May 28, 2024

Indiana Jones and the Kingdom of the Crystal Skull / Watershed Pinot Noir Finished Bourbon

Indiana Jones and the Kingdom of the Crystal Skull / Watershed Pinot Noir Finished Bourbon
Indiana Jones and the Kingdom of the Crystal Skull / Watershed Pinot Noir Finished Bourbon
Film & Whiskey
Indiana Jones and the Kingdom of the Crystal Skull / Watershed Pinot Noir Finished Bourbon

Calling all adventure seekers and bourbon enthusiasts! This week on Film & Whiskey, Brad and Bob dive headfirst into the jungle of the fourth Indiana Jones film, Indiana Jones and the Kingdom of the Crystal Skull. Grab your fedora, a bottle of Watershed Pinot Noir Finished Bourbon (we'll get to that later), and settle in for a deep dive into this action-packed adventure.

Timestamps

(0:00) Intro

(07:39) Brad Explains

(09:00) Performances, Themes

(36:05) Watershed Pinot Noir Finished Bourbon review

(48:18) Two Facts and a Falsehood

(52:08) Final Analysis

(56:35) Let's Make it a Double and Final Scores

Raiders of the Lost Podcast: Exploring Indiana Jones and the Kingdom of the Crystal Skull

Is Indiana Jones and the Kingdom of the Crystal Skull a worthy successor to the iconic trilogy? Brad and Bob unpack the film's plot, themes, performances (including Harrison Ford returning as the bullwhip-wielding Indy and Shia LaBeouf as his greaser son Mutt), and the debate surrounding the film's use of CGI versus practical effects. They also delve into the film's place within the franchise, asking if it's truly the worst Indiana Jones movie or perhaps a misunderstood gem?

But wait, there's more! No Film & Whiskey episode is complete without a boozy accompaniment, and this time around, Brad and Bob set their sights on Watershed Pinot Noir Finished Bourbon. This unique spirit boasts a finish in Pinot Noir wine barrels, creating a complex flavor profile perfect for sipping neat or using in classic cocktails. Listen in as Brad guides Bob through a tasting of this Ohio-made craft bourbon, and learn where you can find a bottle for yourself.

Whether you're a die-hard Indiana Jones fan or simply looking for an entertaining movie review and a delicious bourbon recommendation, this episode of Film & Whiskey has something for you. So, grab a glass, fire up your favorite podcast app, and get ready to revisit the Kingdom of the Crystal Skull with Film & Whiskey!
Film & Whiskey Podcast. New episodes every Tuesday.

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1
00:00:00,400 --> 00:00:04,880
In 2008, director Steven
Spielberg and star Harrison Ford

2
00:00:04,880 --> 00:00:08,560
gave the world a flat reboot of
a storied franchise.

3
00:00:09,040 --> 00:00:13,640
In 2024, we try a whiskey we
know absolutely nothing about.

4
00:00:14,280 --> 00:00:18,600
The film is Indiana Jones and
the Kingdom of the Crystal

5
00:00:18,600 --> 00:00:21,800
Skull.
The whiskey is Watershed Pinot

6
00:00:21,800 --> 00:00:26,680
Noir finished bourbon.
Did you just say Quinoa Noir?

7
00:00:26,680 --> 00:00:28,280
No, I said.
Pinot noir.

8
00:00:29,600 --> 00:00:32,560
Quinoa Noir.
Grainy.

9
00:00:33,560 --> 00:00:36,600
And we'll review them both this
is.

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00:00:37,000 --> 00:00:58,360
The Whiskey Podcast
Welcome to the Film and Whiskey

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00:00:58,360 --> 00:01:01,560
Podcast, where each week we
review a classic movie and a

12
00:01:01,560 --> 00:01:03,720
glass of whiskey.
I'm Bob Book.

13
00:01:04,239 --> 00:01:08,480
I'm quinoa.
G Yeah, it's a good day for

14
00:01:08,480 --> 00:01:11,400
nicknames, man.
Indiana Jones, Quinoa G.

15
00:01:12,600 --> 00:01:15,160
That's I'm ready, man.
Quinoa G sounds like the worst

16
00:01:15,160 --> 00:01:22,560
90s rapper of all time.
I can't even deny it.

17
00:01:22,560 --> 00:01:26,120
That's that's pretty rough, man.
And today we're watching 2008's

18
00:01:26,120 --> 00:01:29,680
Indiana Jones and the Kingdom of
the Crystal Skull.

19
00:01:30,160 --> 00:01:33,480
Now Brad coming off of last
week's movie, Transformers,

20
00:01:33,520 --> 00:01:35,440
which has a lot of overlap with
this movie.

21
00:01:36,120 --> 00:01:38,080
Transformers produced by Steven
Spielberg.

22
00:01:38,360 --> 00:01:41,720
This movie directed by Steven
Spielberg, both Co starring Shia

23
00:01:41,720 --> 00:01:44,960
LaBeouf.
We we talked last week about how

24
00:01:44,960 --> 00:01:48,240
happy we were that the title
Transformers was just

25
00:01:48,240 --> 00:01:51,280
Transformers and they had no
extraneous words.

26
00:01:52,000 --> 00:01:53,880
They made-up for it this week,
my friend.

27
00:01:53,880 --> 00:01:56,560
What's the Kingdom here?
Why are we not just calling it

28
00:01:56,560 --> 00:01:58,640
Indiana Jones and the Crystal
Skull?

29
00:01:58,680 --> 00:02:00,840
Like, what a freaking dope name
that would be?

30
00:02:00,840 --> 00:02:04,280
What are we doing here?
I I think that that raises the

31
00:02:04,280 --> 00:02:06,800
final, my final score on this by
a point at least.

32
00:02:07,360 --> 00:02:10,280
Or just cut it off at Indiana
Jones and the Kingdom of.

33
00:02:11,240 --> 00:02:12,480
That's it.
That, yeah.

34
00:02:12,480 --> 00:02:15,200
Dot. dot. dot of of what?
It's an.

35
00:02:15,200 --> 00:02:16,400
It's a mystery.
We have to.

36
00:02:16,440 --> 00:02:18,520
Go see the movie now.
Yeah, exactly.

37
00:02:19,280 --> 00:02:21,600
Oh that dude.
We should be in marketing that.

38
00:02:21,600 --> 00:02:23,840
That would be a heck of a a
movie poster.

39
00:02:24,240 --> 00:02:26,480
Like remember back in the day
when you'd walk in the movies

40
00:02:26,480 --> 00:02:28,280
and there all the posters would
be outside?

41
00:02:28,600 --> 00:02:32,440
If, like an early poster, would
just be Indiana Jones and the

42
00:02:32,440 --> 00:02:35,440
Kingdom.
Of dot dot dot Brad, do you do

43
00:02:35,440 --> 00:02:38,000
you not think they put posters
outside of the movie theater

44
00:02:38,000 --> 00:02:40,080
anymore?
I don't go to the movies.

45
00:02:40,120 --> 00:02:43,000
I I know.
And that's what qualifies you to

46
00:02:43,000 --> 00:02:47,240
host this movie related podcast.
You're welcome, America.

47
00:02:47,240 --> 00:02:49,000
I know you don't watch movies
either.

48
00:02:49,000 --> 00:02:51,440
Folks, welcome into the show.
If this is your first time

49
00:02:51,440 --> 00:02:53,560
joining us with film and
whiskey, we want to say hi.

50
00:02:53,560 --> 00:02:55,880
Hello.
Thanks for joining us for the

51
00:02:55,880 --> 00:02:58,920
4th Indiana Jones movie.
You can go back and listen to

52
00:02:58,920 --> 00:03:02,120
our first Indiana Jones review
which was Raiders of the Lost

53
00:03:02,120 --> 00:03:04,520
Ark.
We have not reviewed the second

54
00:03:04,600 --> 00:03:08,520
or third Indiana Jones movie
because this season is screwing

55
00:03:08,520 --> 00:03:12,560
us up, Brad, in terms of how we
review our series of films, What

56
00:03:12,560 --> 00:03:15,080
we're doing this season is we're
looking at the highest grossing

57
00:03:15,080 --> 00:03:19,280
films from 1988 all the way up
through 2019.

58
00:03:19,600 --> 00:03:20,960
So we're getting.
What we're doing.

59
00:03:21,000 --> 00:03:23,520
Yeah, we're getting closer and
closer to the end here, Brad,

60
00:03:24,360 --> 00:03:26,880
which I don't know if I would
call that something to celebrate

61
00:03:26,880 --> 00:03:29,880
or if it's, you know, not going
out with a bang, but a whimper.

62
00:03:30,360 --> 00:03:34,960
Yeah, I didn't even know that we
were reviewing the top person

63
00:03:34,960 --> 00:03:37,440
films, Bob.
You just show up and do what I

64
00:03:37,440 --> 00:03:39,600
tell you.
I'm still stuck on that I it

65
00:03:39,600 --> 00:03:44,040
makes sense now why every week
I've I've progressed a year and

66
00:03:44,040 --> 00:03:47,760
you know my in 2006 seven.
This is all.

67
00:03:48,120 --> 00:03:49,000
It's all coming together.
My.

68
00:03:49,000 --> 00:03:51,400
Friend, all news to you, Brad,
we are.

69
00:03:51,400 --> 00:03:54,640
I mean, I guess we're like, what
we're 20 years in now, 21

70
00:03:54,800 --> 00:03:59,160
episodes into this, this season.
So from Rain Man to Crystal

71
00:03:59,160 --> 00:04:01,480
Skull, we have really run the
gamut here.

72
00:04:01,840 --> 00:04:06,160
What's your impression of what
was on America's mind for these

73
00:04:06,160 --> 00:04:07,840
20 years that we've watched,
Brad?

74
00:04:08,760 --> 00:04:12,440
Oh man.
If I had to summarize it, I

75
00:04:12,440 --> 00:04:19,320
would say it's Russia and then
America being awesome because

76
00:04:19,320 --> 00:04:24,280
because America is awesome.
And then fantasy.

77
00:04:25,600 --> 00:04:30,600
Jesus and then more fantasy.
And then there was that one year

78
00:04:30,600 --> 00:04:33,520
that we all really liked nuns
and that was that was it.

79
00:04:34,360 --> 00:04:37,840
You know, like, it's like, it's
like in the late 90s when Swing

80
00:04:37,840 --> 00:04:41,000
came back for a hot 2nd and you
had like zoot, Zoot Riot.

81
00:04:41,080 --> 00:04:44,560
It's like that, but with nuns.
Yeah, yeah, 92, man.

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00:04:44,560 --> 00:04:47,000
It's a great year.
All right, dude, let's get into

83
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talking about Crystal Skull, as
I'm going to keep calling it

84
00:04:50,160 --> 00:04:52,720
because I'm not referring to it
by this full title.

85
00:04:52,720 --> 00:04:55,080
This is Assassination of Jesse
James Blank.

86
00:04:57,800 --> 00:05:00,560
OK, Brad, had you seen this
movie before this?

87
00:05:00,560 --> 00:05:05,040
Watch through.
Yes, exactly one time, because I

88
00:05:05,040 --> 00:05:08,000
think that would have been the
right amount of times to have

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00:05:08,000 --> 00:05:09,880
seen this movie.
At the end of last week's

90
00:05:09,880 --> 00:05:13,480
episode, you did say that you'd
seen it at least once and you

91
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didn't like it.
And I was worried that you were

92
00:05:15,440 --> 00:05:18,800
going to watch it again and not
like it again because my guy

93
00:05:18,800 --> 00:05:23,480
Brad G can get a little bit.
What's the word Brad Petulant

94
00:05:23,600 --> 00:05:25,160
with films that he does not
like?

95
00:05:25,760 --> 00:05:32,640
That is a strong, strong take on
how I interact with films.

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00:05:32,640 --> 00:05:35,680
I do not view favor.
You don't find yourself to be

97
00:05:35,800 --> 00:05:38,640
even a little petty sometimes.
When, when never when you're

98
00:05:38,640 --> 00:05:43,320
grouchy about the movie.
I give movies honest scores.

99
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That America deserves to hear.
That's true.

100
00:05:46,760 --> 00:05:48,880
It sounds like this one's not
going to get a very high score

101
00:05:48,880 --> 00:05:51,760
from you yet again, Brad, no.
It's not.

102
00:05:53,240 --> 00:05:56,400
This movie sucks, bro.
I'm in a I'm in a slightly

103
00:05:56,400 --> 00:05:58,120
different spot.
I don't think this is what I

104
00:05:58,120 --> 00:06:00,760
would call a great film.
I don't.

105
00:06:00,800 --> 00:06:02,760
Even think that it slightly
sucks, America.

106
00:06:02,760 --> 00:06:03,800
Yeah, it's.
It's mad.

107
00:06:03,840 --> 00:06:07,720
It's a pretty mad movie.
I did think that the 1st 40 ish

108
00:06:07,720 --> 00:06:10,080
minutes of this movie were
freaking.

109
00:06:10,080 --> 00:06:13,000
They moved like gangbusters.
It was some of the fastest paced

110
00:06:13,000 --> 00:06:16,040
filmmaking I've ever seen
Spielberg do, and it really

111
00:06:16,040 --> 00:06:18,000
hurdles you from one scene to
the next.

112
00:06:18,320 --> 00:06:22,200
And then they get on a plane to
go to Peru and everything that

113
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happens after that gets
progressively worse.

114
00:06:24,920 --> 00:06:27,480
So Brad, if you don't mind
before we even jump into Brad

115
00:06:27,480 --> 00:06:31,880
explains I I'm going to run this
by you as a guy who clearly did

116
00:06:31,880 --> 00:06:34,240
not like the entirety of the
movie.

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00:06:34,520 --> 00:06:37,520
I did like part of it and I
would like for us to kind of

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00:06:38,000 --> 00:06:40,680
let's let's spend the first part
of the episode talking about the

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first part of the movie so we
can say some positive things or

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at least one of us can, but.
I was going to say we that is

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that is quite the assumption
there.

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And then I will let your totally
not petulant side take over in

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the second-half.
Is that fair?

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Yes.
Yeah.

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Very, very even keeled.
Yeah.

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Even keeled.
Yeah, no, this is.

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I'm ready, man.
Has have you ever heard the

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phrase even keel?
Like has has keeled ever come up

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when it's not even?
Because anybody said like that's

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real odd keeled right now.
I this is probably completely

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wrong.
The word that popped in my brain

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was being off kilter, which
feels like it's an offshoot even

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keeled off kilter.
I don't know if it is I I could

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be completely guessing.
Well with that I have never

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heard.
Yeah, I've never heard keeled be

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talked about.
With that sort of knowledge

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base, it's time for us to get
into our first segment of the

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day, which we call, Brad
explains.

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Brad's going to give us the
movie plots with only 60 seconds

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ticking on the clock, so let's
go ahead and hear your take with

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this little segment that we
call.

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Brad explains.
Brad Explains is the part of the

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podcast where Brad breaks down
the plot of the film that he has

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just seen, often for the first
time.

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This was Brad's second time with
Indiana Jones and The Kingdom of

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the Crystal Skull, which means
it is nearer the top of his list

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on most re watched films now.
So Brad, you have one minute to

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spoil this movie and go.
I don't want to explain this

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movie.
It's not that bad, come on.

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Oh man, Indiana Jones and the
Kingdom of the Crystal Skull is

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a film.
Undoubtedly it made money at the

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box office some.
Bob, I'm still amazed that we

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are watching this as the highest
grossing film of this year.

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Was this just a garbage year for
movies we've watched?

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The Dark Knight already.
Oh, that's right.

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OK, that's good to hear.
Here's here's the thing.

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Crystal Skull is about Indiana
Jones getting kidnapped like 7

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times by the Russians and forced
to do their dirty business as

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they seek this telepathic
Crystal skull ability so that

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they can control the minds of
their enemies and they go to

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South America and they find
aliens.

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Boom.
The end.

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Most most importantly, I don't
mean to immediately steer away,

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but you said dirty business,
which is a phrase I've never

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heard.
I've heard dirty work and I've

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heard like business or just
like.

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Do their business, giving them
the business.

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But never do their dirty
business.

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And it makes it sound like he
became some sort of weird sex

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slave for the Russians.
And I just want to say, folks,

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that is not what happens in this
movie.

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It sounds like Brad may have
actually found that to be more

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interesting than the movie that
he got, though.

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I mean, you wouldn't be Cate
Blanchett's weird Russian

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accent.
No, that's no, absolutely not.

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I I know what you're into.
I'm I am into Cate Blanchett.

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You know this about me.
One of my all time all time

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movie crushes.
I I think you're more into Cate

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00:09:48,160 --> 00:09:51,360
Blanchett from The Aviator.
If I had to, I.

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Do like the Hepburnian version
of Cate Blanchett?

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00:09:54,680 --> 00:09:58,480
Yeah.
OK, so, Brad, I I want to start

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by asking you a question, and it
has to do with Indiana Jones as

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a series.
There's definitely been some ups

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and downs to the series people.
You know Raiders is considered

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00:10:07,480 --> 00:10:10,840
one of the greatest films ever
made and then Temple of Doom has

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00:10:10,840 --> 00:10:13,760
its followers but is always
considered a big step down and

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00:10:13,760 --> 00:10:17,560
then kind of a return to form
with The Last Crusade.

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You know what, what did we get a
20 year break almost before

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00:10:21,480 --> 00:10:24,640
Crystal Skull comes out and
people say Crystal Skull ruined

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the series and blah blah blah.
So we're dealing with a movie

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here that reputationally is kind
of in the same vein as what we

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00:10:32,560 --> 00:10:35,120
dealt with with The Phantom
Menace a few weeks back Now.

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I think The Phantom Menace has
been reclaimed in the years

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00:10:37,480 --> 00:10:39,480
since, but for a long, long
time.

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I mean, even you, Brad, as a fan
of Star Wars knows that it had a

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lot of obstacles to overcome to
become the beloved film that it

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is now.
And and this, this is kind of

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similar.
What I find to be interesting is

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like Indiana Jones was always
designed to be a throwback to

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stupid short serial films that
they would show before movies.

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00:11:03,760 --> 00:11:07,000
You know, at a double bill in
the 1950s throwing all the way

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00:11:07,000 --> 00:11:09,200
back to 1930s films.
You get a lot of that with

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Raiders.
With, with characters like, with

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the names like Mutt Williams.
Yes.

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00:11:15,840 --> 00:11:17,960
And so when you get to this
movie now, we're set in the

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1950s and it's very clear that
Spielberg is trying to throw

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back to those 1950s teeny bopper
movies and parts of it, but also

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00:11:27,720 --> 00:11:30,040
the cheesy science fiction films
of the 50s.

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00:11:30,480 --> 00:11:34,400
And I think that if you go into
this movie understanding that it

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00:11:34,400 --> 00:11:39,040
is clearly designed to be as
cheesy as the films that it is

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00:11:39,040 --> 00:11:43,440
ripping off or paying homage to,
I don't think I had a bad time

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00:11:43,440 --> 00:11:45,200
watching it.
Whether or not it's a good movie

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00:11:45,200 --> 00:11:48,000
is a different question.
But I guess my my question to

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00:11:48,000 --> 00:11:53,920
you, Brad, is why do you think
we accept the homage to certain

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00:11:53,920 --> 00:11:57,360
films that Indiana Jones does,
but that this movie doesn't work

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00:11:58,080 --> 00:12:00,040
with the kind of films it's
paying homage to?

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00:12:00,040 --> 00:12:04,000
Does that make sense?
Yeah, it does.

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00:12:04,080 --> 00:12:07,720
I think for me, Oh, you're going
to love this analogy.

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00:12:07,720 --> 00:12:10,840
Bob, Are you ready?
So you talked about cheese a

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00:12:10,840 --> 00:12:12,520
minute ago, and I agree with
you.

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00:12:12,520 --> 00:12:17,760
This movie has cheese galore.
The problem with too much cheese

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00:12:17,840 --> 00:12:22,240
in your personal diet or in your
film that it leads to straining

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everything.
Everything ends up feeling,

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00:12:29,880 --> 00:12:33,480
feeling forced.
And I think, I think that's.

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I think that's the problem with
this movie, Bob.

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It just feels forced, like every
actor is was told to read their

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lines in the most stilted,
awkward manner possible.

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The action scenes feel forced.
The the music doesn't, I don't

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00:12:53,840 --> 00:12:56,880
know, inspire the same highs as
it usually does there.

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00:12:56,920 --> 00:13:03,800
There's just a lot that felt and
I I don't know, honestly Bob, I

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00:13:03,800 --> 00:13:06,480
think these might be the most
negative things I say about the

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film.
Like it just didn't really work

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00:13:09,320 --> 00:13:12,040
for me super well.
There there are individual

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00:13:12,040 --> 00:13:16,600
moments that had some impetus
and meaning and and felt like it

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00:13:16,600 --> 00:13:19,760
was going somewhere, but they
all just kind of fizzled the

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00:13:19,760 --> 00:13:24,320
more the characters talked.
And I, and I think that's the

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problem, is is not that it's
cheesy, it's just that it's a

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00:13:27,560 --> 00:13:33,240
little too much.
Would you say that I keep

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thinking of like, the word
cutesy?

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00:13:34,760 --> 00:13:37,600
Like Spielberg's trying to be
too cute with this movie in a

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00:13:37,600 --> 00:13:39,680
lot of places.
And I don't just mean cute, like

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pandering, but I mean like, he
comes up with the most contrived

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00:13:44,240 --> 00:13:45,920
ways to get his characters out
of trouble.

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00:13:45,920 --> 00:13:47,760
And that's always been a thing
with Indiana Jones.

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00:13:47,760 --> 00:13:50,880
But it seems like this time it's
especially like winking at the

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00:13:50,880 --> 00:13:53,880
camera about it and he's trying
to have his cake and eat it too,

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00:13:53,880 --> 00:13:55,880
a little bit.
And yeah, I'm with you, man.

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Everything from the like CGI
Gophers at the beginning of the

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movie.
You know, find.

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00:14:01,840 --> 00:14:05,600
Find a real Gopher.
You're Steven freaking Spielberg

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00:14:05,920 --> 00:14:07,920
Like.
You can't get me a trained

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00:14:07,920 --> 00:14:11,560
Gopher on set here.
Hey, what's going on, man?

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00:14:11,560 --> 00:14:14,000
I don't so much mind the
cutaways to the Gophers because

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00:14:14,000 --> 00:14:16,320
I think it does tip off like,
oh, we're going to go to this

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00:14:16,320 --> 00:14:19,200
kind of territory with this
movie, you know, And it reminds

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00:14:19,200 --> 00:14:22,440
me of the scene with the the
monkey brains in Temple of Doom

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00:14:22,440 --> 00:14:25,400
where Kate Capshaw sees them and
then falls over and faints and

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00:14:25,400 --> 00:14:28,960
it's like it's so over the top.
It's so goofy, so cheesy.

259
00:14:29,480 --> 00:14:32,400
This movie definitely has a lot
more in common in terms of its

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00:14:32,400 --> 00:14:35,440
DNA with Temple of Doom.
But what I found really

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00:14:35,440 --> 00:14:38,200
interesting about it, Brad, is
that in terms of the storyline,

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00:14:38,520 --> 00:14:41,200
it's actually probably the most
similar to Raiders, where you

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00:14:41,200 --> 00:14:45,000
find out exactly what they're
looking for really early in the

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movie.
And the bad guys get their hands

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00:14:47,560 --> 00:14:50,520
on it really early in the movie.
And then they're just kind of

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00:14:50,520 --> 00:14:53,720
like walking around either the
desert in Raiders or the jungle

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00:14:53,720 --> 00:14:56,720
here, fumbling the thing.
Different people pick it up and

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then at the end it gets cracked
open and you see how it's used

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and bad things happen.
But I spent.

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A good I was.
Going to say I spent a good

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amount of time trying to figure
out why does this exact formula

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00:15:09,400 --> 00:15:11,880
work so much better in Raiders
than it does here.

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00:15:12,840 --> 00:15:17,400
It just feels.
Yeah, that's what I'm saying.

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00:15:17,400 --> 00:15:19,400
Like, you can't just say, oh, it
feels different because like

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it's it's very clearly trying to
do the same thing.

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I just think that there's
diminishing returns this time

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and a lot of people have.
Go ahead.

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00:15:26,920 --> 00:15:29,440
Sorry.
That that's the honest truth,

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00:15:29,440 --> 00:15:31,720
Bob.
There are diminishing returns on

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00:15:31,720 --> 00:15:35,120
returning to the same, well, you
know, and if I had to compare it

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to something a little more
modern, I would look at the The

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00:15:39,480 --> 00:15:42,160
Force Awakens, right.
Episode 7.

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00:15:42,160 --> 00:15:45,680
Like, I walked away from that
movie going like, man, this is

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00:15:45,680 --> 00:15:48,520
pretty solid.
I'm curious to see where they go

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00:15:48,520 --> 00:15:51,920
with the trilogy.
But it felt like a remake of A

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00:15:51,920 --> 00:15:56,120
New Hope and and you can only
kind of get so much out of that,

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00:15:56,120 --> 00:15:59,760
especially when you know a few
of your main actors are so much

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00:15:59,760 --> 00:16:01,280
older than they used to be.
Yeah.

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00:16:01,760 --> 00:16:05,400
And I and that's kind of where
we're at here with with Indiana

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00:16:05,400 --> 00:16:08,640
Jones in the Kingdom of the
Crystal Crystal Skull.

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00:16:08,640 --> 00:16:10,680
Is that what it's called, Bob?
Is that the full final?

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00:16:10,680 --> 00:16:12,040
I think so, yeah.
Oh, OK.

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00:16:13,720 --> 00:16:16,840
All right, man, let's look at
the roster here, starting from

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00:16:16,840 --> 00:16:18,560
the top.
Harrison Ford returns.

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00:16:18,960 --> 00:16:21,200
And it's funny because, you
know, I just saw the most recent

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00:16:21,240 --> 00:16:24,080
Indiana Jones that came out last
year in the theater, and my guy

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00:16:24,080 --> 00:16:29,160
is 111 years old now.
And so to go back another 15-16

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00:16:29,160 --> 00:16:32,800
years and watch this one where
he's already being commented on

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00:16:32,800 --> 00:16:34,280
as being an old man because he
is.

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00:16:34,280 --> 00:16:37,040
He's like 65 years old I think
when this movie comes out.

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00:16:37,440 --> 00:16:39,480
But I'm like, wow, Harrison Ford
looks good.

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00:16:39,560 --> 00:16:42,000
He looks young.
Look how sprightly he looks.

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00:16:42,000 --> 00:16:47,760
You know, Harrison Ford, even at
65, it it's kind of like the

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00:16:47,760 --> 00:16:50,440
Clint Eastwood thing where
you're like, I I get it.

305
00:16:50,520 --> 00:16:52,880
I get why people would still
fall in love with you.

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00:16:52,880 --> 00:16:55,400
Harrison Ford, he is an
incredibly good looking man.

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00:16:55,720 --> 00:16:57,480
He still moves pretty well in
this movie.

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00:16:57,720 --> 00:17:00,560
I can see him doing a couple
stunts in this movie.

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00:17:00,560 --> 00:17:02,400
You know, there's obviously some
stuntmen where they're like

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00:17:02,400 --> 00:17:04,319
showing the back of his head and
you know, it's not Harrison

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00:17:04,319 --> 00:17:07,760
Ford, but he's, he's still
moving around at a good clip in

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00:17:07,760 --> 00:17:10,920
this movie and I think that he
brings every ounce of that

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00:17:10,920 --> 00:17:14,480
Harrison Ford charm.
They keep putting him in

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00:17:14,480 --> 00:17:17,440
situations where it's like, oh,
Harrison Ford is going to bail

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00:17:17,440 --> 00:17:19,800
out this movie just by being
Harrison Ford.

316
00:17:20,319 --> 00:17:23,200
And then it gets bogged down in
the actual details of the movie

317
00:17:23,200 --> 00:17:24,760
again.
And I feel like they keep

318
00:17:24,760 --> 00:17:28,640
getting away from just let
Harrison Ford be funny and

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00:17:28,640 --> 00:17:30,360
charming because that's why
we're here.

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00:17:30,920 --> 00:17:33,480
Yes, yeah, I I am with you on
that.

321
00:17:33,480 --> 00:17:38,720
I think that Harrison at select
small moments throughout the

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00:17:38,720 --> 00:17:44,840
movie, you can feel his sarcasm
coming through and it's perfect

323
00:17:44,840 --> 00:17:47,480
and it it kind of cuts against
the grain of what the movie is

324
00:17:47,480 --> 00:17:50,280
going for.
But in a way that makes me go,

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00:17:50,280 --> 00:17:55,040
oh, I wish there was more of
that and less of Shia LaBeouf

326
00:17:55,120 --> 00:18:01,160
and less of Cate Blanchett
giving just a All Star Russian

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00:18:01,160 --> 00:18:02,120
accent.
Oh my.

328
00:18:02,120 --> 00:18:05,200
Gosh, it is so good, So good.
Just so So.

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00:18:05,200 --> 00:18:06,800
Goods.
So many goods.

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00:18:07,000 --> 00:18:09,400
I have to ask.
OK, this is a really specific

331
00:18:09,400 --> 00:18:12,040
question, but.
Oh, I love really specific.

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00:18:12,040 --> 00:18:15,000
I mean it just bothered me the
whole movie, The way she says

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00:18:15,000 --> 00:18:19,640
the word Jones.
Yes, because it's like she I

334
00:18:19,640 --> 00:18:23,720
can't tell if if she maybe like
studied real Russian and they do

335
00:18:23,720 --> 00:18:27,040
this weird long O thing or if
she's just slipping back into

336
00:18:27,040 --> 00:18:30,760
being British, but only in that
word because she'll be like, you

337
00:18:30,760 --> 00:18:34,760
know you will come with us to
Russia, Mr. Jones.

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00:18:35,920 --> 00:18:40,840
It just becomes this weird, like
OU umlaut type sound every time

339
00:18:40,840 --> 00:18:43,160
she says it.
And it drove me crazy the whole

340
00:18:43,160 --> 00:18:43,840
movie.
Brad.

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00:18:44,280 --> 00:18:46,280
It's incredible.
I'm here for it.

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00:18:46,280 --> 00:18:50,920
Man, the the cheese on her
Russian accent is what put the

343
00:18:50,920 --> 00:18:53,880
movie over the top.
And yet, I think if you isolated

344
00:18:53,880 --> 00:18:57,960
it, it's like a thing of glory.
Here's my hot take.

345
00:18:57,960 --> 00:19:00,240
She's not cheesy enough in this
movie.

346
00:19:00,240 --> 00:19:04,080
She needs to chew 10 times more
scenery than she does.

347
00:19:04,080 --> 00:19:06,920
She comes in and she like she's
got the like.

348
00:19:07,680 --> 00:19:11,840
I'm a badass with my tight
fitting clothes and my horrible

349
00:19:11,840 --> 00:19:16,320
looking haircut, and she needs
to be like, either over the top,

350
00:19:16,320 --> 00:19:20,400
like sex pot, You know, kind of
like a what was the Golden eye

351
00:19:20,400 --> 00:19:21,920
villain?
I was just, you know.

352
00:19:21,920 --> 00:19:24,960
What I mean, like she needs to
be like that or she needs to be,

353
00:19:25,080 --> 00:19:26,640
yes.
Or she needs to be like a John

354
00:19:26,640 --> 00:19:28,920
Malkovich character.
She needs to be one of the two

355
00:19:29,200 --> 00:19:30,920
and she has a couple moments
where.

356
00:19:31,640 --> 00:19:35,440
Like now I just want to see that
her role recast still as a

357
00:19:35,440 --> 00:19:37,240
woman.
But just John Malkovich.

358
00:19:38,080 --> 00:19:39,720
Same like the wig and
everything, yeah.

359
00:19:39,920 --> 00:19:44,760
Yes.
She has a moment in the movie

360
00:19:44,760 --> 00:19:47,960
where Harrison Ford says
something to her like you win or

361
00:19:47,960 --> 00:19:51,520
something and she goes, I
usually do and I'm like, see, we

362
00:19:51,520 --> 00:19:53,520
need more of those.
We need more of like Bond

363
00:19:53,520 --> 00:19:57,280
villain vibes from you.
And I think she's, she's trying

364
00:19:57,280 --> 00:20:00,720
to be over the top but also play
her role, like she's taking it

365
00:20:00,720 --> 00:20:03,040
seriously.
And it's once again like you

366
00:20:03,040 --> 00:20:05,760
can't have it both ways, Kate,
you got to choose one.

367
00:20:06,080 --> 00:20:10,240
And I think that the movie is so
ridiculous and cheesy that it

368
00:20:10,240 --> 00:20:12,120
needed her to be a little bit
more.

369
00:20:12,480 --> 00:20:14,720
Like Nicolas Cage level over the
top.

370
00:20:15,600 --> 00:20:19,400
Yeah, maybe that would have, you
know, been the It's kind of like

371
00:20:19,400 --> 00:20:22,360
a joke that gets old, gets old,
gets old, but then it comes back

372
00:20:22,360 --> 00:20:23,480
around.
It's funny again.

373
00:20:23,960 --> 00:20:29,160
Like maybe this just needed that
much more cheese in its life to

374
00:20:29,160 --> 00:20:34,720
push you from straining to just
very loose to the.

375
00:20:34,720 --> 00:20:37,360
Floodgates opening just.
Moving.

376
00:20:38,200 --> 00:20:45,680
To just straight Velveeta baby.
OK, we're jumping all over the

377
00:20:45,680 --> 00:20:47,120
place.
But I want to talk about Shia

378
00:20:47,120 --> 00:20:49,840
LaBeouf 'cause we obviously
talked about him last week with

379
00:20:49,840 --> 00:20:51,840
Transformers.
You didn't really like his

380
00:20:51,840 --> 00:20:54,120
character there and I'll I
didn't think he was really

381
00:20:54,120 --> 00:20:58,640
perfectly cast for that movie.
He has gotten a lot of crap for

382
00:20:58,640 --> 00:21:02,520
his role as Mutt in this movie.
I think that again, it reminds

383
00:21:02,520 --> 00:21:05,680
me of the kind of Jar Jar level
hate where it doesn't really

384
00:21:05,680 --> 00:21:07,440
make sense why people hate him
so much.

385
00:21:07,720 --> 00:21:10,600
I think most people just pushed
back on the fact that we tried

386
00:21:10,600 --> 00:21:14,720
to just insert a kid into
Indiana Jones's life and that

387
00:21:14,720 --> 00:21:18,160
they were toying with the
audience and of like a Will he

388
00:21:18,160 --> 00:21:20,760
take on the mantle?
Will he not take on the mantle?

389
00:21:21,440 --> 00:21:22,480
I got to be.
Honest with you?

390
00:21:22,480 --> 00:21:24,360
Spoiler alert, he doesn't.
He does not.

391
00:21:24,360 --> 00:21:26,840
They snatched that hat back real
quick at the end of the movie,

392
00:21:27,480 --> 00:21:28,880
which I thought was a funny
touch.

393
00:21:28,880 --> 00:21:33,440
I really liked that ending, but
separated from the film by 16

394
00:21:33,440 --> 00:21:35,480
years.
I guess I just don't understand

395
00:21:35,480 --> 00:21:37,000
it.
I think that first of all, I

396
00:21:37,000 --> 00:21:40,680
think Shia Labeouf's really good
in this movie and I also don't

397
00:21:40,680 --> 00:21:42,720
mind his character.
I do think that there are a

398
00:21:42,720 --> 00:21:46,520
number of scenes where the I'm
griping with my dad thing goes

399
00:21:46,520 --> 00:21:49,520
on way too long.
But that's more of a writing

400
00:21:49,520 --> 00:21:51,960
issue, and I don't think that
there's I I thought they had

401
00:21:51,960 --> 00:21:55,160
great chemistry, I thought they
played off each other well, and

402
00:21:55,160 --> 00:21:57,640
like overall, I found him to be
a really great addition to the

403
00:21:57,640 --> 00:22:00,920
movie.
I think that after these two

404
00:22:00,920 --> 00:22:05,200
weeks I find myself in a place
similar with like a Nicolas

405
00:22:05,200 --> 00:22:09,680
Cage, where it's like great
actor, but who the heck is his

406
00:22:09,680 --> 00:22:17,280
agent 'cause I I feel like he is
a really sincere, earnest actor,

407
00:22:17,400 --> 00:22:19,520
at least at this stage of his
career.

408
00:22:20,000 --> 00:22:22,840
And I I'm with you, Bob, I
actually really like Shia

409
00:22:22,840 --> 00:22:25,400
LaBeouf.
After watching him two weeks in

410
00:22:25,400 --> 00:22:27,800
a row, I I think he's a very
honest actor.

411
00:22:28,400 --> 00:22:32,000
I think the problem is the
script has him swinging through

412
00:22:32,000 --> 00:22:36,360
the friggin jungle like on vines
with a like 80 Monkeys.

413
00:22:37,080 --> 00:22:38,680
That's another.
That's another moment though,

414
00:22:38,680 --> 00:22:42,520
Brad, where you know, I I've
been in movies like that where

415
00:22:42,520 --> 00:22:44,280
you go, I can't believe they did
that.

416
00:22:44,280 --> 00:22:46,280
I can't believe they did.
They had this moment.

417
00:22:46,560 --> 00:22:49,800
You've been acting in movies.
I've been in the movie.

418
00:22:49,800 --> 00:22:51,080
Yeah.
And I've been like, Oh my gosh,

419
00:22:51,120 --> 00:22:52,480
what am I doing with these
monkeys?

420
00:22:54,160 --> 00:22:57,840
But then again, like, you hear
the fable of the movie over the

421
00:22:57,840 --> 00:23:01,040
years and it's like, that's the
movie where they swing with

422
00:23:01,040 --> 00:23:02,920
monkeys.
That's the movie where Jar Jar

423
00:23:02,920 --> 00:23:04,960
Binks does this.
And then you watch it and you're

424
00:23:04,960 --> 00:23:08,320
like, wait, that's the thing
that got people that like, yes,

425
00:23:08,320 --> 00:23:10,720
like that. 8 seconds long.
It's really bad.

426
00:23:10,720 --> 00:23:13,240
It's terrible.
But like, in the grand scheme of

427
00:23:13,240 --> 00:23:16,400
the movie, like, OK, I I feel
like I can overlook this a

428
00:23:16,400 --> 00:23:19,160
little bit.
It's it's definitely Spielberg

429
00:23:19,200 --> 00:23:22,040
overstepping in the cute, cutesy
department.

430
00:23:22,560 --> 00:23:24,200
Yeah, but again, like, the
opposite.

431
00:23:24,640 --> 00:23:26,000
Sorry you.
Get the opposite in a lot of

432
00:23:26,000 --> 00:23:28,480
movies, too.
Like, I I just watched Joker

433
00:23:28,480 --> 00:23:32,200
recently and I know that there's
the famous scene when he's like

434
00:23:32,360 --> 00:23:35,760
dancing his way down the stairs.
And I got to it and I was kind

435
00:23:35,760 --> 00:23:40,400
of like, oh, that that's, that's
it, that that's what everybody

436
00:23:40,400 --> 00:23:43,840
lost their mind over.
Also, you you think that scenes

437
00:23:43,840 --> 00:23:47,480
coming and it's going to be like
this really emotional moment, or

438
00:23:47,480 --> 00:23:50,520
like a moment that's like
disturbing, but then you realize

439
00:23:50,520 --> 00:23:53,120
that they're playing the Gary
Glitter song over the

440
00:23:53,120 --> 00:23:54,360
background.
Yep.

441
00:23:54,360 --> 00:23:59,360
And I'm like, wait a minute.
Of all the songs that I could

442
00:23:59,360 --> 00:24:01,680
have imagined, in my mind he was
dancing too.

443
00:24:01,960 --> 00:24:05,480
That would not be the one.
No, not not at all.

444
00:24:05,480 --> 00:24:09,320
I I think about like, going to
watch the Cavs as a child in the

445
00:24:09,320 --> 00:24:14,280
90s when I hear that song.
Maybe that's where he was going

446
00:24:14,280 --> 00:24:16,040
and then he just got derailed a
little bit.

447
00:24:16,200 --> 00:24:18,200
Yeah, yeah, no big deal all.
Right.

448
00:24:18,200 --> 00:24:21,080
Indiana Jones.
Other people in this movie,

449
00:24:21,080 --> 00:24:22,280
we've talked about Cate
Blanchett.

450
00:24:22,280 --> 00:24:24,120
We've talked about Shia LaBeouf
and Harrison Ford.

451
00:24:24,320 --> 00:24:26,720
You've got Ray Winstone making
an appearance.

452
00:24:26,880 --> 00:24:31,280
Not as Mr. Gopher this week, but
as Indies old sidekick.

453
00:24:31,280 --> 00:24:33,560
What's his name?
And he's fine.

454
00:24:33,960 --> 00:24:35,840
It's like your classic Indiana
Jones.

455
00:24:35,840 --> 00:24:40,080
I used to know you and now I'm.
I'm double crossing you kind of

456
00:24:40,080 --> 00:24:41,000
character.
Crossing.

457
00:24:41,360 --> 00:24:44,080
Yes, but what turned out to be
single crossing?

458
00:24:44,600 --> 00:24:49,280
Dude, it's moments like that
where, like Harrison Ford, like,

459
00:24:49,280 --> 00:24:53,000
holds his hands up and starts
like with his fingers counting

460
00:24:53,000 --> 00:24:55,400
out how many times he's betrayed
somebody.

461
00:24:55,920 --> 00:25:01,040
And the way he does it just
feels awkward and weird.

462
00:25:01,040 --> 00:25:04,040
And I'm like, I I don't know
what what you're going for here.

463
00:25:04,040 --> 00:25:07,920
I saw the joke that you're about
to make like 18 seconds before

464
00:25:07,920 --> 00:25:11,400
you made it like it.
It's it's not good writing.

465
00:25:11,560 --> 00:25:12,520
I know.
Any.

466
00:25:12,520 --> 00:25:14,520
Is there anybody else you want
to talk about in the cast?

467
00:25:14,520 --> 00:25:16,880
Because I do want to kind of
focus on the first part of the

468
00:25:16,880 --> 00:25:19,160
movie that I liked.
But I feel like the farther down

469
00:25:19,160 --> 00:25:22,200
the cast list I get, the more
these people show up in the back

470
00:25:22,200 --> 00:25:23,960
part of the movie and the more I
don't like them.

471
00:25:24,080 --> 00:25:28,400
Like Jon Hurt, one of our great
actors who just has an absolute

472
00:25:28,400 --> 00:25:30,480
nothing burger of a performance
here.

473
00:25:31,160 --> 00:25:35,440
It's really tragic, but are you
OK with, like, reserving those

474
00:25:35,440 --> 00:25:37,480
opinions until we get to that
part of the movie?

475
00:25:38,000 --> 00:25:40,560
Yeah, that's fine, I have to
comment.

476
00:25:40,800 --> 00:25:47,360
At the start of the film, like,
he shows up for all of .7

477
00:25:47,360 --> 00:25:50,520
seconds.
There's an actor named Pasha D

478
00:25:50,760 --> 00:25:55,800
Lichnikov who just runs in front
of the camera as a Russian

479
00:25:55,800 --> 00:26:00,800
soldier #17 and I saw him and I
was like, I don't know what he's

480
00:26:00,800 --> 00:26:04,240
from, but I recognize him.
He is from something.

481
00:26:04,880 --> 00:26:08,200
And I thought he was going to be
like, you know, like one of the

482
00:26:08,200 --> 00:26:12,960
C tier characters in the film,
like the Russian soldier that

483
00:26:12,960 --> 00:26:15,240
indie keeps fighting.
And then he never appeared

484
00:26:15,240 --> 00:26:17,160
again.
And I was a little sad because I

485
00:26:17,160 --> 00:26:19,760
I recognized them and I wanted
to be rewarded for that.

486
00:26:19,760 --> 00:26:22,080
That's one of Brad's favorite
performances in this film.

487
00:26:22,840 --> 00:26:25,480
It was dude.
He was really good.

488
00:26:25,480 --> 00:26:29,080
He he ran across the screen and
yelled something in Russian and

489
00:26:29,720 --> 00:26:31,120
and that was.
It was unbelievable.

490
00:26:31,120 --> 00:26:32,720
Yeah, it.
Was so good.

491
00:26:33,640 --> 00:26:37,840
I love the 1st 25 ish minutes of
this movie.

492
00:26:37,840 --> 00:26:41,560
Brad like love it.
I was having the time of my

493
00:26:41,560 --> 00:26:44,640
life.
This movie starts off with an

494
00:26:44,640 --> 00:26:48,000
empty expanse of Hwy. we're
We're in the middle of nowhere

495
00:26:48,000 --> 00:26:52,080
and you get these teenagers out
for a joyride in their hot rod

496
00:26:52,080 --> 00:26:54,920
and they start racing against a
military convoy.

497
00:26:55,280 --> 00:26:57,840
And it's this stupid,
unnecessary scene where

498
00:26:57,840 --> 00:27:00,880
Spielberg's like, look at all
the shit I can do with a camera.

499
00:27:01,240 --> 00:27:03,400
And you have one of the coolest
shots I've ever seen in a

500
00:27:03,400 --> 00:27:08,560
Spielberg movie where it starts
from directly outside the car

501
00:27:08,560 --> 00:27:12,560
and you're looking basically
like adjacent to the back seat

502
00:27:12,920 --> 00:27:16,480
into the side mirror.
And you see the driver who's

503
00:27:16,480 --> 00:27:19,440
looking behind him.
And then the camera swings into

504
00:27:19,440 --> 00:27:23,640
the car and from inside the car
it's still pointed at the mirror

505
00:27:23,640 --> 00:27:25,800
and you see the people coming up
behind them.

506
00:27:25,800 --> 00:27:29,400
And I have to this day, I have
no idea how they pulled off that

507
00:27:29,400 --> 00:27:32,040
shot.
But there is just shot after

508
00:27:32,040 --> 00:27:36,200
shot after shot in this opening
40 ish minutes where it's like

509
00:27:36,200 --> 00:27:40,640
you can tell Spielberg
storyboarded everything and

510
00:27:40,640 --> 00:27:44,240
every single shot is so
perfectly composed and so

511
00:27:44,240 --> 00:27:48,640
technically brilliant and it's
lit so well that I'm like this

512
00:27:48,640 --> 00:27:52,320
is going to be, I'm going to
come into this episode like you

513
00:27:52,320 --> 00:27:54,560
guys are missing out on a
masterpiece.

514
00:27:55,200 --> 00:27:57,520
And Brad, like I said, they get
to the point where they go to

515
00:27:57,520 --> 00:28:01,040
Peru and then Spielberg's, like,
now everything's going to be

516
00:28:01,040 --> 00:28:05,200
made by a computer and the movie
goes so far downhill.

517
00:28:05,640 --> 00:28:08,240
But I don't know what it is
about that first third of the

518
00:28:08,240 --> 00:28:12,080
film.
It was like masterfully made

519
00:28:12,360 --> 00:28:14,320
movie making.
And like, regardless of what you

520
00:28:14,320 --> 00:28:17,040
think of the script of this
movie, I guess I'm wondering,

521
00:28:17,160 --> 00:28:20,920
did did you notice the craft, at
least in the early part of this

522
00:28:20,920 --> 00:28:25,480
movie?
Everything in in me just wants

523
00:28:25,480 --> 00:28:31,960
to piss you off and just go Nah.
But I will say the the first

524
00:28:31,960 --> 00:28:35,920
time watching this through
'cause you you had me go back

525
00:28:35,920 --> 00:28:39,520
and rewatch the 1st 10 minutes
to see if if it stood up to your

526
00:28:39,520 --> 00:28:43,680
evaluation.
And I I, without that being in

527
00:28:43,680 --> 00:28:46,840
my brain, I didn't notice it the
first time through.

528
00:28:47,360 --> 00:28:50,480
Like the the opening scene I
thought was well done.

529
00:28:50,480 --> 00:28:52,440
I think that it was really
beautiful.

530
00:28:52,440 --> 00:28:56,760
The the shots that you get of
the Nevada wilderness and the

531
00:28:56,760 --> 00:29:00,560
cars driving and and all of that
was interesting.

532
00:29:00,560 --> 00:29:05,080
The to me, the teenage car just
drove me nuts a little bit,

533
00:29:05,080 --> 00:29:09,320
like, I don't know if people
just drove differently back then

534
00:29:09,320 --> 00:29:14,000
but getting run off the road
onto the side, into the desert

535
00:29:14,000 --> 00:29:18,440
wouldn't lead me to like re jump
onto the road and fly up ahead

536
00:29:18,440 --> 00:29:21,360
of everybody.
It just felt like a weird.

537
00:29:22,000 --> 00:29:25,440
Again, like I I do think there's
a difference between like is

538
00:29:25,440 --> 00:29:29,400
this working on a story level
and is Spielberg just like

539
00:29:29,400 --> 00:29:33,240
having a field day, being the
best person to ever use a

540
00:29:33,240 --> 00:29:35,920
camera.
And and I think that if you're

541
00:29:35,920 --> 00:29:39,000
like, if you're watching the
movie just for like, you know

542
00:29:39,000 --> 00:29:41,480
what most people would be which
is like a surface level.

543
00:29:41,760 --> 00:29:44,280
I just want to be entertained.
Like there's entertaining parts

544
00:29:44,280 --> 00:29:46,720
to it but it's also absolutely
baffling some of the things that

545
00:29:46,720 --> 00:29:48,880
happened in this movie.
I I'm the first person to say

546
00:29:48,880 --> 00:29:50,840
that.
I just think that this time

547
00:29:50,840 --> 00:29:54,760
through and maybe it's the the
guy who's been so beaten down by

548
00:29:54,760 --> 00:29:58,600
MCU movies and even the most
recent indie movie, which I

549
00:29:58,600 --> 00:30:01,600
think is a better movie than
this, but it just doesn't have

550
00:30:01,600 --> 00:30:04,760
the craftsmanship.
There is so many shots in this

551
00:30:04,760 --> 00:30:08,760
movie where if you're just
watching it, you would swear,

552
00:30:09,000 --> 00:30:11,000
all right, this guy said
something, then they cut to this

553
00:30:11,000 --> 00:30:13,640
person and then they're cutting
back and now you know, blah,

554
00:30:13,640 --> 00:30:16,200
blah, blah.
And then I I would say no hit,

555
00:30:16,200 --> 00:30:19,480
pause, go back 10 seconds and
watch that shot again and you

556
00:30:19,480 --> 00:30:22,040
realize it was all a Warner.
Spielberg just has the camera

557
00:30:22,040 --> 00:30:24,880
here, and the camera pulls back
a little bit to reveal a second

558
00:30:24,880 --> 00:30:26,600
person, and then it pushes in on
that.

559
00:30:26,600 --> 00:30:28,520
And then they pull back and now
it's a two shot.

560
00:30:28,520 --> 00:30:32,960
And it's just every shot is so
meticulously planned that I

561
00:30:32,960 --> 00:30:37,120
found myself just, like, giddy
from watching this dude be like,

562
00:30:37,120 --> 00:30:39,640
yeah, this movie's shitty, but
watch what I can do with it.

563
00:30:40,120 --> 00:30:42,800
It's like he almost pulled it
off too, you know?

564
00:30:43,520 --> 00:30:50,040
Yeah, I think for me, I really
enjoyed the Nuketown scene where

565
00:30:50,040 --> 00:30:53,480
it it's following Harrison
around this town that has been

566
00:30:53,480 --> 00:30:57,080
built to see what happens when
an American town gets hit by a

567
00:30:57,080 --> 00:31:01,040
nuclear bomb and like that.
Like that scene just was well

568
00:31:01,040 --> 00:31:03,880
done and and it felt like a part
of the movie where there was no

569
00:31:03,880 --> 00:31:06,800
CGI.
It slowed down a little bit.

570
00:31:06,800 --> 00:31:11,360
It let Harrison be almost like a
fugitive.

571
00:31:12,920 --> 00:31:14,760
Oh, what's the 80s movie that
you don't like?

572
00:31:14,760 --> 00:31:17,760
I don't know.
With with with Harrison.

573
00:31:17,760 --> 00:31:23,680
No with Harrison.
The the, the cybernetic people

574
00:31:23,680 --> 00:31:25,600
that, oh, Blade Runner, Blade
Runner.

575
00:31:25,600 --> 00:31:29,640
It it feels like a Blade Runner
fugitive, Harrison, like

576
00:31:29,880 --> 00:31:33,360
wandering around this abandoned
town and not knowing what to do

577
00:31:33,360 --> 00:31:35,960
next.
And then the moment of panic on

578
00:31:35,960 --> 00:31:39,240
his face is you realize they're
about to test the nuclear bomb.

579
00:31:39,240 --> 00:31:42,440
I have to find a solution.
Like, those are the moments with

580
00:31:42,440 --> 00:31:45,600
Harrison that I'm like, oh, this
is the Harrison Ford I know and

581
00:31:45,600 --> 00:31:49,560
love and I think Spielberg is
using to his maximum.

582
00:31:50,240 --> 00:31:53,640
And then he puts him in a CGI
refrigerator and shoots him, you

583
00:31:53,640 --> 00:31:57,240
know, 18 football fields away.
And it's another one of those

584
00:31:57,280 --> 00:31:58,840
famously bad scenes.
Yeah.

585
00:31:58,840 --> 00:32:00,960
And then well, and that's the
one that I'm like, I don't know

586
00:32:00,960 --> 00:32:03,640
that you actually recover from
this one and it happens like 20

587
00:32:03,640 --> 00:32:06,040
minutes into the movie and it's
just so unnecessary.

588
00:32:06,040 --> 00:32:07,640
It has nothing to do with the
plot of the movie.

589
00:32:08,320 --> 00:32:11,360
The The funny thing though too
is like from a filmmaking

590
00:32:11,360 --> 00:32:13,680
standpoint, I can see exactly
why they did it.

591
00:32:13,680 --> 00:32:20,920
I can like for Spielberg,
Indiana Jones is is his entry

592
00:32:20,920 --> 00:32:26,360
point into the iconography of
America and America of certain

593
00:32:26,360 --> 00:32:29,040
eras.
Like you get Harrison Ford

594
00:32:29,040 --> 00:32:32,600
literally bumping into Hitler in
the third Indiana Jones movie.

595
00:32:32,880 --> 00:32:35,840
He's battling Nazis all through
these movies, and now it's like,

596
00:32:35,840 --> 00:32:37,520
we're going to bring him into
the nuclear age.

597
00:32:37,520 --> 00:32:39,160
We're going to bring him into
the Cold War.

598
00:32:39,560 --> 00:32:41,920
Spielberg's probably sitting
there with George Lucas.

599
00:32:41,920 --> 00:32:44,960
Like, I have an idea for a shot.
I don't know how we get there,

600
00:32:45,400 --> 00:32:49,120
but it's Harrison Ford walking
up a hill, and over the Crest of

601
00:32:49,120 --> 00:32:53,200
the hill, it's just a silhouette
of Indiana Jones with a nuclear

602
00:32:53,200 --> 00:32:55,320
explosion behind him.
Yep.

603
00:32:55,480 --> 00:32:59,000
That's the iconography that will
make people wonder, like, how do

604
00:32:59,000 --> 00:33:01,720
we bring Indiana Jones into the
Cold War era?

605
00:33:01,960 --> 00:33:06,400
Let's build a scene around that.
And I just, I know, like, if I

606
00:33:06,400 --> 00:33:09,440
know anything, Brad, I know that
they worked backwards from that

607
00:33:09,440 --> 00:33:12,360
shot because it's one of the
coolest shots I've ever seen,

608
00:33:12,720 --> 00:33:15,040
but nothing makes sense.
You know what I mean?

609
00:33:15,040 --> 00:33:17,960
Like, I I I respect the attempt,
Spielberg.

610
00:33:18,400 --> 00:33:19,840
But what the hell are we doing
here?

611
00:33:20,320 --> 00:33:21,800
Yeah.
I mean, you've storyboarded with

612
00:33:21,800 --> 00:33:24,760
Steve before like it.
It makes sense with what you

613
00:33:24,760 --> 00:33:26,760
know of him.
I already told you I've swung

614
00:33:26,760 --> 00:33:29,680
with monkeys on set.
So what would make you doubt me

615
00:33:29,680 --> 00:33:33,160
now Brad that?
Sounds like you're doing

616
00:33:33,280 --> 00:33:34,680
something dirty on your own,
Bob.

617
00:33:35,720 --> 00:33:39,640
Dirty business, as we say.
OK, before we go to break Brad,

618
00:33:39,920 --> 00:33:42,320
I do want to call out just a
couple other things about the

619
00:33:42,320 --> 00:33:45,800
first part of this movie.
I really like having Jim

620
00:33:45,800 --> 00:33:48,800
Broadbent show up as the the
Dean of the school.

621
00:33:49,120 --> 00:33:53,880
Oh yeah, I like the introduction
of Shia LaBeouf and them

622
00:33:53,880 --> 00:33:57,760
starting a fight between like
the socials and the jocks or the

623
00:33:57,760 --> 00:34:01,120
bikers in that like soda shop.
I thought that was great.

624
00:34:01,320 --> 00:34:03,600
And then it goes right into
shake, rattle and roll.

625
00:34:03,600 --> 00:34:06,360
It's a great needle drop and
then you get this awesome chase

626
00:34:06,360 --> 00:34:10,239
scene with a motorcycle and
these KGB guys chasing them

627
00:34:10,239 --> 00:34:12,840
through the college campus.
It gets ridiculous.

628
00:34:12,840 --> 00:34:15,520
They go into the library.
I'm having a blast.

629
00:34:15,520 --> 00:34:19,159
Like this movie is cheesy as
hell and I'm loving it.

630
00:34:19,520 --> 00:34:23,600
And I guess once again I'm
wondering like what was the

631
00:34:23,600 --> 00:34:29,159
turning point for you, Brad,
where your internal, you know,

632
00:34:29,280 --> 00:34:32,560
movie watching bowels started to
get stopped up with the cheese?

633
00:34:32,560 --> 00:34:36,040
Because for me, the cheese was
working until the cheese was all

634
00:34:36,040 --> 00:34:39,320
CGI.
But did it stop working before

635
00:34:39,320 --> 00:34:41,679
that for you?
It was the Gophers, man.

636
00:34:42,760 --> 00:34:44,239
What's at the two?
Minute mark.

637
00:34:44,639 --> 00:34:48,560
The freaking Gopher pops out of
the ground and is just some of

638
00:34:48,560 --> 00:34:51,840
the worst CGI.
Like, just hire Pixar to make

639
00:34:51,840 --> 00:34:54,239
that Gopher.
It would have been incredible.

640
00:34:54,560 --> 00:34:57,000
Like, it's crazy.
How bad Some of the CGI is in

641
00:34:57,000 --> 00:35:00,120
this movie, dude and.
It was from that moment on that

642
00:35:00,120 --> 00:35:04,200
I just really didn't jive with
this movie, but.

643
00:35:04,480 --> 00:35:06,920
Brad, you know that that's the
first shot of the whole movie,

644
00:35:06,920 --> 00:35:09,560
right?
Like, it's the Paramount logo

645
00:35:09,560 --> 00:35:13,520
and it fades into the mole and
then the Mole pops up out of it

646
00:35:13,520 --> 00:35:16,000
and that's it.
Yes, 100%.

647
00:35:16,000 --> 00:35:20,120
I am very well aware of that.
I think though, I'm with you,

648
00:35:20,880 --> 00:35:26,520
everything up until the iconic,
you know, Red Line travelling

649
00:35:26,520 --> 00:35:31,400
the South America interlude,
everything up until that point

650
00:35:31,440 --> 00:35:37,760
is like, well done enough that
I'm enjoying the film outside of

651
00:35:37,880 --> 00:35:42,640
the forced acting once, man,
once they head to South America,

652
00:35:43,040 --> 00:35:45,960
that's where the movie really,
really does take a downturn for

653
00:35:45,960 --> 00:35:47,520
me.
And that's where we're going to

654
00:35:47,520 --> 00:35:50,440
stop right here, Brad.
Let's try some whiskey and then

655
00:35:50,440 --> 00:35:52,160
we'll come back and commiserate
a little bit.

656
00:35:52,160 --> 00:35:54,040
What do you say?
Sounds good to me.

657
00:35:59,920 --> 00:36:01,800
All right.
So today we're trying something

658
00:36:01,800 --> 00:36:04,560
a little bit different, Brad,
both in terms of the product

659
00:36:04,560 --> 00:36:06,880
we're trying and how we're going
to talk about it.

660
00:36:07,480 --> 00:36:11,040
We are sampling something from
friend of show Wes, who's been

661
00:36:11,040 --> 00:36:13,440
giving us tons and tons of
whiskey to review lately.

662
00:36:13,760 --> 00:36:17,680
And he gave us a sample of
Watershed Distilleries bourbon

663
00:36:17,680 --> 00:36:21,280
finished in Pinot noir casks.
Now when we first received this

664
00:36:21,280 --> 00:36:24,000
we said oh boy oh boy.
We love ourselves some wine

665
00:36:24,000 --> 00:36:27,640
finished casks and we love
Watershed for the most part.

666
00:36:27,640 --> 00:36:29,800
We're we're pretty big fans of
what they're doing in Columbus.

667
00:36:30,240 --> 00:36:34,280
It is a craft distillery with a
pretty huge reputation at this

668
00:36:34,280 --> 00:36:37,320
point, especially in terms of
representing the state of Ohio.

669
00:36:38,280 --> 00:36:42,760
However, what we've come to find
out is that this is not just a

670
00:36:42,760 --> 00:36:47,240
limited release from Watershed,
it is so hyper limited that I

671
00:36:47,240 --> 00:36:49,040
can't really find any
information about it.

672
00:36:49,040 --> 00:36:52,360
I'm starting to wonder if this
was just like a distillery only

673
00:36:52,360 --> 00:36:55,600
gift shop release or something
because I see no pricing

674
00:36:55,600 --> 00:36:58,560
information, I see no mash bill
information.

675
00:36:58,920 --> 00:37:01,520
I know that Watershed has worked
with four grain mash bills in

676
00:37:01,520 --> 00:37:03,920
the past, but their regular mash
bill is not.

677
00:37:04,240 --> 00:37:06,840
But I can't tell exactly what
we're drinking today, Brad.

678
00:37:06,840 --> 00:37:10,320
And so I think, you know, let's
give our impressions here, but I

679
00:37:10,320 --> 00:37:12,760
think we might just want to use
this kind of as a jumping off

680
00:37:12,760 --> 00:37:17,320
point to talk a little bit about
the craft whiskey scene in

681
00:37:17,320 --> 00:37:19,200
America.
And I think this sort of

682
00:37:19,200 --> 00:37:23,080
epidemic now of finished
bottles, because that's kind of

683
00:37:23,080 --> 00:37:26,160
what we're doing here today.
Yeah, 100%.

684
00:37:26,160 --> 00:37:31,600
I I think that so many craft
distilleries are working their

685
00:37:31,600 --> 00:37:37,440
way into, hey, we're unique
because of this territory.

686
00:37:38,000 --> 00:37:41,200
And I I think it works really
well for some of them and not

687
00:37:41,200 --> 00:37:44,800
quite as well for others.
Like the the reason Angels Envy

688
00:37:44,800 --> 00:37:48,440
is still famous isn't because
they make really good finished

689
00:37:48,440 --> 00:37:50,200
whiskeys.
It's because they were the first

690
00:37:50,200 --> 00:37:54,080
ones to make really good.
Well to make finished whiskeys

691
00:37:55,520 --> 00:38:00,320
and and so I think that every
craft distiller is trying to

692
00:38:00,320 --> 00:38:06,120
find their unique voice in a
over over saturated market.

693
00:38:06,120 --> 00:38:10,960
Can Can I get an Amen, Bob?
Yeah, dude, I I, I don't want to

694
00:38:10,960 --> 00:38:15,640
be the doomsayer that I clearly
am going to be, but like I'm

695
00:38:15,640 --> 00:38:17,880
really getting sick of the
bourbon industry assuring us

696
00:38:17,880 --> 00:38:19,600
that there's not a bourbon
bubble happening.

697
00:38:19,720 --> 00:38:22,320
And even like bourbon
influencers that I am friends

698
00:38:22,320 --> 00:38:26,200
with are, I think really
optimistic that this will

699
00:38:26,200 --> 00:38:28,120
continue.
But I just don't know how it

700
00:38:28,120 --> 00:38:29,800
can.
The way that these distilleries

701
00:38:29,800 --> 00:38:34,400
are expanding the 100 million,
$500 million expansions we're

702
00:38:34,400 --> 00:38:37,800
seeing, I I just don't know how
sustainable this can be.

703
00:38:38,080 --> 00:38:40,560
And so I think you're starting
to see it a little bit in this

704
00:38:40,560 --> 00:38:44,840
explosion of product expansion,
product line expansion and

705
00:38:44,840 --> 00:38:47,760
they're doing it by finishing
their same product in 85

706
00:38:47,760 --> 00:38:50,840
different kinds of casks, some
of them good, some of them bad.

707
00:38:51,480 --> 00:38:53,400
Brad, you know, the one we have
in front of us here.

708
00:38:53,960 --> 00:38:56,800
I guess let's just go ahead and
dive in because it's it's

709
00:38:56,800 --> 00:38:59,760
clearly standing in as a
representative for all finished

710
00:38:59,760 --> 00:39:02,960
barrels ever right now, which is
probably not fair to it.

711
00:39:03,320 --> 00:39:08,120
This has gone way darker than I
thought it would for our whiskey

712
00:39:08,160 --> 00:39:09,760
segment.
Well, I mean, like, like it's a

713
00:39:09,760 --> 00:39:11,840
harmless thing that Watershed is
doing here.

714
00:39:11,840 --> 00:39:14,480
But I also like, what am I, what
am I to do with this?

715
00:39:14,480 --> 00:39:16,840
If it's good, great, they don't
sell it anymore.

716
00:39:16,840 --> 00:39:19,240
And if it's bad, it's like,
well, now I know why they didn't

717
00:39:19,240 --> 00:39:23,200
sell it, you know what I mean?
I I I think I do, Bob.

718
00:39:23,880 --> 00:39:27,960
OK, we're diving in on the nose
of this Watershed bourbon, Brad.

719
00:39:27,960 --> 00:39:31,840
This is incredibly young
smelling, incredibly youthful.

720
00:39:32,360 --> 00:39:35,520
A lot of times you'll hear that
there's a specific note on Kraft

721
00:39:35,520 --> 00:39:38,240
Whiskey that needs to be
separated from youth.

722
00:39:38,320 --> 00:39:40,480
And I I don't know if that's
exactly what's going on here,

723
00:39:40,480 --> 00:39:44,200
but I smell a lot of just like
straight raw grain, and it's not

724
00:39:44,200 --> 00:39:46,440
even corn, It's like some
secondary grain.

725
00:39:46,800 --> 00:39:52,040
It almost smells like raw oats
to me, but like really sour and

726
00:39:52,040 --> 00:39:54,200
and unaged.
And I am.

727
00:39:54,680 --> 00:39:58,240
I'm a little bit nervous for
where we're going to go from

728
00:39:58,240 --> 00:39:59,360
here.
Brad, I'm only going to give

729
00:39:59,360 --> 00:40:05,040
this. 4 1/2 on the nose. 4 1/2.
Yeah dude, this is not good.

730
00:40:06,000 --> 00:40:10,200
Wow.
I am in a very different place

731
00:40:10,200 --> 00:40:12,960
from you Bob.
I like wow.

732
00:40:12,960 --> 00:40:15,840
In the spirit of being honest
about our scores today, which I

733
00:40:15,840 --> 00:40:19,000
know you will at the end of this
episode, yeah, like I would

734
00:40:19,000 --> 00:40:20,760
normally just say like who
cares?

735
00:40:20,760 --> 00:40:24,800
This is a 5 1/2 at least.
But I mean, if I'm being frank

736
00:40:24,800 --> 00:40:26,800
with you, I think it's like 4
1/2 nose, dude.

737
00:40:27,880 --> 00:40:30,720
Dude, I I luckily still have a
little bit of this poured out,

738
00:40:30,720 --> 00:40:35,040
'cause I'm nosing it right now
again, 'cause that is low.

739
00:40:35,680 --> 00:40:38,560
Yeah, that's really low.
I am at a 7 1/2 Bob.

740
00:40:39,320 --> 00:40:42,800
I like, I think that you get
grapes, you get wood shavings,

741
00:40:42,800 --> 00:40:44,640
there's vanilla, there's brown
sugar.

742
00:40:45,360 --> 00:40:47,760
Like, I don't think it's a
spectacular nose.

743
00:40:47,760 --> 00:40:50,640
It's not blowing me out of the
water, but it it's not a four

744
00:40:50,640 --> 00:40:52,800
and a half nose.
Are you picking up on the youth?

745
00:40:54,120 --> 00:40:57,400
Honestly, no.
Oh man, Like, I think this is.

746
00:40:57,400 --> 00:41:01,840
It's like, really yeasty.
But I know this is from like

747
00:41:01,880 --> 00:41:06,440
2020-2021, and at that point
they were already using their

748
00:41:06,440 --> 00:41:09,720
four year bourbon.
And you know, four year bourbon

749
00:41:09,720 --> 00:41:13,080
isn't like old by any stretch of
the imagination.

750
00:41:13,080 --> 00:41:16,680
But it's not youthful either.
Like I I think 4 years is where

751
00:41:16,680 --> 00:41:18,920
you're starting to hit your
stride with a bourbon.

752
00:41:19,560 --> 00:41:23,080
So I to me, I I remember.
Old woodshed.

753
00:41:23,160 --> 00:41:26,480
Woodshed, I remember.
Woodshed whiskey.

754
00:41:28,000 --> 00:41:29,920
We should start to hold woodshed
whiskey.

755
00:41:30,160 --> 00:41:33,040
When we started this podcast
they were doing a four grain

756
00:41:33,040 --> 00:41:34,960
recipe that had spelt in it.
Do you remember?

757
00:41:34,960 --> 00:41:37,120
That and it was, well, that's
what I was about to say.

758
00:41:37,120 --> 00:41:40,600
It was that might be this.
No, that that is not this.

759
00:41:40,640 --> 00:41:43,160
Do you have assurances that this
is the four year whiskey?

760
00:41:43,160 --> 00:41:46,160
I can't find anything about it.
I maybe, maybe when they upped

761
00:41:46,160 --> 00:41:48,600
the age statement, they were
like, let's get rid of the old

762
00:41:48,600 --> 00:41:51,000
product, throw it in some wine
barrels, and let's give it out

763
00:41:51,000 --> 00:41:54,960
in the gift shop.
That could be could be true,

764
00:41:54,960 --> 00:41:58,600
Bob, but I doubt it 'cause I
like I'm not getting any of that

765
00:41:58,600 --> 00:42:02,360
youth on this.
Well, I am and I'm right.

766
00:42:02,400 --> 00:42:06,280
So let's take a sip here Brad.
I'll let you go first this time,

767
00:42:06,280 --> 00:42:09,600
as I give it my first sip.
Yeah, I I think that the grape

768
00:42:09,600 --> 00:42:11,840
comes through strong.
For me it turns into like a

769
00:42:11,840 --> 00:42:17,360
grape soda type of taste.
The the pre eminent note that I

770
00:42:17,360 --> 00:42:21,320
always get on Watershed comes
through here in spades.

771
00:42:22,160 --> 00:42:25,480
It is called balsa wood.
I don't know what it is about

772
00:42:25,480 --> 00:42:29,720
watershed products but I almost
every single one I've ever had

773
00:42:29,720 --> 00:42:31,400
tastes a little bit like balsa
wood.

774
00:42:31,400 --> 00:42:34,520
It's it's almost like a a bit of
a funk if you will.

775
00:42:36,000 --> 00:42:39,440
But other than that I I get some
vanilla bean I get a little bit

776
00:42:39,440 --> 00:42:41,360
of that brown sugar caramel
coming through.

777
00:42:41,600 --> 00:42:45,120
I think it's a pretty decent
pour of whiskey.

778
00:42:45,240 --> 00:42:47,800
I I I came down to a 7 out of 10
here.

779
00:42:48,440 --> 00:42:50,960
I actually don't mind this on
the palate and I think that as

780
00:42:50,960 --> 00:42:53,840
it's been opening up a little
bit or I don't know if it's I'm

781
00:42:53,840 --> 00:42:56,120
just getting used to the nose or
I'm starting to pick up more

782
00:42:56,120 --> 00:42:58,720
notes here.
But it had a little bit of that

783
00:42:58,720 --> 00:43:02,000
cherry cola note that I get
sometimes on weeded bourbons

784
00:43:02,520 --> 00:43:05,800
when I sipped it.
Brad, I don't get like a really

785
00:43:05,800 --> 00:43:08,920
sweet grape, but there's
definitely like some like some

786
00:43:08,920 --> 00:43:12,000
grape skin in there.
And I think for me, I was really

787
00:43:12,000 --> 00:43:15,720
surprised at how there's a
there's a note of saline to this

788
00:43:15,720 --> 00:43:19,960
that I wasn't expecting.
It's a little bit salty and I

789
00:43:19,960 --> 00:43:22,080
actually really liked that.
It kind of balanced things out a

790
00:43:22,080 --> 00:43:25,080
little bit.
There's a ton of spiciness and

791
00:43:25,080 --> 00:43:26,920
kind of prickliness on your
palate here.

792
00:43:27,560 --> 00:43:30,520
It's marked on my sample bottle
as only being 94 proof.

793
00:43:30,880 --> 00:43:34,600
This drinks like 100 and 810
proof whiskey.

794
00:43:34,600 --> 00:43:37,600
It's definitely got some bite to
it and I really like that.

795
00:43:38,000 --> 00:43:40,680
I don't know that I would have
necessarily pegged this as being

796
00:43:40,680 --> 00:43:45,600
a finished bourbon unless you
had told me, but I'm kind of OK

797
00:43:45,600 --> 00:43:47,000
with that.
I'm going to give it a 7 out of

798
00:43:47,000 --> 00:43:51,520
10 on the on the pallet.
When I got into the finish is

799
00:43:51,520 --> 00:43:54,880
where the the balsa of it all
kind of took over.

800
00:43:55,120 --> 00:43:58,560
Not terribly so, as has been the
case with their regular

801
00:43:58,560 --> 00:44:01,040
offering.
I really think that the the

802
00:44:01,040 --> 00:44:06,040
Pinot Noir finish evens this out
really beautifully.

803
00:44:06,720 --> 00:44:09,120
I'm sitting at a 6 1/2 on the
finish Bob.

804
00:44:09,640 --> 00:44:11,560
Yeah, I think I'm going to still
be at A7 here.

805
00:44:11,560 --> 00:44:14,360
I think there's some really nice
notes of like butterscotch on

806
00:44:14,360 --> 00:44:16,200
this.
The saline is there.

807
00:44:16,200 --> 00:44:18,640
It's pretty like oily and kind
of viscous.

808
00:44:18,640 --> 00:44:22,120
I really like that as well.
Very different from what I got

809
00:44:22,120 --> 00:44:24,320
on the nose.
Once again, I just don't really

810
00:44:24,320 --> 00:44:26,680
know.
Maybe it's the Pinot Noir that's

811
00:44:26,680 --> 00:44:32,040
giving it that kind of making it
seem like it's a little bit

812
00:44:32,040 --> 00:44:34,320
salty, but that's not really,
you know, it's not what Pinot

813
00:44:34,320 --> 00:44:37,400
Noir tastes like, but it must be
bringing out some notes here.

814
00:44:37,840 --> 00:44:40,440
Unfortunately, I just don't get
a lot of that grape character

815
00:44:40,440 --> 00:44:42,520
and I think that's really where
this suffers for me.

816
00:44:42,800 --> 00:44:46,080
So I'll give it A7 on the finish
and on balance I think I am

817
00:44:46,080 --> 00:44:48,320
going to Ding it and just give
it a six out of 10.

818
00:44:49,080 --> 00:44:51,800
Yeah.
I give it a six, 6 1/2 out of

819
00:44:51,800 --> 00:44:55,600
10, Yeah, it it's OK.
Balanced.

820
00:44:55,600 --> 00:45:00,640
It definitely has some issues.
I I think the real issue is when

821
00:45:00,640 --> 00:45:03,680
you get to value here, Bob.
Now we don't have the exact

822
00:45:03,680 --> 00:45:07,680
price of what this cost when it
was being sold, but we've I've

823
00:45:07,680 --> 00:45:10,720
lived in the Columbus area long
enough to know that their

824
00:45:11,760 --> 00:45:16,200
special expressions, their
special releases usually are in

825
00:45:16,200 --> 00:45:20,680
the 60 to $90.00 range.
So I don't know if we want to

826
00:45:20,680 --> 00:45:27,280
call it like 7580 bucks for
this, but I I just if I'm

827
00:45:27,280 --> 00:45:32,200
looking at spending 70 to $80.00
on a bottle of whiskey, I don't.

828
00:45:32,200 --> 00:45:34,040
I don't think this is a great
value, Bob.

829
00:45:34,960 --> 00:45:36,960
Yeah, man.
And I mean, if I could be honest

830
00:45:36,960 --> 00:45:39,760
here, you know, our, our
relationship with Watershed has

831
00:45:39,760 --> 00:45:41,480
been kind of up and down over
the years as well.

832
00:45:41,480 --> 00:45:44,800
I feel like we keep losing
contact with them and we really

833
00:45:44,800 --> 00:45:47,360
want to support Ohio
distilleries.

834
00:45:47,880 --> 00:45:53,040
Watershed is one that's like we
want to support you, but like

835
00:45:53,080 --> 00:45:54,520
you're hard to get in touch
with.

836
00:45:54,520 --> 00:45:56,600
And so Watershed, I'm really
sorry that we don't have the

837
00:45:56,600 --> 00:45:59,920
information on this bottle that
might be necessary for us to

838
00:45:59,920 --> 00:46:04,840
give this a more appropriate
score, but based solely on what

839
00:46:04,840 --> 00:46:08,600
we drank and what this probably
would cost as a special, you

840
00:46:08,600 --> 00:46:11,360
know, distillery only release.
Brad, I'm with you, man.

841
00:46:11,360 --> 00:46:13,000
This is just not really up to
snuff.

842
00:46:13,000 --> 00:46:16,560
I think that their stuff has
gotten better over the years and

843
00:46:16,560 --> 00:46:20,200
I'm really excited for, you
know, the product that former

844
00:46:20,200 --> 00:46:23,760
Master Distiller Aaron Harris
put down to start coming out on

845
00:46:23,760 --> 00:46:26,600
shelves because we tried some of
that white dog and it was

846
00:46:26,600 --> 00:46:29,400
really, really good.
Yeah, this is not that.

847
00:46:29,520 --> 00:46:34,040
So I'm just going to give it a
4.5 again on value and that

848
00:46:34,040 --> 00:46:36,240
brings me out to only a 29 out
of 50.

849
00:46:36,240 --> 00:46:40,360
Brad.
Yeah, I gave it a 5 out of 10 on

850
00:46:40,360 --> 00:46:42,160
value.
So I'm in a pretty similar place

851
00:46:42,160 --> 00:46:45,760
to you, Bob.
I'm coming to a 32.5 out of 50,

852
00:46:46,200 --> 00:46:49,360
a decent score, but not one
where I'm going to recommend it,

853
00:46:49,360 --> 00:46:52,040
mostly because of the price.
I I think that what's actually

854
00:46:52,040 --> 00:46:55,120
in the bottle is decent.
All right, so that takes us to a

855
00:46:55,120 --> 00:47:00,720
61.5 out of 100 or a 30.75 out
of 50.

856
00:47:01,200 --> 00:47:02,960
I just don't think this is
really anything to write home

857
00:47:02,960 --> 00:47:05,360
about, Brad.
I'm super grateful to Wes for

858
00:47:05,360 --> 00:47:09,600
giving us this one off whiskey,
but I think Brad, this is kind

859
00:47:09,600 --> 00:47:12,040
of emblematic of what we're
seeing in the craft distillery

860
00:47:12,040 --> 00:47:13,680
world.
I don't want to say that this

861
00:47:14,120 --> 00:47:17,760
this smells like desperation,
you know, But I think as these

862
00:47:17,760 --> 00:47:21,160
craft distillers try to find
their place in the market, they

863
00:47:21,160 --> 00:47:23,400
keep doing things like this and
they're just not always

864
00:47:23,400 --> 00:47:25,760
successful.
Yeah, yeah.

865
00:47:25,760 --> 00:47:29,560
I mean, if if anything, Bob,
this this episode at least the

866
00:47:29,560 --> 00:47:32,560
whiskey portion has become a
weird commentary on the bourbon

867
00:47:32,560 --> 00:47:36,040
bubble.
And I I do kind of wonder how

868
00:47:36,040 --> 00:47:43,280
craft distillers are going to
stay afloat as like the the

869
00:47:43,280 --> 00:47:47,320
return to the mean happens and
people go back to just buying

870
00:47:47,320 --> 00:47:51,840
the big brands, Yeah.
There is an impending nuclear

871
00:47:51,840 --> 00:47:53,400
explosion in the world of
bourbon.

872
00:47:53,600 --> 00:47:57,040
Will they find the lead lined
refrigerator to make it through?

873
00:47:57,040 --> 00:47:59,640
That's the question here.
Brad, what will be the CGI

874
00:47:59,640 --> 00:48:03,480
Gophers that get annihilated?
All right, man, let's get back

875
00:48:03,480 --> 00:48:04,880
into talking about Indiana
Jones.

876
00:48:04,880 --> 00:48:06,880
What do you say?
Let's get to it.

877
00:48:11,240 --> 00:48:14,400
All right, everybody.
That was Watershed Pinot Noir.

878
00:48:14,400 --> 00:48:17,600
Finish a whiskey that we are
done talking about, Yes.

879
00:48:17,600 --> 00:48:19,800
We are.
You know what?

880
00:48:19,800 --> 00:48:21,000
We're not done talking about
Bob.

881
00:48:21,880 --> 00:48:26,120
Is it 2 facts and a falsehood?
Canada's favorite segment 2

882
00:48:26,120 --> 00:48:30,400
Facts and a Falsehood.
Brad is going to try to stump

883
00:48:30,400 --> 00:48:34,920
your ball. 2 All right and what
is wrong?

884
00:48:36,480 --> 00:48:40,360
2 facts and a falsehood. 2 Facts
and A Falsehood is the part of

885
00:48:40,360 --> 00:48:44,080
the show where Brad presents me
with three items as fact about

886
00:48:44,080 --> 00:48:47,320
the making of this movie, one of
which is a complete lie.

887
00:48:47,680 --> 00:48:51,240
Brad, I am sitting at 13 and
seven on the season.

888
00:48:51,440 --> 00:48:54,000
I have done not one bit of
research on this movie.

889
00:48:54,000 --> 00:48:56,640
I've probably said some wildly
inaccurate things in the

890
00:48:56,640 --> 00:49:01,040
process, but that means that
bodes well for you, because I

891
00:49:01,040 --> 00:49:02,800
have not been reading up on this
movie at all.

892
00:49:03,360 --> 00:49:07,280
I don't blame you at all.
That's that's probably a good

893
00:49:07,280 --> 00:49:11,040
decision on your use of time.
All right, man, hit me with your

894
00:49:11,040 --> 00:49:15,480
two facts and a falsehood.
Fact #1 The girl who punches

895
00:49:15,480 --> 00:49:18,400
Mutt Williams.
I almost called him Matt.

896
00:49:18,880 --> 00:49:20,480
That that would be way too more
Williams.

897
00:49:21,560 --> 00:49:27,000
The blandest name ever.
Mutt Williams, played by Shia

898
00:49:27,000 --> 00:49:30,880
LaBeouf in the diner scene, is
Sasha Spielberg, daughter of

899
00:49:30,880 --> 00:49:35,040
director Steven Spielberg and
Kate Capshaw, Fact #2.

900
00:49:35,040 --> 00:49:38,160
Due to new safety rules around
the use of props deemed

901
00:49:38,160 --> 00:49:43,040
dangerous on set, Indy's whip
was actually a CGI replica in

902
00:49:43,040 --> 00:49:47,440
several scenes of the movie, a
move which was met with ridicule

903
00:49:47,440 --> 00:49:50,920
by Harrison Ford.
Fact #3.

904
00:49:50,920 --> 00:49:54,520
The Akator throne room near the
end of the film keeps up an

905
00:49:54,520 --> 00:49:58,840
Indiana Jones tradition by
having C3PO and R2D2 etched into

906
00:49:58,840 --> 00:50:03,400
one of the yellow tiles and ET
the extraterrestrial Bob I I

907
00:50:03,400 --> 00:50:09,600
don't know if you've heard of
him, etched into another. #3

908
00:50:09,600 --> 00:50:12,040
sounds true, and if it's not, I
don't care.

909
00:50:12,040 --> 00:50:15,720
That just sounds like a fun
little Easter egg. #2 also

910
00:50:15,720 --> 00:50:17,840
sounds true.
My boy Harrison would not stand

911
00:50:17,840 --> 00:50:22,080
for CGI.
Number one, I don't really know

912
00:50:22,080 --> 00:50:24,400
or really care.
Sasha Spielberg is in fact

913
00:50:24,400 --> 00:50:26,720
Steven Spielberg's daughter.
I don't know if that was her.

914
00:50:27,120 --> 00:50:29,560
I don't know that you would know
enough about Sasha Spielberg to

915
00:50:29,560 --> 00:50:31,720
make it up, though, so I'm a
little suspicious that that

916
00:50:31,720 --> 00:50:38,720
might be true.
My gut is telling me #2 is one

917
00:50:38,720 --> 00:50:45,160
that you would write.
Where you going with this, Bob?

918
00:50:45,320 --> 00:50:50,200
Is it 1 or is it 2?
Is it 1 or is it 2 now?

919
00:50:52,280 --> 00:50:56,280
Number one is the falsehood, but
I don't feel good about it.

920
00:50:56,920 --> 00:50:58,480
You shouldn't 'cause you're
wrong.

921
00:50:58,480 --> 00:51:01,280
No.
Was it 2?

922
00:51:02,040 --> 00:51:03,840
Yeah, it was 2.
Ah, damn it.

923
00:51:03,920 --> 00:51:07,600
I hate when that happens.
Yeah, I should have known you

924
00:51:07,600 --> 00:51:09,160
didn't know anything about Sasha
Spielberg.

925
00:51:09,800 --> 00:51:12,800
Yep, all right.
Every every once in a while I do

926
00:51:12,800 --> 00:51:14,880
some research to write a really
good falsehood.

927
00:51:15,600 --> 00:51:17,600
This was not one of the.
Today is not that day.

928
00:51:17,600 --> 00:51:18,880
Yeah.
Nope, I've.

929
00:51:19,000 --> 00:51:22,040
Been busy, bro.
So I am at 13 and eight on the

930
00:51:22,040 --> 00:51:25,880
season and Harrison Ford's whip
apparently real in all scenes.

931
00:51:26,600 --> 00:51:31,840
Yes, every single one.
The I did somewhat steal this

932
00:51:32,200 --> 00:51:37,560
from the IMDb page.
They there were new safety rules

933
00:51:38,120 --> 00:51:42,760
and they did want to use ACGI
prop for all for the whole every

934
00:51:42,760 --> 00:51:45,880
single whip scene.
And Harrison Ford literally was

935
00:51:45,880 --> 00:51:49,920
like get the F out of here.
I'm using a real whip, and so

936
00:51:49,920 --> 00:51:53,680
every single whip in the whole
movie is 100% real.

937
00:51:54,400 --> 00:51:58,960
OK, thank you for authenticating
the, you know, veracity of the

938
00:51:58,960 --> 00:51:59,920
whips here.
All right.

939
00:51:59,920 --> 00:52:01,240
Brad, no problem, man.
Let.

940
00:52:01,240 --> 00:52:03,920
Us dive back into this movie.
I don't have too much more to

941
00:52:03,920 --> 00:52:07,720
say because everything after
Peru is a negative from me.

942
00:52:08,000 --> 00:52:12,240
I just think that this thing
really devolves into talking in

943
00:52:12,240 --> 00:52:13,920
circles.
I think is like the biggest

944
00:52:13,920 --> 00:52:15,600
thing I can really criticize
this for.

945
00:52:15,600 --> 00:52:18,240
We know exactly what the the
skull is used for.

946
00:52:18,480 --> 00:52:21,280
The scene where she hypnotizes
him with it is like a

947
00:52:21,360 --> 00:52:23,600
preposterous scene, but I think
it's really well done.

948
00:52:23,600 --> 00:52:25,840
There's actually, like, some
stakes involved.

949
00:52:25,840 --> 00:52:28,640
It's a little bit suspenseful.
They're trying to escape.

950
00:52:28,640 --> 00:52:30,840
You can't tell if Ray Winstone
is the bad guy.

951
00:52:31,280 --> 00:52:35,720
But like, the mythos of the
skull is established.

952
00:52:35,800 --> 00:52:37,440
We know everything we need to
know.

953
00:52:37,920 --> 00:52:41,800
And then it feels like the
characters just continually get

954
00:52:41,800 --> 00:52:44,480
stupider throughout the movie.
And I don't even mean with the.

955
00:52:44,960 --> 00:52:47,000
I don't even mean with, like,
the decisions they make, but

956
00:52:47,000 --> 00:52:50,960
they're like, they get all the
way into a cave that is shaped

957
00:52:50,960 --> 00:52:53,280
like the alien's head and
they're like, what do you think

958
00:52:53,280 --> 00:52:54,840
this is?
For, I don't know.

959
00:52:55,000 --> 00:52:56,680
How do we get in this door?
I don't know.

960
00:52:56,680 --> 00:52:58,040
Maybe.
Let's try holding the skull up

961
00:52:58,040 --> 00:52:59,920
to it.
It's like, no shit, like the

962
00:52:59,920 --> 00:53:01,520
skull has pointed you
everywhere.

963
00:53:01,600 --> 00:53:03,000
What do you?
What's wrong with you people?

964
00:53:03,280 --> 00:53:07,000
They're continually surprised by
things that have already been

965
00:53:07,000 --> 00:53:10,600
explained 45 minutes earlier in
the movie, and it's like,

966
00:53:10,600 --> 00:53:12,600
infuriating.
By the time you get to the end

967
00:53:12,600 --> 00:53:15,760
of it, this movie is only two
hours and two minutes long.

968
00:53:15,760 --> 00:53:19,680
Brad and it I could have sworn
it was like at least 228 like

969
00:53:19,680 --> 00:53:23,320
it.
It just feels so repetitive by

970
00:53:23,320 --> 00:53:25,760
the time you actually get to the
conclusion of this movie.

971
00:53:26,960 --> 00:53:31,400
Bob, I I I love when you get to
really enjoy a film.

972
00:53:31,800 --> 00:53:35,800
But man, when you really are
annoyed with a movie, it is.

973
00:53:35,840 --> 00:53:37,120
It's a thing of.
Beauty, isn't it?

974
00:53:37,120 --> 00:53:39,680
It is a thing of beauty.
I love when you get annoyed by

975
00:53:39,680 --> 00:53:43,960
me by movies.
I think I was just so mad

976
00:53:43,960 --> 00:53:47,280
because it it undercuts what had
made the first part of the movie

977
00:53:47,280 --> 00:53:49,800
so good.
There was so much build up and

978
00:53:49,800 --> 00:53:53,400
like before you really find out
what the hell is going on in the

979
00:53:53,400 --> 00:53:56,240
first part of the movie, it's
like chase after chase after

980
00:53:56,240 --> 00:53:57,840
chase.
And I could see how for Someone

981
00:53:57,840 --> 00:54:00,400
Like You who didn't like the
movie, even that seemed

982
00:54:00,400 --> 00:54:02,600
repetitive.
But for me it was like the

983
00:54:02,600 --> 00:54:05,880
stakes are keep, you know, they
keep getting upped here, what's

984
00:54:05,880 --> 00:54:09,160
let's find out what's going on.
It reminded me of like when we

985
00:54:09,160 --> 00:54:12,040
talked about the Matrix and I
was like I could I could see how

986
00:54:12,040 --> 00:54:15,880
somebody could check out before
the 45 minute mark of the Matrix

987
00:54:15,880 --> 00:54:18,120
because you don't get anything
explained to you till then.

988
00:54:18,760 --> 00:54:21,880
But when it works it's because
the stakes keep getting upped.

989
00:54:22,560 --> 00:54:26,440
And then the the last 2/3 of the
movie, it's like the stakes have

990
00:54:26,440 --> 00:54:30,280
been at their highest and now
everything seems like resolution

991
00:54:30,440 --> 00:54:32,280
when it's really not.
You know what I mean?

992
00:54:32,360 --> 00:54:35,480
Like, it's just it seems like
the most suspenseful, most

993
00:54:35,480 --> 00:54:37,680
impactful parts of this movie
are behind us.

994
00:54:38,240 --> 00:54:41,240
And so when we get to meet
actual aliens at the end of the

995
00:54:41,240 --> 00:54:44,760
movie, it's just like, oh, OK,
cool, yeah.

996
00:54:45,120 --> 00:54:48,560
And you also don't get any
interactions with them.

997
00:54:48,560 --> 00:54:56,240
Like, I dude, this movie sucks.
It's just so frustrating because

998
00:54:56,240 --> 00:54:59,360
I I think that they could have
gone somewhere with this.

999
00:54:59,360 --> 00:55:02,160
And I remember when it came out,
there was a lot of people who

1000
00:55:02,160 --> 00:55:07,120
were like the Indiana Jones
series is about Nazis and and

1001
00:55:07,120 --> 00:55:11,120
about, like religious artifacts
and that's what makes an Indiana

1002
00:55:11,120 --> 00:55:13,520
Jones movie.
And and I don't actually think

1003
00:55:13,520 --> 00:55:16,200
that that's the case.
I I kind of watch for that in

1004
00:55:16,200 --> 00:55:18,640
this movie.
And I think that if you fully

1005
00:55:18,640 --> 00:55:21,760
take out the Russians in this
film and replace them with

1006
00:55:21,760 --> 00:55:26,800
Nazis, you know, almost in like
a Captain America sense, like I

1007
00:55:26,800 --> 00:55:30,120
I don't know, man, I I don't
think it changed what's.

1008
00:55:30,800 --> 00:55:32,840
I don't think it changes what
happens in the film.

1009
00:55:32,840 --> 00:55:37,040
And what happens in the film
just isn't intriguing enough for

1010
00:55:37,040 --> 00:55:41,480
me to care.
And and I, I don't know, I was

1011
00:55:41,480 --> 00:55:43,720
even thinking about, you were
talking about this being a

1012
00:55:43,720 --> 00:55:47,520
repeat of Raiders.
I think one of the few problems

1013
00:55:47,520 --> 00:55:49,920
with Raiders that people have
pointed out that I kind of agree

1014
00:55:49,920 --> 00:55:52,240
with is very true about this
movie as well.

1015
00:55:53,000 --> 00:55:58,520
If Indiana Jones does nothing,
if he never gets involved, all

1016
00:55:58,520 --> 00:56:02,840
of the same things happen like
they find their way to.

1017
00:56:02,840 --> 00:56:05,720
Learn a lesson.
You know, maybe the real skull

1018
00:56:05,720 --> 00:56:07,320
is the friends we made along the
way.

1019
00:56:07,960 --> 00:56:12,520
Oh man, I feel so much better
about this movie now, Bob. 9 out

1020
00:56:12,520 --> 00:56:17,400
of 10, all right.
Brad, we'll go that far.

1021
00:56:17,400 --> 00:56:20,320
If we've said everything we need
to say about the movie, I don't

1022
00:56:20,320 --> 00:56:23,360
think it sucks.
But I'm not far away from that.

1023
00:56:24,320 --> 00:56:26,120
Let's get into.
Let's make it a double.

1024
00:56:26,520 --> 00:56:29,760
We're near the end of the
episodes of Things Listening to

1025
00:56:29,840 --> 00:56:32,680
the Film and Whiskey show.
Let's pair another film with

1026
00:56:32,680 --> 00:56:34,080
this one, even if it's
struggling.

1027
00:56:34,080 --> 00:56:36,680
It's a final segment of the day.
Now let's make it a double.

1028
00:56:37,120 --> 00:56:39,920
Let's make it a double is the
part of the show where we pick a

1029
00:56:39,920 --> 00:56:43,000
movie to pair up with this one
to make the perfect double

1030
00:56:43,000 --> 00:56:45,000
feature.
Brad, I'm going to be really

1031
00:56:45,000 --> 00:56:48,400
boring and I'm going to just
pair it with the most recent

1032
00:56:48,400 --> 00:56:51,560
Indiana Jones movie which is
called Indiana Jones and the

1033
00:56:51,560 --> 00:56:55,400
Dial of Destiny, which is a
significantly better title than

1034
00:56:55,400 --> 00:56:57,800
this title.
And I actually think it's a

1035
00:56:57,800 --> 00:57:00,320
better movie too.
People just did not go see this

1036
00:57:00,320 --> 00:57:02,960
movie in theaters last year.
It's a ton of fun.

1037
00:57:03,400 --> 00:57:06,760
It's not directed by Spielberg
and you can tell and I think

1038
00:57:06,760 --> 00:57:11,160
that if you could Frankenstein
together, the craftsmanship of

1039
00:57:11,160 --> 00:57:16,120
this movie with the story pacing
script of the of this most

1040
00:57:16,120 --> 00:57:19,520
recent one, you have a really
damn good Indiana Jones movie.

1041
00:57:19,760 --> 00:57:23,160
But as it is, it feels like 2
halves that are missing each

1042
00:57:23,160 --> 00:57:24,720
other.
And I think it would make a

1043
00:57:24,720 --> 00:57:28,840
really fun evening, if not if
not a frustrating one, because

1044
00:57:29,360 --> 00:57:31,640
neither of these seem like a
complete indie film.

1045
00:57:32,120 --> 00:57:36,520
But you can see how the equation
works better I think when you

1046
00:57:36,520 --> 00:57:38,400
isolate both sides of it like
that.

1047
00:57:38,400 --> 00:57:39,920
So that's my let's make it a
double.

1048
00:57:40,960 --> 00:57:42,560
I think that's a pretty good
pick, Bob.

1049
00:57:42,840 --> 00:57:44,240
Did you see the most recent one,
Brad?

1050
00:57:44,440 --> 00:57:46,200
Have not seen the dial of
destiny.

1051
00:57:46,880 --> 00:57:49,160
You should watch it.
It's actually it's pretty good,

1052
00:57:49,160 --> 00:57:52,200
man.
I I have to ask, is the Dial of

1053
00:57:52,200 --> 00:57:55,880
Destiny like an oven timer dial
from?

1054
00:57:55,880 --> 00:57:57,840
Yeah.
Actually, it's about the

1055
00:57:57,840 --> 00:58:01,600
invention of the Easy Bake Oven.
Oh yeah.

1056
00:58:02,040 --> 00:58:04,840
And then at the end of the
movie, you think Harrison Ford

1057
00:58:04,840 --> 00:58:07,560
is inside of this, like deep,
dark cave.

1058
00:58:07,600 --> 00:58:10,480
And then it it zooms out and you
find you're just inside of a

1059
00:58:10,480 --> 00:58:14,080
cosmic Easy Bake Oven.
It's like the end of the Grinch

1060
00:58:14,080 --> 00:58:16,440
that way.
Really, really meta stuff.

1061
00:58:16,520 --> 00:58:19,120
Yeah.
Absolutely love that, Bob.

1062
00:58:19,120 --> 00:58:24,880
I am in for that movie.
For me, I don't know if I really

1063
00:58:24,880 --> 00:58:28,800
have a good two facts and a
falsehood.

1064
00:58:28,920 --> 00:58:29,560
Nope.
It's called.

1065
00:58:29,880 --> 00:58:32,640
Let's make it a double.
Yeah, let's make it a double,

1066
00:58:32,640 --> 00:58:35,360
man.
I'm over this episode.

1067
00:58:35,720 --> 00:58:39,920
Clearly.
How about we pair it with I feel

1068
00:58:39,920 --> 00:58:42,560
like I'm throwing a dart at a
dartboard here.

1069
00:58:43,200 --> 00:58:45,760
I don't know.
How about Tomb Raider from 2018?

1070
00:58:46,520 --> 00:58:48,680
Oh, I have not seen it.
The Alicia Vikander, 1.

1071
00:58:49,200 --> 00:58:52,520
Yeah, I've never seen it either.
I I do like Alicia Vikander.

1072
00:58:52,520 --> 00:58:54,240
Another Another celebrity crush
of mine.

1073
00:58:54,760 --> 00:58:56,200
I don't know.
Alicia Vikander.

1074
00:58:56,440 --> 00:58:57,880
An Academy award-winning
actress?

1075
00:58:58,640 --> 00:59:01,960
All right, Tomb Raider is Brad's
pick and mine is the Dial of

1076
00:59:01,960 --> 00:59:03,760
Destiny.
Brad, let's give this movie some

1077
00:59:03,760 --> 00:59:07,400
scores.
Now you know how I feel, man.

1078
00:59:07,440 --> 00:59:10,240
About The Phantom Menace.
This is your Phantom Menace,

1079
00:59:10,240 --> 00:59:13,280
Brad.
Yeah, but here's the thing, you

1080
00:59:13,280 --> 00:59:15,720
you asked this question really
early in the episode and and I

1081
00:59:15,720 --> 00:59:19,720
didn't fully answer it.
Like, where does the Indiana

1082
00:59:19,720 --> 00:59:24,600
Jones series stand in the
history of movie series?

1083
00:59:24,600 --> 00:59:26,600
Yeah, movie.
You know, IP.

1084
00:59:28,040 --> 00:59:33,280
I actually don't think that
Indiana Jones ranks that highly

1085
00:59:33,280 --> 00:59:36,400
for me personally.
Like, no.

1086
00:59:36,400 --> 00:59:38,760
Nor does it for most people of
our generation.

1087
00:59:38,760 --> 00:59:41,160
I feel like there was, there was
enough of a gap.

1088
00:59:41,200 --> 00:59:44,760
You know, from Return of the
Jedi to Phantom Menace is a 16

1089
00:59:44,760 --> 00:59:47,520
year gap.
From Last Crusade to this movie

1090
00:59:47,520 --> 00:59:50,080
is a 19 year gap.
And so there's a little bit

1091
00:59:50,080 --> 00:59:52,920
longer of a gap.
But also like, I don't know,

1092
00:59:52,920 --> 00:59:56,440
there's just something about
Star Wars appealing especially

1093
00:59:56,440 --> 00:59:59,320
to kids that it kind of gets its
hooks into you really young.

1094
00:59:59,720 --> 01:00:01,920
I've thought about this a lot,
Brad, because I think for me.

1095
01:00:02,240 --> 01:00:06,920
When Raiders or when the Indiana
Jones is clicking, I find it to

1096
01:00:06,920 --> 01:00:10,240
be more purely enjoyable than
the world of Star Wars, that

1097
01:00:10,240 --> 01:00:12,880
that's just me.
But I I mean, I would never

1098
01:00:12,880 --> 01:00:17,440
argue that the ups and downs of
this series, like, are anything

1099
01:00:17,440 --> 01:00:20,600
compared to Star Wars.
Like I I just think that whether

1100
01:00:20,600 --> 01:00:23,360
I like Star Wars or not, it's a
more consistent product, at

1101
01:00:23,360 --> 01:00:24,720
least until you get to the
sequels.

1102
01:00:25,000 --> 01:00:28,040
But but the.
Indiana Jones movies are always

1103
01:00:28,040 --> 01:00:33,000
kind of like, great, meh, pretty
good meh.

1104
01:00:33,600 --> 01:00:35,920
OK, you know what I mean?
Like, he just kind of bounces

1105
01:00:35,920 --> 01:00:38,720
back and forth, which is
unfortunate, 'cause I think that

1106
01:00:38,720 --> 01:00:41,520
like with with some more
consistent scripts, this really

1107
01:00:41,520 --> 01:00:46,360
could have been Spielberg's, you
know, Star Wars type saga and it

1108
01:00:46,360 --> 01:00:48,680
just falls a little bit short.
And I think because of that,

1109
01:00:49,080 --> 01:00:51,880
like people just haven't
embraced it through generations

1110
01:00:51,880 --> 01:00:53,040
the way they have with Star
Wars.

1111
01:00:53,920 --> 01:00:55,920
I I think you summed it up
perfectly, Bob.

1112
01:00:55,920 --> 01:01:00,160
I'm a I'm 100% with you.
I think Indiana Jones is fun,

1113
01:01:00,880 --> 01:01:03,640
but outside of Raiders of the
Lost Ark, none of the movies are

1114
01:01:03,640 --> 01:01:07,440
good enough to really warrant.
Our last crusade's really good,

1115
01:01:07,440 --> 01:01:10,040
dude.
I I honestly haven't seen it

1116
01:01:10,040 --> 01:01:12,320
since I was a teenager.
Friggin Sean Connery, man.

1117
01:01:12,760 --> 01:01:16,360
Yeah, I know.
Indiana, let it go.

1118
01:01:16,600 --> 01:01:19,040
Oh, it's so good.
He's in this one too.

1119
01:01:19,040 --> 01:01:21,120
There's a picture of him.
Yeah, there, there sure is.

1120
01:01:21,520 --> 01:01:24,240
First dad dies, then this guy
dies.

1121
01:01:24,240 --> 01:01:25,920
He just like, dresses to both
pictures.

1122
01:01:27,880 --> 01:01:29,440
Brad, what's your final score,
man?

1123
01:01:30,840 --> 01:01:36,120
What's my final score?
5 out of 10, yeah.

1124
01:01:37,240 --> 01:01:40,200
I want to give it a six because
I feel like the first half, like

1125
01:01:40,200 --> 01:01:44,240
the 1st 45 minutes, were like a
legit 8 1/2 to 9 for me.

1126
01:01:44,920 --> 01:01:48,640
The last 2/3 I was on my phone
through, so like let's be real

1127
01:01:48,640 --> 01:01:50,840
here.
I watched this movie for the

1128
01:01:50,840 --> 01:01:54,800
first time about a year ago, so
I remembered the whole thing and

1129
01:01:54,800 --> 01:01:56,200
I felt like I could be on my
phone.

1130
01:01:56,200 --> 01:01:58,880
But also the movie put me in a
state where I felt like I needed

1131
01:01:58,880 --> 01:02:01,280
to be on my phone and that is
not a good sign.

1132
01:02:01,280 --> 01:02:04,680
That means that this is in like
4 out of 10 territory for the

1133
01:02:04,680 --> 01:02:07,760
second-half.
I'm just going to give it a 5.5

1134
01:02:07,760 --> 01:02:09,640
Brad.
I think that's that's fair for

1135
01:02:09,640 --> 01:02:11,800
this movie.
If you're giving it A5, I'm a

1136
01:02:11,800 --> 01:02:15,600
little bit higher than you.
It's it's unfortunate that it

1137
01:02:15,600 --> 01:02:18,760
could not sustain the energy of
that first part, but it really,

1138
01:02:18,760 --> 01:02:21,480
really falters at the 40 ish
minute mark.

1139
01:02:22,000 --> 01:02:25,160
Yeah, 100% man.
I want this movie to be good.

1140
01:02:25,160 --> 01:02:29,440
Like I started this episode by
saying director Steven Spielberg

1141
01:02:29,880 --> 01:02:34,840
and star Harrison Ford and I I
feel like that is quite the epic

1142
01:02:34,840 --> 01:02:37,480
pairing.
Can I give, like, a really quick

1143
01:02:37,480 --> 01:02:40,400
I've been workshopping this
theory, and I'm not it's not

1144
01:02:40,400 --> 01:02:42,080
fully formed.
It'll come out in a future

1145
01:02:42,080 --> 01:02:44,320
episode.
But this movie really made me

1146
01:02:44,320 --> 01:02:50,480
realize that I think Spielberg
is like the LeBron James of

1147
01:02:50,480 --> 01:02:55,040
famous film makers.
Oh, because you know, like the

1148
01:02:55,040 --> 01:02:57,160
the argument to make LeBron the
GOAT.

1149
01:02:57,160 --> 01:03:00,240
You do have to do some finessing
of the stats and you have to

1150
01:03:00,240 --> 01:03:02,080
downplay some stuff Jordan has
done.

1151
01:03:03,040 --> 01:03:06,800
But you also have to reckon
with, like, whether you agree

1152
01:03:06,800 --> 01:03:11,960
with Lebron's move to Miami and
his sort of sometimes petulant

1153
01:03:11,960 --> 01:03:15,720
behavior in terms of getting
what he wants and roster

1154
01:03:15,720 --> 01:03:17,760
construction.
Whether you agree with that or

1155
01:03:17,760 --> 01:03:20,280
not, you have to deal with the
fact that, like, he has

1156
01:03:20,280 --> 01:03:25,000
spearheaded a particular
movement in the NBAA bent toward

1157
01:03:25,000 --> 01:03:29,200
this player empowerment thing
and building super teams.

1158
01:03:29,200 --> 01:03:32,480
And a lot of what people don't
like about the NBA can be

1159
01:03:32,480 --> 01:03:35,760
directly traced back to LeBron.
Like, as the world's biggest

1160
01:03:35,760 --> 01:03:39,840
LeBron fan, the dude comes with
baggage when he's on your team

1161
01:03:39,840 --> 01:03:42,080
and you just have to roll with
it because he's that good.

1162
01:03:42,600 --> 01:03:44,240
And I think Spielberg's kind of
like that.

1163
01:03:44,240 --> 01:03:47,120
Spielberg might be my favorite
movie maker in history.

1164
01:03:47,920 --> 01:03:50,840
I think he's also kind of
directly responsible for the,

1165
01:03:51,040 --> 01:03:56,120
like, nostalgia, baiting,
sequelization of everything that

1166
01:03:56,120 --> 01:03:58,920
has LED us to the Marvel
Cinematic Universe, where

1167
01:03:58,920 --> 01:04:01,280
everything is just merchandise
and everything is just a

1168
01:04:01,280 --> 01:04:03,920
product.
Like between Lucas and

1169
01:04:03,920 --> 01:04:06,280
Spielberg.
They're they're the guys that

1170
01:04:06,280 --> 01:04:09,560
got us here, man, and you got to
take the bad with the good.

1171
01:04:09,560 --> 01:04:12,320
You can't have Schindler's List
in Jurassic Park and stuff

1172
01:04:12,320 --> 01:04:15,760
without also acknowledging this
is the guy who made Kingdom of

1173
01:04:15,760 --> 01:04:19,320
the Crystal Skull, you know?
Yeah, dude, I'm.

1174
01:04:19,680 --> 01:04:23,240
I'm.
I'm feeling it, man.

1175
01:04:24,000 --> 01:04:27,120
So, So what I'm saying is
Spielberg might be the GOAT, but

1176
01:04:27,120 --> 01:04:30,080
he he definitely comes with his
own form of baggage.

1177
01:04:30,440 --> 01:04:33,760
Especially when his I I see his
name slapped on Transformers at

1178
01:04:33,760 --> 01:04:36,400
the end of the movie.
I'm like, what the hell Steve,

1179
01:04:36,400 --> 01:04:41,000
what are you doing man?
Yeah, Transformers, man.

1180
01:04:41,040 --> 01:04:45,240
Once again, if it was just one
movie, I think I'd be more OK

1181
01:04:45,240 --> 01:04:48,080
with it than I am.
But it's like 7 now.

1182
01:04:49,560 --> 01:04:52,880
The.
Fact that we haven't gotten a

1183
01:04:52,920 --> 01:04:56,280
Fast and Furious Transformers
mash up, like that's how that

1184
01:04:56,280 --> 01:04:59,560
series should end.
Is Vin Diesel driving a

1185
01:04:59,560 --> 01:05:02,720
Transformer?
Yeah, that's dude.

1186
01:05:02,720 --> 01:05:04,640
That's a good call.
All right, man, let's get out of

1187
01:05:04,640 --> 01:05:05,920
here.
Next week, folks.

1188
01:05:05,920 --> 01:05:08,160
We are watching the Pixar movie
up.

1189
01:05:08,240 --> 01:05:11,000
We're actually doing
back-to-back Pixar's Up and Toy

1190
01:05:11,000 --> 01:05:14,280
Story 3.
I am really excited to get into

1191
01:05:14,320 --> 01:05:16,840
Pixarville, Brad, because we
haven't really done animated

1192
01:05:16,840 --> 01:05:20,760
movies in a while outside of
Shrek, and God do I not want to

1193
01:05:20,760 --> 01:05:24,520
talk about that anymore.
So we'll dive into Up next week,

1194
01:05:24,520 --> 01:05:27,760
but until then, I'm Bob Book.
I'm Brad G.

1195
01:05:28,000 --> 01:05:29,440
And we'll see you next time.