Sept. 23, 2025

The Assassination of Jesse James by the Coward Robert Ford (2007) / Old Overholt 4-Year Rye

The Assassination of Jesse James by the Coward Robert Ford (2007) / Old Overholt 4-Year Rye
The Assassination of Jesse James by the Coward Robert Ford (2007) / Old Overholt 4-Year Rye
Film & Whiskey
The Assassination of Jesse James by the Coward Robert Ford (2007) / Old Overholt 4-Year Rye

Bob and Brad revisit The Assassination of Jesse James by the Coward Robert Ford, one of Brad's most reviled movies, alongside guest Zach Johnston of Blackwood Distilling.
The conversation delves into the film's unconventional structure, the mythologizing of Jesse James and the American mythos, as well as the historical context of the film's characters.
Then, Bob and Brad taste Old Overholt 4-Year Rye, a budget pour that punches above its 86-proof stature.

(0:00) Intro (08:07) Brad Explains, Performances, Themes (40:50) Old Overholt Rye review (49:45) Two Facts and a Falsehood and Final Analysis (1:07:24) Let's Make it a Double and Final Scores

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1
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In 2007, director Andrew Dominic
and star Casey Affleck gave the

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world a hauntingly boring flick
about the lonesome nature of ill

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gotten fame.
In 2025, we try one of the

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whiskey world's oldest operating
brands.

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The film is the assassination of
Jesse James by the Coward Robert

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Ford.
The whiskey is Old Overholt 4

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year Rye and we'll review them
both.

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This is the film and.
Whiskey Podcast.

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Welcome to the Film and Whiskey
podcast, where each week we

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review a classic movie and a
glass of whiskey.

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I'm Bob Book.
I'm Brad Gee.

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And this week we are returning
to Brad's favorite movie in the

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history of this podcast.
And one that folks, I have just

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been looking forward to like
crazy.

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It's 2007's The Assassination of
Jesse James by the Coward Robert

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Ford, heretofore known as the
Assassination of Jesse James by

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the Coward Robert Ford because
Brad will not.

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Let me talk.
About this movie without saying

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its full name.
I mean, Brad, Bob, it's it's a

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matter of semantics.
Like, if we don't give things

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their proper title, how do you
really know what we're even

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talking about?
Yeah, and I mean it.

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It adds so much context.
Who's doing the assassinating?

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What kind of person was the
assassinator?

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You know what I mean?
To be honest, it's almost like

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you don't even need to watch the
movie.

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Well, I see, Brad, that we're
going to get into some spicy

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takes pretty quickly here.
And because of that, I called in

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some reinforcements.
Now, folks, if you remember, we

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are in season 10 of the Film and
Whiskey podcast, and we're

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revisiting all of the films from
season #1 in the process.

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Now in season #1 we had some
Brad, dare I say, poor audio

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quality.
So that's kind of why we're

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redoing this now.
And, and we figured with six

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plus years of context now and
all those reviews behind us,

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it's time to revisit those
movies from season #1 I have

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been holding out hope that as we
return to The Assassination of

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Jesse James by the Coward Robert
Ford, that Brad might come

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around on it.
It is already looking like that

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might not happen.
And so I wanted to bring in

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somebody that I know for a fact
has an appreciation for this

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movie to balance out Brad's
take.

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It's our friend Zach Johnston
from Blackwood Distilling.

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Zach, welcome back, man, it's
been a while.

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Thanks for having me, gentlemen.
I am very excited to be here and

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I am very excited to talk about
this movie.

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I am very excited that you're
here, Zach, That that just like

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warms the cockles of my heart.
I'm I'm sort of in a bit of a

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conundrum now because I know so
much about this movie.

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It came out when I was in film
school, I saw it at the Arclight

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in Hollywood.
But I also know a lot about

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Jesse James and so I'm worried I
might spoil 3 facts or two facts

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and a falsehood by just getting
through this.

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But we'll do our best.
Yeah, spoil away, man.

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I love it.
I love it when we accidentally

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trip Brad up and he comes in and
says like, well now I only have

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two things I can share because
Zach already shared one of them.

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No, honestly, that's happened
like maybe two or three times in

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the history of the podcast.
And when Bob will go on one of

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his long like 7 minute, you
know, exposes on something about

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the movie, I'm just like
frantically typing in the

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background, which is hard now
that we're on.

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Video we can see what you're
doing now.

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Yeah, you can see when the eyes
glaze over and Brad starts

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opening a new tab here.
So that's why we brought Zach in

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to help add some of that context
without it being just me for 7

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minutes.
Zach, before we dive into Brad

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explains and Brad can offer some
context for his return to this

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movie.
Tell us a little bit about your

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history with this movie.
I mean, you said it came out

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during film school.
You're already a big history

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buff, so you knew a lot about
Jesse James.

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What was it about this movie
that that got its hooks into

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you?
And I guess you know, don't

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spoil too much, but does it
still have its hooks in you all

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these years later?
So this is a film I watch

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probably once a year.
I own it.

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I don't just rent it.
I think a big part of it is it

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reminded me a lot of the, the
like, I hate this term, but

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revisionist westerns of the 70s
and 80s that led to Unforgiven.

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So everything from Pat Garrett
and Billy the Kid to, you know,

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became Miller and, you know,
Heaven's Gate and that sort of

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big, epic, but very cinematic,
unique sort of Western film that

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this is obviously the progeny
of.

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It just sort of was the films
that my dad and I would bond

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over.
Even, you know, if you look at

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Eastwood from, you know, outlaw
Josie Wales and the sort of the

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way that was able to revise a
look at the West, Jeremiah

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Jones, you know, films like that
as well that also led to

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Unforgiven.
And then this was, you know, if

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you kind of take a a little bit
of a travel back in time, there

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haven't been a a true western
revival ever.

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Really like that was in the 70s
eighties.

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Well, sorry, 50s, sixties, 70s,
little bit of the 80s.

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Unforgiven was sort of the last
Great Western arguably until

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this.
You know IA big fan of 310 to

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Yumo which I think came out in O
8 or maybe around the same time

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I think.
It might have been the same year

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as this.
Yeah, obviously No Country for

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Old Men is a modern Western,
which I think again came out the

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same year.
So there is a definite for me,

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this film was kind of like a
reawakening of that revisionist

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era of Western film that it
could be epic, it could be big,

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it could be very cinema forward
and not just, you know, you

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know, silly shootouts and
killing Indians in like the back

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lot at, you know, some Italian
studio.

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And not that there's anything
wrong with those films.

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They have their place.
But you know, this was for me

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and that, you know, now that I'm
thinking about it, I was in film

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school and I wrote a western
after this film.

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So this was probably why I wrote
that Western SO.

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There you go.
Well, are you going to, are you

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going to share it with us here?
Are we just going to turn this

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into a a table read for your
western script?

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No, it was about a older brother
getting his little brother to

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safety after a bar fight that he
accidentally killed, like the,

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you know, the big guy in town's
son and then sort of them on the

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road in in like between
Washington and into the

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mountains back in like the late
1890s.

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So it had a little bit of that,
you know, stuck between the past

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and the industrialization of
America, even in the West.

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And, you know, it's a very
classic story of, you know,

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family doing everything you can
for family to a point where, you

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know, sort of destroys them,
destroys everybody and.

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What I hear you saying is it was
like the Fast and the Furious

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set in the 1890s.
Exactly, Exactly.

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It actually stars Vin Diesel.
Brad.

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Yeah, that's all right, guys.
Well, let's let's talk a little

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bit about this movie.
And I think the best way to get

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into that is to get into our
first segment of the day, which

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we call, Brad explains.
Brad's going to give us the

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movie plot with only 60 seconds
ticking on the clock, so let's

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go ahead and do your take with
this little segment that we call

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Brad explains.
Brad Explains is the part of the

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00:08:18,520 --> 00:08:21,440
show where Brad breaks down the
plot of the movie that he has

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just seen, at least for the
second time.

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Now, Brad, I am going to go out
on just a massive limb here and

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say that you have not even
remotely thought about

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rewatching this movie since 2019
when we first watched it.

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I we've known for a while now
that we are going to do this

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rewatch season.
And so I have been like holding

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on 'cause I have been curious.
I really hated this movie, Bob.

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I found myself the first time we
we watched it.

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I was like, I don't know, 50 to
60 minutes in and I was so bored

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00:08:57,800 --> 00:09:01,600
and I, like checked how much
time was left and I literally

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felt like anger and hatred in my
soul towards you specifically.

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00:09:06,200 --> 00:09:08,160
Yeah.
I, I couldn't understand the

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idea that you were making me
watch this.

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And I, and looking back, I
always thought I was like, man,

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like I I need to give it a
second chance.

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00:09:15,880 --> 00:09:20,280
Maybe I was having a bad day and
so I watched it again for the

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00:09:20,280 --> 00:09:22,920
podcast.
Once again, you made me watch

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00:09:22,920 --> 00:09:24,680
this movie, Bob.
I did, I did.

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00:09:25,000 --> 00:09:28,040
And Brad, you've done such a
good job at hiding your feelings

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00:09:28,040 --> 00:09:29,760
so far.
Thank you so much for burying

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00:09:29,760 --> 00:09:31,880
the lead.
No one can tell what you think

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of this movie to this point.
And I think Trap Baby, let's

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keep going down that path and
let's give just the most

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impartial, objective take about
what this movie is about.

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00:09:44,240 --> 00:09:47,680
Because you have 60 seconds on
the clock, Brad, to break down

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the plot of this movie with full
spoilers, this movie that is

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once again called The
Assassination of Jesse James by

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the Coward Robert Ford.
So, Brad, one minute and go.

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The Assassination of Jesse James
by the Coward Robert Ford is a

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film that follows the
aforementioned Jesse James and

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00:10:07,880 --> 00:10:15,080
Robert Ford as they enter into
the end of the Jesse James gang.

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They have finished their last
heist, if you will.

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00:10:19,880 --> 00:10:22,800
It follows Robert Ford as he
joins the gang for one last

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heist on a train.
After that, all the gang members

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slowly go their separate ways
and Jesse gets super paranoid

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and slowly starts to kill them
all.

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All the while Robert Ford, who
was obsessed with Jesse James as

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a child, realizes that he
actually hates him and maybe

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wants to have sex with him and
gets the reward money for

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killing him.
The end.

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When Zooey Deschanel's in it
randomly and then James

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Carville's there and they're
just kind of doing things.

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Why not man so?
Can can I say when the very end

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of the film, when Casey Affleck
is like finally like resigned to

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his fate and like he's like
older at this point.

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I don't know if it's like 1015
years after, you know, he kills

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him.
Incredible.

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00:11:13,480 --> 00:11:16,080
That last like 5 minutes of the
film.

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He is stellar.
And I was like, in the rest of

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the movie, not so much.
I, I think here's the best way

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00:11:26,320 --> 00:11:28,920
to approach this, Brad, I want
you to be able to speak your

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00:11:28,920 --> 00:11:32,640
piece today before getting
steamrolled by both Zach and

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00:11:32,640 --> 00:11:35,400
myself.
And so you know what, the floor

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00:11:35,400 --> 00:11:38,160
is yours, man.
I would like to hear a pawn

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00:11:38,160 --> 00:11:40,280
rewatch.
What are your thoughts on on

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00:11:40,280 --> 00:11:43,520
this movie?
Have they changed at all or

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00:11:43,520 --> 00:11:48,080
become more nuanced at all since
the last time and now especially

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since we've seen so many other
movies in between?

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00:11:51,920 --> 00:11:55,680
And in particular, I, you know,
I kind of texted you and said I

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00:11:55,680 --> 00:11:57,560
was excited to see what you
thought of this on the other

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side of Unforgiven.
You know, does this work the way

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00:12:00,960 --> 00:12:03,520
that Unforgiven does?
Does it not, you know, talk a

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00:12:03,520 --> 00:12:06,880
little bit about those things.
Like I said before, we just cut

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00:12:06,880 --> 00:12:08,960
you off and tell you that you're
you're not allowed to talk

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anymore.
Yeah, no, totally.

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00:12:10,840 --> 00:12:17,920
I Unforgiven works in a way that
this movie never could because

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Unforgiven submits itself to the
traditional movie narrative

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structure.
And while it upends a lot of

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the, you know, Zach, like what
you were talking about earlier,

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00:12:29,920 --> 00:12:36,000
it it kind of upends these
tropes about what a Western was

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00:12:36,000 --> 00:12:39,120
in the revisionist history.
Like Unforgiven dives into the

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00:12:39,120 --> 00:12:43,560
grittiness and the grossness of
what it means to be a killer in

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00:12:43,560 --> 00:12:46,480
the West.
So I but it's still like falls

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00:12:46,480 --> 00:12:50,680
within a traditional structure
that is enjoyable to watch.

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00:12:51,480 --> 00:12:55,120
The Assassination of Jesse James
by the Coward Robert Ford is

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00:12:56,160 --> 00:13:00,360
about as long as its name is in
comparison to other movies.

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00:13:01,320 --> 00:13:03,880
It.
And it doesn't have a point to

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00:13:03,880 --> 00:13:06,240
the length.
I think that, like, that's the

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frustration for me is that the
movie doesn't need to be this

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00:13:10,120 --> 00:13:15,000
long to give you what you get
because what you get is like 0

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00:13:15,000 --> 00:13:19,000
character development.
Like it, it moves at a glacier's

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00:13:19,000 --> 00:13:22,600
pace for you to get to know all
these side characters who are

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00:13:22,600 --> 00:13:26,360
about the shallowest human
beings I've ever seen.

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00:13:29,000 --> 00:13:31,920
It's one of those things where
I'm like, when I heard about

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00:13:31,920 --> 00:13:34,320
this movie, or like I saw that
we were watching it the first

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00:13:34,320 --> 00:13:40,400
time, It's like I knew who Jesse
James was, but I have no memory

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of learning about Jesse James,
right?

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00:13:42,560 --> 00:13:43,600
Right, right.
You know what?

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00:13:43,680 --> 00:13:46,280
I mean, I'm like, yeah, yeah, I
just, I'm like, Oh yeah.

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00:13:46,280 --> 00:13:49,120
He was this like Western bank
robber guy.

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00:13:50,360 --> 00:13:52,840
Yeah, where I picked that up
from.

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00:13:54,920 --> 00:13:58,320
He almost falls into like the
comic book culture of like, you

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00:13:58,320 --> 00:14:04,200
read Hulk but you didn't read
Iron Man, or you read the Hulk

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00:14:04,200 --> 00:14:05,480
but you didn't read Batman,
right?

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And so if you didn't read
Batman, then who the fuck is

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00:14:07,680 --> 00:14:10,840
Batman, right?
And especially with these guys.

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So then we'll get into this
later.

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They're so mythologized and the
the actual Jesse James isn't

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00:14:18,920 --> 00:14:23,120
even real anymore 'cause the
real guy was a huge piece of

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shit.
But I have a point about that

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00:14:27,680 --> 00:14:31,480
later.
But it's sort of it's, it's

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00:14:31,480 --> 00:14:35,880
interesting because 28 movies
every single decade, there's a

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couple.
Yeah, that's nuts.

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None since this though.
This was the last one.

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It killed it man.
This movie destroyed it.

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Assassinated Jesse James.
He was like, man, if this is

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what it does to a a director's
career, I'm out.

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00:14:57,840 --> 00:14:59,200
Yeah.
All right, guys, I want to get

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00:14:59,200 --> 00:15:01,320
back into talking about the
movie a little bit here.

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And if you're watching the
video, you will see that Brad

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00:15:03,320 --> 00:15:06,480
and I have now changed clothes.
We're recording this on another

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day.
So you know what, Brad, welcome

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00:15:08,400 --> 00:15:10,040
back into talking about Jesse
James.

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Technical difficulties.
Somehow Bob and I still managed

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00:15:15,520 --> 00:15:17,040
to match.
Almost.

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00:15:17,040 --> 00:15:19,720
We look great, and Zach is still
wearing the same shirt he was

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00:15:19,720 --> 00:15:22,520
wearing three days ago.
So like, he's just been sitting

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00:15:22,520 --> 00:15:25,480
at the desk waiting for us to
return, I think is what actually

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00:15:25,480 --> 00:15:27,640
happened here.
Zach, I just believe in

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00:15:27,640 --> 00:15:30,600
continuity.
Yeah, I think it's really

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00:15:30,600 --> 00:15:33,360
interesting your point about
there being 28 Jesse James

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movies and this being the last
one.

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And I want to get back to what
Brad was talking about.

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00:15:37,840 --> 00:15:41,920
You know, you said Unforgiven
was much more successful than

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00:15:41,920 --> 00:15:45,480
this film in your eyes because
it followed that sort of

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conventional structure and that
this one didn't.

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And I, I want to go a little bit
deeper on that.

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What about this movie to you
didn't follow a conventional

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structure?
Because I, I hate to throw

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around terms like poetic, but I
definitely do think this movie

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is very much like look a leaf
look the the field of wheat that

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we can linger on for a moment.
And and I still think the story

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itself is very linear and like
well thought out and pretty

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conventional.
So is it just something about

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like the pacing of the movie
that felt unconventional to you?

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Well, it I mean, yes, the pacing
is glacial.

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Like this is one of the slowest
paced movies I've ever watched

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00:16:31,800 --> 00:16:35,400
and I like, I don't mind a slow
paced film.

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There are movies that deserve a
slow pace.

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I don't know if the waning years
of a famous outlaw and his final

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days deserve a two hour and 40
minute runtime.

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And I I've I feel like another
thing that shows me that the

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director didn't know where he
was going with this film.

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It it's a really small thing,
but the the narration of the

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film feels very off and it
doesn't, it doesn't fit or vibe

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for me.
And it feels like a tacked on,

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00:17:10,480 --> 00:17:15,920
like he realized at the end,
like, ah, crap, we this movie

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00:17:15,920 --> 00:17:18,160
isn't quite making sense.
We need to throw some narration

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in there, partially because of
things like and Jesse James had

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a condition where he blinked his
eyes too much and then that's.

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Actually, my favorite thing is
that they don't.

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00:17:32,920 --> 00:17:35,680
He's like, it's a holding on his
face and he doesn't blink the

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00:17:35,680 --> 00:17:37,200
whole time they're talking about
that.

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Raise my hand.
Go ahead.

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Go ahead, Jack.
Go ahead.

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So what's sort of beautiful and
I actually ended up reading this

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00:17:43,080 --> 00:17:45,080
whole script in the last three
days.

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00:17:45,880 --> 00:17:48,920
It's sort of phenomenal script
while.

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00:17:48,920 --> 00:17:50,720
You're sitting in that chair
waiting for.

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00:17:50,720 --> 00:17:52,760
Us to record that's.
All I was doing the last three

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days, just sitting here reading
the script, the narration is

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100% there.
There's actually way more of it.

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And so they actually turned the
narration down.

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00:18:01,320 --> 00:18:04,080
And what's beautiful about the
narration, especially in this

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film, is when all the stuff
they're saying about Jesse

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00:18:07,520 --> 00:18:10,040
James, they're showing the exact
opposite because everything

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00:18:10,040 --> 00:18:13,000
they're saying is a myth.
Rooms did not get hotter when he

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went in them.
He did not do any of this shit

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00:18:14,760 --> 00:18:16,640
they're talking about.
He didn't have that condition

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00:18:16,640 --> 00:18:18,840
where a blink.
That's a myth that we're in all

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00:18:18,840 --> 00:18:21,640
the dime story novels.
And So what they're doing is

307
00:18:21,880 --> 00:18:24,240
Dominic's doing is setting up
the juxtaposition between this

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00:18:24,240 --> 00:18:27,040
is the myth that everybody
thinks here's the actual asshole

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00:18:27,040 --> 00:18:31,280
he was because he was a
terrorist and an idiot.

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00:18:31,520 --> 00:18:35,280
And in the opening narration,
it's actually 4 pages long in

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00:18:35,280 --> 00:18:39,560
the script, which is insane.
It goes much deeper into who he

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really was, as in he was
superstitious and he believed

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the dumbest shit imaginable
because he was, it was 1870s and

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00:18:45,240 --> 00:18:47,200
1880s of people believed in dumb
shit.

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00:18:47,520 --> 00:18:50,520
You know, like bleachers are
going to cure your tuberculosis

316
00:18:50,520 --> 00:18:52,400
or whatever.
And, you know, he believed he

317
00:18:52,400 --> 00:18:56,440
was really superstitious and he
was, you know, he didn't believe

318
00:18:56,440 --> 00:18:58,840
in religion, but he was like
super into God.

319
00:18:58,840 --> 00:19:02,520
And you know, all this stuff
that was supposedly reported,

320
00:19:02,520 --> 00:19:05,480
what he was actually like, and
also the fact that he was a man

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00:19:05,480 --> 00:19:08,320
of his time and he was an
uneducated, dumb shit terrorist.

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00:19:10,000 --> 00:19:12,080
That's what it.
Should have been called

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00:19:12,520 --> 00:19:15,680
assassination of the uneducated.
Dumb shit terrorist.

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00:19:15,960 --> 00:19:19,080
But they, and so they, they sort
of condensed that in the film to

325
00:19:19,080 --> 00:19:22,320
that 2 minutes, a narration that
we actually do get to show that

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00:19:22,320 --> 00:19:25,080
this isn't the myth.
This isn't the other 27 films

327
00:19:25,080 --> 00:19:27,720
about Jesse James.
This is who he is.

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00:19:27,720 --> 00:19:30,880
And at this time, he's a
paranoid weirdo.

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00:19:31,080 --> 00:19:35,520
Yep, living amongst idiots like
they, they go to great lengths

330
00:19:35,520 --> 00:19:38,480
in that narration state.
This is a whole new crew and

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00:19:38,480 --> 00:19:41,880
they're all country rubes.
You know, they're people who are

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00:19:41,880 --> 00:19:46,320
uneducated, lost in Missouri,
basically lost to Kentucky,

333
00:19:46,320 --> 00:19:51,640
this, this Tennessee, you know,
who maybe probably maybe saw the

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00:19:51,640 --> 00:19:54,440
war, but were probably born a
little bit after it during

335
00:19:54,440 --> 00:19:57,400
Reconstruction when, you know,
there's probably no access to

336
00:19:57,400 --> 00:20:02,000
education just basically.
And so that's what's sort of

337
00:20:02,000 --> 00:20:05,560
brilliant about the narration,
because it shifts towards not

338
00:20:05,560 --> 00:20:07,000
getting too far ahead of
ourselves here.

339
00:20:08,080 --> 00:20:12,200
But as it shifts towards when
Bob decides he's going to

340
00:20:12,200 --> 00:20:14,360
actually kill Jesse, when he's
in that last house and he's

341
00:20:14,360 --> 00:20:18,120
walking around by himself hit,
the narration shifts to his

342
00:20:18,120 --> 00:20:23,600
inner monologue of him writing
the myth of Bob Ford and how he

343
00:20:23,600 --> 00:20:24,960
makes the rooms harder when he's
in them.

344
00:20:24,960 --> 00:20:27,200
And he does that.
And so it's him thinking that

345
00:20:27,200 --> 00:20:29,560
he's going to take that place
that Jesse took.

346
00:20:29,760 --> 00:20:31,240
And that's why the narration
shifts.

347
00:20:31,680 --> 00:20:35,240
And man, every time I read like
a critic, I respect being like,

348
00:20:35,400 --> 00:20:37,320
why are they telling me what's
he's doing on screen?

349
00:20:37,320 --> 00:20:40,800
And it's like, that's the point.
It's him telling the story in

350
00:20:40,800 --> 00:20:43,360
his head, the way he thinks the
dime store novels are going to

351
00:20:43,360 --> 00:20:50,440
tell it, right.
And so, you know, as I sorry if

352
00:20:50,440 --> 00:20:53,400
we've, I think we've mentioned
this offline, but you know,

353
00:20:53,920 --> 00:20:58,200
Roger Dinkins loves this film.
The cinematographer, he's on

354
00:20:58,200 --> 00:21:01,160
record recently still saying
that the Train Robbery scene is

355
00:21:01,160 --> 00:21:06,600
his favorite shot he's ever done
in cinema, which is wild when

356
00:21:06,600 --> 00:21:08,200
you can go look up the guy's
resume.

357
00:21:09,360 --> 00:21:11,360
But he still defends it.
He says the four hours cut a

358
00:21:11,360 --> 00:21:14,920
can, the four hour cut of this
was incredible.

359
00:21:15,400 --> 00:21:18,680
And you understand why when you
read the script in that it is a

360
00:21:18,680 --> 00:21:22,640
two-part film.
The first half is Jesse James

361
00:21:22,680 --> 00:21:25,080
and he gets killed, and the
second-half is Bob Ford.

362
00:21:25,440 --> 00:21:28,760
So that whole, like, truncated
last 30 minutes.

363
00:21:29,160 --> 00:21:31,760
It's actually what would have
been the second-half of the film

364
00:21:31,760 --> 00:21:34,200
that Warner Brothers.
Warner Brothers was like, well,

365
00:21:34,200 --> 00:21:36,720
Brad Pitt's dead.
We got to get out of here.

366
00:21:37,920 --> 00:21:42,120
So they cut out all the Bob Ford
stuff where you see him get

367
00:21:42,120 --> 00:21:45,040
famous and not become Jesse
James because he killed him.

368
00:21:45,040 --> 00:21:47,240
He didn't become him right now.
He wasn't.

369
00:21:47,720 --> 00:21:50,600
You know, you can't turn a
murderer into a Robin Hood

370
00:21:50,600 --> 00:21:53,080
figure, whether it's real or
not, right?

371
00:21:54,080 --> 00:21:56,480
So that's what's sort of
fascinating in that what was

372
00:21:56,480 --> 00:21:59,880
taken out actually would have
made it maybe better.

373
00:21:59,880 --> 00:22:01,560
It would have.
Deepened it a little bit, yeah.

374
00:22:01,560 --> 00:22:04,280
And I want to go back to this
narration thing because, Brad, I

375
00:22:04,280 --> 00:22:07,840
feel like in a lot of ways, it
kind of is the skeleton key to

376
00:22:07,840 --> 00:22:09,640
the whole movie.
Not just in that it, like,

377
00:22:09,840 --> 00:22:13,120
blatantly tells you what the
movie's about, but like, I think

378
00:22:13,120 --> 00:22:16,440
the first time we watched this,
I compared it to the movie

379
00:22:16,440 --> 00:22:20,800
Seabiscuit because that is
another movie based on a novel.

380
00:22:21,040 --> 00:22:24,160
And the opening narration and
the narration throughout that

381
00:22:24,160 --> 00:22:29,240
movie is designed to situate you
historically, not just in the

382
00:22:29,240 --> 00:22:31,760
time period.
But everything that the narrator

383
00:22:31,760 --> 00:22:35,240
in that movie talks about is
technological progress and like,

384
00:22:35,240 --> 00:22:37,120
the development of the Model T
Ford.

385
00:22:37,120 --> 00:22:42,240
And then you have these three
guys who can't break into a

386
00:22:42,240 --> 00:22:46,080
society that has moved past
horse racing, and the fact that

387
00:22:46,080 --> 00:22:48,600
they can't is what actually
brings them together around this

388
00:22:48,600 --> 00:22:49,800
horse.
Seabiscuit It's a really

389
00:22:49,800 --> 00:22:53,040
interesting way of using
narration, not just to describe

390
00:22:53,040 --> 00:22:56,840
what's on screen, but to, you
know, tease out the themes of

391
00:22:56,840 --> 00:22:58,520
your movie.
And I feel like this movie does

392
00:22:58,520 --> 00:23:01,040
that as well.
And I, you know, I keep going

393
00:23:01,040 --> 00:23:04,200
back and forth on like, should
my let's make it a double B

394
00:23:04,240 --> 00:23:06,120
Seabiscuit?
Should it be Unforgiven?

395
00:23:06,120 --> 00:23:09,520
Because we've definitely dealt
with themes like the

396
00:23:09,520 --> 00:23:12,240
mythologizing of the American
West before.

397
00:23:12,800 --> 00:23:16,200
But I don't know if we've ever
seen it done quite like this

398
00:23:16,280 --> 00:23:21,520
where, you know, not only is
your central figure a bad guy,

399
00:23:21,520 --> 00:23:24,720
Allah, the searchers, right?
But then you're constantly

400
00:23:24,720 --> 00:23:30,440
grappling with the myth versus
the reality, Allah, the man who

401
00:23:30,440 --> 00:23:33,360
shot Liberty Valence.
So like there's there's homages

402
00:23:33,360 --> 00:23:36,160
to other westerns.
There's a there's homages to

403
00:23:36,360 --> 00:23:39,200
this overly mythologizing of the
American West.

404
00:23:39,440 --> 00:23:41,760
And I think that for me, that's
kind of the entry point.

405
00:23:41,760 --> 00:23:44,240
I'm with you in that, like, it's
a slow paced movie.

406
00:23:44,520 --> 00:23:47,480
I don't think every character
decision always makes sense.

407
00:23:48,200 --> 00:23:51,080
And I kind of like that.
I like that from scene to scene.

408
00:23:51,080 --> 00:23:55,520
It's like, you know, if Jesse
was able to be diagnosed with

409
00:23:55,520 --> 00:23:58,040
something like my guy is
bipolar, like my guy

410
00:23:58,120 --> 00:24:02,000
legitimately has bipolar
disorder, and no one would have

411
00:24:02,000 --> 00:24:04,120
been able to tell that.
But then it's not just that.

412
00:24:04,120 --> 00:24:08,720
It's the it's the actual earned
paranoia of I'm being hunted by

413
00:24:08,720 --> 00:24:10,840
the law.
I can't trust anybody.

414
00:24:11,480 --> 00:24:13,520
I want to be able to trust
somebody.

415
00:24:13,520 --> 00:24:17,200
And I think Pitt is at his best
in this movie in those moments

416
00:24:17,200 --> 00:24:21,880
where he's either purposely
needling somebody and seeing how

417
00:24:21,880 --> 00:24:24,560
they'll react and then getting
disappointed when he can tell

418
00:24:24,560 --> 00:24:27,840
that they're going along with it
because they're trying to throw

419
00:24:27,840 --> 00:24:30,360
him off the scent.
Or the opposite, when he's

420
00:24:30,360 --> 00:24:32,880
actually being vulnerable with
somebody.

421
00:24:33,280 --> 00:24:36,120
And then something clicks within
him where he realizes this

422
00:24:36,120 --> 00:24:39,280
person's also betraying me.
And you see the woundedness of

423
00:24:39,280 --> 00:24:41,800
Jesse.
I I just really like that Pitt

424
00:24:41,800 --> 00:24:47,280
is able to play everything from
manic to super depressive to

425
00:24:47,280 --> 00:24:51,240
cold blooded killer to kind of
almost like jilted lover in a

426
00:24:51,240 --> 00:24:54,360
lot of ways with with the people
around him in this movie.

427
00:24:55,760 --> 00:24:58,640
And dad, like you see him
playing with his kids earnestly,

428
00:24:58,640 --> 00:25:01,440
you know, and I think I
mentioned before, this is Brad

429
00:25:01,440 --> 00:25:05,320
Pitt entering his daddy phase
after his pretty boy phase as an

430
00:25:05,320 --> 00:25:07,120
actor.
You know, this is around Tree of

431
00:25:07,120 --> 00:25:09,480
Life.
And you know, Inglourious

432
00:25:09,480 --> 00:25:12,400
Basterds comes right after this
and that's when he becomes Daddy

433
00:25:12,400 --> 00:25:15,760
Pitt.
And you know, it's sort of it's

434
00:25:15,760 --> 00:25:19,280
funny though, I think the real
unsung hero of this film after

435
00:25:19,280 --> 00:25:23,520
we watching it again is Sam
Rockwell, cause Rockwell as.

436
00:25:23,520 --> 00:25:26,360
Absolutely.
As Charlie Ford, like he's this

437
00:25:26,360 --> 00:25:29,520
dip shit, funny guy, always
having fun with the boys.

438
00:25:29,960 --> 00:25:33,600
But that moment when they're at
the grocery and he brings Bob

439
00:25:33,600 --> 00:25:36,720
Ford out, you know, to bring him
back into the the fold.

440
00:25:37,080 --> 00:25:38,680
And Charlie's standing there
behind the horse.

441
00:25:38,680 --> 00:25:42,960
And then he just, like, turns
into this, like, very serious

442
00:25:42,960 --> 00:25:44,120
person.
He's like, listen, man, this

443
00:25:44,120 --> 00:25:46,280
isn't a fucking joke.
This is real.

444
00:25:46,880 --> 00:25:49,680
And he's like that whole Charlie
Ford we've seen up until that

445
00:25:49,680 --> 00:25:53,720
point is completely gone.
And he is like, an utterly

446
00:25:53,960 --> 00:25:56,120
different character.
And you realize the whole time,

447
00:25:56,680 --> 00:26:01,520
you know, this is some poor kid
who basically got through life

448
00:26:01,520 --> 00:26:04,760
by being the funny, dopey guy
who I'm sure, you know, we've

449
00:26:04,760 --> 00:26:06,880
all been a little bit of or we
all know someone who was like

450
00:26:06,880 --> 00:26:09,200
that in college.
You know who that was what

451
00:26:09,200 --> 00:26:11,800
helped him get by to, you know,
make friends and, you know, get

452
00:26:11,800 --> 00:26:15,640
ahead when, like the when things
are cards are on the table.

453
00:26:15,640 --> 00:26:18,320
The way Sam Rockwell is able to
shift that character while

454
00:26:18,320 --> 00:26:22,320
making it believable that he's
still the same Charlie Ford we

455
00:26:22,320 --> 00:26:26,040
saw sitting there joking about,
you know, women in the forest

456
00:26:26,040 --> 00:26:28,600
with, you know, Dick Little and
wood height at the beginning of

457
00:26:28,600 --> 00:26:30,520
the movie.
Or you know the guy who's

458
00:26:32,320 --> 00:26:35,160
serious with Brad Pitt as well,
like the scenes they have in the

459
00:26:35,160 --> 00:26:37,480
house when he's sleeping over
and they're talking and like

460
00:26:38,880 --> 00:26:41,880
there's just a just a beauty to
his performance.

461
00:26:42,960 --> 00:26:46,640
Sam Rockwell is far and away the
best part of this movie for me.

462
00:26:47,080 --> 00:26:53,000
Like he it is that moment where
you can tell that the dumb Hick

463
00:26:53,080 --> 00:26:56,400
is not totally an act.
But when he lets it drop and

464
00:26:56,400 --> 00:26:59,080
goes, look, I understand what's
going on here.

465
00:26:59,560 --> 00:27:03,280
Like, and he does it once with
Pitt when Pitt is like

466
00:27:03,280 --> 00:27:05,160
interrogating him in in the
middle of the night.

467
00:27:05,360 --> 00:27:06,880
And then he does it with his
brother.

468
00:27:07,240 --> 00:27:13,240
And that that descent for him
into madness and suicide and

469
00:27:13,360 --> 00:27:17,280
committing suicide.
I like if they made a movie

470
00:27:17,280 --> 00:27:22,840
about that, if you had like the
train scene and like 20 minutes

471
00:27:22,840 --> 00:27:26,040
of Jesse James getting murdered
and then a movie about

472
00:27:26,040 --> 00:27:30,600
Rockwell's descent into
depression and, and I would, I

473
00:27:30,600 --> 00:27:33,040
would have been totally in for
that because Sam Rockwell is

474
00:27:33,280 --> 00:27:35,320
incredible in this movie.
Yeah, yeah.

475
00:27:35,640 --> 00:27:37,720
And I and I think sort of
picking up on what you're

476
00:27:37,720 --> 00:27:41,600
saying, Bob, about like the
American Western especially, but

477
00:27:41,600 --> 00:27:46,240
I think the American story, and
I'm going to go on a bit of a

478
00:27:46,240 --> 00:27:52,200
tangent here, but like people
misunderstand the Superman is in

479
00:27:52,200 --> 00:27:53,960
the American ethos mythos,
right?

480
00:27:54,360 --> 00:27:56,240
People always think Superman is
Jesus.

481
00:27:56,240 --> 00:27:58,480
Zack Snyder made Superman,
Jesus.

482
00:27:58,480 --> 00:27:59,840
Brian Singer made Superman
Jesus.

483
00:27:59,840 --> 00:28:04,040
Superman is not Jesus.
He's specifically Zack Snyder.

484
00:28:04,320 --> 00:28:10,240
Yeah, he's specifically Moses.
Like Jerry Siegel has said, he

485
00:28:10,240 --> 00:28:12,960
is Moses, period.
He is here to lead us out of the

486
00:28:12,960 --> 00:28:14,640
desert.
That's the whole point of

487
00:28:14,640 --> 00:28:16,520
Superman.
And thank God James Gunn

488
00:28:16,520 --> 00:28:19,640
understood that like, he's not
Jesus.

489
00:28:20,400 --> 00:28:24,240
And this is, I think what is
also exemplified with Jesse

490
00:28:24,240 --> 00:28:27,760
James is Jesse James is a
prototype for a comic book

491
00:28:27,760 --> 00:28:32,280
character, a hero that wasn't
real but was mythologicalized as

492
00:28:32,680 --> 00:28:35,480
someone like that.
And people I've reading reviews

493
00:28:35,480 --> 00:28:39,480
for this film try to put the
Jesus parable onto it with, you

494
00:28:39,480 --> 00:28:41,680
know, like Bob washing his hands
before he kills them.

495
00:28:41,680 --> 00:28:43,600
It's like, well, that's not
what's happening in that scene

496
00:28:43,600 --> 00:28:46,160
at all because he hasn't decided
to kill him yet till he goes

497
00:28:46,160 --> 00:28:47,920
inside.
But like all these things.

498
00:28:47,920 --> 00:28:51,240
And it's like, that's not it.
Like Jesse James is a false

499
00:28:51,240 --> 00:28:54,800
idol.
He's a golden calf that we are

500
00:28:54,800 --> 00:28:58,640
desperate, desperate to find
because, and this is the mythos,

501
00:28:58,960 --> 00:29:01,120
Americans are the Israelites
lost in the desert.

502
00:29:01,120 --> 00:29:02,880
I mean, this isn't me making
this up.

503
00:29:02,880 --> 00:29:05,040
This is manifest destiny.
People have made this, been

504
00:29:05,040 --> 00:29:07,320
making this point since the
1800s.

505
00:29:08,000 --> 00:29:13,960
And we have a desire to worship
a new God, to worship, you know,

506
00:29:13,960 --> 00:29:18,000
something here as we move West.
And Jesse James was one of those

507
00:29:18,000 --> 00:29:21,000
first false idols.
I mean, it's so pointed in

508
00:29:21,000 --> 00:29:28,680
Andrew Dominic's film that when
O'kelly goes to kill him, he

509
00:29:28,680 --> 00:29:31,520
stops at a blacksmith's and
melts down metal to put it in

510
00:29:31,520 --> 00:29:35,320
his shotgun.
Just like Moses belted down the

511
00:29:35,320 --> 00:29:39,040
idol and made the idolaters eat
it when he came off the mountain

512
00:29:39,040 --> 00:29:42,320
and raged.
I mean, it's the same thing, you

513
00:29:42,320 --> 00:29:44,160
know?
So there's the idea that, you

514
00:29:44,160 --> 00:29:51,160
know, Bob worshipped Jesse James
as this false idol, as a Moses,

515
00:29:52,200 --> 00:29:57,680
and then he realized that maybe
I can be the idol and was not

516
00:29:57,680 --> 00:30:01,680
and was, I mean, literally
shotgunned with the melted down

517
00:30:01,680 --> 00:30:05,240
medal of the idol.
And boom, there it goes.

518
00:30:05,240 --> 00:30:07,400
Yeah.
So we we don't need to preach

519
00:30:07,400 --> 00:30:08,240
anymore.
We're done.

520
00:30:08,240 --> 00:30:11,720
Zach's got it, man.
But, you know, and that's needs

521
00:30:11,760 --> 00:30:13,680
having a very basic
understanding of that sort of

522
00:30:13,680 --> 00:30:16,440
story, like I and that's, you
know, just the bullet points.

523
00:30:16,800 --> 00:30:20,480
But I I find that fascinating.
Those are some great bullet

524
00:30:20,480 --> 00:30:23,040
points, Zach.
But it's also that's the

525
00:30:23,040 --> 00:30:25,920
American story that's unforgiven
false idol tree.

526
00:30:25,920 --> 00:30:28,320
You know the whole duck of
death, right?

527
00:30:28,720 --> 00:30:31,040
Like that's that or even little
Bill.

528
00:30:32,120 --> 00:30:33,760
Same thing with outlaw Josie
Wales.

529
00:30:33,760 --> 00:30:36,480
Like they make Josie Wales into
this idol and he's not their

530
00:30:36,480 --> 00:30:38,520
hero.
Like he he has to tell them over

531
00:30:38,520 --> 00:30:42,280
and over and you can come with
me, but I'm not be the good guy,

532
00:30:43,320 --> 00:30:48,200
you know.
And of course, you know, it's

533
00:30:48,440 --> 00:30:51,120
it's it's manifest destiny.
And that's what sort of is

534
00:30:51,120 --> 00:30:56,240
beautiful about this film for me
is seeing that in that we have

535
00:30:56,240 --> 00:30:57,920
to stop worshipping these false
idols.

536
00:30:57,920 --> 00:31:01,360
Jesse James was a terrorist and
a bad person, and he was not a

537
00:31:01,360 --> 00:31:04,320
hero, no matter what the
newspaper said in New York or

538
00:31:04,320 --> 00:31:06,120
what the newspaper said in San
Francisco.

539
00:31:06,800 --> 00:31:11,560
But the idea that we're so
desperate for these heroes and

540
00:31:11,560 --> 00:31:15,680
it it, it rings for me.
It rings true as a deeply

541
00:31:15,680 --> 00:31:20,000
American story.
I want to go back just a little

542
00:31:20,000 --> 00:31:23,400
bit though to what we were
talking about with among the

543
00:31:23,400 --> 00:31:26,280
cast of characters here, because
you guys were talking about Sam

544
00:31:26,280 --> 00:31:28,240
Rockwell.
I do think Sam Rockwell,

545
00:31:28,840 --> 00:31:31,880
especially in the cut that Zach
is describing, the four hour

546
00:31:31,880 --> 00:31:35,160
cut, this sounds like a guy
waiting to collect his Oscar,

547
00:31:35,160 --> 00:31:37,320
right?
Like that, that role is

548
00:31:37,320 --> 00:31:40,640
perfectly set up to see that arc
that you don't get to see now

549
00:31:40,640 --> 00:31:44,240
because of the the two hour cut,
2 hour and 40 minute cut.

550
00:31:44,760 --> 00:31:48,840
And I keep thinking, you know,
top to bottom, this cast is

551
00:31:48,840 --> 00:31:50,600
incredible.
And a lot of these guys were

552
00:31:50,600 --> 00:31:53,320
kind of on the cusp of stardom
and hadn't quite gotten there.

553
00:31:53,320 --> 00:31:55,880
And that's how you get a cast,
you know, a bench this deep.

554
00:31:55,920 --> 00:31:58,600
Like Jeremy Renner.
You don't expect to see him in a

555
00:31:58,600 --> 00:32:01,640
movie like this anymore, but you
could catch him as wood height

556
00:32:01,640 --> 00:32:05,040
in 2007.
But when I kind of zoom out and

557
00:32:05,040 --> 00:32:09,160
look at the overarching story
here, I do wish that we had

558
00:32:09,160 --> 00:32:13,880
gotten 20 more minutes post
assassination to watch the

559
00:32:13,880 --> 00:32:17,280
fallout.
And you could cut 20 minutes of

560
00:32:17,280 --> 00:32:21,240
Dick Little commenting on
people's genitals and would

561
00:32:21,240 --> 00:32:23,320
height and him and their
hijinks.

562
00:32:23,360 --> 00:32:25,280
And I understand that it's for
Jesse.

563
00:32:25,600 --> 00:32:28,600
It's kind of the inciting
incident that that sends him on

564
00:32:28,600 --> 00:32:32,600
his murder spree that remind,
you know, it's like when Robert

565
00:32:32,600 --> 00:32:35,600
De Niro has everybody killed and
Goodfellas after the Lufthansa

566
00:32:35,600 --> 00:32:37,160
heist.
It's it's like that except

567
00:32:37,160 --> 00:32:41,320
stretched out for 45 minutes.
And I just feel like if there's

568
00:32:41,320 --> 00:32:44,760
a stretch of the movie that
needs tightened up drastically,

569
00:32:45,040 --> 00:32:47,400
it's that stretch of the movie.
I thought when he went and

570
00:32:47,400 --> 00:32:50,680
visited Garrett Delahunt,
whatever his name in the movie

571
00:32:50,680 --> 00:32:53,920
is, you know, the guy that's
like living by himself and looks

572
00:32:54,160 --> 00:32:57,040
hollowed out and is terrified
when Jesse comes.

573
00:32:57,040 --> 00:32:59,560
And man, that's incredible
stretch.

574
00:32:59,560 --> 00:33:01,600
It's so good.
It's like one of the best 10

575
00:33:01,600 --> 00:33:03,000
minute stretches of the whole
movie.

576
00:33:03,320 --> 00:33:07,960
But Paul Schrader getting
stuffed into a small, what's

577
00:33:07,960 --> 00:33:11,360
that?
Ed Miller, the Dick little

578
00:33:11,360 --> 00:33:14,400
character getting stuffed in a
closet repeatedly and found by

579
00:33:14,400 --> 00:33:17,120
people is just.
We needed to move that along a

580
00:33:17,120 --> 00:33:19,200
little bit, Brad.
Agree.

581
00:33:19,480 --> 00:33:23,080
And that's the that's the
problem is the the film wants to

582
00:33:23,080 --> 00:33:27,800
have a tone like a capital TI am
an artiste.

583
00:33:27,800 --> 00:33:31,840
Then I am setting the tone and
then you have Dick little just

584
00:33:31,840 --> 00:33:37,000
running around following his
penis trying to get laid and

585
00:33:37,000 --> 00:33:39,320
you're like.
Country roofs.

586
00:33:40,120 --> 00:33:44,880
I mean, yeah, but jeez, Louise,
does it have anything to do with

587
00:33:44,880 --> 00:33:48,160
Jesse James and Robert and the
coward Robert Ford and the

588
00:33:48,160 --> 00:33:50,920
tension between the no.
What are we doing here?

589
00:33:50,920 --> 00:33:56,480
Man, well I mean it sets like
the I agree 100%.

590
00:33:56,480 --> 00:33:58,760
It can be.
If you're going to cut something

591
00:33:58,760 --> 00:34:02,840
out, you can cut that down to 5
minutes and it sets up that Bob

592
00:34:02,840 --> 00:34:05,640
is a killer because he kills
wood without any sort of

593
00:34:05,760 --> 00:34:10,080
remorse, but you can accomplish
that so much more quickly.

594
00:34:10,520 --> 00:34:14,560
Honestly, cut the entire thing
out and we the audience don't

595
00:34:14,560 --> 00:34:17,000
even know if Dick Little did it
or not.

596
00:34:17,920 --> 00:34:21,000
Tell me that that's not better
because now it sets you up as

597
00:34:21,000 --> 00:34:24,120
like, oh man, I don't know if
Robert Ford is defending an

598
00:34:24,120 --> 00:34:27,639
innocent or you know, I guess
wood height isn't necessarily

599
00:34:27,639 --> 00:34:30,199
innocent or guilty.
He's just trying to protect his

600
00:34:30,199 --> 00:34:33,239
father.
So it's like, is he helping the

601
00:34:33,239 --> 00:34:34,639
right person or the wrong
person?

602
00:34:34,639 --> 00:34:36,159
We don't know.
And all of a sudden there's more

603
00:34:36,159 --> 00:34:38,960
ambiguity about it.
And you didn't have 45 minutes

604
00:34:38,960 --> 00:34:40,320
of of Dick.
Little running.

605
00:34:41,159 --> 00:34:43,880
And I think this is this is also
sort of a problem with

606
00:34:44,159 --> 00:34:48,239
revisionist historical drama in
general, where they stick too

607
00:34:48,239 --> 00:34:51,040
close to the actual story
because that's what did happen

608
00:34:51,480 --> 00:34:56,320
in real life.
All that, you know, like they

609
00:34:56,320 --> 00:34:58,720
could, you know, the Kentucky
plantation house and blah blah,

610
00:34:58,720 --> 00:35:01,520
blah, like that did happen to be
wood and Dick and so but it's

611
00:35:01,520 --> 00:35:05,080
also like it's a movie, man.
Like we can take artistic

612
00:35:05,080 --> 00:35:07,120
license also to say this more
quickly.

613
00:35:07,280 --> 00:35:09,240
Why do their names have to be
Wood and Dick?

614
00:35:09,960 --> 00:35:10,760
Come on.
Because.

615
00:35:10,880 --> 00:35:15,120
Because history loves us.
It's it's beautiful, man, having

616
00:35:15,120 --> 00:35:19,320
a character named Dick Little.
It's just it that should have

617
00:35:19,320 --> 00:35:22,320
been like the 5th Anchorman at
the Channel 4 News team.

618
00:35:22,600 --> 00:35:24,040
That's.
Like.

619
00:35:24,760 --> 00:35:25,880
It's it's perfect.
Oh my God.

620
00:35:26,360 --> 00:35:29,440
I do want to end on the street
Dick Little move up a level here

621
00:35:29,480 --> 00:35:31,760
and and get to like our two
leads, though we've touched a

622
00:35:31,760 --> 00:35:33,600
little bit on Brad Pitt's
performance.

623
00:35:33,800 --> 00:35:35,120
I want to talk about Casey
Affleck.

624
00:35:35,200 --> 00:35:39,160
So Affleck is nominated for best
supporting actor at the Academy

625
00:35:39,160 --> 00:35:42,600
Awards, which I, you know, I
think is category fraud.

626
00:35:43,640 --> 00:35:46,800
Jesse is definitely more of a
supporting character than Robert

627
00:35:46,800 --> 00:35:50,600
Ford is here.
And, and again I maybe if this

628
00:35:50,600 --> 00:35:53,560
is the four hour cut, then we
see Casey Affleck getting the

629
00:35:53,560 --> 00:35:56,720
lead actor nomination instead of
the supporting actor nomination.

630
00:35:57,240 --> 00:36:00,680
Brad, I bring this up mostly
because I remember in season 1

631
00:36:00,680 --> 00:36:04,080
you, you found the Casey Affleck
performance to be really

632
00:36:04,080 --> 00:36:06,560
grating.
And I'm wondering if that's

633
00:36:06,560 --> 00:36:09,160
still the case because I thought
he I, for me, I thought he did a

634
00:36:09,160 --> 00:36:14,400
really good job of playing a, a
super insecure 19 year old.

635
00:36:14,400 --> 00:36:18,000
I think when we meet him, who
has worshipped somebody all

636
00:36:18,000 --> 00:36:21,560
through his boyhood, who hasn't
quite reached adulthood yet and

637
00:36:21,560 --> 00:36:26,160
is feigning maturity, and then
to see where he goes at the end

638
00:36:26,160 --> 00:36:30,000
of the movie, I really found the
performance to be excellent.

639
00:36:30,120 --> 00:36:33,360
I do think that like his I'm a
teenager voice.

640
00:36:34,000 --> 00:36:36,840
Sure, that could use some
tweaking, but I thought it was a

641
00:36:36,840 --> 00:36:38,240
good performance overall.
Brad.

642
00:36:39,080 --> 00:36:43,200
Yeah, I I think that Casey does
a really good job here overall,

643
00:36:43,720 --> 00:36:47,160
and this is nothing that he
could have controlled.

644
00:36:47,640 --> 00:36:51,000
He does not look 19.
I think that's one of the

645
00:36:51,000 --> 00:36:54,800
problems is when he's like
scrambling on the floor to keep

646
00:36:54,800 --> 00:36:58,280
the guys from looking at his
Jesse James collection under the

647
00:36:58,280 --> 00:37:01,480
bed.
He looks like a 31 year old

648
00:37:01,480 --> 00:37:05,040
scrambling under the bed trying
to keep them from his like

649
00:37:05,040 --> 00:37:07,520
superhero comic book collection.
That's your point.

650
00:37:07,800 --> 00:37:11,040
Have you seen the meme that go
that's been going around of like

651
00:37:11,400 --> 00:37:15,280
the Penn State offensive line
from like 1988?

652
00:37:15,760 --> 00:37:18,880
And it's, it's like guys staring
at the camera being like, I'm,

653
00:37:19,160 --> 00:37:20,960
you know, Biff Jones or
whatever.

654
00:37:21,280 --> 00:37:24,040
And they look like they're 48
years old, dude.

655
00:37:24,040 --> 00:37:27,320
And this was just in the 80s.
So I can't imagine what a 19

656
00:37:27,320 --> 00:37:29,400
year old in the 1870s looked
like.

657
00:37:29,920 --> 00:37:33,080
The amount of drugs that they
were doing by the time they hit

658
00:37:33,080 --> 00:37:38,320
like 19 or 20 in the 80s, yeah,
it does.

659
00:37:42,320 --> 00:37:44,200
Yeah, I remember people being
mad that.

660
00:37:45,600 --> 00:37:47,960
Frank, I thought you were going
to say I remember doing doing

661
00:37:47,960 --> 00:37:53,640
all those drugs in the 80s.
But it was like, like, because

662
00:37:53,640 --> 00:37:57,120
Frank and Jesse were in their
like, late 30s, early 40s.

663
00:37:57,120 --> 00:38:01,520
I was like, yeah, Frank James
lived through the Civil War as

664
00:38:01,520 --> 00:38:03,960
an adult.
And like, yeah, he might have

665
00:38:03,960 --> 00:38:07,400
only been 44 or whatever, but he
looked like when you see

666
00:38:07,400 --> 00:38:09,800
pictures of him from then, he
looked like he was 60.

667
00:38:09,800 --> 00:38:13,680
Five, yeah.
Speaking of another character, I

668
00:38:13,680 --> 00:38:17,280
wish we had more time with him
'cause he felt like he could

669
00:38:17,280 --> 00:38:21,680
have been a meaningful insight
into Jesse that we just never

670
00:38:21,680 --> 00:38:23,720
got.
Which I mean, like I understand

671
00:38:23,720 --> 00:38:27,080
it's about Robert's point of the
Bob's point of view, but he.

672
00:38:27,080 --> 00:38:29,480
Had to go sell shoes, man.
He had to go sell shoes.

673
00:38:29,920 --> 00:38:33,960
Yeah, that's that's what we all
have to do after we spend 12

674
00:38:33,960 --> 00:38:37,920
years robbing people.
I mean, that's what she it's

675
00:38:37,920 --> 00:38:39,400
shocking because that's what he
did.

676
00:38:40,440 --> 00:38:43,440
It that's wild.
Yeah, he just, I mean, he did

677
00:38:43,440 --> 00:38:45,160
other stuff, but mostly he
ended.

678
00:38:45,160 --> 00:38:46,680
He did.
He became a shoe salesman, did

679
00:38:46,680 --> 00:38:49,800
some other stuff, tried to be
like a lawman, went back to

680
00:38:49,800 --> 00:38:50,880
selling shoes.
Hey.

681
00:38:51,160 --> 00:38:54,040
If that's not a classic, pull
yourself up by your own

682
00:38:54,040 --> 00:38:56,400
bootstraps.
Americana story, literally.

683
00:38:56,800 --> 00:38:57,600
We.
Started on he.

684
00:38:57,600 --> 00:38:59,880
Even sold those bootstraps to
himself.

685
00:38:59,960 --> 00:39:03,840
As petty criminals and now here
we are, entrepreneurs.

686
00:39:03,920 --> 00:39:06,840
What's, what's even more wild is
that, and I mean, I don't know

687
00:39:06,840 --> 00:39:08,800
how much you guys know about
like Wyatt Earp and all that

688
00:39:08,920 --> 00:39:12,720
mythology, but you know, Wyatt
Earp went to Hollywood to be a

689
00:39:12,720 --> 00:39:17,840
basically consultant, right?
Jesse James Junior, the son of

690
00:39:17,840 --> 00:39:21,360
Jesse James who we see in this
film, played Jesse James in the

691
00:39:21,360 --> 00:39:25,320
first two films about Jesse
James in 1921 and 1922.

692
00:39:25,880 --> 00:39:27,040
There you go.
That's why.

693
00:39:27,040 --> 00:39:32,080
Which is, yeah, like is how
close that is basically in time

694
00:39:32,080 --> 00:39:33,320
when you think about it.
Yeah.

695
00:39:34,360 --> 00:39:35,200
And.
Well, dude, I.

696
00:39:35,400 --> 00:39:36,760
I just saw a thing the other
day.

697
00:39:37,400 --> 00:39:43,560
The last widow of a Civil War
vet died in 2020.

698
00:39:43,800 --> 00:39:46,280
Did you guys know this?
Yeah, because she.

699
00:39:46,280 --> 00:39:52,240
Was 17 and married a 90
something year old so that she

700
00:39:52,240 --> 00:39:57,400
would get his civil war
government benefits right.

701
00:39:57,560 --> 00:39:58,800
Right.
Wow.

702
00:39:59,440 --> 00:40:00,680
Wow.
Wildman.

703
00:40:00,680 --> 00:40:01,440
Yeah.
That's like when you.

704
00:40:01,440 --> 00:40:05,440
That's like when you hear that,
like James Polk's grandson is

705
00:40:05,440 --> 00:40:06,800
still alive or something, you
know?

706
00:40:07,000 --> 00:40:10,400
Yeah.
Wait, what is happening, Brad?

707
00:40:10,400 --> 00:40:11,920
Do you know what it is?
This is wild time.

708
00:40:12,360 --> 00:40:13,720
Do you know what else is old
Brad?

709
00:40:14,640 --> 00:40:18,640
What's that, Bob?
Overholt Boom.

710
00:40:18,640 --> 00:40:21,640
Overholt is so old.
I think that what we should do

711
00:40:21,640 --> 00:40:24,400
is let's hit pause here, Brad.
We'll talk a little bit more

712
00:40:24,400 --> 00:40:27,320
about Brad Pitt when we come
back from the break because this

713
00:40:27,320 --> 00:40:30,720
is a very Brad Pitt centric
season on film and whiskey.

714
00:40:31,040 --> 00:40:34,680
And I think that we we've really
seen the different shades of the

715
00:40:34,680 --> 00:40:36,880
Brad Pitt acting experience.
And so I want to pick your

716
00:40:36,880 --> 00:40:40,400
brain. 50 Shades of pit. 50
Shades of pit baby.

717
00:40:40,560 --> 00:40:44,600
New podcast name I call it.
Let's drink this old Overholt.

718
00:40:44,600 --> 00:40:47,000
Brad, what do you say?
Dude, I'm ready.

719
00:40:47,000 --> 00:40:55,200
Let's do it.
All right, so today we are

720
00:40:55,200 --> 00:40:58,840
checking out Old Overholt 4 Year
Rye.

721
00:40:59,240 --> 00:41:02,800
Now, Brad, this is a super
complicated history of old.

722
00:41:03,080 --> 00:41:06,120
And four years old don't
necessarily.

723
00:41:06,560 --> 00:41:10,080
This doesn't jive right.
I mean I guess being as this is

724
00:41:10,080 --> 00:41:14,640
from like the oldest continually
operating distillery in America

725
00:41:15,400 --> 00:41:18,360
or or label in America, it
started in 1810.

726
00:41:19,080 --> 00:41:23,280
Perhaps given the infant
mortality rate back then 4 was

727
00:41:23,280 --> 00:41:24,720
considered old.
You never know.

728
00:41:24,840 --> 00:41:27,280
That's true.
Yeah, that is very true.

729
00:41:28,240 --> 00:41:30,600
Lots of history has been
happening with the old Overholt

730
00:41:30,600 --> 00:41:34,240
brand, which is owned by Santori
now as part of the Jim Beam

731
00:41:34,240 --> 00:41:37,640
portfolio.
So when we tried this in 2020,

732
00:41:37,680 --> 00:41:43,280
the baseline expression was an
80 proof whiskey and then later

733
00:41:43,280 --> 00:41:46,560
in 2020, it looks like I'm
reading off of a website here,

734
00:41:46,880 --> 00:41:50,040
they did a full relaunch of the
brand with a proof change that

735
00:41:50,040 --> 00:41:53,360
upped it to 86 proof.
They also released a bonded

736
00:41:53,360 --> 00:41:56,320
expression, hold, over hold,
bottled and bond, and an over

737
00:41:56,320 --> 00:41:59,440
proof version, the 1:14, which
we've tried on the show before,

738
00:42:00,200 --> 00:42:03,680
but now they've actually gone
back and redone the standard

739
00:42:03,680 --> 00:42:06,360
version again.
Not only is it 86 proof, but it

740
00:42:06,360 --> 00:42:10,160
now carries a four year age
statement, whereas the previous

741
00:42:10,160 --> 00:42:13,080
version was a blend where the
oldest was only three years old.

742
00:42:13,600 --> 00:42:15,640
So there's been tons of
different changes.

743
00:42:15,640 --> 00:42:18,240
I'm kind of glad that we didn't
try them all and we can just

744
00:42:18,240 --> 00:42:21,440
kind of come back to whatever
the standard version of old

745
00:42:21,440 --> 00:42:25,080
Overholt is now.
Brad, suffice it to say, it's

746
00:42:25,080 --> 00:42:28,080
still super affordable because
they only sell it in a one liter

747
00:42:28,080 --> 00:42:30,360
bottle.
And I think Brad, we paid like

748
00:42:30,360 --> 00:42:32,720
$21.00 for it in the state of
Kentucky.

749
00:42:33,000 --> 00:42:37,880
So I'll take that all day, man.
Yeah, this is not an expensive

750
00:42:37,880 --> 00:42:42,000
whiskey.
In Ohio I believe you can get a

751
00:42:42,360 --> 00:42:45,480
750 for 20 bucks.
From where I look.

752
00:42:45,520 --> 00:42:50,320
Up so which is still very
affordable yeah very affordable

753
00:42:50,320 --> 00:42:52,720
whiskey.
I'm going to dive in.

754
00:42:52,720 --> 00:42:59,600
I like the nose on this is it's
all sorts of sweet mint like I I

755
00:42:59,600 --> 00:43:03,040
think about like a gum, like a
sweet mint flavored gum.

756
00:43:04,360 --> 00:43:09,480
There's vanilla frosting on it.
It's not an overly complex nose

757
00:43:09,920 --> 00:43:14,000
that like it doesn't dive into
being very spicy the way I would

758
00:43:14,000 --> 00:43:17,160
want it to, but it's an overall
pleasant nose.

759
00:43:17,160 --> 00:43:21,640
I'll give it a 7 out of 10.
When I was in Korea, I fell in

760
00:43:21,640 --> 00:43:25,680
love with these treats that they
had there that were not quite a

761
00:43:25,680 --> 00:43:27,800
cookie.
It was almost like a a cross

762
00:43:27,800 --> 00:43:29,560
between a sponge cake and like a
shortbread.

763
00:43:29,560 --> 00:43:33,520
It was real chewy and dense and
inside of it, it had a pineapple

764
00:43:33,520 --> 00:43:38,120
filling that was not like, it
wasn't like a donutty jam

765
00:43:38,120 --> 00:43:40,280
filling.
It was like it was sweet but not

766
00:43:40,280 --> 00:43:43,120
overly sweet.
And dude, I ate so many of those

767
00:43:43,120 --> 00:43:46,520
freaking things when I got when
I got home, I was like, we have

768
00:43:46,520 --> 00:43:48,160
to find them.
We ordered them on Amazon.

769
00:43:48,160 --> 00:43:50,520
They're like $30 'cause they had
to ship them from freaking

770
00:43:50,520 --> 00:43:52,640
Korea.
This is that all day.

771
00:43:52,720 --> 00:43:56,600
It's cakey, it's bready.
And I got, when I popped my

772
00:43:56,600 --> 00:44:01,480
bottle, dude, I got 5 minutes of
just uninterrupted pineapple on

773
00:44:01,480 --> 00:44:04,440
the nose of this thing, which I
never ever get on whiskey.

774
00:44:04,840 --> 00:44:08,320
I just put pineapple cake and
pineapple juice all day.

775
00:44:08,640 --> 00:44:12,160
It's like a tiki drink made of
rye. 9 out of 10.

776
00:44:13,640 --> 00:44:15,360
That's all I got to say. 9 out
of 10.

777
00:44:15,360 --> 00:44:20,720
I loved this nose dude.
Wow, yeah, I dude, I'm happy for

778
00:44:20,720 --> 00:44:23,320
you.
I I wasn't like blown away by

779
00:44:23,320 --> 00:44:26,040
anything, but it was good.
Yeah.

780
00:44:26,280 --> 00:44:28,320
I mean, I think for me it was
like, I know that this is

781
00:44:28,320 --> 00:44:32,280
probably not going to be a nine
out of 10W, but I've never

782
00:44:32,280 --> 00:44:35,400
experienced this before, so I
might as well reward it now

783
00:44:35,400 --> 00:44:37,560
before something lets me down
eventually.

784
00:44:38,400 --> 00:44:39,280
Yeah, totally.
Dude.

785
00:44:39,880 --> 00:44:43,120
I I think on the palate, what I
really picked up, that sweet

786
00:44:43,120 --> 00:44:48,200
mint continues to stick around.
It has a nice simple syrup vibe

787
00:44:48,200 --> 00:44:50,920
going on, a nice pleasant
sugariness to it.

788
00:44:51,520 --> 00:44:54,320
The the thing that made it stand
out for me is once again, it

789
00:44:54,320 --> 00:44:56,360
didn't really get spicy on the
palate.

790
00:44:56,880 --> 00:45:01,160
It reminded me, to your credit,
Bob, of like a Lorna Dune

791
00:45:01,160 --> 00:45:06,320
shortbread biscuit type of
flavor.

792
00:45:06,320 --> 00:45:08,600
That was really pleasant.
I liked it.

793
00:45:08,920 --> 00:45:11,960
Once again, not very complex.
I'm going to come down a tiny

794
00:45:11,960 --> 00:45:14,000
bit from the nose.
I'll give it a 6 1/2.

795
00:45:14,320 --> 00:45:17,320
This is this is like a nice
pleasant minty rye.

796
00:45:17,680 --> 00:45:21,040
Yeah, I do think that over the
last couple days, as my bottle

797
00:45:21,040 --> 00:45:23,720
has kind of like gotten
acclimated to being open, a lot

798
00:45:23,720 --> 00:45:25,480
of that pineapple is gone this
time around.

799
00:45:25,480 --> 00:45:28,800
So I'm looking at my notes that
I took from four days ago versus

800
00:45:28,800 --> 00:45:30,720
right now.
It's definitely more in that

801
00:45:30,720 --> 00:45:37,000
minty rye category.
I will say, almost no actual rye

802
00:45:37,000 --> 00:45:40,920
grain on the nose or the palate,
which makes me wonder if this is

803
00:45:40,920 --> 00:45:44,200
more of like a 5149 kind of rye
mash bill.

804
00:45:44,240 --> 00:45:47,080
I'm not entirely sure.
I like it.

805
00:45:47,200 --> 00:45:50,320
It's pleasantly sweet.
It does have that kind of like

806
00:45:50,320 --> 00:45:53,880
spearmint gum thing going on.
There's a hint of fruitiness.

807
00:45:53,880 --> 00:45:57,520
I wouldn't call it pineapple.
I'll come down to a 7 out of 10

808
00:45:57,520 --> 00:46:00,040
here on the pallet, Brad.
The finish is where things kind

809
00:46:00,040 --> 00:46:03,760
of for me fell back into the rye
category.

810
00:46:04,320 --> 00:46:09,680
The mints turned into like a
dill eucalyptus kind of

811
00:46:11,480 --> 00:46:15,360
insinuation I guess.
The shortbread stuck around that

812
00:46:15,360 --> 00:46:20,280
Lorna Dune vibe and the rye
finally kind of stuck the

813
00:46:20,280 --> 00:46:22,480
landing.
I felt like as I let it sit for

814
00:46:22,480 --> 00:46:26,720
a little while and like
remembered what I had drank, I

815
00:46:26,720 --> 00:46:29,120
could taste that rye spice
coming through.

816
00:46:29,120 --> 00:46:31,440
I'm going to come back up from
that 6 1/2.

817
00:46:31,440 --> 00:46:33,200
I'll give it a 7 out of 10 on
the finish.

818
00:46:33,200 --> 00:46:36,360
And I think balance wise, I'm at
a 7 out of 10.

819
00:46:36,640 --> 00:46:38,840
Like, like it's not complex,
it's not bad.

820
00:46:38,840 --> 00:46:44,000
There's a lot of nice pleasant
rye flavors that end with the

821
00:46:44,000 --> 00:46:48,240
rye spice so.
Yeah, I'm, I'm way more

822
00:46:48,240 --> 00:46:50,000
disappointed than I was a couple
days ago.

823
00:46:50,000 --> 00:46:52,400
I'm like changing my scores in
real time here.

824
00:46:52,800 --> 00:46:56,320
I do think that, like, you know,
the finish is pretty good.

825
00:46:56,320 --> 00:46:58,360
It just, I wrote down sweet and
fruity.

826
00:46:58,440 --> 00:47:01,600
I think today I would add minty.
There's a touch of bitterness to

827
00:47:01,600 --> 00:47:02,840
it.
You said eucalyptus.

828
00:47:02,840 --> 00:47:04,600
I started thinking like Vick's
Vapo rub.

829
00:47:04,840 --> 00:47:07,360
There's a little bit of that
like almost medicinal thing

830
00:47:07,360 --> 00:47:09,080
going on at the back end here
too.

831
00:47:09,760 --> 00:47:14,360
Still, for a $20 whiskey, it has
character.

832
00:47:14,560 --> 00:47:18,240
Do I love every note in the the
palette here?

833
00:47:18,480 --> 00:47:21,440
Not necessarily, But like this
could taste a hell of a lot more

834
00:47:21,440 --> 00:47:23,800
bland than it does and I'm glad
it doesn't.

835
00:47:24,280 --> 00:47:27,640
So I'll give it a 7 out of 10
and I'll also go ahead and give

836
00:47:27,640 --> 00:47:33,400
it a 7.5 on value or I'm sorry,
on balance overall, 'cause I

837
00:47:33,400 --> 00:47:36,040
think that the nose definitely
tipped me off into like, well,

838
00:47:36,040 --> 00:47:38,720
this is going to be some
tropical fruits that it didn't

839
00:47:38,720 --> 00:47:42,800
really deliver on overall in
the, you know, the pallet or the

840
00:47:42,800 --> 00:47:45,880
finish.
So 7 1/2 here, Brad, when we get

841
00:47:45,880 --> 00:47:49,320
to value, we tend to judge it by
what we can get in the state of

842
00:47:49,320 --> 00:47:51,080
Ohio.
So if you're correct that

843
00:47:51,080 --> 00:47:54,960
there's a 750 in Ohio for 20
bucks, I would give that like an

844
00:47:54,960 --> 00:47:58,720
8 out of 10 value.
I like the one liter that we got

845
00:47:58,720 --> 00:48:03,520
for $22.00 or whatever, a lot
better than that, but I don't

846
00:48:03,520 --> 00:48:04,800
really think my score is going
to change.

847
00:48:04,800 --> 00:48:08,800
This is not like the the world's
greatest budget whiskey, but

848
00:48:08,800 --> 00:48:12,800
it's a pretty darn good mixer
rye that you can also drink

849
00:48:12,800 --> 00:48:14,560
neat.
I'll give it an 8 out of 10.

850
00:48:14,560 --> 00:48:18,240
I'm right there with you Bob. 8
out of 1020 bucks.

851
00:48:18,720 --> 00:48:21,440
There's some good flavors here.
You can drink it neat.

852
00:48:21,640 --> 00:48:24,440
If you wanted to make a
Manhattan or another ribase

853
00:48:24,440 --> 00:48:30,000
drink that this would work.
I'm coming to out to a 35 1/2

854
00:48:30,000 --> 00:48:33,720
out of 50 Bob.
Yeah, I'm coming out to a 38 1/2

855
00:48:33,720 --> 00:48:35,600
Brad.
So like, this is pretty darn

856
00:48:35,600 --> 00:48:36,920
give.
It a nine out of 10.

857
00:48:37,480 --> 00:48:39,160
I mean.
Let's on the nose.

858
00:48:39,320 --> 00:48:40,800
Let's not split hairs here,
Brad.

859
00:48:40,800 --> 00:48:43,560
Come on.
Look, this is a really

860
00:48:43,560 --> 00:48:46,680
wonderfully cheap expression of
rye whiskey.

861
00:48:46,960 --> 00:48:52,720
If you're looking to try out a
rye on the budget shelf, Old

862
00:48:52,720 --> 00:48:56,000
Overhaul Rye has got your back.
It's 86 proof.

863
00:48:56,320 --> 00:48:58,080
It's got a good amount of
flavor.

864
00:48:58,080 --> 00:48:59,840
It'll let you have a good time
with it.

865
00:48:59,920 --> 00:49:02,480
I'm I'm, I'm in for this.
I would recommend it.

866
00:49:03,040 --> 00:49:05,280
I would too.
We're coming out to a 74 out of

867
00:49:05,280 --> 00:49:08,520
100 or a 37 out of 50 on
average.

868
00:49:09,000 --> 00:49:13,240
Brad in the old Siskel and Ebert
Vane I I would say 2 thumbs up

869
00:49:13,240 --> 00:49:16,440
on this bad boy.
I like this a lot and it's

870
00:49:16,440 --> 00:49:20,280
freaking cheap so you know.
Yeah, pull up a chair with your

871
00:49:20,280 --> 00:49:24,640
friends Wood Height and Dick
Little and grab a bottle of old.

872
00:49:24,640 --> 00:49:28,880
Old Dick and Wood.
Brad, what do you say we rejoin

873
00:49:28,880 --> 00:49:32,320
Zach and get back into talking
about the assassination of Jesse

874
00:49:32,320 --> 00:49:37,680
James by the Coward Robert Ford?
I would love to talk about the

875
00:49:37,680 --> 00:49:40,280
assassination of Jesse James by
the Coward Robert Ford.

876
00:49:40,440 --> 00:49:42,960
With you and Zach.
Let's get to it, man.

877
00:49:47,040 --> 00:49:51,360
All right, that was old Overholt
4 year rye for my taste at

878
00:49:51,360 --> 00:49:54,280
least, Brad, a hell of a budget
rye pour.

879
00:49:54,280 --> 00:49:55,880
I will drink that all day.
Absolutely.

880
00:49:55,880 --> 00:50:01,320
Yeah, yeah, absolutely.
Man, a really beautiful $20

881
00:50:01,320 --> 00:50:04,120
experience.
Brad, it's got me feeling pretty

882
00:50:04,120 --> 00:50:07,120
confident because we have with
us here a guy who has read the

883
00:50:07,120 --> 00:50:11,320
entire script of the four hour
cut of this movie, which bodes

884
00:50:11,320 --> 00:50:14,960
well for our next segment of the
day, which we call 2 Facts and a

885
00:50:14,960 --> 00:50:15,720
Falsehood.
Brad.

886
00:50:16,720 --> 00:50:22,360
Is gonna try to stump you.
Ball 2 are right and what is

887
00:50:22,480 --> 00:50:26,560
wrong?
2 facts and a falsehood. 2 Facts

888
00:50:26,560 --> 00:50:29,240
and a Falsehood is the part of
the show where Brad presents me

889
00:50:29,240 --> 00:50:33,080
with three items as fact about
the making of this movie, one of

890
00:50:33,080 --> 00:50:37,480
which is a complete lie.
Brad, I'm I'm kind of iffy this

891
00:50:37,480 --> 00:50:39,960
season and I'm up and down.
I don't I don't know if I've

892
00:50:40,080 --> 00:50:42,520
even had a two game win streak
yet this season.

893
00:50:42,520 --> 00:50:45,120
So you've definitely been
keeping me on my toes here.

894
00:50:45,120 --> 00:50:47,480
I I'm curious to see how this
one goes.

895
00:50:49,160 --> 00:50:50,960
You.
You don't sound confident in

896
00:50:50,960 --> 00:50:53,440
yourself here man.
I just, I've done this enough to

897
00:50:53,440 --> 00:50:56,960
know where this is going to end.
So Are you ready?

898
00:50:57,960 --> 00:50:59,440
The way you said that, no, I'm
not ready.

899
00:50:59,440 --> 00:51:00,600
I'm going to ask you a question
first.

900
00:51:02,240 --> 00:51:04,120
The way you said that, you sound
so resigned.

901
00:51:04,120 --> 00:51:07,280
You reminded me of Jesse James
at the end of this movie and and

902
00:51:07,280 --> 00:51:11,640
now that makes me wonder in our
relationship, are you more

903
00:51:11,640 --> 00:51:14,320
likely to?
Turn around and Polish this copy

904
00:51:14,320 --> 00:51:16,040
of Tree of Life here for a
minute.

905
00:51:16,040 --> 00:51:18,880
Don't mind me.
Are you more likely to be the

906
00:51:18,880 --> 00:51:23,880
Jesse James or the Robert Ford
of the two of us, bro?

907
00:51:23,960 --> 00:51:27,600
I am obviously Jesse James.
Oh come on, man.

908
00:51:29,920 --> 00:51:32,960
I'm just, I'm just saying our
relationship is pretty, pretty

909
00:51:32,960 --> 00:51:37,880
clear here.
I have always been jealous of

910
00:51:37,880 --> 00:51:42,680
your height and ability to to
snag women, you know, So I'm

911
00:51:42,680 --> 00:51:44,440
just going to, I'm going to be
jealous of you.

912
00:51:44,440 --> 00:51:46,200
I'm going to shoot you in the
back of the head.

913
00:51:46,200 --> 00:51:49,360
What's going to happen, man?
I don't blame you man, you, You

914
00:51:49,360 --> 00:51:53,160
do what you need to do.
The Lord will judge us all.

915
00:51:54,000 --> 00:51:56,320
Hit me with your two facts and a
falsehood, Brad.

916
00:51:57,480 --> 00:52:01,080
Fact number one In reality,
Jesse James suffered from a

917
00:52:01,080 --> 00:52:03,160
syndrome that made him blink
much more than the average

918
00:52:03,160 --> 00:52:04,760
person.
Although it's mentioned at the

919
00:52:04,760 --> 00:52:07,560
start of the film, Brad Pitt
barely blinks during most of his

920
00:52:07,560 --> 00:52:11,640
scenes.
Fact #2 The Ballad of Jesse

921
00:52:11,640 --> 00:52:15,920
James was a folk song based on a
poem written by Stephen Foster,

922
00:52:15,920 --> 00:52:19,320
one of the first popular
songwriters of the 19th century.

923
00:52:20,240 --> 00:52:24,440
Fact #3 When Jesse goes looking
for Jim Cummins, another great

924
00:52:24,440 --> 00:52:29,080
name, he introduced himself as
Dick Turpin, legendary English

925
00:52:29,080 --> 00:52:32,440
rogue and Hwy. robber of the
1730s.

926
00:52:32,440 --> 00:52:35,200
Turpin was romanticized in
English ballads and popular

927
00:52:35,200 --> 00:52:37,520
theater of the 18th and 19th
century.

928
00:52:37,600 --> 00:52:40,080
All right, Zach.
Here's where I'm at with this

929
00:52:40,080 --> 00:52:41,960
one.
I'm pretty sure that you just

930
00:52:41,960 --> 00:52:44,960
said that the Jesse James
blinking thing was bullshit.

931
00:52:45,000 --> 00:52:51,080
So I've got #1 circled multiple
times in red pen.

932
00:52:53,200 --> 00:52:57,000
But just for the sake of good
content here, I think that

933
00:52:57,040 --> 00:53:00,840
number two, I, I've read
something to that effect.

934
00:53:00,840 --> 00:53:03,000
Now I don't remember if it was
Stephen Foster, but I'm pretty

935
00:53:03,000 --> 00:53:06,840
sure that the poem that Nick
Cave performs in the movie as a

936
00:53:06,840 --> 00:53:14,720
song is a real pre-existing poem
or song lyrics #3 I don't know a

937
00:53:14,720 --> 00:53:17,640
thing about Dick Turpin.
I did wonder why, he said.

938
00:53:17,640 --> 00:53:21,200
That that's that's real.
That's definitely yeah.

939
00:53:21,200 --> 00:53:26,320
Dick Turpin is a oh, Noel from
Bake Off.

940
00:53:26,320 --> 00:53:28,400
He just did a show about Dick
Turpin on Apple TV.

941
00:53:28,680 --> 00:53:32,120
It's a very famous, very famous
old highway, all right.

942
00:53:32,120 --> 00:53:35,720
Well, then it kind of sounds
like we're we're taking #1 here

943
00:53:36,440 --> 00:53:40,000
I.
Was just reading all the songs

944
00:53:40,000 --> 00:53:43,440
by Stephen Foster like 2 days
ago.

945
00:53:43,440 --> 00:53:47,800
Don't remember seeing the Ballad
of Jesse.

946
00:53:47,800 --> 00:53:48,760
James song.
Wait a minute.

947
00:53:50,200 --> 00:53:53,800
As it so happens, I was thumbing
through the Great American

948
00:53:53,800 --> 00:53:57,960
Songbook 2 days.
Ago I was I was catching up on

949
00:53:57,960 --> 00:53:59,680
the chord structure of parlor
music.

950
00:53:59,760 --> 00:54:01,680
I know that sounds weird.
Actually.

951
00:54:01,920 --> 00:54:04,920
Yeah, yeah.
You know, the, the progression

952
00:54:04,920 --> 00:54:08,240
from Beethoven's Turkish March
to, you know, Cap town races,

953
00:54:08,360 --> 00:54:13,840
There's a progression there.
But because it threw me, because

954
00:54:13,840 --> 00:54:17,440
it was like I I just looked
through his whole like list and

955
00:54:17,600 --> 00:54:20,440
because he wrote like my old
Kentucky home and Cap on races

956
00:54:20,440 --> 00:54:25,000
and all those things like, and I
don't remember seeing, I think

957
00:54:25,000 --> 00:54:29,920
he was dead already before Jesse
James died because he died

958
00:54:29,920 --> 00:54:33,440
young.
So are we going to?

959
00:54:34,680 --> 00:54:39,840
I I also like it's I positive
that the whole blinking thing

960
00:54:39,840 --> 00:54:44,440
was made-up like it's been it's
a myth that he had that whatever

961
00:54:44,440 --> 00:54:47,160
that condition was.
OK.

962
00:54:47,160 --> 00:54:50,280
Then listen, I'm not we're we
cannot stray from God's truth

963
00:54:50,280 --> 00:54:51,360
here.
I.

964
00:54:52,200 --> 00:54:54,240
Content Bob.
I'm trying to make content.

965
00:54:54,440 --> 00:54:57,880
I'm going to say #1 is the
falsehood and that Zach just

966
00:54:57,880 --> 00:55:01,440
skipped over one page in the
Scott Foster songbook.

967
00:55:01,440 --> 00:55:04,160
Stephen.
Stephen Scott Foster is an NBA

968
00:55:04,160 --> 00:55:05,680
referee.
That's yeah.

969
00:55:06,640 --> 00:55:09,480
He has no songbook.
He has a playbook maybe?

970
00:55:10,360 --> 00:55:11,960
I have so many thoughts here,
guys.

971
00:55:12,960 --> 00:55:17,840
A greatest line in film and
whiskey podcast history.

972
00:55:17,880 --> 00:55:21,640
I was thumbing through Stephen
Foster's song book the other

973
00:55:21,640 --> 00:55:22,880
day.
Really.

974
00:55:22,880 --> 00:55:28,400
Zach and B, That is 2 losses for
you, Bob.

975
00:55:28,520 --> 00:55:31,360
No, now I want to remind you of
two key things.

976
00:55:32,480 --> 00:55:36,400
Key thing #1 When we have a
guest on, it's worth 2 losses if

977
00:55:36,400 --> 00:55:41,120
you lose.
Key thing #2 My facts are lifted

978
00:55:41,120 --> 00:55:51,480
straight from IMDb and I, I just
made-up #2 Zach, you, you nailed

979
00:55:51,480 --> 00:55:53,360
me.
You had me against the wall.

980
00:55:53,360 --> 00:55:56,320
I, you shot me like the coward
Robert Ford.

981
00:55:57,040 --> 00:56:00,480
You had me dead to rights.
Yeah, like I said, he died

982
00:56:00,480 --> 00:56:05,680
before Jesse James did. 100% I
just, I literally googled who

983
00:56:05,680 --> 00:56:10,200
were famous songwriters in the
19th century and it said Stephen

984
00:56:10,200 --> 00:56:13,080
Foster wrote Camptown races.
And I was like, I've heard of

985
00:56:13,080 --> 00:56:15,080
that.
We're using Stephen Foster.

986
00:56:17,280 --> 00:56:18,440
I'm so mad right now.
I'm sorry, Bob.

987
00:56:18,920 --> 00:56:21,400
Zach, listen man, This is why we
bring experts on.

988
00:56:21,760 --> 00:56:26,240
I can say you pick not me and
and you said my hands are clean

989
00:56:26,240 --> 00:56:29,360
my friend.
Well, I I'm it's frustrating

990
00:56:29,360 --> 00:56:31,400
because I caught it too.
Like I caught a lie because I

991
00:56:31,400 --> 00:56:34,120
was like you. 100% caught it,
yeah.

992
00:56:34,680 --> 00:56:35,720
But I was like, but wait a
minute.

993
00:56:36,400 --> 00:56:40,000
If there was ever a time, Bob,
that you deserved both losses,

994
00:56:40,560 --> 00:56:43,920
this is it.
Well, but then he said also I'm

995
00:56:43,920 --> 00:56:46,040
positive that number 1 is a lie,
so.

996
00:56:47,240 --> 00:56:50,280
Well, IMDBI mean.
Yeah, I was going to say, if we

997
00:56:50,280 --> 00:56:53,920
can find conclusive proof that
one is a lie, can I claw back

998
00:56:53,920 --> 00:56:57,360
one of the two losses?
I'll still take the L for being

999
00:56:57,360 --> 00:57:00,800
overconfident.
If if you want to make sure that

1000
00:57:00,800 --> 00:57:05,520
film and Whiskey Nation knows
the truth about Jesse James's

1001
00:57:05,520 --> 00:57:08,720
blinking condition, you can have
that win back, all right.

1002
00:57:08,720 --> 00:57:10,720
Well, it looks like Zach's doing
some research here.

1003
00:57:11,000 --> 00:57:14,280
I'm going to segue us out of
this weird, weird segment that

1004
00:57:14,280 --> 00:57:17,120
we just had and back into
talking about the movie.

1005
00:57:17,400 --> 00:57:21,400
And we left off with Brad Pitt.
Now, Brad, we've just talked

1006
00:57:21,400 --> 00:57:23,520
about Brad Pitt a few weeks ago
in Tree of Life.

1007
00:57:23,520 --> 00:57:26,360
We've had him on the podcast
this season with Inglorious

1008
00:57:26,360 --> 00:57:28,280
Basterds.
I'm sure there's one that I'm

1009
00:57:28,280 --> 00:57:30,840
forgetting as well.
I like that you say we've had

1010
00:57:30,840 --> 00:57:33,720
him on as if he was a guest
talking about.

1011
00:57:34,480 --> 00:57:38,560
And honestly, just today I was
at the movie theater and I saw a

1012
00:57:38,640 --> 00:57:41,760
screening of the movie 7, which
I have never seen in theaters

1013
00:57:41,760 --> 00:57:44,000
before.
Regal Cinemas is doing this cool

1014
00:57:44,000 --> 00:57:46,640
thing this month where they're
showing a new classic movie

1015
00:57:46,640 --> 00:57:49,960
every day and I got to see Brad
Pitt in Seven and it was really

1016
00:57:49,960 --> 00:57:53,520
interesting to see young Brad
Pitt's acting style versus a

1017
00:57:53,520 --> 00:57:56,600
more seasoned Moneyball era Brad
Pitt.

1018
00:57:56,760 --> 00:58:00,800
And watching him here is
interesting too, because he

1019
00:58:00,800 --> 00:58:04,960
hasn't quite gotten on to what I
like to call the post Moneyball

1020
00:58:04,960 --> 00:58:08,080
autopilot that he's been on.
I feel like he's just been

1021
00:58:08,080 --> 00:58:12,000
playing Billy Beane for 13
consecutive years, which still

1022
00:58:12,000 --> 00:58:14,400
works.
I like Brad Pitt, but it's a

1023
00:58:14,400 --> 00:58:18,120
very like there's not a lot of
modulation in the performances

1024
00:58:18,120 --> 00:58:20,160
anymore.
And and I you.

1025
00:58:20,200 --> 00:58:23,480
Know man, he's he's not just
like doing doing Donuts in a

1026
00:58:23,480 --> 00:58:27,240
truck randomly in a parking lot
Once Upon a time in Hollywood.

1027
00:58:28,040 --> 00:58:30,680
That's true.
I I do feel like here, though,

1028
00:58:30,720 --> 00:58:35,040
you still get the kind of last
glimpses of young Brad Pitt

1029
00:58:35,440 --> 00:58:39,760
before, as Zach said before he's
entering fully into daddy Brad

1030
00:58:39,760 --> 00:58:42,120
Pitt territory.
And you have to remember, like

1031
00:58:42,120 --> 00:58:45,200
he's coming off of what, like
Mr. and Misses Smith is probably

1032
00:58:45,200 --> 00:58:47,480
the film that he made just
before this.

1033
00:58:47,840 --> 00:58:51,360
So, I mean, at the height of his
stardom, the, you know,

1034
00:58:51,360 --> 00:58:53,440
Brangelina thing is blowing up
on him.

1035
00:58:53,760 --> 00:58:56,920
He's grappling with tabloid
stuff, and he's making a movie

1036
00:58:56,920 --> 00:59:01,080
about a guy who has been overly
mythologized, who is, you know,

1037
00:59:01,080 --> 00:59:04,720
has the weight of the world upon
him, who can't trust anybody.

1038
00:59:04,960 --> 00:59:08,960
And I think he plays that sort
of hauntedness really

1039
00:59:08,960 --> 00:59:13,240
beautifully here, Brad.
Yeah, Pitt, while I'm with you

1040
00:59:13,240 --> 00:59:18,080
guys, that Casey Affleck feels
like the star of this show, I do

1041
00:59:18,080 --> 00:59:24,280
think that Pitt's fame and
talent on screen is a magnet

1042
00:59:24,280 --> 00:59:26,840
every time he's on the screen.
And it's meant to be that way.

1043
00:59:28,040 --> 00:59:32,400
I think Dominic recognizes that
he needs to allow Pitt's

1044
00:59:32,560 --> 00:59:36,360
presence to play into the
mythology behind him.

1045
00:59:36,560 --> 00:59:39,000
His actions don't really play
into it.

1046
00:59:39,240 --> 00:59:43,080
His madness doesn't really play
into it, but his presence makes

1047
00:59:43,080 --> 00:59:46,720
him feel like this mythological
figure that raises the

1048
00:59:46,720 --> 00:59:48,920
temperature in any room that he
walks into.

1049
00:59:49,320 --> 00:59:53,280
And so I think on that level,
Pitt like knocks it out of the

1050
00:59:53,280 --> 00:59:57,720
park with his brooding deep
intensity whenever he stares

1051
00:59:57,720 --> 01:00:01,960
somebody down.
You can understand why so much

1052
01:00:01,960 --> 01:00:06,640
of literature has kind of this
like great man theory of of

1053
01:00:06,640 --> 01:00:12,280
these these wild men of the
world that like you just quake

1054
01:00:12,280 --> 01:00:13,920
in their presence a little bit.
I think.

1055
01:00:13,920 --> 01:00:18,960
I think Pitt come portrays that
incredibly well.

1056
01:00:19,080 --> 01:00:20,880
Yeah.
Yeah, I think it's interesting.

1057
01:00:21,160 --> 01:00:24,520
Ocean's 13 comes out earlier in
the year, then this is Pitt's

1058
01:00:24,520 --> 01:00:29,520
run. 2007 to 2011.
Assassination of Jesse binge by

1059
01:00:29,520 --> 01:00:32,560
the Carrot rapper Ford Burn
after reading Curious Case of

1060
01:00:32,560 --> 01:00:36,160
Benjamin Button, Glorious
Basterds, Tree of Life,

1061
01:00:36,320 --> 01:00:39,000
Moneyball.
That's a run.

1062
01:00:39,360 --> 01:00:43,800
Yeah, man, that's a great run.
You did forget his one vocal

1063
01:00:43,800 --> 01:00:46,760
performance in I believe the
film Megamind starred Will

1064
01:00:46,760 --> 01:00:48,840
Ferrell.
But we're not going to count

1065
01:00:49,080 --> 01:00:50,200
that.
We're just going to skip over

1066
01:00:50,200 --> 01:00:50,840
that one.
And.

1067
01:00:51,920 --> 01:00:53,120
Run credit.
Everybody gets one.

1068
01:00:53,400 --> 01:00:56,640
Everybody gets one, Peter He.
He he also narrated a World War

1069
01:00:56,640 --> 01:01:00,200
2 documentary, Dinner, as well.
That balances out, right?

1070
01:01:00,760 --> 01:01:03,240
And then, after Moneyball, happy
feet, too.

1071
01:01:03,840 --> 01:01:06,840
Oh yeah, see, we will count that
one that ends the run.

1072
01:01:07,240 --> 01:01:10,160
Fury.
Fury was somewhere in there 20.

1073
01:01:10,160 --> 01:01:13,000
14 Yep.
Yeah, Brad, you know, we were

1074
01:01:13,000 --> 01:01:15,960
joking about 50 Shades of Pit.
Literally weird daddy and fury.

1075
01:01:16,480 --> 01:01:18,520
That's true.
Before we went to break, we were

1076
01:01:18,520 --> 01:01:23,120
joking about 50 Shades of Pit.
I have developed a significant

1077
01:01:23,120 --> 01:01:28,080
level of respect for the
variations on the Brad Pitt, you

1078
01:01:28,080 --> 01:01:31,000
know, mythos that Brad Pitt is
able to evoke.

1079
01:01:31,520 --> 01:01:33,240
And it's kind of like Tom Cruise
a little bit.

1080
01:01:33,240 --> 01:01:35,200
But I think there's even
something maybe more subtle

1081
01:01:35,200 --> 01:01:37,160
going on there than there is
with Tom Cruise.

1082
01:01:38,480 --> 01:01:41,000
Yeah, from from one end of the
spectrum where he can play

1083
01:01:41,000 --> 01:01:44,440
broad, goofy comedy, like a Burn
After reading to something

1084
01:01:44,440 --> 01:01:47,840
that's really quiet and subtle
like a tree of Life.

1085
01:01:48,440 --> 01:01:50,720
You know, I think this falls
definitely closer to that end of

1086
01:01:50,720 --> 01:01:52,960
the spectrum.
But he's lived on that end of

1087
01:01:52,960 --> 01:01:58,160
the spectrum for so long, and
for him to not make every single

1088
01:01:58,160 --> 01:02:01,600
performance feel like a carbon
copy of each other is really a

1089
01:02:01,600 --> 01:02:04,320
sign of what a good and subtle
actor he can be.

1090
01:02:04,320 --> 01:02:08,960
Yeah, yeah.
I man, my, do you want to know

1091
01:02:08,960 --> 01:02:13,520
where my brain went?
I completely off the rails.

1092
01:02:13,520 --> 01:02:16,040
You talked about Tom Cruise and
my heart started fluttering a

1093
01:02:16,040 --> 01:02:17,200
little bit.
Of course.

1094
01:02:17,200 --> 01:02:21,480
I really want now that Tommy's
done with the Mission Impossible

1095
01:02:21,480 --> 01:02:29,320
franchise, I want him to have
like a like a late era Paul

1096
01:02:29,320 --> 01:02:34,080
Newman, just like killer movie
that you're like, how did we get

1097
01:02:34,080 --> 01:02:38,960
this, the most charismatic being
of our generation in a film like

1098
01:02:38,960 --> 01:02:43,880
this at like 74 years old?
Well, you know, for most of his

1099
01:02:43,880 --> 01:02:47,760
career, especially since he
turned 40, I would say Pitt has

1100
01:02:47,760 --> 01:02:50,360
been kind of talked about the
way we talk about Clooney as

1101
01:02:50,360 --> 01:02:53,760
like this generation's Cary
Grant and how he seems to have

1102
01:02:53,760 --> 01:02:56,920
modeled his career that way.
Everyone has always linked Brad

1103
01:02:56,920 --> 01:02:59,400
Pitt and Robert Redford.
And I think that, you know, we

1104
01:02:59,400 --> 01:03:02,360
just found out today that Robert
Redford passed away at 89.

1105
01:03:03,160 --> 01:03:06,680
Absolute legend.
And I, I've always found Pitt to

1106
01:03:06,680 --> 01:03:11,280
be this interesting mash up of
Redford's career and Paul

1107
01:03:11,280 --> 01:03:13,120
Newman's career.
I think your your point about

1108
01:03:13,120 --> 01:03:16,840
Paul Newman is really spot on,
man, because as he's gotten

1109
01:03:16,840 --> 01:03:20,600
older, the roles he's taken on
remind me more of late era

1110
01:03:20,600 --> 01:03:22,800
Newman than they do of late era
Redford.

1111
01:03:23,160 --> 01:03:25,560
But then he, you know, Pitt is
also doing a ton of stuff behind

1112
01:03:25,560 --> 01:03:26,920
the camera.
He's got his own production

1113
01:03:26,920 --> 01:03:29,240
company.
He's been nominated for and won

1114
01:03:29,240 --> 01:03:32,840
Oscars as producer.
So he's got his hand in a lot of

1115
01:03:32,840 --> 01:03:35,320
things.
But I look back on a guy like

1116
01:03:35,320 --> 01:03:38,120
Robert Redford.
And as much as I love Redford, I

1117
01:03:38,120 --> 01:03:43,560
think Pitt as an actor to me has
always been able to take it to

1118
01:03:43,560 --> 01:03:49,680
one more level of I am.
I can go beyond my movie stardom

1119
01:03:49,960 --> 01:03:54,360
to a point where my performance
is kind of commenting on my

1120
01:03:54,360 --> 01:03:57,000
stardom.
It's a it's a level of meta that

1121
01:03:57,000 --> 01:03:59,560
I don't think Redford really
ever dabbled in the way that

1122
01:03:59,560 --> 01:04:02,960
even someone like a Newman did.
It's like a like a Birdman.

1123
01:04:04,360 --> 01:04:06,960
Yes, yeah, Zach, I'd love to
hear your thoughts on that,

1124
01:04:06,960 --> 01:04:10,240
though.
Yeah, I think that's pretty

1125
01:04:10,280 --> 01:04:12,960
valid.
I mean, I love Redford to death,

1126
01:04:12,960 --> 01:04:17,400
but he made some baffling
choices in the 80s, you know

1127
01:04:18,160 --> 01:04:19,480
being.
We all, Zach.

1128
01:04:19,840 --> 01:04:22,360
Yeah, like I've.
Established.

1129
01:04:22,360 --> 01:04:23,560
Already.
Yeah, yeah, yeah.

1130
01:04:24,920 --> 01:04:27,280
You know, he did that film with
Michelle Pfeiffer where he's

1131
01:04:27,280 --> 01:04:29,360
like, you know, 30 years older
than her.

1132
01:04:29,360 --> 01:04:32,640
And there were a couple.
And he did that film with Daryl

1133
01:04:32,640 --> 01:04:36,360
Hannah and Deborah Winger, same
sort of thing.

1134
01:04:36,360 --> 01:04:40,560
And, you know, those movies were
pretty bad even for 80s

1135
01:04:40,560 --> 01:04:45,920
standards.
But also, I mean, Redford was a

1136
01:04:45,920 --> 01:04:47,320
producer.
I mean, what he did with

1137
01:04:47,320 --> 01:04:50,120
Sundance and all that, Like he
was, he was a film guy.

1138
01:04:50,120 --> 01:04:54,120
And I think when you look at
Newman, like Newman was a stage

1139
01:04:54,120 --> 01:04:57,960
guy, like what he did with
Joanne Woodward, you know, like

1140
01:04:58,040 --> 01:05:00,880
really bringing people into the
theater so they could come up

1141
01:05:01,000 --> 01:05:04,960
then into film, you know, so,
so, so many people.

1142
01:05:05,680 --> 01:05:09,760
I feel like Pitt does that more
with his production company Plan

1143
01:05:09,760 --> 01:05:15,800
B, because he produces so many
TV shows and so many movies that

1144
01:05:15,800 --> 01:05:19,760
it's really incredible.
Not to say that Tom Cruise

1145
01:05:19,760 --> 01:05:22,400
doesn't, but Tom Cruise
definitely has that.

1146
01:05:23,160 --> 01:05:26,320
Like what do you still doing
this in your 50s, sixties for

1147
01:05:26,840 --> 01:05:30,720
kind of vibe like Redford was in
the like mid to late 80s, early

1148
01:05:30,720 --> 01:05:34,000
90s.
You know, a decent proposal with

1149
01:05:34,000 --> 01:05:36,880
Woody Harrelson, Demi Moore in
their 30s and him in his like

1150
01:05:37,160 --> 01:05:41,040
mid 60s in the 90s.
Like that kind?

1151
01:05:41,040 --> 01:05:42,160
Of.
Reminds me of Cruise.

1152
01:05:42,160 --> 01:05:45,920
If you put if you put Brad Pitt
in that movie today and you

1153
01:05:45,920 --> 01:05:49,560
know, freaking Adam Driver and
Scarlett Johansson or somebody.

1154
01:05:50,080 --> 01:05:53,200
And yeah, but I'm just.
Saying Pitt doesn't have to pay.

1155
01:05:53,800 --> 01:05:56,360
That's dude, that's.
All I'm saying, all I can think

1156
01:05:56,360 --> 01:06:00,840
about right now is network in in
network when the whole movie,

1157
01:06:00,840 --> 01:06:04,800
they're calling these like 67
year old men, middle-aged.

1158
01:06:05,520 --> 01:06:07,120
Yeah, right.
Yeah, yeah.

1159
01:06:07,600 --> 01:06:10,040
That's like a major point of
yours in that episode, Brad.

1160
01:06:10,040 --> 01:06:11,920
You're like, where's the middle
of middle age?

1161
01:06:11,920 --> 01:06:14,560
Network Network is a 10 out of
10 movie.

1162
01:06:15,000 --> 01:06:17,800
I don't know if it understands
what middle-aged is.

1163
01:06:18,280 --> 01:06:22,560
Like we we do have to be
barreling towards a pit and Cruz

1164
01:06:22,560 --> 01:06:25,840
re team up just because of the
interview with the vampire stuff

1165
01:06:26,360 --> 01:06:29,520
and the fact that that was
successful, especially for Cruz,

1166
01:06:29,520 --> 01:06:33,600
like that was him like really
sort of breaking out of that.

1167
01:06:33,600 --> 01:06:37,480
Like you're just a good looking,
fun, funny guy.

1168
01:06:37,480 --> 01:06:39,840
You know, like obviously I'm
born on the 4th of July before

1169
01:06:39,840 --> 01:06:43,440
that Rain Man, but he was always
sort of the Dick.

1170
01:06:45,160 --> 01:06:47,400
And then he does interview with
a vampire where people take him

1171
01:06:47,400 --> 01:06:51,800
seriously as a character actor a
little bit, which then puts him

1172
01:06:51,800 --> 01:06:53,480
on a run.
That's insane, because then he

1173
01:06:53,480 --> 01:06:56,520
does Mission Impossible, Jerry
Maguire as wise shut Mingolia

1174
01:06:57,160 --> 01:07:01,240
like back-to-back, which is, you
know, for insane.

1175
01:07:02,760 --> 01:07:05,400
And then Mission Impossible 2
and it's like, oh, OK, we're

1176
01:07:05,400 --> 01:07:08,120
going to reset now.
And then Vanilla Sky.

1177
01:07:08,920 --> 01:07:11,440
Oh man, no, but.
Then Minority Report.

1178
01:07:11,640 --> 01:07:13,560
Yeah, it bounces back
eventually, right?

1179
01:07:13,560 --> 01:07:15,680
So, yeah, yeah, yeah, yeah.
Guys, I think this is actually

1180
01:07:15,680 --> 01:07:17,480
now that we're just naming
movies at each other.

1181
01:07:17,480 --> 01:07:20,320
I think this is actually a
really good point in the podcast

1182
01:07:20,320 --> 01:07:22,880
for us to get into our last
segment of the day, which we

1183
01:07:22,880 --> 01:07:26,240
call let's make it a double.
We're near the end of the

1184
01:07:26,320 --> 01:07:29,600
episodes of Things, listening to
the film and Whiskey Show.

1185
01:07:30,040 --> 01:07:31,560
Let's pair another film with
this one.

1186
01:07:31,560 --> 01:07:33,840
Even if it's struggling.
It's the final segment of the

1187
01:07:33,840 --> 01:07:35,280
day.
Now let's make it a double.

1188
01:07:35,600 --> 01:07:38,800
Let's Make It a Double is where
we pick a movie to pair up with

1189
01:07:38,800 --> 01:07:41,160
this one to make the perfect
double feature.

1190
01:07:41,600 --> 01:07:43,960
Guys, I'm going to jump in and
give mine first here because

1191
01:07:44,080 --> 01:07:45,800
I've been thinking about it all
day here.

1192
01:07:46,520 --> 01:07:49,680
And Brad, you alluded to the
Movie Network, and one of the

1193
01:07:49,680 --> 01:07:53,000
films that I recently saw at
Regal in their lineup was Dog

1194
01:07:53,000 --> 01:07:56,720
Day Afternoon, a movie that I
have not revisited since we

1195
01:07:56,720 --> 01:07:58,680
watched it for the podcast.
I freaking love Dog Day

1196
01:07:58,680 --> 01:08:03,080
Afternoon.
And I forgot how the like the

1197
01:08:03,200 --> 01:08:07,160
slow reveals about Al Pacino's
character of Sonny in that movie

1198
01:08:07,160 --> 01:08:09,480
happen.
And in the first hour of it,

1199
01:08:09,480 --> 01:08:15,080
it's really a movie about the
interplay between crime and

1200
01:08:15,080 --> 01:08:18,520
media and people's desire to be
in the spotlight.

1201
01:08:19,920 --> 01:08:22,359
And I'd say all that to say,
that's not even the movie I'm

1202
01:08:22,359 --> 01:08:24,800
picking.
But it made me think about how

1203
01:08:24,800 --> 01:08:27,279
this is like a a sub genre of
movie.

1204
01:08:27,680 --> 01:08:31,200
And I recently revisited a movie
that I can't wait for us to.

1205
01:08:31,240 --> 01:08:34,840
Men in tights.
Yes, I can't wait for us to get

1206
01:08:34,840 --> 01:08:36,640
to this actual movie on the
show, Brad.

1207
01:08:36,640 --> 01:08:37,920
Hopefully in the next season or
two.

1208
01:08:37,920 --> 01:08:42,640
I'm I'm going to pick 1967's
Bonnie and Clyde, which is one

1209
01:08:42,640 --> 01:08:47,359
of the most revolutionary movies
in the history of American

1210
01:08:47,359 --> 01:08:49,600
cinema.
From the way it's edited and

1211
01:08:49,600 --> 01:08:53,399
shot to how shocking the
violence and sex is in that

1212
01:08:53,399 --> 01:08:57,240
movie to the point where like
you know, the the ending barrage

1213
01:08:57,240 --> 01:09:01,520
of violence feels like you are
just hurtling towards this

1214
01:09:01,520 --> 01:09:04,399
almost anti climax.
And then Bonnie and Clyde are

1215
01:09:04,399 --> 01:09:06,600
killed and the movie cuts to
black and it's over.

1216
01:09:06,640 --> 01:09:09,319
And it reminded me so much of
spoiler alert.

1217
01:09:09,319 --> 01:09:12,399
Yeah, I know, right?
It's almost like calling your

1218
01:09:12,399 --> 01:09:14,520
movie The Assassination of Jesse
James.

1219
01:09:14,800 --> 01:09:19,359
It reminded me so much of how
this movie ends, but how much

1220
01:09:19,359 --> 01:09:24,319
the Bonnie and Clyde story was
about two bumbling idiots who

1221
01:09:24,319 --> 01:09:29,760
were just horned up and wanting
to like live in the fast lane

1222
01:09:29,760 --> 01:09:35,399
and how America mythologized
them into being these ingenious

1223
01:09:35,399 --> 01:09:38,279
bank robbers and they were
constantly in love with the

1224
01:09:38,279 --> 01:09:40,200
image that was being created for
them.

1225
01:09:40,479 --> 01:09:43,120
And yet the real people behind
that were nothing like it.

1226
01:09:43,399 --> 01:09:46,040
It was such a fascinating
treatise on that and and this

1227
01:09:46,040 --> 01:09:49,840
movie I think relies heavily on
the legacy of Bonnie and Clyde.

1228
01:09:49,840 --> 01:09:51,080
So I think it's a perfect match
up.

1229
01:09:51,120 --> 01:09:53,640
Excellent choice.
It also gave us Gene Wilder.

1230
01:09:54,000 --> 01:09:55,880
Yeah.
And Gene Hackman.

1231
01:09:56,480 --> 01:10:00,880
And Gene Hackman, the two genes.
There you go, Gene Squared.

1232
01:10:01,880 --> 01:10:05,280
That's a great choice, man.
That's that's an interesting

1233
01:10:05,280 --> 01:10:07,720
film for sure.
And it's a great way to like

1234
01:10:07,720 --> 01:10:09,800
just keep that same mythos track
going.

1235
01:10:09,800 --> 01:10:11,200
That's really, really good
choice.

1236
01:10:12,360 --> 01:10:16,200
I think for me, I am going to
focus on the characters within

1237
01:10:16,200 --> 01:10:21,840
the story and I think that with
my Let's make it a Double, we're

1238
01:10:21,840 --> 01:10:25,160
going to follow Big Little into
into Parks and Rec.

1239
01:10:28,040 --> 01:10:29,600
Yes, that's the same actor I
forgot about.

1240
01:10:29,600 --> 01:10:32,160
That hey, by the way, not the
first time Paul Schrader has

1241
01:10:32,160 --> 01:10:33,960
been on this podcast.
Brad, do you remember where

1242
01:10:33,960 --> 01:10:39,120
we've seen him before?
Give me a year he 2000 in the

1243
01:10:39,120 --> 01:10:43,840
movie. 2005, 2006 Elizabeth.
Town.

1244
01:10:44,040 --> 01:10:46,720
Yes, he was the cousin who
played drums in Elizabeth.

1245
01:10:46,840 --> 01:10:50,120
I pulled that so far out of
where the sun don't shine.

1246
01:10:52,200 --> 01:10:55,360
Another perfect film, Brad, but
please proceed.

1247
01:10:58,520 --> 01:11:01,320
So for my Let's Make It a
Double, I'm going to focus on

1248
01:11:01,320 --> 01:11:03,920
the characters inside the movie.
I think you should watch The

1249
01:11:03,920 --> 01:11:07,160
Assassination of Jesse James by
the Coward Robert Ford first

1250
01:11:07,680 --> 01:11:11,600
because the narrating main
character starts off in a place

1251
01:11:11,600 --> 01:11:15,320
of love and ends in a place of
hate, and the movie I'm going to

1252
01:11:15,320 --> 01:11:18,120
pair it with starts in a place
of hate and moves to a place of

1253
01:11:18,120 --> 01:11:19,720
love.
I think you should watch

1254
01:11:19,720 --> 01:11:21,880
Amadeus.
There's a ton of Amadeus in this

1255
01:11:21,880 --> 01:11:23,440
movie.
For sure, yeah.

1256
01:11:23,880 --> 01:11:27,120
I, I think following that
pattern of like Salieri starts

1257
01:11:27,120 --> 01:11:30,320
in a place of hatred towards
Mozart and jealousy and rage.

1258
01:11:30,600 --> 01:11:34,640
And by the end of it, he has
this like, it's not even like a

1259
01:11:34,640 --> 01:11:38,400
begrudging respect.
It's like a weird fanatical,

1260
01:11:38,720 --> 01:11:42,360
like obsession with him that I
just.

1261
01:11:42,360 --> 01:11:46,000
I, I think that that interplay
between the two movies would be,

1262
01:11:46,160 --> 01:11:47,920
would be really interesting.
Yeah.

1263
01:11:47,960 --> 01:11:50,560
I mean, he turns Mozart into his
God, yeah.

1264
01:11:50,560 --> 01:11:51,440
Exactly.
I mean.

1265
01:11:51,960 --> 01:11:55,040
Yeah, which is ridiculous, but
poignant.

1266
01:11:55,520 --> 01:11:57,600
So I mean maybe, maybe the
opposite would be better.

1267
01:11:57,600 --> 01:12:01,160
Start off with hatred, move
towards idolizing, go to

1268
01:12:01,160 --> 01:12:03,400
idolizing, make yourself an idol
and die.

1269
01:12:06,080 --> 01:12:09,160
The way we all have to the path
we all have to find where we

1270
01:12:09,160 --> 01:12:12,120
don't have Moses.
No, that's good as well.

1271
01:12:12,120 --> 01:12:14,160
Because it is.
That is a great movie for

1272
01:12:14,320 --> 01:12:18,880
mythologizing as well, you know.
Yeah.

1273
01:12:19,480 --> 01:12:21,880
You know, I mean, just
notoriously one of the most

1274
01:12:21,880 --> 01:12:25,360
historically inaccurate films
after what Braveheart probably,

1275
01:12:26,720 --> 01:12:29,160
but effective.
Like goes back to the point with

1276
01:12:29,360 --> 01:12:32,800
Dick and Wood hi in this film
where it's like, take some

1277
01:12:32,800 --> 01:12:34,880
artistic license and move this
along.

1278
01:12:35,800 --> 01:12:39,360
I just really wish that Casey
Affleck had picked up the pistol

1279
01:12:39,680 --> 01:12:43,280
that Brad Pitt gets him and
looks at and goes the nickel.

1280
01:12:44,680 --> 01:12:47,080
It shines in the light.
Perfect little piccolo.

1281
01:12:47,160 --> 01:12:52,240
Yeah, perfect dude.
That's good.

1282
01:12:54,560 --> 01:12:58,480
I'm going to go back to the
1980s, gentlemen.

1283
01:12:59,520 --> 01:13:01,480
So I actually grew up on this
movie.

1284
01:13:01,480 --> 01:13:05,760
It's called The Long Riders and
it's Walter Hill Western.

1285
01:13:06,520 --> 01:13:11,640
And it had, it's actually, it
had a gimmick which a lot of

1286
01:13:11,640 --> 01:13:14,200
people didn't like at the time,
but I think works amazingly.

1287
01:13:14,920 --> 01:13:19,000
All the brothers from the the
James younger game and all the

1288
01:13:19,000 --> 01:13:21,560
people are all played by actual
brothers.

1289
01:13:21,840 --> 01:13:25,760
So the James are James Keach and
Stacey Keach.

1290
01:13:26,120 --> 01:13:28,480
The Millers are Dennis Quaid and
Randy Quaid.

1291
01:13:28,760 --> 01:13:31,120
The Youngers are David Keith and
Robert Carradine.

1292
01:13:31,120 --> 01:13:33,360
And the Fords are Christopher
Guest and Nicholas Guest.

1293
01:13:33,920 --> 01:13:36,600
And like, oh wow, Christopher
Guest like that Christopher

1294
01:13:36,600 --> 01:13:40,600
Guest.
And so what's great about this

1295
01:13:40,600 --> 01:13:44,200
film is this film covers like
everything from kind of the end

1296
01:13:44,200 --> 01:13:49,480
of the Civil War to basically
where assassination starts.

1297
01:13:50,040 --> 01:13:54,600
And so it the big climax of the
film is the Minnesota robbery

1298
01:13:54,600 --> 01:13:56,400
that went wrong.
We're all everybody gets killed.

1299
01:13:56,400 --> 01:13:58,680
Basically we're Ed Miller's
brother gets killed and the

1300
01:13:58,680 --> 01:14:02,240
Youngers get killed.
And and at the very end is when

1301
01:14:03,280 --> 01:14:08,600
Charlie and Bob come in like to
join the gang and the film tacks

1302
01:14:08,600 --> 01:14:12,120
on like A5 not even 5 minute
like a 2 minute scene where

1303
01:14:12,120 --> 01:14:16,480
Frank comes back to take his
brother's like casket to go be

1304
01:14:16,480 --> 01:14:19,720
buried.
And so they tack tack on like

1305
01:14:19,800 --> 01:14:22,720
the death of Jesse James by the
Coward Robert Ford.

1306
01:14:23,800 --> 01:14:28,440
But that's not the film at all.
The film is sort of them dealing

1307
01:14:28,800 --> 01:14:34,680
with being losers from the
Confederacy in the world and

1308
01:14:35,440 --> 01:14:38,040
resorting to crime.
And he he just sort of like turn

1309
01:14:38,040 --> 01:14:40,840
the movie off there and start
the assassination of Jesse James

1310
01:14:40,840 --> 01:14:43,640
by the Coward Robert Ford.
It is perfect because it is

1311
01:14:43,640 --> 01:14:46,760
picking up and the literally the
next and last robbery they do.

1312
01:14:47,960 --> 01:14:52,000
But again, the brothers make
sense and they actually work in

1313
01:14:52,000 --> 01:14:55,480
this sense, you know, especially
with the Carradines.

1314
01:14:55,720 --> 01:14:58,560
I mean, they were Keaches are
great actors.

1315
01:14:58,560 --> 01:15:00,000
Like these are all really good
actors.

1316
01:15:00,080 --> 01:15:01,440
I'll have to.
Check this movie out, man.

1317
01:15:01,440 --> 01:15:04,360
I like, I've I've never heard of
the movie before, but you've

1318
01:15:04,360 --> 01:15:06,480
sold it to me now.
Especially the Randy Quaid

1319
01:15:06,480 --> 01:15:08,200
anecdote.
That's what really put it over

1320
01:15:08,280 --> 01:15:11,680
over the top for me, man.
So let's let's review here.

1321
01:15:11,800 --> 01:15:14,960
You're picking the long riders.
I am picking Bonnie and Clyde.

1322
01:15:14,960 --> 01:15:16,880
Brad, you are picking what was
it again?

1323
01:15:17,960 --> 01:15:20,280
Amadeus.
Amadeus That's right, a

1324
01:15:20,280 --> 01:15:22,600
quadruple feature for the ages
here, guys.

1325
01:15:22,960 --> 01:15:26,360
Back-to-back to back-to-back
before we move into final

1326
01:15:26,360 --> 01:15:28,400
scores.
We really haven't talked at all

1327
01:15:28,400 --> 01:15:31,360
about Rodger Deakins.
You know, Zach, you've hinted at

1328
01:15:31,360 --> 01:15:34,840
it a couple times.
Deakins is just the goat, man.

1329
01:15:34,880 --> 01:15:38,520
Like, this movie is beautiful.
I think one of the things that I

1330
01:15:38,520 --> 01:15:41,160
wanted to make sure that we
pointed out was the way that

1331
01:15:41,160 --> 01:15:47,040
Deakins uses lenses and panes of
glass for like very specific

1332
01:15:47,040 --> 01:15:51,320
purposes in this movie.
So like, you know, when when

1333
01:15:51,320 --> 01:15:53,840
you're viewing something through
like one of those old tin type

1334
01:15:53,840 --> 01:15:57,080
cameras, like when they're
taking the picture of Jesse

1335
01:15:57,080 --> 01:16:00,160
James's dead body at the end of
the movie, there's that sort of

1336
01:16:00,160 --> 01:16:02,600
distortion along the sides of
the camera.

1337
01:16:02,960 --> 01:16:05,880
But Deacons does that at
multiple points throughout the

1338
01:16:05,880 --> 01:16:08,800
movie, whether it's just like
looking at a landscape or a

1339
01:16:08,800 --> 01:16:12,320
couple times it's like Bob Ford
is looking out the window at

1340
01:16:12,320 --> 01:16:14,440
Jesse's house down at like
Jesse's kids.

1341
01:16:14,440 --> 01:16:17,800
And you get the distortion of
like that old WAVY glass in a

1342
01:16:17,800 --> 01:16:20,120
window.
And I just love the way that

1343
01:16:20,120 --> 01:16:23,440
they insert those shots into the
movie as a way of kind of

1344
01:16:23,720 --> 01:16:27,920
putting you off off kilter a bit
and putting you in a sense of

1345
01:16:27,920 --> 01:16:31,320
like unease.
And also commenting on this idea

1346
01:16:31,320 --> 01:16:35,200
of like, the lenses that we view
these people through are

1347
01:16:35,200 --> 01:16:38,800
distorted by the stories we have
been told about them.

1348
01:16:38,800 --> 01:16:41,640
I just like it.
It never became overbearing for

1349
01:16:41,640 --> 01:16:44,760
me 'cause I think a kind of
visual metaphor like that really

1350
01:16:44,760 --> 01:16:47,840
could be.
But you know, once again, I

1351
01:16:47,840 --> 01:16:49,200
don't know how much we need to
comment on it.

1352
01:16:49,200 --> 01:16:52,320
Brad Rodger Deakins good at
filming things.

1353
01:16:53,120 --> 01:16:56,240
Who who knew what a great
photographer of film.

1354
01:16:56,400 --> 01:16:59,160
Absolutely.
And also, what a year?

1355
01:16:59,240 --> 01:17:02,320
I mean, 2007.
I mean, this is no country for

1356
01:17:02,320 --> 01:17:03,840
old men.
There will be blood.

1357
01:17:04,200 --> 01:17:06,800
This like, super bad.
Like there's so many.

1358
01:17:06,800 --> 01:17:08,960
This was a great, great year for
cinema.

1359
01:17:09,440 --> 01:17:11,840
And Rodger Deakins still loves
this movie The most.

1360
01:17:12,760 --> 01:17:16,000
Yeah, man.
And deacons did No Country and

1361
01:17:16,000 --> 01:17:18,840
this movie in the same year,
which is just.

1362
01:17:18,880 --> 01:17:20,720
That's freaking staggering, man.
Yeah.

1363
01:17:21,720 --> 01:17:25,880
You know what's funny is I just
rewatch No Country and Llewellyn

1364
01:17:25,880 --> 01:17:28,000
is a country rube.
He's one of the dumb asses, just

1365
01:17:28,720 --> 01:17:30,640
like.
Just like watching that movie.

1366
01:17:30,960 --> 01:17:32,760
Can you stop being so goddamn
stupid?

1367
01:17:33,400 --> 01:17:35,760
That's brolin's so good.
I love that movie though man.

1368
01:17:36,040 --> 01:17:38,520
I love that movie so much all.
Right.

1369
01:17:38,520 --> 01:17:41,440
Well, I think on that note, it's
time for us to get into final

1370
01:17:41,440 --> 01:17:44,040
scores here.
I suspect I'm going to be kind

1371
01:17:44,040 --> 01:17:46,640
of in between the two of you.
I've definitely cooled on this

1372
01:17:46,640 --> 01:17:49,840
movie over the years.
I think that it is over long.

1373
01:17:50,200 --> 01:17:52,840
And yet I'm curious about
whether a longer cut of the

1374
01:17:52,840 --> 01:17:55,240
movie may have actually improved
my experience.

1375
01:17:55,680 --> 01:17:58,760
But the cut that we got, it
seems to me that they trimmed

1376
01:17:58,760 --> 01:18:02,200
parts that I would have
preferred to explore more, and

1377
01:18:02,200 --> 01:18:04,360
they left in parts that felt
fatty to me.

1378
01:18:05,200 --> 01:18:08,240
And I think that I'm going to
come down from where I was when

1379
01:18:08,240 --> 01:18:10,400
I saw this movie at like 18 or
whatever.

1380
01:18:10,400 --> 01:18:13,000
And I was like, this is an art
film.

1381
01:18:13,000 --> 01:18:16,040
This is what films are supposed
to be like when they're poetic,

1382
01:18:16,040 --> 01:18:18,200
right?
I've definitely come down a

1383
01:18:18,200 --> 01:18:19,960
step.
I still think overall this is a

1384
01:18:19,960 --> 01:18:22,760
very successful movie.
Brad, I'm going to land an 8 out

1385
01:18:22,760 --> 01:18:26,840
of 10 on this movie.
I, I give this like a four out

1386
01:18:26,840 --> 01:18:31,360
of 10 the first time around.
I don't think it's that bad that

1387
01:18:31,360 --> 01:18:35,840
like I've got, I've kind of
realized in our 5-6 years of

1388
01:18:35,840 --> 01:18:40,600
doing this, like if I'm at under
a six out of 10, we're getting

1389
01:18:40,600 --> 01:18:45,840
into like bad movie territory.
I, I'm going to give this, I

1390
01:18:45,840 --> 01:18:47,920
think you guys have talked me up
a little bit.

1391
01:18:47,960 --> 01:18:49,920
I'll give this a 6 1/2 out of
10.

1392
01:18:50,720 --> 01:18:54,480
It doesn't work for me.
I, I really don't enjoy it that

1393
01:18:54,480 --> 01:18:56,760
much.
I recognize what deacons was

1394
01:18:56,760 --> 01:18:59,920
doing.
I think that the ideas of

1395
01:18:59,920 --> 01:19:03,880
mythologizing and for trying to
create himself into an idol is,

1396
01:19:03,880 --> 01:19:07,240
is interesting.
Probably not enough for me to

1397
01:19:07,240 --> 01:19:09,640
ever return to it.
That's fair.

1398
01:19:10,320 --> 01:19:12,760
I think that's totally fair.
I think if Warner Brothers

1399
01:19:12,760 --> 01:19:14,920
hadn't hacked this movie up in
the edit.

1400
01:19:15,480 --> 01:19:17,680
Yeah.
We would have had like a nine

1401
01:19:17,680 --> 01:19:19,400
out of 10 movie, you know what I
mean?

1402
01:19:19,400 --> 01:19:22,840
Maybe maybe even a 10 out of 10
if you can just be believed.

1403
01:19:23,320 --> 01:19:26,760
I can see the, I can see the
bones of that in this.

1404
01:19:27,000 --> 01:19:30,200
I I just think there's a lot
that needed to be cut and then a

1405
01:19:30,200 --> 01:19:33,800
little expansion on who Robert
Ford was post killing.

1406
01:19:34,200 --> 01:19:36,160
And yeah, this could be a nine
out of 10 movie.

1407
01:19:36,280 --> 01:19:39,360
Yeah, and that's, and I've
actually cut because I read the

1408
01:19:39,360 --> 01:19:42,080
script, it made me come down on
it as well because of what we

1409
01:19:42,080 --> 01:19:46,840
got was so inferior to what we
should have gotten, especially

1410
01:19:46,840 --> 01:19:52,800
that can cut was, you know, this
was so frustrating when a studio

1411
01:19:52,800 --> 01:19:55,720
doesn't believe in what they
have or can't see the forest for

1412
01:19:55,720 --> 01:19:56,960
the trees, however you want to
put it.

1413
01:19:57,000 --> 01:20:02,240
I'm going to give it a 7 1/2.
I think it's, I think I love

1414
01:20:02,240 --> 01:20:04,240
this movie to death and I watch
it once a year.

1415
01:20:04,880 --> 01:20:07,920
But now having read the script,
it's kind of just like, God damn

1416
01:20:07,920 --> 01:20:11,880
this got butchered.
Yeah, man.

1417
01:20:12,120 --> 01:20:13,880
You know, I mean, I'm still
going to keep watching this

1418
01:20:13,880 --> 01:20:15,400
movie.
Don't get me wrong, I love it

1419
01:20:15,960 --> 01:20:18,920
for what it is.
But you know, it's just, it's a

1420
01:20:18,920 --> 01:20:22,320
damn shame this movie isn't what
it should have been.

1421
01:20:22,520 --> 01:20:24,600
Yeah, for sure.
Wow.

1422
01:20:24,600 --> 01:20:26,400
All right.
That's the business, right?

1423
01:20:26,680 --> 01:20:30,720
That's the movie's boys.
Zach Zach is the rare guest that

1424
01:20:30,720 --> 01:20:33,320
picked his movie and then came
in and gave it a 7 1/2.

1425
01:20:33,320 --> 01:20:35,600
You're the guy that we talk shit
about all the time, Zach.

1426
01:20:36,160 --> 01:20:37,480
Like who?
Who would do that?

1427
01:20:37,520 --> 01:20:41,720
It's you, my friend.
Now see if we had finished this

1428
01:20:41,720 --> 01:20:45,480
before I read the script, I was
going to be like 9 all day.

1429
01:20:46,640 --> 01:20:49,000
Wow, that's.
We need to read the script,

1430
01:20:49,280 --> 01:20:50,560
Brad.
Yeah, that's a big.

1431
01:20:50,560 --> 01:20:53,720
Bounce down now, Zach, can you
think of any movies that were

1432
01:20:53,720 --> 01:20:56,200
the opposite happened where you
read the script and you're like,

1433
01:20:57,040 --> 01:21:00,000
how did we get this masterpiece
based on this script?

1434
01:21:00,200 --> 01:21:02,880
Groundhog Day is 1.
OK.

1435
01:21:03,120 --> 01:21:06,760
Because Groundhog Groundhog Day
has this whole subplot, whereas

1436
01:21:06,760 --> 01:21:10,880
he's actually been cursed by an
ex-girlfriend who's a witch, and

1437
01:21:10,880 --> 01:21:13,280
the whole thing is him getting
out of that curse.

1438
01:21:14,280 --> 01:21:20,760
And thankfully Harold Raimi's
got rid of all that to the point

1439
01:21:20,760 --> 01:21:23,640
where they didn't even film it.
There's like, I'm not doing any

1440
01:21:23,640 --> 01:21:24,680
of that.
That's stupid.

1441
01:21:26,560 --> 01:21:29,240
And so, yeah, I mean that's.
That's thank God for that.

1442
01:21:29,920 --> 01:21:31,840
Yeah.
An example of the beauty of the

1443
01:21:31,840 --> 01:21:34,440
director doing the right thing.
Well, there you go.

1444
01:21:35,240 --> 01:21:37,600
All right, Zach, give us a quick
plug.

1445
01:21:37,600 --> 01:21:39,560
What are you guys been working
on at Blackwood and what can we

1446
01:21:39,560 --> 01:21:40,800
expect here in the coming
months?

1447
01:21:40,800 --> 01:21:44,080
And where, crucially, can we
find you to purchase a bottle of

1448
01:21:44,080 --> 01:21:47,000
your delicious juice?
Yeah.

1449
01:21:47,000 --> 01:21:49,520
Thank you guys so much for
having me on again and have let

1450
01:21:49,520 --> 01:21:55,120
me talk about Moses and Brad
Pitt was it's been a delight.

1451
01:21:55,680 --> 01:21:59,680
So Blackwood Distilling Company
or Distilling Co, we based in

1452
01:21:59,680 --> 01:22:02,640
Kentucky, we're available in
Texas, Florida, Wyoming.

1453
01:22:03,160 --> 01:22:07,000
We're about to launch in Nevada
next week, California this

1454
01:22:07,000 --> 01:22:09,160
month.
We're also in DC.

1455
01:22:09,160 --> 01:22:11,240
We're going to be launching in
New York later this year.

1456
01:22:11,240 --> 01:22:13,600
We're going to be launching in
Germany, France and Denmark

1457
01:22:14,240 --> 01:22:17,720
November 1st.
We're launching in Australia

1458
01:22:17,720 --> 01:22:20,320
mid-october.
So I'm going to make sure Andrew

1459
01:22:20,320 --> 01:22:21,480
Tommen gets a.
Puddle.

1460
01:22:23,160 --> 01:22:25,640
They actually have done re
screens of this film several

1461
01:22:25,640 --> 01:22:27,320
times in Australia, including
this year.

1462
01:22:27,800 --> 01:22:30,240
So I I'm going to show up with a
bottle and.

1463
01:22:31,240 --> 01:22:33,840
If you want to, if you want to
really quickly go and that's why

1464
01:22:33,840 --> 01:22:36,560
I think The Assassination of
Jesse James by the Coward Rob

1465
01:22:36,560 --> 01:22:38,400
before it is a 10 out of 10
film.

1466
01:22:38,880 --> 01:22:40,520
We will send that to Andrew.
Donald, do it.

1467
01:22:40,680 --> 01:22:43,120
Do it while holding the bottle,
like right next to your face.

1468
01:22:43,200 --> 01:22:45,760
Yeah.
I I have a feeling he'll agree

1469
01:22:45,760 --> 01:22:49,680
with me that Warner Brothers
butchered his film, but yeah,

1470
01:22:49,680 --> 01:22:51,960
so, yeah, Blackwood.
You can also get it online at

1471
01:22:51,960 --> 01:22:57,360
Bourbon outfitter.com, which we
shipped to 44 states now if you

1472
01:22:57,360 --> 01:22:58,840
happen to be in.
Probably not Ohio.

1473
01:22:59,600 --> 01:23:05,680
Probably not Ohio, working on
Ohio, probably be late 2026 when

1474
01:23:05,680 --> 01:23:10,000
we get in there.
We are working on a big play

1475
01:23:10,000 --> 01:23:13,040
right now with grocery store
chain and if that happens,

1476
01:23:13,480 --> 01:23:17,800
that'll open up more ABC states
that are a bit more closed for

1477
01:23:17,800 --> 01:23:21,200
us just because it's it's
automatic distribution sort of

1478
01:23:21,200 --> 01:23:22,040
thing.
It's great.

1479
01:23:22,040 --> 01:23:25,200
We are the official American
whiskey sponsor of North

1480
01:23:25,200 --> 01:23:28,480
America's 50 best restaurants,
which is part of the world's

1481
01:23:28,480 --> 01:23:32,480
fifty best group.
So we're going to be doing a big

1482
01:23:32,480 --> 01:23:34,600
activation at the win in Vegas
next week.

1483
01:23:34,600 --> 01:23:37,480
You'll see that online.
If you follow them on YouTube or

1484
01:23:37,480 --> 01:23:41,240
Instagram, you'll see us there.
And you know, we're very, we

1485
01:23:41,240 --> 01:23:45,760
have a lot of very good and
hopefully sustainable growth

1486
01:23:45,760 --> 01:23:50,280
because we're we're focusing on
markets that I think are very

1487
01:23:50,280 --> 01:23:51,680
interested in what we're doing.
So.

1488
01:23:52,240 --> 01:23:54,520
But we can't say enough great
things about the brand, man,

1489
01:23:54,760 --> 01:24:00,120
that I've said it before, the
one O 5 rye is like that is that

1490
01:24:00,120 --> 01:24:03,680
is like the platonic ideal of a
film and WW where the price

1491
01:24:03,680 --> 01:24:06,840
point is just right.
The the proof point is right in

1492
01:24:06,840 --> 01:24:09,280
our sweet spot.
You know, Brad and I are both

1493
01:24:09,280 --> 01:24:11,720
lovers of rye as something
different, right?

1494
01:24:11,720 --> 01:24:15,640
And that is just like the notes
that you pick up on that rye are

1495
01:24:15,640 --> 01:24:18,440
among the best that we've tried
in the history of this podcast,

1496
01:24:18,440 --> 01:24:20,600
man.
So yeah, Zach, I got to say

1497
01:24:20,600 --> 01:24:23,920
thank you for your continued
support of the show and thank

1498
01:24:23,920 --> 01:24:27,000
you for joining us today, man.
No, thank you, guys.

1499
01:24:27,000 --> 01:24:29,600
I mean, it's sort of, you know,
we, we can't do what we do

1500
01:24:29,600 --> 01:24:33,200
without, without support.
And I've always, you know, been

1501
01:24:33,200 --> 01:24:36,680
a huge fan of what you guys do
and you're, let's just say

1502
01:24:36,680 --> 01:24:40,360
vercillimitude when discussing
film and whiskey.

1503
01:24:40,760 --> 01:24:44,080
And you know, it's, it's also,
you know, it's just a, it's a

1504
01:24:44,080 --> 01:24:46,120
fun time to always come on here
and talk with you guys.

1505
01:24:46,120 --> 01:24:48,760
And it's always fun to share a
drink as well, for sure.

1506
01:24:48,760 --> 01:24:50,360
Yeah, dude, it's a blessing to
know you.

1507
01:24:50,840 --> 01:24:53,640
Film and Whiskey Nation.
We will be back next week with

1508
01:24:53,640 --> 01:24:57,200
another regularly scheduled
episode, but until then, I'm Bob

1509
01:24:57,200 --> 01:24:59,120
Book.
I'm Brad G.

1510
01:24:59,800 --> 01:25:00,960
And we'll see you next time.

Chief Brand Officer, Blackwood Distilling & Renegade Whiskey Critic

Zach Johnston has lived about five whiskey careers in one lifetime. From Berlin’s high-end bar scene to judging international spirits competitions, Zach brings global expertise to every pour. As the former lead drinks writer at UPROXX, he built one of the most-read whiskey columns on the internet, known for pairing top-tier spirits with pop culture deep dives. Now, he serves as Chief Brand Officer and VP of International Sales for Blackwood Distilling in Kentucky. On Film & Whiskey, Zach’s blend of irreverence, authority, and perfectly off-the-wall pairings has made him a fan favorite, whether he’s sipping Barrell Dovetail during Jojo Rabbit or getting philosophical over Ikiru with a glass of Mossburn.