April 23, 2024

Pirates of the Caribbean: The Curse of the Black Pearl / Sam Houston 15 Year Bourbon

Pirates of the Caribbean: The Curse of the Black Pearl / Sam Houston 15 Year Bourbon
Pirates of the Caribbean: The Curse of the Black Pearl / Sam Houston 15 Year Bourbon
Film & Whiskey
Pirates of the Caribbean: The Curse of the Black Pearl / Sam Houston 15 Year Bourbon

In this high-seas episode of Film & Whiskey, hosts Bob and Brad dive into the adventurous world of "Pirates of the Caribbean: The Curse of the Black Pearl." Join them as they unravel the magic behind one of the most beloved pirate tales of the modern cinema era. Then, set sail into the rich, robust flavors of Sam Houston 15-Year Bourbon—a treasure in its own right. Whether you’re a film buff or a whiskey aficionado, this episode promises to be a voyage worth taking.

0:00 Intro

6:17 Brad Explains the Impact of Pirates on Modern Cinema

11:00 Performances and Themes in "The Curse of the Black Pearl"

30:38 Review of Sam Houston 15 Year Bourbon

40:45 Two Facts and a Falsehood: Pirate Myths vs. Facts

47:46 Final Analysis of the Film and Whiskey

57:58 Let's Make it a Double and Final Scores

Setting Sail with Captain Jack Sparrow - Dive into the swashbuckling world of "Pirates of the Caribbean: The Curse of the Black Pearl." This 2003 blockbuster, directed by Gore Verbinski, revitalized the pirate genre with its thrilling action, witty humor, and memorable characters. Join Bob and Brad as they discuss Johnny Depp's iconic portrayal of Captain Jack Sparrow, the chemistry between Orlando Bloom and Keira Knightley, and the film's innovative use of CGI which brought the supernatural elements to life. From cursed pirates to epic sea battles, explore how this film became a defining moment for Disney and set a new standard for adventure cinema.

Tasting the Legacy of Sam Houston 15 Year Bourbon - After the film review, our hosts taste and critique the Sam Houston 15 Year Bourbon. Known for its complex flavor profile and smooth finish, this Kentucky straight bourbon offers notes of oak, vanilla, and spices. Produced in limited quantities, each batch promises a unique tasting experience, echoing the craftsmanship and spirit of American whiskey making.

Whether you’re revisiting this classic film or exploring it for the first time, this episode offers fresh insights and spirited discussions that will enhance your appreciation for both the movie and the whiskey. Pour yourself a glass, settle in, and enjoy the journey with Film & Whiskey.

Film & Whiskey Podcast. New episodes every Tuesday.

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1
00:00:00,200 --> 00:00:04,600
In 2003, director Gore Verbinski
and star Johnny Depp gave the

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00:00:04,600 --> 00:00:09,040
world a rip roaring adventure
featuring pirates, curses and

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00:00:09,040 --> 00:00:15,640
all sorts of early 2000 CGI.
In 2024, we wonder if a Barton

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00:00:15,640 --> 00:00:17,680
by any other name will smell as
sweet.

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The film is Pirates of the
Caribbean, Curse of the Black

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00:00:21,640 --> 00:00:24,600
Pearl.
The whiskey is Sam Houston 15

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00:00:24,600 --> 00:00:26,880
year bourbon.
And we'll review them both.

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00:00:27,280 --> 00:00:31,160
This is the Film and Whiskey
podcast.

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00:00:49,040 --> 00:00:51,760
Welcome to the Film and Whiskey
podcast, where each week we

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00:00:51,760 --> 00:00:54,600
review a classic movie and a
glass of whiskey.

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00:00:54,960 --> 00:00:57,040
I'm Bob Book.
I'm Brad G.

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00:00:57,600 --> 00:01:00,880
Brad, I am very excited for this
week's movie, which is called

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Pirates of the Caribbean Colon,
the Curse of the Black Pearl.

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00:01:06,360 --> 00:01:08,680
And I'm excited for it, Brad,
for a number of reasons.

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00:01:08,680 --> 00:01:13,680
But this feels like in a lot of
ways, a turning point for this

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00:01:13,680 --> 00:01:16,240
season of the podcast.
And folks, if this is your first

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00:01:16,240 --> 00:01:19,800
episode with us, welcome aboard.
This season, what we're doing is

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we're reviewing movies that were
the highest grossing films of

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each year from 1988 to 2019.
We are in the smack dab in the

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middle of the early 2000s here.
And we've been teasing or I

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guess foreshadowing what is to
come with the Disney and Marvel

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vacation of everything.
And this feels like the first

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real foretaste of what is in
store for us, Brad.

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00:01:44,960 --> 00:01:49,120
But it's also like a really
interesting cross section of a

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movie because there's very
little CGI in this movie

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comparatively, you know, to what
is to come for us.

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Oh yeah.
There's a lot, I mean, there's

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there's hand to hand combat,
there's swashbuckling like it,

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there's old school movie making
here, but it's also a Disney

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film based on Disney IP.
And so it just really feels like

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we're kind of situating
ourselves like at the at the

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apex here and we're going to tip
down into Disneyville from here

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on out.
Brad.

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Yeah.
I mean, the thing that I noticed

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that felt like a foreshadowing
of what was to come was the

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bloodless violence.
This is a incredibly violent

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movie, Bob.
Oh, yeah.

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I mean, they are getting it in
the fight scenes, which I love,

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really, truly enjoyed.
But there's no blood.

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And like when there is, it's
like a, oh, I just pulled my

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sword out of somebody and I'm
cleaning it off, right?

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And it's like very obvious, like
stage blood.

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But there's no actual like,
blood spatters all over the

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decks of these ships, which,
man, these things would be

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painted red because wow, Gore
gets after it in this man.

46
00:03:01,200 --> 00:03:04,800
Yeah, I mean, this is a movie in
which you see people get hit by

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cannonballs.
And fun fact, Brad, I never knew

48
00:03:07,520 --> 00:03:09,920
this about cannonballs.
All they really do is kind of

49
00:03:09,920 --> 00:03:12,720
lift you up off your feet and
carry you across the room.

50
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They don't actually blow you
apart.

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00:03:14,840 --> 00:03:15,880
No, that's it, man.
They're.

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Just transportation devices.
Really somewhat ineffective for

53
00:03:20,280 --> 00:03:22,480
how they're portrayed in most
other films.

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00:03:24,120 --> 00:03:26,320
Oh, man.
OK, let's do this.

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Even before we get into the meat
of our episode here, Brad, I

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want to situate ourselves in the
year of Our Lord 2003, where the

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highest grossing film of the
year was actually The Lord of

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the Rings, The Return of the
King.

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00:03:39,360 --> 00:03:41,360
But we've already reviewed that
film.

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Are you sure we can't review
that again?

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I would be happy to because.
What a movie.

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It's a it's better than this
movie.

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This is a good movie, but like,
come on, folks, it's the Lord of

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the Rings we're talking about
here.

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It.
Sure is.

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00:03:53,720 --> 00:03:57,520
I think this is kind of a good
comparison point to Return of

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the King, though, and and here's
where I was going to go.

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It was a really big deal at the
time this movie was released

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that a Disney movie under the
Disney banner.

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It was not just something Disney
distributed under like Buena

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Vista, which is like their their
like video marketing team or

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Touchstone or anything else that
Disney had their hands in.

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It was a Disney labeled movie
that was PG13 and I remember

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like this is big.
This is new for Disney.

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They never do PG13.
And I think that as you watch

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the movie, there's definitely
like some tension between how

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family friendly this wants to be
and also how violent of a movie

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it is.
And I think you've already kind

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of pinpointed they try to get
around it with the bloodless

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violence.
But I I, I definitely felt that

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tension kind of in the tone of
the movie throughout the whole

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thing.
Brad, do you remember where you

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were when this movie came out?
And I mean, do you remember how

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big of a deal it was that it was
APG 13 movie?

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00:05:03,720 --> 00:05:09,300
No and no.
I am like the best podcast Co

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host you could have.
Asked for?

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Well, that just means you have
to take my word for it, which is

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even better.
There's no questioning my

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knowledge it.
Means that I have to I I will

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because it's not a point I feel.
Strongly about, sure.

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00:05:23,760 --> 00:05:27,000
Yeah, sure.
I mean, I, I remember this movie

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coming out because I saw it in
theaters and thought it was

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freaking rad.
Like this movie ruled in 2003

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and that, and that's in a year
where Return of the King was

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like far and away the best movie
of the year.

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I think everybody still
absolutely loved this movie.

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We've done quite a few movies
from 2003, Brad.

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I mean, we've done Return of the
King, we've done Mystic River.

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What else?
What else came out this year

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that was rad?
The the third Matrix movie that

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people don't really like came
out this year.

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The School of Rock, 2003, baby.
What a year.

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Perfect seven point O movie.
Speaking of perfect Seven Point

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00:06:07,240 --> 00:06:10,080
O movies, let's talk about
Pirates of the Caribbean some

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more, Brad.
And in order to do that, we're

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going to throw over to our first
segment of the day, which we

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00:06:16,000 --> 00:06:19,040
call Brad explains.
Brad's going to give us the

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movie plots with only 60 seconds
ticking on the clock, so let's

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go ahead and hear your take with
this little segment that we

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00:06:25,920 --> 00:06:29,400
call, Brad explains.
Brad Explains is the part of the

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show where Brad breaks down the
plot of the movie that he has

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just seen, often for the first
time.

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Brad, how long has it been since
you last saw Pirates of the

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Caribbean?
I think Haley and I watched it

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00:06:41,920 --> 00:06:46,640
maybe like five or six years
ago, so this is probably my

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third or fourth time watching
the film.

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This is a movie that, you know,
I've watched, I don't know,

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00:06:52,360 --> 00:06:55,120
three of the sequels, 2, and
then kind of gave up.

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I don't think I saw the last one
that came out.

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00:06:57,280 --> 00:07:00,480
But I don't know that I've
actually gone back and watched

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00:07:00,480 --> 00:07:04,280
this movie since 2003.
Like, it's a movie that I've

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always liked and I'm familiar
with, but I literally cannot

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00:07:08,400 --> 00:07:11,160
remember the last time I saw it.
So I think it may have been in

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the theater, you know, 21 years
ago.

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Sheesh, that's a long time, Bob.
Out of all the movies that

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00:07:18,880 --> 00:07:22,840
you've returned to, why is this
not on that list?

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00:07:24,000 --> 00:07:25,680
I don't know.
Hey, man, this is not called

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00:07:25,680 --> 00:07:27,960
Brad interrogates.
This is called Brad explains.

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00:07:27,960 --> 00:07:28,640
What are you doing?
I'm.

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00:07:28,640 --> 00:07:34,040
Just I'm curious, you, Bob, you
return just so many movies.

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00:07:34,280 --> 00:07:37,840
You have movies in your catalog
that you've watched 20 times

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00:07:38,160 --> 00:07:40,560
that are terrible movies like
School of Rock.

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00:07:40,840 --> 00:07:44,040
So what has kept you from
watching Pirates of the

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00:07:44,040 --> 00:07:45,440
Caribbean again?
I don't know.

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00:07:45,440 --> 00:07:48,120
And, and I was really, really
excited to return to it this

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00:07:48,120 --> 00:07:51,440
time because this film has kind
of garnered A reputation over

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00:07:51,440 --> 00:07:54,560
the last ten years or so.
People have really re evaluated

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00:07:54,560 --> 00:07:56,920
Gore Verbinski because it's been
a long time since he's made a

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00:07:56,920 --> 00:08:00,840
movie as, as this great Workman,
like director of the early

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00:08:00,840 --> 00:08:04,000
2000s.
And so I remember loving this

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00:08:04,000 --> 00:08:05,800
film.
I was super pumped to revisit

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00:08:05,800 --> 00:08:07,240
it.
I, I don't think there was ever

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00:08:07,240 --> 00:08:09,080
a reason for me not revisiting
it.

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00:08:09,120 --> 00:08:10,840
It just, you know, just didn't
happen, man.

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00:08:11,160 --> 00:08:15,400
You got to make room for School
of Rock for the 20th time, I

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00:08:15,440 --> 00:08:18,120
guess, man.
All right, before you start your

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00:08:18,120 --> 00:08:21,880
Brat Explain segment here, one
point of clarification, and I

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00:08:21,880 --> 00:08:23,480
think we are in agreement on
this, Brad.

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00:08:24,160 --> 00:08:29,000
The region that they are sailing
around is called the Caribbean.

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00:08:29,040 --> 00:08:32,799
But when you refer to this
movie, you have to say Pirates

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00:08:32,799 --> 00:08:35,440
of the Caribbean.
You cannot call it Pirates of

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00:08:35,440 --> 00:08:38,520
the Caribbean.
Yeah, no, that's that is like

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00:08:38,520 --> 00:08:41,559
not kosher, Yeah.
Now you have to mispronounce it

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00:08:41,559 --> 00:08:45,200
on purpose just because that's
how this movie is pronounced.

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00:08:45,800 --> 00:08:48,800
I don't make the rules though.
Do you want to inform the the

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00:08:49,360 --> 00:08:51,960
listeners about your views on
Reese's?

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00:08:52,760 --> 00:08:54,960
No, there is no views on
Reese's.

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00:08:55,880 --> 00:08:58,800
The man's name was Reese.
He made a peanut buttercup.

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00:08:59,080 --> 00:09:02,320
They added an apostrophe S
Reese's peanut Buttercup.

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00:09:02,800 --> 00:09:05,720
There is no Reese.
He did not make PCs.

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00:09:06,240 --> 00:09:08,280
This is not even a discussion
that needs to be had.

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00:09:08,280 --> 00:09:10,800
I don't understand how people
mispronounce it.

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00:09:11,280 --> 00:09:13,320
I don't know.
It sounds like you want to have

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00:09:13,320 --> 00:09:17,400
a conversation about this, Bob.
Brad, you have one minute on the

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00:09:17,400 --> 00:09:21,320
clock to break down the plot of
Pirates of the Caribbean, The

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00:09:21,320 --> 00:09:24,080
Curse of the Black Pearl, and
go.

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00:09:24,880 --> 00:09:27,520
Pirates of the Caribbean The
Curse of the Black Pearl is a

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00:09:27,520 --> 00:09:32,080
film about pirates.
Who would have thought, Bob?

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00:09:32,800 --> 00:09:36,600
In the Caribbean.
Yeah, they are in the Caribbean.

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This movie follows a trio of
characters played by Johnny

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00:09:42,160 --> 00:09:46,200
Depp, Keira Knightley and
Orlando Bloom, all of whom unite

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00:09:46,200 --> 00:09:53,760
on an adventure to return a lost
Spanish cursed coin to a chest

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00:09:53,760 --> 00:09:56,880
so that a bunch of pirates can
be freed of their curse.

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00:09:58,800 --> 00:10:02,000
And And that's it.
Yeah, I mean, pretty much.

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00:10:02,600 --> 00:10:06,040
Yeah, I, I don't know.
I don't know how to like get,

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00:10:06,480 --> 00:10:09,720
get more granular without really
getting into the weeds.

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00:10:09,720 --> 00:10:10,960
So I think I'll just leave it
there.

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00:10:12,160 --> 00:10:14,440
So I'm not, I'm not going to lie
to you, man.

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00:10:14,640 --> 00:10:16,200
Sometimes when you do, Brad
explains.

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I take that opportunity to check
my phone and make sure I don't,

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00:10:19,320 --> 00:10:21,760
I'm not missing something more
important than Brad explains

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00:10:22,280 --> 00:10:25,800
Rude.
And I typed in my passcode and I

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00:10:25,800 --> 00:10:29,080
had Facebook open and there was
a Facebook ad waiting for me as

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00:10:29,080 --> 00:10:34,400
I scrolled from Peacock TV.
And it's for a new television

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00:10:34,400 --> 00:10:37,400
show called Orlando Bloom to the
Edge.

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00:10:38,280 --> 00:10:41,720
Orlando Bloom goes on a
physical, mental and spiritual

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00:10:41,720 --> 00:10:46,280
journey as he attempts extreme
sports in this Peacock original.

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00:10:46,680 --> 00:10:49,080
Let's go, dude.
And the very first comment

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00:10:49,080 --> 00:10:52,520
underneath that says thank
goodness he can play himself.

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00:10:52,520 --> 00:10:54,880
He certainly can't act as a
different person.

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00:10:59,680 --> 00:11:03,240
And man, oh man, am I grateful
for that comment because that is

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00:11:03,240 --> 00:11:07,040
the perfect jumping off point.
After Brad explains, we usually

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00:11:07,040 --> 00:11:09,280
talk about performances.
I would like to start with

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00:11:09,280 --> 00:11:12,560
Orlando Bloom.
We have seen him now in This is

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00:11:12,560 --> 00:11:15,880
the fifth Orlando Bloom film we
have reviewed on this podcast

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00:11:15,880 --> 00:11:18,360
after The three Lord of the
Rings and Elizabethtown.

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Say, not the worst movie we've
seen him in.

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00:11:22,640 --> 00:11:25,440
But maybe his worst performance.
And I got to be honest with you,

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00:11:25,440 --> 00:11:31,560
man, I as Legolas, he is like
perfectly cast because he has

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00:11:31,560 --> 00:11:34,880
just this this softness to his
demeanor.

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00:11:35,320 --> 00:11:38,440
And he's also like the 11th lead
of that movie.

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00:11:38,560 --> 00:11:41,040
Yeah, there's no personality.
I'm gonna be honest with you

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00:11:41,040 --> 00:11:44,600
dude, Orlando Bloom is not a
good actor and I think it showed

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00:11:44,600 --> 00:11:48,680
up pretty strongly here.
He has great facial hair in this

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00:11:48,680 --> 00:11:54,200
movie but other than that he is
just a walking goatee and it's

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00:11:54,200 --> 00:12:00,200
pretty bad dude.
I am in like 80% disagreement

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00:12:00,200 --> 00:12:01,200
with you.
What?

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00:12:01,760 --> 00:12:04,680
I I think he's like solid in
this movie.

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00:12:04,680 --> 00:12:10,920
I like he is as solid as he can
be because fun fact folks,

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00:12:11,240 --> 00:12:17,080
Orlando Bloom not a good actor.
I think that this movie covers

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00:12:17,080 --> 00:12:24,080
up for a lot of his flaws by
allowing him to be very

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00:12:24,080 --> 00:12:26,280
self-righteous throughout this
movie.

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00:12:26,840 --> 00:12:29,800
And I think that like playing
self-righteous is probably one

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00:12:29,800 --> 00:12:33,640
of the easier things to do where
he's just very sure of himself

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00:12:33,640 --> 00:12:36,520
throughout the film.
And I think that the little

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00:12:36,520 --> 00:12:40,880
moments they give him where he's
kind of questioning who he is

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00:12:40,880 --> 00:12:44,960
and the things that he believes
he gives like just enough with

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00:12:44,960 --> 00:12:49,080
his eyes and with his body
language that I'm like, OK, I, I

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00:12:49,080 --> 00:12:51,280
kind of believe that you're
going through something right

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00:12:51,280 --> 00:12:54,840
now.
So I, I, I think it's like a

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00:12:54,840 --> 00:12:58,800
solid B minus performance.
Here yeah, I think you know if

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00:12:58,800 --> 00:13:01,800
you've ever looked at advanced
statistics for sports, there's a

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00:13:02,080 --> 00:13:05,920
there's a statistic called VORP
which is value over replacement

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00:13:05,920 --> 00:13:09,600
player, which is basically
measuring how much value are you

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00:13:09,600 --> 00:13:13,320
providing to your team above and
beyond what we would consider

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00:13:13,320 --> 00:13:16,840
like an entry level player at
your sport.

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00:13:16,880 --> 00:13:18,880
So like the.
Last guy off the bench.

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00:13:19,520 --> 00:13:22,680
I think about that all the time
for replacements for you as my

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00:13:22,680 --> 00:13:24,000
Co host.
Yeah, yeah, yeah.

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Luckily I'm knocking it out of
the park in my podcast VORP.

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00:13:28,240 --> 00:13:32,200
Usually Orlando Bloom is like
right on the edge man of of

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00:13:32,200 --> 00:13:35,240
being replacement level.
I think you could slot in any

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00:13:35,240 --> 00:13:39,920
number of young up and coming
actors in 2003 into this role

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00:13:40,400 --> 00:13:43,480
and it's roughly the same or
better.

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00:13:43,920 --> 00:13:45,520
You know what I mean?
Like we've, we had a long

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00:13:45,520 --> 00:13:48,280
conversation last week about
Hayden Christensen.

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00:13:48,880 --> 00:13:52,040
I don't know that you couldn't
put Hayden Christensen here and

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00:13:52,040 --> 00:13:53,360
it would be pretty much the
same.

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00:13:53,480 --> 00:13:56,560
He, you know, Orlando Bloom is
just very, very pretty.

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00:13:56,800 --> 00:13:59,840
But I don't really think there's
much else going on there.

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00:14:00,400 --> 00:14:02,440
And you're right in this movie,
you don't really need that much

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00:14:02,440 --> 00:14:05,360
else because there are huge
characters elsewhere.

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00:14:06,320 --> 00:14:08,040
But.
I mean, even even, like, the

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00:14:08,040 --> 00:14:12,000
character of Norrington in a
weird sense has a bigger

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00:14:12,000 --> 00:14:15,640
personality than him, right?
Like, yeah, like obviously he's

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00:14:15,640 --> 00:14:21,560
this very restrained British
commandant, but like, he, like

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00:14:21,560 --> 00:14:25,600
the way he presents himself.
I I love the performance of

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00:14:25,880 --> 00:14:30,160
whoever plays Commander
Norrington because he's

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00:14:30,160 --> 00:14:32,360
incredible.
I like how you couldn't be

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00:14:32,360 --> 00:14:34,760
bothered to look up like the 4th
lead of this movie.

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00:14:35,320 --> 00:14:38,000
I love the performance of
whoever plays him.

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00:14:38,560 --> 00:14:42,240
Uninterested, Bob.
His name's Jack Davenport, by

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00:14:42,240 --> 00:14:44,320
the way.
Yeah, Jack Davenport gives a

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00:14:44,320 --> 00:14:46,720
great performance.
Here's how little I remembered

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00:14:46,720 --> 00:14:49,640
this movie.
In the sequels to this movie,

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00:14:50,080 --> 00:14:54,040
Tom Hollander plays like the
evil British commander that is

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00:14:54,040 --> 00:14:56,520
chasing Jack Sparrow.
And he's so good.

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00:14:56,640 --> 00:14:58,960
He's so good I thought that he
was in this.

259
00:14:58,960 --> 00:15:00,520
I don't even remember
Norrington.

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00:15:00,800 --> 00:15:02,720
Like I don't remember this
character at all.

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00:15:02,960 --> 00:15:05,040
The guy was fine.
Jack Davenport is fine.

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00:15:05,280 --> 00:15:08,400
But I was a little bummed out
when at no point in this movie I

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00:15:08,400 --> 00:15:10,560
saw Tom Hollander.
Yeah, I mean that that's an

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00:15:10,560 --> 00:15:12,920
example of VORP in movies,
right?

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00:15:12,920 --> 00:15:16,080
Like like, Jack Davenport does a
solid job.

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00:15:16,080 --> 00:15:20,600
I think he's like a solid BB
plus performance with a decently

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00:15:20,600 --> 00:15:24,160
well written character.
Tom Hollander is going to knock

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00:15:24,160 --> 00:15:26,200
it out of the park.
Like, come on, man.

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00:15:26,640 --> 00:15:30,640
Now, the reason that I bring up
Orlando Bloom so quickly, I

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00:15:30,640 --> 00:15:33,480
don't usually jump in with like,
here's my least favorite person

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00:15:33,480 --> 00:15:35,200
in this whole movie.
Let's crap on him for 10

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00:15:35,200 --> 00:15:38,120
minutes.
But it's because his counterpart

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00:15:38,120 --> 00:15:41,880
in this movie, Keira Knightley,
is so good in this movie, Brad.

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00:15:41,960 --> 00:15:45,120
And I think that I don't know
that we've ever talked about,

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00:15:45,120 --> 00:15:46,320
well, we did Pride and
Prejudice.

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00:15:46,360 --> 00:15:48,560
So we've talked about Keira
Knightley, I think one time on

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00:15:48,560 --> 00:15:51,760
the podcast.
I really think she is one of our

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00:15:51,760 --> 00:15:55,360
best working actresses and she
has been at it for decades and

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00:15:55,360 --> 00:15:57,800
decades now.
We've become so used to her that

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00:15:57,800 --> 00:15:59,160
we barely talk about her
anymore.

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00:15:59,160 --> 00:16:02,320
And I think her her good roles
are starting to become few and

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00:16:02,320 --> 00:16:05,040
far between.
But every time I watch a movie

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00:16:05,040 --> 00:16:09,000
with Keira Knightley in it, it's
like, how was she not the

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00:16:09,000 --> 00:16:12,560
biggest movie star in the world
for at least 10 years there?

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00:16:12,560 --> 00:16:15,560
She is so magnetic.
And this performance in

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00:16:15,560 --> 00:16:20,000
particular requires so much of
her in terms of being, you know,

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00:16:20,000 --> 00:16:25,520
demure and deferring to
propriety, but then also like 10

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00:16:25,520 --> 00:16:29,680
minutes later, kicking ass.
Like she has to be both Pride

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00:16:29,680 --> 00:16:33,440
and Prejudice and she has to be
Marian in Raiders of the Lost

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00:16:33,440 --> 00:16:35,560
Ark.
And I think go ahead.

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00:16:35,640 --> 00:16:38,040
She.
She does it at age 17.

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00:16:38,040 --> 00:16:40,960
That was my next point.
When this movie comes out, she

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00:16:40,960 --> 00:16:46,120
is 18 years old and she, more
than perhaps anybody I can think

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00:16:46,120 --> 00:16:50,000
of in the last 30 years,
benefited from looking like she

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00:16:50,000 --> 00:16:55,320
was 27 for 15 years.
Like from the time she was 17 to

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00:16:55,320 --> 00:17:00,120
the time she was 30 something,
she looked like she was about 27

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00:17:00,120 --> 00:17:03,040
years old.
So she could reasonably play the

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00:17:03,040 --> 00:17:06,880
young romantic love interest in
any movie.

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00:17:07,599 --> 00:17:10,640
And I don't think people realize
like when we've, you know, she

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00:17:10,640 --> 00:17:13,359
was working in the 90s, but we
didn't really see her in a

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00:17:13,359 --> 00:17:16,440
breakout role until Bend It Like
Beckham the year before this

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00:17:16,440 --> 00:17:19,359
movie comes out.
And she's 17 years old when that

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00:17:19,359 --> 00:17:22,000
movie comes out.
And so that means that she's, I

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00:17:22,000 --> 00:17:25,280
think she's 38 now, right?
Am I doing my math correctly?

305
00:17:25,280 --> 00:17:29,880
She's either 38 or turning 39.
She's not even 40 years old and

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00:17:29,920 --> 00:17:33,200
she's been in our lives for over
2 decades as a leading lady.

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00:17:33,560 --> 00:17:37,120
The only other person, the only
other person I can think of that

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00:17:37,120 --> 00:17:40,040
did that is Scarlett Johansson,
which we talked about that with

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00:17:40,120 --> 00:17:43,000
Lost in Translation.
It's just, you know, I, I don't

310
00:17:43,000 --> 00:17:44,360
think we talk about Keira
Knightley enough.

311
00:17:44,360 --> 00:17:48,640
She's one of my favorite
actresses and she's so good in

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00:17:48,640 --> 00:17:52,480
this role that she makes Orlando
Bloom look even worse by

313
00:17:52,480 --> 00:17:56,240
comparison, I think.
I I mean, I think she elevates

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00:17:56,240 --> 00:18:00,680
everyone in this movie.
I she's stunning.

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00:18:01,600 --> 00:18:04,480
Keira Knightley.
We need to watch more of her

316
00:18:04,480 --> 00:18:05,200
movies.
Bob.

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00:18:05,840 --> 00:18:08,960
I've never seen a movie that
she's in and not walked away

318
00:18:08,960 --> 00:18:11,200
been being blown away by her
performance.

319
00:18:11,200 --> 00:18:12,400
She's.
So good, dude.

320
00:18:12,880 --> 00:18:15,800
Yeah, and, and honestly, as you
were talking about her, Scarlett

321
00:18:15,800 --> 00:18:19,120
Johansson was my like direct
analogue for her.

322
00:18:19,120 --> 00:18:25,040
I, I, I feel like we have such a
similar career pathway, but you

323
00:18:25,040 --> 00:18:29,960
know, Keira Knightley got her
big break in a Disney film and,

324
00:18:30,400 --> 00:18:33,120
you know, Scarlett eventually
gets into Disney films.

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00:18:33,840 --> 00:18:36,360
So I I don't know if there's
something to be said there for.

326
00:18:36,600 --> 00:18:38,800
It all comes back to the mouse,
is what we're saying.

327
00:18:38,800 --> 00:18:41,320
Yeah, it sure does.
No, but I'm even thinking now

328
00:18:41,320 --> 00:18:44,400
about like, OK, Scarlett
Johansson and Keira Knightley

329
00:18:44,680 --> 00:18:47,720
kind of coming of age at the
same time. 2 very different

330
00:18:47,720 --> 00:18:50,640
career paths, I feel like, but
what separates them as

331
00:18:50,640 --> 00:18:53,520
actresses?
And I think Scarlett Johansson,

332
00:18:53,640 --> 00:18:56,600
I think about a movie like
Marriage story and what's so

333
00:18:56,600 --> 00:18:59,920
good about the way Scarlett
Johansson acts in Marriage Story

334
00:18:59,920 --> 00:19:03,880
is that she's not trying to
suppress emotion, but she tries

335
00:19:03,880 --> 00:19:05,360
to keep her emotions under
control.

336
00:19:05,360 --> 00:19:08,560
And so when she finally cries,
it's like it's not just like the

337
00:19:08,560 --> 00:19:12,800
dam breaking, but it's you can
see a person struggling to try

338
00:19:12,800 --> 00:19:15,760
to tamp down their emotion.
And where's Keira Knightley?

339
00:19:15,760 --> 00:19:18,520
I've always felt like she just
kind of nakedly wears her

340
00:19:18,520 --> 00:19:21,680
emotions out there like she
always does the gasping for

341
00:19:21,680 --> 00:19:26,600
breath kind of cry and she's
just she she's much more suited

342
00:19:26,600 --> 00:19:28,960
for material like this.
And I think that's why we've

343
00:19:28,960 --> 00:19:30,680
always seen her in period
pieces.

344
00:19:30,840 --> 00:19:34,920
She's so good in Jane Austen,
the movie Atonement, maybe my

345
00:19:34,920 --> 00:19:38,120
favorite performance of hers.
But there's something that seems

346
00:19:38,560 --> 00:19:41,880
like a throwback actress about
Keira Knightley.

347
00:19:41,880 --> 00:19:44,960
I think she could have been the
exact same kind of actress in

348
00:19:44,960 --> 00:19:49,000
like the 1930s and 40s and it
would have fit so well.

349
00:19:49,440 --> 00:19:55,040
I don't think her acting style
is over like oversized, but I

350
00:19:55,040 --> 00:19:57,640
just think that there's like
there's so much more emotion

351
00:19:57,640 --> 00:20:01,040
worn on her sleeve and I really
like seeing that.

352
00:20:01,040 --> 00:20:04,080
It's kind of refreshing.
Bob, I I think that brings up

353
00:20:04,080 --> 00:20:08,240
the the bigger question on
everybody's minds why are Brits

354
00:20:08,240 --> 00:20:10,480
so much better at acting than
Americans?

355
00:20:11,720 --> 00:20:13,720
Listen, man, it's times are
tough over there.

356
00:20:13,720 --> 00:20:17,560
It's always Gray.
It's cold their their food has

357
00:20:17,560 --> 00:20:20,080
no seasoning.
That this makes them better

358
00:20:20,080 --> 00:20:22,640
actors and actresses.
They've experienced the depth of

359
00:20:22,640 --> 00:20:25,920
human drama and emotion just in
their everyday lives, and so

360
00:20:26,280 --> 00:20:28,760
yeah, it's easier to call that
back up again.

361
00:20:28,760 --> 00:20:32,440
Because it's still the 1800s
industrial revolution over

362
00:20:32,440 --> 00:20:36,000
there, and Keira Knightley was a
poor child in the coal mines,

363
00:20:36,120 --> 00:20:39,320
barefoot and penniless.
I'm pretty sure that you're just

364
00:20:39,320 --> 00:20:42,480
reading directly off of her IMDb
bio at this point.

365
00:20:42,480 --> 00:20:44,320
That's that sounds right to me,
yeah.

366
00:20:44,600 --> 00:20:47,600
That's exactly what I was doing.
All right, man, so Keira

367
00:20:47,600 --> 00:20:49,760
Knightley A+ plus plus in this
movie.

368
00:20:50,600 --> 00:20:52,440
And I think, Brad, that this is
another one of those

369
00:20:52,440 --> 00:20:55,800
performances that if we had
talked about this movie in like

370
00:20:56,560 --> 00:21:00,000
the early episodes of film and
whiskey, we'd be talking a lot

371
00:21:00,000 --> 00:21:02,880
more about Johnny Depp because
that's the big showy performance

372
00:21:02,880 --> 00:21:04,560
here.
And and we will and he's great.

373
00:21:05,040 --> 00:21:09,400
But I think we have, we've
developed an appreciation for

374
00:21:09,800 --> 00:21:12,320
not just what I would call
supporting characters, but lead

375
00:21:12,320 --> 00:21:16,120
characters who are like the
straight man for the big

376
00:21:16,120 --> 00:21:17,920
outsized funny guy.
You know what I mean?

377
00:21:17,920 --> 00:21:21,760
Like if Keira Knightley's not
this good in her role, and even

378
00:21:21,760 --> 00:21:24,360
Orlando Bloom I think to a
lesser extent in his role,

379
00:21:24,720 --> 00:21:28,560
Johnny Depp doesn't shine
because no one is like tossing

380
00:21:28,560 --> 00:21:30,880
up the lob for him to knock out
of the park.

381
00:21:31,360 --> 00:21:33,760
Yeah, well, and that's the issue
they run into with the later

382
00:21:33,760 --> 00:21:36,880
movies, right?
They slowly force everyone out

383
00:21:37,280 --> 00:21:41,360
and now it's just Johnny Depp
being asinine and ridiculous as

384
00:21:41,360 --> 00:21:46,360
Jack Sparrow and it it becomes
way less charming when you don't

385
00:21:46,360 --> 00:21:50,840
have an Orlando Bloom playing
this super earnest, pirate

386
00:21:50,840 --> 00:21:56,160
hating, justice loving,
idealistic young man like that.

387
00:21:56,160 --> 00:22:02,360
Makes Depp so much more complex
as a character because you you

388
00:22:02,360 --> 00:22:07,000
have him in between the
character of Will Turner and

389
00:22:07,000 --> 00:22:11,520
Barbarosa.
Like Barbarosa is the epitome of

390
00:22:11,520 --> 00:22:15,480
like the evil pirate and Jack
Sparrow's, you know, somewhat in

391
00:22:15,480 --> 00:22:18,920
between there.
But you you need those extremes

392
00:22:19,280 --> 00:22:23,640
on either side of him to make
his character endearing and

393
00:22:23,640 --> 00:22:27,960
funny and believable as he kind
of waffles between those two

394
00:22:27,960 --> 00:22:30,160
edges.
I mean, I think as with most

395
00:22:30,160 --> 00:22:33,520
comedic characters, the
character gets more and more

396
00:22:33,520 --> 00:22:36,960
broad as the movies go on to the
point where, you know, like

397
00:22:36,960 --> 00:22:40,560
Brad, you and I are are big fans
of How I Met Your Mother, like

398
00:22:40,560 --> 00:22:44,160
season 8 and Season 9, Barney is
it?

399
00:22:44,160 --> 00:22:46,120
It's like a little much.
At that point, you're like, this

400
00:22:46,120 --> 00:22:48,680
isn't even a human anymore.
It's like every time I

401
00:22:48,680 --> 00:22:51,680
accidentally stumble upon an
episode of The Big Bang Theory

402
00:22:52,280 --> 00:22:54,880
and it just like it.
It's just it makes me cringe

403
00:22:54,880 --> 00:22:58,160
because it's like, what?
In what world do people think

404
00:22:58,160 --> 00:23:00,560
these characters are funny?
These don't even resemble humans

405
00:23:00,560 --> 00:23:02,240
anymore.
That's Jack Sparrow.

406
00:23:02,400 --> 00:23:06,240
Like he gets to a point where
it's just the drunken swagger is

407
00:23:06,240 --> 00:23:08,720
it takes over everything.
There's just nothing there

408
00:23:08,720 --> 00:23:10,960
anymore except Johnny Depp
trying.

409
00:23:11,080 --> 00:23:13,480
Really hard.
And to be clear, like you are

410
00:23:13,480 --> 00:23:15,440
talking about the later films,
not this one.

411
00:23:15,600 --> 00:23:18,000
Yeah, I think that you can see
the seeds of it a little bit in

412
00:23:18,000 --> 00:23:20,160
this film too.
But then every time that I'm

413
00:23:20,160 --> 00:23:23,880
like, this is 'cause I'm
watching this movie again for

414
00:23:23,880 --> 00:23:26,720
the first time in 20 years,
remembering that I'm.

415
00:23:26,720 --> 00:23:29,360
I'm pretty sure Johnny Depp gets
an Oscar nomination for this

416
00:23:29,360 --> 00:23:32,880
movie, which is like huge.
Like, I couldn't believe it.

417
00:23:33,560 --> 00:23:37,000
And so I'm going back to it now,
like, OK, did we get caught up

418
00:23:37,000 --> 00:23:39,360
in the hype a little bit?
Is this performance good?

419
00:23:39,680 --> 00:23:43,120
And every time that it would tip
towards, OK, hey, in that scene

420
00:23:43,120 --> 00:23:46,760
he was a little too drunken rock
star Johnny Depp.

421
00:23:47,360 --> 00:23:49,600
Then they would they would throw
in a scene where he kind of

422
00:23:49,600 --> 00:23:53,080
dropped the ACT a little bit and
you could see like, once his

423
00:23:53,080 --> 00:23:56,160
eyes kind of focus in on the
person that he's talking to.

424
00:23:56,160 --> 00:23:58,680
And it's like, Oh, yeah, Johnny
Depp is killing this dude.

425
00:23:58,800 --> 00:24:02,280
Like, there's a reason that this
character became iconic that

426
00:24:02,280 --> 00:24:04,920
people still dress up as Jack
Sparrow for Halloween.

427
00:24:04,920 --> 00:24:07,720
Like, it's just it's a great
performance.

428
00:24:08,200 --> 00:24:12,200
And I think more often than not,
he knows how to walk the line

429
00:24:12,640 --> 00:24:15,240
and it doesn't tip too far into
caricature.

430
00:24:16,080 --> 00:24:18,880
Yeah, yeah.
I mean, he loses to Sean Penn in

431
00:24:18,880 --> 00:24:23,520
Mystic River, which is wild.
That was that was a great

432
00:24:23,520 --> 00:24:26,520
performance.
Is that my daughter in there?

433
00:24:28,400 --> 00:24:34,920
Come on dude, it's so good.
Oh man, would Sean Penn have

434
00:24:34,920 --> 00:24:36,960
made a good Jack Sparrow?
Is the question here.

435
00:24:37,640 --> 00:24:39,840
Oh.
I think he takes it too

436
00:24:39,840 --> 00:24:41,680
seriously.
Yeah, I don't.

437
00:24:41,680 --> 00:24:45,040
I don't think he does, actually.
Let's let's put all of the

438
00:24:45,120 --> 00:24:47,880
actors in a leading role from
2004 Oscars.

439
00:24:48,760 --> 00:24:51,800
Would Ben Kingsley make a good
Jack Sparrow?

440
00:24:51,800 --> 00:24:56,000
No, but he would have made a
great Barbarossa Ben Kingsley.

441
00:24:56,040 --> 00:25:01,480
Is a great actor all right?
Next, would Jude Law make a good

442
00:25:01,680 --> 00:25:02,400
Jack?
Sparrow.

443
00:25:02,400 --> 00:25:03,800
No, but he would have made a
good will.

444
00:25:03,800 --> 00:25:05,280
Turner.
Yeah.

445
00:25:05,480 --> 00:25:07,760
Oh, he would have made a hell of
a Will Turner.

446
00:25:07,760 --> 00:25:10,440
So much more charming.
All right.

447
00:25:10,440 --> 00:25:12,680
Last one.
And I think the answer to this

448
00:25:12,680 --> 00:25:16,320
is unequivocally yes, for all
the wrong reasons.

449
00:25:16,640 --> 00:25:20,120
Would Bill Murray make a good
Jack Sparrow?

450
00:25:21,160 --> 00:25:24,400
I want that movie right now I.
Want that movie?

451
00:25:24,640 --> 00:25:28,120
So bad.
All right, man, maybe this is a

452
00:25:28,120 --> 00:25:31,640
good point for us to talk about
Jack Sparrow's counterpart in

453
00:25:31,640 --> 00:25:34,600
Barbarossa, played by Oscar
winner Geoffrey Rush.

454
00:25:34,960 --> 00:25:36,960
Now, here's the great thing
about Barbarossa.

455
00:25:37,680 --> 00:25:41,120
He gets more and more villainous
as the movie goes on, like when

456
00:25:41,160 --> 00:25:45,120
he first kidnaps, like quote, UN
quote kidnaps Elizabeth and

457
00:25:45,120 --> 00:25:48,200
they're kind of conversing over
an apple in his office.

458
00:25:48,640 --> 00:25:51,160
You're like, oh, I understand
this guy's motivations totally.

459
00:25:51,320 --> 00:25:54,880
And then as the movie goes on,
they need him to be more of a

460
00:25:54,880 --> 00:25:56,200
Dick.
So they kind of just make him

461
00:25:56,200 --> 00:26:01,320
more of a Dick.
This is not even though he has

462
00:26:01,320 --> 00:26:05,040
like a monkey on his shoulder
and is speaking with a piratey

463
00:26:05,040 --> 00:26:09,640
growl and says yar and stuff.
It's actually not like a big

464
00:26:09,760 --> 00:26:14,880
scene chewing performance like
he actually moderates and and I

465
00:26:14,880 --> 00:26:18,120
guess modulates would be the
better word, his performance to

466
00:26:18,120 --> 00:26:21,400
allow Johnny Depp to be even
more wild than he is.

467
00:26:21,800 --> 00:26:24,240
And I think by comparison, it
seems very grounded.

468
00:26:24,520 --> 00:26:27,640
And I just want to say like,
that's why Geoffrey Rush in this

469
00:26:27,640 --> 00:26:31,480
movie and in all the later
movies works so well is because

470
00:26:31,480 --> 00:26:33,360
he doesn't.
He's not competing against

471
00:26:33,360 --> 00:26:36,680
Johnny Depp in who can have the
bigger performance.

472
00:26:37,120 --> 00:26:39,920
And that's the only reason that
things stay balanced here.

473
00:26:40,560 --> 00:26:45,000
Dude, I came in here ready to
say I think that Geoffrey Rush

474
00:26:45,000 --> 00:26:47,480
might be the best agreed actor
in this movie.

475
00:26:47,520 --> 00:26:51,040
Agreed.
Like he is incredible.

476
00:26:51,040 --> 00:26:54,560
And I I think that he's
technically, I think he's in the

477
00:26:54,560 --> 00:26:59,760
second movie, he's replaced by
the one and only Bill Nighy in

478
00:26:59,760 --> 00:27:05,920
the second film, which is feels
like the perfect succession,

479
00:27:06,440 --> 00:27:09,200
right?
Like Geoffrey Rush just has this

480
00:27:09,200 --> 00:27:15,240
talent for staying grounded in
the midst of the most, like,

481
00:27:15,240 --> 00:27:17,600
performance you have ever seen
in your life.

482
00:27:17,600 --> 00:27:21,040
And I don't, I think I need to
watch the movie about eight more

483
00:27:21,040 --> 00:27:26,240
times to figure out how he does
it because there were so many

484
00:27:26,240 --> 00:27:30,000
movements where, you know, the
the trailer fodder.

485
00:27:30,000 --> 00:27:33,400
When he's like this, you know,
this isn't a bedtime story

486
00:27:33,400 --> 00:27:34,560
anymore.
You're in one.

487
00:27:34,560 --> 00:27:37,800
Yeah, and it's like so over the
top.

488
00:27:37,800 --> 00:27:41,880
And yet he's always holding
something back.

489
00:27:42,040 --> 00:27:44,920
And I, I don't know how he does
it.

490
00:27:44,920 --> 00:27:47,840
Bob it.
It's an incredible performance.

491
00:27:49,200 --> 00:27:51,720
Man, I'm so happy that we're in
agreement on that one because I

492
00:27:52,360 --> 00:27:55,240
like, do I think Johnny Depp
deserved an Oscar nomination?

493
00:27:55,240 --> 00:27:57,800
Sure.
I don't think it's like it's

494
00:27:57,800 --> 00:28:01,200
certainly not an egregious
looking nomination, but it's not

495
00:28:01,200 --> 00:28:02,760
the best performance in this
movie.

496
00:28:02,880 --> 00:28:05,560
It's the showiest performance.
And I think what Geoffrey Rush

497
00:28:05,560 --> 00:28:10,640
is doing is actually much more
dialed in and much more complex.

498
00:28:11,440 --> 00:28:15,240
Like it's it's hard to do this
character without just becoming

499
00:28:15,240 --> 00:28:19,000
like a John Malkovich villain
from like the late 90s and just

500
00:28:19,000 --> 00:28:20,960
going completely over the top
with, you know what I mean?

501
00:28:20,960 --> 00:28:23,720
Like they he could have just
said, I'm going to sink my teeth

502
00:28:23,720 --> 00:28:26,760
into this thing and we're I'm
going to get a shouting match

503
00:28:26,760 --> 00:28:28,800
with Johnny Depp and we'll see
who comes out on top.

504
00:28:28,800 --> 00:28:32,000
And he, he just, he zags.
And I really like it man.

505
00:28:32,840 --> 00:28:36,280
Yeah, when you when you're
saying it could have been an old

506
00:28:36,440 --> 00:28:38,320
villain performance, it almost
feels like it.

507
00:28:38,480 --> 00:28:43,160
He could have gone the Tim Curry
route and just been so

508
00:28:43,160 --> 00:28:47,760
ridiculous in the role.
But man, like you said, it is

509
00:28:47,760 --> 00:28:53,920
such a grounded performance and
he gives you all of the reasons

510
00:28:53,920 --> 00:28:55,960
for why he's doing what he's
doing.

511
00:28:56,320 --> 00:29:02,120
I I think what it made me think
of was how our actions have

512
00:29:02,120 --> 00:29:05,560
consequences for our souls,
unlike.

513
00:29:06,320 --> 00:29:08,720
Oh, you mean like the actual the
character?

514
00:29:09,040 --> 00:29:10,800
The character.
I thought you were like Geoffrey

515
00:29:10,800 --> 00:29:13,440
Rush's performance made me
realize that, yes.

516
00:29:13,720 --> 00:29:16,760
That is exactly.
You had a spiritual experience

517
00:29:16,760 --> 00:29:21,600
watching this movie, man.
I'm sorry.

518
00:29:21,600 --> 00:29:22,640
Please continue.
Yeah.

519
00:29:22,880 --> 00:29:25,520
I just mean, I mean, the
performance is a huge part of

520
00:29:25,520 --> 00:29:28,280
it.
The his ability to stay grounded

521
00:29:28,720 --> 00:29:32,840
is what kind of helped me
realize that the slide into

522
00:29:32,840 --> 00:29:36,640
being more and more villainous
isn't a result of the scripture

523
00:29:36,640 --> 00:29:38,640
saying, hey, we need him to be
villainous.

524
00:29:38,640 --> 00:29:43,280
It it feels like an honest
character arc of, yes, we're

525
00:29:43,280 --> 00:29:46,840
just trying to get back to being
real human beings.

526
00:29:46,840 --> 00:29:50,360
And that seems like a good
motivation.

527
00:29:51,160 --> 00:29:55,280
But then you realize as the
movie goes on, like he's also

528
00:29:55,280 --> 00:30:01,040
spent the past 1020 years
murdering, raping, pillaging,

529
00:30:01,440 --> 00:30:07,320
like all of the evil things that
the the skeletal interior of his

530
00:30:07,320 --> 00:30:10,280
soul is who he truly is at this
point.

531
00:30:10,320 --> 00:30:13,720
Yeah, it's just it's a great,
it's a great character and it's

532
00:30:13,720 --> 00:30:16,200
a great performance.
All right, man, I think we're in

533
00:30:16,200 --> 00:30:18,160
a really good spot to press
pause here.

534
00:30:18,480 --> 00:30:21,160
I want to talk a little bit
about the fact that this movie

535
00:30:21,160 --> 00:30:25,680
is based on a roller coaster,
like the the existing story was

536
00:30:25,680 --> 00:30:28,640
just roller coaster and they
made this movie out of it.

537
00:30:29,240 --> 00:30:31,280
We'll talk about that when we
get back from break.

538
00:30:31,280 --> 00:30:34,600
But what do you say we try some
Sam Houston 15 year?

539
00:30:35,240 --> 00:30:43,400
Let's get to it.
All right, today we are checking

540
00:30:43,400 --> 00:30:48,160
out Sam Houston 15 Year Bourbon.
Now, I was trying to think of

541
00:30:48,160 --> 00:30:52,560
something clever to connect the
Caribbean to Texas, where Sam

542
00:30:52,560 --> 00:30:56,160
Houston famously is from, and I
can't think of a single thing.

543
00:30:56,160 --> 00:30:58,480
So Brad, we're going to pretend
like I had some clever

544
00:30:58,480 --> 00:31:02,960
connection, but honestly, it was
just time for us to drink some

545
00:31:02,960 --> 00:31:06,880
Sam Houston.
This juice is from Barton

546
00:31:06,880 --> 00:31:09,480
Distillery.
It's distilled under a different

547
00:31:09,480 --> 00:31:12,880
label, similar to the Calumet
that we've been having for the

548
00:31:12,880 --> 00:31:16,000
last few weeks, Brad, and also
similar to those.

549
00:31:16,000 --> 00:31:18,440
This is a very well aged
bourbon.

550
00:31:18,680 --> 00:31:21,240
We have gone on record saying
that generally speaking, we

551
00:31:21,240 --> 00:31:24,320
don't love bourbons that are
aged beyond, say, 10 years

552
00:31:24,320 --> 00:31:28,440
because they get really, really,
really oaky and I'm a little bit

553
00:31:28,440 --> 00:31:33,280
nervous about that today.
Yeah, this is a heck of an aged

554
00:31:33,280 --> 00:31:38,920
product, coming in at only 103
proof, which is usually a pretty

555
00:31:38,920 --> 00:31:41,960
good sign.
Well aged products in the

556
00:31:41,960 --> 00:31:45,720
bourbon category that come in a
barrel proof have a chance to

557
00:31:45,720 --> 00:31:51,720
just like, leave oak on your
palate for the next four days.

558
00:31:51,720 --> 00:31:54,920
Yeah, when I see that this is
only 103 proof, I like two

559
00:31:54,920 --> 00:31:56,440
thoughts come to mind
immediately.

560
00:31:56,720 --> 00:32:01,800
And one is like, is this just
too much flavour wise at barrel

561
00:32:01,800 --> 00:32:07,040
proof and or was so much of it
lost to the Angel share over 15

562
00:32:07,040 --> 00:32:10,280
years that they had like
physically had to dilute it to

563
00:32:10,280 --> 00:32:11,960
have enough product to
distribute?

564
00:32:12,320 --> 00:32:14,720
And so like, I mean, it's
probably a little bit of both,

565
00:32:14,720 --> 00:32:18,080
but I'm also glad to see that
it's not like 118 proof or

566
00:32:18,080 --> 00:32:21,680
something because honestly, I
just think diluting it a little

567
00:32:21,680 --> 00:32:25,400
bit might help kind of tamper
down some of those insanely Okie

568
00:32:25,400 --> 00:32:28,400
notes we get.
Yeah, but I, I think, I think

569
00:32:28,400 --> 00:32:32,640
it's worth just jumping in here,
Bob, as I got into the nose on

570
00:32:32,640 --> 00:32:36,680
this, I got some really nice
dark cherry notes.

571
00:32:37,360 --> 00:32:40,200
The vanilla really came through
strongly.

572
00:32:40,200 --> 00:32:43,080
There's caramel.
It had a really nice, like fresh

573
00:32:43,080 --> 00:32:47,880
bread kind of vibe to it.
A a little bit of, I don't know,

574
00:32:47,880 --> 00:32:51,880
cacao.
Like it's a It's a relatively

575
00:32:51,880 --> 00:32:56,080
nice complex nose that I gave an
8 out of 10 to.

576
00:32:56,400 --> 00:32:58,800
Yeah, Brad, similar to a couple
of those calumettes.

577
00:32:58,800 --> 00:33:02,200
This doesn't have any wheat in
the mashbill, but it reminds me

578
00:33:02,200 --> 00:33:05,680
of a weeded bourbon on the nose.
And I think that might be like

579
00:33:05,680 --> 00:33:09,360
the interplay between the rye
grain and the oak and how much

580
00:33:09,360 --> 00:33:12,160
oak we're getting on this.
But I definitely get those notes

581
00:33:12,160 --> 00:33:13,960
of cherry that you're talking
about.

582
00:33:13,960 --> 00:33:17,000
It reminds me of those cherry
cola notes that we get on some

583
00:33:17,000 --> 00:33:19,360
of our favorite Rebel products.
For instance.

584
00:33:20,040 --> 00:33:22,680
I get a lot of red apple peel on
this as well.

585
00:33:22,960 --> 00:33:25,000
But other than that, I think
your notes are spot on.

586
00:33:25,000 --> 00:33:28,080
There's a ton of vanilla here.
The oak is nice and it it is

587
00:33:28,080 --> 00:33:31,600
more of like a toasted oak than
a charred oak, but it comes

588
00:33:31,600 --> 00:33:34,800
across softer and it's not it
doesn't have that sort of soured

589
00:33:34,800 --> 00:33:39,120
oak scent to it.
I like this a lot and I'm hoping

590
00:33:39,120 --> 00:33:40,720
that it portends good things
here.

591
00:33:40,720 --> 00:33:42,680
I'm going to give it an 8 out of
10 on the nose.

592
00:33:43,240 --> 00:33:48,200
When I got into the palate, it
stays in that kind of fruity

593
00:33:48,200 --> 00:33:51,080
vein for me.
It turned into like a bit of a

594
00:33:51,080 --> 00:33:56,880
BlackBerry currant kind of
flavor, but the, the cacao stuck

595
00:33:56,880 --> 00:33:59,600
in there that that was a notable
note for me.

596
00:34:00,120 --> 00:34:07,640
But other than that, Bob, it is
oak on oak on oak and there's

597
00:34:07,640 --> 00:34:10,639
enough other flavors going on
here that I, I enjoyed it.

598
00:34:10,639 --> 00:34:13,560
I think it's a solid whiskey,
but I, I came down a little bit

599
00:34:13,560 --> 00:34:16,760
from the nose.
I'm at a 7.5 in the palate

600
00:34:16,760 --> 00:34:20,159
category.
I kept trying to piece my

601
00:34:20,159 --> 00:34:23,679
thoughts together and I thought
I'd landed on something and then

602
00:34:23,719 --> 00:34:26,600
it kept going.
The flavor, I mean, it kept

603
00:34:26,600 --> 00:34:29,239
going and then I had to revise
my thoughts and then the flavor

604
00:34:29,239 --> 00:34:32,320
kept going.
And that's not a good thing

605
00:34:32,320 --> 00:34:35,360
here, Brad.
So like I took a sip and I'm

606
00:34:35,360 --> 00:34:37,280
with you.
It was like really nice, really

607
00:34:37,280 --> 00:34:39,040
pleasant.
Still that red apple peel for

608
00:34:39,040 --> 00:34:42,560
me, like a red delicious apple.
I went to swallow and it had

609
00:34:42,560 --> 00:34:47,560
that nice dusty kind of sawdusty
flavor to it and a pleasant

610
00:34:47,560 --> 00:34:50,360
amount of oak.
When I swallowed it, it was

611
00:34:50,360 --> 00:34:54,520
like, it was a little smoky and
a little bit bitter, but it was

612
00:34:54,520 --> 00:34:57,720
almost like the bourbon
equivalent of a peated Scotch.

613
00:34:57,960 --> 00:35:00,320
I was like, OK, I can still rock
with this.

614
00:35:00,320 --> 00:35:03,320
It's not my favorite thing.
But, you know, sometimes we like

615
00:35:03,320 --> 00:35:05,520
the fruitiness on a peated
Scotch and then we swallow it

616
00:35:05,520 --> 00:35:07,960
and then there's the peat and it
just is what it is.

617
00:35:08,960 --> 00:35:12,560
And then it just kept going.
It turned really bitter.

618
00:35:12,760 --> 00:35:15,000
It got really ashy.
There's like a cigarette ash

619
00:35:15,000 --> 00:35:17,800
kind of thing going on.
And then it got more bitter and

620
00:35:17,800 --> 00:35:21,440
more herbal and like vegetal
almost.

621
00:35:21,480 --> 00:35:24,600
And man, I just wish that they
look.

622
00:35:24,600 --> 00:35:27,640
I wish I could have put a hard
cut off on when my tongue

623
00:35:27,640 --> 00:35:31,560
stopped tasting because it was
going really well and then it it

624
00:35:31,560 --> 00:35:34,760
definitely tapered off.
I'm going to give it a 6.5 on

625
00:35:34,760 --> 00:35:39,320
the flavor.
Oh man, yeah, I I think that the

626
00:35:39,320 --> 00:35:42,880
finish for me is is going to be
at the 6.5.

627
00:35:43,360 --> 00:35:46,480
It just there's some there's
some stuff going on on the

628
00:35:46,480 --> 00:35:51,760
pallet that just slowly
dissipates into the black hole

629
00:35:51,760 --> 00:35:57,520
vortex that is oak like that.
Like this is what Matthew

630
00:35:57,520 --> 00:36:01,600
McConaughey got stuck in in in
Interstellar.

631
00:36:01,800 --> 00:36:06,040
Like, like it.
It's just the oak from all of

632
00:36:06,040 --> 00:36:11,720
these 1520 thirty year bourbons.
Yeah, man.

633
00:36:11,720 --> 00:36:16,000
And I have to be honest with
you, I think that the 1st 60% of

634
00:36:16,000 --> 00:36:19,880
this tasting experience was the
best one of these that we've had

635
00:36:19,880 --> 00:36:21,800
so far.
I really liked where this was

636
00:36:21,800 --> 00:36:24,720
going.
And then it was just like it, it

637
00:36:24,720 --> 00:36:28,320
would kept piling on itself.
And I just want to be able to

638
00:36:28,320 --> 00:36:30,800
shake this Burbin and say like,
quit while you're ahead.

639
00:36:30,960 --> 00:36:32,480
You, you had a good thing going
here.

640
00:36:33,120 --> 00:36:35,600
I'll give it a 6.5 again on the
finish.

641
00:36:35,600 --> 00:36:38,480
It's not terrible.
And once you know what you're

642
00:36:38,480 --> 00:36:42,800
getting, the 2nd 3rd sip are not
unpleasant, but it's just it

643
00:36:42,800 --> 00:36:47,240
could have been so much better.
Yeah, I gave it A7 on balance.

644
00:36:47,240 --> 00:36:52,680
I I think that this is a well
made whiskey that has lots of

645
00:36:52,680 --> 00:36:55,920
good qualities.
It's just overwhelmed by the

646
00:36:55,920 --> 00:36:59,160
age.
So I, I don't know where are you

647
00:36:59,160 --> 00:37:03,840
at on balance?
This is hard because I don't

648
00:37:03,840 --> 00:37:06,680
think that the nose tipped me
off about how oaky this was

649
00:37:06,680 --> 00:37:09,920
going to get, but the oak was
definitely there, you know what

650
00:37:09,920 --> 00:37:11,480
I mean?
Like I don't think a nose can

651
00:37:11,480 --> 00:37:13,680
tip off how sour the oak is
going to taste.

652
00:37:14,120 --> 00:37:17,880
So like is it well balanced?
I think it might be pretty well

653
00:37:17,880 --> 00:37:20,240
balanced and it's a 15 year
bourbon like this.

654
00:37:20,280 --> 00:37:24,000
This all everything we've said
makes sense for a 15 year

655
00:37:24,000 --> 00:37:25,320
bourbon.
Nothing seems out of the

656
00:37:25,320 --> 00:37:27,240
ordinary here.
It's just something that we

657
00:37:27,240 --> 00:37:31,040
don't personally love.
I think I'll give it an 8 out of

658
00:37:31,040 --> 00:37:34,080
10 on balance.
Like I I can't hold it against

659
00:37:34,120 --> 00:37:37,320
the whiskey that it does what it
is supposed to do at this age.

660
00:37:38,160 --> 00:37:40,520
Sure.
I can, however, hold it against

661
00:37:40,520 --> 00:37:42,840
this whiskey that it costs a
whole bunch of money.

662
00:37:44,080 --> 00:37:48,040
I think MSRP on this Brad is
around $160.

663
00:37:48,040 --> 00:37:52,120
I'm seeing 16999.
And then when you're actually

664
00:37:52,120 --> 00:37:54,800
trying to find the particular
batch we're drinking, which is

665
00:37:54,800 --> 00:37:59,520
the Indiana batch #2 I mean,
it's like at least $300.00 at

666
00:37:59,520 --> 00:38:02,400
this point.
So I don't know if you want to

667
00:38:02,400 --> 00:38:05,640
consider it our in our new
premium category or not.

668
00:38:06,160 --> 00:38:10,320
Yeah.
Bob, Bob, this is you are not

669
00:38:10,320 --> 00:38:12,320
going to find this for less than
$200.

670
00:38:12,320 --> 00:38:14,040
Yeah.
It's not worth $200, Brad.

671
00:38:14,640 --> 00:38:21,080
No, no, in in the category of
premium, I think I would give

672
00:38:21,080 --> 00:38:26,480
this about a four and a half
like I like.

673
00:38:26,480 --> 00:38:28,880
I think it's decent.
I don't think it's a terrible

674
00:38:28,880 --> 00:38:33,160
value for a premium whiskey.
I just think that there's so

675
00:38:33,160 --> 00:38:36,760
many better options out there
for you in that premium

676
00:38:36,760 --> 00:38:39,280
category.
We were just talking to the

677
00:38:39,280 --> 00:38:42,480
owner of this bottle of whiskey
who generously sent us a sample

678
00:38:42,480 --> 00:38:46,080
of it, our friend Wes, and he
was basically saying that the

679
00:38:46,080 --> 00:38:49,400
way that he likes to price out
things he buys on the secondary

680
00:38:49,400 --> 00:38:56,720
is the $10 per year rule.
So at 15 years old, $150.00 for

681
00:38:56,720 --> 00:38:58,080
this bottle would be about
right.

682
00:38:58,560 --> 00:39:01,480
So I think that if we are
pricing it at 150, I'd give it a

683
00:39:01,480 --> 00:39:03,280
better score.
The fact that you can't get it

684
00:39:03,280 --> 00:39:07,040
for less than at least 200 now,
it's just not worth that much.

685
00:39:07,040 --> 00:39:08,920
I'm going to give it a yeah, I'm
with you, man.

686
00:39:08,920 --> 00:39:15,480
I'll give it a 4.5 on value and
that takes me to a 33.5 out of

687
00:39:15,480 --> 00:39:18,360
50.
Are you in the same place as me?

688
00:39:18,360 --> 00:39:20,720
Yeah.
I sure am exact same score.

689
00:39:20,800 --> 00:39:24,160
I love it, man.
So yeah, that was a pretty easy

690
00:39:24,160 --> 00:39:25,960
one.
Brad, we're at a 33 1/2.

691
00:39:26,400 --> 00:39:31,000
If you were just scoring out
like what's in the glass, does

692
00:39:31,000 --> 00:39:34,960
this drink like a 35 out of fit?
Like would you recommend the

693
00:39:34,960 --> 00:39:41,280
juice itself, Brad?
Oh yes, I, I think that what is

694
00:39:41,280 --> 00:39:46,160
here in the glass is unique and
interesting and somewhat complex

695
00:39:46,160 --> 00:39:50,920
on the nose and then slowly that
that complexity just it's a

696
00:39:50,920 --> 00:39:55,280
black hole, man.
I I, I think that it's solid

697
00:39:55,280 --> 00:39:58,640
whiskey, but it gets lost in the
age statement.

698
00:40:00,800 --> 00:40:03,680
I have nothing else to say, man.
Wes, thank you again for your

699
00:40:03,680 --> 00:40:09,680
insanely oaky aged bourbons.
But Brad, if I can just be frank

700
00:40:09,680 --> 00:40:11,400
with you, man, this is just not
my.

701
00:40:11,720 --> 00:40:15,840
This is not my wheelhouse.
No, no, nor mind Bob.

702
00:40:15,920 --> 00:40:19,200
I And that's crazy because like,
you're the one who loves bourbon

703
00:40:19,520 --> 00:40:23,880
and I, I wish that I could say
better things about this, but

704
00:40:23,880 --> 00:40:27,640
here I am.
It's fine 33.5 I will not

705
00:40:27,640 --> 00:40:30,840
recommend it if you find it at a
bar and you know what you're

706
00:40:30,840 --> 00:40:35,280
getting into like go for it
spend your money but I I

707
00:40:35,280 --> 00:40:37,600
wouldn't.
Go for it, Spend your money.

708
00:40:37,800 --> 00:40:39,760
I love it, man.
All right, let's get back into

709
00:40:39,760 --> 00:40:41,320
talking about Pirates of the
Caribbean.

710
00:40:41,320 --> 00:40:43,760
What do you say?
Well, let's get to it.

711
00:40:48,200 --> 00:40:52,040
All right, everybody.
That was Sam Houston 15.

712
00:40:52,320 --> 00:40:56,600
Should have been Sam Houston 8
and I think that they would have

713
00:40:56,600 --> 00:40:58,520
had a hell of a product.
Oh, it would have been great,

714
00:40:58,520 --> 00:40:59,920
man.
The end.

715
00:41:00,000 --> 00:41:01,160
Yeah, I'd have nothing else to
say there.

716
00:41:01,480 --> 00:41:03,200
That's it.
That's all folks.

717
00:41:03,600 --> 00:41:05,320
You know what is a great
product, Brad?

718
00:41:06,360 --> 00:41:11,040
Is it Canada's favorite segment?
2 facts and a falsehood. 2 facts

719
00:41:11,040 --> 00:41:14,840
and a falsehood.
Brad is going to try to stump

720
00:41:14,840 --> 00:41:19,360
your ball 2 all right.
And what is wrong?

721
00:41:21,040 --> 00:41:24,720
2 facts and a falsehood. 2 Facts
and a Falsehood is the part of

722
00:41:24,720 --> 00:41:28,400
the show where Brad presents me
with three items as fact about

723
00:41:28,400 --> 00:41:32,120
the making of this movie, one of
which is a complete lie.

724
00:41:32,600 --> 00:41:36,120
Brad, right now I am sitting at
10:00 and 6:00 on the season

725
00:41:36,360 --> 00:41:40,040
because I got 2 unfortunate
losses a few weeks ago when our

726
00:41:40,040 --> 00:41:44,160
guest LED me astray.
This is our 16th episode of

727
00:41:44,160 --> 00:41:46,160
Season 8, so after today we're
halfway.

728
00:41:46,160 --> 00:41:49,320
Through the season, halfway
through, it always kind of jumps

729
00:41:49,320 --> 00:41:52,000
up on me by surprise.
I didn't realize we were already

730
00:41:52,000 --> 00:41:55,360
that far into the Season 8.
What are your thoughts on on the

731
00:41:55,360 --> 00:41:58,040
first half of season 8?
Think that I've had a movies

732
00:41:58,040 --> 00:42:02,640
we've watched.
Yeah, I the 90s were a wild

733
00:42:02,640 --> 00:42:05,640
time.
Like for a few years there I was

734
00:42:05,640 --> 00:42:08,840
just kind of like above average
on an Independence Day.

735
00:42:08,840 --> 00:42:13,160
Men in Black, but like man, true
lies the fugitive.

736
00:42:13,680 --> 00:42:16,720
Come on man, it was a hell of a
decade.

737
00:42:16,800 --> 00:42:20,720
I can't remember exactly where I
heard it, but there's a a writer

738
00:42:20,720 --> 00:42:23,640
named Chuck Klosterman and he
was on a podcast once and he was

739
00:42:23,640 --> 00:42:28,920
talking about this idea of kind
of like how with increasing

740
00:42:28,920 --> 00:42:32,400
technology, culture actually
doesn't change as much anymore.

741
00:42:32,520 --> 00:42:35,440
Like you think that things speed
up now, but things that were

742
00:42:35,440 --> 00:42:38,760
made 20 years ago feel pretty
much the same as they do now.

743
00:42:39,400 --> 00:42:43,440
Whereas in in prior generations,
things accelerated so rapidly.

744
00:42:43,440 --> 00:42:47,840
Think about movies from the 40s
versus the 60s versus the 80s.

745
00:42:48,480 --> 00:42:51,360
And I think that this is kind of
what I'm seeing here.

746
00:42:51,360 --> 00:42:56,880
Like we got distinct phases of
movie making between the Rain

747
00:42:56,880 --> 00:43:00,480
Man's and the Batman's of the
world to even The Fugitive.

748
00:43:00,480 --> 00:43:03,040
And then in the late 90s, your
Independence days, your men and

749
00:43:03,040 --> 00:43:05,120
blacks.
And now it kind of feels like

750
00:43:05,240 --> 00:43:09,520
this is the last gasp of old
movie making and pretty much

751
00:43:09,520 --> 00:43:12,520
everything from Transformers
through End Game is going to

752
00:43:12,520 --> 00:43:16,040
feel like the exact same thing.
And so like, I will miss the

753
00:43:16,040 --> 00:43:17,840
variety.
I think that's what that's

754
00:43:17,840 --> 00:43:20,040
what's been really nice about
the first half of this season is

755
00:43:20,040 --> 00:43:22,080
we've gotten a ton of variety
here.

756
00:43:23,480 --> 00:43:25,600
You do you want to hear my my
theory, Bob?

757
00:43:25,680 --> 00:43:29,200
Let's hear it.
I think that the Internet has

758
00:43:29,280 --> 00:43:33,760
homogenized humanity.
And like, we thought that it was

759
00:43:33,760 --> 00:43:36,360
going to be this great thing
that allowed us to discover each

760
00:43:36,360 --> 00:43:39,000
other's uniqueness.
But at the end of the day,

761
00:43:39,000 --> 00:43:42,320
advertisers were like, oh, you
mean I can get dad on all these

762
00:43:42,320 --> 00:43:46,720
people and figure out what the
most amount of people are

763
00:43:46,720 --> 00:43:49,200
attracted to so I can make money
off of them?

764
00:43:49,720 --> 00:43:51,720
Like, those are the things we're
going to make.

765
00:43:51,960 --> 00:43:53,680
And like, that's that right
there.

766
00:43:54,160 --> 00:43:58,320
Death of creativity, Bob.
Yep, as we review a movie based

767
00:43:58,320 --> 00:44:02,680
on a roller coaster, Brad, hit
me with your two facts and a

768
00:44:02,680 --> 00:44:06,000
falsehood.
Fact #1 When casting for the

769
00:44:06,000 --> 00:44:10,000
role of Will Turner, it was down
to Orlando Bloom or Heath

770
00:44:10,160 --> 00:44:12,080
Ledger.
They made a mistake.

771
00:44:14,720 --> 00:44:17,000
No commentary here Bobble, just
the facts.

772
00:44:18,320 --> 00:44:21,400
Verbinski chose Bloom because he
knew that he was in the Lord of

773
00:44:21,400 --> 00:44:24,160
the Rings trilogy and felt that
he would be a more bankable

774
00:44:24,160 --> 00:44:28,120
choice.
Fact #2 In the scene where Keira

775
00:44:28,120 --> 00:44:31,160
Knightley sets fire to the rum
on the deserted island, the

776
00:44:31,160 --> 00:44:35,840
smoke rose so high that the
Grenadine Coast Guard came to

777
00:44:35,840 --> 00:44:40,800
investigate.
Fact #3 When returning home from

778
00:44:40,800 --> 00:44:45,360
a night shoot on one of the I
was Is it Caribbean or

779
00:44:45,360 --> 00:44:47,400
Caribbean?
What are we going with?

780
00:44:48,600 --> 00:44:51,320
Yeah, dealer's choice, man.
No, I'm just going to start

781
00:44:51,320 --> 00:44:54,160
start over.
Fact #3 When returning from a

782
00:44:54,160 --> 00:44:56,800
night shoot on one of the
Caribbean islands, Keira

783
00:44:56,800 --> 00:44:58,920
Knightley's boat struck a reef
and went down.

784
00:44:59,120 --> 00:45:02,840
The only people aboard were
Knightley, her mother and the

785
00:45:02,840 --> 00:45:05,400
boat skipper, all of whom
escaped unharmed and were

786
00:45:05,400 --> 00:45:11,240
rescued within a few hours.
I think it's either two or

787
00:45:11,240 --> 00:45:14,360
three.
And I say that because like I'm,

788
00:45:14,360 --> 00:45:16,880
I'm just going to assume that
what I said earlier is correct

789
00:45:16,880 --> 00:45:20,280
that you could slot in anybody
for Orlando Bloom.

790
00:45:20,280 --> 00:45:23,440
So I have to assume they were
looking at a number of different

791
00:45:23,440 --> 00:45:26,160
actors for this part.
Heath Ledger makes sense based

792
00:45:26,160 --> 00:45:31,040
on his age.
So then it's like, OK, did the

793
00:45:31,040 --> 00:45:34,520
fire signal call people over to
investigate?

794
00:45:34,520 --> 00:45:36,840
One would think that when
they're burning trees, they

795
00:45:36,840 --> 00:45:39,960
would have gotten some permits.
So I don't know #2 seems

796
00:45:39,960 --> 00:45:45,600
suspicious #3 is also like, I,
you know who, like, cool story,

797
00:45:45,600 --> 00:45:48,600
bro, You know what I mean?
So that seems like it could be a

798
00:45:48,600 --> 00:45:52,120
Brad G special.
Brad G Original.

799
00:45:52,280 --> 00:45:53,960
I was gonna say #3 is the
falsehood.

800
00:45:53,960 --> 00:45:55,920
That one just kind of stuck out
to me, is the falsehood.

801
00:45:55,920 --> 00:45:58,440
But the more I think about it,
the more it doesn't really make

802
00:45:58,440 --> 00:46:00,600
sense that people would come to
investigate.

803
00:46:02,120 --> 00:46:05,320
So I'll go out on a limb and
I'll go against my gut and I'll

804
00:46:05,320 --> 00:46:12,080
say #2 is the falsehood, Brad?
Bob, you have done it again,

805
00:46:12,080 --> 00:46:15,320
proving to yourself that your
gut is a terrible, terrible

806
00:46:15,320 --> 00:46:18,040
thing to follow because #2 is
the falsehood.

807
00:46:19,320 --> 00:46:23,040
All right, yeah, I just don't
think Disney would mess around

808
00:46:23,040 --> 00:46:28,040
with like, let's burn Caribbean
islands and see what happens

809
00:46:28,040 --> 00:46:31,760
without a permit.
Just seems like the worst

810
00:46:31,800 --> 00:46:35,320
lawsuit waiting to happen.
Be a good time.

811
00:46:38,240 --> 00:46:39,400
That's funny.
All right, so tell.

812
00:46:39,400 --> 00:46:42,280
Me that you haven't heard of
Dumber things happening on the

813
00:46:42,320 --> 00:46:44,680
set of Hollywood movies.
Oh 100% man.

814
00:46:44,680 --> 00:46:48,880
Then them not getting a a
permit, I mean heck one of my

815
00:46:48,880 --> 00:46:52,640
favorite movies of all time,
charade didn't file their

816
00:46:52,640 --> 00:46:56,720
patents properly.
And so the moment the movie came

817
00:46:56,720 --> 00:47:00,880
out and hit public domain like,
and that wasn't in like 1920,

818
00:47:00,880 --> 00:47:05,240
that was 1965.
I was just reading a a fact,

819
00:47:05,520 --> 00:47:09,080
man, I wish I could remember the
movie, but it was like a movie.

820
00:47:09,080 --> 00:47:12,280
It was Lawrence of Arabia.
And I think it was like, maybe

821
00:47:12,280 --> 00:47:15,360
it was the costumer, you know,
remember how beautiful those

822
00:47:15,360 --> 00:47:19,320
robes on Lawrence were?
And it was like the costumer

823
00:47:19,320 --> 00:47:22,440
wasn't nominated for an Oscar on
Lawrence of Arabia because

824
00:47:22,440 --> 00:47:25,760
somebody forgot to file the
paperwork on time and so they

825
00:47:25,760 --> 00:47:28,360
missed the deadline.
And it's like that movie won

826
00:47:28,360 --> 00:47:32,840
every other Oscar, was nominated
for, and the costumer just

827
00:47:32,840 --> 00:47:35,960
didn't get nominated.
Dude that you?

828
00:47:35,960 --> 00:47:37,560
Can you imagine how mad you
would be?

829
00:47:37,920 --> 00:47:39,520
Oh my gosh.
Come again?

830
00:47:39,520 --> 00:47:41,840
I spent all that time and effort
and I'm not going to get

831
00:47:41,840 --> 00:47:45,000
recognized by my peers because
you didn't file paperwork.

832
00:47:45,000 --> 00:47:47,720
Crazy, dude.
All right, let's get back into

833
00:47:47,720 --> 00:47:49,440
talking about Pirates of the
Caribbean.

834
00:47:49,880 --> 00:47:54,480
Brad, very famously, this movie
is based on a roller coaster.

835
00:47:54,920 --> 00:47:59,000
Now my first question to you,
have you been to either Disney

836
00:47:59,000 --> 00:48:01,720
World or Disneyland and have you
ridden the Pirates of the

837
00:48:01,720 --> 00:48:06,360
Caribbean ride?
As I said earlier, Bob, no and

838
00:48:06,360 --> 00:48:07,560
no, I don't.
Remember you saying that?

839
00:48:07,560 --> 00:48:09,600
I'm sorry, I must have been
scrolling and looking at the

840
00:48:09,600 --> 00:48:11,600
Orlando Bloom.
Reality show.

841
00:48:12,280 --> 00:48:15,080
It was a answer to a different
question that you asked.

842
00:48:15,080 --> 00:48:17,760
Oh, OK.
But my answer to most of your

843
00:48:17,760 --> 00:48:22,240
questions whenever you ask two
in a row to me are no and no.

844
00:48:22,240 --> 00:48:25,360
You've never been to Disney?
Not a single time in my life,

845
00:48:25,360 --> 00:48:30,680
no, no, when, when I was growing
up, my dad worked in the

846
00:48:30,680 --> 00:48:35,320
construction, in the trades and
in Cleveland, you pretty much

847
00:48:35,320 --> 00:48:40,560
get laid off from like December
to like late February, early

848
00:48:40,560 --> 00:48:43,960
March.
And so our vacation, you know,

849
00:48:43,960 --> 00:48:47,200
everybody else would come back
in the fall from summer break

850
00:48:47,200 --> 00:48:50,160
being like, yeah, we went to
like Hilton Head or Disney.

851
00:48:50,680 --> 00:48:53,840
And I would come back from
Christmas break and be like, I

852
00:48:53,840 --> 00:49:01,040
went to Iowa to visit family and
it was like 20�� colder and like

853
00:49:01,040 --> 00:49:06,320
20 more inches of snow.
So that was my vacation.

854
00:49:06,320 --> 00:49:09,640
OK, so the answer is no, you've
not been to Disney The.

855
00:49:09,640 --> 00:49:12,320
Answer is no, but the story.
That's both, man.

856
00:49:13,280 --> 00:49:16,000
The the real pirates were the
friends we made along the way.

857
00:49:16,160 --> 00:49:18,120
I think that's what you're
saying here, am I right?

858
00:49:19,320 --> 00:49:21,280
All right, so I've never ridden
Pirates of the Caribbean.

859
00:49:21,280 --> 00:49:25,600
That might be one that's only at
Disneyland, if I if I remember

860
00:49:25,600 --> 00:49:27,200
correctly, anyway, it's very
famous.

861
00:49:27,560 --> 00:49:29,920
You go on the thing.
The pirates are animatronics,

862
00:49:29,920 --> 00:49:32,840
but they're also spooky.
I don't know how much story they

863
00:49:32,840 --> 00:49:34,600
give you when you're riding the
ride.

864
00:49:34,640 --> 00:49:36,800
Like, is there a narrator?
Are they telling you about this

865
00:49:36,800 --> 00:49:38,200
curse?
Who's to say?

866
00:49:38,720 --> 00:49:41,360
But apparently Disney in the
early 2000s thought this is a

867
00:49:41,360 --> 00:49:45,520
great idea for adapting into a
fully fledged movie.

868
00:49:46,400 --> 00:49:49,680
And I remember thinking, this is
the dumbest idea for a movie

869
00:49:49,680 --> 00:49:52,280
I've ever like.
Even as a early teenager, I was

870
00:49:52,280 --> 00:49:55,600
like, this seems desperate.
Like, what are we doing here,

871
00:49:55,600 --> 00:49:57,680
folks?
And then the trailer came out

872
00:49:57,680 --> 00:50:00,360
and I was like, huh, maybe
that's not going to be so bad.

873
00:50:00,920 --> 00:50:03,880
And then I remember opening up
the the movie.

874
00:50:03,880 --> 00:50:05,800
I used to look at the movie
reviews like every week in the

875
00:50:05,800 --> 00:50:08,520
newspaper, and it got 3 1/2 out
of four.

876
00:50:08,520 --> 00:50:12,560
And I was like, oh, this might
end up being a good movie.

877
00:50:13,120 --> 00:50:18,400
And you know, fun fact it was,
it was a good movie, but I just

878
00:50:18,400 --> 00:50:23,920
can't believe like we talk now
about how soulless and hollow

879
00:50:23,920 --> 00:50:26,360
the adapting all the IP stuff
is.

880
00:50:26,840 --> 00:50:29,040
Disney's been doing this for a
long time, folks.

881
00:50:29,080 --> 00:50:32,800
And like, I just, it's so funny
to me that we now forget that

882
00:50:32,800 --> 00:50:35,960
they just based a whole movie
off of like what if roller

883
00:50:35,960 --> 00:50:41,080
coaster was movie?
I mean, it is that man.

884
00:50:41,280 --> 00:50:45,400
I I am loathe to say it, but I
might defend Disney a little bit

885
00:50:45,400 --> 00:50:48,440
here.
Like, is that the worst thing to

886
00:50:48,440 --> 00:50:51,640
do when coming up with a movie?
No, I don't think so.

887
00:50:51,640 --> 00:50:56,160
I do think, though, that like,
it's a really, it's a balancing

888
00:50:56,160 --> 00:50:57,680
act.
And it's one that that Gore

889
00:50:57,680 --> 00:51:00,400
Verbinski really nailed and all
the writers on this movie too.

890
00:51:00,400 --> 00:51:04,920
Because you want to replicate, I
guess what I'd say is like the

891
00:51:04,920 --> 00:51:06,400
feeling of being on a roller
coaster.

892
00:51:06,400 --> 00:51:10,960
You want this to be like a
rollicking adventure, but it's

893
00:51:10,960 --> 00:51:14,120
not really related to like you
are on a roller coaster.

894
00:51:14,160 --> 00:51:17,000
There's not like a lot of POV
shot like this could be filmed

895
00:51:17,000 --> 00:51:18,920
like a first person shooter, you
know what I mean?

896
00:51:19,360 --> 00:51:22,680
And I'm really glad they didn't
do that because they took the

897
00:51:22,680 --> 00:51:25,240
experience of like, why do we go
on a roller coaster?

898
00:51:25,240 --> 00:51:27,440
Why do we want to go on a roller
coaster that's kind of spooky?

899
00:51:27,800 --> 00:51:30,480
And they're like, let's expand
that into a movie going

900
00:51:30,480 --> 00:51:35,120
experience rather than just like
we have to actually replicate

901
00:51:35,160 --> 00:51:38,440
what it's like being on a ride
because I, I feel like there's a

902
00:51:38,440 --> 00:51:41,600
version of this movie that is
that and that would have sucked.

903
00:51:42,120 --> 00:51:44,800
Well, and and that's the
beautiful thing about what we

904
00:51:44,800 --> 00:51:51,160
got here is that I don't know if
I have seen many action

905
00:51:51,160 --> 00:51:56,280
adventure movies that have
perfect pacing the way that this

906
00:51:56,280 --> 00:51:59,440
film does.
Like walking away from this

907
00:51:59,440 --> 00:52:04,400
viewing of the movie.
I kept, as the movie went on, I

908
00:52:04,400 --> 00:52:08,280
kept waiting for the slow part
where it dragged right, 'cause

909
00:52:08,280 --> 00:52:11,920
every action adventure movie has
the slow part in the middle

910
00:52:11,920 --> 00:52:14,680
where it drags a little bit and
you have to put up with a little

911
00:52:14,680 --> 00:52:19,640
bit of exposition or like
explaining why the bad guys are

912
00:52:19,640 --> 00:52:24,320
doing what they do.
And even when those things kind

913
00:52:24,320 --> 00:52:29,360
of come around in this movie,
they are so well done and

914
00:52:29,360 --> 00:52:33,960
they're so action oriented and
they they thrust you through the

915
00:52:33,960 --> 00:52:39,760
movie at such a fast, breakneck
pace that it feels like you are

916
00:52:39,760 --> 00:52:44,160
on a roller coaster without any
of the gimmicky things a lot of

917
00:52:44,160 --> 00:52:48,320
directors would do if they were
told make this like a roller

918
00:52:48,320 --> 00:52:50,560
coaster.
Yeah, they replicate it through

919
00:52:50,560 --> 00:52:53,320
good movie making, not through
gimmicks.

920
00:52:53,320 --> 00:52:57,120
Yep.
Yeah, man, it's so nice to be in

921
00:52:57,120 --> 00:53:00,520
agreement with you, Brad, but I
wonder what kind of what kind

922
00:53:00,600 --> 00:53:02,720
of.
The heartburn Is that because of

923
00:53:02,720 --> 00:53:05,000
the heartburn that you get when
we disagree?

924
00:53:05,280 --> 00:53:07,920
I do wonder, like, what kind of
audio are we producing today?

925
00:53:07,920 --> 00:53:09,560
Because we're both just like,
Yup, Yup.

926
00:53:09,640 --> 00:53:12,000
And then there's five seconds of
silence and then we're like, oh,

927
00:53:12,000 --> 00:53:13,800
I guess we have to move on to
the next thing now.

928
00:53:14,080 --> 00:53:17,240
We're not arguing.
It's like Skip Bayless and

929
00:53:17,240 --> 00:53:20,000
Stephen A Smith, just like
agreeing for a whole episode.

930
00:53:20,600 --> 00:53:24,200
Yeah, that would be incredible.
Worst first take episode of all

931
00:53:24,200 --> 00:53:27,120
time.
All right, man, So what?

932
00:53:27,120 --> 00:53:29,880
What else have we not hit yet
about this movie that you want

933
00:53:29,880 --> 00:53:33,320
to make sure we discuss, because
I'm pretty much tapped out.

934
00:53:33,320 --> 00:53:35,240
It's a really good movie.
It's fun.

935
00:53:35,720 --> 00:53:39,800
I'm not sure if it's the classic
that it's been re evaluated as,

936
00:53:39,800 --> 00:53:42,800
but I'm also not going to I'm
not going to say many words

937
00:53:42,800 --> 00:53:45,360
against it here.
So Brad, you know, I think

938
00:53:45,360 --> 00:53:47,240
you're a little bit higher on
this movie than me.

939
00:53:47,560 --> 00:53:52,480
What am I missing here still?
The soundtrack, Bob.

940
00:53:52,960 --> 00:53:54,920
My guy, Hans.
Dude.

941
00:53:55,040 --> 00:53:58,120
Well First off, technically
credited.

942
00:53:58,160 --> 00:54:02,880
I don't think Hans is credited
as the composer for this movie.

943
00:54:03,360 --> 00:54:04,800
'Cause he steals everything,
man.

944
00:54:05,520 --> 00:54:08,720
Well I've I've heard that said
to be true.

945
00:54:09,240 --> 00:54:16,240
What I do know is that the
entire like Pirates theme is

946
00:54:16,240 --> 00:54:20,520
based off of like 1 little bar
from Gladiator.

947
00:54:21,680 --> 00:54:23,880
You know what I'm talking about,
yeah.

948
00:54:24,080 --> 00:54:26,160
'Cause he mentioned it in the
Gladiator episode.

949
00:54:26,200 --> 00:54:30,720
Yes, he and he took that and he
gave it to his minions and they

950
00:54:30,720 --> 00:54:35,280
turned it into the entire
pirates soundtrack and it

951
00:54:35,280 --> 00:54:41,520
freaking rocks.
I like any good action movie

952
00:54:41,520 --> 00:54:45,840
adventure movie needs great
music and like I'm I'm even

953
00:54:45,840 --> 00:54:49,320
thinking about like the theme to
spider man from 2002.

954
00:54:49,320 --> 00:54:54,440
Yep, like that theme freaking
rocks and it makes that movie

955
00:54:54,440 --> 00:54:56,880
incredible.
And I think the same thing is

956
00:54:56,880 --> 00:55:00,880
true here.
Yeah, this this has this really

957
00:55:00,880 --> 00:55:04,120
charming, I don't want to call
it cheesiness to it because it's

958
00:55:04,120 --> 00:55:08,440
like, it's like this big bright,
percussive, almost like

959
00:55:08,440 --> 00:55:11,960
overbearing soundtrack.
And I think that if this movie

960
00:55:11,960 --> 00:55:14,360
was being made today, the
soundtrack would sound very

961
00:55:14,360 --> 00:55:16,240
different.
A it would have no recognizable

962
00:55:16,240 --> 00:55:18,200
themes because that's just how
movies get made now.

963
00:55:18,840 --> 00:55:21,880
But like, it'd be much darker.
It would be much kind of more

964
00:55:22,720 --> 00:55:26,280
ambient and in the background.
And this movie's like, no, every

965
00:55:26,280 --> 00:55:30,480
time you see British soldiers
punching skeletons in the face,

966
00:55:30,480 --> 00:55:37,720
we're going to throw in like,
it's just, it's so big and brash

967
00:55:38,160 --> 00:55:43,920
that you you have to respect the
2003 Ness of it and like it.

968
00:55:44,440 --> 00:55:48,040
I miss movies like that.
I miss when movies were like fun

969
00:55:48,040 --> 00:55:51,080
swashbuckling adventures that
did not take themselves too

970
00:55:51,080 --> 00:55:55,360
seriously and didn't feel like
they had to double down on being

971
00:55:55,360 --> 00:55:59,880
grounded or gritty or realistic.
This is a movie about a roller

972
00:55:59,880 --> 00:56:02,200
coaster where pirates turn into
skeletons.

973
00:56:02,320 --> 00:56:04,080
Like, what are we?
Like just have fun.

974
00:56:04,280 --> 00:56:06,600
And, and I think the soundtrack
embodies that.

975
00:56:06,840 --> 00:56:08,440
It's not taking itself too
seriously.

976
00:56:08,440 --> 00:56:13,560
It is a really cool theme, but
like it's a little cheesy and I

977
00:56:13,560 --> 00:56:16,920
love that about it.
Yeah, it, it's cheesy in all the

978
00:56:16,920 --> 00:56:19,680
right ways.
And I think that the same, like

979
00:56:20,440 --> 00:56:25,040
that can be said for the whole
movie.

980
00:56:25,040 --> 00:56:28,600
Like when I think about Geoffrey
Rush's performance, it's cheesy,

981
00:56:29,200 --> 00:56:32,800
but like in all of the right
ways, hitting all of the right

982
00:56:32,800 --> 00:56:35,520
notes.
I I think the same thing for

983
00:56:35,520 --> 00:56:37,200
Orlando Bloom and Keira
Knightley.

984
00:56:37,200 --> 00:56:42,520
Like they're all over the top in
just the right ways that keep

985
00:56:42,520 --> 00:56:45,000
you at the edge of your seats
and engaged.

986
00:56:45,560 --> 00:56:50,400
This is one of the true summer
blockbusters.

987
00:56:50,920 --> 00:56:53,880
And I, I know that you might not
put this movie in the, the

988
00:56:53,880 --> 00:56:59,400
classic category, but I, I think
you should because it, it falls

989
00:56:59,400 --> 00:57:03,000
in that perfect.
Like this is just a summer

990
00:57:03,000 --> 00:57:08,080
blockbuster that you could go
see like 3 months in a row once

991
00:57:08,080 --> 00:57:11,720
a month and be more than happy
that you went to see it three

992
00:57:11,720 --> 00:57:14,440
times.
No, I'm with you, man.

993
00:57:14,440 --> 00:57:16,840
And I think that that's kind of
what I was trying to get at at

994
00:57:16,840 --> 00:57:19,320
the beginning of the episode,
talking about how this is a

995
00:57:19,320 --> 00:57:23,600
cross section of a lot of
different groups of moviegoers.

996
00:57:24,080 --> 00:57:26,520
Like it.
It appeals to your weird Disney

997
00:57:26,520 --> 00:57:29,120
adults who are just big on all
Disney IP.

998
00:57:29,480 --> 00:57:33,320
It appeals to like movie critics
who just like to say stuff rules

999
00:57:33,320 --> 00:57:36,840
sometimes.
It like this is, for all intents

1000
00:57:36,840 --> 00:57:38,640
and purposes, it's like a modern
classic.

1001
00:57:38,640 --> 00:57:41,560
I don't really know many people
who talk down on this movie.

1002
00:57:41,800 --> 00:57:45,040
It's just a fun movie.
I mean, there there's even some

1003
00:57:45,040 --> 00:57:48,960
horror elements to the start of
the film that like had that

1004
00:57:48,960 --> 00:57:52,080
aren't like incredibly well
done, but they're they're like

1005
00:57:52,080 --> 00:57:54,840
just effective enough that I
like I'm in.

1006
00:57:54,840 --> 00:57:57,000
It's scary.
Well, Brad, I think that that's

1007
00:57:57,000 --> 00:57:59,560
actually a really good jumping
off point to get to our last

1008
00:57:59,560 --> 00:58:02,960
segment of the day, which we
call let's make it a double.

1009
00:58:03,240 --> 00:58:05,400
We're near the end of the
episodes.

1010
00:58:05,560 --> 00:58:07,760
Oh, thanks for listening to the
film and Whiskey Show.

1011
00:58:07,920 --> 00:58:10,320
Let's pair another film with
this one, even if it's

1012
00:58:10,320 --> 00:58:12,200
struggling.
It's a final segment of the day.

1013
00:58:12,200 --> 00:58:15,160
Now let's make it a double.
Let's Make It a Double is the

1014
00:58:15,160 --> 00:58:18,400
part of the show where we pick a
movie to pair up with this one

1015
00:58:18,720 --> 00:58:20,360
to make the perfect double
feature.

1016
00:58:20,840 --> 00:58:22,360
Brad, would you like to go first
today?

1017
00:58:22,960 --> 00:58:27,400
Oh, I think I will, Bob.
I am going to stick in the same

1018
00:58:27,960 --> 00:58:34,320
realm of film, action, adventure
and I am going to go with a a

1019
00:58:34,320 --> 00:58:37,960
little known movie.
Not many people saw it that

1020
00:58:37,960 --> 00:58:40,320
definitely not as good as
Pirates of the Caribbean, but I

1021
00:58:40,320 --> 00:58:44,120
think you'd have a fun night
with a double feature. 1998's

1022
00:58:44,120 --> 00:58:50,280
The Mask of Zora.
I love it dude, what a fun

1023
00:58:50,280 --> 00:58:53,080
movie.
Yeah, like, like both movies,

1024
00:58:53,080 --> 00:58:56,760
just really fun, really earnest
movies that I think anybody

1025
00:58:56,760 --> 00:58:59,560
could enjoy.
I'm kind of similar to you.

1026
00:58:59,600 --> 00:59:03,240
I'm I'm waffling between 2:00
and I I'll give the one that's

1027
00:59:03,240 --> 00:59:08,000
like the more film guy first.
There's a movie that came out

1028
00:59:08,000 --> 00:59:10,320
the same year that I think was
nominated for best picture

1029
00:59:10,320 --> 00:59:13,880
called Master and Commander.
It's a Russell Crowe movie about

1030
00:59:13,880 --> 00:59:17,160
him sailing on a ship as part of
the British naval fleet.

1031
00:59:17,400 --> 00:59:20,040
It freaking slaps.
It's so good.

1032
00:59:20,480 --> 00:59:23,560
And I haven't seen Master and
Commander I think probably since

1033
00:59:23,560 --> 00:59:25,320
the same time I saw Pirates of
the Caribbean.

1034
00:59:25,320 --> 00:59:28,200
I'd love to revisit it.
Did not get a chance to before

1035
00:59:28,200 --> 00:59:32,480
recording today, but I think
based on the tone of the movie I

1036
00:59:32,480 --> 00:59:37,280
actually just watched, I'm going
to pair this up with 1999's The

1037
00:59:37,280 --> 00:59:43,720
Mummy, a movie that is equal
parts rip roaring good time and

1038
00:59:43,720 --> 00:59:47,120
goofy masterpiece like.
And that's kind of the tone that

1039
00:59:47,120 --> 00:59:49,840
this is going for.
It's it's goofy.

1040
00:59:49,920 --> 00:59:53,080
It's just a fun little movie
that's PG13.

1041
00:59:53,080 --> 00:59:55,560
So when you see it when you're
11, you feel like you're

1042
00:59:55,560 --> 00:59:58,520
watching a movie for grown-ups
and then you watch it as a 30

1043
00:59:58,520 --> 01:00:00,720
year old and you're like, oh,
this is a movie for 11 year

1044
01:00:00,720 --> 01:00:04,160
olds, but it's still good.
Like that's that's The Mummy and

1045
01:00:04,160 --> 01:00:07,640
that's this movie.
And I would have such a blast

1046
01:00:07,640 --> 01:00:09,280
watching both of those movies
together.

1047
01:00:09,600 --> 01:00:14,000
Yeah 100% man I have never seen
the mummy but everything I've

1048
01:00:14,000 --> 01:00:16,320
heard about it would confirm
what you are saying.

1049
01:00:16,720 --> 01:00:19,680
It's so good, man.
I might prefer The Mummy to this

1050
01:00:19,680 --> 01:00:24,080
just a little bit, but they're
like, if you've seen this movie,

1051
01:00:24,080 --> 01:00:26,360
you have an idea of what it's
like to watch The Mummy.

1052
01:00:26,920 --> 01:00:30,880
Just a just a fun time dude.
Yeah, no, I'm, I'm in man.

1053
01:00:30,880 --> 01:00:34,040
I would 100% watch that.
All right, let's get to final

1054
01:00:34,040 --> 01:00:36,160
scores here.
I think I'm going to be just

1055
01:00:36,160 --> 01:00:39,240
slightly lower than you.
I was really looking forward to

1056
01:00:39,240 --> 01:00:43,040
revisiting this because I've
seen so many people talk about,

1057
01:00:43,360 --> 01:00:45,280
hey, I went back and watched
Pirates of the Caribbean and

1058
01:00:45,280 --> 01:00:48,440
that movie holds up like crazy.
And I went back and watched it

1059
01:00:48,440 --> 01:00:50,880
and I loved it.
Like I had such a fun time

1060
01:00:50,880 --> 01:00:53,240
watching it.
But I did have a little bit of

1061
01:00:53,240 --> 01:00:56,840
that.
This is a movie for 11 year olds

1062
01:00:56,840 --> 01:00:59,480
that was marketed to like
grown-ups.

1063
01:01:00,160 --> 01:01:03,400
And that tension between it, it
doesn't quite want to embrace

1064
01:01:03,400 --> 01:01:07,080
being a violent film for adults,
but it also doesn't quite want

1065
01:01:07,080 --> 01:01:09,560
to embrace being a bloodless
film for kids.

1066
01:01:10,480 --> 01:01:13,520
It didn't always work together.
It felt like those two things

1067
01:01:13,520 --> 01:01:16,720
were at odds, you know, a few
times in the movie for me, and I

1068
01:01:16,720 --> 01:01:19,040
think that's what brought it
down just a little bit in my

1069
01:01:19,040 --> 01:01:22,480
estimation.
But overall, man, what, what can

1070
01:01:22,480 --> 01:01:24,280
you say negatively about this
movie?

1071
01:01:24,280 --> 01:01:25,920
It's an 8 out of 10 for me,
Brad.

1072
01:01:26,920 --> 01:01:30,040
I yeah, I'm at a 9 1/2 out of
10.

1073
01:01:30,320 --> 01:01:34,320
Wow 9.5.
And I, I think a large reason

1074
01:01:34,320 --> 01:01:38,760
for that is how entertaining
this was.

1075
01:01:38,760 --> 01:01:43,160
Like if we scored this out in
categories like cinematography

1076
01:01:43,160 --> 01:01:47,040
and sound and entertainment
value and things like that, it

1077
01:01:47,040 --> 01:01:49,600
would get a 10 out of 10 on
entertainment for me.

1078
01:01:49,600 --> 01:01:55,000
I like, like I said man, I kept
waiting for it to get boring and

1079
01:01:55,000 --> 01:01:59,600
it never did.
It kept me absolutely glued to

1080
01:01:59,600 --> 01:02:02,560
the screen.
I was exhausted and was planning

1081
01:02:02,560 --> 01:02:06,600
on watching it over two nights
and couldn't stop watching and

1082
01:02:06,600 --> 01:02:09,480
watched it all in one night.
Like that's how much I enjoyed

1083
01:02:09,480 --> 01:02:12,240
this movie.
I I think this is a modern

1084
01:02:12,240 --> 01:02:15,120
classic and I I think that
Pirates of the Caribbean

1085
01:02:15,520 --> 01:02:19,760
deserves all of the the
laudatory reviews that has

1086
01:02:19,800 --> 01:02:22,640
gotten.
All right, so there it is.

1087
01:02:22,640 --> 01:02:27,480
I gave it an 8, Brad gave it a
9.5, which puts us out at an

1088
01:02:27,480 --> 01:02:31,000
8.75 out of 10.
But we'd like to know what you

1089
01:02:31,000 --> 01:02:35,440
think is, first of all, we're in
agreement here, Brad.

1090
01:02:35,440 --> 01:02:37,360
This is the best of the Pirates
movies, right?

1091
01:02:37,760 --> 01:02:39,760
Oh, far and away.
I think the second one has

1092
01:02:39,760 --> 01:02:41,960
cooler effects, but this is the
best movie.

1093
01:02:42,360 --> 01:02:44,600
Folks, you can disagree with me
if you want, but let us know

1094
01:02:44,600 --> 01:02:46,760
what you think of The Curse of
the Black Pearl.

1095
01:02:47,040 --> 01:02:50,400
You can find us on all of our
social media accounts, Facebook,

1096
01:02:50,400 --> 01:02:55,120
Twitter, Instagram, TikTok, and
YouTube at Film Whiskey.

1097
01:02:56,120 --> 01:02:57,760
Yeah, or you can follow us on
Discord.

1098
01:02:57,760 --> 01:03:01,360
We are on there every single day
talking to you guys, fans of the

1099
01:03:01,360 --> 01:03:03,960
Film and Whiskey podcast.
So if you'd like to join the

1100
01:03:03,960 --> 01:03:06,200
conversation, you can find a
link to the Discord at the end

1101
01:03:06,200 --> 01:03:08,120
of every single one of our show
notes.

1102
01:03:09,160 --> 01:03:11,880
I don't know that there will
ever be a harder pivot, A

1103
01:03:11,960 --> 01:03:17,480
weirder left turn thematically.
Then this week to next week in

1104
01:03:17,480 --> 01:03:22,560
our podcast, Brad, because next
week we, I don't even want to

1105
01:03:22,560 --> 01:03:25,760
say it, man, it feels weird.
Next week we're watching Mel

1106
01:03:25,760 --> 01:03:31,160
Gibson's 2004 film The Passion
of the Christ, and boy oh boy,

1107
01:03:31,160 --> 01:03:34,760
is that is that different than
than Undead pirates?

1108
01:03:35,400 --> 01:03:37,120
It's basically the same movie,
yeah.

1109
01:03:37,280 --> 01:03:40,960
I mean come on, you know, fun
fact, there is not a roller

1110
01:03:40,960 --> 01:03:43,240
coaster dedicated to this event
at Disney.

1111
01:03:44,080 --> 01:03:47,360
Yet could you, could you imagine
that roller coaster?

1112
01:03:48,800 --> 01:03:52,040
The same people who built the
Ark down in Kentucky are going

1113
01:03:52,040 --> 01:03:55,320
to build that roller coaster.
The resurrection roller coaster.

1114
01:03:55,640 --> 01:03:57,960
All right, folks, join us next
week for the Passion of the

1115
01:03:57,960 --> 01:03:59,800
Christ.
Until then, I'm Bob Book.

1116
01:04:00,200 --> 01:04:02,600
I'm Brad G.
And we'll see you next time.