The Big Short / Jack Daniel's 10-Year Tennessee Whiskey
Bob and Brad dive into the world of Wall Street greed and financial collapse with their review of Adam McKay’s critically acclaimed 2015 film The Big Short. They unpack the movie’s performances, biting humor, and the sobering truths behind the 2008 housing market crash.
Then, they shift gears to review the Jack Daniel’s 10-Year Tennessee Whiskey, a rare gem in the whiskey world. With its bold flavor profile and rich aging process, this whiskey provides plenty to discuss.
(0:00) Intro
(07:57) Brad Explains
(09:55) Performances, Themes
(32:14) Jack Daniel’s 10-Year Whiskey Review
(45:15) Two Facts and a Falsehood and Final Analysis
(49:38) Let's Make it a Double and Final Scores
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For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.
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In 2015, director Adam McKay and
star Steve Carell gave the world
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a fast-paced knock off that
hammered home the dangers of
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greed.
In 2025, we see if an Obama era
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whiskey can bail out this
episode.
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The film is the big.
Short the whiskey is Jack
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Daniels 10 year batch 3.
And more of you them both.
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This is the film and whiskey.
Podcast.
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Welcome to the Film and Whiskey
podcast, where each week we
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review a classic movie and a
glass of whiskey.
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I'm Bob Book.
I'm Brad G.
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And today we are looking at the
2015 film The Big Short.
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Brad, this movie is celebrating
its 10th anniversary this year.
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And we can officially say that
now that it is 2025.
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And I think this is around the
time where time stopped being
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real to me because it doesn't
feel like The Big Short should
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be in the same sentence as 10
years old.
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Like, I still, I remember this
movie coming out and it was like
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one of the last movies that
still made sense to buy on
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Blu-ray because it wasn't just
immediately on like Netflix.
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And then I even saying that
sentence, I'm like, Oh yeah,
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that was definitely at least a
decade ago.
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Yeah, I recently read a very
long article about the evils of
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Netflix and how it has destroyed
cinema.
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And you're right, it it's like
simultaneously feels like
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Netflix has been around forever
and yet like no time at all.
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Yeah, and we've had this happen
a couple times on this season
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where a movie really found a
second life on Netflix, and The
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Big Short was one of them.
This was a movie that I I don't
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who released this?
Was it Columbia?
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What was the studio behind this
movie?
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Paramount, maybe Paramount,
yeah.
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In any case, it was at the time
when Netflix was kind of like
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the distribution model for
streaming.
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There was really no, you know,
big catalogue on Amazon Prime
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yet.
There certainly wasn't Paramount
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Plus.
And so studios would just kind
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of like rent out their movies to
Netflix for a while.
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And once this movie hit Netflix,
it was on Netflix for a long
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time.
And I remember a lot of people
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saw it there.
Brad, I'm I'm curious as we dive
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into this episode.
First of all, hello, folks.
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Welcome into film and Whiskey.
I hope you're having a great new
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year.
So far, this is the first time
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Brad and I have recorded in a
couple weeks.
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And we worked a little bit ahead
to get Mad Max out of the way.
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And I'm shaking off some rust.
Shaking off some rust and
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probably like four extra pounds
from the holiday season, Brad.
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I am still like cleaning off
silver paint from my mouth.
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It.
It was a heck of an episode If
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you haven't listened to Mad Max.
All shiny and Chrome, baby.
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Anyway, welcome into film and
whiskey.
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What we do on this podcast is we
talk about movies, we talk about
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whiskey.
And this season we are looking
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at movies from the last 20 years
and we are asking the question,
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does this film deserve to be
considered a modern classic?
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Now, The Big Short was a money
maker at the box office and it
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was nominated for best picture.
I don't believe it is in either
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the IMDb or the Letterbox top
250, but it's a well enough
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liked movie that it merits us
talking about today.
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The way you said money maker
just begs me to ask the
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question.
Do you think it could shake it?
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I believe that song is featured
at least one time in this movie,
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right?
I think.
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So shake it money make.
I thought, yeah, it there's for
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sure.
It's in this.
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It's in this movie somewhere.
There are because we were
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talking about a stripper song.
There are I think 2 scenes with
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strippers in this movie and I
don't think either are truly
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necessary.
Like why are there nipples in
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this movie?
Bob I.
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Don't know.
I don't know man, you could ask
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that question about a lot of
things that happen in Adam McKay
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movies.
Adam McKay is the director of
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the big shorts.
This was his first real forward
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foray into making, I think what
he would consider himself to be
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making a like, big boy movie
because to this point he had
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been a comedy director and a
director of pretty dumb
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comedies.
Like he's the guy that made
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Anchor Band.
He made Talladega Nights.
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I think he yeah, I think he made
Step Brothers as well.
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And so then he pivots into the
big shorts, which is his big
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Oscar play.
And at the time, I think critics
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were willing to go with him into
this realm because he was seen
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as kind of bringing this
anarchic energy to a story like
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The Big Short.
And it's definitely still improv
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heavy.
And I think it's definitely
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still going for some pretty
irreverent laughs at points.
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But it gets them you.
You mean that the line I'm
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jacked to the tits wasn't
written?
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I'm going to say that eight
times today, Brad, the way that
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you say, witness me, I'm jumped
to the pitch, he says.
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He says it so high pitched too.
It's so good, man.
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Anyway, I think critics were
kind of willing to follow Adam
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McKay into this realm to this
point.
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And then he makes two more
movies where he gets like
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successively more up his own ass
as he makes them.
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He makes a movie called Vice a
couple years after this, which
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is his kind of biopic of Dick
Cheney.
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And then a few years after that
he makes a movie called Don't
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Look Up, which is his big
parable about the Trump era and
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global warming.
And at this point, even the most
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liberal of movie critics is
like, this guy is annoying as
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hell.
I think it's really interesting
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to trace it back to The Big
Short 'cause this is kind of the
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tipping point for him.
And it's a movie that people
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have really unfairly looked back
on and and crapped all over
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because they hate Adam McKay
now, and a movie that I really
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remember at the time liking a
lot.
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Brad, were you a person who saw
The Big Short when it came out
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in 2015?
I did not see the Big Short and
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the only thing I knew about it
was that it was kind of about
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finance.
And for some reason in my brain,
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I like naturally paired it like
I I let's make a doubled it
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without ever seeing either film
with Dallas Buyers Club.
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Yeah, and I can tell you for a
fact this movie is very much
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about finance, and Dallas Buyers
Club is not at all about
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finance.
I there you.
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Go.
You couldn't be farther off.
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I mean just because the word
buyers is in the title, it is
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not a finance movie my friend.
I thought it was about real.
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Estate.
No, it's about a bunch of people
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who have AIDS and who find a way
to get themselves medication
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when the government like tries
to ban all their medication.
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That's basically about finance.
You know, it's a parable.
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It's a metaphor, yeah.
I obviously have never seen
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Dallas Buyers Club.
This was my first time seeing
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The Big Short and I I was on
track here.
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It is indeed about finance.
And not only is it about
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finance, it seeks to explain
some of the most convoluted and
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complicated financial
terminology that a layperson
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probably will ever come in
contact with.
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And that makes for a really
weird movie experience.
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It certainly does, and I think
we can also debate the levels of
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success that it has at
explaining those concepts.
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But in order to get into all
that, we have to get to our
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first segment of the day, which
we call, Brad explains.
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Brad's going to give us the
movie plots with only 60 seconds
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taken on the clock, so let's go
ahead and do your take with this
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little segment that we call,
Brad explains.
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Brad Explains is the part of the
show where Brad breaks down the
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plot of the film that he has
just seen, often for the first
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time.
We know it is his first time
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with The Big Short here today.
Brad, I'm not going to beat
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around the Bush here.
There's a lot to explain if you
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go that route with this movie.
Or you could keep it 30,000 feet
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and do like a 5 second overview
of this movie.
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Whatever your choice is here,
you get 60 seconds to explain
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the plot of this movie in
graphic detail.
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Folks, if you've not seen The
Big Short, I think it's a good
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movie and I think it's worth at
least watching to understand the
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concepts of why everyone lost
their house in 2008.
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So go watch The Big Short, come
back after that and listen to
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Brad explain it.
One minute on the clock, Brad
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and go.
So you know how I often will
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like kind of give up on Brad
explains and be like, all right,
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so like, this is kind of what
happened.
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That's going to happen from the
start here.
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The Big Short is a film about
the 2008 housing crisis.
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And it basically is like there's
a huge housing bubble because
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the banks are giving out
terrible loans that are subprime
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and bad.
And then they're selling these
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financial products to a from
investment banks that are like
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super risky and terrible.
And all the bond companies are
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like, there are the ratings
companies are like, yeah, it's
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totally fine, but they're not
totally fine.
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And they're all going to cut the
the Roosters are all going to
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come home to roost.
Is is that the saying?
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Yeah, it's close enough.
And a bunch of people in the
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financial ward figure out what's
going to happen.
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And so they create these
products to bet against the
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housing market and they make a
just RIP roaring wild amount of
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money because they short the
market.
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There you go.
All right, that's the Big short.
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So where do we want to start
with this today, Brad?
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Do you want to just kind of give
general impressions of the
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movie?
Do you want to dive into the
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nitty gritty of the characters?
Do you want to talk about
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performances?
I'll let you kind of lead the
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way here.
I'm kind of in a weird place
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with this movie because I didn't
walk away from the movie
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thinking about anything that the
movie did.
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I walked away from the movie
thinking about all of the
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financial terms and like what
actually happened in the 2008
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crisis versus what they told me
happened in the crisis.
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And like I had no joke, went to
bed and could not fall asleep.
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And it was like 12:30, which is
well past my bedtime.
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And I got up and I spent like an
hour and a half Googling
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synthetic CD OS and like even
just the basics like a
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mortgage-backed security, what
that is.
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And I probably spent like 2
hours in the middle of the
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night, like parsing out all of
the little details.
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And I don't know if that means I
liked the movie or not.
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Like it definitely got me
thinking, but it was less of a
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wow.
That movie was so good and it
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was more of a wow. 2005, 678 was
a completely effed up time.
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How did it happen?
So I think you're actually
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hitting on something that
critics have really accused Adam
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McKay of in his, you know, I
don't want to say his latter
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years, the guy's not dead, but
you know, his career definitely
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has had two halves to it.
And in the second-half, his.
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Career, definitely.
Is in the second-half, he's been
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accused of being using his films
as a didactic tool or it as a,
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you know, if you want to be
negative about it, pedantic
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tool.
I think a lot of people think
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he's condescending about how the
way he does it.
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And depending on your
interpretation of this movie,
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maybe you got that vibe as well.
But it's an interesting thing
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because it it begs the question
of like, what is the purpose of
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this movie from Adam Mckay's
perspective?
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Is it to rile people up and
instigate them, not necessarily
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to change, but to be educated
about what has been going on in
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the shadows?
And on that front, I actually do
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think the movie succeeds really,
really well.
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Like it.
It does a good job of explaining
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most of these terms and at least
the extent to which we were all
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over a barrel by these companies
in 2008.
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At the same time, it's super
effective at that.
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Is it an entertaining movie?
I think it's entertaining, but I
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00:12:37,960 --> 00:12:39,840
don't know if I would
necessarily call it, like, the
220
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world's most successful movie.
And so then it becomes a
221
00:12:42,960 --> 00:12:46,720
question of like, if the only
purpose of this movie is to
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00:12:46,880 --> 00:12:52,440
educate or to, you know, to
condescend, then, like, what are
223
00:12:52,440 --> 00:12:53,760
we doing here?
You know what I mean?
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It feels a little preachy.
Yeah, I, I don't think I found
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00:12:57,840 --> 00:13:02,760
myself feeling preached at until
like the very end of the movie,
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because really most of the film
it's just like everybody is
227
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like, how the heck did we get
into this situation?
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00:13:11,120 --> 00:13:15,400
Like the further they unravel
the spider's web, like they're
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00:13:15,400 --> 00:13:18,240
just like how how was this
allowed to happen?
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00:13:18,520 --> 00:13:23,880
And I think all of that is like
very fair questions that anybody
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00:13:23,880 --> 00:13:27,160
of any political interest would
ask.
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I think it's the end of the film
where he basically says and
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00:13:31,840 --> 00:13:36,960
nothing has changed and the
banks have just restarted the
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same system and we're going to
crash again.
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And like that's the part where
I'm like, oh, and all my
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00:13:43,480 --> 00:13:48,760
research there was massive
reform that happened because of
237
00:13:48,760 --> 00:13:53,000
the 2008 crisis.
And, you know, all sorts of
238
00:13:53,000 --> 00:13:58,880
things have changed to prevent
this specific type of housing
239
00:13:58,880 --> 00:14:02,360
market bubble to occur again.
Yeah, they've still allowed
240
00:14:02,360 --> 00:14:06,240
avenues for banks to cheat
people, but they're putting some
241
00:14:06,240 --> 00:14:08,960
guard rails around it so that it
doesn't crash the whole economy
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00:14:08,960 --> 00:14:10,880
anymore, is what it seems like.
Exactly, you know.
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00:14:11,280 --> 00:14:13,920
And not, and not just the
American economy, right, The
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worldwide economy.
What we're saying is, is
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00:14:16,000 --> 00:14:18,480
everyone wins now, right?
Yeah, everybody wins.
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00:14:20,000 --> 00:14:22,400
No, I'm with you, man.
Like I, I think that
247
00:14:22,720 --> 00:14:26,120
specifically the preachy parts
of the movie for me are the
248
00:14:26,120 --> 00:14:30,840
words that they put in the
mouths of Marisa Tomei as Steve
249
00:14:30,840 --> 00:14:35,160
Carell's wife and Steve Carell
because they become kind of like
250
00:14:35,160 --> 00:14:37,280
the, the beating hearts of the
movie.
251
00:14:37,800 --> 00:14:42,360
And they're paralleling Steve
Carell's journey towards, you
252
00:14:42,360 --> 00:14:45,880
know, his big Grinch heart
growing 3 sizes with the fact
253
00:14:45,880 --> 00:14:50,360
that his brother committed
suicide like a year prior.
254
00:14:50,360 --> 00:14:52,840
And he's been suppressing the
emotions from that.
255
00:14:53,160 --> 00:14:58,320
And so as he develops an ability
to tap into those emotions, he
256
00:14:58,320 --> 00:15:02,560
also develops an ability to
empathize with what these people
257
00:15:02,560 --> 00:15:05,120
are going through as a result of
the bank screwing them over and
258
00:15:05,120 --> 00:15:08,240
becomes a real big advocate
within, you know, the world of
259
00:15:08,240 --> 00:15:11,920
finance.
However, like the the dialogue
260
00:15:11,920 --> 00:15:16,080
writing for both of those
characters is horrific, and it
261
00:15:16,080 --> 00:15:19,280
says a lot about how good of an
actor both Steve Carell and
262
00:15:19,280 --> 00:15:22,080
Marisa Tomei are that they kind
of pull it off.
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00:15:22,440 --> 00:15:25,640
But you've got and Steve Carell,
like getting up on a soapbox at
264
00:15:25,640 --> 00:15:28,640
the end of the movie, saying
nothing's going to change.
265
00:15:28,840 --> 00:15:31,520
They're just going to continue
to blame immigrants and poor
266
00:15:31,520 --> 00:15:35,080
people.
And all of that may be true, but
267
00:15:35,080 --> 00:15:40,360
it's the way that it's phrased
in such a again, like didactic
268
00:15:40,360 --> 00:15:45,160
kind of way that it it comes
across as speechifying more than
269
00:15:45,160 --> 00:15:49,160
it comes across as a believable
dialogue or even like artful
270
00:15:49,160 --> 00:15:50,880
speechifying.
Yeah.
271
00:15:50,880 --> 00:15:55,120
And, and as somebody who often
struggles and, and kind of
272
00:15:55,120 --> 00:15:58,840
vacillates between really
wanting to think the best of the
273
00:15:58,840 --> 00:16:01,400
world and thinking the worst of
the world.
274
00:16:02,160 --> 00:16:07,640
Like this movie just has such a
negative view of the human
275
00:16:07,640 --> 00:16:13,120
experience, has such a negative
view of the world of business as
276
00:16:13,120 --> 00:16:19,760
a whole, that it it just kind of
felt icky by the end of it in a
277
00:16:19,760 --> 00:16:24,600
way that I don't know if it
represents reality quite
278
00:16:24,600 --> 00:16:27,080
honestly.
Yeah, I think fundamentally like
279
00:16:27,080 --> 00:16:30,840
you have a much more optimistic
view on the human race than most
280
00:16:30,840 --> 00:16:32,800
of the movies we watch, and
probably also me.
281
00:16:34,280 --> 00:16:36,440
And I don't think there's
necessarily anything wrong with
282
00:16:36,440 --> 00:16:39,480
a movie designed to make you
feel icky when something is
283
00:16:39,480 --> 00:16:41,080
icky.
And the ick needs to be
284
00:16:41,080 --> 00:16:44,840
addressed, right?
Like even the sort of happy
285
00:16:44,840 --> 00:16:48,640
ending or the the profound
colorized ending of a movie like
286
00:16:48,720 --> 00:16:52,040
Schindler's List doesn't take
away from the fact that that
287
00:16:52,040 --> 00:16:55,120
whole movie is designed to make
you feel a a certain way, right?
288
00:16:55,520 --> 00:16:57,880
So I think that it's really
effective in what it's doing
289
00:16:57,880 --> 00:17:02,040
there, and it does caution that
history will repeat itself if we
290
00:17:02,040 --> 00:17:04,079
don't pay attention and hold
these people accountable.
291
00:17:04,960 --> 00:17:06,599
I want to zoom out a little bit,
Brad.
292
00:17:06,599 --> 00:17:09,720
Let's talk about, I mean, you
set the stage pretty well with
293
00:17:09,720 --> 00:17:14,200
Brad explains, but maybe let's
try our best to to kind of walk
294
00:17:14,200 --> 00:17:17,160
through the movie, explaining
what's happening as we go.
295
00:17:17,240 --> 00:17:19,319
Yeah.
Because in order to talk about
296
00:17:19,319 --> 00:17:21,440
these characters, we kind of
have to talk about how the movie
297
00:17:21,440 --> 00:17:25,800
unfolds because it follows a few
distinct groups of people.
298
00:17:26,280 --> 00:17:28,480
The first person we're
introduced to in this movie is
299
00:17:28,480 --> 00:17:33,880
Christian Bale, who is doing
some, like, off the wall Capital
300
00:17:33,880 --> 00:17:40,320
A acting with a glass eye.
And AII would venture to say
301
00:17:40,320 --> 00:17:44,880
that he is trying to project a
mild form of autism.
302
00:17:45,000 --> 00:17:48,200
Is that fair to say?
No, definitely not.
303
00:17:48,200 --> 00:17:50,720
I mean, you certainly don't want
to accuse people of things, but,
304
00:17:52,160 --> 00:17:56,240
and dare I say Christian Bale is
an actor that I really like and
305
00:17:56,240 --> 00:17:58,680
I think when he is on, he's a
good actor.
306
00:17:59,560 --> 00:18:03,160
I he tries too hard in 80% of
his movies, bro.
307
00:18:03,160 --> 00:18:05,200
Like he's just really going for
it here.
308
00:18:05,720 --> 00:18:10,360
Yeah, I, I like Christian Bale.
I want him to be like a great
309
00:18:10,360 --> 00:18:13,280
actor.
There's just something about the
310
00:18:13,280 --> 00:18:18,240
way he engages with his
characters that kind of feels
311
00:18:19,160 --> 00:18:21,000
funky.
Like it's kind of like the will
312
00:18:21,000 --> 00:18:25,480
it funk Bob.
It's it's distinct and it's
313
00:18:25,480 --> 00:18:28,880
Christian Bale and it's the Bale
funk and it's in pretty much
314
00:18:28,880 --> 00:18:32,360
every single one of his roles.
I like that in most of his
315
00:18:32,360 --> 00:18:35,640
movies, they kind of challenge
you in the 1st 5 minutes with,
316
00:18:35,720 --> 00:18:38,280
hey, here's how it's going to be
get on board or you're going to
317
00:18:38,280 --> 00:18:41,520
have a bad time.
And usually I can get on board
318
00:18:41,600 --> 00:18:44,320
and by the two hour mark I'm
not, I'm not paying attention
319
00:18:44,320 --> 00:18:46,120
anymore.
But it's like this with, you
320
00:18:46,120 --> 00:18:48,800
know, American Hustle.
This movie is like this.
321
00:18:49,080 --> 00:18:51,920
He had a very interesting turn
in that one four movie a couple
322
00:18:51,920 --> 00:18:56,880
years ago.
I just think that he he tries
323
00:18:56,880 --> 00:19:01,400
some off the wall stuff in a way
that it doesn't totally work,
324
00:19:01,880 --> 00:19:05,320
but it also doesn't go into the
the Nicolas Cage territory of
325
00:19:05,320 --> 00:19:08,360
like it's so bad that it comes
back around to being endearing.
326
00:19:08,640 --> 00:19:11,400
Yeah.
It just stays in the Oh no,
327
00:19:11,400 --> 00:19:14,400
baby, what is you doing?
Like yeah, zone for me.
328
00:19:14,960 --> 00:19:18,600
And the the problem is that you
don't spend enough time with him
329
00:19:18,600 --> 00:19:21,800
to like, get used to it and what
he's doing.
330
00:19:21,800 --> 00:19:24,320
Like most of the time, if
Christian Bale's in the movie,
331
00:19:24,320 --> 00:19:28,520
he's probably like the star.
And so in this one, it's like
332
00:19:28,520 --> 00:19:32,040
you maybe get like, I don't know
it because the movie is like 2
333
00:19:32,040 --> 00:19:35,600
hours and 10 minutes.
You maybe get 25 minutes with
334
00:19:35,600 --> 00:19:37,920
him. 30 minutes.
Fair.
335
00:19:37,920 --> 00:19:40,920
Like, he's really not in the
movie that much.
336
00:19:41,360 --> 00:19:44,360
Steve Carell commands a lot more
screen time.
337
00:19:44,760 --> 00:19:48,240
And so I, I think that the
oddities of Bale's acting in
338
00:19:48,240 --> 00:19:51,880
this one just kind of, they
never settle.
339
00:19:53,280 --> 00:19:55,840
That's fair.
So we're introduced to Bale
340
00:19:55,840 --> 00:19:59,200
first.
He is a hedge fund manager who
341
00:19:59,560 --> 00:20:04,040
essentially stumbles upon the
fact that all of these mortgage
342
00:20:04,040 --> 00:20:08,840
bonds that the government.
Props up are full of crap that
343
00:20:08,840 --> 00:20:11,840
they've been given AAA ratings
from the ratings boards, even
344
00:20:11,840 --> 00:20:15,440
though they're full of what's
called subprime mortgages and
345
00:20:15,440 --> 00:20:17,520
their mortgages that are likely
to default.
346
00:20:17,760 --> 00:20:20,800
And so when they all start to
default because they're tied in
347
00:20:20,800 --> 00:20:25,160
with actually high rated
mortgages, it will cause the
348
00:20:25,160 --> 00:20:28,280
entire package to fail, which
will lead to a domino effect
349
00:20:28,280 --> 00:20:33,360
that will crash the US economy.
And so he decides to short these
350
00:20:33,360 --> 00:20:36,120
mortgage bonds, meaning that he
is going to go to a bank and
351
00:20:36,120 --> 00:20:39,400
find a bank to allow him to bet
against these bonds so that when
352
00:20:39,400 --> 00:20:44,360
they fail he will make money.
His entire character's ark is
353
00:20:44,480 --> 00:20:48,880
basically just being the Noah
building an ark while while
354
00:20:48,880 --> 00:20:52,880
everything floods around him or
gets ready to and everyone is
355
00:20:52,880 --> 00:20:54,960
telling him you're an idiot,
you're crazy.
356
00:20:54,960 --> 00:20:58,200
I'm suing you.
The hedge fund tanks because the
357
00:20:58,200 --> 00:21:02,520
premium the bank charges him to
have this short cost so much
358
00:21:02,520 --> 00:21:03,760
money.
And then at the end of the
359
00:21:03,760 --> 00:21:06,920
movie, of course, everything
goes tits up and they they make
360
00:21:06,920 --> 00:21:09,960
a whole bunch of money.
And that's kind of his his whole
361
00:21:09,960 --> 00:21:13,640
character's journey.
It's not a super compelling 1,
362
00:21:13,640 --> 00:21:15,520
Brad.
No, they, they try to make it
363
00:21:15,520 --> 00:21:19,520
compelling by like playing
Metallica and like, like heavy
364
00:21:19,520 --> 00:21:23,040
metal.
And he gets angry a few times.
365
00:21:23,600 --> 00:21:27,000
But like, all of it is very
reasonable.
366
00:21:27,320 --> 00:21:31,320
As somebody who personally like
invests in the stock market, if
367
00:21:31,320 --> 00:21:35,280
I gave my money to somebody and
then they put it into something
368
00:21:35,280 --> 00:21:40,400
that was like completely
unproven, I, I can understand
369
00:21:40,400 --> 00:21:44,160
why somebody who, you know, put
$100 million in this fund would
370
00:21:44,160 --> 00:21:46,200
be upset that that makes sense
to me.
371
00:21:46,720 --> 00:21:48,760
I just want to call out, I'm
going to do this a lot today.
372
00:21:48,800 --> 00:21:51,520
I think that a lot of the bit
players in this movie, the
373
00:21:51,520 --> 00:21:54,360
people that have like 4 lines
are just killer.
374
00:21:54,480 --> 00:21:57,640
Lot of great small parts.
Henry Henry Ford the second.
375
00:21:57,640 --> 00:22:00,520
Yeah, Tracy Letts, the
playwright and actor that we had
376
00:22:00,520 --> 00:22:03,240
never talked about in the
podcast until Ford V Ferrari.
377
00:22:03,520 --> 00:22:06,240
He shows up as the main investor
in this hedge fund.
378
00:22:07,320 --> 00:22:11,960
Tracy Letts pretty famously is
married to or partners with
379
00:22:11,960 --> 00:22:14,600
Carrie Coon, the actress from
Copley.
380
00:22:14,600 --> 00:22:18,160
OH baby.
Oh, let's go.
381
00:22:18,480 --> 00:22:21,120
Right next door to me.
So thanks, Tracy Letts, thanks
382
00:22:21,120 --> 00:22:22,600
Carrie Kuhn.
We can move on, Brad.
383
00:22:24,320 --> 00:22:27,080
Hey man, I'll take a good Ohio
shout out any day of the week.
384
00:22:27,560 --> 00:22:30,840
So after we're introduced to
Christian Bale, we then go and
385
00:22:30,840 --> 00:22:33,920
meet with, I guess we meet with
Ryan Gosling before anybody.
386
00:22:33,920 --> 00:22:38,360
Ryan Gosling acts as the sort of
Greek muse of this film who is
387
00:22:38,360 --> 00:22:41,640
like guiding us through the
journey of Wall Street, talking
388
00:22:41,640 --> 00:22:46,200
directly to the camera, having a
sides throwing over the clips of
389
00:22:46,200 --> 00:22:48,040
Margot Robbie.
Yes.
390
00:22:48,040 --> 00:22:51,360
Do you think that makes the film
more pretentious like the the
391
00:22:51,360 --> 00:22:54,240
Ryan Gosling?
I think that that is, that's the
392
00:22:54,240 --> 00:22:57,480
area where it's very clear that
he's like, I want to do a
393
00:22:57,480 --> 00:23:01,760
Scorsese, let's do a Goodfellas.
And I, I don't know.
394
00:23:02,240 --> 00:23:03,960
I don't know, man.
Would the movie be more
395
00:23:03,960 --> 00:23:06,360
successful without it?
Because you do need somebody
396
00:23:06,360 --> 00:23:09,600
explaining things to you like
you're 5 for this to make sense.
397
00:23:10,160 --> 00:23:15,440
Yeah, you do.
We haven't talked about it yet.
398
00:23:15,640 --> 00:23:17,000
We'll just get it out of the
way.
399
00:23:17,520 --> 00:23:21,680
It's just too much of A RIP off
of Wolf of Wall Street, and it's
400
00:23:21,680 --> 00:23:24,800
not as good.
Yeah, well, let's talk about it.
401
00:23:24,800 --> 00:23:26,960
I mean, I think this is good
jumping off point because it's
402
00:23:26,960 --> 00:23:29,240
not just the the Gosling of it
all.
403
00:23:29,240 --> 00:23:33,120
It's not just the talking to the
camera or the insert shots of,
404
00:23:33,400 --> 00:23:36,760
you know, keep stirring the
sauce, Karen kind of stuff
405
00:23:36,760 --> 00:23:39,520
that's going on in this movie.
I really do think, to your
406
00:23:39,520 --> 00:23:42,000
point, Brad, that Wolf of Wall
Street comes out at the end of
407
00:23:42,000 --> 00:23:44,880
2013.
I think they see that movie and
408
00:23:44,880 --> 00:23:47,000
they go, oh shit, this was our
whole plan.
409
00:23:47,480 --> 00:23:50,280
Now we have to find a way to not
make it seem exactly like Wolf
410
00:23:50,280 --> 00:23:53,120
of Wall Street.
And because Wolf of Wall Street
411
00:23:53,680 --> 00:23:57,560
is Scorsese's biggest, most
coked up, kind of funniest
412
00:23:57,560 --> 00:24:01,720
movie, Adam Mckay's like, I got
to go even more extreme than
413
00:24:01,720 --> 00:24:03,240
that.
And the way he chooses to do
414
00:24:03,240 --> 00:24:07,760
that is that a lot of these
cutaways and insert shots are
415
00:24:07,760 --> 00:24:10,920
kind of abstract, like he'll
insert clips of things that
416
00:24:10,920 --> 00:24:14,200
aren't really necessarily
related to the scene itself to
417
00:24:14,200 --> 00:24:19,000
try to give a picture of
American life, I guess in 2007.
418
00:24:19,680 --> 00:24:22,280
But they feel so out of left
field.
419
00:24:22,600 --> 00:24:25,040
And I think ultimately they're
probably the biggest failure of
420
00:24:25,040 --> 00:24:25,920
the movie.
Is that it?
421
00:24:25,920 --> 00:24:28,440
It just seems like the guy's
trying to do a Scorsese and
422
00:24:28,440 --> 00:24:32,880
can't quite pull it off.
Yeah, and, and I think the
423
00:24:32,880 --> 00:24:39,520
ultimate message of Wolf, of
Wall Street and of Big Short are
424
00:24:39,520 --> 00:24:43,200
somewhat similar, right, Like at
the end of Wolf of Wall Street
425
00:24:43,200 --> 00:24:45,000
spoilers.
If you haven't seen it, go watch
426
00:24:45,000 --> 00:24:46,680
it.
It's a interesting movie.
427
00:24:46,680 --> 00:24:48,160
Maybe don't go watch it.
I don't know.
428
00:24:48,640 --> 00:24:52,440
It's a wild movie.
The purpose of the movie is
429
00:24:52,440 --> 00:24:57,800
basically to say, like, we put
our faith and trust in these big
430
00:24:57,800 --> 00:25:01,920
names and big personalities and
should we do that?
431
00:25:02,720 --> 00:25:05,840
And like The Big Short kind of
has a very similar, like we put
432
00:25:05,840 --> 00:25:09,400
all of our faith and trust in
these big banks and these legacy
433
00:25:09,400 --> 00:25:11,160
names.
Should we do that?
434
00:25:11,760 --> 00:25:16,000
The problem is Adam McKay has to
come out and tell you at the end
435
00:25:16,000 --> 00:25:19,040
of the film why he made the
film, right?
436
00:25:19,040 --> 00:25:21,960
Like, like, oh, there's no
regulations, and it's going to
437
00:25:21,960 --> 00:25:26,880
happen again.
Whereas Scorsese does it so
438
00:25:26,880 --> 00:25:30,920
incredibly masterfully with the
final scene of Wolf of Wall
439
00:25:30,920 --> 00:25:33,800
Street, which I won't spoil
right now, But like, the way he
440
00:25:33,800 --> 00:25:37,880
does it at the end of Wolf of
Wall Street is tactful and
441
00:25:37,880 --> 00:25:40,680
introspective, and it's going to
go over some people's heads.
442
00:25:40,680 --> 00:25:46,200
And it's just a brilliant,
beautiful way to end the movie.
443
00:25:46,840 --> 00:25:52,640
And this one, McKay is just kind
of dumping his viewpoints all
444
00:25:52,640 --> 00:25:56,640
over the audience.
All right, man, I actually think
445
00:25:56,640 --> 00:25:59,600
this might be a good spot to
press pause, unless do you think
446
00:25:59,600 --> 00:26:01,920
we should try to finish out the
cast or do you want to come back
447
00:26:02,000 --> 00:26:04,640
after the break and go?
Let's at least finish out.
448
00:26:04,960 --> 00:26:09,320
Steve Carell is playing.
It's Eisner in real life.
449
00:26:09,320 --> 00:26:10,480
What's what's his name in the
movie?
450
00:26:10,480 --> 00:26:12,160
Mark Baum.
Mark.
451
00:26:12,160 --> 00:26:16,480
Baum and once again, I think a
slightly offensive portrayal, if
452
00:26:16,480 --> 00:26:20,000
we can be honest here.
Like, yeah, it's Steve Carell as
453
00:26:20,000 --> 00:26:24,120
Michael Scott, as Michael
Scott's idea of what a Jewish
454
00:26:24,120 --> 00:26:28,040
person sounds like.
Like it's I, I, it's kind of
455
00:26:28,200 --> 00:26:30,360
over the top.
Man, I think it's like if
456
00:26:30,360 --> 00:26:34,000
Michael Scott was mean and from
New York.
457
00:26:34,200 --> 00:26:38,360
Yes, but like that, that's it.
But he's also trying to do like
458
00:26:39,320 --> 00:26:42,840
he's trying to do a
stereotypical Jewish portrayal.
459
00:26:43,240 --> 00:26:46,120
And I, I don't think it's
really, I don't think it's
460
00:26:46,120 --> 00:26:49,520
really working for it, man.
No, no, it's, it's not great.
461
00:26:49,800 --> 00:26:55,280
But the film follows them as
they learn about Christian Bale
462
00:26:55,280 --> 00:26:58,400
shorting the market.
He runs a hedge fund and they
463
00:26:58,400 --> 00:27:02,000
basically try to mimic what
Christian Bale is doing.
464
00:27:02,400 --> 00:27:06,360
And then our final group that we
follow are two young investors
465
00:27:06,360 --> 00:27:11,120
from like, Colorado.
I think they're like from out
466
00:27:11,120 --> 00:27:14,280
West.
And they have made it to the big
467
00:27:14,280 --> 00:27:16,960
leagues.
They get to New York, find out
468
00:27:16,960 --> 00:27:19,800
that they haven't actually made
enough money to really make it
469
00:27:19,800 --> 00:27:24,080
into the big leagues, and they
learn about this shorting
470
00:27:24,200 --> 00:27:27,760
investment and they start
investing their money in
471
00:27:27,760 --> 00:27:30,760
shorting the market.
Yep, those two young men are
472
00:27:30,760 --> 00:27:33,880
played by Finn Whitrock and John
Magaro.
473
00:27:34,160 --> 00:27:37,280
John Magaro, we will see in a
couple weeks here in the movie
474
00:27:37,280 --> 00:27:39,680
past lives, playing the husband
in that movie.
475
00:27:39,680 --> 00:27:43,120
He's a fantastic actor.
He has a movie that's kind of
476
00:27:43,120 --> 00:27:45,680
making an awards play right now
called September 5.
477
00:27:46,000 --> 00:27:50,000
He, Brad, is from Stow, OH, just
up the road.
478
00:27:50,800 --> 00:27:52,080
Do we need to get him on the
show?
479
00:27:52,200 --> 00:27:56,480
Perhaps one of my biggest wish
list interviews is just to get
480
00:27:56,480 --> 00:27:59,440
him on the show, talk about
movies and talk about Northeast
481
00:27:59,440 --> 00:28:00,800
Ohio.
Swansons.
482
00:28:02,600 --> 00:28:05,320
That's the whole interview.
It's just us naming things that
483
00:28:05,320 --> 00:28:10,960
are regional Swansons.
Liberties and Solon.
484
00:28:13,040 --> 00:28:16,920
I actually think that they are
two of the more compelling
485
00:28:16,920 --> 00:28:19,680
characters in the movie because
they are like these young Anja
486
00:28:19,680 --> 00:28:23,720
news and they have an actual arc
similar to Corel.
487
00:28:23,720 --> 00:28:28,000
Corel has an arc.
The guys in Corel's Little Fund
488
00:28:28,000 --> 00:28:31,200
kind of have an arc.
I, I think what I like about
489
00:28:31,200 --> 00:28:35,680
them is that they end in that
place where it's like we're just
490
00:28:35,680 --> 00:28:39,640
in it for the money and Brad
Pitt just like lays the hammer
491
00:28:39,640 --> 00:28:41,720
down.
And that's like the only
492
00:28:41,720 --> 00:28:46,160
emotional part of the movie that
works for me is when Brad Pitt,
493
00:28:46,160 --> 00:28:49,360
which, you know, wow, the only
part that worked for me was when
494
00:28:49,360 --> 00:28:51,720
Brad Pitt was acting.
What a surprise.
495
00:28:52,400 --> 00:28:56,960
What he just lays the hammer
down is like, hey, you're about
496
00:28:56,960 --> 00:29:02,880
to make money off of the backs
of millions of middle class and
497
00:29:02,880 --> 00:29:06,600
poor Americans.
Like just don't dance about it.
498
00:29:06,920 --> 00:29:10,680
It's such a good line and it I
the scene works because it
499
00:29:10,680 --> 00:29:13,640
reminds me so much of Moneyball.
It's a Moneyball performance
500
00:29:13,640 --> 00:29:16,360
from Brad Pitt.
Brad Pitt was doing this thing
501
00:29:16,360 --> 00:29:20,720
in the early to mid twenty 10s
where he's like, I'm going to
502
00:29:20,720 --> 00:29:27,000
play my roles so subtly that a
person who's not a fan of me
503
00:29:27,000 --> 00:29:28,840
will just wonder if I'm phoning
it in.
504
00:29:29,240 --> 00:29:34,520
But he's doing like emotionless
acting in Moneyball and in this
505
00:29:34,520 --> 00:29:36,720
movie.
And in both of those movies, he
506
00:29:36,720 --> 00:29:39,680
finally gets to the breaking
point where he, you know, either
507
00:29:39,680 --> 00:29:42,400
has emotion or you understand
why he's the way he is.
508
00:29:42,680 --> 00:29:45,560
And in this movie, it's Charlie
and Jamie are the two young
509
00:29:45,560 --> 00:29:46,960
guys.
And you're right.
510
00:29:46,960 --> 00:29:49,320
He just absolutely lights into
him at the end of the movie and
511
00:29:49,320 --> 00:29:51,360
where he's how's this for a
statistic?
512
00:29:51,960 --> 00:29:55,760
Every time the the unemployment
rate goes up one percent, 40,000
513
00:29:55,760 --> 00:29:58,680
people die like he.
And then they cut back to these
514
00:29:58,680 --> 00:30:00,800
guys and it starts to really
sink in.
515
00:30:01,280 --> 00:30:04,960
And I think that where this
movie succeeds is that it starts
516
00:30:04,960 --> 00:30:07,680
to sink in for everybody kind of
at the same time.
517
00:30:08,040 --> 00:30:12,640
And they don't milk it into some
big like string montage.
518
00:30:13,240 --> 00:30:16,160
But when they do that freeze
frame on Carell's face where
519
00:30:16,160 --> 00:30:18,720
he's at the Benihana with the
guy and he's talking about
520
00:30:18,720 --> 00:30:22,480
synthetic CD OS.
And and then they cut to Charlie
521
00:30:22,480 --> 00:30:25,040
and Jamie getting this speech
from Brad Pitt.
522
00:30:26,200 --> 00:30:29,120
And then you get that big
closing montage where people
523
00:30:29,120 --> 00:30:31,160
that we've encountered all
throughout the movie, like the
524
00:30:31,160 --> 00:30:33,600
family that was living in a
house where the landlord wasn't
525
00:30:33,600 --> 00:30:36,800
paying the rent, like they're
out on the street now.
526
00:30:37,080 --> 00:30:40,840
And I think that it does a
really good job of not
527
00:30:40,840 --> 00:30:43,720
overplaying that stuff because I
think it could get too
528
00:30:43,720 --> 00:30:45,680
saccharine.
It could get too preachy in that
529
00:30:45,680 --> 00:30:47,560
regard.
And they do a good job of
530
00:30:47,560 --> 00:30:50,920
letting you piece together the
oh shit moments for yourself.
531
00:30:51,680 --> 00:30:55,480
Yeah, 100%.
And that, like that's where the
532
00:30:55,480 --> 00:31:00,880
movie should sit.
It is more in the harm that the
533
00:31:00,880 --> 00:31:04,960
whole thing caused when at the
end of the day, like they try to
534
00:31:04,960 --> 00:31:11,520
make you feel bad for the guys
who just made hundreds of
535
00:31:11,520 --> 00:31:14,800
millions of dollars off of this
big short.
536
00:31:15,160 --> 00:31:18,920
And at the end of the day, like,
you can only convince me so much
537
00:31:19,320 --> 00:31:24,280
that Steve Carell and Christian
Bale and these two young guys
538
00:31:25,240 --> 00:31:31,080
really feel that poorly for all
of the Americans that they just
539
00:31:31,080 --> 00:31:32,560
made.
You know, they didn't make money
540
00:31:32,560 --> 00:31:35,360
off of the Americans.
They made money off of the
541
00:31:35,360 --> 00:31:38,080
banks.
And so it's like, I, I just, I'm
542
00:31:38,080 --> 00:31:41,000
sorry, but I, I don't buy it.
I don't feel bad for you.
543
00:31:41,840 --> 00:31:45,240
You made all this money.
I I pretty much just feel bad
544
00:31:45,240 --> 00:31:50,880
for all the Americans who
seemingly were duped into these
545
00:31:51,120 --> 00:31:57,920
absolutely wild mortgages that
made zero sense and they never
546
00:31:57,920 --> 00:32:00,160
ever should have been offered to
anybody.
547
00:32:01,040 --> 00:32:03,960
All right, so it sounds like a
freaking downer from us today
548
00:32:03,960 --> 00:32:06,240
here at Film and Whiskey.
Brad, let's drink some whiskey
549
00:32:06,240 --> 00:32:08,800
to drown our sorrows, and then
we'll come back and keep talking
550
00:32:08,800 --> 00:32:10,640
about the financial crisis.
What do you say?
551
00:32:11,120 --> 00:32:19,160
Let's get to it.
All right, so today we are
552
00:32:19,160 --> 00:32:23,480
checking out Jack Daniels 10
year Tennessee Whiskey.
553
00:32:23,680 --> 00:32:26,720
This is batch #3 of the Jack
Daniels 10 year.
554
00:32:26,880 --> 00:32:29,800
It was released back in February
of 2024.
555
00:32:29,960 --> 00:32:32,920
So Brad, hopefully we're getting
a batch 4 coming out in about a
556
00:32:32,920 --> 00:32:36,440
month here from Jack Daniels.
It's been a minute since we've
557
00:32:36,440 --> 00:32:38,880
tried a Jack Daniels product on
the show, Brad.
558
00:32:38,880 --> 00:32:42,920
I think we had one slated for
the Oppenheimer show.
559
00:32:42,920 --> 00:32:45,800
Did we end up reviewing a Jack
Daniels for that one, or did we
560
00:32:45,800 --> 00:32:48,560
pick something else?
It has been a very long time
561
00:32:48,560 --> 00:32:51,840
since we've drank a Jack Daniels
on this show, Bob.
562
00:32:51,960 --> 00:32:54,360
Oh yeah, we did Old Fitzgerald
for Oppenheimer.
563
00:32:54,360 --> 00:32:56,200
It was, it was supposed to be
Jack Daniels.
564
00:32:56,280 --> 00:32:58,400
We pushed it back to mid season
here.
565
00:32:58,720 --> 00:33:01,880
So yeah, it's been a minute.
Like I said, this is batch 3 of
566
00:33:01,880 --> 00:33:03,680
the 10 year.
This is a product that's
567
00:33:03,680 --> 00:33:07,680
clocking in at 97 proof.
So unlike a lot of well aged
568
00:33:07,680 --> 00:33:10,360
products coming out of many
distilleries across the country,
569
00:33:10,560 --> 00:33:12,320
this is not like a barrel proof
product.
570
00:33:12,320 --> 00:33:15,640
The only thing that they are
selling this on is the fact that
571
00:33:15,640 --> 00:33:18,400
it is 10 years old.
And honestly, I kind of respect
572
00:33:18,400 --> 00:33:20,840
that.
Like every now and then I want a
573
00:33:20,840 --> 00:33:24,520
really well done sub 100 proof
whiskey.
574
00:33:25,120 --> 00:33:28,600
Yeah, no, 100%.
Like having high quality
575
00:33:28,600 --> 00:33:32,080
whiskeys at a lower proof point
is incredible.
576
00:33:32,560 --> 00:33:39,360
Like it, it's like moving from
that like 12% wild craft beer
577
00:33:39,760 --> 00:33:43,360
down to like a good old Coors
Banquet beer where you're like,
578
00:33:43,440 --> 00:33:46,560
Oh yeah, I could crush so much
of this compared to these
579
00:33:46,560 --> 00:33:50,720
freaking barrel proofs.
What's your overall opinion of
580
00:33:50,720 --> 00:33:52,960
Jack Daniels?
We've tried a handful of their
581
00:33:52,960 --> 00:33:55,800
products, but I think we've done
a good job of kind of running
582
00:33:55,800 --> 00:33:58,520
the gamut like it.
We've gone from baseline Jack
583
00:33:58,520 --> 00:34:01,800
Daniels way up to some of their
higher level offerings.
584
00:34:02,080 --> 00:34:05,000
And I'm just curious man, like
is it, is it in your wheelhouse
585
00:34:05,000 --> 00:34:08,080
or not really?
Man, so before I ever really
586
00:34:08,080 --> 00:34:12,040
drank whiskey, my best friend
Mike and I got really into Jack
587
00:34:12,040 --> 00:34:18,159
Daniels and we ended up going
halvesies on a, at the time,
588
00:34:18,159 --> 00:34:21,199
$150.00 bottle of Sinatra
Select.
589
00:34:22,400 --> 00:34:25,040
And I remember liking that a
lot.
590
00:34:25,199 --> 00:34:27,480
I have not had it in a very long
time.
591
00:34:28,199 --> 00:34:32,199
Other than that, I'm like,
there's not much Jack Daniels
592
00:34:32,199 --> 00:34:35,159
that really does it for me.
You you know how you have an
593
00:34:35,159 --> 00:34:38,400
obsession with the Will it funk?
I sure do.
594
00:34:38,800 --> 00:34:43,080
I sure do.
Jack Daniels has a funk like it.
595
00:34:43,120 --> 00:34:47,880
All of their products is.
This might sound redundant, but
596
00:34:47,880 --> 00:34:51,280
like other distilleries have
lots of products that taste
597
00:34:51,280 --> 00:34:53,000
wildly different from one
another.
598
00:34:53,920 --> 00:34:56,159
Every single Jack Daniels man, I
like.
599
00:34:56,159 --> 00:34:58,720
I could smell it a mile away and
be like, oh Yep, that's Jack
600
00:34:58,720 --> 00:35:00,880
Daniels.
Yeah, for, I mean, for me, and
601
00:35:00,880 --> 00:35:03,040
maybe that's a good place to
just kind of dive into the nose
602
00:35:03,040 --> 00:35:05,560
here, Brad.
There's always a note of banana
603
00:35:05,600 --> 00:35:07,320
on Jack Jack Daniels.
Every.
604
00:35:07,520 --> 00:35:09,640
Every time.
And I think on some releases
605
00:35:09,640 --> 00:35:12,320
this is very weird, but I'm
going to say it anyway.
606
00:35:12,680 --> 00:35:16,320
It tips into like overripe
banana where I start getting
607
00:35:16,320 --> 00:35:20,280
some off notes on it.
Like this in particular, it
608
00:35:20,280 --> 00:35:23,880
started out really nice for me
as dusty leather, like there was
609
00:35:23,880 --> 00:35:26,640
tons of leather.
It had a nice spicy bourbon
610
00:35:26,640 --> 00:35:29,200
smell to it.
And then I got a little bit of
611
00:35:29,200 --> 00:35:34,200
banana and then it tipped into
this almost like savory oniony
612
00:35:34,200 --> 00:35:37,120
type note for me.
And I think when you said funky,
613
00:35:37,560 --> 00:35:42,280
like the oniony, you know, body
odor type smell was was on my
614
00:35:42,280 --> 00:35:44,400
mind a little bit.
And I don't know if it's the
615
00:35:44,400 --> 00:35:47,280
same thing you get when you
think funky, but that's where
616
00:35:47,280 --> 00:35:49,960
I'm at with this one.
You're going to love my note.
617
00:35:50,400 --> 00:35:53,280
It reminds me of a French onion
sun chip.
618
00:35:54,000 --> 00:35:58,720
Oh yes, dude, Onion.
I don't know if I'm excited
619
00:35:58,720 --> 00:36:01,000
about the Onion.
I'm excited that you picked up
620
00:36:01,000 --> 00:36:04,480
on it and I'm not insane.
Yeah, no, I, I literally wrote
621
00:36:04,480 --> 00:36:08,920
down to of the more unique notes
I've ever written on a on a nose
622
00:36:09,520 --> 00:36:12,800
French onion sunship, which is
one of my favorite chips in the
623
00:36:12,800 --> 00:36:16,000
world.
Very weird to smell it on a
624
00:36:16,000 --> 00:36:19,080
whiskey.
But the other one, I kind of got
625
00:36:19,080 --> 00:36:26,720
a bit of a Corn Pops vibe, kind
of like a sugary grain forward
626
00:36:27,520 --> 00:36:30,720
experience.
There's some char here, there's
627
00:36:30,720 --> 00:36:32,680
some black pepper.
It's very banana.
628
00:36:32,680 --> 00:36:37,840
Y I'm I'm intrigued by this more
than any regular Jack Daniels,
629
00:36:37,840 --> 00:36:39,840
but I am going to give it a 7
1/2.
630
00:36:40,120 --> 00:36:43,720
Yeah, I'm in the same spot.
Like is it slightly concerning
631
00:36:43,720 --> 00:36:46,080
that I got a note of onion on
this whiskey?
632
00:36:46,720 --> 00:36:48,920
I don't know.
It's definitely unique.
633
00:36:49,120 --> 00:36:51,560
I don't I I'm not going to
necessarily say it's a bad
634
00:36:51,560 --> 00:36:53,720
thing.
And it's coupled with these
635
00:36:53,720 --> 00:36:57,120
really nice sweet notes as well.
So I'm OK with it.
636
00:36:57,120 --> 00:36:59,200
I think I am cautiously
optimistic.
637
00:36:59,200 --> 00:37:01,600
And I'm also going to give this
a 7 1/2 bread.
638
00:37:02,560 --> 00:37:08,920
As I've moved into the pallet,
this is so beautifully oaky.
639
00:37:09,440 --> 00:37:12,160
Like there is just so much oak
going on here.
640
00:37:12,400 --> 00:37:15,600
It has a, it has a really nice
Maple syrup vibe.
641
00:37:15,920 --> 00:37:19,760
It's, it's a, it's got a bit of
like a nice honeyed wheat bread.
642
00:37:20,720 --> 00:37:24,680
It gets Clovy the longer I sit
with it, some of the baking
643
00:37:24,680 --> 00:37:26,400
spices really start to come
through.
644
00:37:26,760 --> 00:37:31,000
I think that this is a really
pleasant, enjoyable and like
645
00:37:31,000 --> 00:37:36,280
just complex enough of an
experience to jump it up to an 8
646
00:37:36,280 --> 00:37:40,080
out of 10 for me on the palate.
Yeah, I get like butterscotch on
647
00:37:40,080 --> 00:37:43,600
this.
I get a little bit of like, I
648
00:37:43,600 --> 00:37:46,680
don't know, like an ice cream
cone, like a, like a sugar cone
649
00:37:46,680 --> 00:37:48,840
or something.
When you get like the triangular
650
00:37:48,840 --> 00:37:52,680
ice cream cones, there's a,
there's like a lot of Sunday
651
00:37:52,680 --> 00:37:55,080
vibes going on in this and I
really like that.
652
00:37:55,880 --> 00:38:02,040
But I'm with you in that the oak
on this is so heavily oaky and
653
00:38:02,040 --> 00:38:07,480
like almost bitter oak that it's
impressive to me that there is
654
00:38:07,480 --> 00:38:11,040
so much decadence underneath it
that kind of balances it out
655
00:38:11,200 --> 00:38:15,600
because at every single point of
the tasting experience, this
656
00:38:15,600 --> 00:38:19,880
thing is threatening to get
taken over by sour, almost
657
00:38:19,880 --> 00:38:23,080
bitter oak notes.
And I think that it says a lot
658
00:38:23,080 --> 00:38:26,560
about how they has these
incredible, almost like a weeded
659
00:38:26,560 --> 00:38:30,120
bourbon kind of vibes underneath
it that are kind of keeping it
660
00:38:30,120 --> 00:38:33,520
afloat.
And I can't tell if I think that
661
00:38:33,520 --> 00:38:37,360
the the the two poles here are
in tension with each other or if
662
00:38:37,360 --> 00:38:39,160
they're working really well
together.
663
00:38:40,080 --> 00:38:41,840
But whatever the case, I'm
enjoying it.
664
00:38:41,840 --> 00:38:43,360
I'm going to give it an 8 out of
10 like you.
665
00:38:43,760 --> 00:38:45,280
Yeah.
And, and as we get to the
666
00:38:45,280 --> 00:38:48,800
finish, the oakiness really
takes over for me.
667
00:38:48,800 --> 00:38:53,160
It it gets a little bit bitter.
The banana almost turns into
668
00:38:53,160 --> 00:38:56,000
like a little bit of a burnt
banana like you took like a
669
00:38:56,000 --> 00:38:59,160
baking torch to it.
I believe we call that Bananas
670
00:38:59,160 --> 00:39:02,440
Foster, Brad, I'm.
Pretty sure we do, Bob.
671
00:39:04,200 --> 00:39:06,360
I, I didn't want to, I didn't
want to step on your, you know,
672
00:39:06,360 --> 00:39:08,720
steal your Thunder.
No, I I wanted you to have that
673
00:39:08,720 --> 00:39:10,640
moment.
It's funny, Brad, how far we've
674
00:39:10,640 --> 00:39:14,160
come in tasting whiskey that
like you made fun of me for that
675
00:39:14,160 --> 00:39:17,840
note for a long time.
And that is not even remotely
676
00:39:17,840 --> 00:39:20,400
the wildest.
Like that's a very tame note.
677
00:39:20,400 --> 00:39:22,920
Now in retros, we just got onion
on this dude.
678
00:39:23,760 --> 00:39:25,680
Purple drank.
Purple drank.
679
00:39:28,840 --> 00:39:31,640
There's some lemon zest.
It just gets sour for me.
680
00:39:31,640 --> 00:39:36,200
Bob it like it just gets sour.
It comes down a little bit on
681
00:39:36,200 --> 00:39:38,200
the finish.
I'll give it a 7 out of 10.
682
00:39:38,440 --> 00:39:41,360
I'm in lock step with you, man.
It's it actually keeps itself
683
00:39:41,360 --> 00:39:45,440
from getting too sour like we've
gotten on some toasted bourbons
684
00:39:45,440 --> 00:39:48,920
before.
And I think that that banana, it
685
00:39:48,920 --> 00:39:51,240
definitely turns into overripe
banana.
686
00:39:51,240 --> 00:39:55,200
But you know what, honestly, I
as a dad have to eat over ripe
687
00:39:55,200 --> 00:39:57,680
bananas all the time in my
household because my children
688
00:39:57,680 --> 00:40:00,680
ask me to buy bananas and then
they don't eat them and I don't
689
00:40:00,680 --> 00:40:03,800
want to let them go to waste.
And so it's like, this is either
690
00:40:03,800 --> 00:40:06,120
going to become banana bread or
I'm going to power through it
691
00:40:06,120 --> 00:40:08,560
right now.
And I've I guess I've just
692
00:40:08,560 --> 00:40:11,440
gotten used.
To the flavor and you choose to
693
00:40:11,440 --> 00:40:14,920
power through over ripe banana
instead of having banana.
694
00:40:14,920 --> 00:40:16,240
Bread.
I mean, I'm not talking like
695
00:40:16,400 --> 00:40:20,640
rotten banana, but like if if I
want to eat a banana and there's
696
00:40:20,640 --> 00:40:23,200
no no good looking ones anymore
and it's like, well, this is
697
00:40:23,200 --> 00:40:26,040
what I'm left with some spotty
bananas.
698
00:40:26,320 --> 00:40:28,720
I guess what I'm saying is I'm
used to the flavor now.
699
00:40:28,720 --> 00:40:31,080
It's not necessarily a turn off
for me at this point.
700
00:40:31,440 --> 00:40:33,160
So I'm I'm with you on the
seven.
701
00:40:33,920 --> 00:40:39,000
I had a post Christmas Christmas
miracle the other day.
702
00:40:40,360 --> 00:40:44,920
Haley made some banana bread and
I, we had some friends over and
703
00:40:44,920 --> 00:40:49,440
we ate it and then the next
morning there was like 1/4 of a
704
00:40:49,440 --> 00:40:52,240
piece left and I was like, oh
man, like all the bananas
705
00:40:52,240 --> 00:40:54,240
bread's gone.
I, I'm sad I only got like one
706
00:40:54,240 --> 00:40:56,480
piece because it's freaking
amazing.
707
00:40:56,520 --> 00:40:59,560
Sure.
And Haley goes, oh, I made two.
708
00:41:00,000 --> 00:41:02,480
There's another one in the bread
and hot 0.
709
00:41:02,800 --> 00:41:06,840
Dude, yes now does she?
Does your wife use her world
710
00:41:06,840 --> 00:41:09,200
famous sourdough to make the
banana bread?
711
00:41:10,240 --> 00:41:14,880
Sometimes this was not a
sourdough recipe but she still
712
00:41:14,880 --> 00:41:17,520
makes the best.
Like freaking anything in the
713
00:41:17,520 --> 00:41:19,120
world.
But her banana bread is great.
714
00:41:19,400 --> 00:41:24,200
I will say though, her sourdough
banana bread is ridiculously
715
00:41:24,200 --> 00:41:26,400
good.
Well, on that note, let's get
716
00:41:26,400 --> 00:41:28,480
into our balance here.
Oh.
717
00:41:29,120 --> 00:41:30,920
Oh, yeah, we're, we're talking
about whiskey.
718
00:41:31,000 --> 00:41:33,560
Yeah.
Not Your wife's sourdough film
719
00:41:33,560 --> 00:41:36,400
and Sourdough is our next
podcast, Bread, Oh.
720
00:41:36,400 --> 00:41:39,560
Dude, we should get we should
get Carrie and Hailey to start
721
00:41:39,560 --> 00:41:41,120
their own.
I'd be OK with that.
722
00:41:41,760 --> 00:41:45,440
So balance on this whiskey, I
think it's fairly well balanced
723
00:41:45,440 --> 00:41:52,040
it like it never threatens to be
an upper echelon Jack Daniels
724
00:41:52,040 --> 00:41:56,480
product that we've had, but it
never like the floor is pretty
725
00:41:56,480 --> 00:41:57,800
high on this too.
You know what I mean?
726
00:41:57,800 --> 00:42:01,240
Like it's consistently around an
8 and I think I'll give it an 8
727
00:42:01,240 --> 00:42:04,160
out of 10 here.
I'll give it a 7 out of time on
728
00:42:04,160 --> 00:42:07,320
balance, I think it just jumps
around a little bit too much in
729
00:42:07,320 --> 00:42:10,240
quality for me to like give it a
high score.
730
00:42:10,240 --> 00:42:14,240
I do think that this is a
enjoyable Jack Daniels
731
00:42:14,240 --> 00:42:18,720
experience.
And at $85, I, I think I'm at
732
00:42:18,720 --> 00:42:23,760
like a 6 1/2 on value.
Like I think that this is a it's
733
00:42:23,760 --> 00:42:26,320
well worth the price.
It's a 10 year age stated
734
00:42:26,320 --> 00:42:29,280
product.
Like from a big distillery.
735
00:42:29,400 --> 00:42:36,040
Like I think 85 is a fair price.
It's just not quite there for me
736
00:42:36,040 --> 00:42:39,720
to be super pumped about
spending $85.
737
00:42:39,760 --> 00:42:42,360
Yeah, I actually think 85 seems
a little overpriced.
738
00:42:42,480 --> 00:42:45,560
And I know that we've we've
tended to use this maxim that
739
00:42:45,560 --> 00:42:48,600
we've learned of like $10 per
year.
740
00:42:49,120 --> 00:42:52,440
But and so it seems like you're
getting a deal at that point.
741
00:42:52,440 --> 00:42:55,160
But even when I think about this
in comparison to like a
742
00:42:55,160 --> 00:42:57,720
Russell's Reserve 10 year or do
you know, like there's just
743
00:42:57,720 --> 00:43:01,440
other products out there that
can achieve A10 year age
744
00:43:01,440 --> 00:43:04,120
statement And we're talking
about Jack Daniels, like in
745
00:43:04,120 --> 00:43:07,240
terms of the volume of whiskey
they're producing, it doesn't
746
00:43:07,240 --> 00:43:09,400
cost them that much to make a 10
year product.
747
00:43:09,800 --> 00:43:11,760
Do I think it's exorbitantly
expensive?
748
00:43:11,760 --> 00:43:14,600
No, but I think they can get
away with selling this for like
749
00:43:14,600 --> 00:43:17,920
$65 and I would feel a lot
better about it.
750
00:43:17,920 --> 00:43:22,520
So I'm going to give it.
I'll give it a six out of 10,
751
00:43:22,520 --> 00:43:27,720
Brad, and that takes me out to a
36.5 out of 50.
752
00:43:28,440 --> 00:43:31,800
Bob, we are literally you use
the word lockstep.
753
00:43:31,800 --> 00:43:33,720
I'm at a 36 out of 50.
Year.
754
00:43:33,720 --> 00:43:34,680
Oh, wow.
OK.
755
00:43:35,120 --> 00:43:39,040
So we have kind of just tipped
into the region of our scores
756
00:43:39,040 --> 00:43:42,080
where we start recommending
we're over that 35 out of 50
757
00:43:42,080 --> 00:43:48,400
mark, but we're at just a 36.25.
So I guess my question to you is
758
00:43:49,120 --> 00:43:52,520
do you recommend and how
strongly do you recommend?
759
00:43:53,760 --> 00:43:58,480
I would recommend hesitantly,
like I would say that if you
760
00:43:58,480 --> 00:44:03,240
know what Jack Daniels is as a
company, like the the product
761
00:44:03,240 --> 00:44:07,560
they were typically put out and
you like it, like I'd say 100%
762
00:44:07,560 --> 00:44:09,640
go for it.
This is a good Jack Daniels
763
00:44:09,640 --> 00:44:13,040
experience.
If not, maybe try it at the bar.
764
00:44:14,200 --> 00:44:16,280
Yeah, I don't think a pour of
this would be that expensive.
765
00:44:16,280 --> 00:44:18,520
We're talking like, I don't
know, 15 bucks maybe.
766
00:44:18,800 --> 00:44:22,560
Like it's nice enough that it's
not a standard daily drinker,
767
00:44:22,840 --> 00:44:25,120
but it's also not going to
really hurt you in the wallet if
768
00:44:25,120 --> 00:44:28,160
you want to try something new.
So Brad, that kind of leaves us
769
00:44:28,160 --> 00:44:30,920
in a similar place to where
we're at with this movie today.
770
00:44:31,120 --> 00:44:34,240
Pretty good, but doesn't seem
like something that we're going
771
00:44:34,240 --> 00:44:36,320
to sing his praises from the
mountain tops.
772
00:44:36,680 --> 00:44:38,800
So what do you say we get back
into talking about The Big
773
00:44:38,800 --> 00:44:42,720
Short?
Bob, First off, you forgot to
774
00:44:42,720 --> 00:44:47,080
explain to the masses what a
Tennessee sour mash is.
775
00:44:47,400 --> 00:44:49,880
So in order to do that, we're
going to turn things over to
776
00:44:49,880 --> 00:44:54,160
famed actor Will Ferrell to
explain to you all what a
777
00:44:54,160 --> 00:44:57,720
Tennessee sour mash is.
My favorite part is what it's
778
00:44:57,800 --> 00:44:59,880
It's Margot Robbie.
Not because it's Margot Robbie,
779
00:44:59,880 --> 00:45:02,360
but just because at the end of
her thing, she's like, got it.
780
00:45:02,600 --> 00:45:05,880
Yeah, all right, enough cough.
Yeah, 100%.
781
00:45:05,880 --> 00:45:08,840
I think that's how we not.
Not because it's Margot Robbie.
782
00:45:08,840 --> 00:45:12,440
No, no, not at all.
All right, man, Let's get back
783
00:45:12,440 --> 00:45:19,640
to it.
All right everybody, that was
784
00:45:19,920 --> 00:45:26,280
Jack Daniels 10 year batch #3A
whiskey that doesn't deserve
785
00:45:26,280 --> 00:45:29,240
that long of a name.
Probably.
786
00:45:29,320 --> 00:45:31,120
Probably just like Jack Daniel
tenure.
787
00:45:31,480 --> 00:45:33,960
But a pretty good whiskey.
Pretty good.
788
00:45:34,200 --> 00:45:37,880
Pretty good, yeah, Decent.
And I feel like I was going to
789
00:45:37,880 --> 00:45:41,680
say, I feel like you think this
movie is only pretty good, Brad.
790
00:45:41,680 --> 00:45:44,960
So we're in one of those rare
episodes where it's like
791
00:45:45,040 --> 00:45:47,320
everything is a 7 out of 10, you
know?
792
00:45:47,320 --> 00:45:48,640
Yeah.
Basically.
793
00:45:48,720 --> 00:45:51,120
Yeah, that's kind of.
That's kind of where I'm at,
794
00:45:51,120 --> 00:45:53,720
Bob.
Well hey, maybe we can redeem
795
00:45:53,720 --> 00:45:56,680
ourselves with our next game,
which we call 2 facts and a
796
00:45:56,680 --> 00:45:59,840
falsehood.
Brad is going to try to stumpy
797
00:45:59,840 --> 00:46:08,160
ball 2 alright. 2 facts and a
falsehood. 2 Facts and a
798
00:46:08,160 --> 00:46:10,880
Falsehood is the part of the
show where Brad presents me with
799
00:46:10,880 --> 00:46:14,760
three items as fact about the
making of this movie, one of
800
00:46:14,760 --> 00:46:17,920
which is a complete lie.
Brad, I'm doing pretty well on
801
00:46:17,920 --> 00:46:19,840
the season.
I think I've only got like what,
802
00:46:19,840 --> 00:46:24,680
3 losses on the season?
So your boy is well above 500
803
00:46:24,920 --> 00:46:27,440
and could afford to take an L if
need be today.
804
00:46:27,440 --> 00:46:29,840
I'd prefer not to though, so go
easy on me.
805
00:46:30,720 --> 00:46:32,160
We'll, we'll see what happens,
Bob.
806
00:46:33,600 --> 00:46:36,560
Fact number one.
Each of the scenes explaining
807
00:46:36,560 --> 00:46:39,640
financial jargon contains an
Easter egg.
808
00:46:39,640 --> 00:46:43,240
A Monopoly game piece is hidden
somewhere on the screen.
809
00:46:43,640 --> 00:46:47,040
Margot Robbie's scene contains
the top hat, Anthony Bourdain's
810
00:46:47,040 --> 00:46:52,120
has the shoe, and Anthony Thaler
and Selena Gomez's scene has the
811
00:46:52,120 --> 00:46:56,400
battleship.
Fact #2 The real life doctor
812
00:46:56,400 --> 00:47:00,240
Michael Bury named his hedge
fund company Scion Capital after
813
00:47:00,240 --> 00:47:03,560
a favorite childhood book, The
Scions of Shannara.
814
00:47:04,000 --> 00:47:06,840
Christian Bale is seen reading
that book in one of the first
815
00:47:06,840 --> 00:47:11,640
scenes of the movie.
Fact #3 Author Michael Lewis
816
00:47:11,640 --> 00:47:14,200
revealed in an interview that
Paramount Pictures allowed
817
00:47:14,200 --> 00:47:18,080
director and screenwriter Adam
McKay to make this film only if
818
00:47:18,080 --> 00:47:23,160
he agreed to make a sequel to
Anchorman, The Legend of Ron
819
00:47:23,160 --> 00:47:27,360
Burgundy, which I Bob.
I want to hand out a film Me
820
00:47:27,680 --> 00:47:29,440
right here, right now.
Go ahead.
821
00:47:29,840 --> 00:47:34,800
Adam McKay, you have received
the film Me for First Director,
822
00:47:34,800 --> 00:47:37,720
reviewed by the Film and Whiskey
Podcast.
823
00:47:38,240 --> 00:47:42,320
Oh yeah, that's true.
Our very first episode was Adam
824
00:47:42,320 --> 00:47:44,400
McKay.
Yeah, isn't that weird to think
825
00:47:44,400 --> 00:47:46,360
about?
And then our second episode we
826
00:47:46,360 --> 00:47:49,280
ever recorded, our first that we
really released for the podcast
827
00:47:49,280 --> 00:47:52,640
was Goodfellas.
So we did Adam McKay and the
828
00:47:52,640 --> 00:47:55,160
movie that Adam McKay ripped off
back-to-back.
829
00:47:55,640 --> 00:47:57,480
Yeah, sure did.
Here we are, man.
830
00:47:59,120 --> 00:48:00,840
All right, I'm going to assume
#3 is true.
831
00:48:00,840 --> 00:48:03,320
It just, it sounds plausible.
So for now, I'm going to set
832
00:48:03,320 --> 00:48:07,840
that aside #2 I have no idea,
but it sounds fairly plausible.
833
00:48:08,160 --> 00:48:09,760
Number one, I'm kind of drawn
to.
834
00:48:10,360 --> 00:48:13,560
And it's funny because you know
how now they make a million
835
00:48:13,560 --> 00:48:18,240
variants of Monopoly?
I can't remember all of the
836
00:48:18,240 --> 00:48:21,280
original pieces from Monopoly.
Like I remember the thimble in
837
00:48:21,280 --> 00:48:23,960
the top hat.
Is there a battleship in
838
00:48:23,960 --> 00:48:25,960
Monopoly?
I don't remember this.
839
00:48:27,120 --> 00:48:28,280
Yeah.
Isn't there a dog there?
840
00:48:28,360 --> 00:48:32,240
A little dog piece, too.
Yeah, there's a dog, an iron, a
841
00:48:32,240 --> 00:48:36,920
battleship, a shoe, a top hat.
What the hell is this collection
842
00:48:36,920 --> 00:48:38,840
of things?
And there's iron.
843
00:48:39,160 --> 00:48:43,280
An iron tell you know something
was made in the 1920s and 30s.
844
00:48:45,080 --> 00:48:47,600
Like well.
Just like one of one of the
845
00:48:47,600 --> 00:48:49,480
things you do the most is iron
things.
846
00:48:49,480 --> 00:48:56,480
All right, I'm going to say #1
is false, but it does sound like
847
00:48:56,480 --> 00:48:58,440
something that would be weird
for you to pull out of your ass,
848
00:48:58,440 --> 00:49:00,320
so I won't be surprised if I'm
wrong.
849
00:49:01,400 --> 00:49:03,040
I'm still sticking with #1
though.
850
00:49:04,200 --> 00:49:07,640
Bob, I did in fact, pull that
right out of my butt.
851
00:49:08,880 --> 00:49:11,760
Yes.
You are a winner.
852
00:49:11,760 --> 00:49:14,520
Was any part of that true, or
did you just completely make
853
00:49:14,520 --> 00:49:16,720
that up?
I completely made it up start to
854
00:49:16,720 --> 00:49:18,960
finish.
Is there a battleship piece in
855
00:49:18,960 --> 00:49:21,200
Monopoly?
There is a battleship piece in
856
00:49:21,200 --> 00:49:22,240
the.
OK, All right, cool.
857
00:49:22,240 --> 00:49:24,240
That was the one part that was
true.
858
00:49:26,120 --> 00:49:28,280
You know what?
There is also a battleship in.
859
00:49:28,520 --> 00:49:29,520
What?
What's that, Robert?
860
00:49:29,520 --> 00:49:30,880
That would be the game
Battleship.
861
00:49:31,320 --> 00:49:33,040
Ah, yes.
So I was thinking of those kinds
862
00:49:33,040 --> 00:49:35,200
of ships and I was like, there's
not one of those in Monopoly.
863
00:49:35,480 --> 00:49:39,680
Come on.
All right, man, Let's get back
864
00:49:39,680 --> 00:49:42,960
into talking about this movie as
much as is necessary to finish
865
00:49:42,960 --> 00:49:46,640
out this episode because I think
that we've kind of established
866
00:49:46,760 --> 00:49:49,600
what we think of Adam McKay,
what we think of the acting in
867
00:49:49,600 --> 00:49:52,960
this movie, what we think of the
overall success of the film.
868
00:49:53,480 --> 00:49:55,440
What is there left to talk about
here, Brad?
869
00:49:56,360 --> 00:49:57,680
Nothing.
Final scores.
870
00:49:59,400 --> 00:50:02,640
What do you think of the random
cutaways to celebrities to
871
00:50:02,640 --> 00:50:05,320
explain complicated financial
things?
872
00:50:06,640 --> 00:50:10,840
I like them.
They once again feel like a RIP
873
00:50:10,840 --> 00:50:16,200
off from Scorsese.
I think that the thing I was
874
00:50:16,200 --> 00:50:19,720
most confused about and still
like don't totally understand is
875
00:50:19,720 --> 00:50:24,720
the synthetic CDO.
That is a wild thing.
876
00:50:25,440 --> 00:50:30,440
And I like, I understand the
idea of the banks betting that
877
00:50:30,720 --> 00:50:35,880
what Christian Bale and the
others are betting will happen,
878
00:50:35,880 --> 00:50:39,120
won't happen like they're
betting against what they're
879
00:50:39,120 --> 00:50:44,480
thinking is going to happen.
But the actual mechanics of how
880
00:50:44,480 --> 00:50:47,480
they did it is the part that I'm
still like.
881
00:50:48,120 --> 00:50:52,920
I don't know if I understand.
I think what's happening, that
882
00:50:52,920 --> 00:50:56,240
particular scene in this movie
is probably the most poorly
883
00:50:56,240 --> 00:50:59,360
paced scene in the movie because
it's supposed to be the real
884
00:50:59,360 --> 00:51:01,960
tipping point.
And there's a line that Gosling
885
00:51:01,960 --> 00:51:05,200
has as narrator because you're
sitting in this like Benihana
886
00:51:05,440 --> 00:51:09,240
watching Steve Carell talk to
the CDO manager.
887
00:51:09,680 --> 00:51:12,560
And it is slowly revealed
because this guy is such a big
888
00:51:12,560 --> 00:51:16,920
pompous douche that we're not
even talking about betting on
889
00:51:16,920 --> 00:51:20,440
mortgages anymore.
There is a mortgage insurance
890
00:51:20,560 --> 00:51:25,920
market that is being bet on that
is actually 20 times bigger than
891
00:51:25,920 --> 00:51:29,440
the mortgages themselves.
And because there is so much
892
00:51:29,440 --> 00:51:33,800
kind of shady betting going on
on these things that if these
893
00:51:33,800 --> 00:51:38,040
underlying bonds fail, it's
going to be 20 times bigger of a
894
00:51:38,040 --> 00:51:40,440
fallout than we could have
possibly imagined.
895
00:51:40,760 --> 00:51:42,960
And they were already imagining
it was going to tank the
896
00:51:42,960 --> 00:51:46,720
American economy.
And so Gosling says something
897
00:51:46,720 --> 00:51:51,640
like, you know, if, if the CD OS
were the match and these
898
00:51:51,640 --> 00:51:55,600
tranches or whatever where the
fuse then like the synthetic CD
899
00:51:55,600 --> 00:52:00,640
OS where the atomic bomb.
But it's so much information so
900
00:52:00,640 --> 00:52:03,960
quickly after you've already
been kind of struggling to keep
901
00:52:03,960 --> 00:52:08,520
up that it, it becomes such an
avalanche of information for me
902
00:52:08,760 --> 00:52:11,120
that I, I almost, my brain
almost is just like, I can't
903
00:52:11,120 --> 00:52:13,720
follow this anymore, dude.
Like, I know this is bad, but I
904
00:52:13,720 --> 00:52:16,280
can no longer grasp of the
gravity of how bad this is.
905
00:52:17,320 --> 00:52:19,840
And I know how it ends.
So I guess this is the thing
906
00:52:19,840 --> 00:52:21,640
that tipped us into financial
crisis.
907
00:52:21,640 --> 00:52:24,720
But yes, you know.
And like, that's the problem
908
00:52:24,720 --> 00:52:29,760
with the movie is that it, it
strives to not lose you in the
909
00:52:29,760 --> 00:52:33,920
jargon and then it does.
And like, because like you said,
910
00:52:33,920 --> 00:52:36,640
I didn't think of it before, but
because you know, the outcome,
911
00:52:37,080 --> 00:52:40,160
it's kind of like, well, I'm
here for the technical stuff.
912
00:52:40,160 --> 00:52:44,800
Like, I, I know what happens.
I know the devastating impact
913
00:52:44,800 --> 00:52:50,480
that this event has on America.
What I don't know is the
914
00:52:50,520 --> 00:52:52,600
technical elements of what's
going on.
915
00:52:52,600 --> 00:52:55,400
And you've been trying to tell
me these technical elements the
916
00:52:55,400 --> 00:52:59,400
whole freaking movie.
And so now you've just spun it
917
00:52:59,400 --> 00:53:02,440
out into oblivion and it's chaos
in the maelstrom.
918
00:53:02,440 --> 00:53:04,600
And I, I don't understand what's
going on.
919
00:53:04,880 --> 00:53:07,240
And so the rest of the movie, I
was just sitting there going,
920
00:53:07,240 --> 00:53:12,960
what the heck is a synthetic CDO
not Oh my gosh, look at the
921
00:53:12,960 --> 00:53:15,200
impact that this event is
having.
922
00:53:16,080 --> 00:53:21,480
The Big Short is one of the all
time great YouTube clip movies.
923
00:53:21,960 --> 00:53:24,480
Like I when I'm scrolling
through YouTube shorts it comes
924
00:53:24,480 --> 00:53:26,960
up a lot.
But even if you just type in
925
00:53:26,960 --> 00:53:30,840
like the Big short clips, every
good scene in this movie is on
926
00:53:30,840 --> 00:53:32,640
YouTube.
And it is like perfectly
927
00:53:32,640 --> 00:53:37,080
structured for like 6 minute
clips where you get an entire
928
00:53:37,320 --> 00:53:41,560
financial term explained to you
with an appearance by Margot
929
00:53:41,560 --> 00:53:43,520
Robbie or Anthony Bourdain or
whatever.
930
00:53:43,800 --> 00:53:46,960
And you get, you know, all the
characters at the end going, Oh
931
00:53:46,960 --> 00:53:49,280
my God, this is going to be so
bad for the economy.
932
00:53:49,280 --> 00:53:52,440
And then the clip's over.
And I think that the seeing the
933
00:53:52,440 --> 00:53:57,000
movie again strung together with
all those clips in its totality
934
00:53:57,200 --> 00:54:01,320
this time through made me kind
of wonder how this works as a
935
00:54:01,320 --> 00:54:07,080
movie instead of just as short
lessons that you could watch on
936
00:54:07,080 --> 00:54:09,400
YouTube.
And I've never really had this
937
00:54:09,400 --> 00:54:10,960
experience.
We've had a couple movies where
938
00:54:10,960 --> 00:54:14,160
I've talked about the YouTube
ability of the movie, but this
939
00:54:14,160 --> 00:54:19,400
almost is like a an online
training module of a movie.
940
00:54:20,160 --> 00:54:23,080
And I think it works better in
like 8 minute chunks than it
941
00:54:23,080 --> 00:54:27,160
works as a 2 hour movie.
Yeah, 100%.
942
00:54:27,160 --> 00:54:31,800
And a lot of those individual
scenes are great and interesting
943
00:54:31,800 --> 00:54:37,200
and funny and informative and,
and, you know, dreadful and all
944
00:54:37,200 --> 00:54:40,760
of these things.
I don't think that the sum of
945
00:54:40,760 --> 00:54:45,080
all the parts is greater or this
the whole is greater than the
946
00:54:45,080 --> 00:54:50,320
sum of the parts, like the whole
is lesser than the sum of the
947
00:54:50,320 --> 00:54:51,600
parts.
You know what I mean?
948
00:54:53,120 --> 00:54:55,960
Brad, I think this is a really
good spot for us to get into our
949
00:54:55,960 --> 00:54:59,040
final segment of the day, which
we call let's make it a double.
950
00:54:59,240 --> 00:55:02,400
We're near the end of the
episode, so thanks for listening
951
00:55:02,400 --> 00:55:05,400
to the film and Whiskey Show.
Let's pair another film with
952
00:55:05,400 --> 00:55:06,840
this one, even if it's
struggling.
953
00:55:06,840 --> 00:55:08,200
It's the final segment of the
day.
954
00:55:08,200 --> 00:55:10,920
Now let's make it a double.
Let's Make It a Double is
955
00:55:10,920 --> 00:55:13,360
presented by Blackwood
Distilling Company.
956
00:55:13,520 --> 00:55:16,400
It's the part of the show where
we pick a movie to pair up with
957
00:55:16,400 --> 00:55:19,000
this one to make the perfect
double feature.
958
00:55:19,640 --> 00:55:22,400
Brad, the reason I said I think
this is a good time to get into
959
00:55:22,400 --> 00:55:25,200
let's make it a double is
because at the end of the day,
960
00:55:25,520 --> 00:55:30,800
as much as this movie mimics
Scorsese in a lot of ways, I
961
00:55:30,800 --> 00:55:34,320
actually think the person that
Adam McKay is ripping off the
962
00:55:34,320 --> 00:55:37,640
most is the documentary of
filmmaker Michael Moore.
963
00:55:37,640 --> 00:55:39,920
Do you remember what Michael
Moore was a thing in like the
964
00:55:39,920 --> 00:55:42,320
mid 2000s?
He had that movie that he made
965
00:55:42,320 --> 00:55:46,720
about George Bush, Fahrenheit
9/11, and it was a documentary
966
00:55:47,000 --> 00:55:50,000
that made $250 million at the
box office office.
967
00:55:50,000 --> 00:55:52,920
Like it was a big deal.
And he got, he got booed off
968
00:55:52,920 --> 00:55:54,920
stage I think at the Golden
Globes that year.
969
00:55:54,920 --> 00:55:59,400
Like it was a crazy time to be a
documentary filmmaker.
970
00:55:59,840 --> 00:56:03,480
Michael Moore does a very
particular kind of documentary,
971
00:56:03,480 --> 00:56:05,880
which I don't think you can
really even call documentary.
972
00:56:05,880 --> 00:56:10,120
He takes real life people and
puts them in manufactured
973
00:56:10,120 --> 00:56:13,880
scenarios as his way of proving
a didactic point about
974
00:56:13,880 --> 00:56:16,440
something.
And so Fahrenheit 911 is a lot
975
00:56:16,440 --> 00:56:19,080
more archive footage.
But he made a a movie called
976
00:56:19,080 --> 00:56:22,080
Sicko a couple years after that
that kind of tackled the
977
00:56:22,400 --> 00:56:24,480
healthcare crisis in the United
States.
978
00:56:24,840 --> 00:56:28,040
And one of the big centerpieces
of that movie is a lot of
979
00:56:28,320 --> 00:56:31,120
victims.
Families from 911 were denied
980
00:56:31,120 --> 00:56:34,160
medical care for the victim on
site.
981
00:56:34,480 --> 00:56:39,400
And Michael Moore orchestrated
an illegal trip for all these
982
00:56:39,400 --> 00:56:44,000
people to Cuba to receive
medical care as his way of
983
00:56:44,000 --> 00:56:47,560
demonstrating that even Cuba has
better healthcare than the
984
00:56:47,560 --> 00:56:50,800
United States.
And it's this big sensationalist
985
00:56:50,800 --> 00:56:53,160
way of making movies.
Now, did these people receive
986
00:56:53,160 --> 00:56:55,000
real healthcare where these
actual people?
987
00:56:55,240 --> 00:56:57,360
Yes.
But it's also this like
988
00:56:57,720 --> 00:57:02,000
incredibly manufactured over
sensationalized way of making a
989
00:57:02,000 --> 00:57:06,000
point.
And this entire movie feels so
990
00:57:06,000 --> 00:57:09,240
similar to how Michael Moore
makes movies that it's almost
991
00:57:09,240 --> 00:57:15,120
like you could give Michael
Moore a budget and say your job
992
00:57:15,120 --> 00:57:18,800
is to film recreations of things
that really happened where Steve
993
00:57:18,800 --> 00:57:22,040
Carell is playing the recreator.
And that's what this is.
994
00:57:22,040 --> 00:57:24,560
And I think that was kind of the
key for me to understand.
995
00:57:24,800 --> 00:57:27,960
What doesn't totally work about
this movie for me is that it
996
00:57:27,960 --> 00:57:31,360
feels like a high budget
recreation.
997
00:57:31,720 --> 00:57:34,600
Then it feels like people acting
a movie out.
998
00:57:34,600 --> 00:57:36,000
I don't know.
Does that make sense?
999
00:57:36,240 --> 00:57:38,040
Yeah, 100%.
Dude.
1000
00:57:38,040 --> 00:57:39,720
There.
There's so many parts of this
1001
00:57:39,720 --> 00:57:46,720
film that just leave me wanting
a little bit more, I and I, so
1002
00:57:46,720 --> 00:57:48,840
yeah, I'm with you.
Are are you pairing this
1003
00:57:48,840 --> 00:57:51,800
officially with a Michael Moore
film then?
1004
00:57:51,840 --> 00:57:54,320
Yeah, I think it probably pairs
best with Sicko, a movie that I
1005
00:57:54,320 --> 00:57:55,960
actually kind of like by Michael
Moore.
1006
00:57:56,440 --> 00:57:58,760
So if you're ever going to dip
your toe into the world with
1007
00:57:58,760 --> 00:58:01,680
Michael Moore, I'll say I'll
pair The Big Short with Sicko.
1008
00:58:02,200 --> 00:58:07,520
I think for me, I I'm just going
to go completely out in the left
1009
00:58:07,520 --> 00:58:10,760
field, maybe over the fence,
maybe a foul ball, who knows.
1010
00:58:11,360 --> 00:58:15,000
We're going to pair this
primarily because I just want to
1011
00:58:15,000 --> 00:58:18,160
watch like a political thriller
paired with this movie.
1012
00:58:18,360 --> 00:58:20,520
I'm going to go with The
Manchurian Candidate.
1013
00:58:22,280 --> 00:58:24,520
Which one, the original or the
Denzel?
1014
00:58:25,360 --> 00:58:30,160
You know it because the Big
Short is a lesser version of
1015
00:58:30,160 --> 00:58:32,760
Wolf of Wall Street.
I'm going to go with the lesser
1016
00:58:32,760 --> 00:58:35,520
version of The Manchurian
Candidate and say the newer 1.
1017
00:58:35,520 --> 00:58:38,440
The Denzel Washington version.
I love it, dude.
1018
00:58:39,680 --> 00:58:43,280
All right, so Brad's picking
Manchurian Candidate 2 point O,
1019
00:58:43,400 --> 00:58:46,320
I'm picking sicko.
I will say that there are some
1020
00:58:46,320 --> 00:58:49,640
really good movies that have
been made over the last 15 years
1021
00:58:49,920 --> 00:58:52,840
about the financial crisis.
There's a really good
1022
00:58:53,480 --> 00:58:57,600
documentary called Inside Job
that's about this whole thing.
1023
00:58:57,920 --> 00:59:00,880
There's a movie called Margin
Call, which is an actual movie,
1024
00:59:00,880 --> 00:59:04,960
and it is a dramatized,
fictionalized movie about the
1025
00:59:04,960 --> 00:59:07,880
way that this all went down,
where it takes place inside of a
1026
00:59:07,880 --> 00:59:12,160
fictional bank and how the banks
moved their money around to
1027
00:59:12,160 --> 00:59:15,120
cover up the fact that people
were shorting them and how that
1028
00:59:15,120 --> 00:59:17,280
act ultimately caused the bottom
to fall out.
1029
00:59:17,560 --> 00:59:20,560
It's a movie where Jeremy Irons
plays the CEO of the bank.
1030
00:59:20,960 --> 00:59:24,640
You've got Stanley Tucci in this
movie, Kevin Spacey's in the
1031
00:59:24,640 --> 00:59:26,480
movie.
It is just, it's stacked.
1032
00:59:26,760 --> 00:59:30,160
It's an incredible movie, Brad.
It's like an hour and 45
1033
00:59:30,160 --> 00:59:33,480
minutes, you're in, you're out.
I I would highly recommend you
1034
00:59:33,480 --> 00:59:36,240
watch Margin Call.
Why didn't you make that your?
1035
00:59:36,440 --> 00:59:39,800
Let's make it a double Bob.
I actually want to pair it with
1036
00:59:39,800 --> 00:59:43,400
the Michael Moore movie, but I
also want to suggest that people
1037
00:59:43,400 --> 00:59:45,840
try out Margin Call.
It's an underseen movie.
1038
00:59:46,080 --> 00:59:49,960
OK, well I'm going to go watch
Margin Call 'cause that sounds
1039
00:59:49,960 --> 00:59:53,360
fascinating and I like all of
the actors that you named, so
1040
00:59:53,360 --> 00:59:55,560
I'm in.
There you go, let's Make It a
1041
00:59:55,560 --> 00:59:59,040
Double was brought to you by
Blackwood Distilling Company.
1042
00:59:59,040 --> 01:00:02,160
No matter what movie you pick to
pair this with, you can always
1043
01:00:02,160 --> 01:00:05,160
make it a double with Blackwood
Distilling Company.
1044
01:00:05,720 --> 01:00:09,960
Brad final scores.
I think this movie, I talked
1045
01:00:09,960 --> 01:00:13,480
myself down.
I was at like a 7 1/2 because I
1046
01:00:13,480 --> 01:00:16,080
do think it's a well made movie
and I think that it is
1047
01:00:16,080 --> 01:00:18,720
ultimately successful, but I
think I'm going to come all the
1048
01:00:18,720 --> 01:00:21,320
way down to A7 on this one.
I'm I'm right there with you
1049
01:00:21,320 --> 01:00:24,200
Bob.
This is a 7 out of 10 well made
1050
01:00:24,200 --> 01:00:28,120
movie.
Entertaining, got me thinking,
1051
01:00:28,280 --> 01:00:32,600
kept me up half the night.
But overall, I don't know if I
1052
01:00:32,600 --> 01:00:37,800
really want to come back to it.
As I look out at our movies for
1053
01:00:37,800 --> 01:00:41,720
the rest of this season, there's
a lot of 2015 films here and I
1054
01:00:41,720 --> 01:00:44,440
didn't realize how good of a
movie year 2015 was.
1055
01:00:44,440 --> 01:00:47,120
But you know, we did The
Revenant already a couple
1056
01:00:47,120 --> 01:00:50,360
seasons ago.
We just did Fury Rd. last week.
1057
01:00:50,360 --> 01:00:52,000
We're doing The Big Short this
week.
1058
01:00:52,240 --> 01:00:54,360
In a couple weeks we'll be
looking at Inside Out.
1059
01:00:54,360 --> 01:00:57,480
That was a 2015 film.
We'll be watching Creed, the
1060
01:00:57,480 --> 01:01:00,160
boxing film, and then we're
going to be watching the Best
1061
01:01:00,160 --> 01:01:03,080
Picture winner Spotlight a
little bit later on this season.
1062
01:01:03,760 --> 01:01:06,600
It'll be end up being one of our
most represented years on film
1063
01:01:06,600 --> 01:01:10,160
and whiskey.
Yeah, that is absolutely wild.
1064
01:01:11,120 --> 01:01:17,040
Apparently, there's a lot of
opportunities for 2015 to become
1065
01:01:17,360 --> 01:01:21,320
a like the epitome of a modern
classic type of year.
1066
01:01:22,200 --> 01:01:25,960
You know it, man.
So all that said, it's a 7 from
1067
01:01:25,960 --> 01:01:29,160
us on the Big Short, but we'd
like to know what you think.
1068
01:01:29,160 --> 01:01:33,320
Has this movie stuck with you
And like, crucially, have you
1069
01:01:33,320 --> 01:01:36,120
seen this movie as a movie
lately or have you just been
1070
01:01:36,120 --> 01:01:37,800
watching it on YouTube like I
have?
1071
01:01:37,800 --> 01:01:40,320
I'd like to hear from you.
You can find us on any of our
1072
01:01:40,320 --> 01:01:45,600
social medias Facebook, Twitter,
Instagram, Tiktok or YouTube at
1073
01:01:45,600 --> 01:01:47,840
Film Whiskey.
Or if you want to join the
1074
01:01:47,840 --> 01:01:51,080
conversation, you can join us on
our Discord server.
1075
01:01:51,080 --> 01:01:53,520
We are on there every single day
talking about the Film and
1076
01:01:53,520 --> 01:01:56,280
Whiskey podcast.
So if you want to join the
1077
01:01:56,280 --> 01:01:59,000
conversation, there's a link at
the end of every single one of
1078
01:01:59,000 --> 01:02:02,440
our show notes.
I talked earlier about the Ohio
1079
01:02:02,440 --> 01:02:05,680
native John Magaro and how he is
in one of my favorite movies of
1080
01:02:05,680 --> 01:02:07,360
all time.
We're going to be watching that
1081
01:02:07,360 --> 01:02:11,760
movie next week.
It's 2023's Past Lives Brad.
1082
01:02:11,760 --> 01:02:13,960
I am freaking pumped for this
one dude.
1083
01:02:14,800 --> 01:02:18,120
Let's go, dude.
I I am very very excited to
1084
01:02:18,120 --> 01:02:22,400
watch this on a normal size
screen that is not the back of
1085
01:02:22,400 --> 01:02:26,480
an airplane seat.
So join us for Past lives next
1086
01:02:26,480 --> 01:02:28,400
week, but until then, I'm Bob
Book.
1087
01:02:29,080 --> 01:02:32,400
Object to the Tits.
And we'll see you next time.