years and how
186
00:08:45,600 --> 00:08:50,800
salieri is a older musician, who
realizes the Brilliance of
187
00:08:50,800 --> 00:08:55,700
Mozart, and he spends his entire
life trying to ruin Mozart's
188
00:08:55,700 --> 00:08:59,100
career.
And according to him at the end.
189
00:08:59,200 --> 00:09:02,900
He kills most Mozart rights.
And so the whole movie is told
190
00:09:02,900 --> 00:09:07,900
as a flashback salieri is in a
prison Asylum, basically, Alec
191
00:09:07,900 --> 00:09:11,300
an insane, asylum in insane,
asylum, and he is giving his
192
00:09:11,300 --> 00:09:14,400
confession to a priest.
Yep, and he's talking about all
193
00:09:14,400 --> 00:09:17,000
the different things that they
did and how poorly he treated
194
00:09:17,000 --> 00:09:21,000
Mozart and how he pretended to
befriend him and the internal
195
00:09:21,000 --> 00:09:22,700
struggle that that brought.
Yeah.
196
00:09:23,300 --> 00:09:25,900
It was really well done.
Yeah, so I want to talk for a
197
00:09:25,900 --> 00:09:28,600
second about Milos Forman, the
director of this movie.
198
00:09:28,700 --> 00:09:32,100
He actually Very famous in
Hollywood at this point, because
199
00:09:32,100 --> 00:09:35,100
he directed in 1975.
He did the movie One.
200
00:09:35,100 --> 00:09:37,000
Flew Over the Cuckoo's Nest,
with Jack Nicholson.
201
00:09:37,000 --> 00:09:40,000
And this was kind of like his
big return to form.
202
00:09:40,000 --> 00:09:43,100
And what I love about what
Foreman does in this movie is
203
00:09:43,100 --> 00:09:45,100
you could tell he's kind of
having fun.
204
00:09:45,100 --> 00:09:48,500
Like there's some kind of like
weird sadistic jokes going on.
205
00:09:48,500 --> 00:09:50,700
In this movie.
There's there's a moment where
206
00:09:50,700 --> 00:09:54,400
salieri as the old man talking
to the priest is talking about
207
00:09:54,400 --> 00:09:57,800
his childhood and how his dad
was really hard and oppressive
208
00:09:57,800 --> 00:10:00,100
on him and then he says, and you
know what?
209
00:10:00,400 --> 00:10:04,200
And next a miracle and cut to
his dad's dead.
210
00:10:04,300 --> 00:10:06,900
Yeah, and it's like this joyous
music.
211
00:10:06,900 --> 00:10:10,800
Yeah, and I think it's really
cool to see how Foreman isn't
212
00:10:10,800 --> 00:10:12,500
taking the sub.
It's really serious subject
213
00:10:12,500 --> 00:10:16,700
matter, but he finds ways to be
really playful with it in almost
214
00:10:16,700 --> 00:10:18,200
like perverse ways.
Yeah.
215
00:10:18,200 --> 00:10:20,600
And one of the one of my
favorite things about the movie
216
00:10:21,100 --> 00:10:26,800
is that the way he used the
classical music, truly portrayed
217
00:10:26,800 --> 00:10:31,200
it in the best sense possible.
So that You could you could
218
00:10:31,200 --> 00:10:34,900
understand why classical music
has been a thing for hundreds
219
00:10:34,900 --> 00:10:37,100
and hundreds of years.
Yep, the way he used it,
220
00:10:37,100 --> 00:10:39,700
especially in that scene where
you know, salieri says that his
221
00:10:39,700 --> 00:10:43,500
dad died and they give that
Triumph and bit of music.
222
00:10:43,500 --> 00:10:47,900
It's almost it's just perfect if
it's everything that he did.
223
00:10:47,900 --> 00:10:51,600
And so I think really the reason
this movie won Best Picture in
224
00:10:51,600 --> 00:10:55,100
my mind would be because the
music was used.
225
00:10:55,100 --> 00:10:57,900
So perfect.
Yeah, to illustrate and
226
00:10:57,900 --> 00:11:00,200
illuminate, where the characters
were at.
227
00:11:00,400 --> 00:11:03,400
At any point in the movie?
This like this.
228
00:11:03,400 --> 00:11:06,100
Seems like the kind of movie,
that would come across really
229
00:11:06,100 --> 00:11:08,500
pretentious, and stuffy.
But for sure, you know what I
230
00:11:08,508 --> 00:11:11,800
mean, but then, you turn it on
and there's fart jokes and no
231
00:11:11,800 --> 00:11:14,800
one's talking with an accent.
Everyone has an American accent,
232
00:11:14,800 --> 00:11:17,100
right?
And I think Foreman is doing
233
00:11:17,100 --> 00:11:20,100
this thing where he wants this
movie to be as accessible as
234
00:11:20,100 --> 00:11:23,300
possible because in order to
take you to some of the darker,
235
00:11:23,300 --> 00:11:26,400
more theological things that are
going on in the story that you
236
00:11:26,400 --> 00:11:28,000
have to be on board from the
beginning.
237
00:11:28,400 --> 00:11:29,700
And that's kind of what I love
about it is.
238
00:11:29,708 --> 00:11:32,400
It's like, We don't care about
historical accuracy.
239
00:11:32,500 --> 00:11:34,200
We're not going to be speaking a
different language.
240
00:11:34,200 --> 00:11:36,200
No one's going to have an
accent, but you're going to be
241
00:11:36,200 --> 00:11:37,700
along for the ride anyway,
right.
242
00:11:37,700 --> 00:11:41,200
And then like, I could see
somebody doing this movie in
243
00:11:41,500 --> 00:11:47,600
2019 or 2020 and doing it all in
German and Italian.
244
00:11:47,600 --> 00:11:50,400
Yeah, and you know speaking
those languages and I could see
245
00:11:50,400 --> 00:11:53,600
it being a really beautiful
artistic movie, but I couldn't
246
00:11:53,600 --> 00:11:55,600
see it winning best picture.
No, not at all.
247
00:11:56,400 --> 00:11:58,900
So I do want to talk about the
story a little bit because this
248
00:11:58,900 --> 00:12:01,900
this was adapted from From a
play, which had been really
249
00:12:01,900 --> 00:12:05,100
successful play and the author
of the play, actually adapted it
250
00:12:05,100 --> 00:12:08,800
to the screenplay this movie
from like the first minute,
251
00:12:08,800 --> 00:12:12,200
almost is a movie.
That's about someone's
252
00:12:12,200 --> 00:12:15,100
relationship with God.
F Murray Abraham who plays
253
00:12:15,100 --> 00:12:21,700
salieri he's talking about how
he saw in Mozart God's gifts of
254
00:12:21,700 --> 00:12:24,600
Music, perfected, and he become
so enraged.
255
00:12:24,600 --> 00:12:26,400
And so jealous.
Because he'd been trying to
256
00:12:26,400 --> 00:12:30,200
please God with his gift for so
long and he realizes he's not as
257
00:12:30,200 --> 00:12:31,600
good.
Is Mozart that.
258
00:12:31,600 --> 00:12:35,400
He vows not to make Mozart his
enemy, but to make God his enemy
259
00:12:35,700 --> 00:12:39,800
and in order to kind of get one
over on God, he wants to destroy
260
00:12:39,800 --> 00:12:43,300
Mozart and prove that he can win
against God.
261
00:12:43,600 --> 00:12:46,400
Yeah.
He essentially turns Mozart into
262
00:12:46,400 --> 00:12:51,200
the Paragon of God, like the the
the champion that God has sent
263
00:12:51,200 --> 00:12:53,000
to this earth to represent
himself.
264
00:12:53,000 --> 00:12:56,400
Yeah sure.
And he had a misconceived notion
265
00:12:56,400 --> 00:13:00,100
that he was supposed to be that
champion that he was supposed
266
00:13:00,100 --> 00:13:02,100
to.
Be the one representing God's
267
00:13:02,100 --> 00:13:07,100
musical genius on this Earth and
then he runs into Mozart and 10
268
00:13:07,100 --> 00:13:10,100
seconds later.
He just realizes I can never
269
00:13:10,100 --> 00:13:12,900
come close to this to this young
man's genius.
270
00:13:12,900 --> 00:13:14,700
It's true.
And there's something about this
271
00:13:14,700 --> 00:13:19,200
that like I related very deeply
to salieri because having run
272
00:13:19,200 --> 00:13:21,500
track for 10 years.
All through middle school, high
273
00:13:21,500 --> 00:13:26,100
school and college.
You come to realize that it's at
274
00:13:26,100 --> 00:13:28,200
some point.
I could train like an Olympic
275
00:13:28,200 --> 00:13:30,200
Athlete.
I could train six days a week.
276
00:13:30,700 --> 00:13:32,600
You know two or three workouts a
day.
277
00:13:32,600 --> 00:13:36,400
I could have all the nutrition.
I could do everything right and
278
00:13:36,400 --> 00:13:38,600
yet some people are still just
going to be faster.
279
00:13:38,600 --> 00:13:40,800
Yeah, and they could just roll
out of the track eating a Big
280
00:13:40,800 --> 00:13:41,500
Mac.
Yes.
281
00:13:41,500 --> 00:13:43,600
Run circles around and just run
circles around me.
282
00:13:43,600 --> 00:13:46,100
Absolutely.
And I think that's kind of where
283
00:13:46,100 --> 00:13:49,800
salieri fell of this sense of
like I've worked so hard at this
284
00:13:49,800 --> 00:13:54,000
and I do have a moderate measure
of talent that has been granted
285
00:13:54,000 --> 00:13:57,500
to me, but it doesn't matter.
Yeah, and it's not just that
286
00:13:57,500 --> 00:13:58,700
there's someone that's better
than him.
287
00:13:58,700 --> 00:14:01,600
It's that Mozart's better.
Than him and he doesn't even
288
00:14:01,600 --> 00:14:03,900
try.
Yeah, and he, it's almost like
289
00:14:03,900 --> 00:14:05,900
he flaunts it, like he can just
roll in.
290
00:14:06,100 --> 00:14:09,000
There's this great scene where
Mozart first gets kind of
291
00:14:09,000 --> 00:14:14,000
summoned to The Emperor's Palace
and salieri has composed a march
292
00:14:14,000 --> 00:14:17,000
to play when Mozart comes in and
Mozart.
293
00:14:17,000 --> 00:14:19,500
Here's at one time through and
says, hey, can I have a go at
294
00:14:19,500 --> 00:14:21,400
that?
And they're all like what you
295
00:14:21,400 --> 00:14:23,600
mean after hearing it once?
Don't you need the music?
296
00:14:23,600 --> 00:14:26,600
Yeah, and he sits down and
basically says, oh yeah, this is
297
00:14:26,600 --> 00:14:29,300
really simple and then he plays
for men and and he says, oh it
298
00:14:29,308 --> 00:14:41,500
just repeats from here.
The rest is just the same.
299
00:14:47,000 --> 00:14:48,400
It doesn't really work.
Does it?
300
00:14:52,200 --> 00:14:58,800
Did you try?
Shouldn't it be a bit more or
301
00:14:58,800 --> 00:15:08,400
this?
But he's thinking,
302
00:15:30,000 --> 00:15:31,400
That doesn't quite work.
Does it?
303
00:15:31,400 --> 00:15:34,200
Why don't we let me do something
else here and he basically
304
00:15:34,200 --> 00:15:36,900
rewrites salieri's music in
front of him.
305
00:15:37,200 --> 00:15:39,200
And that's kind of the turning
point for salieri.
306
00:15:39,300 --> 00:15:41,600
That's yeah, that's where he
realizes.
307
00:15:42,200 --> 00:15:44,200
I need to destroy this person.
Yeah.
308
00:15:44,500 --> 00:15:46,800
Yeah, for me.
I think, the most interesting
309
00:15:46,800 --> 00:15:50,600
thing is the very first scene
that you see, Mozart, you see,
310
00:15:50,600 --> 00:15:54,700
him chasing his future, wife
around an empty room and an in
311
00:15:54,700 --> 00:15:59,700
this huge Palace and he is He's
obnoxious.
312
00:15:59,700 --> 00:16:02,200
He's obnoxious.
Yeah, he's raunchy.
313
00:16:02,200 --> 00:16:05,500
He's kind of gross.
Like like he's making like
314
00:16:05,500 --> 00:16:08,500
little little kid jokes.
Yeah, basically like you would
315
00:16:08,500 --> 00:16:10,100
expect a 13 year old boy to
make.
316
00:16:10,100 --> 00:16:12,400
Yep.
And yet he's I don't know.
317
00:16:12,400 --> 00:16:14,300
How old would you say?
He is at the start.
318
00:16:14,400 --> 00:16:16,300
I don't know.
I mean maybe 2022.
319
00:16:16,300 --> 00:16:18,600
Yeah, so he's supposed to be in
his 20s and yet he's acting like
320
00:16:18,600 --> 00:16:22,300
a 12 year old, right.
And celery sees this and he's
321
00:16:22,300 --> 00:16:26,700
like, oh, well, this is Mozart.
Like he doesn't take his craft.
322
00:16:26,700 --> 00:16:28,200
Seriously.
He doesn't care about it the
323
00:16:28,200 --> 00:16:30,000
way.
I do and this is one of the
324
00:16:30,000 --> 00:16:33,000
things I love about this movie.
Is it really does.
325
00:16:33,000 --> 00:16:38,100
Go to some places in the human
psychology where we don't like
326
00:16:38,100 --> 00:16:40,300
to admit that we've had these
thoughts before, but like when
327
00:16:40,300 --> 00:16:42,300
you are presented with someone,
who's better than you at
328
00:16:42,300 --> 00:16:44,300
something, you kind of do
question.
329
00:16:44,300 --> 00:16:46,500
Is this Fair?
Like, haven't I been working
330
00:16:46,500 --> 00:16:48,900
hard enough at this?
And how can this person just be
331
00:16:48,900 --> 00:16:51,700
better than me?
And there's some great quotes
332
00:16:51,700 --> 00:16:54,300
that they give salieri to kind
of drive this point home.
333
00:16:54,600 --> 00:16:58,400
He starts talking about how he
came to Vienna, and, and he says
334
00:16:58,400 --> 00:17:00,300
that, I made a name for myself
here.
335
00:17:00,300 --> 00:17:02,300
And then he says, everybody
liked me.
336
00:17:02,800 --> 00:17:07,700
I liked myself until he came.
Yeah, and you get this sense
337
00:17:07,700 --> 00:17:11,400
that salieri's sense of
self-worth is wrapped up in the
338
00:17:11,400 --> 00:17:13,000
approval of others.
Right?
339
00:17:13,099 --> 00:17:15,599
And I think that, at the end of
the day, he knows, he's not as
340
00:17:15,599 --> 00:17:19,000
good as Mozart and that's what
sends everything crashing down
341
00:17:19,000 --> 00:17:21,500
is that he knows I will no
longer have the approval of
342
00:17:21,500 --> 00:17:23,800
others, because they can see
just as plainly as I can.
343
00:17:23,800 --> 00:17:27,300
That there's someone out there,
that's even better than me, but
344
00:17:27,300 --> 00:17:29,600
the place salieri goes with it.
All right.
345
00:17:29,600 --> 00:17:32,700
Well, if I can't be the best,
then there is no God.
346
00:17:32,800 --> 00:17:36,300
I am the enemy of God and I will
destroy God's creation, which is
347
00:17:36,300 --> 00:17:38,500
a funny place to come to,
because he does kind of say
348
00:17:38,500 --> 00:17:41,600
that, like, there must be no
God, but I'm going to be the
349
00:17:41,600 --> 00:17:45,500
enemy of God, which is like, if
there isn't a garden, could you
350
00:17:45,500 --> 00:17:47,200
be his enemy?
Well, he starts going through
351
00:17:47,200 --> 00:17:49,000
these.
He really does go through kind
352
00:17:49,000 --> 00:17:51,100
of a Dark Night of the Soul
though, because he has this
353
00:17:51,100 --> 00:17:53,900
great quote, where he he's
talking to the priest and about
354
00:17:53,900 --> 00:17:56,000
God.
And he says, if God didn't want
355
00:17:56,000 --> 00:17:58,600
me to praise him with music.
Why did he implanted?
356
00:17:58,800 --> 00:18:02,700
The desire in me like a lust in
my body and then deny me the
357
00:18:02,700 --> 00:18:04,400
talent.
I mean it really is.
358
00:18:04,400 --> 00:18:08,100
It gets into these really
complex areas of yeah, salieri
359
00:18:08,100 --> 00:18:11,700
genuinely did have the desire to
make music and for a while, at
360
00:18:11,708 --> 00:18:14,800
least he did have the desire to
praise God through music, but
361
00:18:14,800 --> 00:18:17,200
then he even recognizes the
limitations of himself.
362
00:18:17,200 --> 00:18:19,700
Right?
And he comes to this point where
363
00:18:19,700 --> 00:18:22,100
he's still writing music and
he's still, you know, writing
364
00:18:22,100 --> 00:18:24,000
operas.
And at one point, one of his
365
00:18:24,000 --> 00:18:27,800
operas is announced as the
greatest Opera in Vienna, right?
366
00:18:27,800 --> 00:18:32,800
And the Rooney announces him.
Yes, you know, the greatest
367
00:18:32,800 --> 00:18:36,000
composer that the world has ever
seen, right and all this, but
368
00:18:36,000 --> 00:18:38,200
you get the sense even in those
moments.
369
00:18:38,600 --> 00:18:42,700
I think the problem with salieri
is that he initially found all
370
00:18:42,700 --> 00:18:45,200
of his self-worth and the
opinions of others.
371
00:18:45,200 --> 00:18:49,600
Yeah, but once Mozart arrives,
he only finds his self-worth and
372
00:18:49,600 --> 00:18:53,500
Mozart's opinion, absolutely.
And so, even when the emperor
373
00:18:53,500 --> 00:18:56,500
announces him to the public, as
the greatest composer in the
374
00:18:56,500 --> 00:18:58,600
world, it's not enough.
Yeah.
375
00:18:58,700 --> 00:19:03,000
And his anger is still present
within his heart because he
376
00:19:03,000 --> 00:19:05,100
personally knows that he isn't.
Yeah.
377
00:19:05,500 --> 00:19:07,300
So why do we talk about the
performances for a minute?
378
00:19:07,300 --> 00:19:08,800
We're going to get ready to
break here and drink some
379
00:19:08,800 --> 00:19:11,500
whiskey but there really are
only two big performances in
380
00:19:11,508 --> 00:19:13,700
this movie.
And that's F Murray Abraham as
381
00:19:13,700 --> 00:19:18,700
salieri and Tom Hulse as Mozart.
So Brad tell me about both of
382
00:19:18,700 --> 00:19:20,900
them.
Which performance did you prefer
383
00:19:21,100 --> 00:19:23,700
or did you think one stuck out
more than the other or did they
384
00:19:23,700 --> 00:19:24,400
work together?
Really?
385
00:19:24,400 --> 00:19:28,600
Well, that's so hard.
Because the there's kind of that
386
00:19:28,600 --> 00:19:32,100
that Where if a character
annoys, you does that mean that
387
00:19:32,100 --> 00:19:34,000
they you know, you don't like
their performance or they're
388
00:19:34,000 --> 00:19:36,300
just really good at being what
they're supposed to be and
389
00:19:36,300 --> 00:19:37,500
that's kind of where I would
Place.
390
00:19:37,500 --> 00:19:41,300
Tom holes as Mozart like the way
he laughs.
391
00:19:42,000 --> 00:19:44,500
Oh, yeah, makes me want to
strangle a small cat.
392
00:19:44,500 --> 00:19:47,300
Oh, yeah, like I think it's
supposed to and that's the
393
00:19:47,300 --> 00:19:48,400
thing.
It's supposed to.
394
00:19:48,400 --> 00:19:51,200
But does that make me like his
performance or hate is for for?
395
00:19:51,200 --> 00:19:51,800
Yeah.
Sure.
396
00:19:52,200 --> 00:19:55,000
So he kind of drove me nuts, but
it and it wasn't just in the way
397
00:19:55,000 --> 00:19:56,600
that he laughed.
It's in the way that he
398
00:19:56,600 --> 00:19:59,800
approached the world in the way
that That he was just so
399
00:19:59,800 --> 00:20:03,200
flippant and he was so.
But in the end, that's exactly
400
00:20:03,200 --> 00:20:05,900
what they wanted him to do.
So, yeah, I would honestly say
401
00:20:05,900 --> 00:20:08,800
that I think Tom Hulse gave a
better performance, you know, I
402
00:20:08,808 --> 00:20:12,800
would actually agree, salieri is
performance, F Murray Abraham as
403
00:20:12,800 --> 00:20:15,000
salieri.
He basically gets to walk around
404
00:20:15,000 --> 00:20:17,600
chewing scenery all day.
Like as the old man, he gets to
405
00:20:17,608 --> 00:20:20,500
be this diabolical.
Listen to what I did to God's
406
00:20:20,500 --> 00:20:22,700
creation.
As a young man, you gets to be
407
00:20:22,700 --> 00:20:25,900
this sort of vengeful person.
And I think the harder
408
00:20:25,900 --> 00:20:30,600
performance is Tom Halls.
As I'm as Amadeus Mozart, it's
409
00:20:30,600 --> 00:20:32,600
asmodeus.
Asmodeus.
410
00:20:33,400 --> 00:20:35,600
And that's because you see where
he goes from.
411
00:20:35,600 --> 00:20:40,800
You know, what a 20-something
Carefree immature to seeing his
412
00:20:40,800 --> 00:20:43,500
life, kind of get destroyed
piece by piece and how every
413
00:20:43,500 --> 00:20:46,500
Opera he writes less and less
people come, the emperor is not
414
00:20:46,500 --> 00:20:48,600
satisfied with his music.
He becomes more and more
415
00:20:48,600 --> 00:20:50,800
destitute and desperate for
money.
416
00:20:50,900 --> 00:20:54,800
And I think by the end where you
see Mozart on his deathbed, that
417
00:20:54,800 --> 00:20:57,500
vision of that, young Carefree
boy is completely gone and I
418
00:20:57,500 --> 00:21:00,100
think Tom Halls delivers A
fantastic performance.
419
00:21:00,100 --> 00:21:04,100
All the way through the film.
Yeah, he really showcases the
420
00:21:04,100 --> 00:21:08,700
ability to devolve, you know, a
lot of characters in a lot of
421
00:21:08,700 --> 00:21:11,600
movies that we see, we want to
see them grow, and we want to
422
00:21:11,608 --> 00:21:14,200
see them move forward and become
better people by the end.
423
00:21:14,200 --> 00:21:16,200
Yeah, you can't say that about
Mozart.
424
00:21:16,200 --> 00:21:19,700
No, and so to turn in a
performance, that Tom Holtz did
425
00:21:20,000 --> 00:21:24,400
of showcasing somebody's descent
into madness descent into
426
00:21:24,800 --> 00:21:28,600
destitution and poverty.
He really, portrays.
427
00:21:28,800 --> 00:21:30,500
It in a phenomenal way.
Mmm-hmm.
428
00:21:31,000 --> 00:21:33,400
Talk to me about Elizabeth
barrage is performance.
429
00:21:33,500 --> 00:21:36,200
I'm really curious about what
you thought about her in this
430
00:21:36,200 --> 00:21:37,800
move.
I don't know what I think about
431
00:21:37,800 --> 00:21:43,000
her and I think in some degree
like Milos Forman cast that role
432
00:21:43,000 --> 00:21:45,400
perfectly because she kind of
just does come across as like a
433
00:21:45,408 --> 00:21:47,200
little girl.
Yes that she doesn't she's
434
00:21:47,200 --> 00:21:49,200
completely oblivious to whatever
is going on.
435
00:21:49,600 --> 00:21:52,200
But at the same time, I don't
know that she's a fantastic
436
00:21:52,200 --> 00:21:53,400
actress.
Yeah.
437
00:21:53,400 --> 00:21:57,500
That was my struggle.
I couldn't tell if she was
438
00:21:57,500 --> 00:22:00,300
trying to be cute.
Cute or if she just kind of like
439
00:22:00,300 --> 00:22:03,200
was cute but didn't really know
how to act.
440
00:22:03,200 --> 00:22:06,300
Yeah, and the thing is I thought
she did certain parts really
441
00:22:06,300 --> 00:22:08,700
well when she when she got
really angry about things.
442
00:22:08,700 --> 00:22:10,500
Yes.
I thought she came across really
443
00:22:10,500 --> 00:22:13,200
strong.
Yep, that she was angry with
444
00:22:13,300 --> 00:22:15,600
Mozart's, dad for mooching off
of them.
445
00:22:15,600 --> 00:22:18,600
And and she gets angry with
Mozart for the way that he's
446
00:22:18,600 --> 00:22:21,100
treating her and just spending
money and not working on the
447
00:22:21,100 --> 00:22:23,900
things he needed to work on.
Yeah, so and those moments, I
448
00:22:23,908 --> 00:22:26,900
thought she turned an extremely
convincing performance, but for
449
00:22:26,900 --> 00:22:29,300
the rest of the movie when she's
just kind of this You naive
450
00:22:29,300 --> 00:22:32,000
little girl.
You kind of Wonder like I didn't
451
00:22:32,000 --> 00:22:33,500
know if there was really any
acting going.
452
00:22:33,500 --> 00:22:36,900
Yeah, completely agreed.
So I was a little unsure about
453
00:22:36,900 --> 00:22:39,000
her.
How do you feel like the rest of
454
00:22:39,000 --> 00:22:42,200
the Supporting Cast did as a
whole?
455
00:22:42,200 --> 00:22:43,800
I think everybody played their
role as well.
456
00:22:43,800 --> 00:22:46,500
But everyone else in the movie
is kind of a one-dimensional
457
00:22:46,500 --> 00:22:49,000
character, so it wasn't like
they were really flushing people
458
00:22:49,000 --> 00:22:50,300
out.
If you were a good guy, you were
459
00:22:50,300 --> 00:22:51,700
a good guy.
If you were bad guy, you were a
460
00:22:51,700 --> 00:22:54,100
bad guy and that's who you
played and if you're the emperor
461
00:22:54,100 --> 00:22:55,700
you the a you're the emperor.
Yeah.
462
00:22:55,900 --> 00:22:58,500
Yeah, and and that's where I
kind of.
463
00:22:58,600 --> 00:23:02,100
With this movie a little bit.
I just felt like there was so
464
00:23:02,100 --> 00:23:07,200
much Focus paid on salieri and
Mozart, but but with it being a
465
00:23:07,200 --> 00:23:10,900
two hour and 47 minute movie,
you did spend a lot of time with
466
00:23:10,900 --> 00:23:14,500
other characters and I just
didn't know if I felt like the
467
00:23:14,500 --> 00:23:18,400
actors in the movie really did a
great job and all the supporting
468
00:23:18,400 --> 00:23:19,300
roles.
Yeah.
469
00:23:19,900 --> 00:23:21,100
Brad.
There's a ton of directions we
470
00:23:21,100 --> 00:23:22,400
can go with this.
I run.
471
00:23:22,400 --> 00:23:25,000
I'm really excited to get into
more of our analysis after the
472
00:23:25,000 --> 00:23:28,600
break, but for now, I think that
we need to hop over to Ireland.
473
00:23:28,700 --> 00:23:37,100
And that's Rising whiskey.
So we are here.
474
00:23:37,100 --> 00:23:39,600
Trying some Redbreast Irish
whiskey.
475
00:23:39,600 --> 00:23:42,600
It's a 12-year.
Yeah, this is their standard
476
00:23:42,600 --> 00:23:44,400
whiskey.
So they they basically start out
477
00:23:44,400 --> 00:23:46,500
at 12 year.
What I did was we actually
478
00:23:46,500 --> 00:23:49,400
bought a sample pack of red
breast and it's just comes in
479
00:23:49,400 --> 00:23:53,000
these 50 ml shot sizes.
So Brad and I are sharing the 12
480
00:23:53,000 --> 00:23:55,200
year.
They also have their lust ow and
481
00:23:55,200 --> 00:23:57,800
their 15-year.
But today, we're just sipping on
482
00:23:57,900 --> 00:24:00,800
the redbreast, 12.
Now, this clocks in at 80 proof.
483
00:24:00,900 --> 00:24:03,400
So, pretty much just a standard
whiskey, right?
484
00:24:03,400 --> 00:24:04,400
Brad.
What are you picking up on the
485
00:24:04,400 --> 00:24:08,000
nose of this one?
It kind of smells like a stream
486
00:24:08,000 --> 00:24:11,400
coming out of the mountains.
Oh, wow, like like a little bit
487
00:24:11,400 --> 00:24:13,500
of moss.
This sounds like complete BS.
488
00:24:13,500 --> 00:24:15,300
I was just like he's just making
this up.
489
00:24:15,400 --> 00:24:17,900
No, I'm serious, man.
It smells really refreshing.
490
00:24:18,300 --> 00:24:20,800
You know, I'm getting two things
on this and its really
491
00:24:20,800 --> 00:24:23,000
interesting.
I'm getting some smoke that I'm
492
00:24:23,000 --> 00:24:26,500
used to getting on a scotch.
Not necessarily Pete, but
493
00:24:26,500 --> 00:24:29,400
definitely, some sort of smoke.
And I'm getting a ton of fruit
494
00:24:29,400 --> 00:24:31,300
as well.
I got a lot of like, pair on
495
00:24:31,300 --> 00:24:32,100
this.
Yeah.
496
00:24:32,100 --> 00:24:34,300
I don't know if you're picking
up fruit, but I definitely am.
497
00:24:34,800 --> 00:24:36,600
So, how would you score?
Or this out on the nose.
498
00:24:37,100 --> 00:24:39,500
I'm gonna give this a seven and
a half on the nose 7 and I'm
499
00:24:39,500 --> 00:24:42,200
really enjoying where it takes
us.
500
00:24:42,600 --> 00:24:43,900
Yeah.
I think I'm gonna give you a
501
00:24:43,900 --> 00:24:45,900
seven on the nose.
It's definitely interesting and
502
00:24:45,900 --> 00:24:48,400
it makes me want to try it.
All right.
503
00:24:48,400 --> 00:24:49,900
On the taste Brad.
What are you picking up on the
504
00:24:49,908 --> 00:24:52,100
taste?
So it's a little thin.
505
00:24:52,700 --> 00:24:53,800
Yeah.
I think it's a little bit
506
00:24:53,800 --> 00:24:57,000
thinner than I would expect and
I know that the, a lot of the
507
00:24:57,000 --> 00:24:59,700
Irish whiskeys, they don't have
the heaviness that you get from
508
00:24:59,700 --> 00:25:01,500
a bourbon, but this one, I don't
know.
509
00:25:01,500 --> 00:25:04,800
It's, it's thin and it's not
bring a lot of flavor.
510
00:25:05,700 --> 00:25:07,600
Very sweet.
It is thin.
511
00:25:08,200 --> 00:25:11,200
It's like a darker fruit flavor.
It's not Citrus.
512
00:25:11,300 --> 00:25:13,000
I can't tell if I can't place it
yet.
513
00:25:13,200 --> 00:25:15,400
It's almost got some weird.
Like, tropical notes to me.
514
00:25:15,600 --> 00:25:18,500
Yeah, like a mango or pineapple.
I was literally just thinking.
515
00:25:18,500 --> 00:25:22,200
It does kind of have that, that
sweetness that you would get
516
00:25:22,200 --> 00:25:24,200
from like pineapple.
Yeah, for sure.
517
00:25:24,500 --> 00:25:27,000
So, not the pair that I was
picking up on the nose.
518
00:25:27,100 --> 00:25:29,800
I do get a little bit of smoke
and I'm kind of surprised at
519
00:25:29,800 --> 00:25:31,900
that.
Yeah, it kind of hits you a
520
00:25:31,908 --> 00:25:36,400
little bit on the back of your
tongue that Hits and its
521
00:25:36,400 --> 00:25:37,700
pleasant.
It's really nice.
522
00:25:37,800 --> 00:25:40,300
I am wondering why they watered
this down to 80 proof.
523
00:25:40,600 --> 00:25:43,300
I feel like this could be a
phenomenal 90-95 roof.
524
00:25:43,400 --> 00:25:44,600
Yeah.
It really just thinking like 90
525
00:25:44,600 --> 00:25:46,900
to 95.
Yeah, would be great for this
526
00:25:46,900 --> 00:25:47,700
whiskey.
Yeah.
527
00:25:47,700 --> 00:25:49,700
It's a little too thin, but I
don't know if that really goes
528
00:25:49,700 --> 00:25:52,300
into taste for me.
I like the taste a lot.
529
00:25:52,300 --> 00:25:54,100
I think I would give the taste
an eight.
530
00:25:54,200 --> 00:25:56,900
I'm going to give the taste of
seven and a half, the first
531
00:25:56,900 --> 00:25:57,900
moment.
It hit my tongue.
532
00:25:57,900 --> 00:26:00,600
I was a little disappointed.
Yeah, but the more I've sat here
533
00:26:00,600 --> 00:26:03,000
and sipped on more of it.
I'm really enjoying this a lot.
534
00:26:03,000 --> 00:26:05,200
I feel like this could be a
really dangerous whiskey because
535
00:26:05,200 --> 00:26:07,600
it goes And so smoothly because
it is a thinner whiskey.
536
00:26:07,600 --> 00:26:10,200
Oh, there's not a harsh burn or
an aftertaste.
537
00:26:10,500 --> 00:26:12,300
Yeah.
This is a good one to sip on,
538
00:26:12,300 --> 00:26:14,300
for sure.
Which leads us into finish.
539
00:26:14,500 --> 00:26:15,300
Yeah.
What do you think about the
540
00:26:15,300 --> 00:26:17,600
finish?
The Finish is smooth, man.
541
00:26:17,700 --> 00:26:19,700
It's super smooth.
You get that little hint of
542
00:26:19,700 --> 00:26:22,800
smoke on the back of your
tongue, but the longer it sits
543
00:26:22,800 --> 00:26:25,300
on your palate.
The more that sweetness comes
544
00:26:25,300 --> 00:26:27,000
very pleasant.
And I don't feel like I get that
545
00:26:27,000 --> 00:26:28,400
with a lot of Whiskey's.
A lot of times.
546
00:26:28,400 --> 00:26:31,700
I feel like you have that Rai in
there and that Rai will sit on
547
00:26:31,700 --> 00:26:33,500
the back of your tongue and
almost sours.
548
00:26:33,500 --> 00:26:35,900
Yeah.
Whereas this the longer It's on
549
00:26:35,900 --> 00:26:39,500
my tongue and my palate.
It tastes more and more sweet.
550
00:26:39,500 --> 00:26:41,900
Definitely.
So I'm going to give the Finish
551
00:26:42,000 --> 00:26:45,400
an eight and a half, eight and a
half while it's sitting super
552
00:26:45,400 --> 00:26:47,600
well for me.
Yeah, it really is refreshing
553
00:26:47,700 --> 00:26:50,100
and, and it doesn't dry my mouth
out.
554
00:26:50,200 --> 00:26:53,400
It doesn't burn going down.
I do wish that there was
555
00:26:53,400 --> 00:26:57,000
something more to it though.
And I think I like it, its
556
00:26:57,000 --> 00:26:58,700
pleasant, but it's just not
enough for me.
557
00:26:58,900 --> 00:27:00,600
I'm going to give the finish a
six and a half.
558
00:27:00,800 --> 00:27:02,900
Yeah.
I think this is one that as I'm
559
00:27:02,900 --> 00:27:05,500
sitting here, we're drinking it
straight like we always do.
560
00:27:05,700 --> 00:27:07,800
Sure, I could see this one being
good chilled.
561
00:27:08,000 --> 00:27:09,500
Oh, absolutely.
Whether or not you put an ice
562
00:27:09,500 --> 00:27:11,400
cube in or you put it into a
chilled glass.
563
00:27:11,400 --> 00:27:13,000
Yep.
I could see this being really
564
00:27:13,000 --> 00:27:15,000
good just a little bit of chili.
Yeah.
565
00:27:15,500 --> 00:27:17,800
Alright.
So overall balance, Brad knows
566
00:27:17,800 --> 00:27:19,000
taste finish.
What do you think?
567
00:27:19,200 --> 00:27:20,900
I'm gonna give it a seven and a
half.
568
00:27:21,100 --> 00:27:24,100
I think it's a solid balance
from start to finish.
569
00:27:24,100 --> 00:27:26,400
The nose does not necessarily
give you everything.
570
00:27:26,400 --> 00:27:30,000
You're going to get ya on The
Taste, but it's really well
571
00:27:30,000 --> 00:27:31,500
balanced.
It's very smooth.
572
00:27:31,700 --> 00:27:33,900
Yeah.
I don't think any component of
573
00:27:33,900 --> 00:27:37,500
the nose taste finish.
Stuck out or led me to believe
574
00:27:37,500 --> 00:27:38,800
something else was going to
happen, you know.
575
00:27:38,800 --> 00:27:40,200
Right from the time.
We smelled it.
576
00:27:40,300 --> 00:27:42,500
It was very bright.
It was very fruity.
577
00:27:42,700 --> 00:27:44,400
You knew what we were getting.
So I'm gonna go ahead and give
578
00:27:44,400 --> 00:27:48,300
it a seven on the balance, which
brings us to our last category.
579
00:27:48,300 --> 00:27:51,600
Now, that category is value
redbreast is an expensive
580
00:27:51,600 --> 00:27:53,900
whiskey.
It just is they label it on the
581
00:27:53,900 --> 00:27:56,200
bottle as coming from a single
pot still.
582
00:27:56,300 --> 00:27:58,300
I don't really know how much
difference that makes it think
583
00:27:58,300 --> 00:28:01,200
that's mostly just marketing,
but a fifth of redbreast in the
584
00:28:01,200 --> 00:28:05,400
state of Ohio will put you back
64 99 60s.
585
00:28:05,700 --> 00:28:07,600
Sixty five dollar bottle of
whiskey.
586
00:28:07,800 --> 00:28:11,000
I did not know that.
Yeah, this is, I mean, this is
587
00:28:11,000 --> 00:28:13,600
in the upper tier of Irish
whiskeys.
588
00:28:13,600 --> 00:28:16,300
This is what you get.
If you're going classy, it's not
589
00:28:16,300 --> 00:28:17,300
Jameson.
It's not tell them.
590
00:28:17,300 --> 00:28:20,100
Or do you get a bottle of red
breast and people know that you
591
00:28:20,100 --> 00:28:22,500
mean business?
Wow, I did not realize it was
592
00:28:22,500 --> 00:28:23,700
going to cost that much.
Yeah.
593
00:28:23,700 --> 00:28:26,400
Honestly that obviously that's
going to push my score down a
594
00:28:26,408 --> 00:28:27,400
little bit.
Yep.
595
00:28:27,500 --> 00:28:30,300
Honestly, this is a really good
like you can taste it.
596
00:28:30,300 --> 00:28:32,300
This is a sixty five dollar
bottle of whiskey.
597
00:28:32,900 --> 00:28:35,100
I would pay like 40 to 45 for
yeah.
598
00:28:35,100 --> 00:28:36,700
Top.
Soooo, so, I guess I'm going to
599
00:28:36,708 --> 00:28:39,900
give it on value a four and a
half.
600
00:28:39,900 --> 00:28:43,400
I think I'm right there with you
Brad, because if this was an 80
601
00:28:43,400 --> 00:28:46,200
proof, I think I might feel
differently, but the fact that
602
00:28:46,200 --> 00:28:50,400
they watered it all the way down
to the lowest possible proof
603
00:28:50,400 --> 00:28:54,000
that you can call something
whiskey and then charge $65 for
604
00:28:54,000 --> 00:28:55,500
I struggle with that.
Yeah, I do too.
605
00:28:56,000 --> 00:28:57,100
All right.
So what does that bring you out
606
00:28:57,100 --> 00:28:58,600
to that?
Brings me out.
607
00:28:58,700 --> 00:29:00,300
We were good.
We're doing really well.
608
00:29:00,300 --> 00:29:02,200
I thought we might break the 40
Mark.
609
00:29:02,200 --> 00:29:04,400
We are.
I'm at a 35.5.
610
00:29:04,900 --> 00:29:07,700
It brings me out. 33.
Yeah, yeah, so that brings us
611
00:29:07,700 --> 00:29:11,000
out to a little bit over a 34
out of 50, you know, not
612
00:29:11,000 --> 00:29:13,700
terrible, but we're at about it,
you know, where 268 out of 100
613
00:29:13,700 --> 00:29:17,600
now, what really brought it down
was that value score, you know,
614
00:29:17,600 --> 00:29:20,400
if you really like Irish whiskey
and you want to have a nice
615
00:29:20,700 --> 00:29:24,600
recognizable, fancy classy
bottle on your shelf, then, you
616
00:29:24,600 --> 00:29:27,200
know knock yourself out but I
don't see myself ever spending
617
00:29:27,200 --> 00:29:29,000
$65 on this.
Yeah.
618
00:29:29,000 --> 00:29:33,700
I've had some some bourbons and
Whiskey's and scotches that I
619
00:29:33,700 --> 00:29:36,700
would much rather pay.
Fifty to seventy dollars you
620
00:29:36,708 --> 00:29:39,400
more than this.
Yeah, kind of a disappointing
621
00:29:39,400 --> 00:29:41,700
way to end it because like like
we both said, it's very
622
00:29:41,700 --> 00:29:43,100
pleasant.
You enjoyed it a lot.
623
00:29:43,100 --> 00:29:46,900
I mean, it's a very good whiskey
and if we didn't add in the
624
00:29:46,900 --> 00:29:50,400
value category, I would have
been at a 31 out of 40.
625
00:29:50,400 --> 00:29:52,300
Yeah, which is a really good
school.
626
00:29:52,300 --> 00:29:53,200
Yeah.
Absolutely.
627
00:29:53,200 --> 00:29:54,900
That value, man.
Your pain.
628
00:29:55,000 --> 00:29:56,700
That's a lot of money.
That's just too much.
629
00:29:56,700 --> 00:29:58,700
Yeah.
So this has been redbreast 12.
630
00:29:58,700 --> 00:30:00,700
Brad, any final thoughts.
And would you recommend?
631
00:30:01,000 --> 00:30:04,100
I would recommend it's a good
Pleasant, drinking whiskey.
632
00:30:04,300 --> 00:30:07,500
If you're out at a Our and you
can find it reasonably price
633
00:30:07,500 --> 00:30:10,000
get, you know, a glass of it.
I'd say go for it.
634
00:30:10,000 --> 00:30:11,900
Yeah, I mean, you know, just
knowing what the price of the
635
00:30:11,900 --> 00:30:13,100
bottle is.
This is probably going to put
636
00:30:13,100 --> 00:30:15,600
you back ten to twelve bucks to
try at a bar.
637
00:30:15,600 --> 00:30:17,300
Right?
I think it's probably worth that
638
00:30:17,300 --> 00:30:18,500
just to say you tried it.
Yeah.
639
00:30:18,500 --> 00:30:21,000
I just don't know if you're ever
going to need to spend 65 on it.
640
00:30:21,000 --> 00:30:23,100
Right?
I would recommend based on what
641
00:30:23,100 --> 00:30:25,100
the whiskey itself is not based
on the price.
642
00:30:25,400 --> 00:30:27,800
Yeah, and honestly, I'm going to
I'm going to give away a little
643
00:30:27,800 --> 00:30:32,000
bit of my Amadeus.
I kind of feel similarly about
644
00:30:32,000 --> 00:30:33,500
the movie.
So interesting.
645
00:30:33,500 --> 00:30:35,400
It's a really good movie.
It's solid.
646
00:30:35,400 --> 00:30:37,200
It's fun.
It's interesting.
647
00:30:37,400 --> 00:30:39,600
There's just too much of it.
But there's there, whether it's
648
00:30:39,600 --> 00:30:42,600
a price, the amount of dollars.
You're going to spend on this
649
00:30:42,600 --> 00:30:44,400
bottle of whiskey or the amount
of minutes.
650
00:30:44,400 --> 00:30:45,900
You're going to spend watching
this movie.
651
00:30:45,900 --> 00:30:47,800
Yeah.
It's just a little bit too much
652
00:30:47,800 --> 00:30:51,500
and I think if they cut it down
about 30, yea, whether it be
653
00:30:51,500 --> 00:30:56,100
$30, or 30 minutes, you'd have
yourself a phenomenal whiskey /
654
00:30:56,100 --> 00:30:57,600
movie.
Well, let's talk about it.
655
00:30:57,600 --> 00:30:59,600
Why don't we get back into our
analysis on?
656
00:31:00,100 --> 00:31:08,900
Yes, asmodeus.
Alright, so that was redbreast,
657
00:31:08,900 --> 00:31:12,600
12 kind of a disappointment,
kind of kind of.
658
00:31:12,600 --> 00:31:15,700
It's hard to explain.
Yeah, it's only the dollar
659
00:31:15,700 --> 00:31:16,900
amount that makes it a
disappoint.
660
00:31:16,900 --> 00:31:19,400
Absolutely.
Alright, so getting back into
661
00:31:19,400 --> 00:31:22,600
Amadeus, I think it's time that
we kind of, you know, put on our
662
00:31:22,600 --> 00:31:24,900
thinking caps a little bit and
we get into what this movie is
663
00:31:24,900 --> 00:31:26,400
trying to say because they are
dunce.
664
00:31:26,400 --> 00:31:30,300
Caps off.
Well, you thinking caps put on,
665
00:31:30,400 --> 00:31:32,100
right?
Like we said, at the top of the
666
00:31:32,100 --> 00:31:35,100
episode, this movie is intensely
theological.
667
00:31:35,100 --> 00:31:37,200
It's all about what people
think.
668
00:31:37,400 --> 00:31:40,300
Think of God and how people
react to God.
669
00:31:40,800 --> 00:31:43,700
And I think that this movie has
a lot to say and Brad, I wanted
670
00:31:43,700 --> 00:31:47,400
to ask you about the big turning
point for salieri, is when he
671
00:31:47,400 --> 00:31:51,500
throws that crucifix Into the
Fire and he makes a vow that
672
00:31:51,500 --> 00:31:54,100
he's going to ruin Mozart.
And the way that he talks about
673
00:31:54,100 --> 00:31:56,900
Mozart is by calling him God's
Incarnation.
674
00:31:57,300 --> 00:31:59,400
And he says, I'm gonna ruin your
Incarnation.
675
00:31:59,700 --> 00:32:04,200
And my question is does salieri
succeed, because he says that he
676
00:32:04,200 --> 00:32:06,700
kills Mozart.
And at the end of the movie, the
677
00:32:06,700 --> 00:32:11,000
priest is in Such shock and
salieri gets this one last kind
678
00:32:11,000 --> 00:32:14,800
of cackle where he gets to prove
that he was right all along and
679
00:32:14,800 --> 00:32:16,300
that he has defeated.
God.
680
00:32:17,000 --> 00:32:20,000
How do you view the the overall
message of this movie does
681
00:32:20,000 --> 00:32:21,800
salieri win.
Bob?
682
00:32:21,800 --> 00:32:23,100
He's in an insane.
Asylum.
683
00:32:23,100 --> 00:32:24,800
Yeah, talking to a priest.
Yeah.
684
00:32:25,300 --> 00:32:26,600
He did not win.
You don't think so.
685
00:32:26,800 --> 00:32:30,300
So, and honestly, the reason I
would say it is the very opening
686
00:32:30,300 --> 00:32:34,600
scene of the movie when he is
with the priest.
687
00:32:34,600 --> 00:32:37,900
Yep, and he plays the piano.
Yeah, and the Goes?
688
00:32:38,400 --> 00:32:41,000
No, I don't think I've heard
that tune before as well.
689
00:32:41,000 --> 00:32:43,400
I wrote that tune.
Yeah, and then he plays a tune
690
00:32:43,800 --> 00:32:46,300
by Mozart.
He goes how I have heard that
691
00:32:46,300 --> 00:32:48,900
tune before you and he starts
humming it.
692
00:32:48,900 --> 00:32:52,100
Yeah.
And salieri says that was his
693
00:32:52,100 --> 00:32:54,200
to, yeah, something along those
lines.
694
00:32:54,400 --> 00:32:56,100
And I think that that's the
answer your question right
695
00:32:56,100 --> 00:32:59,000
there.
Did he win know, Mozart is the
696
00:32:59,008 --> 00:33:03,200
one that people remember Mozart,
is the one who will last
697
00:33:03,200 --> 00:33:06,400
throughout the agent.
Not solely re well, and I think,
698
00:33:06,400 --> 00:33:08,500
and the fact, the UK, Even
pronounce his name correctly.
699
00:33:08,500 --> 00:33:12,000
I think is what really salieri.
It's not the Eyrie salieri.
700
00:33:12,000 --> 00:33:14,900
Yeah.
No, but, but even before that
701
00:33:14,900 --> 00:33:17,700
seen, the very first scene of
the movie, salieri still living
702
00:33:17,700 --> 00:33:19,400
on his own.
And what looks like some sort of
703
00:33:19,400 --> 00:33:23,000
like retirement home in the
1700s and he's locked himself in
704
00:33:23,000 --> 00:33:25,500
his bedroom and they break down
the door and they found that
705
00:33:25,500 --> 00:33:28,200
salieri has slit his throat that
he's trying to kill himself
706
00:33:28,200 --> 00:33:31,400
because he feels so guilty about
what he did to Mozart.
707
00:33:31,400 --> 00:33:35,100
And so the character that we get
for the rest of the movie, the
708
00:33:35,400 --> 00:33:38,800
the conniving sort of salieri.
He's just playing a game.
709
00:33:38,800 --> 00:33:41,700
He's toying with the priest and
I think the he beats the priest,
710
00:33:42,000 --> 00:33:45,100
but I don't think he's beaten
God because it's clear that he's
711
00:33:45,100 --> 00:33:47,300
still.
So racked with guilt about what
712
00:33:47,300 --> 00:33:49,900
he did that.
He can't really feel justified
713
00:33:49,900 --> 00:33:53,400
in his actions or comfortably
feel like he has one in this
714
00:33:53,400 --> 00:33:56,500
game against God.
I think his his struggle with
715
00:33:56,500 --> 00:34:01,100
God starts because he just has a
terrible view of God.
716
00:34:01,100 --> 00:34:03,500
Yeah, I think that his
conception of who God is and
717
00:34:03,500 --> 00:34:05,800
what God does is slanted from
the beginning.
718
00:34:06,100 --> 00:34:09,900
You know, he tells God that his
desire was for God to make him a
719
00:34:09,900 --> 00:34:12,600
composer, but he doesn't just
say, make me a composer.
720
00:34:12,600 --> 00:34:16,199
He says make me a composer and
make me be immortal.
721
00:34:16,600 --> 00:34:19,300
He wanted something from God.
He wanted what God could do for
722
00:34:19,300 --> 00:34:21,600
him.
And I think his deal was, as
723
00:34:21,600 --> 00:34:24,800
long as you keep giving me Fame
and recognition, then I'll serve
724
00:34:24,800 --> 00:34:27,699
you but the moment that it was
kind of uphill sledding for him,
725
00:34:27,699 --> 00:34:29,000
the moment.
It got hard.
726
00:34:29,199 --> 00:34:31,699
It's very clear where his
intentions were it was never to
727
00:34:31,699 --> 00:34:33,400
honor God.
It was to get recognition for
728
00:34:33,400 --> 00:34:36,500
himself, right?
And and the problem with that,
729
00:34:36,500 --> 00:34:40,000
that I With is the fact that
Mozart doesn't seem to have any
730
00:34:40,000 --> 00:34:42,800
intentions towards God or anyone
other than himself.
731
00:34:42,800 --> 00:34:44,000
Yeah.
He just wants to write his own
732
00:34:44,000 --> 00:34:47,000
music and enjoy his life.
Yeah, and, and you almost see
733
00:34:47,000 --> 00:34:51,400
him rewarded for that with
immortality, even though his
734
00:34:51,500 --> 00:34:53,300
current life was a struggle,
right?
735
00:34:53,300 --> 00:34:57,200
And so it's interesting because
Sally re really desperately
736
00:34:57,200 --> 00:35:01,800
wanted immortality, but what he
got was a pretty comfy life as
737
00:35:01,800 --> 00:35:04,300
the court, you know composer,
right?
738
00:35:04,400 --> 00:35:07,600
Mozart wanted a Glee.
Eful.
739
00:35:07,600 --> 00:35:10,600
Joyful life or he's chasing
women and you know, doing his
740
00:35:10,600 --> 00:35:13,200
own thing and he didn't get that
by the end.
741
00:35:13,200 --> 00:35:17,900
He got poverty and destitution
and Madness but what he did get
742
00:35:17,900 --> 00:35:19,600
was immortality.
Yeah.
743
00:35:19,800 --> 00:35:22,500
So you almost see that both of
the characters wanted what the
744
00:35:22,500 --> 00:35:23,900
others had.
Yeah, for sure.
745
00:35:24,100 --> 00:35:25,600
Well, and getting back to what
you were saying to.
746
00:35:25,600 --> 00:35:28,900
I think, when you look at a guy
like Mozart, who wants not,
747
00:35:29,100 --> 00:35:31,800
doesn't seem to want anything to
do with God and and creates this
748
00:35:31,800 --> 00:35:34,400
beautiful music that's you know,
as salieri sees it.
749
00:35:34,400 --> 00:35:37,400
Like God inspired.
I think there's two ways to On
750
00:35:37,400 --> 00:35:40,900
to that one way is to read the
movie in a really cynical kind
751
00:35:40,900 --> 00:35:44,300
of atheistic way, which is to
say there is no God.
752
00:35:44,300 --> 00:35:47,100
Or if there is a God he doesn't
care about classical music and
753
00:35:47,100 --> 00:35:49,300
you get to be a good classical
musician by being a good
754
00:35:49,300 --> 00:35:51,700
classical musician.
It's the story of hard work.
755
00:35:52,200 --> 00:35:55,500
I think the other way to see it
is to see the flaw in salieri's
756
00:35:55,500 --> 00:35:59,100
thinking from the beginning.
Because salieri saw it as a
757
00:35:59,100 --> 00:36:03,800
servant of God versus a pagan.
Yeah, but I think the point that
758
00:36:03,800 --> 00:36:05,800
you and I are trying to make is
that I don't really think
759
00:36:05,800 --> 00:36:08,000
salieri was a servant of God.
Odd to begin with.
760
00:36:08,000 --> 00:36:10,400
He might have thought himself
that way, but he was kind of
761
00:36:10,400 --> 00:36:14,300
setting himself up for a fall,
based on what he wanted from
762
00:36:14,300 --> 00:36:16,700
God, right?
And I think that's one of the
763
00:36:16,707 --> 00:36:21,100
big things where, when you're
dealing with with issues like
764
00:36:21,100 --> 00:36:22,700
this.
There's a level of
765
00:36:22,700 --> 00:36:28,200
self-awareness to know that what
I want isn't always the best.
766
00:36:28,200 --> 00:36:31,700
Yeah, and usually that comes out
in community and they're the
767
00:36:31,707 --> 00:36:34,100
ones that are able to help you
with that self-examination.
768
00:36:34,100 --> 00:36:35,800
And salieri doesn't have that
know.
769
00:36:35,800 --> 00:36:39,600
He doesn't have anybody to Call
him out of his pride and his
770
00:36:39,600 --> 00:36:43,000
desire to be immortal and part
of that is the circle of people.
771
00:36:43,000 --> 00:36:45,100
He's with everyone that
surrounding the emperor is a
772
00:36:45,100 --> 00:36:46,700
yes, man.
Oh, yeah, you know what?
773
00:36:46,700 --> 00:36:49,000
I mean?
So there's no keeping each other
774
00:36:49,000 --> 00:36:51,200
in check because everyone's just
backstabbing and trying to get
775
00:36:51,200 --> 00:36:53,100
ahead.
And when that's the community of
776
00:36:53,100 --> 00:36:55,900
people you surround yourself
with, then you kind of Bring it
777
00:36:55,900 --> 00:36:59,200
on yourself, right?
So Brad, I want to take a really
778
00:36:59,200 --> 00:37:02,100
hard left turn here, the
hardest, the hardest of left
779
00:37:02,100 --> 00:37:03,300
turns, we're going back to
Tarantino.
780
00:37:03,300 --> 00:37:06,000
I'm just getting that you said
at the beginning that you had
781
00:37:06,000 --> 00:37:10,000
not even heard of Has right?
And I do think that this movie
782
00:37:10,000 --> 00:37:11,800
has really fallen out of fashion
with people.
783
00:37:11,800 --> 00:37:13,500
I don't think a lot of people
will have heard of it.
784
00:37:13,600 --> 00:37:16,900
But that doesn't mean that this
movie is not still influencing
785
00:37:16,900 --> 00:37:19,400
media today, and I want to do a
little experiment here.
786
00:37:19,400 --> 00:37:23,300
If you'll just give me a second.
So I've got a clip to play for
787
00:37:23,300 --> 00:37:25,000
you.
Brad a bit of a thought
788
00:37:25,000 --> 00:37:26,000
experiment.
Yeah.
789
00:37:26,200 --> 00:37:28,200
So if you remember the very
first scene in the movie where
790
00:37:28,200 --> 00:37:30,800
salieri's talking about the
first time that he heard
791
00:37:30,800 --> 00:37:33,200
Mozart's music.
Yeah, he starts wax and
792
00:37:33,200 --> 00:37:34,200
poetical.
Yeah.
793
00:37:34,200 --> 00:37:36,600
It's saying like this is the
voice of God through music.
794
00:37:38,400 --> 00:37:45,900
And then suddenly high above it.
An oboe.
795
00:37:49,600 --> 00:37:51,500
A single note, hanging their
unwavering.
796
00:37:55,200 --> 00:38:04,200
Until a clarinet, took it over.
Sweetened it into a phrase of
797
00:38:04,200 --> 00:38:10,200
such Delight.
I want to throw your memory back
798
00:38:10,400 --> 00:38:14,400
to one of our favorite TV shows
and they did an omage to the
799
00:38:14,400 --> 00:38:18,900
movie Amadeus in an episode
titled, best burger in New York
800
00:38:19,700 --> 00:38:22,700
Robin.
It's so much more than just a
801
00:38:22,700 --> 00:38:26,800
burger.
I mean that first bite.
802
00:38:27,600 --> 00:38:32,700
Oh what heaven that first bite,
is the bomb like a sesame
803
00:38:32,700 --> 00:38:36,500
freckled, breast of an Angel
resting gently on the ketchup
804
00:38:36,500 --> 00:38:40,200
and mustard below flavors.
Mingling in a seductive Pas du
805
00:38:40,200 --> 00:38:48,000
du and then.
A pickle, the most playful,
806
00:38:48,500 --> 00:38:52,300
little pickle, and then a slice
of tomato, a leaf of lettuce,
807
00:38:52,300 --> 00:39:00,300
and a Patty of ground beef.
So, Exquisite swirling in your
808
00:39:00,300 --> 00:39:03,600
mouth breaking apart and
combining again in a Fugue of
809
00:39:03,600 --> 00:39:07,800
sweets and savories.
So delightful.
810
00:39:08,900 --> 00:39:12,800
This is no mere sandwich of
grilled, meat, toasted bread
811
00:39:12,800 --> 00:39:16,700
Robin.
This God. speaking to us through
812
00:39:16,700 --> 00:39:20,400
food, So as you can see, I'm a
day.
813
00:39:20,400 --> 00:39:21,900
Is it still going strong in pop?
Culture?
814
00:39:21,900 --> 00:39:23,600
Brad?
Yeah, that's crazy to me.
815
00:39:23,600 --> 00:39:26,300
I obviously, I've seen all of
How I Met Your Mother.
816
00:39:26,400 --> 00:39:28,100
If you haven't seen it, go watch
it right now.
817
00:39:28,100 --> 00:39:29,800
Joe.
It's a really good show.
818
00:39:29,800 --> 00:39:33,200
But yeah, that clip I would have
never known that.
819
00:39:33,300 --> 00:39:35,200
Until this moment.
We were watching that and I was
820
00:39:35,200 --> 00:39:37,200
like, this seems familiar.
And then all of a sudden, I
821
00:39:37,200 --> 00:39:39,200
remembered Marshall.
Eriksen talking about his
822
00:39:39,200 --> 00:39:41,100
Burger.
All right.
823
00:39:41,100 --> 00:39:44,100
So let's wrap this up, Brad.
Can you give this movie A score
824
00:39:44,100 --> 00:39:48,100
and would you recommend?
I would give Amadeus innate?
825
00:39:48,100 --> 00:39:51,900
Okay, and I I would recommend.
Yeah, it's a solid movie.
826
00:39:51,900 --> 00:39:53,800
It's really well done.
There's flaws.
827
00:39:53,800 --> 00:39:56,300
I think that all of the minor
could supporting characters
828
00:39:56,300 --> 00:39:59,600
could use some development and
maybe better actors.
829
00:39:59,600 --> 00:40:01,900
Yeah.
I think there's issues and the
830
00:40:01,900 --> 00:40:05,800
main minor character is his wife
who has a pretty major role in
831
00:40:05,800 --> 00:40:08,400
the movie.
Sure, but overall, I think that
832
00:40:08,400 --> 00:40:12,800
F Murray Abraham gives in a B
plus to a minus performance.
833
00:40:12,800 --> 00:40:15,300
I think, Tom holsters Phenom.
Yeah idea to he really gives an
834
00:40:15,300 --> 00:40:18,000
A+ perform a duty to this.
So yeah, I would give it an 8.
835
00:40:18,000 --> 00:40:20,900
It's a really Good movie.
Yeah, it's not something that I
836
00:40:20,908 --> 00:40:22,900
would go back and watch again
anytime soon.
837
00:40:22,900 --> 00:40:25,900
Yeah, but it's a good movie.
You know, I had this movie at a
838
00:40:25,908 --> 00:40:28,500
10 on my IMDb and after this
viewing I was like I'm ready to
839
00:40:28,500 --> 00:40:30,500
take her down to an eight.
I don't know if one viewing
840
00:40:30,500 --> 00:40:33,300
should really lower it too far.
But I think for now I'm with you
841
00:40:33,300 --> 00:40:34,500
Brad.
I think I am going to give it an
842
00:40:34,500 --> 00:40:37,100
eight this movie really could
have been 25 to 30 minutes
843
00:40:37,100 --> 00:40:40,000
shorter, but it's definitely
worth seeing and if you have
844
00:40:40,000 --> 00:40:41,700
never seen Amadeus, I'm telling
you.
845
00:40:41,900 --> 00:40:44,300
It's not the kind of movie.
You're probably expecting it's
846
00:40:44,300 --> 00:40:46,500
not really pretentious and
stuffy.
847
00:40:46,600 --> 00:40:48,800
It's a movie that that asks big
questions.
848
00:40:49,000 --> 00:40:50,700
But in a way that's accessible
to people.
849
00:40:50,700 --> 00:40:52,900
Yeah, it's amusing.
It's fun.
850
00:40:52,900 --> 00:40:56,100
It draws you in the drama of the
movie.
851
00:40:56,200 --> 00:41:00,500
Spirals into Insanity in a way
that you don't often see in
852
00:41:00,500 --> 00:41:02,700
movies.
It's really well done.
853
00:41:02,800 --> 00:41:05,100
But there's something about it
that keeps me from giving a 9 or
854
00:41:05,107 --> 00:41:08,700
9 and a half, which would be my
definition of, you got yourself
855
00:41:08,700 --> 00:41:10,000
a heck of a move.
Yeah for sure.
856
00:41:10,000 --> 00:41:11,300
So there's just something about
it.
857
00:41:11,300 --> 00:41:13,600
That keeps it from that level,
but we're still talking about a
858
00:41:13,600 --> 00:41:15,500
movie.
That's an 8 out of 10.
859
00:41:15,600 --> 00:41:17,400
Definitely is a really good
movie.
860
00:41:17,400 --> 00:41:20,000
I think it did deserve better.
S picture and all the other
861
00:41:20,000 --> 00:41:22,100
awards that got.
And I would definitely
862
00:41:22,100 --> 00:41:24,100
recommend.
Well guys, we thank you so much
863
00:41:24,100 --> 00:41:25,500
for hanging in there with us
today.
864
00:41:25,600 --> 00:41:28,400
I want to get us over to
Lexington, Kentucky, where I sat
865
00:41:28,400 --> 00:41:32,300
down with Justin Sloan the owner
and founder of Justin's house of
866
00:41:32,300 --> 00:41:34,100
bourbon.
Let's listen to this interview.
867
00:41:40,300 --> 00:41:41,900
Hey everybody.
Welcome to the podcast.
868
00:41:41,900 --> 00:41:44,900
I am coming to you live from
Lexington, Kentucky.
869
00:41:44,900 --> 00:41:46,900
We are at Justin's house of
bourbon.
870
00:41:46,900 --> 00:41:48,400
I'm sitting here with Justin
Sloan.
871
00:41:48,600 --> 00:41:50,400
Who's the owner of Justin's
house of bourbon?
872
00:41:50,400 --> 00:41:51,500
Justin.
How are you today?
873
00:41:51,700 --> 00:41:52,900
Pretty good.
Get a whiskey in the hand.
874
00:41:52,900 --> 00:41:54,900
That's right.
Yeah, we are day drinking.
875
00:41:54,900 --> 00:41:56,900
So we're doing real.
Well, so no, nyet.
876
00:41:56,900 --> 00:41:59,100
No, no, not even close.
Don't look at the clock.
877
00:41:59,500 --> 00:42:03,700
That's a rookie mistake.
So, Justin is operating one of
878
00:42:03,700 --> 00:42:07,700
the coolest little liquor stores
that I've ever seen, because
879
00:42:07,700 --> 00:42:10,100
it's Solis.
Enter Don Bourbon and they
880
00:42:10,100 --> 00:42:12,200
specialize as well in vintage
Bourbon.
881
00:42:12,500 --> 00:42:13,800
And so I came in here,
yesterday.
882
00:42:13,800 --> 00:42:17,100
We had found them on Instagram
and Justin and I started up a
883
00:42:17,107 --> 00:42:19,900
conversation and he offered very
graciously to have us.
884
00:42:19,900 --> 00:42:22,400
Come in and do a little
interview and he has poured us a
885
00:42:22,408 --> 00:42:24,500
couple nice pores here.
So why don't you tell everybody
886
00:42:24,500 --> 00:42:26,900
what we're sipping on today?
Yeah, right now we're hitting a
887
00:42:27,200 --> 00:42:30,500
the American Spirit 15-year from
Wild Turkey.
888
00:42:30,600 --> 00:42:33,500
It's a limited edition.
They did a few years ago.
889
00:42:33,700 --> 00:42:37,000
Probably is before Campari
bottom, so I can't remember the
890
00:42:37,000 --> 00:42:39,800
year, but came out probably.
Thousand Seven or not seem like
891
00:42:39,800 --> 00:42:43,600
that but it's a fantastic.
Fantastic whiskey.
892
00:42:44,200 --> 00:42:46,500
And we also have a 15-year Knob
Creek a barrel.
893
00:42:46,500 --> 00:42:50,700
Pick that we did recently.
That was pretty, pretty weird
894
00:42:50,700 --> 00:42:53,600
one who picked it.
But to have that many old
895
00:42:53,600 --> 00:42:55,200
barrels.
We ended up with Five Barrels
896
00:42:55,200 --> 00:43:00,300
over 14 years old and 3:15.
So, it worked out great for us.
897
00:43:00,300 --> 00:43:03,600
And we ended up buying them all
and it's a great whiskey, to why
898
00:43:03,600 --> 00:43:05,300
don't we try this American
Spirit?
899
00:43:05,300 --> 00:43:06,100
Cheers?
Yeah.
900
00:43:06,100 --> 00:43:12,900
Cheers to you, sir.
That's everything you want.
901
00:43:12,900 --> 00:43:14,600
No Walter.
I'm sorry.
902
00:43:16,000 --> 00:43:19,800
Wild turkey on steroids.
Yeah, great proof, Justin.
903
00:43:19,800 --> 00:43:21,700
Why don't you tell me a little
bit about the history of this
904
00:43:21,700 --> 00:43:24,700
place and how you got into
collecting vintage burdens as
905
00:43:24,700 --> 00:43:28,900
well?
Start with myself and just was a
906
00:43:28,900 --> 00:43:33,200
hobby that kind of went rogue.
We or I I was buying a bunch of
907
00:43:33,200 --> 00:43:37,000
whiskey and if I liked it, I
would buy multiples and was in
908
00:43:37,000 --> 00:43:41,200
an IT world before this.
And so had a little On the mess
909
00:43:41,200 --> 00:43:45,000
with.
So was fine, whiskey and met my
910
00:43:45,000 --> 00:43:48,100
business partner.
JT the other Justin around town.
911
00:43:48,100 --> 00:43:49,900
He's in Lexington and, and his
brother.
912
00:43:49,900 --> 00:43:53,400
Seth and they their friend, Bob
did the bourbon Review magazine.
913
00:43:53,400 --> 00:43:58,000
So, got him with those guys and
I was planning on taking a
914
00:43:58,000 --> 00:44:02,300
couple years off of work, and I
think two weeks later, I was a
915
00:44:02,300 --> 00:44:05,700
bought into the magazine and
couldn't couldn't hardly stand
916
00:44:05,700 --> 00:44:07,400
it.
So it got got dope into there.
917
00:44:07,400 --> 00:44:11,400
And then whenever we got wind
that house, Bill 100 was going
918
00:44:11,400 --> 00:44:14,400
to be passed.
I approached JT and said, hey,
919
00:44:14,400 --> 00:44:17,000
let's do this.
We've got the wherewithal, we
920
00:44:17,000 --> 00:44:20,400
got the collection and we can do
something really cool that
921
00:44:20,400 --> 00:44:23,800
nobody's done and kind of beat
everybody, the punch, and the
922
00:44:23,800 --> 00:44:26,800
law went into effect January
1st, and we were open February,
923
00:44:26,800 --> 00:44:30,700
like, six or something.
So it's been been a little bit
924
00:44:30,700 --> 00:44:32,600
of fun little ride there.
So we've been open since
925
00:44:32,600 --> 00:44:36,700
February 6, 2018 and and we're
working on a little location
926
00:44:36,700 --> 00:44:39,400
now, so it's a going to be going
to be fun.
927
00:44:39,700 --> 00:44:41,600
I can explain.
A little bit to our non Kentucky
928
00:44:41,600 --> 00:44:43,000
listeners.
What this law?
929
00:44:43,400 --> 00:44:46,800
How it helped you get open?
Oh, it's been such a good thing
930
00:44:46,800 --> 00:44:49,300
for the state.
But basically it allows us to
931
00:44:49,300 --> 00:44:56,800
purchase unopened whiskey or
really spirits that there's a
932
00:44:56,900 --> 00:44:59,800
like, three things are criteria.
Can be open, can't be owned by
933
00:44:59,800 --> 00:45:02,000
Distillery.
So, hence, we couldn't bypass
934
00:45:02,300 --> 00:45:05,900
the distributor and it can't be
available from distributor.
935
00:45:05,900 --> 00:45:09,100
So if it's if it meets those
three criterias, we can buy it
936
00:45:09,100 --> 00:45:12,100
from an unlicensed individuals.
Violin resell it by the poor or
937
00:45:12,100 --> 00:45:14,800
the or the bottle.
Wow, so it opened it up a lot
938
00:45:14,800 --> 00:45:18,300
and I'll tell you the first, you
know, coming into this, I'd say
939
00:45:18,300 --> 00:45:21,700
I would say, you know, half half
the people that came in would be
940
00:45:21,700 --> 00:45:24,200
tourist but it's about 80 to 85
percent of the people that walk
941
00:45:24,200 --> 00:45:26,500
in our door are from out of
town.
942
00:45:26,500 --> 00:45:28,900
So it's been great for towards
more in Lexington.
943
00:45:28,900 --> 00:45:31,400
So can imagine what that's going
to do in Louisville, and, you
944
00:45:31,400 --> 00:45:33,500
know, yesterday, I was sitting
here for probably a half hour
945
00:45:33,500 --> 00:45:35,000
and someone came in from
Chicago.
946
00:45:35,000 --> 00:45:37,400
Yep, and this morning, someone's
already come in from Washington
947
00:45:37,400 --> 00:45:39,200
DC.
So it's really cool.
948
00:45:39,400 --> 00:45:41,500
I mean, tell me, It's like as a
business owner.
949
00:45:41,500 --> 00:45:44,800
To know that people are coming
from far and wide just to shop
950
00:45:44,800 --> 00:45:46,400
in your store.
It's crazy.
951
00:45:46,400 --> 00:45:48,300
And we had a Canada.
I got from Canada yesterday.
952
00:45:48,300 --> 00:45:52,100
So I mean it's a it's pretty,
pretty humbling and pretty cool.
953
00:45:52,100 --> 00:45:54,000
That, you know, obviously we're
getting the word out there.
954
00:45:54,000 --> 00:45:55,500
We don't spend a lot of money on
Advertising.
955
00:45:55,500 --> 00:45:58,800
We let the bottles kind of do
the, do the advertising on
956
00:45:58,800 --> 00:46:01,700
Instagram and, and, and that
kind of stuff.
957
00:46:01,700 --> 00:46:04,200
So it's really cool that the
word is getting out, and I got a
958
00:46:04,207 --> 00:46:07,500
text message from a buddy, who's
a doctor in Illinois yesterday,
959
00:46:07,500 --> 00:46:10,100
and he said, hey, a guy came in
was talking about bourbon.
960
00:46:10,200 --> 00:46:12,300
And who you were and all these.
Like, I thought I was pretty
961
00:46:12,300 --> 00:46:13,700
cool.
I was like, that's pretty cool.
962
00:46:13,700 --> 00:46:16,300
So, I mean, it's the words
getting out there and like I
963
00:46:16,308 --> 00:46:18,900
said, is, you know, you can look
on our views and it's nothing
964
00:46:18,900 --> 00:46:21,800
but five star, five star reviews
on Google Facebook.
965
00:46:21,800 --> 00:46:25,200
And we really pride ourselves
into talking to every customer
966
00:46:25,200 --> 00:46:28,600
that comes in, whether they're
going to spend 10 dollars or
967
00:46:28,600 --> 00:46:31,000
twenty thousand dollars.
We talked on the same.
968
00:46:31,000 --> 00:46:32,500
We spend the same amount of time
with them.
969
00:46:32,600 --> 00:46:35,100
You can, the way our store set
up, you can't walk in without
970
00:46:35,100 --> 00:46:36,000
being greeted.
Yeah.
971
00:46:36,300 --> 00:46:39,500
So we, that's kind of what
we've, you know, instilled in
972
00:46:39,500 --> 00:46:42,500
our Our employees and they do a
fantastic job.
973
00:46:42,500 --> 00:46:46,000
Most of the reviews actually
will mention an employee's name
974
00:46:46,600 --> 00:46:49,100
in the review.
So it's been a, it's been a very
975
00:46:49,100 --> 00:46:51,500
cool thing and humbling thing
there and that the employees
976
00:46:51,500 --> 00:46:54,100
take pride in and doing what
they're doing and it's kind of
977
00:46:54,100 --> 00:46:57,100
given us an edge on on any other
really, you know, little
978
00:46:57,100 --> 00:46:59,900
mom-and-pop liquor stores or the
big guys, but you know, we don't
979
00:46:59,900 --> 00:47:01,200
have to really compete with
those guys.
980
00:47:01,200 --> 00:47:03,500
So we're kind of our own thing.
So it's kind of cool.
981
00:47:03,500 --> 00:47:07,400
Yeah, now obviously the bourbon
boom that we're experiencing is
982
00:47:07,400 --> 00:47:10,500
helping you guys a lot but you
know, my sense is that You are
983
00:47:10,500 --> 00:47:13,800
an OG bourbon Drinker.
And so when you were coming up
984
00:47:13,800 --> 00:47:16,400
and you were starting to collect
all these vintage bottles, like
985
00:47:16,400 --> 00:47:19,600
what was your most prized
possession, man?
986
00:47:19,600 --> 00:47:23,200
I remember just loading up on
the age Taylor tornadoes and
987
00:47:23,200 --> 00:47:25,100
just loving those and just
drinking them.
988
00:47:25,300 --> 00:47:27,400
I mean, I remember events that
we go to and we would just be
989
00:47:27,408 --> 00:47:30,500
drinking out of the bottle.
I mean, that's just it didn't
990
00:47:30,500 --> 00:47:31,800
matter.
We were, you know, we're just
991
00:47:31,800 --> 00:47:34,500
crushing those things.
And, but those, those were the
992
00:47:34,500 --> 00:47:36,100
fun.
Those were the fun times and
993
00:47:36,100 --> 00:47:39,000
stuff like the American Spirit
was on the Shelf, you know, you
994
00:47:39,000 --> 00:47:42,500
could as a new Bourbon, you
know, somebody was getting into
995
00:47:42,500 --> 00:47:43,800
bourbon.
You could find these things on
996
00:47:43,800 --> 00:47:48,900
the shelf and really explore.
What is now harder to explore,
997
00:47:49,100 --> 00:47:52,000
but there was a lot, you know,
less things on the Shelf than
998
00:47:52,000 --> 00:47:53,800
there are today.
I mean, we have a whole wall of
999
00:47:53,800 --> 00:47:55,600
stuff.
That's the new stuff that's out.
1000
00:47:55,600 --> 00:47:57,200
So the Contemporary kind of
stuff.
1001
00:47:57,800 --> 00:48:01,900
So that's very exciting to see
that, you know, this whole thing
1002
00:48:01,900 --> 00:48:05,800
has just blown up as far as the
the options are out there the
1003
00:48:05,800 --> 00:48:08,100
the you can go as expensive or
cheap as you want to.
1004
00:48:08,100 --> 00:48:09,800
There's great bottles for under
30.
1005
00:48:10,100 --> 00:48:12,000
Under 40 bucks.
Something that's a it's
1006
00:48:12,000 --> 00:48:14,600
definitely not like the old days
but it's still, it's still
1007
00:48:14,600 --> 00:48:16,700
really fun.
Yeah, I mean, has it been hard
1008
00:48:16,700 --> 00:48:19,000
to walk that line.
Now as a business owner knowing
1009
00:48:19,000 --> 00:48:22,700
that you have to price stuff it
competitively but also like as a
1010
00:48:22,700 --> 00:48:25,500
bourbon lover to know that some
of these really great Bourbons
1011
00:48:25,500 --> 00:48:29,900
just aren't available anymore.
Yeah, it's tough to price things
1012
00:48:29,900 --> 00:48:31,900
as a business owner.
You know, we have to have
1013
00:48:31,900 --> 00:48:35,000
replacement cost income payroll,
everything because we are doing
1014
00:48:35,000 --> 00:48:36,700
it legal.
So we have to have all that
1015
00:48:36,700 --> 00:48:39,700
stuff built into our cost and it
is discouraging sometimes.
1016
00:48:39,700 --> 00:48:43,200
But At the end of the day, we
don't have a problem selling
1017
00:48:43,200 --> 00:48:45,100
things.
I mean, you know, we it's supply
1018
00:48:45,100 --> 00:48:47,800
and demand and and people are
going to pay for it.
1019
00:48:47,800 --> 00:48:50,500
And if one person one customer,
doesn't pay for it.
1020
00:48:50,500 --> 00:48:53,500
The next one.
Well, so I mean, it's the, you
1021
00:48:53,500 --> 00:48:56,500
know, it's a luxury to be able
to walk in here and find
1022
00:48:56,500 --> 00:48:58,100
anything you want to on the
shelf.
1023
00:48:58,300 --> 00:49:01,400
And some people willing to pay
that some art and it for me,
1024
00:49:01,400 --> 00:49:05,400
it's like I'm happy to be able
to provide that to you know,
1025
00:49:05,400 --> 00:49:08,300
anybody anybody that can come in
and like like I said, we have
1026
00:49:08,300 --> 00:49:11,300
bottles from, you know, $12.
All the way up to 20,000.
1027
00:49:11,300 --> 00:49:15,100
So, you know, we'll find you
something in your Wheelhouse, in
1028
00:49:15,100 --> 00:49:17,700
your, in your budget, and your
palate wherever you want when
1029
00:49:17,700 --> 00:49:20,200
you come in.
Yeah, and it's super encouraging
1030
00:49:20,200 --> 00:49:22,400
to be able to walk into a store
and see the whole line of
1031
00:49:22,400 --> 00:49:25,100
Weller.
What btech or, you know, Pappy
1032
00:49:25,300 --> 00:49:28,700
and it's available for purchase.
It's not just for show.
1033
00:49:28,900 --> 00:49:31,300
So what you guys are doing here
is fantastic.
1034
00:49:31,300 --> 00:49:33,700
And I don't mean to hit pause on
our interview.
1035
00:49:33,700 --> 00:49:36,500
Yeah, but I am itching to try
this Knob Creek.
1036
00:49:37,900 --> 00:49:39,600
It's a good one.
So now, this is a barrel pick
1037
00:49:39,600 --> 00:49:40,900
that you all did.
It's a barrel.
1038
00:49:40,900 --> 00:49:43,300
Pick, we did.
Yeah, so we like I said, we
1039
00:49:43,300 --> 00:49:44,700
picked Five Barrels.
I think.
1040
00:49:44,700 --> 00:49:47,400
And, and we've got some chugging
there.
1041
00:49:47,800 --> 00:49:51,000
But we were lucky enough to get
it early in the year, when a
1042
00:49:51,000 --> 00:49:54,800
bunch of them were were coming
out and at the older age
1043
00:49:54,800 --> 00:49:56,300
statement.
Now, I think they're all back to
1044
00:49:56,300 --> 00:49:59,100
not attend every now and you'll
get a 15 or 14 thrown in there.
1045
00:49:59,100 --> 00:50:04,400
But man, it's a 450, you know,
56 58 bucks.
1046
00:50:04,400 --> 00:50:06,000
A bottle.
It's incredible.
1047
00:50:06,000 --> 00:50:07,700
I can't believe that's what
y'all are going to price this
1048
00:50:07,700 --> 00:50:10,600
at.
Yeah, so and then that What we
1049
00:50:10,600 --> 00:50:14,000
we price them all but I think
starting July 1st, the the price
1050
00:50:14,000 --> 00:50:16,200
of Knob creaks going up little
Insider information.
1051
00:50:16,200 --> 00:50:20,100
There are 88 dollars a bottle is
going up Kentucky and 16
1052
00:50:20,800 --> 00:50:22,500
Nationwide.
So I'll side of Kentucky.
1053
00:50:22,500 --> 00:50:25,700
Yeah, so get by Knob Creek now
before they goes up I just to
1054
00:50:25,700 --> 00:50:28,300
make you all jealous.
This is I mean just on the nose.
1055
00:50:28,300 --> 00:50:32,200
It's just a bomb of maple syrup
and brown sugar and I cannot
1056
00:50:32,200 --> 00:50:34,500
this is this might be the most
special whiskey we've had on the
1057
00:50:34,508 --> 00:50:36,600
podcast so far.
So I'm going to make sure to rub
1058
00:50:36,600 --> 00:50:39,800
it in to my co-host Brad, but
let's give this a taste.
1059
00:50:43,600 --> 00:50:45,200
Oh, yeah.
Oh my goodness.
1060
00:50:45,400 --> 00:50:47,800
That might be one of the better
ones we've brought in now.
1061
00:50:47,800 --> 00:50:50,000
Is this a barrel proof as well?
That's 120 proof.
1062
00:50:50,000 --> 00:50:51,600
Well, they they brought it down
a little bit.
1063
00:50:51,600 --> 00:50:54,300
I can't remember.
Going going when we did the
1064
00:50:54,300 --> 00:50:57,100
barrel that probably was, you
know, probably close to a
1065
00:50:57,100 --> 00:50:59,200
hundred thirty or so and they
probably brought it down.
1066
00:50:59,600 --> 00:51:00,500
Yeah.
This is great.
1067
00:51:00,500 --> 00:51:02,700
Really smooth?
Really Smoky on the, thank you.
1068
00:51:02,800 --> 00:51:04,900
Great.
So Justin, as you guys look to
1069
00:51:04,900 --> 00:51:06,900
expand, you know, you said,
you're starting another
1070
00:51:07,100 --> 00:51:09,500
franchise out in Louisville.
What do you what are your
1071
00:51:09,500 --> 00:51:10,800
Ambitions?
What are your hopes for the
1072
00:51:10,800 --> 00:51:13,400
house of bourbon?
Man, we're really kind of locked
1073
00:51:13,400 --> 00:51:15,700
into Kentucky and we could go to
a couple different markets.
1074
00:51:15,700 --> 00:51:19,800
But right now we're just want to
focus on on servicing Kentucky
1075
00:51:19,800 --> 00:51:21,400
and the tourists that come to
Kentucky.
1076
00:51:22,300 --> 00:51:25,500
Louisville was not expected to
be this soon after we open
1077
00:51:25,500 --> 00:51:29,200
Lexington.
But we, you know, were fortunate
1078
00:51:29,200 --> 00:51:32,200
enough to be very successful
here and want to expand to
1079
00:51:32,200 --> 00:51:35,700
Louisville and and kind of dive
into that the bourbon culture
1080
00:51:35,700 --> 00:51:37,100
there, which is such a great
City.
1081
00:51:37,100 --> 00:51:41,500
Such a great growing bourbon Hub
and probably Ground Zero for
1082
00:51:41,700 --> 00:51:43,700
for, for most of bourbon things
that are going on.
1083
00:51:43,700 --> 00:51:47,100
So it's a, it's exciting to go
to go there and expand, but
1084
00:51:47,100 --> 00:51:48,800
after that, I'm not, not really
sure.
1085
00:51:48,800 --> 00:51:50,700
We don't really have haven't
looked too far ahead.
1086
00:51:50,700 --> 00:51:54,000
We want to get want to get level
up and going and see if we can
1087
00:51:54,000 --> 00:51:57,300
handle a little Bland Lexington.
That's what it's a little scary.
1088
00:51:58,500 --> 00:51:59,700
Well, I have to say, first of
all.
1089
00:51:59,700 --> 00:52:01,000
Justin.
Thank you so much for your
1090
00:52:01,000 --> 00:52:02,300
hospitality.
Thank you for this.
1091
00:52:02,300 --> 00:52:04,900
Wonderful burden.
Thank you guys for coming in if
1092
00:52:04,900 --> 00:52:07,400
you are ever in Lexington.
Kentucky, if you're ever looking
1093
00:52:07,400 --> 00:52:10,200
for a specialty bourbon, or you
just want to talk to a couple
1094
00:52:10,200 --> 00:52:13,900
guys who know everything about,
Out this product, come down to
1095
00:52:13,900 --> 00:52:16,200
Justin's house of bourbon.
It's right downtown.
1096
00:52:16,400 --> 00:52:19,300
They and they will absolutely
find what you are looking for.
1097
00:52:19,300 --> 00:52:21,900
And it's going to be available
either on their shelf or in
1098
00:52:21,900 --> 00:52:23,800
their bar.
So, Justin Sloan, thank you so
1099
00:52:23,800 --> 00:52:26,000
much for getting the podcast.
Thank you so much for having me.
1100
00:52:26,100 --> 00:52:27,300
Look forward to seeing you guys
again.
1101
00:52:33,000 --> 00:52:35,000
So that was Justin's house of
bourbon Brad.
1102
00:52:35,000 --> 00:52:36,000
Seriously.
Cool.
1103
00:52:36,000 --> 00:52:39,200
Cool place.
I next time I am in Lexington.
1104
00:52:39,200 --> 00:52:41,000
I will be getting out to
Justin's house of bourbon.
1105
00:52:41,000 --> 00:52:43,400
Absolutely.
Lee Justin gave us that bottle
1106
00:52:43,400 --> 00:52:46,500
of Knob Creek, 15 year and I
brought some up for Brad to try.
1107
00:52:46,600 --> 00:52:49,200
I cannot wait for you to pop the
cork on that bad boy.
1108
00:52:49,200 --> 00:52:52,200
I am super excited to try that
next week.
1109
00:52:52,200 --> 00:52:55,400
We're going to be back talking
about the 1954 Best Picture
1110
00:52:55,400 --> 00:52:58,700
Winner on the waterfront.
We're on weirdest on a best
1111
00:52:58,700 --> 00:53:00,200
picture.
We are, we're finally back in
1112
00:53:00,200 --> 00:53:01,900
the Oscar race, meant for the
film.
1113
00:53:01,900 --> 00:53:03,500
And whiskey podcast.
I'm Bob book.
1114
00:53:03,500 --> 00:53:05,400
I'm Reggie.
We'll see you next time.