Nov. 5, 2024

Parasite / Eagle Rare 17 Year Bourbon

Parasite / Eagle Rare 17 Year Bourbon
Parasite / Eagle Rare 17 Year Bourbon
Film & Whiskey
Parasite / Eagle Rare 17 Year Bourbon

Bob and Brad dive into Bong Joon-ho's critically acclaimed film Parasite (2019). They explore the movie’s rich themes, including social class commentary, visual symbolism, and genre-bending elements, while breaking down its impact on global cinema and its historic Oscar win. Following the in-depth movie analysis, the hosts shift gears to review Eagle Rare 17-Year Bourbon, part of the prestigious Buffalo Trace Antique Collection. This rare bourbon brings complexity and elegance to the tasting experience, and the hosts discuss its flavor profile, value, and availability in the collector's market. Tune in for an engaging discussion on one of the best films of the decade, paired with a premium whiskey that’s equally memorable.

  • (0:00) Intro

  • (8:28) Brad Explains

  • (10:45) Performances, Themes

  • (34:35) Eagle Rare 17 review

  • (47:43) Two Facts and a Falsehood

  • (53:42) Final Analysis

  • (1:07:05) Let's Make it a Double and Final Scores


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1
00:00:00,360 --> 00:00:05,240
In 2019, director Bong Joon Ho
and star Song Kang Ho gave the

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world a beautifully dark
inspection into the class

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00:00:08,600 --> 00:00:13,640
warfare going on in Korea.
In 2024, we come out of the

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basement to finish out a flight
of five BTAC samples.

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00:00:17,920 --> 00:00:20,920
The film is.
Parasite the whiskey is Eagle

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00:00:20,920 --> 00:00:23,880
rare. 17 and we'll review them
both.

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00:00:24,400 --> 00:00:28,760
This is the Film and Whiskey
podcast.

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00:00:47,280 --> 00:00:49,880
Welcome to the Film and Whiskey
podcast, where each week we

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review a classic movie and a
glass of whiskey.

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00:00:52,840 --> 00:00:55,000
I'm Bob Book.
I'm Brad G.

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And this week we are jumping
back into things.

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00:00:57,760 --> 00:01:01,480
Brad, we took a couple weeks off
from recording Shaken off the

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rust a bit as we revisit for its
fifth year anniversary, the 2019

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Academy Award-winning film
Parasite.

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00:01:11,000 --> 00:01:16,840
Dude I feel like 2019 was just a
great year for cinema and it

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like stands out in my brain
'cause obviously the pandemic

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happens the next year and we
basically lose 2 years of movies

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in 2020 and 2021 and yet I still
feel like the 2019 year of

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movies was like 2 years ago.
Oh, absolutely.

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Like, even saying that it was
five years ago is like, OK,

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yeah.
Come on, that, that, that can't

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be real.
And yet, in some ways, it does

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feel like five years.
You know, we recently did a

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review of Avengers End Game, and
it's the fifth year anniversary

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of that film as well.
And I feel like now that the

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world has cooled on superhero
movies slightly, I definitely

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feel more distance from a movie
like End Game than I do from a

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movie like Parasite.
Parasite feels like it just came

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out, and End Game feels very
much of A time that we have

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since moved on from.
Does that?

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I don't know.
Does that make sense?

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Yes, 100%.
Like the ideas of different

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classes struggling with one
another, struggling to

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understand each other's,
struggling to communicate

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totally is going to make sense
in 2024.

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And like, sadly, but honestly,
it's probably going to make

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sense in 203444.
Like it's it's taps into

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something that hits on the human
experience, whereas superheroes

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are literally not the human
experience.

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And that folks, is the hard
hitting analysis that you come

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to us for.
So if this is your first time

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00:02:52,560 --> 00:02:54,280
joining us, welcome to Film and
Whiskey.

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We watch movies and we drink
whiskey.

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It's a pretty self-explanatory
podcast.

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This season, what we're doing is
we're looking at films from the

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last 20 years and we're asking
the question, does this film

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deserve to be considered a
modern classic?

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Now, how did we settle on the
film as we're reviewing this

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season?
They have to be part of IMDb or

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Letterbox's top 250.
They have to have grossed $100

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million in the US or been
nominated for Best Picture.

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I am pretty sure Parasite did
all of them except gross 100 mil

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and that's pretty darn
impressive, Brad.

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I mean, who knows why this
didn't gross 100 mil in the US,

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Bob.
I know famously, Brad.

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If there's anything Americans
are known for, it is their

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receptivity to other cultures
and languages, willingness to

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engage in art from beyond our
own boundaries.

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I mean, just the fact that we,
you know, the average American

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knows 3.27 languages.
So yeah, it makes it.

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It's flabbergasting to me that
this didn't make 100 million.

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OK, let's kind of start there
even before we get into anything

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else.
So this is one of the few films

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we've done on the show that is a
foreign language film.

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We had a run there for a little
bit with Kurosawa, but aside

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from that, there's only been a
handful.

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And so we're jumping into, I
guess one of the more recent

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examples of an International
Film that really made a splash

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in the US.
This was the first film ever in

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a, in a non-english language to
win best picture.

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And I guess Brad, what I what
I'd like to ask you is when you

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think about this movie winning
best picture, obviously through

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award season, people like latch
onto certain narratives and

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movies that seemed to have no
shot at the beginning.

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They just become kind of like a
heart warming story.

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And so people start voting for
it.

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I'm thinking about go ahead.
Just like the storyline of

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Parasite.
Well, I'm thinking about, you

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know, every, Everything
Everywhere All at Once really

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captured people's hearts a
couple years ago, the year prior

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to that, that little movie Coda
just kind of went on a run

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there.
When you think about this movie

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winning Oscars, why do you think
it captured the hearts of Oscar

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voters?
Does does it have anything to do

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with the Academy make up kind of
being sent topsy turvy over the

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last decade?
Is it just younger and a more

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diverse body of voters now?
Like, why do you think this

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became the first foreign
language film to win Best

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Picture?
I mean, I, I think it's a

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combination of things.
I'm curious, when does voting

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for like I know that there's
voting for who will be a nominee

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and then eventually there's
voting on the winners.

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Like when does the voting
happen?

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Does it happen before the awards
season or can the winning of

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other awards kind of influence
what happens at the Academy?

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Both And so there's like a a
document that the Academy puts

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out at the end of every year
that is just a list of every

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film that's eligible for awards.
So you have like your pool of

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400 movies or whatever.
A lot of categories if

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especially if they're like
smaller and Guild based, they'll

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have a short list like hey, the
Guild put forth these 15 movies

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and that's your pool to choose
the nominees from.

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Now it doesn't work like.
That what would be like a Guild

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like that would do that I.
Think like original score or

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cinematography.
Don't quote me on those, but

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like that, that level of award
is kind of what you would see

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there.
It's it doesn't work that way

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with best picture, but voting
happens for the nominations in

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early January.
So you want to kind of get your

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foot in the door and then once
you lock in that best picture

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nomination, it's like off to the
races and then awards you, you

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pick up along the way.
Absolutely fuel that campaign.

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OK, yeah.
So I would say a parasite

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probably benefited from a lot of
that as it became more well seen

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by the Oscar body.
I would imagine that helped.

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Honestly, Bob, I think the
reason this became the first

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foreign language film to win
Best Picture is because it feels

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absolutely accessible to an
American audience.

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Like there, there's moments
throughout this film, you know,

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this was my second time watching
it where I found myself

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recognizing like, they're saying
something here that isn't

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totally translating through the
subtitles.

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And I'm curious what the deeper
meaning is, right?

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Like, like there's moments
throughout any foreign language

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film where that will be true,
but those moments were few and

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far between.
And there was so much of this

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movie that felt familiar to an
American audience.

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From the cinematography to the
lighting to the horror elements

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of the movie.
The musical choices did not feel

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in any way strange.
Like it.

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It's a lot of classical music.
I just think that the way this

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movie was made, especially being
from a director who gave us

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something like Snowpiercer,
which is an American film,

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right, I think he just knew the
right buttons to push to hit the

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Korean audiences as well as the
American audience. 100% couldn't

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have said it better myself, and
I think on that note, it's time

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for us to get into our first
segment of the day, which we

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call Brad explains.
Brad's going to give us the

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movie plots with only 60 seconds
taken on the clock, so let's go

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ahead and hear your take with
this little segment that we

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00:08:36,080 --> 00:08:38,679
call, Brad explains.
Brad Explains is the part of the

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show where Brad breaks down the
plot of the film that he has

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just seen, often for the first
time.

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Brad, this is at least your
second time seeing Parasite

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because I know that you went out
and bought it on a Criterion

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00:08:50,520 --> 00:08:53,080
Barnes and Noble sale after
seeing it the first time, right?

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I sure did.
So is this watch #2 or this more

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than that?
This is watch #2 I hadn't

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watched it after buying it,
partially because I knew that we

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would get to it eventually on
the podcast.

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So yeah, I just, I waited and I
am glad that I did because this

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is a great movie, Bob.
Brad, I'm excited to dive into

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this one.
I have a feeling that you and I

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are going to diverge on a couple
things today, but I also want

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you to help me parse out why I
feel the way I do.

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So before we get into all that,
it's time for you to spoil this

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movie, folks.
If you have not seen Parasite

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Man, even Brad telling you what
happens in the movie does not do

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00:09:34,840 --> 00:09:36,640
justice.
You got to just go watch it,

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00:09:37,120 --> 00:09:40,480
experience whatever the hell
this is, and then come back and

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listen to the rest of the
episode.

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Brad, you have 60 seconds on the
clock and go.

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Parasite is a film about a poor
family.

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I believe their last name is
Kim.

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They are trying to figure out
how to survive in a very

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stratified world of Korea when
one of the son's friends from

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college comes into back into his
life and tells him that he's

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studying abroad and that he
would like for him to take over

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as a tutor for a high school
student of a wealthy family

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known as the Park family.
Once he becomes the tutor, the

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Kim family slowly takes over all
of the house hold positions of

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driver, tutor to the son in the
family, and house maid.

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And they discover lots of
secrets along the way.

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And it gets crazy, Bob.
It gets very crazy.

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I don't know if I want to say
any more than that.

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It gets pretty freaking wild.
It does get wild.

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We will obviously, just in
talking about the film, spoil

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everything that happens, but
there are some very specific

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00:10:52,560 --> 00:10:56,560
turns that this movie takes.
And I think that's kind of where

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I want to frame our conversation
today, Brad, because I went to

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see this movie in the theater
during award season.

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How many people were in the
theater?

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It was.
Packed.

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It was like full Brad, really,
because they were only showing

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it at the Cedar Lee in
Cleveland.

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00:11:15,480 --> 00:11:18,320
OK, so all the Cleveland
Northeast Ohio cinephiles were?

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00:11:18,320 --> 00:11:22,560
There it was packed bro and I
watched it a couple months

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00:11:22,560 --> 00:11:26,200
before my wife had our second
son and so she was very pregnant

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and I don't know.
And you abandoned.

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00:11:28,280 --> 00:11:31,000
Her I I yes, so I'm already
feeling guilty about going to

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this movie, but I knew that it
was, you know, she's like, just

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take the night, go watch this
movie.

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00:11:36,280 --> 00:11:41,200
And I don't know if I was just
feeling really on edge because

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00:11:41,200 --> 00:11:43,760
the movie was so suspenseful,
But I started to get this

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00:11:43,760 --> 00:11:46,080
creeping feeling.
This has never happened to me in

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00:11:46,080 --> 00:11:49,280
a movie before.
And I was thinking about

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00:11:49,800 --> 00:11:51,920
becoming a father for the second
time.

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And as this movie crept on, I
kept getting this overwhelming

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sense of like, I know Bong Joon
Ho.

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00:11:59,160 --> 00:12:04,040
I know that his movies can be
very up, and I'm really worried

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00:12:04,040 --> 00:12:06,640
that something's going to happen
to the small children in this

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00:12:06,640 --> 00:12:10,120
movie, and I don't feel like I
can partake in that.

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And it has never happened to me
before.

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Literally, I walked out of the
theater with 15 minutes left in

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the movie, not realizing what
was going to happen at the end.

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But I couldn't take the risk at
that point.

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I was so like, I felt so
conflicted in my soul about

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00:12:29,240 --> 00:12:32,360
like, I think this is going to
go down a path of I'm going to

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00:12:32,360 --> 00:12:35,720
see something I can't Unsee and
I don't feel like I can be here

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00:12:35,720 --> 00:12:38,640
right now and.
Brad, I thought little little

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Dasong was going.
To.

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I thought he was.
Yeah, in like a really grizzly

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way.
And I was really worried about

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00:12:42,920 --> 00:12:45,360
that.
And so of course I missed the

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00:12:45,360 --> 00:12:47,960
end of the movie.
I And then I'm like, oh, I got

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00:12:47,960 --> 00:12:50,200
to know what happens now.
So I read what happens at the

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end of the movie.
And then when it finally comes

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00:12:53,120 --> 00:12:56,360
out to a point where I can watch
it on video or what, however I

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00:12:56,360 --> 00:12:59,120
watched it, I watched the whole
thing again, but the ending was

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already ruined for me.
So this is one of those movies

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00:13:01,440 --> 00:13:04,120
kind of like $1,000,000 baby.
I think I told the story about

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00:13:04,120 --> 00:13:07,520
how that was spoiled for me that
I don't know.

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Brad, if I can ever fairly
evaluate this movie because it

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worked incredibly well for me,
and then I messed up the way the

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movie ended in a way that I can
never get that back.

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00:13:19,680 --> 00:13:24,160
Well, listen, I thought you'd be
more sympathetic to this because

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00:13:24,160 --> 00:13:26,640
this is the kind of thing where
you, you know, multiple times on

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00:13:26,640 --> 00:13:30,200
the show you've been like, this
didn't sit well in my soul.

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00:13:30,640 --> 00:13:33,400
And this is the only time in my
life I've really ever had that

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00:13:33,400 --> 00:13:37,920
experience during a movie.
Yeah, I mean the Bob, I'll tell

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00:13:37,920 --> 00:13:39,840
you this.
There's grace for that too.

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No matter what.
Cinephile.

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00:13:44,120 --> 00:13:47,520
What would it be?
Cinephotic sins you commit.

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We'll we'll forgive you, man.
We'll take you back.

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00:13:50,760 --> 00:13:55,640
I as a as a fellow cinephile
here, I I have the power of

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00:13:55,640 --> 00:13:59,320
judgement over your soul.
How that works?

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00:14:00,040 --> 00:14:04,520
I think so the based on what you
tell me about letterboxed, I

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00:14:04,520 --> 00:14:09,240
would assume that it's so.
So I say all that though to say,

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00:14:10,080 --> 00:14:13,720
even returning to it now, I feel
like this film is broken up into

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00:14:13,720 --> 00:14:16,600
three sections for me.
And the sections are not really

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00:14:16,600 --> 00:14:19,480
necessarily like what the plot
like if you were dividing up the

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00:14:19,480 --> 00:14:22,800
script, but it's kind of like
the 1st 2/3 of it.

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00:14:23,680 --> 00:14:26,000
Everything that happens after
that woman hits her head on the

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wall because the movie gets very
serious there.

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00:14:29,000 --> 00:14:32,920
And in my theater, that thud was
like, you could feel that thud

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00:14:32,920 --> 00:14:37,840
in your seat and everyone in the
theater at one time when like.

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00:14:38,080 --> 00:14:40,960
How was everybody when you said
the theater was packed?

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00:14:41,000 --> 00:14:45,040
I my immediate thought was this
would be a hell of a movie to

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watch in a pack theater.
And then the third part is kind

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00:14:49,200 --> 00:14:51,640
of like the last 10 minutes of
the movie.

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So like everything I missed
because I do feel like they take

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00:14:55,400 --> 00:14:59,160
really interesting tonal turns
and stuff happens in that last

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00:14:59,160 --> 00:15:02,960
little section of the movie,
like a narration that doesn't

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00:15:02,960 --> 00:15:04,640
happen at any other part of the
movie.

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00:15:05,160 --> 00:15:07,680
So as we kind of progressed
today, if you wouldn't mind,

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00:15:07,680 --> 00:15:10,280
let's kind of just take it like
section by section, 'cause I

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think that's that's the best way
I can explain the movie.

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Yeah, I think that's totally
fair.

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00:15:14,720 --> 00:15:19,720
I the, I would call the, the
opening section of the film like

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the, it almost feels like a
heist.

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00:15:24,440 --> 00:15:27,480
Like where like they like, they
set up the characters that are

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going to go on the heist and who
they are.

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And, and this is like the vulgar
young teenage hacker girl.

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And, and this is the dad who
like kind of is grizzly and the

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00:15:37,720 --> 00:15:42,520
mom holds them all together and,
and the, the son is this young,

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like he's, he's going to make
something of himself.

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He's going to get to university
eventually and and and and then

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you watch them commit the heist
and they slowly get everyone

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fired from the household.
I like where were where are you

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at on that opening 60 minutes of
the movie?

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00:16:00,320 --> 00:16:02,800
I'd.
Say, I mean, it's perfect, Brad.

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It's a perfect movie.
And I think that's the thing

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that that struck me this time
around is how funny this movie

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is.
It is so funny and it's funny in

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00:16:12,680 --> 00:16:16,160
such a like a sharp, razor edged
mean kind of way.

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00:16:17,240 --> 00:16:21,000
It like the way that they employ
the classical music in an ironic

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way is really, really funny.
You know, the famous sequence of

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them putting the Peach fuzz on
the housekeeper and then it

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00:16:27,800 --> 00:16:31,120
ending with him squirting like
the Sriracha sauce or whatever

280
00:16:31,120 --> 00:16:35,280
it is and then holding it up and
her face be like, oh, it's it's

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it's perfection, dude.
Dude, the use of slow motion in

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00:16:39,720 --> 00:16:40,840
those.
Oh, it's like.

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00:16:41,720 --> 00:16:47,040
The editing of this movie is so
freaking like biting and sharp.

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It's so good, man.
Biting is such a good word.

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00:16:50,080 --> 00:16:52,640
And I, I kept thinking of like
if I was writing my review of

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00:16:52,640 --> 00:16:56,080
the movie, what, what is this
kind of comedy and how do I

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00:16:56,080 --> 00:16:58,160
describe it?
And it's like when you read an,

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00:16:58,160 --> 00:17:01,840
a review of a movie that calls
something like devilish or like

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00:17:02,600 --> 00:17:05,560
deliciously this or that.
Anytime they use delicious like

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00:17:05,560 --> 00:17:09,240
this, that I feel like that's
this movie where it's kind of, I

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00:17:09,240 --> 00:17:11,680
don't want to say bitchy.
It's not a bitchy movie, but

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00:17:11,680 --> 00:17:15,680
it's like it, it's just mean in
a fun way.

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00:17:15,680 --> 00:17:20,000
And I think that's what that
first 2/3 of this movie does so,

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00:17:20,000 --> 00:17:22,359
so well.
Here's the thing about this

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00:17:22,359 --> 00:17:27,400
film, Bob I the only character
in this movie that I like don't

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00:17:27,400 --> 00:17:32,640
like is the mom, like she's the
only one that I just like.

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00:17:32,640 --> 00:17:36,120
There's moments where I kind of
like her, but overall she's the

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worst.
Every single other character in

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00:17:39,720 --> 00:17:45,320
this movie, like they all do
horrific things, terrible

300
00:17:45,320 --> 00:17:50,320
things, especially the dad, like
the the way he carries himself,

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00:17:50,320 --> 00:17:55,560
like he's just a lazy schlub who
murders a guy at the end of the

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00:17:55,560 --> 00:17:59,080
movie.
And yet I find myself I just

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really like all of these
characters.

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I like, I like the Park family,
I like the Kim family.

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00:18:05,480 --> 00:18:09,640
And I don't know how he did that
as a director.

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I like, I don't know how Bong
Joon Ho did that because.

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00:18:13,880 --> 00:18:15,880
I you.
Shouldn't like any of them.

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00:18:15,880 --> 00:18:21,040
And yet, despite all of the
meanness, despite the mean gaze

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00:18:21,040 --> 00:18:24,840
that the camera is towards all
of these characters, I still

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00:18:24,840 --> 00:18:27,160
like them all.
Yeah, I love that you're you're

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00:18:27,160 --> 00:18:29,280
talking about the mean gaze,
'cause it doesn't feel

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00:18:29,280 --> 00:18:31,680
judgmental as much as it feels
like.

313
00:18:33,400 --> 00:18:35,560
It's trying to catch them all at
their worst.

314
00:18:35,560 --> 00:18:39,840
Bitingly observational like it.
It is just like an impartial

315
00:18:39,840 --> 00:18:43,160
observer on the worst of human
tendencies.

316
00:18:43,640 --> 00:18:47,800
And you are rooting for the Kim
family for so much of this movie

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00:18:47,800 --> 00:18:50,160
because, like, they are the
conduit for the audience.

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00:18:50,160 --> 00:18:51,840
Like they're trying to break
into this world.

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00:18:52,200 --> 00:18:54,920
And you think it's funny as they
do it and as they deceive these

320
00:18:54,920 --> 00:18:57,800
dumb rich people.
And as the movie goes on, like,

321
00:18:57,800 --> 00:19:00,040
it takes so many twists and
turns that you start saying,

322
00:19:00,040 --> 00:19:02,800
like, actually, they're the
worst people in the world.

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00:19:02,920 --> 00:19:05,680
And then something happens where
you're like, no, the parks are

324
00:19:05,680 --> 00:19:08,040
the worst people in the world.
Like, how could you behave like

325
00:19:08,040 --> 00:19:09,640
that?
That's absolutely atrocious.

326
00:19:10,000 --> 00:19:12,320
And then, you know, we find a
random third family and it's

327
00:19:12,320 --> 00:19:14,040
like, I don't even know what to
think of these people.

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00:19:15,840 --> 00:19:18,800
But I'm really glad that you
liked that first 2/3.

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00:19:18,840 --> 00:19:22,440
And to your point, I think it's
a combination of Bong Joon Ho

330
00:19:22,440 --> 00:19:26,680
being an incredible director
because you have to maintain a

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00:19:26,680 --> 00:19:30,400
very specific tone to make this
movie work.

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00:19:30,960 --> 00:19:33,840
And he's able to get that tone
out of every one of his actors.

333
00:19:34,120 --> 00:19:38,160
But then it's also a combination
of that and how well constructed

334
00:19:38,160 --> 00:19:41,240
this script is.
Like everything has a payoff.

335
00:19:41,320 --> 00:19:44,440
Everything works like clockwork.
I saw this movie compared to

336
00:19:44,440 --> 00:19:46,920
Hitchcock a lot.
And I actually think I'll, I'll

337
00:19:46,920 --> 00:19:48,320
get into this later.
I think there's another

338
00:19:48,320 --> 00:19:52,080
filmmaker that this is more
like, but it is Hitchcockian in

339
00:19:52,080 --> 00:19:55,920
that it, A, makes you root for
terrible people and become

340
00:19:55,920 --> 00:20:00,600
complicit in the narrative, but
B, everything fits together with

341
00:20:00,600 --> 00:20:06,320
so much kind of like wicked
clockwork precision that it does

342
00:20:06,320 --> 00:20:07,880
remind you of Hitchcock in that
way.

343
00:20:08,520 --> 00:20:13,320
Yeah, the, there's, there's
something about this film where

344
00:20:13,320 --> 00:20:18,560
you feel like an outsider
getting sucked into the drama of

345
00:20:18,560 --> 00:20:20,880
a family trying to make it in
the world.

346
00:20:21,240 --> 00:20:25,320
And you can't quite decide if
you want to be like their

347
00:20:25,320 --> 00:20:29,080
college friend who kind of sets
them on this adventure and,

348
00:20:29,080 --> 00:20:33,240
like, seems to treat them like
this, like nice little family

349
00:20:33,240 --> 00:20:36,600
that he's fond of.
Or if you want to look at them

350
00:20:36,640 --> 00:20:41,080
like the old housemaid, once she
figures out who they are, the

351
00:20:41,080 --> 00:20:44,560
way she treats them is freaking
brutal.

352
00:20:45,240 --> 00:20:49,160
And like, as the audience, you
kind of vacillate between those

353
00:20:49,160 --> 00:20:52,400
two extreme positions throughout
the whole film.

354
00:20:53,840 --> 00:20:56,960
All right, let's dive into the
second part of the movie and

355
00:20:56,960 --> 00:20:59,280
then I think it'll be time for
us to kind of take a break.

356
00:20:59,960 --> 00:21:04,640
So the second part of the movie
happens when the Kim family is

357
00:21:04,640 --> 00:21:07,520
all just hanging out at this big
mansion because the parks are

358
00:21:07,520 --> 00:21:11,360
out of town.
And it starts with a a time

359
00:21:11,360 --> 00:21:14,800
crunch scenario where the parks
call and say we're going to be

360
00:21:14,800 --> 00:21:17,240
home in 8 minutes.
And you get this incredible

361
00:21:17,440 --> 00:21:21,000
cooking sequence of the mom
making this dish called Ramdan.

362
00:21:21,560 --> 00:21:25,480
And then it ends with them
basically discovering that the

363
00:21:25,480 --> 00:21:30,640
former housekeeper has been
keeping her husband in the in

364
00:21:30,640 --> 00:21:33,480
the secret basement of this
house, and they've been

365
00:21:33,480 --> 00:21:37,920
essentially living there for
free, mooching off of the parks

366
00:21:38,080 --> 00:21:40,240
for years and years.
And that when this housekeeper

367
00:21:40,240 --> 00:21:42,880
was fired, like her husband's
been down there by himself for

368
00:21:42,880 --> 00:21:45,840
weeks.
It is this incredibly weird,

369
00:21:46,360 --> 00:21:51,640
absurd and then very creepy
discovery as these two families

370
00:21:51,640 --> 00:21:55,960
then basically get into hand to
hand combat to to keep their own

371
00:21:55,960 --> 00:21:58,800
secrets from being spilled to
the Park family.

372
00:21:59,280 --> 00:22:05,080
It's it's such an incredible
addition to the movie because by

373
00:22:05,080 --> 00:22:10,000
putting this family in here, you
realize how much more terrible

374
00:22:10,000 --> 00:22:17,080
and evil the Kims are.
Like the way in which the, we'll

375
00:22:17,080 --> 00:22:20,160
just call it the old
housekeepers family, the way in

376
00:22:20,160 --> 00:22:25,600
which she and her husband mooch
off of them is so much better

377
00:22:25,680 --> 00:22:30,480
and more ethical because like
she flat out accuses her like

378
00:22:30,680 --> 00:22:33,360
you're stealing food from them
and she goes no, no, no, no.

379
00:22:33,360 --> 00:22:37,640
Like the salary they pay me, I
use that money to buy the food

380
00:22:37,640 --> 00:22:41,040
for my husband and I.
Like, like we're just trying to

381
00:22:41,040 --> 00:22:44,840
escape some loan sharks and, and
like they have the most

382
00:22:45,080 --> 00:22:48,720
reasonable way of mooching off
the family.

383
00:22:49,680 --> 00:22:54,320
Like like I it's such an
incredible addition in my mind

384
00:22:54,360 --> 00:22:59,520
to put them in there, but then
also use the husband that's been

385
00:22:59,520 --> 00:23:02,840
living in the basement for, I
think they say like four years

386
00:23:04,040 --> 00:23:08,640
for him to be the ghost that the
child of the Park family does.

387
00:23:08,640 --> 00:23:10,360
Song, song.
Bro it is.

388
00:23:10,400 --> 00:23:13,560
It is simultaneously the
scariest thing I've ever seen

389
00:23:13,560 --> 00:23:17,520
and also really hilarious.
It's so funny when you see his

390
00:23:17,520 --> 00:23:20,400
head pop up as this kid's eating
cake.

391
00:23:21,360 --> 00:23:22,360
It's.
Incredible.

392
00:23:22,600 --> 00:23:26,840
And then they like replay that
when he comes out covered in

393
00:23:26,840 --> 00:23:32,200
blood and cake, and he like
stares into the small child's

394
00:23:32,200 --> 00:23:34,920
soul.
Oh man.

395
00:23:35,080 --> 00:23:38,480
So this sequence basically ends
with they've discovered this

396
00:23:38,480 --> 00:23:41,480
family in the basement, the
parks are coming home, they're

397
00:23:41,480 --> 00:23:44,600
having to make food and subdue
this other family.

398
00:23:44,600 --> 00:23:46,200
So they're tying them up in the
basement.

399
00:23:46,480 --> 00:23:50,760
And somehow the old housekeeper
escapes, starts to run up the

400
00:23:50,760 --> 00:23:53,440
stairs.
And then the mom kicks her back

401
00:23:53,440 --> 00:23:55,440
down the stairs.
And as she tumbles down the

402
00:23:55,440 --> 00:24:01,080
stairs, she hits her head on
like the cement wall and lands

403
00:24:01,280 --> 00:24:04,360
quite the thud.
Did you think she was dead the

404
00:24:04,360 --> 00:24:06,680
first time that happened?
100%, OK.

405
00:24:06,680 --> 00:24:08,240
Thank you every.
Time someone gets hit in the

406
00:24:08,240 --> 00:24:12,880
head in this movie, it is a 100%
fatality, OK?

407
00:24:13,120 --> 00:24:15,280
'Cause the same thing happens.
What?

408
00:24:15,320 --> 00:24:19,600
What's the the son's name?
Who's the tutor for the the high

409
00:24:19,600 --> 00:24:21,320
school girl?
Kiwu.

410
00:24:21,800 --> 00:24:23,080
Kiwu He.
Gets.

411
00:24:23,080 --> 00:24:25,120
Freaking knocked in the head
twice.

412
00:24:25,280 --> 00:24:27,880
And there's no way, no, there's
no way he survives that.

413
00:24:27,880 --> 00:24:29,840
I'm just, there's no way he's
alive.

414
00:24:30,040 --> 00:24:33,440
So Eddie, we'll get to that.
So this sequence then takes a

415
00:24:33,440 --> 00:24:35,480
really dramatic turn.
And this is where the movie

416
00:24:35,480 --> 00:24:38,400
takes a turn.
Like it is still very vicious in

417
00:24:38,480 --> 00:24:40,600
its observation of all the
characters.

418
00:24:41,400 --> 00:24:44,320
But then the stakes have
immediately jumped from just are

419
00:24:44,320 --> 00:24:46,880
these people going to be
discovered to did I just

420
00:24:46,880 --> 00:24:49,960
witnessed them commit a murder
and having to cover that up now?

421
00:24:50,600 --> 00:24:55,520
And it turns into an incredibly
suspenseful film in that second

422
00:24:55,520 --> 00:24:59,360
segment.
And I think that I personally,

423
00:24:59,440 --> 00:25:02,880
being the guy who likes rooting
for people, the first section of

424
00:25:02,880 --> 00:25:04,720
the movie is more thoroughly
enjoyable.

425
00:25:04,960 --> 00:25:08,600
The second section of the movie
is no less well directed,

426
00:25:08,600 --> 00:25:11,920
though, because I was, you know,
to the fact that I walked out of

427
00:25:11,920 --> 00:25:14,280
the movie.
I was so on the edge of my seat

428
00:25:14,560 --> 00:25:19,640
and so enraptured by where this
might go that it had me it kind

429
00:25:19,640 --> 00:25:21,040
of in its clutches at that
point.

430
00:25:21,960 --> 00:25:27,560
Yeah, the the people in this
movie, The the characters are so

431
00:25:27,560 --> 00:25:33,280
well developed that you can't
help be sucked into the world

432
00:25:33,280 --> 00:25:36,120
that is being developed.
I I mean, even thinking about

433
00:25:36,120 --> 00:25:43,600
the wealthy socialite mom that
like everybody basically says

434
00:25:43,600 --> 00:25:48,480
she is a simpleton who is
beautiful and that's the only

435
00:25:48,480 --> 00:25:54,080
reason she's around, right?
Like even she the way that they

436
00:25:54,080 --> 00:25:58,000
present her up until the party,
they kind of they kind of make

437
00:25:58,000 --> 00:25:59,800
her a little worse at the end of
the film.

438
00:25:59,800 --> 00:26:02,880
But the way they present her,
she's almost like this cute

439
00:26:02,880 --> 00:26:08,520
little like baby dove that you
just want to like care for and

440
00:26:08,840 --> 00:26:11,600
and you never want to see harmed
in any way.

441
00:26:11,840 --> 00:26:16,040
And every time she gets upset,
you find yourself just like, oh,

442
00:26:16,040 --> 00:26:18,680
no, it like it's OK, like we're
we're going to help you out,

443
00:26:18,680 --> 00:26:19,600
honey.
Like it.

444
00:26:19,720 --> 00:26:24,160
It feels like Oh honey, from How
I Met Your Mother.

445
00:26:25,120 --> 00:26:26,560
Let's talk about the parks a
little bit.

446
00:26:27,040 --> 00:26:30,720
So we've talked about the Kims
in, first of all, top to bottom,

447
00:26:30,720 --> 00:26:33,280
incredible acting in both
families.

448
00:26:33,440 --> 00:26:37,120
I mean, just really well done.
The Park family is so

449
00:26:37,120 --> 00:26:40,040
interesting because you you
don't learn a lot about them

450
00:26:40,120 --> 00:26:41,320
even throughout the course of
the movie.

451
00:26:41,320 --> 00:26:43,520
You don't learn a lot about them
other than they're just like

452
00:26:43,520 --> 00:26:47,480
rich and kind of detached from
the social hierarchy of the

453
00:26:47,480 --> 00:26:50,240
world.
And it's not until that really

454
00:26:50,240 --> 00:26:53,400
final section that they kind of
do despicable things and

455
00:26:53,400 --> 00:26:56,560
inadvertently do them because
they are just detached and rich.

456
00:26:56,560 --> 00:26:59,760
But it's in that second section
that I found the most

457
00:26:59,760 --> 00:27:05,280
interesting things happening.
And in order to get Jessica, the

458
00:27:05,280 --> 00:27:09,640
daughter, to take over the role
of tutor, art tutor, she

459
00:27:09,640 --> 00:27:13,880
basically planted her own
panties in the car of the driver

460
00:27:14,160 --> 00:27:17,560
so so that they would be found,
the driver would be fired and

461
00:27:17,560 --> 00:27:19,440
her dad could be hired as the
new driver.

462
00:27:19,840 --> 00:27:24,160
And you find out in the middle
of the movie that these rich

463
00:27:24,160 --> 00:27:27,760
people have kept this pair of
panties like as evidence.

464
00:27:27,760 --> 00:27:31,320
But then when they're like by
themselves and they're sexually

465
00:27:31,320 --> 00:27:34,120
fantasizing to get themselves
aroused, what they're

466
00:27:34,120 --> 00:27:37,120
fantasizing about is basically
being poor people.

467
00:27:37,920 --> 00:27:41,040
And that expresses itself for
Mr. Park by saying, like, you

468
00:27:41,040 --> 00:27:42,400
should put on these cheap
panties.

469
00:27:42,400 --> 00:27:44,960
It'd be so hot.
Like he wants to use his wife

470
00:27:44,960 --> 00:27:48,600
the way that he would use
somebody from the lower classes.

471
00:27:48,880 --> 00:27:52,240
And then she fantasizes about
like, go buy me drugs.

472
00:27:52,240 --> 00:27:55,120
Like even their their
caricatures of what poor people

473
00:27:55,120 --> 00:27:57,920
are like are so funny in that
moment.

474
00:27:57,920 --> 00:28:02,440
But I think it really does kind
of lock into focus what the

475
00:28:02,440 --> 00:28:05,400
movie is really about.
And it doesn't hurt that at the

476
00:28:05,400 --> 00:28:09,520
same time, in the context of the
movie, the Park family, I'm

477
00:28:09,520 --> 00:28:12,040
sorry, the Kim family is
literally hiding under their

478
00:28:12,040 --> 00:28:15,920
dining room table having to
listen to this entire exchange.

479
00:28:16,560 --> 00:28:20,840
And I, I just, I mean, it's such
a brilliant set up on paper, but

480
00:28:20,840 --> 00:28:24,080
when you see it executed, it's
even more just like, oh, wow,

481
00:28:24,080 --> 00:28:26,800
they like the economics of this
scene.

482
00:28:27,320 --> 00:28:30,000
They put everything out there in
a way that has everybody in the

483
00:28:30,000 --> 00:28:33,200
same room as each other.
And they got it out in as little

484
00:28:33,200 --> 00:28:38,080
words as possible.
It's that moment where people

485
00:28:38,080 --> 00:28:42,320
from different classes wonder
what someone says about them

486
00:28:42,360 --> 00:28:47,560
when they leave the room and
they they Bong Joon Ho just

487
00:28:47,640 --> 00:28:52,560
illustrates so perfectly the
disgust that the classes have

488
00:28:52,560 --> 00:28:57,560
for one another, like the the
way in which the Kim family is

489
00:28:57,560 --> 00:29:00,680
talking about the Park family
when they're like gorging on

490
00:29:00,680 --> 00:29:04,720
their food.
It's, it's just incredible.

491
00:29:04,720 --> 00:29:07,160
And I, I think that's what I
love about this movie is that it

492
00:29:07,160 --> 00:29:13,480
cuts deeply against the poor and
the wealthy alike that like

493
00:29:13,480 --> 00:29:18,080
there's there's no mercy for
anyone in the way that they

494
00:29:18,080 --> 00:29:21,240
treat the other class.
And I, I think that for me is

495
00:29:21,240 --> 00:29:26,520
actually my favorite part of the
film because it, I don't know,

496
00:29:26,520 --> 00:29:31,640
man, in our day and age, it's so
easy to buy into the rich people

497
00:29:31,640 --> 00:29:36,000
bad, poor people, good scheme or
you know what I mean?

498
00:29:36,000 --> 00:29:41,040
And to have a movie basically
say, hey, like, yes, these rich

499
00:29:41,040 --> 00:29:46,360
people have done bad things.
They have a extremely unreal and

500
00:29:46,360 --> 00:29:48,600
negative view towards poor
people.

501
00:29:48,960 --> 00:29:51,960
And they're mostly focused on
how bad they smell and like,

502
00:29:52,440 --> 00:29:54,640
like, it's, it's really
unhealthy.

503
00:29:55,040 --> 00:29:59,480
But these poor people, there's
no excusing their behavior

504
00:29:59,520 --> 00:30:02,040
either.
Who's the worst poor person?

505
00:30:02,480 --> 00:30:07,640
Anyone in the Kim family or
Margo Martindale in $1,000,000

506
00:30:07,640 --> 00:30:13,200
baby.
And see dude, I think that's

507
00:30:13,200 --> 00:30:15,080
another reason why this movie
works.

508
00:30:15,720 --> 00:30:22,080
I don't know if Bong Joon Ho is
like, I don't know if Parasite

509
00:30:22,560 --> 00:30:26,840
is the $1,000,000 baby
representation of poor people in

510
00:30:26,840 --> 00:30:30,840
Korea the way I know it is in
$1,000,000 baby.

511
00:30:30,840 --> 00:30:33,280
Does that make sense?
Well, and, and I think that that

512
00:30:33,280 --> 00:30:36,680
gets to the point of why the
movie is even called Parasite.

513
00:30:36,680 --> 00:30:40,000
It's pretty famously documented
that Bong Joon Ho had to

514
00:30:40,000 --> 00:30:43,200
convince like the marketing team
to stick with the name Parasite

515
00:30:43,440 --> 00:30:45,800
because they were really
concerned that, you know, when

516
00:30:45,800 --> 00:30:48,440
we're cutting a trailer for this
movie, we're showing it from the

517
00:30:48,440 --> 00:30:49,840
point of view of the poor
people.

518
00:30:50,080 --> 00:30:52,000
And so they're going to think
that you're calling them

519
00:30:52,000 --> 00:30:54,200
Parasite.
And he basically said, like,

520
00:30:54,200 --> 00:30:56,200
well, then when they see the
movie, they'll understand

521
00:30:56,200 --> 00:30:59,840
because when you look at it the
other way, who is the parasite

522
00:30:59,840 --> 00:31:02,800
in the movie?
Who is leeching more off of the

523
00:31:02,800 --> 00:31:05,920
other class?
And I think that, like, it's

524
00:31:05,920 --> 00:31:09,440
just such a simple and brilliant
title for this movie because

525
00:31:09,440 --> 00:31:12,200
there are so many ways to
interpret it, and it is so

526
00:31:12,200 --> 00:31:16,120
ambiguous at the end of it.
Before we move to Break Brad, I

527
00:31:16,120 --> 00:31:18,400
want to keep talking about this
little section that we've been

528
00:31:18,400 --> 00:31:21,320
talking about, where they're
hiding under the table and

529
00:31:21,320 --> 00:31:23,720
listening to the words that the
rich people are saying about

530
00:31:23,720 --> 00:31:25,600
them.
Because it's one of the few

531
00:31:25,600 --> 00:31:30,400
times in the movie, too, where
there is a complete drop of the

532
00:31:30,640 --> 00:31:34,720
irony and the sarcasm and the
winking and the biting humor.

533
00:31:35,200 --> 00:31:38,520
And it's the first time that
Mister Park talks about the way

534
00:31:38,520 --> 00:31:41,840
that Mister Kim smells.
It's not the first time it's

535
00:31:41,840 --> 00:31:43,800
mentioned in the movie because
the little kid mentions it at

536
00:31:43,800 --> 00:31:46,040
one point too.
But he talks about how

537
00:31:46,040 --> 00:31:49,200
overwhelming the smell is and
how poor people smell like that.

538
00:31:49,200 --> 00:31:52,160
And everyone that rides the
subway smells like that.

539
00:31:52,560 --> 00:31:55,640
And it's really the first time
that you hear them talk in

540
00:31:55,640 --> 00:31:58,840
really dismissive tones about
poor people.

541
00:31:59,240 --> 00:32:04,320
And it's this really kind of
gentle piano music as he you

542
00:32:04,320 --> 00:32:06,520
watch him under the table, like
sniff himself.

543
00:32:07,440 --> 00:32:09,840
And I just found that to be
really touching, honestly.

544
00:32:09,840 --> 00:32:13,720
Like, I I really appreciated
that Bong Joon Ho didn't try to

545
00:32:13,720 --> 00:32:17,240
do something snarky in that
moment because you needed to

546
00:32:17,240 --> 00:32:20,440
understand how deeply that cut
Mr. Kim.

547
00:32:21,120 --> 00:32:24,320
Because it really sets the
trajectory for the end of the

548
00:32:24,320 --> 00:32:27,640
movie.
That, that specific action of

549
00:32:27,640 --> 00:32:31,280
rich people thinking poor people
smell is what gets us to the end

550
00:32:31,280 --> 00:32:33,560
of the movie.
Yeah, I mean it.

551
00:32:33,560 --> 00:32:36,120
It cuts to the core of the human
experience.

552
00:32:37,000 --> 00:32:42,520
Like whether we know it or not,
Like smell is the most powerful

553
00:32:42,520 --> 00:32:51,440
and evocative of our senses and
to be told that your smell is

554
00:32:51,520 --> 00:32:55,920
overpowering is overwhelming and
that it crosses the line.

555
00:32:55,920 --> 00:33:00,640
Like, I love the way he talks
about how there is social

556
00:33:00,640 --> 00:33:05,640
etiquette between the classes
and how he thinks it ought to be

557
00:33:05,640 --> 00:33:08,960
preserved and there's a line and
we ought not cross it.

558
00:33:09,600 --> 00:33:13,880
But there's something about the
poor that they can't help but

559
00:33:13,880 --> 00:33:19,640
cross the line, like their very
essence, their smell crosses the

560
00:33:19,640 --> 00:33:22,160
line and they can't do anything
about it like that.

561
00:33:22,160 --> 00:33:26,840
That is such a brutal thing to
say.

562
00:33:27,400 --> 00:33:31,560
Like there, there's so much
going on here pointing out how

563
00:33:31,560 --> 00:33:36,600
humans left to their own devices
will inherently stratify the

564
00:33:36,600 --> 00:33:40,840
world, will create boundaries
and lines that ought not be

565
00:33:40,840 --> 00:33:44,960
crossed.
And we as humans ought to say, F

566
00:33:44,960 --> 00:33:47,040
the lines.
You're a human being.

567
00:33:47,040 --> 00:33:49,920
I ought to love you and care for
you and help you better your

568
00:33:49,920 --> 00:33:55,640
life, no matter how you smell.
Specifically, no matter how you

569
00:33:55,640 --> 00:33:57,720
smell.
Yeah, I mean it.

570
00:33:57,800 --> 00:34:01,120
It's just a reality, Bob.
The smells are real.

571
00:34:01,120 --> 00:34:03,120
They they.
Really are, man.

572
00:34:03,600 --> 00:34:06,880
Well, you know, now that you've
now that you've kind of cast

573
00:34:06,880 --> 00:34:10,520
this vision for what humanity
can be like and how we shouldn't

574
00:34:10,520 --> 00:34:14,120
stratify ourselves, let's go
drink some whiskey that cost

575
00:34:14,120 --> 00:34:19,400
$1700.
What?

576
00:34:19,400 --> 00:34:22,280
What do you say, man?
Let's dive back into B.Tech as

577
00:34:22,320 --> 00:34:25,960
as all of the common folk do.
I'm going to go find a poor

578
00:34:25,960 --> 00:34:27,880
person and spit the B tack on
them.

579
00:34:28,080 --> 00:34:30,679
How about that, Bob?
Let's get to it, Brad.

580
00:34:38,400 --> 00:34:43,239
All right, so today we are
checking out Eagle Rare 17 year.

581
00:34:43,639 --> 00:34:47,080
We're finally finishing our
flight of B Tack bourbons from

582
00:34:47,080 --> 00:34:49,400
2023.
For the past four weeks, we've

583
00:34:49,400 --> 00:34:52,440
been looking at these and then
if you jump back a year in time,

584
00:34:52,440 --> 00:34:56,239
you can find our review of
Thomas H Handy Sazerac Rye.

585
00:34:56,960 --> 00:35:01,280
Brad, we've had quite the
history with Eagle Rare and I

586
00:35:01,280 --> 00:35:03,720
think it's at least somewhat
appropriate that we saved this

587
00:35:03,720 --> 00:35:07,280
one for last.
Yeah, I'm so excited to drink

588
00:35:07,280 --> 00:35:11,200
this today, Bob.
This has long been like ever

589
00:35:11,200 --> 00:35:13,400
since I started drinking
Whiskey.

590
00:35:13,520 --> 00:35:18,000
Eagle Rare was maybe like the
4th or 5th whiskey I ever had.

591
00:35:18,360 --> 00:35:21,320
I absolutely loved it.
There was like 30 bottles on the

592
00:35:21,320 --> 00:35:23,040
shelf.
They're all $30.

593
00:35:23,080 --> 00:35:25,680
I was like, wow, how could life
get any better?

594
00:35:26,880 --> 00:35:30,440
And I, I remember looking it up
on Buffalo Trace's website and

595
00:35:30,440 --> 00:35:36,280
all I saw I had zero knowledge
of the world of B Tack or you

596
00:35:36,280 --> 00:35:39,720
know, I like at that point I
knew who Buffalo Trace and

597
00:35:39,720 --> 00:35:42,240
Woodford Reserve and Wild
Turkey.

598
00:35:42,240 --> 00:35:45,600
And that's like all I knew.
And I saw on Buffalo Trace's

599
00:35:45,600 --> 00:35:50,840
website that they had a 17 year
version of the regular Eagle

600
00:35:50,840 --> 00:35:53,920
rear.
And I said to myself, wow, I'd

601
00:35:53,920 --> 00:35:57,960
love to drink that someday.
A few years later I realized

602
00:35:57,960 --> 00:36:00,240
that was a pipe dream, my
friend.

603
00:36:02,040 --> 00:36:05,200
Well, and not only is the 17
year a pipe dream, but there is

604
00:36:05,400 --> 00:36:07,720
at least one above this in the
vertical.

605
00:36:07,720 --> 00:36:11,520
Now they have one called the
Double Eagle, very rare, which

606
00:36:11,520 --> 00:36:14,840
comes in its own fancy box and
costs I believe like $10,000.

607
00:36:15,000 --> 00:36:18,560
So yeah, so we think that we're
we've reached the pinnacle.

608
00:36:18,560 --> 00:36:20,920
And then Buffalo Trace says
absolutely not.

609
00:36:20,920 --> 00:36:24,600
We need more money out of you.
We're coming out with a hyper

610
00:36:24,600 --> 00:36:28,200
limited edition version of this.
Yeah, they need to keep Bob and

611
00:36:28,200 --> 00:36:29,720
Brad in their place, is what
they're.

612
00:36:29,720 --> 00:36:33,760
Doing exactly so The funny thing
about this release, the 2023

613
00:36:33,760 --> 00:36:38,600
Eagle Rare 17 is that Eagle Rare
17 is the actual name of the

614
00:36:38,600 --> 00:36:41,080
product.
So it's not just like an age

615
00:36:41,080 --> 00:36:46,280
stated Eagle Rare.
It's it's called legally Eagle

616
00:36:46,280 --> 00:36:50,520
Rare 17 year, but they keep
releasing older than 17 year

617
00:36:50,520 --> 00:36:52,680
versions of this.
So they're kind of just treating

618
00:36:52,680 --> 00:36:56,800
it like a minimum age statement.
This is actually a 19 year old

619
00:36:56,800 --> 00:37:00,240
bourbon, Brad, 19 years and
three months old at the time of

620
00:37:00,240 --> 00:37:03,600
bottling.
So it was distilled in spring of

621
00:37:03,600 --> 00:37:06,080
2004.
I was in 8th grade.

622
00:37:06,880 --> 00:37:11,320
Wow, yeah, that that's like wild
to think about.

623
00:37:12,120 --> 00:37:14,800
Yeah, 100% dude.
All right, man, Let's dive into

624
00:37:14,800 --> 00:37:17,600
this.
So Eagle Rare 17 year, The mash

625
00:37:17,600 --> 00:37:20,120
bill on Eagle Rare has always
been undisclosed.

626
00:37:20,320 --> 00:37:22,720
We've talked about Eagle Rare a
couple times on the podcast.

627
00:37:22,720 --> 00:37:25,280
This is the same product that is
just older.

628
00:37:25,640 --> 00:37:27,840
Brad, let's let's do it, man.
What are you picking up on the

629
00:37:27,840 --> 00:37:31,600
nose?
This has some beautiful

630
00:37:31,600 --> 00:37:36,120
complexity on the nose, mostly
hovering in the like rich

631
00:37:36,120 --> 00:37:39,640
sweetness categories.
I got some buttercream.

632
00:37:39,640 --> 00:37:41,760
There's brown sugar, caramel,
vanilla.

633
00:37:42,000 --> 00:37:45,800
It's got like a really nice
bubble gum thing going on.

634
00:37:46,120 --> 00:37:49,240
And then like the longer I sat
with it, the more I got really

635
00:37:49,240 --> 00:37:52,160
beautiful, like maraschino
cherries.

636
00:37:52,680 --> 00:37:57,760
I, I was a huge fan of this nose
It it's got all sorts of

637
00:37:57,760 --> 00:37:59,240
richness.
There's a little bit of the

638
00:37:59,240 --> 00:38:02,360
oakiness, a little bit of pepper
coming through.

639
00:38:02,760 --> 00:38:05,880
For me, this is a 9 1/2 out of
10 nose.

640
00:38:05,880 --> 00:38:07,720
I'm.
Going to give it a nine out of

641
00:38:07,720 --> 00:38:09,800
10.
I agree with every single one of

642
00:38:09,800 --> 00:38:13,040
your tasting notes.
I think the only thing is that

643
00:38:13,040 --> 00:38:17,080
it's impossible to divorce.
Like my knowledge of how

644
00:38:17,320 --> 00:38:20,880
expensive this is and how
difficult it is to obtain from

645
00:38:20,880 --> 00:38:24,400
the actual tasting experience.
I'm trying my best, but like as

646
00:38:24,400 --> 00:38:27,760
I knows it, I'm like, is this a
$1500 whiskey or is this just a

647
00:38:27,760 --> 00:38:30,680
really good classic bourbon?
And I think it's kind of just

648
00:38:30,680 --> 00:38:33,600
that, you know what I mean?
Like it is, it is Bob Books

649
00:38:33,600 --> 00:38:37,200
Platonic ideal of what bourbon
should smell like, but it

650
00:38:37,200 --> 00:38:40,160
doesn't smell like a mortgage
payment.

651
00:38:40,160 --> 00:38:42,760
Do you know what I'm saying?
Like, I don't know.

652
00:38:44,040 --> 00:38:46,640
Man, I I might, I might
foreclose on my house for this.

653
00:38:47,240 --> 00:38:49,440
Oh, all right.
Well, you, you do you, man.

654
00:38:50,360 --> 00:38:53,680
I like, I like being housed.
So it's just going to be a nine

655
00:38:53,680 --> 00:38:56,440
out of 10 for me.
And then we're getting around to

656
00:38:56,440 --> 00:38:58,720
the taste here, Brad.
I'm actually tasting it live.

657
00:38:59,000 --> 00:39:01,320
You've already tried it.
So while I give it a sip, why

658
00:39:01,320 --> 00:39:06,920
don't you give us your notes?
This is a cacophony of beauty

659
00:39:06,920 --> 00:39:10,200
and wonder.
There's bubble gum really

660
00:39:10,200 --> 00:39:13,000
prominently for me.
It has really nice almond

661
00:39:13,000 --> 00:39:15,920
flavors.
The vanilla is like a really

662
00:39:15,920 --> 00:39:18,760
fresh vanilla bean.
It's oaky.

663
00:39:18,760 --> 00:39:22,800
It's caramel Y it almost turns
into like a caramel fudge combo

664
00:39:22,840 --> 00:39:26,200
that I really like.
And the longer I sit with it,

665
00:39:26,200 --> 00:39:30,200
the longer I the 2nd and 3rd
sips I really got like a nice

666
00:39:30,200 --> 00:39:34,640
sweet mint flavor that I'm
guessing there's a little bit of

667
00:39:34,640 --> 00:39:39,520
a rye presence in this whiskey.
I I think that this has all of

668
00:39:39,520 --> 00:39:43,400
the richness that you want out
of a bourbon with a little bit

669
00:39:43,400 --> 00:39:46,280
of complexity from those
additional flavors.

670
00:39:46,760 --> 00:39:49,680
I'm not at a 10 out of 10, but I
very close.

671
00:39:49,680 --> 00:39:52,440
I'm going to stick it a 9.5 here
for the palate.

672
00:39:53,240 --> 00:39:56,280
Yeah, this is definitely not
nearly as sweet on the palate as

673
00:39:56,280 --> 00:39:59,920
it let on on the nose.
Tons of mint notes here.

674
00:39:59,920 --> 00:40:01,880
I think you're right.
This really leans black pepper

675
00:40:01,880 --> 00:40:04,240
heavy.
I actually had to take two sips

676
00:40:04,240 --> 00:40:07,800
of it to get a really good sense
of what kind of whiskey this is.

677
00:40:08,120 --> 00:40:11,680
I think the oak really does take
over on the front of the pallet

678
00:40:12,680 --> 00:40:16,120
and it's not until you like
really go to swallow it that

679
00:40:16,120 --> 00:40:17,680
some of that sweetness creeps
in.

680
00:40:17,960 --> 00:40:19,960
And it does remind me a little
bit of like a vanilla

681
00:40:19,960 --> 00:40:25,960
buttercream it it has that like
super rich, decadent sweetness

682
00:40:25,960 --> 00:40:29,120
to it, but kind of at the very
back end.

683
00:40:29,760 --> 00:40:32,320
I like it.
I think it has that viscosity

684
00:40:32,320 --> 00:40:36,800
that we were that you noticed in
the George T Stag that I didn't

685
00:40:36,800 --> 00:40:39,800
get, which is really funny
because this is a much, much

686
00:40:39,800 --> 00:40:43,120
lower proof whiskey than that
George T Stag was.

687
00:40:43,800 --> 00:40:46,520
I like this.
It's not knocking my socks off.

688
00:40:46,520 --> 00:40:47,840
I'm going to give it an 8 out of
10.

689
00:40:48,560 --> 00:40:51,160
The finish, you get fresh
leather.

690
00:40:51,160 --> 00:40:54,760
There's almost a bit of like a
cedar flavor to me.

691
00:40:55,120 --> 00:40:58,000
It brings around the cherries
that I got on the nose.

692
00:40:58,240 --> 00:41:01,880
There's black pepper.
It's continues to stick in that

693
00:41:01,880 --> 00:41:07,080
vanilla lane.
I once again really, really,

694
00:41:07,080 --> 00:41:09,920
really like this whiskey.
I'm going to give it a nine out

695
00:41:09,920 --> 00:41:13,000
of 10 on the finish.
I think that you're tasting

696
00:41:13,000 --> 00:41:15,240
notes have been absolutely on
point today.

697
00:41:15,640 --> 00:41:17,000
I don't know.
I feel like I'm not bringing

698
00:41:17,000 --> 00:41:19,240
anything to the table today
because I don't really have much

699
00:41:19,240 --> 00:41:23,440
more to offer than you do.
I guess what I'm going to say

700
00:41:23,440 --> 00:41:27,640
even before I give a score here,
Brad, is like you've now tried

701
00:41:27,640 --> 00:41:31,400
Eagle Rare at 17 years old,
technically 19 years old.

702
00:41:31,840 --> 00:41:34,800
The Eagle Rare that you and I
used to drink was at one point

703
00:41:35,280 --> 00:41:38,120
age stated at 10 years old.
So we've tried it at multiple

704
00:41:38,120 --> 00:41:44,760
different age points now.
Is 17/19 the right age statement

705
00:41:44,760 --> 00:41:49,440
for this or has this tipped into
something that is, you know, I

706
00:41:49,440 --> 00:41:51,800
don't want to say beyond repair,
but like, do you know what I'm

707
00:41:51,800 --> 00:41:53,280
saying?
Like have we reached the point

708
00:41:53,280 --> 00:41:55,040
of no return with the oakiness
here?

709
00:41:55,760 --> 00:41:59,800
I I don't think it's over oaked.
I like, I think that there is

710
00:41:59,800 --> 00:42:03,200
some oakiness to it.
It gets a little bit funky

711
00:42:03,200 --> 00:42:06,000
throughout the experience, but
never in a way that's

712
00:42:06,000 --> 00:42:09,320
overwhelming.
I actually think, you know, I'll

713
00:42:09,320 --> 00:42:12,680
tip into my balance score here.
I actually think that for the

714
00:42:13,440 --> 00:42:17,640
hyper aged bourbon products and
you know, and rye that we get on

715
00:42:17,640 --> 00:42:21,640
BTEC, I think this is incredibly
well balanced.

716
00:42:21,640 --> 00:42:25,040
There's a lot of good flavors.
The oakiness isn't overwhelming.

717
00:42:25,880 --> 00:42:29,000
I think that it could be a
little bit higher in proof point

718
00:42:29,120 --> 00:42:32,600
and bring out some more flavor.
So that's going to dock it a

719
00:42:32,600 --> 00:42:35,200
little bit for me, but I'm going
to give it a nine out of 10 on

720
00:42:35,200 --> 00:42:37,760
balance.
I do think that the finish is

721
00:42:37,760 --> 00:42:39,120
the best part of this
experience.

722
00:42:39,120 --> 00:42:42,000
It really does kind of roll back
up your tongue with those

723
00:42:42,000 --> 00:42:44,000
caramel notes, tons of brown
sugar.

724
00:42:44,160 --> 00:42:47,160
I do get that pink bubble gum
kind of dustiness a little bit

725
00:42:47,160 --> 00:42:50,280
as well.
I'm going to give it a nine out

726
00:42:50,280 --> 00:42:53,720
of 10 on the finish.
I'm going to give it an 8.5 on

727
00:42:53,720 --> 00:42:56,480
the balance.
So even before we get to the

728
00:42:56,480 --> 00:43:00,440
value score, I'm at a 34.5 out
of 40.

729
00:43:01,000 --> 00:43:04,600
A really good whiskey that we
now have to consider the price

730
00:43:04,600 --> 00:43:07,760
for now.
Again, this product used to be

731
00:43:07,760 --> 00:43:10,600
released at 90 proof back in
2018.

732
00:43:10,600 --> 00:43:14,840
They upped that to 101 proof.
So this is not as low in proof

733
00:43:14,840 --> 00:43:17,560
as that Sazerac that we tried a
couple weeks ago, Brad.

734
00:43:18,000 --> 00:43:22,040
However, it is right there with
the Sazerac and probably even

735
00:43:22,040 --> 00:43:24,120
above that in terms of how much
it costs.

736
00:43:24,440 --> 00:43:29,800
I'm seeing it all over the place
online for 1700 dollars, $1500.

737
00:43:30,160 --> 00:43:33,520
This is really firmly in that
luxury bourbon category.

738
00:43:35,240 --> 00:43:41,360
I will say that this ranks a
little bit lower among the 5B

739
00:43:41,360 --> 00:43:46,800
tax for me that we've had in
this lineup, and I would not

740
00:43:46,800 --> 00:43:49,560
ever be tempted to spend 4
figures on this whiskey.

741
00:43:50,640 --> 00:43:53,000
That said, that's not really
what we're asking here.

742
00:43:53,000 --> 00:43:56,640
We're asking like, does this
justify being a luxury bourbon?

743
00:43:57,480 --> 00:43:59,480
And I'd like to hear what you
think on that front.

744
00:44:00,160 --> 00:44:04,080
I mean, looking back at the
other releases that we've drank,

745
00:44:04,440 --> 00:44:07,920
the only one that I have given a
good score on value is the

746
00:44:07,920 --> 00:44:11,400
George T Stag, and I definitely
stand by that.

747
00:44:11,400 --> 00:44:15,080
I think it's incredible.
I think that in the world of

748
00:44:15,080 --> 00:44:21,600
luxury whiskey, this one comes
pretty close to being worth the

749
00:44:21,600 --> 00:44:25,520
tag of luxury.
I would give it an 8 1/2 on

750
00:44:25,520 --> 00:44:28,160
value.
I like if you're going to drop

751
00:44:28,880 --> 00:44:33,360
big money on AB tack whiskey, I
think that between this and the

752
00:44:33,360 --> 00:44:35,600
George T Stag, you're going to
spend your money well.

753
00:44:36,480 --> 00:44:38,080
Yeah.
And I'm trying to remember, we

754
00:44:38,080 --> 00:44:40,800
tried that Thomas H Handy
literally a year ago.

755
00:44:41,280 --> 00:44:43,200
Yeah.
We did say that it wasn't as

756
00:44:43,200 --> 00:44:45,520
good as the prior time that we
had had it, which I think was

757
00:44:45,520 --> 00:44:49,960
the 2018 or 2019 release.
If I had to just rank these off

758
00:44:49,960 --> 00:44:52,640
the top of my head by gut
feeling, I I think I would go

759
00:44:52,640 --> 00:44:54,720
Weller.
Weller was fantastic for me.

760
00:44:54,920 --> 00:44:58,960
Then the Stag and then I'd
probably say the Handy, the

761
00:44:58,960 --> 00:45:02,080
Eagle Rare, and then the Sazerac
Rye.

762
00:45:02,080 --> 00:45:05,160
That would be my 5:00.
So this, like I said, I'm a

763
00:45:05,160 --> 00:45:09,720
little cooler on this one man.
This dude, it's so good.

764
00:45:09,720 --> 00:45:13,040
Man, well, what's your gut
reaction listing of the five?

765
00:45:15,640 --> 00:45:22,360
I think I would probably go the
Stag the Eagle rare.

766
00:45:22,920 --> 00:45:26,760
Oh.
Dude this Igor is so good.

767
00:45:27,360 --> 00:45:28,320
It's OK, it's.
Pretty good.

768
00:45:29,280 --> 00:45:36,280
The handy and I don't know.
The last two I think are

769
00:45:36,280 --> 00:45:37,920
interchangeable.
I didn't realize you were that

770
00:45:37,920 --> 00:45:41,560
cool on the Weller.
OK, So Brad and I have very

771
00:45:41,560 --> 00:45:44,440
different like pallets and I
think that's what you get here

772
00:45:44,440 --> 00:45:47,360
when you're looking at B.Tech.
The Stag is definitely the

773
00:45:47,360 --> 00:45:50,160
consensus choice.
I would say, even though it was

774
00:45:50,160 --> 00:45:54,240
a a huge step below Weller for
me in particular, we still

775
00:45:54,240 --> 00:45:57,160
haven't given it a value score.
I think I will stick at my

776
00:45:57,160 --> 00:45:59,720
baseline score of five out of 10
for all these.

777
00:45:59,880 --> 00:46:04,480
The only one that I felt like
truly wasn't justified was that

778
00:46:04,480 --> 00:46:07,680
Sazerac Rye, which I gave like
A32 on value.

779
00:46:08,120 --> 00:46:11,200
So if you're in the market for
this, you're going to buy it no

780
00:46:11,200 --> 00:46:13,240
matter what I say is the value
of it.

781
00:46:13,280 --> 00:46:16,080
So I think that's where I kind
of just say, all right, then

782
00:46:16,080 --> 00:46:20,600
it's a 5 and that brings me to a
39.5 out of 50.

783
00:46:21,640 --> 00:46:27,000
I am coming in decently higher
than you at a 45.5 out of 50.

784
00:46:27,240 --> 00:46:31,640
So you have you have surpassed
the 90 out of 100 mark.

785
00:46:31,840 --> 00:46:33,920
That's right, I'm at a 91 out of
100.

786
00:46:34,680 --> 00:46:41,400
Dang, all right, that's taking
us to a 42.5 out of 50 or an 85

787
00:46:41,400 --> 00:46:44,240
out of 100 on average.
This is a darn good whiskey.

788
00:46:44,440 --> 00:46:47,600
Like I said, I think it's it's
in the bottom tier of the five

789
00:46:47,600 --> 00:46:50,240
for me, but it might be among
Brad's favorites.

790
00:46:51,480 --> 00:46:55,280
Yeah, 100%.
I think that Eagle Rare at any

791
00:46:55,280 --> 00:46:59,560
level is going to be worth it.
Now, the Double Eagle Very Rare,

792
00:46:59,560 --> 00:47:02,880
I can't speak to.
If the whiskey gods want to

793
00:47:02,880 --> 00:47:06,520
bestow some of that juice upon
us, then we'll we'll take it.

794
00:47:07,320 --> 00:47:08,640
We.
We certainly will.

795
00:47:09,400 --> 00:47:13,120
Yeah, at this point, I would say
Eagle Rare continues to be one

796
00:47:13,120 --> 00:47:16,240
of my favorite brands in the
world of whiskey.

797
00:47:16,280 --> 00:47:17,600
Yeah, and that's how I am with
Weller.

798
00:47:17,680 --> 00:47:20,360
It's like I I get really mad at
Weller and then every time I try

799
00:47:20,360 --> 00:47:21,920
a Weller product I'm like damn
it.

800
00:47:22,600 --> 00:47:26,120
I'm crawling right back.
Yeah, it's like it is justified,

801
00:47:26,280 --> 00:47:29,400
man.
All right, dude, what do you say

802
00:47:29,400 --> 00:47:33,280
we get back into talking about?
Parasite justified class

803
00:47:33,280 --> 00:47:37,280
warfare.
Let's get to it, man.

804
00:47:40,920 --> 00:47:46,760
All right everybody, That was
Eagle Rare 17, a 19 year old

805
00:47:46,760 --> 00:47:50,000
whiskey that knocked my socks
off at the very least.

806
00:47:51,240 --> 00:47:52,640
It was good.
It was a good whiskey.

807
00:47:53,560 --> 00:47:55,760
It was no.
William LaRue Weller.

808
00:47:56,480 --> 00:48:02,120
As we're recording this, the
Ohio Liquor Fall bottle lottery

809
00:48:02,120 --> 00:48:08,760
just went off.
And they are, what's the word

810
00:48:08,760 --> 00:48:10,680
I'm looking for?
You have a chance to win a

811
00:48:10,680 --> 00:48:13,560
bottle of this.
So I am very hopeful.

812
00:48:13,560 --> 00:48:17,000
I signed myself up, my wife up.
I've got a few of my friends

813
00:48:17,000 --> 00:48:19,760
signed up for it.
We'll we'll see if we can win

814
00:48:19,760 --> 00:48:22,200
some Pappy or B tack.
Well good luck with that man.

815
00:48:22,200 --> 00:48:25,320
I don't think anyone else has
ever ever won that before so.

816
00:48:26,400 --> 00:48:28,200
Do you think that nobody
actually wins it?

817
00:48:29,920 --> 00:48:32,400
Like the entire list that they
put out is just a giant

818
00:48:32,400 --> 00:48:33,640
fabrication.
Sham.

819
00:48:33,920 --> 00:48:36,960
No, I don't think that.
By the park By the park family.

820
00:48:36,960 --> 00:48:39,720
Yes, exactly.
All right dude, it is time for

821
00:48:39,720 --> 00:48:41,720
us to get into our game for the
day.

822
00:48:41,720 --> 00:48:44,160
It's a game that we call 2 facts
and a falsehood.

823
00:48:44,160 --> 00:48:50,800
Brad is going to try to stump
your ball to our right and what

824
00:48:50,800 --> 00:48:55,040
is wrong?
2 facts and a falsehood. 2 Facts

825
00:48:55,040 --> 00:48:57,520
and a Falsehood is the part of
the show where Brad presents me

826
00:48:57,520 --> 00:49:01,160
with three items as fact about
the making of this movie, one of

827
00:49:01,160 --> 00:49:03,800
which is a complete fabrication
and I have to guess which one

828
00:49:03,800 --> 00:49:06,440
that is.
I have started off the season

829
00:49:06,920 --> 00:49:08,120
very strong.
Brad.

830
00:49:08,120 --> 00:49:13,080
I am at 5 and O however.
The The Parks of the Film and

831
00:49:13,080 --> 00:49:14,920
Whiskey Game.
It's one of those things where,

832
00:49:14,920 --> 00:49:18,520
like, you know, when a running
back is just freaking plowing

833
00:49:18,520 --> 00:49:22,320
through a defense and then they
pull him for a little while and

834
00:49:22,320 --> 00:49:24,840
it's like, dude, you got to feed
the hot hand here a little bit.

835
00:49:25,280 --> 00:49:27,960
Yeah, I'm a little worried that
we took two weeks off from

836
00:49:27,960 --> 00:49:31,040
recording and now I'm just going
to the bed repeatedly here and

837
00:49:31,040 --> 00:49:33,760
two facts and a falsehood.
Do you remember Marshawn Lynch

838
00:49:33,760 --> 00:49:38,440
just freaking joy sticking
everybody out of the way when he

839
00:49:38,440 --> 00:49:40,680
played for the Bills?
I do and then you remember how

840
00:49:40,680 --> 00:49:42,280
they threw it from the one yard
line.

841
00:49:43,000 --> 00:49:46,600
Yep, yeah, that that was with
the Seahawks years, and it might

842
00:49:46,600 --> 00:49:51,280
have been the best decision that
Pete Carroll has ever made.

843
00:49:52,000 --> 00:49:54,120
All right, let's get into two
facts in a falsehood.

844
00:49:54,120 --> 00:49:56,240
Brad, hit me with your list of
three.

845
00:49:56,800 --> 00:50:00,720
Fact number one to create the
intense flood scene in the Kim's

846
00:50:00,720 --> 00:50:03,800
semi basement apartment, the
production team designed an

847
00:50:03,800 --> 00:50:06,800
intricate custom built water
system that allowed them to

848
00:50:06,800 --> 00:50:09,600
flood the set with precision,
controlling the water levels to

849
00:50:09,600 --> 00:50:12,720
match the pacing of the scene
while keeping the actor safe.

850
00:50:14,160 --> 00:50:18,440
Fact #2 Kiwu's job as an at home
tutor was specifically chosen by

851
00:50:18,440 --> 00:50:22,160
director Bong Joon Ho after you
observed that in contemporary

852
00:50:22,160 --> 00:50:26,000
South Korea, private tutoring is
one of the very few professions

853
00:50:26,000 --> 00:50:29,320
where individuals from vastly
different social classes can

854
00:50:29,320 --> 00:50:36,120
realistically interact.
Fact #3 editor Jin MO Yang chose

855
00:50:36,120 --> 00:50:40,560
to edit Parasite using Final Cut
Pro 7A software that Apple

856
00:50:40,560 --> 00:50:44,760
discontinued in 2011.
Remarkably, he worked on an old

857
00:50:44,760 --> 00:50:47,800
computer that hadn't been
updated since 2014.

858
00:50:48,600 --> 00:50:51,200
Despite the outdated technology,
Yang believed that the

859
00:50:51,200 --> 00:50:54,320
software's familiarity allowed
him to focus more on the film's

860
00:50:54,320 --> 00:50:57,760
intricate pacing and tone.
And his unconventional choice

861
00:50:57,760 --> 00:51:02,400
paid off, leading to a Oscar
nomination in the category of

862
00:51:02,400 --> 00:51:03,160
editing.
That's.

863
00:51:03,160 --> 00:51:07,240
Awesome.
Now I will, I will say that I

864
00:51:07,240 --> 00:51:10,760
have heard that fact before, so
I I'm going to assume that's

865
00:51:10,760 --> 00:51:12,720
true.
I don't know like how I would

866
00:51:12,720 --> 00:51:15,120
possibly have heard that if
someone else made-up the exact

867
00:51:15,120 --> 00:51:18,160
same thing.
So I'm going to say 3 is true.

868
00:51:18,440 --> 00:51:20,440
One and two both sound very
plausible.

869
00:51:20,440 --> 00:51:26,000
Like #2 yes, tutoring is a place
where social strata are crossed.

870
00:51:26,480 --> 00:51:31,520
And then remind me of #1 again.
The flood sequence that they

871
00:51:31,600 --> 00:51:34,600
they custom built.
During the flood sequence this

872
00:51:34,600 --> 00:51:38,080
time around, I found myself
wondering, like, I wonder how

873
00:51:38,080 --> 00:51:40,760
they did this set because they
clearly had to make a duplicate

874
00:51:40,760 --> 00:51:43,040
of the apartment that they'd
used in prior scenes.

875
00:51:43,520 --> 00:51:45,400
Man, what?
What was the drainage system

876
00:51:45,400 --> 00:51:47,920
like in this?
And like I was really, even

877
00:51:47,920 --> 00:51:50,000
though I was engrossed in the
movie, I was like, man, that was

878
00:51:50,320 --> 00:51:53,160
that had to take a lot of
technical know how just.

879
00:51:54,120 --> 00:51:57,240
Come out of that toilet, yeah.
And you were like, I wonder how

880
00:51:57,240 --> 00:51:58,760
the production?
Team did that.

881
00:52:00,600 --> 00:52:02,080
Is it chocolate?
What is it?

882
00:52:03,520 --> 00:52:05,520
I will say it's.
Really dark, Boo.

883
00:52:05,520 --> 00:52:10,240
It's dark, man, I'm going to
say.

884
00:52:11,320 --> 00:52:13,320
I don't know because see your.
Your fact for #1.

885
00:52:13,320 --> 00:52:15,960
Was just like, they had to
design a very technically

886
00:52:16,120 --> 00:52:18,960
precise set.
It's like, yeah, that's how sets

887
00:52:18,960 --> 00:52:23,200
work.
Number #2 yes, that's how

888
00:52:23,200 --> 00:52:24,800
tutoring works.
So I don't really know.

889
00:52:25,080 --> 00:52:29,440
I'm just going to say that.
I mean, you know, tutoring

890
00:52:29,440 --> 00:52:31,960
isn't.
Always a socially stratified

891
00:52:31,960 --> 00:52:34,280
event, Sure.
Now I feel like you're trying to

892
00:52:34,280 --> 00:52:37,720
steer me in a different way.
I'm going to say.

893
00:52:37,720 --> 00:52:39,800
That number?
2 is the falsehood.

894
00:52:39,880 --> 00:52:42,560
I think it's probably 1.
I think you got me this week,

895
00:52:42,560 --> 00:52:45,280
Brad, if you think you got me.
Then why?

896
00:52:45,520 --> 00:52:52,120
Why would you?
I, I feel like that's what I

897
00:52:52,240 --> 00:52:55,760
Yeah, it is to your answer.
I'll, I'll let you, I'll let you

898
00:52:55,760 --> 00:52:57,080
switch if you think it's the
wrong one.

899
00:52:57,080 --> 00:52:59,000
Nah, I I meant to stick with
two.

900
00:52:59,680 --> 00:53:04,320
OK, well, you're wrong.
Do you do you feel like?

901
00:53:04,320 --> 00:53:07,160
Justified.
No, I knew I was wrong.

902
00:53:08,440 --> 00:53:11,440
I took.
I took my first L on the season

903
00:53:12,040 --> 00:53:14,920
so one is the falsehood.
So like I I do.

904
00:53:15,360 --> 00:53:17,400
I'm sure they designed a set
though, right?

905
00:53:18,800 --> 00:53:20,160
Maybe.
I have no idea.

906
00:53:20,400 --> 00:53:22,200
No, they actually just flooded a
whole city.

907
00:53:22,200 --> 00:53:25,360
Block and then left.
It's a deal with.

908
00:53:25,360 --> 00:53:30,400
It poor people.
Suck it I.

909
00:53:30,400 --> 00:53:33,720
Feel like 1 is actually true.
But you just didn't find it in

910
00:53:33,720 --> 00:53:35,520
your research.
So you're saying you made it up?

911
00:53:36,160 --> 00:53:39,240
I did make it up.
That's that did happen.

912
00:53:39,920 --> 00:53:41,360
All right, man, let's get back
into talking.

913
00:53:41,360 --> 00:53:44,000
About the movie, and since we've
been hinting at poop coming out

914
00:53:44,000 --> 00:53:46,560
of a toilet, let's get into this
kind of third act.

915
00:53:46,560 --> 00:53:50,520
So the second act ends as they
escape the house after they've

916
00:53:50,520 --> 00:53:53,560
been hiding under the table.
It's raining really hard.

917
00:53:53,560 --> 00:53:57,480
They get back to their sub.
What's what's it called?

918
00:53:57,520 --> 00:54:00,200
Subterranean.
Subterranean life as rat.

919
00:54:00,200 --> 00:54:03,040
People and it is flooded up to
their necks.

920
00:54:03,040 --> 00:54:06,480
In sewage water.
And it is just the final kind

921
00:54:06,480 --> 00:54:08,520
of, pardon the pun, because it's
going to come back later.

922
00:54:08,680 --> 00:54:12,680
It's kind of the final twist of
the knife in terms of like, man,

923
00:54:12,680 --> 00:54:17,040
these people cannot catch a
break and they are living in a

924
00:54:17,200 --> 00:54:20,920
in a hell of their own making.
Partially the shot of the

925
00:54:20,920 --> 00:54:23,840
daughter smoking.
A cigarette on their.

926
00:54:23,880 --> 00:54:27,280
First off, the fact that they
have a toilet that you literally

927
00:54:27,280 --> 00:54:31,400
have to like, like climb, your
head will hit the ceiling

928
00:54:31,400 --> 00:54:33,800
because you're climbing up to it
is wild.

929
00:54:33,880 --> 00:54:38,160
I mean, again, talk about visual
metaphors like they live lower

930
00:54:38,160 --> 00:54:39,760
than the level at which you take
a.

931
00:54:40,760 --> 00:54:46,520
Oh, and like, do you know what?
I mean, I, I, yes, I loved that

932
00:54:46,520 --> 00:54:53,280
the transportation from the Park
House to the Kim house is just

933
00:54:53,280 --> 00:54:57,840
this constant descent into like
hell basically.

934
00:54:58,360 --> 00:55:02,520
So this is where I want to say.
The movie or the filmmaker that

935
00:55:02,520 --> 00:55:05,960
Bong Joon Ho in this film
reminds me of the most is David

936
00:55:05,960 --> 00:55:08,520
Fincher.
And it's because of the how

937
00:55:08,520 --> 00:55:10,600
precise the use of the camera
is.

938
00:55:10,880 --> 00:55:13,800
Like if you watch a movie like
the Social Network and how even

939
00:55:13,800 --> 00:55:16,360
though that movie will have like
really fast whip pans,

940
00:55:16,760 --> 00:55:20,080
everything is either like pre
programmed by a computer or it

941
00:55:20,080 --> 00:55:23,120
is like so precise that it you
can tell it's made by a madman

942
00:55:23,160 --> 00:55:25,440
in Fincher.
And I feel like this movie is

943
00:55:25,440 --> 00:55:29,160
exactly like that in that first
2/3, the cameras constantly

944
00:55:29,160 --> 00:55:31,440
moving.
There's a lot of montage in that

945
00:55:31,440 --> 00:55:36,000
second third, you get that great
kind of like Ki Wu goes and

946
00:55:36,000 --> 00:55:38,120
hides under the bed of the girl
that he's tutoring.

947
00:55:38,280 --> 00:55:41,200
And then there's this great shot
from the ceiling where the dog

948
00:55:41,200 --> 00:55:44,520
is like under like crouched
under the bed and finds him and

949
00:55:44,520 --> 00:55:48,120
and it like pans over to kind of
reveal the dog.

950
00:55:48,360 --> 00:55:50,360
And I'm like, oh, that's a
Fincher shot right there.

951
00:55:50,680 --> 00:55:54,600
Also side note.
She gets upset and leaves him

952
00:55:54,600 --> 00:56:00,160
safely under the bed because she
finds out that whatever meal the

953
00:56:00,160 --> 00:56:04,760
mom had made got eaten.
That thing that looked freaking

954
00:56:04,760 --> 00:56:05,800
delicious.
It did.

955
00:56:06,000 --> 00:56:09,760
I I want that Ramdan.
Yeah, yeah.

956
00:56:09,840 --> 00:56:11,240
Oh.
Dude, I want some.

957
00:56:11,240 --> 00:56:15,600
Of that and the moment that
really like.

958
00:56:15,600 --> 00:56:18,840
Solidified it for me is as
they've gone down this descent

959
00:56:18,840 --> 00:56:22,240
into hell, right as they're kind
of arriving at the base of this

960
00:56:22,240 --> 00:56:25,720
set of stairs, you get this shot
that starts.

961
00:56:25,720 --> 00:56:29,360
It's basically a crane shot and
it just lowers itself as they

962
00:56:29,360 --> 00:56:34,320
kind of descend these stairs and
it's lowering through this kind

963
00:56:34,320 --> 00:56:37,360
of twisted web of electrical
lines.

964
00:56:37,840 --> 00:56:41,400
And it's my favorite, one of all
of the visual metaphors in the

965
00:56:41,400 --> 00:56:45,680
whole movie because they have
really weaved this web of deceit

966
00:56:45,920 --> 00:56:48,240
throughout the film.
And you're just like, now you're

967
00:56:48,240 --> 00:56:52,320
watching as they have to like
navigate this web that they've

968
00:56:52,320 --> 00:56:55,520
built for themselves.
And I'm like just Primo.

969
00:56:55,520 --> 00:56:56,640
It's just.
Such a good.

970
00:56:56,640 --> 00:56:59,440
Shot dude it's it's incredible
and I I.

971
00:56:59,440 --> 00:57:03,680
Think the thing for me the
second time through this movie

972
00:57:04,120 --> 00:57:08,360
you you mentioned earlier how
every setup has a payoff and

973
00:57:08,360 --> 00:57:13,360
like every single moment of this
movie feels like a metaphor,

974
00:57:13,400 --> 00:57:17,720
which the the sun Ki Woo like
says multiple times throughout

975
00:57:17,720 --> 00:57:20,360
the movie.
He's like whoa, this is so

976
00:57:20,360 --> 00:57:24,240
metaphorical bro, but he never
says what?

977
00:57:24,240 --> 00:57:27,400
It's a metaphor.
For no, not a single time.

978
00:57:30,000 --> 00:57:34,040
And I think that's what I
that's, I think this movie

979
00:57:34,040 --> 00:57:39,760
teeters on the edge of being
ridiculous and, and like in a

980
00:57:39,760 --> 00:57:44,960
bad way ridiculous where it's
like every single thing is

981
00:57:44,960 --> 00:57:50,040
knocking you over the head as
multiple characters get knocked

982
00:57:50,040 --> 00:57:53,600
over the head in this movie.
And it's like, do you get it?

983
00:57:53,800 --> 00:57:58,960
They're poor and that, like, for
me this time through, it did not

984
00:57:58,960 --> 00:58:02,920
teeter off the edge into
ridiculousness, but it comes

985
00:58:02,920 --> 00:58:05,040
close throughout the entire
movie.

986
00:58:05,280 --> 00:58:09,200
And it is moments like that
where it's like an incredible,

987
00:58:09,200 --> 00:58:13,640
beautiful shot that points out
the tangled web that they have

988
00:58:13,640 --> 00:58:16,680
woven.
And it's because the director is

989
00:58:16,680 --> 00:58:20,400
freaking awesome that I don't
mind him hitting us over the

990
00:58:20,400 --> 00:58:23,480
head with that.
And I think in the hands of a

991
00:58:23,480 --> 00:58:28,080
lesser director, this would just
be another absolutely never

992
00:58:28,080 --> 00:58:30,200
heard of in America foreign
film.

993
00:58:31,000 --> 00:58:32,520
Let's talk about the end of the
movie.

994
00:58:32,840 --> 00:58:34,760
Or the third section, quote, UN
quote.

995
00:58:34,840 --> 00:58:37,680
Now I've already said I don't
know if I can evaluate this kind

996
00:58:37,680 --> 00:58:41,600
of on its own merits because I
had to watch it in a vacuum.

997
00:58:41,960 --> 00:58:44,920
Like I, I knowing what, what
happened, I had to then go back

998
00:58:44,920 --> 00:58:47,040
and watch a movie and say, like,
oh, how do I feel about this

999
00:58:47,040 --> 00:58:49,800
now?
So I'll I'll never be able to

1000
00:58:49,800 --> 00:58:53,880
experience it for the first time
going in blind with a packed

1001
00:58:53,880 --> 00:58:56,280
theater that.
Said I do.

1002
00:58:56,280 --> 00:59:00,000
Think that the birthday party
and everything that comes after

1003
00:59:00,000 --> 00:59:02,440
it is actually the weakest part
of the film.

1004
00:59:03,200 --> 00:59:07,320
And I I say that because they
have left you in so much

1005
00:59:07,320 --> 00:59:10,320
suspense throughout the film.
And now you've seen the Kims at

1006
00:59:10,320 --> 00:59:16,120
their absolute lowest and you're
expecting this big operatic

1007
00:59:16,120 --> 00:59:18,000
outburst of violence at the end
of the film.

1008
00:59:18,000 --> 00:59:21,760
And what it really turns into is
a much simpler kind of domestic,

1009
00:59:22,320 --> 00:59:27,280
you know, in not incoherent but
inexplainable outburst of

1010
00:59:27,280 --> 00:59:31,560
violence that looks like it
would belong more on like ATV

1011
00:59:31,560 --> 00:59:33,920
drama.
And I'm not saying like that it

1012
00:59:33,920 --> 00:59:37,600
looks bad visually, but I think
I was like, oh man, this is

1013
00:59:37,600 --> 00:59:39,600
really going to come to a head.
And it does.

1014
00:59:39,960 --> 00:59:43,400
But I was like, oh, OK, you know
what I mean?

1015
00:59:43,400 --> 00:59:44,800
Especially.
After watching the.

1016
00:59:45,000 --> 00:59:49,640
The Peach montage and then that
incredibly convoluted juggling

1017
00:59:49,640 --> 00:59:53,360
of the Ramdan sequence.
The end of the movie felt a

1018
00:59:53,360 --> 00:59:57,480
little bit like, OK, this was a
good sequence, but it's like at

1019
00:59:57,480 --> 01:00:00,200
the at best the third best
sequence in this movie.

1020
01:00:01,360 --> 01:00:04,760
I think that there are a few.
Moments in the final sequence

1021
01:00:04,760 --> 01:00:12,680
that don't quite work, like when
the the dad of the Park family

1022
01:00:12,920 --> 01:00:18,640
is going to get the keys and he
like holds his nose at like that

1023
01:00:18,640 --> 01:00:22,480
is the only part of this film
that felt fake to me.

1024
01:00:23,160 --> 01:00:27,960
Like every every other element
of this film felt honest to the

1025
01:00:27,960 --> 01:00:32,480
human experience of like this is
something that could be done by

1026
01:00:32,480 --> 01:00:36,120
real humans.
That was the only moment for me

1027
01:00:36,120 --> 01:00:40,920
where I'm like, Oh, yeah, no,
like nobody would turn their

1028
01:00:40,920 --> 01:00:45,240
nose up as they're trying to get
the thing that will save their

1029
01:00:45,240 --> 01:00:48,400
son, or at least in their mind
and their heart, it's the thing

1030
01:00:48,400 --> 01:00:51,800
that will save their son.
So like, like that's a little

1031
01:00:51,800 --> 01:00:54,200
thing that kind of turned me off
at the end of the movie.

1032
01:00:54,840 --> 01:00:59,280
Overall, though, like I love the
end of this movie.

1033
01:00:59,280 --> 01:01:03,400
I I think that the conversation
that Mister Kim and Mr. Park

1034
01:01:03,400 --> 01:01:06,560
have behind the bushes and
preparing to.

1035
01:01:07,840 --> 01:01:09,680
Where he's basically.
Just saying like, oh.

1036
01:01:09,680 --> 01:01:11,920
You're just like me, like you're
just trying to do your best,

1037
01:01:11,920 --> 01:01:14,160
too.
And Mr. Park completely

1038
01:01:14,160 --> 01:01:16,040
misinterprets it.
And throughout the whole movie,

1039
01:01:16,040 --> 01:01:19,000
he's been saying Mr. Kim's never
crossed the line with me.

1040
01:01:19,000 --> 01:01:22,280
And you can tell in that moment
that in his eyes, he crossed the

1041
01:01:22,280 --> 01:01:23,880
line.
And he thinks it's all about

1042
01:01:23,880 --> 01:01:26,200
money.
Like to, to the point of what

1043
01:01:26,200 --> 01:01:30,680
the rich people are not just
fueled by, but their entire lens

1044
01:01:30,680 --> 01:01:34,240
for looking at how all their
relationships are transactional.

1045
01:01:34,400 --> 01:01:37,160
Like, oh, it's, it's so good.
And I think everything leading

1046
01:01:37,160 --> 01:01:38,720
up to that birthday party is
good too.

1047
01:01:38,720 --> 01:01:43,000
Like you finally get the wife
thinking that Mister Kim smells

1048
01:01:43,280 --> 01:01:47,200
and it's such a such a mean joke
because she's sitting in the

1049
01:01:47,200 --> 01:01:50,880
back seat with her feet up on
the passenger seat, like

1050
01:01:50,880 --> 01:01:54,400
headrest with no shoes on.
She has her feet literally in

1051
01:01:54,400 --> 01:01:57,560
this guy's face.
And then she's going to say, you

1052
01:01:57,560 --> 01:02:00,200
smell too bad to me.
I need to roll the window down.

1053
01:02:00,200 --> 01:02:03,520
Like it just it continues to
ratchet up that like, oh, this

1054
01:02:03,520 --> 01:02:06,920
guy's going to explode thing.
And they do such a good job of

1055
01:02:06,920 --> 01:02:11,840
intercutting it with the escape
of the the former housekeeper's

1056
01:02:11,840 --> 01:02:14,600
husband from the basement where
he goes on a murderous rampage.

1057
01:02:14,920 --> 01:02:17,680
Like, I just, I was really on
board with it.

1058
01:02:17,960 --> 01:02:20,800
And then I felt like, yes, you
get this moment of kind of like

1059
01:02:20,800 --> 01:02:25,120
chaos, but the denumont that
happens after that, I'm like,

1060
01:02:25,120 --> 01:02:28,320
OK, I, I feel like we could have
ended this movie 10 minutes ago.

1061
01:02:28,760 --> 01:02:32,040
And that's not to say any of it
is bad, and it does a great job

1062
01:02:32,040 --> 01:02:34,480
of underscoring all of the
themes of the movie.

1063
01:02:35,240 --> 01:02:39,920
But for me, especially the, the
random choice to start having a

1064
01:02:39,920 --> 01:02:46,360
narrator 5 minutes before the
movie ends was like, oh, I think

1065
01:02:46,360 --> 01:02:48,920
this is the first time that
they, they kind of wrote

1066
01:02:48,920 --> 01:02:51,040
themselves into a corner a
little bit and they don't know

1067
01:02:51,040 --> 01:02:53,520
how to get themselves out of
this without putting a narrator

1068
01:02:53,520 --> 01:02:56,080
in.
And I my.

1069
01:02:56,080 --> 01:03:02,440
Curiosity was why don't you just
end it knowing that the dad is

1070
01:03:02,440 --> 01:03:07,040
now hiding in the basement.
Like that felt like it would

1071
01:03:07,040 --> 01:03:13,120
have been an honest, like
wrapping up of the story that

1072
01:03:13,120 --> 01:03:16,080
we've told.
Like you have now become the

1073
01:03:16,080 --> 01:03:21,320
mole, the lowest version of the
poor person that you know you

1074
01:03:21,320 --> 01:03:24,400
are.
Like, I don't know, it felt like

1075
01:03:24,400 --> 01:03:27,640
that would have been the thing.
But instead I I'm really curious

1076
01:03:27,640 --> 01:03:34,840
what you think about the choice
to show the son making a plan

1077
01:03:34,920 --> 01:03:37,400
even though the dad told him
never to make a plan.

1078
01:03:38,080 --> 01:03:41,600
And they give you the emotional
like, ah, he accomplished the

1079
01:03:41,600 --> 01:03:45,520
plan, but then they show that it
didn't really happen and or that

1080
01:03:45,520 --> 01:03:46,960
it hasn't happened yet.
Right.

1081
01:03:47,320 --> 01:03:49,360
And I think that's even more of
a gut punch.

1082
01:03:49,360 --> 01:03:52,720
I do like that ending because it
shows that the movie isn't

1083
01:03:52,720 --> 01:03:56,960
primarily interested in being
clever and ending on like all

1084
01:03:56,960 --> 01:03:59,720
the dads in the basement.
See what we did like a like A

1085
01:03:59,720 --> 01:04:01,400
twist ending thriller kind of
thing.

1086
01:04:01,640 --> 01:04:05,880
It's more interested in the
emotional gut punch of they are

1087
01:04:05,880 --> 01:04:08,240
right back where they started,
if not in a worse spot.

1088
01:04:08,240 --> 01:04:11,760
Because now there's like they
have passed the need to be

1089
01:04:11,760 --> 01:04:15,840
aspirational and to dream an
impossible dream of getting out

1090
01:04:15,840 --> 01:04:19,120
of poverty on to their kids in a
way that that wasn't there

1091
01:04:19,120 --> 01:04:21,520
before.
So it's a really tragic ending

1092
01:04:21,520 --> 01:04:23,440
and I like that.
I like that they stuck with

1093
01:04:23,440 --> 01:04:26,720
that, but I just feel like to
get to that point they have to

1094
01:04:26,720 --> 01:04:30,760
get through about 5 minutes of
really clunky exposition of him

1095
01:04:30,760 --> 01:04:33,560
waking up and now he's kind of
the happy idiot that can't help

1096
01:04:33,560 --> 01:04:35,880
but laugh at things.
And isn't isn't everything so

1097
01:04:35,880 --> 01:04:38,560
hilarious?
And you know, you find out the

1098
01:04:38,560 --> 01:04:42,680
sister's dead and then he climbs
the hill and sees the Morse

1099
01:04:42,680 --> 01:04:44,160
code.
I feel like you could have cut

1100
01:04:44,160 --> 01:04:48,080
out like 90% of that and just
showed him without narration.

1101
01:04:48,320 --> 01:04:51,640
Recovering from his injury going
up to look at the house,

1102
01:04:51,880 --> 01:04:54,560
indicating that he still has
these aspirations and then

1103
01:04:54,560 --> 01:04:57,640
seeing the Morse code and then
gone into the ending.

1104
01:04:57,920 --> 01:05:02,400
There was just a couple little
clunky movements in that last 15

1105
01:05:02,400 --> 01:05:05,800
minutes that honestly took this
movie from being like a a

1106
01:05:05,800 --> 01:05:08,800
potential 10 out of 10 for me
down just a little bit.

1107
01:05:09,960 --> 01:05:14,800
I I think I'm.
I'm like in between this is a

1108
01:05:14,800 --> 01:05:19,400
perfect movie and where you're
at like I like, I think that the

1109
01:05:19,480 --> 01:05:23,320
ending works really well.
I except for the part where he

1110
01:05:23,320 --> 01:05:26,840
would be dead.
Like I I think we can all agree

1111
01:05:26,840 --> 01:05:29,440
that getting hit in the head
with that rock multiple times

1112
01:05:30,920 --> 01:05:34,600
meant the and the amount of
blood that was underneath his

1113
01:05:34,600 --> 01:05:36,960
head and the second one where it
hits him in the front.

1114
01:05:36,960 --> 01:05:40,560
Of the head and it's thrown from
a height of like 7 feet and

1115
01:05:40,560 --> 01:05:46,760
hurled at his head.
Yes, I like very clearly that is

1116
01:05:46,760 --> 01:05:49,800
a dead man.
So if we can set that aside for

1117
01:05:49,800 --> 01:05:53,280
a moment, I I think that the
narration works.

1118
01:05:53,280 --> 01:05:58,760
I think that it almost feels
like an epilogue, like like

1119
01:05:58,760 --> 01:06:02,520
reading a book or reading a
letter and it's like APS like it

1120
01:06:02,520 --> 01:06:06,520
almost sets it up as like a
here's the wrap up of the film.

1121
01:06:07,480 --> 01:06:12,720
I think my curiosity is like, is
the whole point of the movie

1122
01:06:12,720 --> 01:06:16,920
just to say like the Kims are
one step away from becoming the

1123
01:06:16,920 --> 01:06:20,200
parks and like like.
At the end of the.

1124
01:06:20,200 --> 01:06:23,400
Movie What does the Sun say?
He's like, I'm sure I'll get

1125
01:06:23,400 --> 01:06:25,200
married, I'm sure I'll have
kids.

1126
01:06:25,200 --> 01:06:27,000
That'll all come come along the
way.

1127
01:06:27,480 --> 01:06:33,240
But I'm going to get some bread.
Like that's my goal, so that I

1128
01:06:33,240 --> 01:06:37,520
can save you, but I'm gonna make
money and that's the only thing

1129
01:06:37,520 --> 01:06:39,920
I'm gonna do.
Well, it puts him in a morally

1130
01:06:39,920 --> 01:06:41,320
lose.
Lose situation.

1131
01:06:41,440 --> 01:06:44,720
Either he does accomplish that
dream and he becomes morally

1132
01:06:44,720 --> 01:06:49,280
bankrupt or he doesn't and his
dad dies in a basement somewhere

1133
01:06:49,280 --> 01:06:50,960
and they're still in squalor.
Like it's.

1134
01:06:51,000 --> 01:06:53,000
Yeah, it's a very tragic ending
for sure.

1135
01:06:53,480 --> 01:06:55,400
Yeah, What?
What a brutal.

1136
01:06:55,400 --> 01:06:57,760
Movie man.
Well, on that note, Brad, let's

1137
01:06:57,760 --> 01:06:59,520
get into our.
Final segment of the day, which

1138
01:06:59,520 --> 01:07:02,440
we call Let's Make it a Double
presented by Blackwood

1139
01:07:02,440 --> 01:07:04,880
Distilling Company.
We're near the end of the

1140
01:07:05,000 --> 01:07:07,480
episode.
So thanks, listening to the film

1141
01:07:07,480 --> 01:07:10,240
and Whiskey show, let's pair
another film with this one.

1142
01:07:10,240 --> 01:07:12,480
Even if it's struggling.
It's the final segment of the

1143
01:07:12,480 --> 01:07:13,920
day.
Now let's make it a double.

1144
01:07:14,480 --> 01:07:16,800
Let's make it a double.
Is the part of the show where we

1145
01:07:16,800 --> 01:07:20,040
pick a movie to pair up with
this one to make the perfect

1146
01:07:20,040 --> 01:07:22,240
double feature?
Brad, I feel like I've been

1147
01:07:22,240 --> 01:07:25,960
talking a lot today.
Would you like to go first, have

1148
01:07:25,960 --> 01:07:28,840
your moment in the sun before I
just bulldoze you with all of my

1149
01:07:28,840 --> 01:07:31,640
words again?
Oh man, I sure I.

1150
01:07:31,640 --> 01:07:36,400
I think that I'm going to pair
this with a film that like

1151
01:07:36,400 --> 01:07:40,480
stylistically makes zero sense
next to Parasite because I feel

1152
01:07:40,480 --> 01:07:44,600
like Parasite is very economical
in a lot of ways.

1153
01:07:44,920 --> 01:07:48,280
And the movie I'm going to
mention is not purposefully.

1154
01:07:48,960 --> 01:07:54,520
I'm going to pair this with The
Wolf of Wall Street, I think.

1155
01:07:55,240 --> 01:07:59,320
I think that the reason for me
is because of the ending of both

1156
01:07:59,320 --> 01:08:03,560
films.
Like both of the movies end by

1157
01:08:03,560 --> 01:08:08,480
saying, hey, like you just
watched what all of these people

1158
01:08:08,480 --> 01:08:12,120
in this movie did.
What's your take?

1159
01:08:12,600 --> 01:08:16,439
Like, where are you at as an
audience member on what just

1160
01:08:16,439 --> 01:08:19,600
happened in this movie?
And I think that this time

1161
01:08:19,600 --> 01:08:23,359
through watching Parasite, it
just popped into my head.

1162
01:08:23,359 --> 01:08:25,920
I was like, oh, this kind of
reminds me of how The Wolf of

1163
01:08:25,920 --> 01:08:28,520
Wall Street ends.
And, you know, obviously both of

1164
01:08:28,520 --> 01:08:33,720
them are about classes and
wealth versus poverty and what

1165
01:08:33,720 --> 01:08:37,560
people will do to obtain wealth.
And I, I like, I think that

1166
01:08:37,560 --> 01:08:42,000
there are similar enough themes,
but the ending of the film where

1167
01:08:42,000 --> 01:08:45,240
it like forces the question back
on you the viewer.

1168
01:08:45,640 --> 01:08:50,479
You know, Parasite like Ki wooed
looks directly into the camera

1169
01:08:50,479 --> 01:08:53,479
through the 4th wall at you the
viewer.

1170
01:08:54,040 --> 01:08:58,560
It feels like a very
thematically similar ending to

1171
01:08:58,560 --> 01:09:02,120
both films.
Yeah, I'm kind of along similar

1172
01:09:02,120 --> 01:09:03,720
lines.
I'm going to pick a movie that

1173
01:09:03,720 --> 01:09:07,840
came out in 2018, one of my
favorite movies from the last 10

1174
01:09:07,840 --> 01:09:09,240
years.
And it's a film called The

1175
01:09:09,240 --> 01:09:11,680
Favorite.
It stars Emma Stone and Olivia

1176
01:09:11,680 --> 01:09:13,479
Coleman.
It's the one that Olivia Coleman

1177
01:09:13,479 --> 01:09:16,720
wins her Oscar for.
It is just like this in that it

1178
01:09:16,720 --> 01:09:21,720
is really biting kind of vicious
humor with ironic use of

1179
01:09:21,720 --> 01:09:25,200
classical music.
It's all about two would be

1180
01:09:25,200 --> 01:09:29,080
social climbers trying to get
into the court of Queen Anne and

1181
01:09:29,080 --> 01:09:31,319
win her favor.
And it is.

1182
01:09:31,720 --> 01:09:33,279
I mean, it's just it's
hilarious.

1183
01:09:33,279 --> 01:09:36,520
It's brutal.
And I could not be more

1184
01:09:36,520 --> 01:09:39,880
entertained by that movie.
And it it raises the same kind

1185
01:09:39,880 --> 01:09:43,000
of questions of films like
Parasite and The Wolf of Wall

1186
01:09:43,000 --> 01:09:45,279
Street.
So it's the favorite for me,

1187
01:09:45,359 --> 01:09:47,319
it's Wolf of Wall Street for
Brad.

1188
01:09:47,560 --> 01:09:50,720
And that was let's make it a
double presented by Blackwood

1189
01:09:50,720 --> 01:09:53,560
Distilling Company.
No matter which film you choose

1190
01:09:53,560 --> 01:09:56,440
to pair it up with, you can
always make it a double with

1191
01:09:56,440 --> 01:10:00,640
Blackwood Distilling Co.
Yeah, and if you are making.

1192
01:10:00,640 --> 01:10:05,400
It a cocktail double Bob.
I made their rye Rita the other

1193
01:10:05,400 --> 01:10:13,000
day where I dude dude I I
already love margaritas.

1194
01:10:13,040 --> 01:10:17,600
There was a Mexican restaurant
near the house where I lived

1195
01:10:17,600 --> 01:10:21,760
with Haley when we first got
married in the world famous

1196
01:10:21,760 --> 01:10:25,960
Barbara in Ohio.
Have you ever had El Jalapenos

1197
01:10:26,120 --> 01:10:28,840
$10?
It's probably like 13 or $14.00

1198
01:10:28,840 --> 01:10:30,960
now, but they're like signature
Margarita.

1199
01:10:31,480 --> 01:10:33,200
I I have not.
I assume it's.

1200
01:10:33,240 --> 01:10:35,880
Incredible and large, it's
beyond.

1201
01:10:36,080 --> 01:10:39,680
Like beyond belief delicious
because they use like actual

1202
01:10:39,680 --> 01:10:42,360
fresh oranges and limes for
everything.

1203
01:10:42,360 --> 01:10:46,840
It's so good.
I did all of that but I made it

1204
01:10:46,840 --> 01:10:51,800
with Blackwood Rye.
Dude, the toasted rye freaking

1205
01:10:51,800 --> 01:10:56,840
works in this cocktail.
The rye, Rita, I think you.

1206
01:10:56,840 --> 01:10:58,960
Can find a recipe for it on
their website.

1207
01:10:58,960 --> 01:11:02,520
If not just folks, make your
preferred Margarita mix and use

1208
01:11:02,760 --> 01:11:06,360
Blackwood's toasted Rye.
And folks, if you want to try

1209
01:11:06,360 --> 01:11:09,560
Blackwood for the first time,
you can save 5% off of every

1210
01:11:09,560 --> 01:11:10,720
bottle.
If you go to

1211
01:11:10,720 --> 01:11:14,520
bourbonoutfitter.com/film
Whiskey, that's bourbon

1212
01:11:14,520 --> 01:11:19,240
outfitter slash film whiskey.
Use our code film whiskey with

1213
01:11:19,240 --> 01:11:22,760
an E at checkout and you will
save 5% off of a bottle.

1214
01:11:22,880 --> 01:11:26,600
Go to bourbonoutfitter.com and
give Blackwood a try.

1215
01:11:27,280 --> 01:11:29,920
Brad, it's time for us to give
final scores on this movie.

1216
01:11:30,320 --> 01:11:32,640
I'm going to be at a nine out of
10 on this one.

1217
01:11:33,080 --> 01:11:34,920
I really, really like this
movie.

1218
01:11:34,920 --> 01:11:38,200
I know I ruined it for myself,
and I'm feeling like this movie

1219
01:11:38,200 --> 01:11:40,840
is hitting the ceiling of where
it can be, knowing that I ruined

1220
01:11:40,840 --> 01:11:44,160
it for myself.
But I do feel like that last 15

1221
01:11:44,160 --> 01:11:46,840
minutes is just a little bit
clunky, and it took it from

1222
01:11:46,840 --> 01:11:49,840
being a possible 10 down to a
nine for me.

1223
01:11:50,080 --> 01:11:52,720
Yeah, this movie is not.
Perfect.

1224
01:11:53,080 --> 01:11:56,880
But man, it is so, so close for
me.

1225
01:11:56,880 --> 01:11:58,360
I'm going to give it a nine and
a half.

1226
01:11:58,360 --> 01:12:02,440
I think I gave it like an 8 1/2
after the first time I watched

1227
01:12:02,440 --> 01:12:06,600
it, but seeing it a second time
through, you are right, Bob, The

1228
01:12:06,600 --> 01:12:10,400
the cinematography in this movie
is just incredible.

1229
01:12:10,400 --> 01:12:14,920
I, I don't know if I've ever
seen a movie where the camera

1230
01:12:14,920 --> 01:12:21,840
felt more impersonal and like we
said, biting and yet allowed the

1231
01:12:21,840 --> 01:12:26,960
characters to be so likable.
I like, I was just blown away by

1232
01:12:26,960 --> 01:12:28,280
that.
This time through.

1233
01:12:28,280 --> 01:12:32,880
It's a nine and a half for me.
Now the real question, Bob, is

1234
01:12:32,880 --> 01:12:36,920
this a modern classic?
I think it's a modern classic.

1235
01:12:36,920 --> 01:12:41,360
Kind of in spite of me, right?
Like it's it is far and away.

1236
01:12:41,480 --> 01:12:44,480
I think the.
Best loved movie of the last 10

1237
01:12:44,480 --> 01:12:46,960
years.
Oppenheimer notwithstanding,

1238
01:12:47,760 --> 01:12:50,480
like it is it is in the top.
It might be the number one movie

1239
01:12:50,480 --> 01:12:52,640
on letterboxed.
Like, it's really, really high

1240
01:12:52,640 --> 01:12:56,560
up there and it it has like an
average rating of eight point

1241
01:12:56,560 --> 01:13:00,640
whatever on IMDb.
The general public, in addition

1242
01:13:00,640 --> 01:13:05,000
to critics love this movie.
I think that I am I have finally

1243
01:13:05,000 --> 01:13:08,680
joined their ranks in terms of
not just deep appreciation for

1244
01:13:08,680 --> 01:13:10,280
the movie, but actually enjoying
it.

1245
01:13:11,840 --> 01:13:15,480
I don't think I would have it on
like my personal top 20 of of

1246
01:13:15,480 --> 01:13:19,120
this century or anything.
But yes, I think it does deserve

1247
01:13:19,120 --> 01:13:21,160
to be considered a modern
classic.

1248
01:13:21,320 --> 01:13:22,640
Where are you falling on this
one, Brad?

1249
01:13:22,680 --> 01:13:24,840
Yeah, I I think this is a modern
classic.

1250
01:13:25,200 --> 01:13:29,200
The further along we get in this
season and and talk about the

1251
01:13:29,200 --> 01:13:33,960
idea of a modern classic, I
think for me, there's something

1252
01:13:33,960 --> 01:13:39,040
about a movie that like advances
the world of cinema that's like

1253
01:13:39,120 --> 01:13:43,440
important and and that it brings
something new to the table while

1254
01:13:43,440 --> 01:13:45,720
still appreciating everything
that came before it.

1255
01:13:46,080 --> 01:13:49,040
I think Parasite really does
that well.

1256
01:13:49,360 --> 01:13:51,560
I I mean, you talked about it a
minute ago.

1257
01:13:51,560 --> 01:13:56,000
I think that Parasite and
Oppenheimer are like, for me at

1258
01:13:56,000 --> 01:14:00,880
the top.
We watch Whiplash too, man.

1259
01:14:01,360 --> 01:14:04,800
Yeah, I would say those three
are like peak examples of what a

1260
01:14:04,800 --> 01:14:09,320
modern classic should be.
Yeah, and I mean not to spoil

1261
01:14:09,320 --> 01:14:11,360
too much, I think.
Next week we might be getting

1262
01:14:11,360 --> 01:14:14,520
into modern classic territory as
well, but in a completely

1263
01:14:14,520 --> 01:14:17,920
different genre and type of
film, because next week we are

1264
01:14:17,920 --> 01:14:22,480
looking at Sam Mendes's James
Bond masterpiece, Question Mark

1265
01:14:22,640 --> 01:14:25,200
Skyfall.
Brad, have you seen Skyfall

1266
01:14:25,200 --> 01:14:28,600
before?
I have I there is a.

1267
01:14:28,600 --> 01:14:32,440
Season where like every time a
new Bond film came out, I had a

1268
01:14:32,440 --> 01:14:34,840
small group of friends that we
would just kind of go see it

1269
01:14:34,840 --> 01:14:39,200
with the Daniel Craigs.
So I saw it when it came out in

1270
01:14:39,200 --> 01:14:42,240
theaters and I have not seen it
since.

1271
01:14:43,640 --> 01:14:45,200
Well, you're about to see it
again, man.

1272
01:14:45,520 --> 01:14:48,680
Folks, that is it.
For Parasite and we're teasing

1273
01:14:48,680 --> 01:14:51,240
next week's movie.
But before we get there, let us

1274
01:14:51,240 --> 01:14:52,720
know what you think of this
film.

1275
01:14:52,720 --> 01:14:55,160
You can find us on all of our
social media platforms,

1276
01:14:55,360 --> 01:14:59,720
Facebook, Twitter, Instagram,
YouTube and TikTok at Film

1277
01:14:59,720 --> 01:15:03,000
Whiskey, or you can jump into
the conversation on Discord.

1278
01:15:03,000 --> 01:15:04,320
We.
Are on there every single day

1279
01:15:04,320 --> 01:15:07,600
talking movies, whiskey, and so
many other things.

1280
01:15:07,840 --> 01:15:10,240
If you'd like to join the
conversation, there's a link to

1281
01:15:10,240 --> 01:15:12,920
our Discord at the end of every
single one of our show notes.

1282
01:15:13,240 --> 01:15:15,960
Join us next week for 2012's
Skyfall.

1283
01:15:16,080 --> 01:15:20,640
But until then, I'm Bob Book,
I'm Brad G and we'll see you

1284
01:15:20,640 --> 01:15:21,240
next.
Time.