Men In Black / Willett A Blend of Straight Whiskeys
Bob and Brad dive deep into the 1997 sci-fi classic, "Men in Black." As they break down the performances of Will Smith and Tommy Lee Jones, explore the film's groundbreaking special effects, and discuss its lasting impact on the sci-fi genre, the duo brings their unique blend of humor and analysis to the forefront.
Following the movie breakdown, they shifts gears to a review of Willett A Blend of Straight Whiskeys, sharing their tasting notes on this distinctive blend of bourbon and rye.
Timestamps:
(0:00) Intro
(9:01) Brad Explains
(10:30) Performances, Themes
(31:55) Willett A Blend of Straight Whiskeys review
(42:41) Two Facts and a Falsehood
(47:35) Final Analysis
(54:57) Let's Make it a Double and Final Scores
Join us as we revisit "Men in Black," the film that blended sci-fi, comedy, and action in a way that only the '90s could. With Will Smith and Tommy Lee Jones leading the charge against an extraterrestrial threat, we delve into what makes this film a standout entry in the sci-fi genre. We'll discuss the iconic "neuralyzer," the memorable one-liners, and the film's innovative approach to visual effects that set a new standard for alien movies.
Transitioning from intergalactic law enforcement to the world of whiskey, we explore the unique character of Willett A Blend of Straight Whiskeys. This exquisite blend marries the boldness of bourbon with the spiciness of rye. We share our thoughts on its complex flavor profile and the craftsmanship behind its production.
Film & Whiskey Podcast. New episodes every Tuesday.
Film & Whiskey Instagram
Film & Whiskey Facebook
Film & Whiskey Twitter
Email us!
Join our Discord server!
For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.
--- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support
00:00:00,200 --> 00:00:04,120
In 1997, director Barry
Sonnenfeld and star Tommy Lee
2
00:00:04,120 --> 00:00:07,040
Jones gave the world a clever
reimagining of what it would be
3
00:00:07,040 --> 00:00:09,440
like if we weren't alone in the
universe.
4
00:00:10,160 --> 00:00:14,160
In 2024 we paired this match up
movie with a match up of
5
00:00:14,160 --> 00:00:17,120
whiskeys.
The film is Men in Black.
6
00:00:17,200 --> 00:00:20,240
The whiskey is Will it a blend
of straight whiskeys.
7
00:00:20,600 --> 00:00:24,960
And we'll review them both.
This is the film and whiskey.
8
00:00:24,960 --> 00:00:45,240
Podcast
Welcome to the Film and Whiskey
9
00:00:45,240 --> 00:00:48,520
Podcast, where each week we
review a classic movie and a
10
00:00:48,520 --> 00:00:50,640
glass of whiskey.
I'm Bob Book.
11
00:00:51,080 --> 00:00:55,320
I'm Brad G.
And this week we are in 1997 to
12
00:00:55,320 --> 00:01:01,080
revisit the sci-fi comedy
classic Men in Black, a film
13
00:01:01,080 --> 00:01:04,519
that longtime listeners will
probably not be surprised to
14
00:01:04,519 --> 00:01:07,840
know, but I was surprised to
know Brad had never seen before.
15
00:01:08,400 --> 00:01:09,440
No, Sir.
Re Bob.
16
00:01:10,600 --> 00:01:12,720
I don't know what you were doing
in the late 90s, man, but you
17
00:01:12,720 --> 00:01:16,400
were not engaging the culture.
I was not watching Alien films.
18
00:01:17,920 --> 00:01:22,400
Independence Day, Men in Black.
Just Not A, not my cup of tea.
19
00:01:22,400 --> 00:01:24,640
Your.
Mom was too busy raising you on
20
00:01:24,680 --> 00:01:27,000
Steven Curtis Chapman and Amy
Grant.
21
00:01:27,480 --> 00:01:31,720
Dude, don't you know it?
Yeah, I grew up listening in the
22
00:01:31,720 --> 00:01:37,040
Cleveland, OH area to either
105.7 with my dad, which was an
23
00:01:37,040 --> 00:01:45,120
oldie station, or 103.3, WCRF
Moody Radio, Moody radio
24
00:01:45,120 --> 00:01:49,480
broadcasting station.
And I do remember when 95.5 came
25
00:01:49,480 --> 00:01:52,440
out, and that's like pop
Christian music and we'd
26
00:01:52,440 --> 00:01:55,200
occasionally listen to that and
I remember being confused why
27
00:01:55,200 --> 00:01:57,360
there was commercials on
Christian station.
28
00:01:58,720 --> 00:02:01,120
Wow dude.
And I was busy listening to the
29
00:02:01,120 --> 00:02:05,120
absolute bop that came out of
this movie, The Men in Black
30
00:02:05,120 --> 00:02:08,520
theme song by Will Smith.
I was going to ask you if if in
31
00:02:08,520 --> 00:02:10,720
your research you actually
listened to the Men in Black
32
00:02:10,720 --> 00:02:14,360
song.
I mean, I it happened during the
33
00:02:14,360 --> 00:02:15,800
movie.
Did it.
34
00:02:16,560 --> 00:02:19,200
Yeah, at the during the credits.
Oh, OK, OK, Got it.
35
00:02:19,480 --> 00:02:25,200
It's it's so good, man.
Hot Take Will Smith.
36
00:02:25,520 --> 00:02:27,480
Not a great rapper.
Oh, false.
37
00:02:28,200 --> 00:02:31,920
We'll go into this some other
time, but hard disagree with you
38
00:02:31,960 --> 00:02:34,480
on this, man.
All right, let's dive into
39
00:02:34,480 --> 00:02:36,320
talking about this movie now
folks.
40
00:02:36,320 --> 00:02:39,320
If you are first time listeners
to the Film and Whiskey Podcast,
41
00:02:39,680 --> 00:02:42,800
this is not a podcast about
contemporary Christian music or
42
00:02:42,800 --> 00:02:45,120
the Northeast Ohio area.
It's a movie about.
43
00:02:45,440 --> 00:02:47,520
It's a podcast about film and
whiskey.
44
00:02:48,080 --> 00:02:51,440
And this season what we're doing
is we are visiting or revisiting
45
00:02:51,800 --> 00:02:58,120
the highest grossing films from
each year from 1988 to 2019.
46
00:02:58,360 --> 00:03:02,600
And we have landed squarely in
97, where there was a behemoth
47
00:03:02,600 --> 00:03:06,600
called Titanic that actually
claimed the number one spot.
48
00:03:06,600 --> 00:03:08,160
We have already talked about
Titanic.
49
00:03:08,160 --> 00:03:10,440
And so we're going a little bit
farther down the list to talk
50
00:03:10,440 --> 00:03:16,800
about Men in Black, a film that
Brad, it's it's weird because I
51
00:03:17,520 --> 00:03:19,960
was very sick last week.
I was kind of bedridden for a
52
00:03:19,960 --> 00:03:22,640
couple days and I got to watch a
bunch of movies, which was
53
00:03:22,640 --> 00:03:24,880
great.
But I watched Men in Black while
54
00:03:24,880 --> 00:03:28,320
ill, and then I had nothing but
time on my hands and I said,
55
00:03:28,320 --> 00:03:31,440
well, maybe I'll watch Men in
Black Two and Men in Black 3
56
00:03:31,480 --> 00:03:35,560
after this.
And I think the the extent to
57
00:03:35,560 --> 00:03:40,240
which the first one works better
than the second two is because
58
00:03:40,240 --> 00:03:43,200
this is like a quote UN quote
big budget comedy.
59
00:03:43,320 --> 00:03:45,760
Like it has Steven Spielberg as
an executive producer.
60
00:03:45,760 --> 00:03:51,480
It had money behind it, but it
feels small scale enough that
61
00:03:51,480 --> 00:03:55,400
like all of the money for this
movie went into the practical
62
00:03:55,400 --> 00:03:57,640
effects.
And I don't know, like, I'm
63
00:03:57,640 --> 00:04:00,600
watching it now and when I hear
big budget comedy, I think of
64
00:04:00,600 --> 00:04:05,200
like for Ragnarok, where we're
like spanning multiple galaxies
65
00:04:05,200 --> 00:04:08,200
and everything's massive.
This doesn't feel like a massive
66
00:04:08,200 --> 00:04:12,440
movie, but it feels like a movie
where they put every dollar to
67
00:04:12,440 --> 00:04:15,280
good use on the screen.
And I I don't really know that
68
00:04:15,280 --> 00:04:19,880
we have comedies anymore that
that do that sort of thing.
69
00:04:20,399 --> 00:04:25,040
Yeah, the Men in Black.
As I was watching it, I kept
70
00:04:25,040 --> 00:04:28,280
feeling like there's going to be
something else.
71
00:04:28,640 --> 00:04:31,360
Like I I feel like I've been
trained over the last 10 years
72
00:04:31,360 --> 00:04:34,320
to expect there to be something
bigger going on.
73
00:04:34,920 --> 00:04:38,520
And at the end of the day, there
is just one little small story
74
00:04:38,600 --> 00:04:41,600
about aliens being told.
And kind of charmingly so, You
75
00:04:41,840 --> 00:04:43,560
know what I mean?
Like, it feels, I don't want to
76
00:04:43,560 --> 00:04:46,520
say it feels quaint because
again, it is like a it's a big
77
00:04:46,520 --> 00:04:50,640
movie, but it's it's big in an
intimate way, if that.
78
00:04:50,800 --> 00:04:52,720
I don't know if that makes sense
or not, but that's kind of how I
79
00:04:52,720 --> 00:04:55,960
feel about it.
Yeah, no, 100% it.
80
00:04:56,440 --> 00:05:01,640
It struck me as a relic of its
time and it's it's a it's the
81
00:05:01,640 --> 00:05:05,760
type of relic I miss because I I
didn't expect there to be any
82
00:05:05,760 --> 00:05:10,600
more than what happened in the
hour and 29 minutes of actual
83
00:05:10,600 --> 00:05:11,640
like screen.
Time.
84
00:05:11,640 --> 00:05:15,400
Oh man.
Which, oh, Brad, I know what
85
00:05:15,400 --> 00:05:17,400
you're about to say.
You go for it.
86
00:05:17,400 --> 00:05:22,160
But let let us once again extol
the virtues of the 90. 90 minute
87
00:05:22,160 --> 00:05:25,320
film.
What a what a beautiful thing
88
00:05:25,320 --> 00:05:30,360
when I can sit down at like 9:00
PM and still be going to bed at
89
00:05:30,360 --> 00:05:35,200
like 1045 like.
I watched an entire trilogy of
90
00:05:35,200 --> 00:05:37,480
films in like half of an
afternoon.
91
00:05:37,960 --> 00:05:40,840
It was great.
Yeah, no, I love it, man.
92
00:05:40,880 --> 00:05:43,280
Give me a 90 minute film any day
of the week.
93
00:05:44,040 --> 00:05:47,400
Like you need more time than
that to tell big, huge, arcing
94
00:05:47,400 --> 00:05:50,120
stories.
But I don't always want big,
95
00:05:50,120 --> 00:05:52,880
huge arcing stories.
When I'm when I'm watching a
96
00:05:53,120 --> 00:05:57,320
movie, sometimes I want a nice
little cute story about aliens.
97
00:05:57,320 --> 00:05:59,560
And I think part of the charm of
this movie, I'm going to keep
98
00:05:59,560 --> 00:06:01,600
using that word charming.
Because I, I, I do think this
99
00:06:01,600 --> 00:06:04,160
movie kind of is it's it's goofy
and it's silly, but it's got
100
00:06:04,160 --> 00:06:07,840
some heart to it.
But because they aren't trying
101
00:06:07,840 --> 00:06:13,560
to build out every rule of the
world in Men in Black and they
102
00:06:13,560 --> 00:06:16,000
can just kind of mention off
hand, like, Oh yeah, at any one
103
00:06:16,000 --> 00:06:19,160
time there's 1500 aliens on on
Earth and most of them live here
104
00:06:19,160 --> 00:06:20,680
in Manhattan.
And you're like, OK, cool.
105
00:06:20,680 --> 00:06:22,320
I don't need to know any more
than that.
106
00:06:23,080 --> 00:06:24,880
But.
But it also teases the
107
00:06:24,880 --> 00:06:26,560
possibility for more down the
road.
108
00:06:26,560 --> 00:06:30,760
Like, it sets up sequels very
well because it's not trying to
109
00:06:30,760 --> 00:06:34,760
like, you know, Bradford is as
big of a fan of like, Dune as I
110
00:06:34,760 --> 00:06:36,560
am.
It's not trying to like Dune you
111
00:06:36,560 --> 00:06:39,480
to death where it's like, yeah,
and there's a million different
112
00:06:39,480 --> 00:06:43,160
species and races of people that
you have to learn everything
113
00:06:43,160 --> 00:06:45,240
about their religious beliefs.
No one cares.
114
00:06:45,280 --> 00:06:49,560
Like, yeah, Will Smith, Tommy
Lee Jones, finding fugitive
115
00:06:49,560 --> 00:06:50,600
aliens.
Let's do it.
116
00:06:51,000 --> 00:06:53,240
Yeah, well, it almost has ATV
feel, right?
117
00:06:53,240 --> 00:06:56,720
Like you, you watch like a crime
show set in New York and it's
118
00:06:56,720 --> 00:06:59,800
like, hey, there's 5 million
people in New York and at any
119
00:06:59,800 --> 00:07:02,960
moment, 150,000 of them are
terrible criminals.
120
00:07:03,400 --> 00:07:06,160
Let's catch them all and then
you have a show for 12 years.
121
00:07:07,400 --> 00:07:12,960
We are in the middle of a run of
space themed movies in the late
122
00:07:12,960 --> 00:07:15,840
90s starting I.
Was I was curious about that,
123
00:07:15,840 --> 00:07:19,520
Like we got all these aliens, we
got Armageddon coming up, Like
124
00:07:19,520 --> 00:07:23,680
what was was there something of
like a cultural moment where
125
00:07:23,680 --> 00:07:25,840
we're like we've conquered every
enemy on Earth?
126
00:07:26,000 --> 00:07:29,200
There are no problems anymore
that we can talk about in
127
00:07:29,200 --> 00:07:31,880
cinema.
So let's talk about things that
128
00:07:31,880 --> 00:07:35,080
could go wrong in space.
Yes, well, I don't know man.
129
00:07:35,080 --> 00:07:39,960
Like, I think it's it's a combo
of the weird disaster fetish we
130
00:07:39,960 --> 00:07:42,560
all had in the late 90s and we
talked about this a little last
131
00:07:42,560 --> 00:07:44,600
week and it's going to come up
again with Armageddon.
132
00:07:46,000 --> 00:07:48,720
And yeah, space exploration.
I don't know, it just seemed
133
00:07:48,720 --> 00:07:50,320
like a big thing in the late
90s.
134
00:07:50,320 --> 00:07:52,640
I miss space movies.
We don't really get them
135
00:07:52,640 --> 00:07:54,840
anymore.
Like once every three or four
136
00:07:54,840 --> 00:07:57,840
years we get a space movie and
half the time they're released
137
00:07:57,840 --> 00:08:00,280
in like January.
It's like a crappy dump, dumpy,
138
00:08:00,280 --> 00:08:02,680
wary movie.
But but yeah, I don't feel like
139
00:08:02,680 --> 00:08:06,200
we get them anymore, Brad.
Yeah, I I mean, I remember
140
00:08:06,200 --> 00:08:09,800
watching like Cowboys and Aliens
back in the early twenty 10s.
141
00:08:09,800 --> 00:08:13,240
That was like what, 2011 or 12?
Hold on.
142
00:08:13,280 --> 00:08:16,520
So you've watched Cowboys and
Aliens, but you've never got
143
00:08:16,520 --> 00:08:18,640
around to Men in Black?
Yep.
144
00:08:19,200 --> 00:08:22,840
OK.
I I believe Cowboys and Aliens
145
00:08:22,840 --> 00:08:25,680
was a dollar theater gag during
College of.
146
00:08:26,160 --> 00:08:27,880
Course.
Where we were like, yeah, it's
147
00:08:27,880 --> 00:08:30,520
it's a buck.
I'll go spend a dollar.
148
00:08:30,680 --> 00:08:33,080
Yeah.
On on Harrison Ford.
149
00:08:33,559 --> 00:08:35,240
And now?
Now we're like, scrolling
150
00:08:35,240 --> 00:08:37,919
through all of the services we
already pay for on Netflix.
151
00:08:37,919 --> 00:08:40,440
And we're like, it's free to
watch this, but you can't
152
00:08:40,440 --> 00:08:42,200
convince me to watch it.
Yep.
153
00:08:42,320 --> 00:08:44,600
Yeah, life sucks, man.
We need to.
154
00:08:44,720 --> 00:08:48,640
We need to get rid of streaming.
And hence the yearning for space
155
00:08:48,640 --> 00:08:51,080
movies in the late 90s.
Life sucks.
156
00:08:51,480 --> 00:08:55,040
Let's let's think about space.
So Brad, we are here on Men in
157
00:08:55,040 --> 00:08:56,200
Black.
It's the first time you've
158
00:08:56,200 --> 00:08:59,320
watched it and that is a perfect
setup for our first segment of
159
00:08:59,320 --> 00:09:01,760
the day, which we call Brad
explains.
160
00:09:01,760 --> 00:09:05,200
Brad's going to give us the
movie plots with only 60 seconds
161
00:09:05,200 --> 00:09:08,720
ticking on the clock, so let's
go ahead and hear your take with
162
00:09:08,720 --> 00:09:10,080
this little segment that we
call.
163
00:09:10,200 --> 00:09:13,160
Brad explains.
Brad Explains is the part of the
164
00:09:13,160 --> 00:09:15,840
show where Brad breaks down the
plot of the movie that he has
165
00:09:15,840 --> 00:09:18,120
just seen, often for the first
time.
166
00:09:18,200 --> 00:09:21,120
This is Brad's first time with
MIB.
167
00:09:22,120 --> 00:09:25,520
I am very excited to hear you
explain this movie because it's
168
00:09:25,520 --> 00:09:28,200
a very straightforward film.
Brad, I don't think you'll need
169
00:09:28,200 --> 00:09:30,480
a full 60 seconds to spoil this
movie.
170
00:09:30,480 --> 00:09:31,760
Do.
You.
171
00:09:31,960 --> 00:09:36,040
I mean I can take 60 seconds.
Well, listen man, the time is
172
00:09:36,040 --> 00:09:38,960
yours.
Do with it what you will 60
173
00:09:38,960 --> 00:09:43,000
seconds on the clock and go.
Men in Black is a film about
174
00:09:43,080 --> 00:09:47,880
aliens that live on Earth and
the police force that helps keep
175
00:09:47,880 --> 00:09:52,000
them in line.
Tommy Lee Jones plays a seasoned
176
00:09:52,480 --> 00:09:55,640
grizzled agent who has been
patrolling the streets of New
177
00:09:55,640 --> 00:09:58,800
York for years and years and
years and he recruits Will Smith
178
00:09:58,800 --> 00:10:03,120
to be his new partner in crime.
Partner in crime, I should say
179
00:10:03,320 --> 00:10:06,520
partner in kicking crimes butt,
am I right?
180
00:10:06,520 --> 00:10:12,080
Bob, some bug alien comes to
Earth and kills a hillbilly and
181
00:10:12,080 --> 00:10:16,080
he goes into New York to try and
assassinate some alien leader
182
00:10:16,280 --> 00:10:19,600
and accomplishes this and it
leads to the Earth almost being
183
00:10:19,600 --> 00:10:23,000
destroyed but Will Smith and
Tommy Lee Jones kick some butt
184
00:10:23,000 --> 00:10:26,320
and take some names and restore
peace to the Galaxy.
185
00:10:27,080 --> 00:10:32,960
And that I am is Men in Black.
OK, I think the logical place to
186
00:10:32,960 --> 00:10:35,440
start would be to talk about
Will Smith, but we're not going
187
00:10:35,440 --> 00:10:37,200
to do that.
We don't follow the rules of
188
00:10:37,200 --> 00:10:40,720
logic here on this podcast
because I have a spicy take.
189
00:10:40,720 --> 00:10:44,160
Brad and I think my spicy take
should lead the show today.
190
00:10:44,800 --> 00:10:47,280
You think that Vincent D'onofrio
should have won an Oscar for
191
00:10:47,280 --> 00:10:48,040
his?
Performance.
192
00:10:48,880 --> 00:10:51,600
'Cause that is a spicy take,
Bob, and I'm glad you just said
193
00:10:51,600 --> 00:10:53,480
it.
It is a committed performance I
194
00:10:53,480 --> 00:10:56,400
like, I have to say.
Yes, it sure is.
195
00:10:56,640 --> 00:11:01,760
I think that Tommy Lee Jones is
better in Men in Black than he
196
00:11:01,760 --> 00:11:05,840
is in The Fugitive.
There's my spicy take.
197
00:11:06,280 --> 00:11:09,680
That is a spicy take.
So Tommy Lee Jones really leaned
198
00:11:09,680 --> 00:11:13,920
into the guy hunting criminal
trope After he wins his Oscar.
199
00:11:13,920 --> 00:11:16,320
He does, obviously.
He does The Fugitive and then he
200
00:11:16,320 --> 00:11:20,120
does US Marshals later in the
90s, even to the early 2000s.
201
00:11:20,120 --> 00:11:23,400
He's making a movie called I
think it's The Haunted or The
202
00:11:23,400 --> 00:11:25,080
Wanted.
It's something like that where
203
00:11:25,080 --> 00:11:29,200
he's chasing Benicio Del Toro
through the woods because he's
204
00:11:29,200 --> 00:11:32,680
like an ex Navy SEAL or
something that snapped.
205
00:11:32,920 --> 00:11:35,640
He's doing this thing all the
way through the 90s and then he
206
00:11:35,640 --> 00:11:38,760
decides I'm going to do this
thing in a comedic way with
207
00:11:38,760 --> 00:11:42,840
aliens in Men in Black.
Like, this is basically him
208
00:11:42,840 --> 00:11:45,280
being the FBI agent from The
Fugitive.
209
00:11:45,640 --> 00:11:50,280
Except funny.
And I have to say, Tommy Lee
210
00:11:50,280 --> 00:11:53,320
Jones is an underrated comedic
actor.
211
00:11:53,320 --> 00:11:57,200
The guy's timing is impeccable,
Like, he doesn't get a ton of
212
00:11:57,200 --> 00:12:00,040
punch lines In this movie.
He's often playing the straight
213
00:12:00,040 --> 00:12:02,040
man to Will Smith, who gets the
punch lines.
214
00:12:02,040 --> 00:12:07,880
But The Odd Couple pairing of
these two is, is pitch perfect.
215
00:12:07,880 --> 00:12:11,800
Like it really is one of the
great duos of the last 50 years
216
00:12:11,800 --> 00:12:14,560
of movies, and it's evidenced by
the fact that they got three
217
00:12:14,560 --> 00:12:16,400
successful movies out of this
match up.
218
00:12:16,920 --> 00:12:20,480
But I think that Tommy Lee Jones
is kind of the unsung MVP of
219
00:12:20,480 --> 00:12:24,920
this whole thing, and pound for
pound, I like this performance
220
00:12:24,920 --> 00:12:26,360
better than I liked The
Fugitive.
221
00:12:27,360 --> 00:12:30,360
Man, that that is wild.
That here's the interesting
222
00:12:30,360 --> 00:12:35,280
thing in my research that I did
for this Bob, because I do
223
00:12:35,280 --> 00:12:38,280
research and let me I'll have
you know.
224
00:12:39,080 --> 00:12:41,680
I can.
I can't feel the quotes around
225
00:12:41,680 --> 00:12:45,920
the word research as you say it.
I mean, I wasn't doing research
226
00:12:45,920 --> 00:12:47,760
for the episode.
I was doing research for two
227
00:12:47,760 --> 00:12:49,080
facts and a falsehood.
Oh, OK.
228
00:12:49,080 --> 00:12:51,040
I thought you were going to say
you were doing it for your own
229
00:12:51,040 --> 00:12:53,680
edification, but.
Just just for my own personal
230
00:12:53,680 --> 00:12:56,560
edification.
Of all the movies we've watched,
231
00:12:56,800 --> 00:12:59,240
this was the one that I wanted.
To be this sparked your
232
00:12:59,240 --> 00:13:03,680
interest, yeah, Yes.
Tommy Lee Jones actually wanted
233
00:13:03,680 --> 00:13:09,720
to play the character much more
openly, like Jokey and Laffy,
234
00:13:10,040 --> 00:13:15,160
and Sonnenfeld was actually the
one who kept him on script
235
00:13:15,160 --> 00:13:19,240
essentially to say no, like you
have to play the straight man in
236
00:13:19,240 --> 00:13:21,520
every single scene for it to
work.
237
00:13:22,320 --> 00:13:26,360
And so I I actually would say
like, yes, I am with you 100%.
238
00:13:26,560 --> 00:13:28,760
Tommy Lee Jo knocks it out of
the park in this film.
239
00:13:28,760 --> 00:13:30,640
It's why I put him as the star
of this movie.
240
00:13:31,720 --> 00:13:35,080
But Sonnenfeld is the one who
kept him, kept him in line to
241
00:13:35,080 --> 00:13:37,600
make sure that the performance
was what it needed to be.
242
00:13:37,600 --> 00:13:41,080
Yeah, no, I love that, man.
And I don't know, do you want to
243
00:13:41,080 --> 00:13:43,120
dive a little bit deeper on
Tommy Lee Jones, or should we
244
00:13:43,120 --> 00:13:46,720
kind of move to other greener
pastures now that my spicy take
245
00:13:46,720 --> 00:13:49,840
is out of the way?
Is there anything deep about
246
00:13:49,840 --> 00:13:53,040
this movie, Bob?
Here's the thing.
247
00:13:53,880 --> 00:13:59,240
When it comes to fugitive Tommy
versus also who decided to keep
248
00:13:59,240 --> 00:14:02,920
the name Tommy for him was his
agent early in his acting
249
00:14:02,920 --> 00:14:05,640
career.
Like, yeah, Thomas Lee Jones?
250
00:14:05,640 --> 00:14:06,920
No.
Tom Lee Jones?
251
00:14:06,920 --> 00:14:11,200
No, We're sticking with Tommy.
But it's not Tom.
252
00:14:11,200 --> 00:14:13,280
Like you never say Tommy in a
vacuum.
253
00:14:13,280 --> 00:14:16,000
It's always Tommy Lee Jones.
It's not even Tommy Lee.
254
00:14:16,000 --> 00:14:19,240
It's just Tommy Lee Jones.
'Cause then it would be too much
255
00:14:19,240 --> 00:14:21,840
like the American Bruce Lee.
Well, no, I think.
256
00:14:22,000 --> 00:14:26,040
Isn't Tommy Lee the name of the
drummer from Mötley Crüe that
257
00:14:26,040 --> 00:14:29,760
you know that they made Bob?
You are asking the wrong guy.
258
00:14:29,760 --> 00:14:30,840
The wrong.
Person.
259
00:14:30,840 --> 00:14:34,080
There was a famous guy named
Tommy Lee in the 90s he he he
260
00:14:34,080 --> 00:14:36,000
partied and he married Pamela
Anderson.
261
00:14:36,200 --> 00:14:39,720
So I I feel like feel like there
would have been some confusion
262
00:14:39,720 --> 00:14:42,520
if you said Tommy Lee and then
this guy showed up instead.
263
00:14:43,280 --> 00:14:46,800
I know that Pamela Anderson was
the original Baywatch person,
264
00:14:46,800 --> 00:14:49,280
correct?
Yes, that's that's all I might.
265
00:14:50,000 --> 00:14:53,960
Doing this podcast with you
sometimes is just it's like Brad
266
00:14:53,960 --> 00:14:56,480
gives his opinions on the pop
culture that he's unfamiliar
267
00:14:56,480 --> 00:14:59,280
with.
Yes, 100%.
268
00:14:59,720 --> 00:15:04,720
My opinion on Fugitive versus
Men in Black Tommy Lee is that
269
00:15:04,720 --> 00:15:07,160
he's being asked to do
completely different things.
270
00:15:07,560 --> 00:15:11,560
And so for me it's hard to judge
them against each other because
271
00:15:11,560 --> 00:15:15,760
I think The Fugitive is the
highly superior film with a
272
00:15:15,760 --> 00:15:17,880
great performance from Tommy Lee
Jones.
273
00:15:18,160 --> 00:15:23,080
I think Men in Black, it's a
home run in like AC Plus movie.
274
00:15:23,080 --> 00:15:25,160
You know what?
I I, I will go even further with
275
00:15:25,160 --> 00:15:28,440
my spicy take.
Do you know why I like this
276
00:15:28,440 --> 00:15:30,160
version of Tommy Lee Jones
better?
277
00:15:30,160 --> 00:15:34,880
Is because this is Tommy Lee
Jones's version of a Harrison
278
00:15:34,880 --> 00:15:39,800
Ford performance.
It's like a a kind of grumpy,
279
00:15:39,800 --> 00:15:45,480
grizzled guy who has a light, a
lighter edge to him and a heart
280
00:15:45,480 --> 00:15:48,960
underneath the grumpiness.
And like, you don't really get
281
00:15:48,960 --> 00:15:50,960
that in The Fugitive.
Like, I think if Tommy Lee Jones
282
00:15:50,960 --> 00:15:53,200
was unavailable and they were
like, hey, Harrison Ford, can
283
00:15:53,200 --> 00:15:55,000
you do this?
Harrison Ford could have pulled
284
00:15:55,000 --> 00:15:57,680
this off beautifully.
That could have been a like a
285
00:15:57,680 --> 00:16:01,760
face off, like Harrison Ford
being chased by Harrison Ford.
286
00:16:01,800 --> 00:16:06,800
Yes.
But yeah, I mean, I think
287
00:16:06,800 --> 00:16:09,160
that's, you know, we, we went
into this a lot in our Fugitive
288
00:16:09,160 --> 00:16:12,880
episode with Patrick Williams
about how, you know, where
289
00:16:13,040 --> 00:16:16,880
Harrison Ford kind of falls
between a Costner and a Clint
290
00:16:16,880 --> 00:16:18,720
Eastwood.
And I think that's kind of what
291
00:16:18,720 --> 00:16:20,680
Tommy Lee Jones is doing with
this performance.
292
00:16:20,680 --> 00:16:24,400
It's just his version of that.
Yeah, I mean, I I think that
293
00:16:24,400 --> 00:16:29,600
Tommy Lee Jones playing Harrison
Ford, who's playing halfway
294
00:16:29,600 --> 00:16:33,440
between Clint and halfway
between who's the other person
295
00:16:33,440 --> 00:16:34,280
you name.
Costner.
296
00:16:34,600 --> 00:16:37,440
Costner it It feels like the
inception of acting.
297
00:16:38,240 --> 00:16:41,280
And that's why this performance
is better than the fugitive.
298
00:16:41,640 --> 00:16:42,360
Sure.
Yep.
299
00:16:42,520 --> 00:16:45,200
That's exactly why Bob, I am
here for it.
300
00:16:45,680 --> 00:16:48,760
I'm curious though, where are
you at on Will Smith?
301
00:16:49,960 --> 00:16:52,880
OK, so this was gonna lead to my
question, which is a a much
302
00:16:52,880 --> 00:16:55,160
broader question, which I think
we'll answer in pieces.
303
00:16:55,680 --> 00:16:58,440
I'm trying to parse out what you
thought of this movie because
304
00:16:58,440 --> 00:17:01,840
you don't seem to be like it
doesn't seem like you had as
305
00:17:01,840 --> 00:17:03,840
much fun with it as I had with
it.
306
00:17:04,640 --> 00:17:08,560
And part of that is because I
don't know what you think of
307
00:17:08,560 --> 00:17:11,119
Will Smith.
You kind of brought this up last
308
00:17:11,119 --> 00:17:14,839
week with Independence Day and
in and in that movie like you
309
00:17:14,839 --> 00:17:16,119
didn't criticize the
performance.
310
00:17:16,119 --> 00:17:19,160
I think he just said more like I
was led to believe this was a
311
00:17:19,160 --> 00:17:22,440
Will Smith movie and Will Smith
is like 110th of this movie.
312
00:17:22,839 --> 00:17:25,319
Yes, I love Will Smith in this
movie.
313
00:17:25,319 --> 00:17:30,320
I think this is where he has
finally kind of honed his on
314
00:17:30,320 --> 00:17:35,120
screen action star persona.
There's always a hint of
315
00:17:35,160 --> 00:17:38,440
awkwardness and goofiness.
He likes to insert himself into
316
00:17:38,440 --> 00:17:41,760
these situations where he's not
like, you know, he's not playing
317
00:17:41,760 --> 00:17:44,960
the guy who's been a polished
assassin for 30 years or
318
00:17:44,960 --> 00:17:47,640
whatever.
He's the guy that's like I'm I'm
319
00:17:47,640 --> 00:17:49,680
the fish out of water in this
scenario.
320
00:17:50,320 --> 00:17:54,480
And by the end of the movie, you
buy him as a bona fide member of
321
00:17:54,480 --> 00:17:57,600
whatever group he's joining.
And I think that's like, that's
322
00:17:57,600 --> 00:18:00,400
why Independence Day kind of
works like he's supposed to be a
323
00:18:00,400 --> 00:18:02,480
really good fighter pilot before
this starts.
324
00:18:03,120 --> 00:18:07,240
But you're watching him learn
how to fight this new enemy, Men
325
00:18:07,240 --> 00:18:11,400
in Black, I think kind of takes
that to it's like logical
326
00:18:11,400 --> 00:18:15,160
Maximal peak.
He is completely unaware of all
327
00:18:15,160 --> 00:18:17,400
of this.
And by the end of the movie, you
328
00:18:17,400 --> 00:18:19,160
know, he's found a way to fit
in.
329
00:18:19,560 --> 00:18:23,680
And I think that it's obviously
like the the audience, you know,
330
00:18:23,680 --> 00:18:25,680
surrogate.
Like we're learning about this
331
00:18:25,680 --> 00:18:28,800
as he's learning about it.
And so yeah, man, I think this
332
00:18:28,800 --> 00:18:32,080
is like, if you're doing like
the Mount Rushmore of Will Smith
333
00:18:32,080 --> 00:18:34,480
movies, I think this has to be
on there.
334
00:18:34,600 --> 00:18:37,120
Not because it it might, may or
may not be one of his four best
335
00:18:37,120 --> 00:18:40,560
performances, but I think it's
one of the most crucial ones to
336
00:18:40,560 --> 00:18:45,000
understanding what he is
successful at doing as a movie
337
00:18:45,000 --> 00:18:46,760
star.
I think that Will Smith is
338
00:18:46,760 --> 00:18:50,480
really good here and I I don't
think that anything you said is
339
00:18:50,480 --> 00:18:53,040
like incorrect or wrong.
I I think it's a really good
340
00:18:53,040 --> 00:18:58,240
analysis of where Will is at in
his career purely based on his
341
00:18:58,240 --> 00:19:01,120
performance.
I'm just OK with him.
342
00:19:01,680 --> 00:19:08,760
I I think that he the the way he
jokes and the way he plays
343
00:19:08,760 --> 00:19:14,760
things off just often comes
across so snarky and that I I I
344
00:19:14,760 --> 00:19:19,560
struggle with him in this role
and and not that like anybody
345
00:19:19,560 --> 00:19:20,720
else would have been better than
him.
346
00:19:20,720 --> 00:19:24,920
I I think the role is feels like
it's written for Will Smith of
347
00:19:24,920 --> 00:19:27,600
the late 90s.
It's just not my favorite
348
00:19:27,600 --> 00:19:30,720
character and I I don't know if
I love the performance.
349
00:19:30,720 --> 00:19:33,120
It's good it it makes me laugh
at a certain point.
350
00:19:33,760 --> 00:19:38,360
But overall, I I think Tommy Lee
Jones just acts circles around
351
00:19:38,360 --> 00:19:40,680
him here.
I I mean, I agree with that
352
00:19:40,680 --> 00:19:42,960
because I think Tommy Lee Jones
is operating on a much more
353
00:19:42,960 --> 00:19:47,760
subtle register than he is.
But like I I also want to follow
354
00:19:47,760 --> 00:19:52,640
up with asking you, Do you think
that your problem is with his
355
00:19:52,640 --> 00:19:55,560
performance or is it with the
way the character's written?
356
00:19:55,560 --> 00:19:57,200
Because it sounds like what
you're saying is that there's
357
00:19:57,200 --> 00:20:02,080
kind of like a like a meanness
to some of what he says.
358
00:20:02,760 --> 00:20:04,440
That's not it.
It doesn't come across so much
359
00:20:04,440 --> 00:20:09,800
as like fun banter as it comes
across as like mean snarkiness.
360
00:20:10,640 --> 00:20:13,360
And so I'm wondering like, is it
the writing of the character or
361
00:20:13,360 --> 00:20:16,960
is it the way he acts it out?
I think it's some of the
362
00:20:16,960 --> 00:20:21,080
writing, but overall the
character comes across as very
363
00:20:21,080 --> 00:20:25,280
insincere to me and I think
that's my struggle with the
364
00:20:25,280 --> 00:20:27,800
character.
You don't buy him as a as a hard
365
00:20:27,800 --> 00:20:31,320
NYPD cop.
Not really, no.
366
00:20:32,600 --> 00:20:34,640
No, not at all.
Especially when it ends with him
367
00:20:34,640 --> 00:20:37,400
rapping about the Men in Black
there.
368
00:20:37,400 --> 00:20:40,040
There's just something about
Will Smith that just doesn't
369
00:20:40,880 --> 00:20:43,640
feel hey.
Man, the good guys dressed in
370
00:20:43,640 --> 00:20:46,520
black, Remember that, just in
case we ever face to face and
371
00:20:46,520 --> 00:20:48,800
make contact.
It's so good, Brad.
372
00:20:49,120 --> 00:20:51,280
Yes, Bob, please.
Please wrap it for me.
373
00:20:51,280 --> 00:20:53,480
I would love to hear your
rendition.
374
00:20:53,680 --> 00:20:56,080
I like.
I like my most monotone rap
375
00:20:56,080 --> 00:20:58,520
version of that too, right here.
Yeah, yeah.
376
00:20:58,640 --> 00:21:02,080
Oh, yes.
OK, so I'm gonna continue to
377
00:21:02,080 --> 00:21:04,960
lower your opinion of this movie
by talking about the director
378
00:21:04,960 --> 00:21:08,720
Barry Sonnenfeld, who is not,
like super well known and got
379
00:21:08,720 --> 00:21:12,720
his start as a cinematographer.
And so if you kind of paid
380
00:21:12,720 --> 00:21:15,600
attention to the way this movie
shot and Brad, you know neither
381
00:21:15,600 --> 00:21:19,600
one of us are experts at like,
camera lenses or we try our best
382
00:21:19,600 --> 00:21:21,080
to explain like.
For yourself, Bob.
383
00:21:22,440 --> 00:21:25,400
We try our best to explain the
look of a movie, but it's really
384
00:21:25,400 --> 00:21:28,200
hard when I don't understand
film stock or or lensing or
385
00:21:28,200 --> 00:21:32,360
anything like that.
But his movies and the ones that
386
00:21:32,360 --> 00:21:36,040
he shoots often have like that
sort of, I think it's like a
387
00:21:36,040 --> 00:21:37,520
wide angle lens.
There's like a bit of
388
00:21:37,520 --> 00:21:40,320
distortion, there's a bit of
almost like a bug eye kind of
389
00:21:40,320 --> 00:21:43,680
lens going on and you notice it
a lot even in like the opening
390
00:21:43,680 --> 00:21:46,640
credits of this movie where it's
just following like a dragonfly
391
00:21:46,640 --> 00:21:49,960
that's like weaving in and out.
They have a kind of whimsy and
392
00:21:49,960 --> 00:21:54,240
goofiness to the look of them.
And I say all this because I'm
393
00:21:54,240 --> 00:21:58,880
going to really make you mad.
Brad he he was the Coen Brothers
394
00:21:58,880 --> 00:22:01,680
cinematographer for about the
1st 10 years of their career,
395
00:22:02,040 --> 00:22:05,240
which means you will recognize
the look of his movies because
396
00:22:05,240 --> 00:22:08,080
he was the cinematographer on
Raising Arizona.
397
00:22:08,480 --> 00:22:12,680
Bob, I just want to take this
moment to say publicly raising
398
00:22:12,680 --> 00:22:14,880
Arizona sucks.
It's so good, Brad.
399
00:22:14,880 --> 00:22:17,720
It's a terrible.
It's like a 10 out of 10 movie
400
00:22:17,720 --> 00:22:21,240
that is.
I wish I had never done this
401
00:22:21,240 --> 00:22:27,040
podcast with you.
So I think it like he is
402
00:22:27,040 --> 00:22:30,440
probably one of the more
successful film makers to jump
403
00:22:30,440 --> 00:22:32,920
from just being a member of the
crew to being like the head
404
00:22:32,920 --> 00:22:35,040
honcho.
And he doesn't make, you know,
405
00:22:35,040 --> 00:22:37,560
he's never made like the Oscar E
movie.
406
00:22:37,560 --> 00:22:42,680
But I think that the tone that
he strikes, matching the visual
407
00:22:42,680 --> 00:22:46,960
look of the movie to the kind of
goofiness of the script, I think
408
00:22:46,960 --> 00:22:50,360
it it really fits well.
It doesn't go overboard with the
409
00:22:50,360 --> 00:22:54,160
whimsy, like if it was Tim
Burton directing this movie, but
410
00:22:54,160 --> 00:22:57,920
I think it has just enough of a
look that's like, don't take
411
00:22:57,920 --> 00:23:00,880
this movie too seriously.
It's not shot like freaking
412
00:23:00,880 --> 00:23:03,720
David Fincher was shooting it
either, you know what I mean?
413
00:23:03,960 --> 00:23:07,320
It finds a it finds a nice
visual middle ground.
414
00:23:07,320 --> 00:23:09,680
I think it's.
Not a not a Fight Club kind of
415
00:23:09,680 --> 00:23:12,360
movie can.
You imagine if this was shot
416
00:23:12,360 --> 00:23:16,880
like Fight Club?
Yo man, I mean I I think that
417
00:23:16,880 --> 00:23:20,680
there are moments where the
cinematography just works.
418
00:23:21,320 --> 00:23:26,200
Specifically, when Tommy Lee
Jones is talking to the the
419
00:23:26,200 --> 00:23:31,240
alien that's like running out of
town and the aliens alien wife
420
00:23:31,360 --> 00:23:36,200
is having a child and the shot
of Tommy Lee Jones just casually
421
00:23:36,200 --> 00:23:39,080
taking down info like he's a a
street cop.
422
00:23:39,440 --> 00:23:42,600
You know, witness, you know,
taking report on an accident
423
00:23:43,080 --> 00:23:47,280
while while Will Smith is being,
like lifted up in the air by a
424
00:23:47,280 --> 00:23:50,760
giant tentacle which like, you
know, let's just pause for a
425
00:23:50,760 --> 00:23:52,680
second and say where's that
tentacle coming from, Bob I.
426
00:23:53,320 --> 00:23:54,080
Mean.
Who's to say?
427
00:23:54,560 --> 00:23:59,120
Who's to say it's a weird movie,
but like the cities behind them,
428
00:23:59,280 --> 00:24:03,040
it's it's genuinely a really
funny yet serious.
429
00:24:03,040 --> 00:24:08,040
Yet it it perfectly fits what
this movie is going for.
430
00:24:08,600 --> 00:24:11,600
And then I don't know how they
managed to do it, but they made
431
00:24:11,600 --> 00:24:16,000
a cute as hell alien baby and
Will Smith, it might be one of
432
00:24:16,000 --> 00:24:17,800
his best parts of the film when
he's holding it.
433
00:24:18,120 --> 00:24:21,520
And I to go back to what you
said earlier, like Tommy Lee
434
00:24:21,520 --> 00:24:25,120
Jones is subtle throughout the
movie and is just the incredible
435
00:24:25,120 --> 00:24:27,960
performance.
Will Smith finally gets to be
436
00:24:27,960 --> 00:24:31,040
subtle when he's holding this
little alien baby and he's like,
437
00:24:31,040 --> 00:24:35,200
you see it dawn on him that this
baby is actually kind of cute
438
00:24:35,800 --> 00:24:39,200
and you're like, oh that like, I
want more of that, right?
439
00:24:39,200 --> 00:24:40,960
And then you.
And then you never get it again.
440
00:24:41,000 --> 00:24:44,560
Yeah, and I think this is one of
those rare instances where if
441
00:24:44,560 --> 00:24:48,920
the movie was 100 minutes long
instead of 90 minutes long, it
442
00:24:48,920 --> 00:24:52,960
probably is like 1/2 point
better as a movie as long as you
443
00:24:52,960 --> 00:24:56,480
don't pack it full of more gags.
Like if you give these guys a
444
00:24:56,480 --> 00:25:00,880
couple moments to actually act
and like give some heft to their
445
00:25:00,880 --> 00:25:03,360
characters, I think this movie
actually works a little bit
446
00:25:03,360 --> 00:25:05,960
better.
It it moves at such a madcap
447
00:25:05,960 --> 00:25:11,800
kind of pace that yes, you get a
few moments of humanity from
448
00:25:11,800 --> 00:25:14,400
these guys.
But like, I really do think,
449
00:25:14,400 --> 00:25:19,200
Brad, this could be like an an
all time comedy classic if you
450
00:25:19,200 --> 00:25:21,760
just had like 10 more minutes of
character development.
451
00:25:22,200 --> 00:25:24,400
Yeah, no, I I do not think
you're wrong.
452
00:25:26,320 --> 00:25:27,920
That's an interesting way of
agreeing with someone.
453
00:25:28,920 --> 00:25:30,160
You're not right.
You're wrong.
454
00:25:30,520 --> 00:25:34,160
I just don't think you're wrong.
You touched a minute ago on some
455
00:25:34,160 --> 00:25:36,680
of the effects of the movie,
especially like that cute alien
456
00:25:36,680 --> 00:25:39,720
baby.
And I think watching this film,
457
00:25:39,720 --> 00:25:44,720
one of the things that I really
miss is practical effects in
458
00:25:44,720 --> 00:25:47,000
movies.
And this movie has such a
459
00:25:47,880 --> 00:25:54,760
tangible like textile, like you
can feel, you can smell this
460
00:25:54,760 --> 00:25:58,640
movie because there is just so
much bug guts, there's so much
461
00:25:58,640 --> 00:26:01,600
slime and it really, really
works.
462
00:26:01,600 --> 00:26:04,200
And I like it's one of those
things that pisses me off
463
00:26:04,200 --> 00:26:06,960
because I'm like it can't cost
that much to throw a bucket of
464
00:26:06,960 --> 00:26:11,400
slime on someone.
But I feel like that works so
465
00:26:11,400 --> 00:26:14,840
much better than CGI ING bug
guts on to somebody when you
466
00:26:14,840 --> 00:26:19,040
could just tell like.
I feel like like CGI ING slime
467
00:26:19,040 --> 00:26:23,520
has to cost more then just get
it like calling Nickelodeon and
468
00:26:23,520 --> 00:26:24,880
being like hey, do you have any
leftover?
469
00:26:25,160 --> 00:26:27,680
Let's get some slime, please.
Yeah, yeah.
470
00:26:28,040 --> 00:26:31,880
But this movie, I think for the
most part, I think the effects
471
00:26:31,880 --> 00:26:33,480
hold up really, really, really
well.
472
00:26:33,760 --> 00:26:36,320
And like, there are some
moments, especially the the end
473
00:26:36,320 --> 00:26:39,320
of the movie, where the bug
creature fully reveals itself,
474
00:26:39,760 --> 00:26:42,720
where the the early CGI of this
movie is just absolutely
475
00:26:42,720 --> 00:26:45,240
terrible.
But then there are also scenes
476
00:26:45,240 --> 00:26:47,320
like the one you're talking
about where he's delivering this
477
00:26:47,320 --> 00:26:51,040
baby in the background of a shot
and there's tentacles coming out
478
00:26:51,040 --> 00:26:53,720
the windows, and those are
clearly CGI.
479
00:26:53,920 --> 00:26:57,400
But because it's so small in the
frame, even though it's not
480
00:26:57,400 --> 00:26:59,480
great CGI, it totally works.
Noticeable.
481
00:26:59,480 --> 00:27:03,720
Yeah, yeah, it it totally works.
And that's that's the beauty of
482
00:27:03,720 --> 00:27:08,200
knowing your limitations and
like recognizing, hey, CG isn't
483
00:27:08,200 --> 00:27:10,520
our strength right now.
We're just going to put it a
484
00:27:10,520 --> 00:27:13,000
little ways off in the
background and not make it the
485
00:27:13,000 --> 00:27:16,000
main thing because the when they
do make it the main thing,
486
00:27:16,000 --> 00:27:18,360
you're right, it does, it
doesn't work right.
487
00:27:18,600 --> 00:27:21,080
I don't think that.
I think that's kind of the fatal
488
00:27:21,080 --> 00:27:24,200
flaw of film makers nowadays.
It's not even that they use too
489
00:27:24,200 --> 00:27:27,800
much CGI, and they kind of do,
but it's that they they're
490
00:27:27,800 --> 00:27:32,080
convinced that the CGI has
reached the point of being
491
00:27:32,080 --> 00:27:34,800
indistinguishable from reality,
and it clearly hasn't.
492
00:27:35,520 --> 00:27:38,680
And so, like you always as a
filmmaker, you need to
493
00:27:38,680 --> 00:27:42,640
understand it's not where it
needs to be yet and it's going
494
00:27:42,640 --> 00:27:45,560
to look worse in 20 years.
So, like, how do we use it to
495
00:27:45,560 --> 00:27:48,720
accentuate a shot without it
being the main focus of a shot?
496
00:27:48,720 --> 00:27:51,680
And and this is a really great
example of that, because like I
497
00:27:51,680 --> 00:27:56,120
said at the end of the film,
when the alien sheds its Vincent
498
00:27:56,120 --> 00:27:59,760
D'onofrio skin and you see this
giant cockroach looking thing,
499
00:27:59,760 --> 00:28:02,280
it looks like a cartoon.
Like it's not even remotely
500
00:28:02,280 --> 00:28:05,040
realistic looking.
And that's really the only point
501
00:28:05,040 --> 00:28:08,880
of the film where the CGI is
actually the focus of a shot.
502
00:28:09,400 --> 00:28:12,360
So when you're paying attention
to the CGI, it looks awful.
503
00:28:12,360 --> 00:28:15,280
Do you know what I mean?
But like, I think that's what
504
00:28:15,280 --> 00:28:17,480
makes Sonnenfeld, for the most
part a pretty good film maker
505
00:28:17,480 --> 00:28:20,240
here is that he knows how to
disguise it most of the time.
506
00:28:21,120 --> 00:28:22,880
Yeah, Bob, I I don't think
you're wrong.
507
00:28:25,880 --> 00:28:28,800
Hey, before we go to break, I
want to talk about a couple more
508
00:28:28,800 --> 00:28:31,120
people in this movie.
It's got a pretty great cast.
509
00:28:32,280 --> 00:28:34,920
I don't really have much to say
about Linda Fiorentino in this
510
00:28:34,920 --> 00:28:36,240
movie.
I don't have much to say about
511
00:28:36,240 --> 00:28:40,200
Rip Torn as Zed, the leader of
MIB, but I do want to touch on
512
00:28:40,200 --> 00:28:44,320
Vincent d'onofrio and his wife
because they are by far my two
513
00:28:44,320 --> 00:28:46,240
favorite characters in this
movie.
514
00:28:46,560 --> 00:28:51,200
Oh yeah, so the wife's name is
Siobhan Fallon and she must have
515
00:28:51,200 --> 00:28:54,280
gotten married because now she's
listed as Siobhan Fallon Hogan
516
00:28:54,280 --> 00:28:57,600
on IMDb.
This is a woman who is a
517
00:28:57,600 --> 00:29:04,160
personal hero of mine due to
this performance and the the the
518
00:29:04,160 --> 00:29:05,880
performance she turned in in
Forrest Gump.
519
00:29:07,040 --> 00:29:10,720
She is the school bus driver in
Forrest Gump that talks to both
520
00:29:10,720 --> 00:29:13,440
Forrest and Little Forest and
has a cigarette hanging out of
521
00:29:13,440 --> 00:29:16,880
her mouth both times.
And Forrest is like I can't talk
522
00:29:16,880 --> 00:29:20,440
to strangers and she goes, I'm
Dorothy Harris and the
523
00:29:20,440 --> 00:29:23,560
cigarettes just flapping up.
This woman rules.
524
00:29:23,560 --> 00:29:28,320
I don't know anything else about
her, but she is a legend based
525
00:29:28,320 --> 00:29:32,200
on just these two performances.
Yeah, I absolutely loved her.
526
00:29:32,200 --> 00:29:38,040
I think that it's little side
quirky characters like this that
527
00:29:38,040 --> 00:29:41,400
make a great comedy.
Like you, you have to have great
528
00:29:41,400 --> 00:29:45,000
performances from your leads.
But man, when you have just
529
00:29:45,200 --> 00:29:49,480
spectacular performances for
your little side characters, it
530
00:29:49,480 --> 00:29:53,240
brings the whole movie to life
in a way that a lot of other
531
00:29:53,240 --> 00:29:56,360
movies miss out on.
And you're right, the the way
532
00:29:56,360 --> 00:30:01,080
she interacts with The Police
and with Tommy Lee Jones is just
533
00:30:01,080 --> 00:30:06,240
like precious and funny.
And I I could not get enough of
534
00:30:06,240 --> 00:30:08,520
them.
It is like a master class in
535
00:30:08,520 --> 00:30:12,720
turning A2 scene performance
into like one of the most
536
00:30:12,720 --> 00:30:16,480
memorable parts of a movie.
Though because she does this
537
00:30:16,480 --> 00:30:19,480
thing, she makes this choice as
an actress to pronounce her
538
00:30:19,480 --> 00:30:23,440
husband's name not as Edgar but
as Edgar.
539
00:30:24,200 --> 00:30:27,120
And she does it repeatedly.
And it's like to the point where
540
00:30:27,120 --> 00:30:29,360
I actually looked up the script
online.
541
00:30:29,400 --> 00:30:32,600
It's just it's just typed out as
like what's wrong with you
542
00:30:32,600 --> 00:30:35,200
Edgar.
But she's goes Edgar.
543
00:30:35,680 --> 00:30:37,520
Edgar.
Your skin is hanging off of you
544
00:30:37,560 --> 00:30:41,360
Edgar.
I laughed out loud.
545
00:30:41,360 --> 00:30:45,560
Dude it was so funny to hear her
repeatedly Just call this man
546
00:30:45,560 --> 00:30:49,640
Edgar and the like.
Those few moments you get
547
00:30:49,640 --> 00:30:53,760
between her and and D'onofrio,
who is like like the whole point
548
00:30:53,760 --> 00:30:56,400
of his character is he gets
killed by an alien who then
549
00:30:56,960 --> 00:31:00,920
sucks out all his flesh and uses
his skin as like, a costume.
550
00:31:01,440 --> 00:31:03,800
And so his skin is literally
hanging off of him.
551
00:31:04,160 --> 00:31:08,560
He can't use his limbs properly.
D'onofrio is just going for it
552
00:31:09,160 --> 00:31:12,200
and I have to say, like, it
freaking works.
553
00:31:12,200 --> 00:31:15,880
It's like exactly what's needed
for what this movie is trying to
554
00:31:15,880 --> 00:31:18,320
go for Brad.
Yeah, you you talked earlier
555
00:31:18,320 --> 00:31:20,160
about like setting the tone for
a film.
556
00:31:20,440 --> 00:31:23,600
I think that D'onofrio's
performance sets the tone for
557
00:31:23,600 --> 00:31:28,680
how ridiculous and quirky and
over the top this movie is going
558
00:31:28,680 --> 00:31:32,080
to be.
And I I I if I had to rank
559
00:31:32,080 --> 00:31:36,800
performances, I think I would go
Tommy D'onofrio and then Will
560
00:31:36,800 --> 00:31:40,240
Smith.
I'm going shaban saying Edgar as
561
00:31:40,240 --> 00:31:43,600
#1.
As like the far and away.
562
00:31:43,760 --> 00:31:46,480
Number one, this should have
been the Oscar nomination of the
563
00:31:46,480 --> 00:31:49,320
film.
All right, man, I think we're in
564
00:31:49,320 --> 00:31:50,960
a good spot.
Let's hit pause here.
565
00:31:50,960 --> 00:31:52,320
Let's drink some whiskey.
What do you say?
566
00:31:52,800 --> 00:31:54,320
I'm ready, man.
Let's get to it.
567
00:31:58,200 --> 00:32:00,600
All right, so today we are
checking out a whiskey called
568
00:32:00,600 --> 00:32:03,720
Will It, a blend of straight
whiskeys.
569
00:32:04,920 --> 00:32:07,920
Brad, this is a sample that was
provided to us by our friend
570
00:32:07,920 --> 00:32:09,560
Wes.
Wes, you know who you are.
571
00:32:09,560 --> 00:32:12,440
We're not going to spoil your
full name and Social Security
572
00:32:12,440 --> 00:32:14,640
number this time.
We're not doxing him.
573
00:32:15,480 --> 00:32:16,920
Not today.
It depends on how good the
574
00:32:16,920 --> 00:32:20,360
whiskey is.
If it's bad, then your full
575
00:32:20,360 --> 00:32:21,840
address will be posted here
soon.
576
00:32:22,960 --> 00:32:25,960
OK, so this is a product that
was released by Willett back in
577
00:32:25,960 --> 00:32:31,000
I think like 2021-2022.
This is when Willett was still
578
00:32:31,000 --> 00:32:33,760
sourcing a lot of stuff.
And so this is a blend of 10
579
00:32:33,760 --> 00:32:38,560
year old MGP Rye and six year
old Willett bourbon.
580
00:32:39,040 --> 00:32:42,440
Now Brad, I love me some Willett
products.
581
00:32:42,440 --> 00:32:45,720
We had one last week, wasn't my
favorite among Willett products,
582
00:32:46,360 --> 00:32:50,080
but I've poured this out in
front of me and I am falling in
583
00:32:50,080 --> 00:32:52,440
love once again with Willett
because it has all these notes
584
00:32:52,440 --> 00:32:54,560
that I love on the nose of
Willett.
585
00:32:54,920 --> 00:32:57,640
This particular one, I don't
have like a ratio of what the
586
00:32:57,640 --> 00:33:00,800
blend is, but I have a feeling
that it's going to appeal to
587
00:33:00,800 --> 00:33:04,920
both of us because it's got well
aged rye in it and it's clocking
588
00:33:04,920 --> 00:33:09,000
in at 104 proof, which is kind
of like right in our preferred
589
00:33:09,560 --> 00:33:13,640
like proof point.
Yeah, anything 100 to 110, it
590
00:33:13,680 --> 00:33:17,920
often has a good chance of
striking that perfect balance of
591
00:33:17,920 --> 00:33:23,160
complexity and just it coats
your mouth really beautifully.
592
00:33:24,080 --> 00:33:25,560
All right, man, I'm not going to
beat around the Bush here.
593
00:33:25,560 --> 00:33:28,160
This is a pretty pricey whiskey,
but we'll get to that in a
594
00:33:28,160 --> 00:33:30,720
minute.
Let's just dive into the product
595
00:33:30,720 --> 00:33:33,040
itself.
Brad on the nose, I am picking
596
00:33:33,040 --> 00:33:35,440
up what we like to refer to as
the Willit Funk.
597
00:33:35,760 --> 00:33:38,840
There is on Willit products.
There's just this really, really
598
00:33:38,840 --> 00:33:43,760
strong rose petal and kind of
sawdusty note, and that's here.
599
00:33:43,760 --> 00:33:46,840
But I will say because it's
being blended with other
600
00:33:46,840 --> 00:33:49,720
products and I don't know if
it's the MGP rye or if it's the
601
00:33:49,720 --> 00:33:51,240
Willit bourbon that's doing
this.
602
00:33:51,800 --> 00:33:56,000
It it's like you cut the amount
of that aroma in half.
603
00:33:56,160 --> 00:33:59,160
It's still there, but now it's
kind of layered in.
604
00:33:59,160 --> 00:34:01,640
There is like a subtle secondary
note.
605
00:34:01,840 --> 00:34:05,280
You've got beautiful notes of
like caramel and brown sugar and
606
00:34:05,280 --> 00:34:08,280
Maple to start with.
You get up like a little punch
607
00:34:08,280 --> 00:34:12,159
of rye grain and then you get
that rose petal underneath it
608
00:34:12,159 --> 00:34:13,639
all.
And I think it makes for a much
609
00:34:13,639 --> 00:34:18,320
more complex and intriguing nose
than most Willett products do.
610
00:34:18,320 --> 00:34:20,280
I'm going to give this an 8 1/2
on the nose Brad.
611
00:34:21,280 --> 00:34:24,800
I am far and away not with you
on the nose.
612
00:34:24,800 --> 00:34:25,719
What?
Really.
613
00:34:26,159 --> 00:34:31,600
I was not, like unimpressed.
It's an OK nose for me.
614
00:34:31,600 --> 00:34:35,679
It it almost reminded me of like
pine cones there.
615
00:34:35,679 --> 00:34:37,480
There's some floral things going
on.
616
00:34:37,480 --> 00:34:42,320
It's a little bit citrusy it.
Today I'll describe the Willet
617
00:34:42,320 --> 00:34:46,159
funk as dusty tome is, is how I
felt about it.
618
00:34:46,239 --> 00:34:48,480
What is tome?
Nose tome.
619
00:34:48,679 --> 00:34:51,679
Yeah, like a book.
Oh, like a really long letter.
620
00:34:51,679 --> 00:34:53,120
Like I wrote a tome.
Got it.
621
00:34:53,800 --> 00:34:54,679
Yes.
I've never heard.
622
00:34:55,560 --> 00:34:57,000
OK, Yeah, I got it.
OK.
623
00:34:57,720 --> 00:35:00,880
Yeah, I came to a six out of 10
on the nose.
624
00:35:00,880 --> 00:35:06,120
I I just felt like it was coming
across way hotter than one O 4
625
00:35:06,240 --> 00:35:10,480
even it it just was a struggle
for me to nose and enjoy.
626
00:35:11,320 --> 00:35:13,480
There was definitely some
interesting notes though.
627
00:35:13,800 --> 00:35:17,840
I think when it came to the
actual flavour of this whiskey
628
00:35:18,280 --> 00:35:22,840
it improved a lot for me.
I I got on the palate, some
629
00:35:22,840 --> 00:35:26,280
caramel cheesecake, the Rose
petals were coming through,
630
00:35:26,280 --> 00:35:31,080
there was fresh bread, vanilla.
This had a lot of really nice
631
00:35:31,080 --> 00:35:36,280
flavors.
It had just a hint of rye going
632
00:35:36,280 --> 00:35:38,440
on.
Not enough to get me like super
633
00:35:38,440 --> 00:35:44,160
excited, but overall it has a
really nice deep flavor on the
634
00:35:44,160 --> 00:35:46,240
palate that I would give an 8
out of 10 to.
635
00:35:46,680 --> 00:35:49,120
Yeah, I'm a little bit
disappointed in the flavor, just
636
00:35:49,120 --> 00:35:51,760
from the standpoint of it not
having a lot of the notes that
637
00:35:51,760 --> 00:35:55,560
the nose had.
It's very oaky, which is fine.
638
00:35:55,560 --> 00:35:57,800
It's not Bitter Oak.
It's just like it tastes like
639
00:35:58,800 --> 00:36:00,880
like if you've tried Woodford
and then you've tried Woodford
640
00:36:00,880 --> 00:36:03,720
Double Oak, you can tell what
the differences are there and
641
00:36:03,720 --> 00:36:07,160
where we know where the
additional oak cask has imparted
642
00:36:07,160 --> 00:36:08,880
its flavor.
That's kind of what's going on
643
00:36:08,880 --> 00:36:11,440
here.
I will say, compared to last
644
00:36:11,440 --> 00:36:14,840
week's Willett product, this
reminds me a lot of that on the
645
00:36:14,840 --> 00:36:18,440
mount, like on the mouthfeel or
I guess on the palate, but the
646
00:36:18,440 --> 00:36:22,640
mouthfeel is significantly more
like dense and viscous.
647
00:36:22,640 --> 00:36:26,880
Like it, it coats your mouth so
much better at 104 than last
648
00:36:26,880 --> 00:36:28,960
week's product did at I think 94
proof.
649
00:36:29,920 --> 00:36:34,080
I like this a lot.
It just it doesn't have.
650
00:36:34,720 --> 00:36:37,520
I'm not getting like the rich
cheesecake notes you are.
651
00:36:37,520 --> 00:36:41,280
I'm getting like pretty plain
vanilla, a lot of oak.
652
00:36:41,440 --> 00:36:44,760
There's a little bit of like
pink bubble gum, but it's not.
653
00:36:44,920 --> 00:36:47,480
It's not as deep and complex as
the nose was for me, so I'm
654
00:36:47,520 --> 00:36:50,080
going to give it a 6 1/2 on the
flavor.
655
00:36:51,400 --> 00:36:55,080
Yeah, and the finish came off a
little bit lower for me.
656
00:36:55,640 --> 00:36:59,000
I gave it a 7 1/2 out of 10.
It's got a little bit of
657
00:36:59,000 --> 00:37:01,840
caramel.
The oakiness really takes over
658
00:37:02,800 --> 00:37:07,120
the citrusy notes, almost turned
into like a lemon zest at the
659
00:37:07,120 --> 00:37:09,600
end.
Overall, just a really nice
660
00:37:09,600 --> 00:37:14,720
solid finish. 2nd sip was much
better than the 1st and I think
661
00:37:14,880 --> 00:37:16,560
it really improved on the
finish.
662
00:37:16,560 --> 00:37:22,000
On the 2nd sip there's almost
like a almost like a Coca-Cola
663
00:37:22,000 --> 00:37:25,560
kind of flavor left on my on my
palate on the finish there I'm
664
00:37:25,560 --> 00:37:29,320
not getting like lemon zest and
I'm also still not getting
665
00:37:29,320 --> 00:37:32,000
cheesecake Brad, but I am
getting that sort of creaminess.
666
00:37:32,000 --> 00:37:33,280
It don't.
It almost reminds me more of
667
00:37:33,280 --> 00:37:35,920
like a tiramisu then it reminds
me of a cheesecake.
668
00:37:36,320 --> 00:37:39,200
And it's funny 'cause I think
we're getting wildly different
669
00:37:39,200 --> 00:37:42,360
notes on this today.
Like my nose score was higher
670
00:37:42,360 --> 00:37:44,640
than yours, your taste score was
higher than mine.
671
00:37:44,800 --> 00:37:48,040
And now on the finish, I don't
see much overlap on what we're
672
00:37:48,040 --> 00:37:51,440
picking up on this.
Which might be a good thing,
673
00:37:51,560 --> 00:37:53,120
might be a bad thing, I have no
idea.
674
00:37:53,400 --> 00:37:56,720
But it seems like this whiskey
has a lot more going on than
675
00:37:56,720 --> 00:37:58,600
either one of us is picking up
on.
676
00:37:58,960 --> 00:38:03,160
I'm going to give it a 7 1/2 on
the finish and balance is where
677
00:38:03,160 --> 00:38:07,680
I'm really lost on this one
because it has been a wild ride
678
00:38:07,840 --> 00:38:10,840
from the nose to this point, so.
I mean.
679
00:38:11,320 --> 00:38:12,400
I I don't know, man.
What do you think?
680
00:38:12,440 --> 00:38:14,400
I'm maybe a 7.
That's.
681
00:38:14,480 --> 00:38:17,320
Why I gave it Yeah, it's a 7 for
me.
682
00:38:17,320 --> 00:38:21,000
It was a disappointing nose that
led to like a pretty solid
683
00:38:21,000 --> 00:38:25,920
flavour experience and so you
know, that's a 7 out of 10 for
684
00:38:25,920 --> 00:38:27,880
me.
I I don't know why.
685
00:38:27,880 --> 00:38:29,480
What?
What What would make you give it
686
00:38:29,480 --> 00:38:33,160
a 7 Bob?
I mean, I think part of it is we
687
00:38:33,160 --> 00:38:36,720
are not usually so far off from
each other in our tasting notes.
688
00:38:37,680 --> 00:38:39,680
And these came from the same
bottle, these samples.
689
00:38:39,680 --> 00:38:41,560
So like, I know there hasn't
been any sort of like
690
00:38:41,560 --> 00:38:43,240
shenanigans going on with the
sampling.
691
00:38:44,080 --> 00:38:46,360
Now we have different, we are
different people, we have
692
00:38:46,360 --> 00:38:49,440
different pallets.
But for us to diverge so much
693
00:38:49,480 --> 00:38:52,160
tells me like, there's got to be
something weird going on here.
694
00:38:52,640 --> 00:38:57,440
And also I was really pumped
about the experience going in
695
00:38:57,440 --> 00:39:01,240
with the nose and then pretty
let down by the pallet before
696
00:39:01,240 --> 00:39:03,320
the finish brought it back up
just a bit.
697
00:39:03,520 --> 00:39:05,440
So it was just a little too up
and down for me.
698
00:39:05,440 --> 00:39:08,880
But I can tell this is a well
made product And so that kind of
699
00:39:08,880 --> 00:39:12,320
lands me at like, OK, I'm not
going to, I'm not going to Ding
700
00:39:12,320 --> 00:39:16,360
it all the way down to A5.
Maybe I'll rest at A7 instead.
701
00:39:16,800 --> 00:39:20,600
Well, that's this is where we're
going to get into some difficult
702
00:39:20,600 --> 00:39:27,080
territory, Bob.
This whiskey is $120.00 MSRP, so
703
00:39:27,080 --> 00:39:28,920
let's just let's just start
there.
704
00:39:28,920 --> 00:39:33,400
If you could get this bottle for
$120.00, well, I'll give you my
705
00:39:33,400 --> 00:39:35,680
score.
If it was 120 bucks I would give
706
00:39:35,680 --> 00:39:39,480
this like a 3 1/2.
I don't know if I would go that
707
00:39:39,480 --> 00:39:43,880
far just because it is like it's
all really well aged product and
708
00:39:43,880 --> 00:39:46,320
Willit products are just always
more expensive.
709
00:39:47,000 --> 00:39:50,040
So it's almost like for me it's
more like I I almost have to
710
00:39:50,040 --> 00:39:52,840
measure it against other Willit
products instead of this.
711
00:39:53,280 --> 00:39:56,600
I do still think I like my
Noah's Mill better than this and
712
00:39:56,600 --> 00:40:00,120
that's like half the price.
But I do think this is only
713
00:40:00,120 --> 00:40:03,360
about a 5 out of 10 on value for
me, Brad.
714
00:40:04,080 --> 00:40:07,400
So on the secondary market,
currently what you're able to
715
00:40:07,400 --> 00:40:11,320
find this for is anywhere from
400 to $800.
716
00:40:11,320 --> 00:40:12,160
Nope.
Nope.
717
00:40:12,200 --> 00:40:12,480
Nope.
Nope.
718
00:40:12,520 --> 00:40:15,520
Nope, Nope, Nope Nope.
If you have a friend named Wes
719
00:40:15,760 --> 00:40:18,840
who has a bottle of this who
wants to give you some, I
720
00:40:18,840 --> 00:40:22,080
recommend it like I'm coming out
on on MSRP.
721
00:40:22,080 --> 00:40:25,080
Brad, I would come out to a 34.5
out of 50.
722
00:40:25,600 --> 00:40:28,480
So like just a hair below that
35 mark.
723
00:40:28,800 --> 00:40:31,360
I would recommend this.
I think this is a good whiskey.
724
00:40:31,760 --> 00:40:35,480
I just don't think it's like a
mind blowing, life changing
725
00:40:35,480 --> 00:40:39,200
whiskey.
Yeah, I'm kind of with you with
726
00:40:39,200 --> 00:40:43,000
that at MSRPI would come to a 32
out of 50.
727
00:40:43,600 --> 00:40:46,520
So just a little ways under the
35 mark.
728
00:40:47,480 --> 00:40:51,720
Here's the thing I would, I
don't know if I would hesitate
729
00:40:51,720 --> 00:40:56,120
to recommend this beyond the
fact that it's just dragged up
730
00:40:56,120 --> 00:41:00,520
in price by the company name and
to be frank Bob Willett doesn't
731
00:41:00,520 --> 00:41:04,040
deserve that.
Like, I'm just going to say it
732
00:41:04,040 --> 00:41:05,720
will.
It does not have that great of
733
00:41:05,720 --> 00:41:10,240
product to deserve the massive
spike in price that it gets.
734
00:41:10,840 --> 00:41:14,880
And I I just, I don't know man.
I I think I'm souring on will it
735
00:41:15,040 --> 00:41:16,160
a little bit.
I don't know.
736
00:41:16,160 --> 00:41:21,200
It's not my favorite distillery.
I think that Willett's really,
737
00:41:21,200 --> 00:41:24,840
really high end stuff is some of
the best whiskey I've ever had.
738
00:41:24,880 --> 00:41:28,480
We, you and I, Brad went to a a
dinner last year that we were
739
00:41:28,480 --> 00:41:31,400
very graciously invited to by a
friend where we we tried some
740
00:41:31,400 --> 00:41:35,240
very rare whiskeys and the best
one we had all night was a
741
00:41:35,240 --> 00:41:37,840
Willit product and like.
Was it though?
742
00:41:38,160 --> 00:41:41,640
That was my favorite one by by a
lot and I think that bottle
743
00:41:41,640 --> 00:41:45,560
probably cost like 2 grand like
it was it was expect you know.
744
00:41:46,040 --> 00:41:49,640
But also like I can say that I
liked it so much because I did
745
00:41:49,640 --> 00:41:51,520
not have to spend $2000 to get
it.
746
00:41:52,080 --> 00:41:55,360
Yes.
So, so like, yes, Brad, we're
747
00:41:55,360 --> 00:42:02,120
coming out to a 66.5 out of 100
or just a 33.25 out of 50.
748
00:42:02,640 --> 00:42:06,120
I would recommend the whiskey
itself.
749
00:42:06,120 --> 00:42:08,920
I would not recommend going out
and buying it.
750
00:42:09,920 --> 00:42:12,560
Yeah, not even a pour of it
because the pour will probably
751
00:42:12,560 --> 00:42:14,800
cost you 30 to $50.
Yeah.
752
00:42:15,080 --> 00:42:18,760
Even more than that, probably.
If not more so, yeah, if you're
753
00:42:18,760 --> 00:42:23,400
spending 60-70 bucks on a a few
ounces of this, it's too much
754
00:42:23,400 --> 00:42:25,440
money.
Go buy four or five bottles of
755
00:42:25,440 --> 00:42:28,000
Rebel 100 and you will be much
happier.
756
00:42:28,520 --> 00:42:30,240
Be much drunker, that's for
sure.
757
00:42:32,040 --> 00:42:34,120
All right, man, let's get back
into talking about Men in Black.
758
00:42:34,120 --> 00:42:36,080
What do you say?
Let's get to it.
759
00:42:39,880 --> 00:42:41,760
All right, everybody.
That was will it.
760
00:42:41,800 --> 00:42:45,640
A blend of straight whiskeys.
Something I forgot to say.
761
00:42:45,640 --> 00:42:50,400
During that segment, I realized
as I was drinking it that the
762
00:42:50,400 --> 00:42:55,000
parts of the whiskey I really
liked were the MGP parts, and
763
00:42:55,000 --> 00:42:57,160
the parts of the whiskey I
didn't like were the will it.
764
00:42:57,160 --> 00:42:59,800
Parts Wow.
It's amazing that your palate is
765
00:42:59,800 --> 00:43:03,800
so discerning that you can pick
out exactly what.
766
00:43:04,480 --> 00:43:07,880
The nose was a will it nose and
I didn't love it.
767
00:43:08,240 --> 00:43:13,720
And then on the palette I got
some of those MGP classic 95.5
768
00:43:13,720 --> 00:43:16,560
type of notes and was like man,
I actually kind of like this
769
00:43:16,560 --> 00:43:18,640
whiskey.
And then the finish was kind of
770
00:43:18,640 --> 00:43:23,040
a mix of the two and I just
walked away going, oh, if they
771
00:43:23,040 --> 00:43:25,960
had just gotten rid of the
blended part and just given me
772
00:43:25,960 --> 00:43:28,960
the 10 year MGP, I would have
loved this whiskey.
773
00:43:29,440 --> 00:43:32,800
All right.
Well, I I am very impressed by
774
00:43:32,800 --> 00:43:34,040
your palette.
That's what I'll say.
775
00:43:34,040 --> 00:43:37,240
Next, man, I appreciate that.
And you should be very impressed
776
00:43:37,240 --> 00:43:41,600
by my current record in our next
game, which we call 2 Facts and
777
00:43:41,600 --> 00:43:44,840
a Falsehood.
Brad is going to try to stump
778
00:43:44,840 --> 00:43:49,360
your ball. 2 All right and what
is wrong?
779
00:43:50,920 --> 00:43:54,160
2 facts and a falsehood. 2 Facts
and A Falsehood is the part of
780
00:43:54,160 --> 00:43:57,880
the podcast where Brad presents
me with three items as fact
781
00:43:58,040 --> 00:44:01,520
about the making of this movie,
one of which is a complete lie.
782
00:44:02,080 --> 00:44:05,360
Brad, I'm currently sitting at,
I believe seven and two on the
783
00:44:05,360 --> 00:44:08,240
season.
My, my I was just saying my guy.
784
00:44:08,240 --> 00:44:10,320
I am my guy.
I am crushing it.
785
00:44:11,720 --> 00:44:12,920
My guy is.
Crushing it.
786
00:44:12,920 --> 00:44:15,280
My guy.
Me is crushing it right now.
787
00:44:17,280 --> 00:44:20,480
Baba, at this point in your
life, how how much does it mean
788
00:44:20,480 --> 00:44:22,640
to you to be dominating at 2
facts?
789
00:44:22,640 --> 00:44:25,120
This is all I have, man like
this is.
790
00:44:25,840 --> 00:44:28,320
My, my children.
Nothing.
791
00:44:28,560 --> 00:44:30,160
Meaningless.
I You know what?
792
00:44:30,160 --> 00:44:33,480
When I tell my kids that I am
beating Uncle Brad at a game,
793
00:44:33,800 --> 00:44:36,200
they get pretty pumped.
I'm sure they do.
794
00:44:36,200 --> 00:44:37,720
They don't need to know how
incredible I am they.
795
00:44:37,720 --> 00:44:38,920
Don't need to know what the game
is.
796
00:44:38,920 --> 00:44:40,800
They're just at the age where
they like playing games.
797
00:44:41,320 --> 00:44:44,960
Yeah, and Dad's winning.
I'll take them down the memory
798
00:44:44,960 --> 00:44:48,640
road and and play Ken Griffey
Junior's Home Run Derby with
799
00:44:48,760 --> 00:44:50,480
you.
All right.
800
00:44:50,480 --> 00:44:52,440
See how that goes.
Hit me with your two facts and a
801
00:44:52,440 --> 00:44:55,360
falsehood, Brad.
Fact number one for the iconic
802
00:44:55,360 --> 00:44:58,240
suits in Men in Black, the
costume designer made an effort
803
00:44:58,240 --> 00:45:01,360
to avoid looking too much like
the Blues Brothers and instead
804
00:45:01,360 --> 00:45:04,520
focused on Cary Grant's Gray
suit from North by Northwest.
805
00:45:05,920 --> 00:45:10,240
Fact #2, the iconic neuralizer
prop used by Agent K, was
806
00:45:10,240 --> 00:45:14,160
originally a modified vintage
lava pen that director Barry
807
00:45:14,160 --> 00:45:16,560
Sonnenfeld often used during
script readings.
808
00:45:18,080 --> 00:45:21,360
Fact #3 Vincent d'onofrio
researched his role as Edgar,
809
00:45:21,920 --> 00:45:26,480
also known as Edgar, by watching
a lot of bug documentaries, and
810
00:45:26,480 --> 00:45:28,880
in order to achieve his
character's distinctive walk, he
811
00:45:28,880 --> 00:45:32,040
put on knee braces so that he
couldn't bend his legs and taped
812
00:45:32,040 --> 00:45:35,720
up his ankles.
Oh, Brad, these are good ones
813
00:45:35,720 --> 00:45:38,840
today.
Oh man.
814
00:45:38,920 --> 00:45:44,840
OK, so #1 immediately sounded
like it could be true to me
815
00:45:44,840 --> 00:45:47,200
because they have a much more
tailored look.
816
00:45:47,520 --> 00:45:52,200
They have a much thinner tie,
and I'm a sucker for that grey
817
00:45:52,200 --> 00:45:55,520
suit in North by Northwest.
However, you know all this about
818
00:45:55,520 --> 00:45:58,600
me and so I'm like, oh, this
could be a Brad G invention.
819
00:45:59,320 --> 00:46:02,520
Who's to say, Bob?
I don't know what a lava pen is
820
00:46:02,640 --> 00:46:04,280
for #2.
That sounds like it could be
821
00:46:04,280 --> 00:46:08,560
made-up, but it does have a very
like it looks like a pen, so who
822
00:46:08,560 --> 00:46:11,840
knows.
Do you remember the I feel like
823
00:46:12,840 --> 00:46:16,960
in the when I was in elementary
school I remember people would
824
00:46:16,960 --> 00:46:21,240
have like a pen that had like
fake, almost like a lava lamp
825
00:46:21,600 --> 00:46:23,760
pattern on the outside and
they're kind of like thicker
826
00:46:23,760 --> 00:46:25,960
than a normal pen.
Do you remember what I'm
827
00:46:25,960 --> 00:46:27,000
talking?
About No, no.
828
00:46:27,000 --> 00:46:28,600
I see.
I remember like the thick pens,
829
00:46:28,600 --> 00:46:31,440
but they were always the ones
that had like 15 pens inside of
830
00:46:31,440 --> 00:46:34,120
them and you would like move
each button down to get a.
831
00:46:34,120 --> 00:46:35,920
Different shirt.
Yes, I remember those.
832
00:46:36,320 --> 00:46:38,640
So I don't know, man.
I feel like you're making this
833
00:46:38,640 --> 00:46:42,480
up, #3 sounds plausible, but
he's also like my favorite
834
00:46:42,480 --> 00:46:45,840
character in the whole movie.
So you got me today, man.
835
00:46:45,840 --> 00:46:47,480
I'm going to just take a shot in
the dark.
836
00:46:47,480 --> 00:46:52,480
I'm going to say that.
I'm going to say #2 is the
837
00:46:52,480 --> 00:46:57,920
falsehood.
Bob, you can continue to brag to
838
00:46:57,920 --> 00:47:00,760
your children that you are
winning in a game where the
839
00:47:00,760 --> 00:47:02,400
points are made-up and don't
matter.
840
00:47:02,400 --> 00:47:05,000
Oh, did I get it?
You did is a lava.
841
00:47:05,000 --> 00:47:07,880
Pen a thing.
Yes, they are a thing.
842
00:47:07,880 --> 00:47:09,840
So what you were saying is like
that.
843
00:47:09,840 --> 00:47:11,760
That's that's true.
Like, do you remember seeing
844
00:47:11,760 --> 00:47:13,160
them when you were a kid and
things like that?
845
00:47:13,160 --> 00:47:14,080
Yes.
Yep.
846
00:47:14,560 --> 00:47:17,400
I I have never been exposed to
the lava pen.
847
00:47:18,160 --> 00:47:19,480
I'll have to send you a picture
sometime.
848
00:47:20,080 --> 00:47:21,440
You can't just send me a lava
pen.
849
00:47:21,440 --> 00:47:23,120
You got to send me a picture of
a lava pen.
850
00:47:23,520 --> 00:47:28,720
Yes, we get on Amazon and order
you a set of 27 Lava Pens.
851
00:47:28,800 --> 00:47:32,040
Thank you so much.
Commemorative men in Black
852
00:47:32,040 --> 00:47:36,320
stamped lava pen.
All right, man, let's let's dive
853
00:47:36,320 --> 00:47:37,960
back into the movie.
Where do you want to go from
854
00:47:37,960 --> 00:47:38,520
here?
What?
855
00:47:38,520 --> 00:47:40,160
What haven't we talked about
yet?
856
00:47:40,840 --> 00:47:43,360
I guess, like if you have
nothing to talk about, we could
857
00:47:43,360 --> 00:47:46,480
talk about the extent to which
this movie works for you,
858
00:47:46,520 --> 00:47:48,600
because I feel like I've been
trying to pull it out of you
859
00:47:48,600 --> 00:47:52,000
this whole episode, and I can't
really tell where you're falling
860
00:47:52,000 --> 00:47:54,760
on this movie.
I love doing that to you.
861
00:47:56,440 --> 00:47:58,600
It's my favorite thing in the
world to do.
862
00:47:58,840 --> 00:48:00,680
Here's the thing, Bob.
You're not going to give this
863
00:48:00,680 --> 00:48:03,440
movie like an 8 1/2 or a nine
out of 10.
864
00:48:03,440 --> 00:48:05,560
I know that.
I'm not going to give.
865
00:48:05,640 --> 00:48:08,600
Yeah, I do, Bob.
I watched this movie.
866
00:48:08,880 --> 00:48:14,000
I know where it falls in the
pantheon of film history, and at
867
00:48:14,000 --> 00:48:18,800
the end of the day, whether it's
good or bad, this is just an OK
868
00:48:18,800 --> 00:48:21,920
movie.
And I I think that there are
869
00:48:21,920 --> 00:48:24,640
moments of it that are funny and
amusing.
870
00:48:24,880 --> 00:48:29,480
For me, I think the absolute
best scene in the movie is when
871
00:48:29,480 --> 00:48:34,680
they bring Will Smith in to test
against the the Navy Seals and
872
00:48:34,680 --> 00:48:39,120
Green Berets of the world and he
drags that table over.
873
00:48:40,880 --> 00:48:47,560
That is the the perfect element
of taking itself too seriously
874
00:48:47,560 --> 00:48:51,680
and Will Smith making fun of it.
Like that's the whole setup of
875
00:48:51,680 --> 00:48:54,600
the entire movie, right?
We we all take ourselves too
876
00:48:54,600 --> 00:48:58,360
seriously and Will Smith just
keeps swatting them down, right?
877
00:48:59,120 --> 00:49:02,960
That's the one moment where it
comes together in this moment of
878
00:49:02,960 --> 00:49:09,160
just pure blissful comedy, and I
absolutely love that scene.
879
00:49:09,360 --> 00:49:12,720
Other than that, it's a solid,
funny movie.
880
00:49:12,960 --> 00:49:16,680
I I think the more interesting
thing is why don't we get movies
881
00:49:16,680 --> 00:49:19,840
like Men in Black anymore?
Because Because at the end of
882
00:49:19,840 --> 00:49:23,280
the day, this is a really fun
movie that deserved to make good
883
00:49:23,280 --> 00:49:25,960
money at the box office.
I don't know if it deserved the
884
00:49:25,960 --> 00:49:28,640
two or three slot, like I'm
guessing it did.
885
00:49:29,360 --> 00:49:31,360
But at the end of the day, it's
very funny.
886
00:49:31,360 --> 00:49:35,120
It's got big name actors.
It's got a solid director.
887
00:49:35,120 --> 00:49:37,240
At least in this movie he's a
solid director.
888
00:49:37,840 --> 00:49:42,280
And I don't know why we don't
have fun movies like this
889
00:49:42,280 --> 00:49:44,000
anymore that don't have to be
perfect.
890
00:49:44,000 --> 00:49:47,480
They don't have to be huge.
You know, I said at the start, I
891
00:49:47,480 --> 00:49:50,280
kept waiting for there to be
something bigger that was going
892
00:49:50,280 --> 00:49:52,560
to happen.
And even like, the big thing
893
00:49:52,560 --> 00:49:55,440
that happens in this movie,
like, hey, there's this alien
894
00:49:55,440 --> 00:50:00,080
ship that's going to blow us all
up, doesn't feel that world
895
00:50:00,080 --> 00:50:02,840
ending the way it does in like,
Independence Day.
896
00:50:03,680 --> 00:50:06,640
And so there's something about
this film that just feels
897
00:50:06,640 --> 00:50:08,880
really, I'm going to go back to
your word, Bob.
898
00:50:09,320 --> 00:50:13,200
Charming.
You know, I think I, I don't
899
00:50:13,200 --> 00:50:15,000
know the answer to your
question, Brad, about why we
900
00:50:15,000 --> 00:50:16,400
don't get movies like this
anymore.
901
00:50:16,400 --> 00:50:19,920
But I think a big part of it is
that Marvel really did swallow
902
00:50:19,920 --> 00:50:25,080
up these kind of movies.
Like everything that was magic
903
00:50:25,080 --> 00:50:30,320
oriented or super strength
oriented or even space oriented
904
00:50:30,480 --> 00:50:33,560
got folded into the MCU after a
while, 'cause it was like, oh,
905
00:50:33,560 --> 00:50:36,160
we have superheroes in space.
They're called the Guardians of
906
00:50:36,160 --> 00:50:38,840
the Galaxy.
And like, I think Guardians of
907
00:50:38,840 --> 00:50:42,920
the Galaxy was kind of trying to
go for the same tone as this
908
00:50:42,920 --> 00:50:45,600
movie.
I've never been, especially the
909
00:50:45,600 --> 00:50:48,400
first Guardians movie.
I've never been a huge fan of it
910
00:50:48,400 --> 00:50:53,720
because I think it has that mean
streak in it that kind of turned
911
00:50:53,720 --> 00:50:55,160
you off a little bit in this
movie.
912
00:50:55,600 --> 00:50:58,480
But that movie is like
significantly meaner than this
913
00:50:58,480 --> 00:51:00,960
movie is.
And so they just, it never quite
914
00:51:00,960 --> 00:51:03,280
clicked for me.
It never quite charmed me the
915
00:51:03,280 --> 00:51:06,360
way that a movie like this did.
Guardians Two, though.
916
00:51:06,400 --> 00:51:08,600
Guardians Two got me right in
the fields, man.
917
00:51:10,080 --> 00:51:12,840
But I think what's really
missing is not just the tone of
918
00:51:12,840 --> 00:51:14,720
this movie, but the scale of
this movie.
919
00:51:14,840 --> 00:51:18,720
Like, why can't we just go watch
a movie that feels as small
920
00:51:18,720 --> 00:51:21,120
scale as this and be happy with
it?
921
00:51:21,600 --> 00:51:24,040
We talked, you know, like every
time we talk about this, Brad, I
922
00:51:24,040 --> 00:51:28,720
go back to like the Sam Raimi
Spider Man movies because
923
00:51:28,720 --> 00:51:31,720
they're like, they're big,
massive movies that take place
924
00:51:32,080 --> 00:51:35,040
on this sprawling canvas of New
York City.
925
00:51:35,440 --> 00:51:38,360
But they're always contained to
like, one guy fighting one other
926
00:51:38,360 --> 00:51:41,640
guy or maybe two other guys over
the course of a movie.
927
00:51:42,080 --> 00:51:45,120
And that's it.
Like, no one's, no one's blowing
928
00:51:45,120 --> 00:51:47,400
up the world.
Like, maybe someone threatens to
929
00:51:47,400 --> 00:51:50,200
blow up a building, but like,
that's that's the extent of it.
930
00:51:50,400 --> 00:51:52,080
That's the perfect amount of
stakes.
931
00:51:52,720 --> 00:51:55,640
And I just kind of wish that we
still got movies, whether they
932
00:51:55,640 --> 00:51:58,720
are comedies like this, whether
they're action films, whether
933
00:51:58,720 --> 00:52:02,280
they're superheroes, whatever,
that are appropriately low
934
00:52:02,280 --> 00:52:05,840
stakes.
Because if the fate of the
935
00:52:05,840 --> 00:52:09,720
universe rests on every single
movie, then none of these movies
936
00:52:09,720 --> 00:52:12,760
seem to have any stakes after a
while, because they're just all
937
00:52:13,160 --> 00:52:15,160
you know what's what's the
what's the phrase like?
938
00:52:15,160 --> 00:52:16,720
Par for the course after a
while, Well.
939
00:52:17,760 --> 00:52:20,800
I mean, here's here's an
interesting thought as the
940
00:52:20,800 --> 00:52:25,240
Internet completely changed the
world and broadened our
941
00:52:25,240 --> 00:52:29,360
attention like our attention
horizon of like what we pay
942
00:52:29,360 --> 00:52:34,560
attention to in the world, it
seems like movies broadened the
943
00:52:34,560 --> 00:52:37,960
scope of what's going to happen
if the heroes fail.
944
00:52:38,640 --> 00:52:41,040
Like you know, and you have
Independence Day, you have
945
00:52:41,040 --> 00:52:44,400
Armageddon, you have world
ending movies before the mid
946
00:52:44,400 --> 00:52:49,280
2000s, but it seems like you
have a lot more films that deal
947
00:52:49,280 --> 00:52:53,680
with small subject matter.
Whereas by the time you hit 2010
948
00:52:53,680 --> 00:52:58,440
and on, it feels very rare to
have what you said right.
949
00:52:58,440 --> 00:53:02,960
Like a die hard film where
what's at stake?
950
00:53:03,440 --> 00:53:08,440
Well, the lives of like 30 or 40
party goers at a high rise in
951
00:53:08,440 --> 00:53:11,720
LA, like the and that's it at
the end of the day.
952
00:53:11,800 --> 00:53:14,760
You know, sure, they might steal
a lot of money, but it's not
953
00:53:14,760 --> 00:53:16,400
going to wreck the world
economy.
954
00:53:17,440 --> 00:53:19,920
And so, yeah, it's just an
interesting thought.
955
00:53:20,240 --> 00:53:25,760
I don't know if as humans,
attention span gets broader, not
956
00:53:25,760 --> 00:53:27,320
longer.
It's definitely gotten.
957
00:53:27,320 --> 00:53:28,880
Shorter.
So you're saying that the that
958
00:53:28,880 --> 00:53:32,160
globalization ruined movies.
That's where we're going.
959
00:53:32,160 --> 00:53:32,800
Yeah.
Got it.
960
00:53:32,800 --> 00:53:36,320
OK.
I mean, am I wrong like?
961
00:53:37,280 --> 00:53:40,080
You know what, I I will say,
though that I think these movies
962
00:53:40,080 --> 00:53:42,880
are still getting made on a much
smaller budgetary scale.
963
00:53:42,880 --> 00:53:46,720
Like, especially like in the in
the 2000 Tens, there were a lot
964
00:53:46,720 --> 00:53:50,840
of indie movies that had kind
of, like fantastical elements to
965
00:53:50,840 --> 00:53:52,280
them.
There's a movie with Aubrey
966
00:53:52,280 --> 00:53:56,320
Plaza called Safety Not
Guaranteed that it was about
967
00:53:56,320 --> 00:53:58,840
like, oh, maybe we're building a
time travel machine.
968
00:53:58,840 --> 00:54:00,840
Maybe it'll work.
And it was like this tiny
969
00:54:00,840 --> 00:54:04,640
budget, like sort of sci-fi
indie movie.
970
00:54:05,280 --> 00:54:06,840
And it was fun.
But like, you know, it was an
971
00:54:06,840 --> 00:54:08,440
indie movie.
So they really couldn't go very
972
00:54:08,440 --> 00:54:11,440
big with like special effects or
actually leaning into the sci-fi
973
00:54:11,440 --> 00:54:14,200
elements too much.
And I think what I really miss
974
00:54:14,200 --> 00:54:19,760
is like small scale, big budget.
Like why don't we allocate
975
00:54:19,760 --> 00:54:23,600
budgets to movies that are like,
we're going to make this a real
976
00:54:23,600 --> 00:54:26,880
big Hollywood movie?
It just doesn't have to
977
00:54:26,880 --> 00:54:31,000
encompass blowing up the
universe, you know what I mean?
978
00:54:31,040 --> 00:54:35,000
Like, just put a guy in a skin
suit and have him drive a
979
00:54:35,520 --> 00:54:37,240
exterminating truck around New
York City.
980
00:54:37,240 --> 00:54:39,160
And like, that's fun enough.
Let's do it, man.
981
00:54:41,400 --> 00:54:44,160
It's like a taking Apollo 123
spin off.
982
00:54:45,720 --> 00:54:50,720
Skin suit guy steals a train.
Oh man, Bob, I I think I've said
983
00:54:50,720 --> 00:54:52,720
everything I need to say about.
Yeah.
984
00:54:52,720 --> 00:54:56,000
It's hard to get into our last
segment of the day, which we
985
00:54:56,000 --> 00:54:57,760
call.
Let's make it a double.
986
00:54:58,040 --> 00:55:01,400
We're near the end of the
episodes of Things listening to
987
00:55:01,400 --> 00:55:04,240
the film and Whisk.
Let's pair another film with
988
00:55:04,240 --> 00:55:05,640
this one, even if it's
struggling.
989
00:55:05,640 --> 00:55:08,240
It's a final segment of the day.
Now let's make it a double.
990
00:55:08,560 --> 00:55:11,640
Let's make it a double is the
part of the program where we
991
00:55:11,640 --> 00:55:14,600
pick a movie to pair up with
this one to make the perfect
992
00:55:14,600 --> 00:55:17,960
double feature.
That was the most P words I said
993
00:55:17,960 --> 00:55:19,400
in one sentence ever.
Brad.
994
00:55:21,400 --> 00:55:24,640
It sure is, Bob.
I I think for me, with today's
995
00:55:24,640 --> 00:55:28,960
Let's make it a double, I I was
thinking about going in a
996
00:55:28,960 --> 00:55:32,640
similar, you know, in the same
decade, similar kind of
997
00:55:32,680 --> 00:55:36,120
campiness level of a film.
I was thinking about Galaxy
998
00:55:36,120 --> 00:55:40,200
Quest, but I think I'm actually
going to go with a movie that I
999
00:55:40,320 --> 00:55:43,480
actually want people to watch
because I think it's a a better
1000
00:55:43,480 --> 00:55:47,120
version of a space comedy.
I'm going to recommend 2005's
1001
00:55:47,120 --> 00:55:49,240
Hitchhiker's Guide to the
Galaxy.
1002
00:55:49,840 --> 00:55:51,440
A movie that I have never seen.
Brad.
1003
00:55:51,920 --> 00:55:56,200
Oh Bob, once again, probably
like a 7 1/2 out of 10.
1004
00:55:56,480 --> 00:56:00,040
Nothing that's going to shake
the foundations of cinema, but
1005
00:56:00,040 --> 00:56:04,920
just a really funny Martin
Freeman performance based on
1006
00:56:05,200 --> 00:56:09,200
what might be the funniest book
ever written.
1007
00:56:09,560 --> 00:56:11,400
See, that was the thing.
When I was like a teenager, I
1008
00:56:11,400 --> 00:56:14,520
remember a lot of people telling
me you need to read Hitchhiker's
1009
00:56:14,520 --> 00:56:16,240
Guide to the Galaxy.
It's such a fun book.
1010
00:56:16,800 --> 00:56:20,120
And I I don't know exactly how
long the book is, but I remember
1011
00:56:20,480 --> 00:56:22,560
thinking like that's a little
bit too long for me to want to
1012
00:56:22,560 --> 00:56:24,800
read write this moment.
And then like every time I had
1013
00:56:24,800 --> 00:56:26,520
the option to read it, I just
never did.
1014
00:56:27,040 --> 00:56:30,360
And then I I learned they were
making a movie and then the
1015
00:56:30,360 --> 00:56:34,040
movie came out and all I heard
was not only is it not as good
1016
00:56:34,040 --> 00:56:36,160
as the book, it's just not that
good.
1017
00:56:36,800 --> 00:56:38,840
And so I just never bothered to
watch the movie.
1018
00:56:39,480 --> 00:56:42,800
Yeah, see, that's disappointing.
It's a it's a fun little romp of
1019
00:56:42,800 --> 00:56:44,600
a movie.
Zooey Deschanel.
1020
00:56:44,600 --> 00:56:48,080
Martin Freeman.
Maybe I'll check it out, Brett,
1021
00:56:48,080 --> 00:56:51,600
I am going to go with Galaxy
Quest as my Let's make, Yeah.
1022
00:56:51,680 --> 00:56:54,640
You are.
I actually had a lot of trouble
1023
00:56:54,640 --> 00:56:57,400
trying to figure out a movie off
the top of my head that would
1024
00:56:57,400 --> 00:57:00,680
kind of match the tone of this.
And I thought I said Galaxy.
1025
00:57:00,680 --> 00:57:02,520
Quest.
And you said let's do that.
1026
00:57:02,520 --> 00:57:04,640
No, it's funny, I I I was going
to go with Independence Day
1027
00:57:04,640 --> 00:57:07,120
because I do think that's like a
solid pairing with the Will
1028
00:57:07,120 --> 00:57:09,800
Smith connection.
But I employed our friend
1029
00:57:09,800 --> 00:57:12,320
ChatGPT.
I've never done this before, but
1030
00:57:12,320 --> 00:57:15,840
I asked it for 10 movie
pairings, and of these ten, it
1031
00:57:15,840 --> 00:57:18,840
came up with some good ones.
But I think Galaxy Quest is the
1032
00:57:18,840 --> 00:57:23,880
closest thing in terms of the
goofy, almost parody level, and
1033
00:57:24,240 --> 00:57:26,440
I don't think Men in Black quite
gets to that.
1034
00:57:26,440 --> 00:57:30,160
Like, it's not parodying other
old sci-fi movies the way Galaxy
1035
00:57:30,160 --> 00:57:32,160
Quest is.
But if you just wanted to have a
1036
00:57:32,160 --> 00:57:36,800
really fun night of dumb, goofy
laughs involving aliens, you
1037
00:57:36,800 --> 00:57:39,320
could do a lot worse than Galaxy
Quest and Men in Black.
1038
00:57:40,040 --> 00:57:42,800
Yeah, no, that would be a really
fun evening.
1039
00:57:43,040 --> 00:57:45,280
Brad, I feel like I've let you
down the last couple weeks, man.
1040
00:57:45,280 --> 00:57:48,400
Because I think of all the
movies so far this season that
1041
00:57:48,400 --> 00:57:52,840
you hadn't seen, you seemed very
pumped to watch Independence Day
1042
00:57:52,840 --> 00:57:56,880
and Men in Black and it seems
like you're a bit meh on both of
1043
00:57:56,880 --> 00:58:01,240
them coming out now.
I did not promise you like Oscar
1044
00:58:01,240 --> 00:58:05,280
winning films here, so I don't
know where your expectations
1045
00:58:05,280 --> 00:58:08,120
were set, but but now that
you've seen them both what what
1046
00:58:08,120 --> 00:58:08,840
are your thoughts?
I.
1047
00:58:10,400 --> 00:58:16,320
I think that culturally I knew
more about Men in Black and I
1048
00:58:16,320 --> 00:58:19,560
think Men in Black fit what my
expectation was.
1049
00:58:20,000 --> 00:58:23,120
My expectations were way higher
for Independence Day.
1050
00:58:23,800 --> 00:58:27,800
Like, I truly was thinking that
it was going to be like a solid
1051
00:58:27,800 --> 00:58:33,520
8 1/2, maybe even 9 out of 10
action blockbuster.
1052
00:58:33,520 --> 00:58:38,760
Like I I don't know, like like a
Star Wars level, like just well
1053
00:58:38,760 --> 00:58:41,600
made, great script, great
characters.
1054
00:58:41,920 --> 00:58:44,840
So I was expecting a lot out of
Independence Day Men in Black.
1055
00:58:44,840 --> 00:58:48,440
I was expecting to be like a 7
1/2 out of 10 comedy.
1056
00:58:49,080 --> 00:58:53,040
And I I mean I if I can get into
my final score, I like I'm at a
1057
00:58:53,040 --> 00:58:55,520
7 out of 10 Bob.
I think this is fun.
1058
00:58:55,560 --> 00:58:58,880
It's fine.
There's amusing elements to it.
1059
00:58:59,360 --> 00:59:02,320
I I don't know if it's quite
enough for me to ever come back
1060
00:59:02,320 --> 00:59:05,240
and watch it again.
I'm at a 7 1/2 on this one.
1061
00:59:05,400 --> 00:59:08,200
And it's because, like, we talk
a lot about certain genres of
1062
00:59:08,200 --> 00:59:11,000
movies or types of movies and
how they have a ceiling on them.
1063
00:59:11,760 --> 00:59:14,800
A movie like this has a ceiling
of like, a nine maybe.
1064
00:59:15,000 --> 00:59:18,040
Like, if it was, if it was the
most perfect expression of this
1065
00:59:18,040 --> 00:59:20,800
movie, it would still probably
only be a nine.
1066
00:59:21,440 --> 00:59:24,600
And so, like, when you're
grading on that curve, I'm like,
1067
00:59:24,600 --> 00:59:29,160
OK, how close to being the
perfect expression of this movie
1068
00:59:29,160 --> 00:59:31,960
is this?
And it's like 80% of the way
1069
00:59:31,960 --> 00:59:34,440
there.
It's like 80% of a nine, you
1070
00:59:34,480 --> 00:59:36,520
know what I mean?
So I'm like, all right, I can
1071
00:59:36,520 --> 00:59:38,560
give it an 8.
I think I'm at a 7 1/2.
1072
00:59:39,080 --> 00:59:41,560
I think this movie is going to
get a higher score than
1073
00:59:41,560 --> 00:59:44,680
Independence Day did because
Independence Day is one of those
1074
00:59:44,680 --> 00:59:48,880
movies that it's so long that
you truly only do remember the
1075
00:59:48,880 --> 00:59:50,600
good parts.
And then you come back to it and
1076
00:59:50,600 --> 00:59:52,120
you're like, oh, this is kind of
a mess.
1077
00:59:52,120 --> 00:59:54,600
It's a little bit of a mess.
This movie is not a mess.
1078
00:59:54,600 --> 00:59:57,200
It's very tightly constructed.
It's really tightly written.
1079
00:59:57,200 --> 00:59:59,000
Everything seems to logically
flow.
1080
00:59:59,480 --> 01:00:01,360
It's just kind of a fun little
trifle.
1081
01:00:01,400 --> 01:00:04,400
And I think that it it could be
more if it wanted to.
1082
01:00:04,960 --> 01:00:07,680
But as it stands, it's a 7 1/2
out of 10.
1083
01:00:08,520 --> 01:00:11,200
But at the end of the day, what
we say doesn't matter.
1084
01:00:11,800 --> 01:00:13,800
Ain't that right, Bob?
Speak for yourself.
1085
01:00:13,800 --> 01:00:18,160
Most the the most important
thing we need to know is what do
1086
01:00:18,160 --> 01:00:21,920
you think about Men in Black.
You can connect with us on any
1087
01:00:21,920 --> 01:00:24,240
of our socials.
We are on Instagram.
1088
01:00:24,480 --> 01:00:28,760
We're on TikTok on Twitter,
formerly known as Twitter, what
1089
01:00:28,760 --> 01:00:32,080
is now known as X.
We're on Facebook, and that is
1090
01:00:32,080 --> 01:00:34,840
all at our handle at Film
Whiskey.
1091
01:00:35,000 --> 01:00:37,760
Or you can find us on our
Discord server.
1092
01:00:38,000 --> 01:00:41,520
We're on Discord pretty much
every day talking to you guys,
1093
01:00:41,520 --> 01:00:43,400
the fans of the Film and Whiskey
Podcast.
1094
01:00:43,400 --> 01:00:46,360
We talked about everything from
what we're watching to what
1095
01:00:46,360 --> 01:00:48,680
we're drinking.
We try to give updates on every
1096
01:00:48,680 --> 01:00:51,400
episode as they come out.
We have a special section just
1097
01:00:51,400 --> 01:00:54,200
for our Patreon subscribers, so
if you'd like to join us on
1098
01:00:54,200 --> 01:00:59,280
Patreon, find
us@patreon.com/film Whiskey, but
1099
01:00:59,280 --> 01:01:02,160
we hope to see you jump in the
conversation at our Discord as
1100
01:01:02,160 --> 01:01:05,160
well.
Brad, next week we are pivoting
1101
01:01:05,160 --> 01:01:07,200
a little bit, but not too much
because we're still going to be
1102
01:01:07,200 --> 01:01:09,560
in space.
We're drilling holes in an
1103
01:01:09,560 --> 01:01:15,080
asteroid to save the Earth.
It's 1998's Armageddon I.
1104
01:01:15,080 --> 01:01:20,080
Film that I have not seen.
I am pumped the most 90s of all
1105
01:01:20,080 --> 01:01:23,080
90s movies and you will
understand why I say that after
1106
01:01:23,080 --> 01:01:25,440
we watch it, Brad.
I'm super excited, Bob.
1107
01:01:25,720 --> 01:01:27,840
It's going to be a 10 out of 10
masterpiece.
1108
01:01:28,000 --> 01:01:30,000
So join us for Armageddon next
week.
1109
01:01:30,000 --> 01:01:32,840
But until then, I'm Bob Book.
I'm Brad G.
1110
01:01:33,160 --> 01:01:34,840
And we'll see you next time.