Frozen / Ezra Brooks Distiller's Collection Bourbon (250th Movie!)
Welcome to a magical milestone on the Film & Whiskey Podcast — our 250th film review! This episode, we're diving into the enchanting world of Disney's Frozen and warming up with the rich, full-bodied Ezra Brooks Distiller's Collection Bourbon Whiskey. Whether you're here for the heartwarming sisterly love or the bold Kentucky flavors, this episode is a celebration of storytelling and craftsmanship.
Timestamps:
(0:00) Intro: Cheers to 250 movies reviewed!
(05:49) Brad Explains: The Artistry Behind Frozen
(10:43) Performances and Themes: Delving into Elsa and Anna's Journey
(33:24) Ezra Brooks Distiller's Collection Bourbon Whiskey Review: Savoring the Spicy and Savory
(41:59) Two Facts and a Falsehood: Test Your Frozen Knowledge
(47:17) Final Analysis: Breaking Down the Ice and the Barrel
(59:01) Let's Make it a Double and Final Scores
Join us as we delve into Disney's Frozen, a film that not only captured the box office but also the hearts of millions worldwide. We'll explore how Elsa's icy powers and Anna's fearless adventure have redefined the princess movie genre, backed by the unforgettable anthem "Let It Go." Discover the subtle complexities of their relationship, the stunning animation techniques that brought Arendelle to life, and the film's significant cultural impact.
In the spirit of our 250th review, we raise a glass of Ezra Brooks Distiller's Collection Bourbon Whiskey. This finely aged spirit offers a nuanced profile of spicy rye, sweet corn, and mellow barley, matured to perfection. Learn about the distillery's craft approach in Kentucky, the bourbon's flavor layers from the nose to the finish, and how it stands out in the crowded whiskey market.
As we wrap up, we reflect on reaching our 250th film review. This special episode is a blend of fantasy and fermentation, perfect for anyone who loves a good story, whether told through film or distilled in a bottle. Tune in for our celebratory dive into Disney's magic and Kentucky's finest.
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00:00:00,360 --> 00:00:05,200
In 2012, the Disney Empire
marches on with an icy
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exploration of what true love
really consists of.
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In 2024, we kick things up a
notch with an extra spicy high
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rye bourbon.
The film.
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Do I have to say it, Bob?
I I believe you do, Brad.
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I think the people need to know
what we're watching today.
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We're watching frozen people,
frozen people.
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I would watch that movie.
That sounds dope.
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It's the sequel to Snowpiercer.
The whiskey is Ezra Brooks
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Distillers Collection and we'll
review them both.
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00:00:39,680 --> 00:00:43,880
This is the Film and Whiskey
podcast.
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00:01:01,880 --> 00:01:04,519
Welcome to the Film and Whiskey
podcast, where each week we
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00:01:04,519 --> 00:01:07,240
review a classic movie and a
glass of whiskey.
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I'm Bob Book.
I'm drinking so much beer
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tonight, Bob.
Brad, it sounds like you don't
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want to be here today.
Nope.
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00:01:17,200 --> 00:01:17,960
You know what's funny?
I.
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00:01:18,000 --> 00:01:19,320
Blame.
I blame you, Yeah.
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I mean, you, you should.
For years and years, Brad, we
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have been talking about our
mutual distaste for this film.
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I have not watched the movie
Frozen in, I don't know, 7-8
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years.
Like it's been a minute since I
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watched.
It I haven't watched it in a
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decade.
Yeah, probably around that for
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me.
And I was thinking, you know
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what, like I am sure that having
watched a great deal of mediocre
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children's films since entering
my 30s and having kids, that
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this movie is not as bad as I
remember it being.
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And folks, let me tell you, my
opinion on this film has not
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changed one darn bit.
That's what I like to hear.
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So it sounds like you're
drinking beer on our whiskey
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podcast to get yourself through.
Yeah, frozen.
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Frozen doesn't deserve whiskey.
Let.
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Me tell you what I'm doing.
It's 8:00 PM at the time of
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recording.
I brewed myself a cup of decaf
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coffee and I am eating a
powdered sugar doughnut.
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Wait, are you telling me that
you you turned into the fat cop
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from the Santa Claus?
Yes, both.
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Both him and an 80 year old man.
OK, I I love it.
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Man, you know what, let me let
me sidetrack us immediately here
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Brad.
We were at my in laws house.
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They had a dozen doughnuts on
the table and they had already
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picked through what they wanted
and they said, you know these
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are a day old now take what you
want home and the rest is going
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to the squirrels.
And I said, I will be darned if
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I let the squirrels eat a cream
stick that's like the Cadillac
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of doughnuts.
Like, I'm taking that home with
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me.
So I'm eating a powdered sugar
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cream stick.
And as we were talking about
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doughnuts, I had to remind them
of something we learned, Brad,
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when we lived in Kentucky.
Did you ever purchase doughnuts
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for yourself when you lived in
Kentucky?
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I yes Bob, I I have purchased
doughnuts.
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OK, well, like, I didn't know if
you were a doughnut family.
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I had a shocking realization,
which, you know, the cream
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stick, which is a staple of
Ohio's diet, I feel like is
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known as a long John.
In other parts of the country,
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and especially in Kentucky, they
call it a long John.
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They do not fill their long
Johns with cream.
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It is an unfilled doughnut.
It's just a freaking loaf of
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bread.
It's like an unsliced hot dog
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bun that they slap some frosting
on top of.
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I can't like and we started
talking about is that just a
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Kentucky thing or is or is Ohio
in the minority in filling them?
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And so I have to know film and
Whiskey Nation before we start
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A, do you understand what I'm
talking about when I say Long
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John and B locally to you?
Are they filled with cream or is
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that just a delicacy that is
unique to Ohio 'cause it feels
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like these should have filling
in them, Brad. 100% Bob.
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Lack of filling is unacceptable.
I will say I'm going to keep us
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sidetracked.
I I love a good cream filled
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doughnut.
Long Johns, whatever you want to
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call them, they are very
delicious because they're
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doughnuts.
I'm I'm a little more of a
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Boston cream kind of guy.
Oh, you're the custard type.
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I love the custard filling man,
it is delicious.
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I feel like when you get the
Boston cream filling at like a
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grocery store doughnut, though,
it's just vanilla pudding.
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Like it's not really Boston
cream.
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It's just like they took a snack
pack off the shelf and they were
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like, yeah, use the Turkey
baster and you know what I mean?
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Like it.
It just doesn't feel quite right
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to me.
That might be the best mental
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image I've.
Ever had.
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All right, Brett.
Well, now that we've gotten
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completely sidetracked, I guess
I'll say one more thing.
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In the past week, my beloved
film from last year, Godzilla -1
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00:05:02,960 --> 00:05:05,560
dropped on Netflix.
Surprisingly, it was.
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It was unannounced.
I was going to ask if you had
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00:05:09,360 --> 00:05:10,600
gotten around to watching it
yet.
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I had dude, you should be so
proud of me.
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I, as a movie connoisseur, I had
no idea that that happened.
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You really need to watch it.
It is.
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00:05:22,160 --> 00:05:24,640
It is significantly better than
the film Frozen.
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00:05:24,680 --> 00:05:26,920
We could have, in fact, just
talked about that today.
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00:05:27,160 --> 00:05:29,600
I'm going to do your favorite
thing in the world and I'm going
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00:05:29,600 --> 00:05:32,440
to watch it on my phone.
I don't even care how you watch
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it, it's so good.
I would stake my reputation on
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00:05:35,200 --> 00:05:39,360
it still being good on a phone.
Not ideal, but still good.
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There it is.
All right, Brad.
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Let's start talking about
Frozen.
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And in order to do that, we need
to get into our first segment of
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the day, which we call, Brad
explains.
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00:05:49,760 --> 00:05:53,200
Brad's going to give us the
movie plots with only 60 seconds
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00:05:53,200 --> 00:05:56,720
ticking on the clock, so let's
go ahead and hear your take with
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00:05:56,720 --> 00:05:59,040
this little segment that we
call, Brad explains.
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00:05:59,800 --> 00:06:02,960
Brad Explains is the part of the
show where Brad breaks down the
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00:06:02,960 --> 00:06:06,280
plot of the film that he has
just seen, often for the first
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00:06:06,280 --> 00:06:08,080
time.
This is obviously not Brad's
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00:06:08,080 --> 00:06:10,440
first time watching it, but it
might be his second time
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00:06:10,440 --> 00:06:13,320
watching it 'cause it sounds
like he has been adamantly
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00:06:13,320 --> 00:06:17,400
opposed to revisiting it.
Oh yeah, I have never watched
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00:06:17,520 --> 00:06:19,320
this.
All right, so tell me a little
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00:06:19,320 --> 00:06:20,760
bit of your history with the
movie, Brad.
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00:06:20,760 --> 00:06:24,200
Like, I mean, A, it's a very
short history, but B, like,
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00:06:25,200 --> 00:06:27,200
where were you when you saw it?
Why did it?
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Why did you have such a visceral
reaction to it?
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00:06:30,320 --> 00:06:32,000
Why do you still feel this way
about it?
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00:06:32,760 --> 00:06:36,840
Oh, man, I honestly, why do I
have such a visceral reaction?
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00:06:36,880 --> 00:06:40,520
That's a great question, Bob.
Is it because you're a sexist
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chauvinist?
Pig.
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Yes it is.
How did you know?
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Man, we got right to the bottom
of that.
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I didn't even have to pull that
out of you.
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All right.
Good episode, good podcast.
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Yeah, that we're packing it in
now.
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00:06:52,640 --> 00:06:54,760
I don't really know.
That might be the last thing we
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00:06:54,760 --> 00:06:56,600
say.
I don't know what there else
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where else there is to go.
I watched this with my soon to
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00:07:01,960 --> 00:07:06,200
be wife.
We were engaged at the time and
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I believe two of her friends.
We watched it while she was
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still at Malone University way
way back in the day.
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Why did I hate it so much?
It sucks.
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00:07:19,960 --> 00:07:23,680
Josh Gad gives a great
performance for a different
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movie and it it doesn't make any
sense in Frozen.
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The there's just so much
happening.
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00:07:32,320 --> 00:07:34,560
And here's the thing, Bob, I'm
I'm going to blasphemy.
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Are you ready for this?
Please?
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This movie is upon credits
rolling one hour and 32 minutes
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long.
It it needs to be 20 minutes
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longer.
It needs to be 20 minutes
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00:07:48,720 --> 00:07:52,720
longer.
I like, if only so that it could
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00:07:52,720 --> 00:07:57,440
slow down a little bit and just
like, let everything breathe.
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Like or just develop.
Yeah, I'm with you.
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00:08:03,880 --> 00:08:06,320
Man, like here's, here's the
wild thing.
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00:08:07,120 --> 00:08:10,320
Pixar takes 10 minutes.
Not even really.
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00:08:10,320 --> 00:08:15,760
It's like 6 or 7 minutes of the
montage for them to like fly
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00:08:15,760 --> 00:08:20,960
through an entire couple's life
and take you through all the ups
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00:08:20,960 --> 00:08:26,040
and downs of of infertility and
cancer and death and all like
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00:08:26,040 --> 00:08:29,400
all these things.
And yet at the end of it you
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00:08:29,400 --> 00:08:33,400
don't feel like you just got
thrown through the freaking meat
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00:08:33,400 --> 00:08:38,799
grinder of information and plot
development.
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00:08:39,559 --> 00:08:42,360
And like Frozen is the exact
opposite.
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00:08:42,360 --> 00:08:46,240
Yes, it feels like this movie is
all plot, but that none of it
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00:08:46,240 --> 00:08:48,880
connects to each other.
Like it just, I don't know what
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00:08:48,880 --> 00:08:51,320
storyline to follow.
I don't know what developments
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00:08:51,320 --> 00:08:54,200
are necessary.
And we're we're getting off base
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00:08:54,200 --> 00:08:56,360
from, Brad explains.
We're going to jump into why we
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00:08:56,360 --> 00:08:58,680
actually don't like this movie.
And it's not going to just be
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00:08:58,680 --> 00:09:01,600
like two guys hating on the
movie that all the little girls
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00:09:01,600 --> 00:09:04,720
liked because this was a really
important movie to a lot of
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00:09:04,720 --> 00:09:08,280
people 10 years ago.
Brad, I, I just have very strong
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00:09:08,280 --> 00:09:10,040
feelings about how it does not
work.
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00:09:10,400 --> 00:09:12,880
So in order to get there, we
have to get through, Brad
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00:09:12,880 --> 00:09:15,440
explains.
You have one minute on the clock
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00:09:15,440 --> 00:09:18,800
to break down the plot of the
movie with full spoilers.
167
00:09:18,880 --> 00:09:22,720
Folks, if you have avoided
Frozen for this long, honestly,
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00:09:23,000 --> 00:09:26,280
hats off to you.
Like, yeah, this, this movie was
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00:09:26,280 --> 00:09:29,160
inescapable for you, clearly.
Don't have children?
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00:09:30,760 --> 00:09:33,000
All right, dude, one minute and
go.
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00:09:33,320 --> 00:09:36,760
Frozen is a film about man.
I don't want to do this.
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00:09:36,760 --> 00:09:38,880
I'm like, trying to get myself
up for it.
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00:09:40,440 --> 00:09:42,720
All right?
Frozen follows these two
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00:09:42,720 --> 00:09:46,520
princesses and Arendelle and
their parents are idiots and die
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00:09:46,520 --> 00:09:50,680
on a boat and isolate their
children and keep them from
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00:09:50,680 --> 00:09:52,600
experiencing what life is all
about.
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00:09:53,040 --> 00:09:57,760
And because of that, the one
older daughter has ice powers
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00:09:57,760 --> 00:10:02,240
and she's a danger to society.
And when she gets coordinated as
179
00:10:02,240 --> 00:10:05,600
queen, she freaks out because
Anna's an idiot and wants to
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00:10:05,600 --> 00:10:08,000
marry some dude right off the
bat.
181
00:10:08,280 --> 00:10:11,640
And she shows off her ice powers
and everybody's like, we found a
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00:10:11,640 --> 00:10:12,840
witch.
May we burn her.
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00:10:13,760 --> 00:10:17,840
And she runs off into the woods
and the mountains and is like,
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00:10:17,840 --> 00:10:22,240
I'm a build an ice castle.
And then her sister's like, Hey,
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00:10:22,320 --> 00:10:25,800
I love you.
Get your freaking butt back down
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00:10:25,800 --> 00:10:28,360
here and fix all the crap that
you started.
187
00:10:28,960 --> 00:10:32,720
And and then the dude she fell
in love with is a bad guy and
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00:10:32,720 --> 00:10:37,400
Elsa almost kills Anna and and
then she doesn't because Anna
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00:10:37,400 --> 00:10:41,400
sacrifices herself for Elsa.
And it's it's, it's the only
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00:10:41,400 --> 00:10:42,680
good part of the movie.
Boom.
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00:10:43,440 --> 00:10:46,400
OK, so that's Frozen.
I love that you are already so
192
00:10:46,400 --> 00:10:49,360
opposed to the film that you
won't even pronounce her name.
193
00:10:49,400 --> 00:10:51,560
Anna.
You're just like, no, it's Anna.
194
00:10:51,680 --> 00:10:53,840
This is this is the film that I
watched.
195
00:10:53,960 --> 00:10:59,680
From Ohio, man, it's Anna.
I have my critique for this
196
00:10:59,680 --> 00:11:04,480
film, Brad broken down into a
well organized outline and with
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00:11:04,480 --> 00:11:07,160
subheadings and everything else.
Because there are so many
198
00:11:07,160 --> 00:11:10,720
different areas of this movie
that I feel like fall short.
199
00:11:11,800 --> 00:11:14,520
And I think the best place to
start is by just kind of making
200
00:11:14,520 --> 00:11:18,680
this blanket statement that none
of the characters motivations
201
00:11:18,680 --> 00:11:21,960
make sense, none of the plot
devices make sense.
202
00:11:22,080 --> 00:11:27,160
None of this movie feels like it
logically flows from the
203
00:11:27,160 --> 00:11:31,080
preceding scenes.
And perhaps nowhere better to
204
00:11:31,080 --> 00:11:34,320
start than at the very beginning
of the film because I just don't
205
00:11:34,360 --> 00:11:36,720
like what the hell is going on
in this movie, Brad.
206
00:11:37,520 --> 00:11:39,440
So it starts with this kind of
cool.
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00:11:39,440 --> 00:11:40,360
Go ahead, go ahead.
I would.
208
00:11:40,800 --> 00:11:42,120
Say, can I be honest with you,
man?
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00:11:42,120 --> 00:11:44,880
Yeah, I think, I think the
opening I see it is great.
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00:11:44,880 --> 00:11:46,920
Yeah, well, so it's like, it's
so good.
211
00:11:46,920 --> 00:11:49,040
Two back-to-back, cool sounding
songs.
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00:11:49,040 --> 00:11:52,320
The first thing you hear is that
chant, which which is
213
00:11:52,320 --> 00:11:55,280
interesting because like.
So I guess ostensibly this movie
214
00:11:55,280 --> 00:11:58,440
happens somewhere in
Scandinavia, right?
215
00:11:58,440 --> 00:12:00,520
Like it.
It seems that way, although.
216
00:12:00,520 --> 00:12:01,960
They say the word fjord.
They.
217
00:12:02,000 --> 00:12:06,040
Do but then the name of the
country is Arendelle which is
218
00:12:06,240 --> 00:12:09,440
very clearly French influenced
so I don't know, maybe they live
219
00:12:09,440 --> 00:12:13,560
in the Swiss Alps.
Anyway, they start chanting in
220
00:12:13,600 --> 00:12:19,240
this kind of like not Western
sounding key and cadence.
221
00:12:19,600 --> 00:12:22,240
And I don't know if it's just
like it if the songwriters were
222
00:12:22,240 --> 00:12:27,920
trying to tap into like ancient
musical patterns of that region,
223
00:12:28,240 --> 00:12:30,880
but it sounds more like
something you would hear at the
224
00:12:30,880 --> 00:12:31,680
beginning.
Like it.
225
00:12:31,720 --> 00:12:34,560
It sounded like music from The
Lion King, if I'm being frank.
226
00:12:34,680 --> 00:12:39,600
That like, Nah.
I was kind of thinking a preview
227
00:12:39,600 --> 00:12:41,920
for Moana.
Yeah, it's a little more, yes.
228
00:12:41,920 --> 00:12:44,080
OK.
So we'll just say it sounds like
229
00:12:44,080 --> 00:12:47,160
it comes from somewhere where
people have melanin and not from
230
00:12:47,160 --> 00:12:51,520
Scandinavia because like, let's
just be honest here.
231
00:12:51,680 --> 00:12:54,440
So that threw me off.
And then it starts with this ice
232
00:12:54,440 --> 00:12:56,440
cutting chance that all the men
are singing.
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00:12:56,640 --> 00:12:58,720
Also kind of cool.
I liked that scene a lot.
234
00:12:58,720 --> 00:13:02,080
I thought I had some of the best
animation in the whole movie.
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00:13:02,520 --> 00:13:07,280
And then you immediately get
thrust into this magical world
236
00:13:07,280 --> 00:13:13,600
of trolls and it immediately is
like, I don't understand where
237
00:13:13,600 --> 00:13:16,600
we are, what we're doing.
What are the rules of this
238
00:13:16,600 --> 00:13:19,040
Kingdom are the like, do people
know the trolls?
239
00:13:19,040 --> 00:13:21,960
Like what what's going on?
And I guess that's the.
240
00:13:22,000 --> 00:13:25,280
You needed a you needed a 10
minute back story on the trolls,
241
00:13:25,280 --> 00:13:27,320
didn't you?
Honestly, yeah, like please,
242
00:13:27,920 --> 00:13:30,720
just a narration like something.
Yeah.
243
00:13:31,000 --> 00:13:33,600
And I guess that's my opening
question to you is like what's
244
00:13:33,600 --> 00:13:36,080
going on here, Brad?
Oh, man.
245
00:13:36,080 --> 00:13:37,840
So here's here's my other
question.
246
00:13:39,600 --> 00:13:43,480
Rapunzel and her boyfriend
Eugene make an appearance in
247
00:13:43,480 --> 00:13:46,000
this movie, right?
You did?
248
00:13:46,480 --> 00:13:47,920
Oh.
Man I should have done that.
249
00:13:47,920 --> 00:13:53,080
My 2 facts in the falsehood.
As the gates open at the start
250
00:13:53,080 --> 00:13:59,480
of the movie and Anna is running
out of the gates, you see them
251
00:13:59,480 --> 00:14:02,880
walking into the castle.
Oh cool, which?
252
00:14:02,880 --> 00:14:07,800
Means that this is the same
universe as them and like magic
253
00:14:07,800 --> 00:14:11,080
is a very clearly established
thing in this world.
254
00:14:12,400 --> 00:14:18,200
So why is everybody freaking the
F out when they see their queen,
255
00:14:18,200 --> 00:14:20,520
their new queen using ice magic?
Yeah.
256
00:14:20,520 --> 00:14:21,200
So that's.
What's?
257
00:14:21,200 --> 00:14:23,320
What's going?
On they don't set expectations
258
00:14:23,320 --> 00:14:27,360
well, so you, you get your first
glimpse of Elsa and Anna as
259
00:14:27,360 --> 00:14:30,640
small children.
And Elsa has magic powers that
260
00:14:30,640 --> 00:14:33,160
are just there already, like you
don't see her attain them.
261
00:14:33,160 --> 00:14:36,200
They, she was born with them and
they sneak off into like this
262
00:14:36,200 --> 00:14:39,560
Great Hall at night.
And she's like, do the magic, do
263
00:14:39,560 --> 00:14:41,280
the magic.
And she starts doing magic.
264
00:14:41,360 --> 00:14:45,480
And you know, by no fault of her
own, she accidentally injuries
265
00:14:45,560 --> 00:14:50,320
her sister and they go visit the
trolls and Brad, I, I wish that
266
00:14:50,320 --> 00:14:54,200
I had just looked up on IMDb
when the first trolls movie came
267
00:14:54,200 --> 00:14:58,120
out 'cause it was around this
time and the character design's
268
00:14:58,120 --> 00:15:00,120
very similar.
So someone's copying off of
269
00:15:00,120 --> 00:15:02,640
somebody.
Oh, 100%.
270
00:15:02,680 --> 00:15:05,400
They go visit the trolls, and
the trolls are like, oh, yeah,
271
00:15:05,400 --> 00:15:07,400
of course.
Like, there's ice in her mind.
272
00:15:08,760 --> 00:15:12,400
OK, sure.
And and they're like, you know,
273
00:15:12,400 --> 00:15:16,560
you got to do a better job of
training her to use this magic.
274
00:15:16,560 --> 00:15:19,600
And the dad's like, no, I'll do
you one better.
275
00:15:20,200 --> 00:15:22,640
We're going to protect her.
We're going to go back to the
276
00:15:22,640 --> 00:15:26,080
castle and we're going to fire
everybody so no one comes in
277
00:15:26,080 --> 00:15:28,080
contact with her.
And we're going to keep her
278
00:15:28,080 --> 00:15:30,680
locked in a room.
And they just cut back to the
279
00:15:30,680 --> 00:15:32,560
main troll.
And he's like, dude, that is not
280
00:15:32,560 --> 00:15:36,760
what I suggested at at all.
Nope, not at all.
281
00:15:36,760 --> 00:15:39,520
And so it launches immediately
into this song.
282
00:15:39,520 --> 00:15:42,960
Do you want to build a snowman?
And you, you start to understand
283
00:15:42,960 --> 00:15:45,520
the strained relationship that
the two have because they are
284
00:15:45,520 --> 00:15:48,760
literally like Harry pottering
their child, like she's like
285
00:15:48,800 --> 00:15:53,120
living in a locked room forever.
And and you start to get this
286
00:15:53,120 --> 00:15:56,640
mantra that the parents are
teaching her, which is conceal
287
00:15:56,640 --> 00:15:57,960
it.
Don't feel it.
288
00:15:58,080 --> 00:16:01,640
Don't let it show, which is
first of all, like the most
289
00:16:01,640 --> 00:16:04,320
contrived thing to teach your
child to say.
290
00:16:04,400 --> 00:16:07,840
Like they should have just said
like, hide it or we're all we're
291
00:16:07,840 --> 00:16:09,880
all gonna die.
Like that's that's pretty like
292
00:16:10,000 --> 00:16:12,680
this.
I feel like that's a little more
293
00:16:12,680 --> 00:16:16,520
accurate to what's going on.
I don't know, man.
294
00:16:16,520 --> 00:16:18,440
That's then that's how the movie
starts.
295
00:16:18,640 --> 00:16:21,960
And then they're just like, OK,
I think it's time for us to go
296
00:16:21,960 --> 00:16:24,240
die now.
And they just do they just go
297
00:16:24,240 --> 00:16:25,080
off.
I don't know where they're
298
00:16:25,080 --> 00:16:26,320
going.
I don't know what they're doing.
299
00:16:26,320 --> 00:16:29,880
They just get on a ship together
and they just die.
300
00:16:30,840 --> 00:16:32,920
And then they're like, and
that's the prologue to the
301
00:16:32,920 --> 00:16:34,760
movie.
That's it, ma'am.
302
00:16:35,560 --> 00:16:39,960
Don't you feel satisfied now?
Compare this to up a couple of
303
00:16:39,960 --> 00:16:44,480
weeks ago where you have an
entire self-contained story that
304
00:16:44,480 --> 00:16:49,280
also inflects upon and
influences the story that's to
305
00:16:49,280 --> 00:16:53,640
come.
This doesn't tell any coherent
306
00:16:53,800 --> 00:16:56,120
narrative.
It's just a bunch of different
307
00:16:56,120 --> 00:16:59,680
plot developments that are
happening parallel to each other
308
00:17:00,160 --> 00:17:02,320
and then a fade out.
And then you're kind of
309
00:17:02,320 --> 00:17:05,520
wondering, like, how are they
going to cross all these paths
310
00:17:05,520 --> 00:17:07,400
together?
How do these things influence
311
00:17:07,400 --> 00:17:09,119
each other?
Where are we going from here?
312
00:17:09,480 --> 00:17:13,079
And I don't think the movie ever
successfully brings all those
313
00:17:13,079 --> 00:17:17,319
threads together to tell one
compelling narrative.
314
00:17:17,319 --> 00:17:20,160
Brad.
No.
315
00:17:21,400 --> 00:17:22,720
I've been talking a lot.
Please say.
316
00:17:22,920 --> 00:17:25,720
Please say something.
You, you have been talking a lot
317
00:17:25,720 --> 00:17:29,120
and you've been speaking the
most sense you've ever spoken in
318
00:17:29,120 --> 00:17:35,760
your life by the so much of this
movie just rolls upon itself
319
00:17:35,760 --> 00:17:38,400
like, like Olaf rolling down the
hill.
320
00:17:38,880 --> 00:17:45,280
And it, it all builds up into
this critical mass of fluff.
321
00:17:46,200 --> 00:17:50,520
And and that's the problem with
this film is that at its core,
322
00:17:50,960 --> 00:17:57,360
this film is about the true,
deep, abiding love that siblings
323
00:17:57,360 --> 00:18:02,440
ought to have for one another
and Anna has for Elsa, but that
324
00:18:02,440 --> 00:18:08,120
gets lost constantly and it it
gets thrown to the side and
325
00:18:08,120 --> 00:18:12,280
you're much more worried about
these silly trolls or Olaf being
326
00:18:12,280 --> 00:18:16,000
ridiculous.
The the songs don't.
327
00:18:17,640 --> 00:18:21,600
I'm trying to think, I feel like
maybe three of the songs really
328
00:18:21,600 --> 00:18:24,120
make sense for what's happening
in the movie.
329
00:18:24,560 --> 00:18:28,880
So many of the songs are just
throw away like, well, wouldn't
330
00:18:28,880 --> 00:18:33,240
it, wouldn't it be funny if a if
a snowman was obsessed with
331
00:18:33,240 --> 00:18:37,240
summer and then sang about it
for 4 minutes And, and, and it
332
00:18:37,240 --> 00:18:43,200
just doesn't work because the at
its core, this movie has a great
333
00:18:43,600 --> 00:18:47,000
storyline.
I absolutely love the storyline
334
00:18:47,000 --> 00:18:52,120
of Anna loving on Elsa, no
matter the cost to herself like
335
00:18:52,120 --> 00:18:54,160
that.
That's a beautiful story.
336
00:18:54,560 --> 00:18:58,840
And really I, there's a part of
me that looks at it almost, I
337
00:18:58,840 --> 00:19:01,080
don't know this, this is
probably reading too deeply into
338
00:19:01,080 --> 00:19:06,400
it, but it, it almost feels like
I don't know if I should say
339
00:19:06,400 --> 00:19:09,440
this.
It, it feels kind of to me like
340
00:19:09,440 --> 00:19:14,120
Elsa is a bit of an addict, that
she becomes addicted.
341
00:19:14,120 --> 00:19:16,760
I mean, I mean, in the film she
literally says it like to
342
00:19:16,760 --> 00:19:20,160
herself, like, I'm not going to
care about any of my
343
00:19:20,160 --> 00:19:22,320
responsibilities.
I'm not going to care about
344
00:19:22,320 --> 00:19:24,440
anything going down in the Lower
Kingdom.
345
00:19:24,680 --> 00:19:26,920
I'm only going to be with myself
now.
346
00:19:27,840 --> 00:19:30,040
And obviously she changes that
and moves on.
347
00:19:30,040 --> 00:19:34,080
But but for Anna, it's this
journey into the depths of her
348
00:19:34,080 --> 00:19:38,560
addicted sister's madness as
she's trying to bring her back
349
00:19:38,560 --> 00:19:40,880
and it is her love that saves
her in the end.
350
00:19:41,640 --> 00:19:43,840
Tell me that's not a great,
great story, Bob.
351
00:19:44,280 --> 00:19:46,200
It is.
And if I can jump off from
352
00:19:46,200 --> 00:19:48,920
there, because you've said like
8 things that I want to comment
353
00:19:48,920 --> 00:19:50,480
on.
But but let's go back to the the
354
00:19:50,480 --> 00:19:52,960
first point that you were
making, which is I think the
355
00:19:52,960 --> 00:19:57,520
overarching point.
Like if if the sister's love for
356
00:19:57,520 --> 00:20:02,160
her sister is the heart of this
movie, then they sure do a bad
357
00:20:02,160 --> 00:20:07,120
job of underlining that because
it is so, so pushed to the side
358
00:20:07,120 --> 00:20:10,600
so early on that by the time it
comes back at the very end of
359
00:20:10,600 --> 00:20:13,640
the movie, as this is what it
was about all along, you go.
360
00:20:14,120 --> 00:20:16,200
Oh, OK, I guess.
Yeah.
361
00:20:16,240 --> 00:20:19,440
Like that was kind of there.
But by the end of the film,
362
00:20:20,240 --> 00:20:24,520
Elsa.
Is Anna's like fourth or fifth
363
00:20:24,520 --> 00:20:28,080
most important relationship?
Like she has learned essentially
364
00:20:28,280 --> 00:20:31,200
to have healthy relationships
beyond Elsa with all of these
365
00:20:31,200 --> 00:20:32,920
other people and magical
creatures.
366
00:20:33,440 --> 00:20:37,160
By the time she actually, like,
sacrifices herself for Elsa at
367
00:20:37,160 --> 00:20:40,400
the end of the film, it's like,
oh, OK, like, I guess we could
368
00:20:40,400 --> 00:20:42,200
end there.
But you did a really bad job of
369
00:20:42,200 --> 00:20:44,560
leaving the trail of bread
crumbs to this moment.
370
00:20:45,160 --> 00:20:48,600
And I think honestly, Brad, the
where they start to get off
371
00:20:48,600 --> 00:20:53,080
track is in their development of
these two characters from the
372
00:20:53,080 --> 00:20:55,960
very beginning.
I think dramatically speaking,
373
00:20:56,440 --> 00:21:00,480
Elsa is obviously the more
compelling character because
374
00:21:00,480 --> 00:21:03,160
she's she's the one struggling
with this thing, this magic
375
00:21:03,160 --> 00:21:04,840
thing.
It's really intriguing.
376
00:21:05,120 --> 00:21:08,320
But because it's Disney, you're
not going to make her the lead
377
00:21:08,320 --> 00:21:10,240
of the movie.
You have to have some other kind
378
00:21:10,240 --> 00:21:14,080
of audience surrogate that's
like the window into Elsa's
379
00:21:14,080 --> 00:21:17,160
world.
And you know, I keep thinking
380
00:21:17,160 --> 00:21:19,720
about a movie that I like more
than you, but I think we both
381
00:21:19,720 --> 00:21:21,400
like significantly more than
this movie.
382
00:21:21,400 --> 00:21:23,000
And it's the Hunchback of Notre
Dame.
383
00:21:23,160 --> 00:21:26,680
Like Elsa is the Quasimodo of
this movie.
384
00:21:27,440 --> 00:21:29,800
A.
Very beautiful Quasimodo.
385
00:21:29,800 --> 00:21:33,840
Just a gorgeous hunchback and
she goes off and does her own
386
00:21:33,840 --> 00:21:35,000
thing in the bell tower.
Right.
387
00:21:35,360 --> 00:21:39,440
But quasi Quasimodo story is is
more compelling, but I feel like
388
00:21:39,440 --> 00:21:42,600
the the Disneyfication of these
two stories is like we can't
389
00:21:43,000 --> 00:21:47,880
it's it's too dark and it's too
advanced for what we want this
390
00:21:47,880 --> 00:21:51,280
movie to be.
So Anna becomes our heroine, and
391
00:21:51,280 --> 00:21:53,880
that's fine.
The thing is with Anna, though,
392
00:21:55,320 --> 00:21:57,840
man, I'm gonna make make you mad
with this comparison.
393
00:21:57,840 --> 00:22:01,840
But a few weeks ago I talked
about how Spielberg's like my
394
00:22:01,840 --> 00:22:05,800
favorite director, but he kind
of paved the way for the MCU.
395
00:22:06,640 --> 00:22:09,880
And I think that, yes, a movie
that you really like that came
396
00:22:09,880 --> 00:22:13,680
out four years prior to this
called Tangled, was one of the
397
00:22:13,680 --> 00:22:18,880
first Disney films where the
Princess heroine character
398
00:22:19,280 --> 00:22:23,520
wasn't just like your classic
Disney Princess ingenue.
399
00:22:23,560 --> 00:22:25,360
Like, they're always green,
right?
400
00:22:25,360 --> 00:22:27,160
They're always young and
impressionable.
401
00:22:27,680 --> 00:22:31,080
But she had this kind of like,
I'm the awkward girl.
402
00:22:31,080 --> 00:22:34,760
Like I'm, I'm not fully formed
yet and I'm a little bit funny
403
00:22:34,760 --> 00:22:36,720
because I'm clumsy and things
like that.
404
00:22:36,720 --> 00:22:38,480
Whereas, you know, Belle wasn't
like that.
405
00:22:38,480 --> 00:22:40,400
Even Ariel to some extent wasn't
like that.
406
00:22:40,960 --> 00:22:43,480
And I think they took that and
ran with it for this movie.
407
00:22:43,880 --> 00:22:48,720
And this was like in the peak of
Manic Pixie Dream girl, like
408
00:22:48,880 --> 00:22:53,800
Zooey Deschanel, 500 Days of
summer type leading ladies.
409
00:22:54,160 --> 00:22:58,720
And I feel like, dude, they go
so overboard with Anna just
410
00:22:58,720 --> 00:23:01,960
being like, oh, oh, I stand here
OK.
411
00:23:02,400 --> 00:23:04,680
I wouldn't even know where to
stand 'cause I'm so awkward.
412
00:23:04,680 --> 00:23:08,040
And like, it's just, it was like
nails on chalkboard for half the
413
00:23:08,040 --> 00:23:10,560
movie.
I can't, like I just cannot
414
00:23:10,560 --> 00:23:16,120
abide them making their lead
character such an idiot for so
415
00:23:16,120 --> 00:23:20,080
much of the movie.
Like I can't, I can't stand
416
00:23:20,280 --> 00:23:23,880
these characters, dude.
I want Anna and like, she is a
417
00:23:23,880 --> 00:23:27,960
badass at points and she has
agency and she's smart and you
418
00:23:27,960 --> 00:23:30,760
know, like her, her ability to
trust people is her downfall.
419
00:23:30,760 --> 00:23:34,200
But that's also her virtue.
And like lean into that, make
420
00:23:34,200 --> 00:23:38,360
her a little bit more, I don't
know, root horrible because I
421
00:23:38,360 --> 00:23:40,840
can't do it with how you're
portraying her in the early
422
00:23:40,840 --> 00:23:44,000
parts of this movie.
Dude, that's that's absolutely
423
00:23:44,000 --> 00:23:47,240
wild because Otto was actually
probably one of the few
424
00:23:47,240 --> 00:23:48,920
characters I liked in this
movie.
425
00:23:50,240 --> 00:23:54,120
I I'm not totally in
disagreement with you that she's
426
00:23:54,120 --> 00:23:58,440
kind of a manic Pixie dream
Anna, but she's at least an
427
00:23:58,440 --> 00:24:01,800
enjoyable one that like there's
there's other films where it
428
00:24:01,800 --> 00:24:04,960
doesn't work as well, like a
Elizabethtown.
429
00:24:06,120 --> 00:24:12,320
I I think that it works here.
Why do I think it works here?
430
00:24:12,320 --> 00:24:13,680
I don't know.
I think it works.
431
00:24:15,320 --> 00:24:17,720
Sometimes that's all you can say
is like, yeah, it just worked
432
00:24:17,720 --> 00:24:20,480
for me this time around.
I do think the extent to which
433
00:24:20,480 --> 00:24:23,200
it works is because Kristen Bell
does a really good job with the
434
00:24:23,200 --> 00:24:25,960
voice acting.
I was about to say, I think it's
435
00:24:25,960 --> 00:24:29,400
because Kristen Bell gives the
character a depth at the end of
436
00:24:29,400 --> 00:24:34,120
the film that qualifies the rest
of who she is.
437
00:24:34,480 --> 00:24:37,200
Like there's character growth by
the end of the movie, but like,
438
00:24:37,200 --> 00:24:43,200
as she is facing death, you can
tell that she begins to move
439
00:24:43,200 --> 00:24:46,800
beyond who she once was.
And I, I think that's that's why
440
00:24:46,800 --> 00:24:50,560
I, I enjoy her as a character.
She doesn't stay where she's at.
441
00:24:51,480 --> 00:24:54,440
Yeah, I totally agree.
I do want to talk about Elsa,
442
00:24:54,920 --> 00:24:56,520
but I think in order to do that,
we got it.
443
00:24:56,520 --> 00:25:00,120
We kind of have to start talking
about the music of this movie
444
00:25:00,120 --> 00:25:03,280
because Elsa's big moment
obviously is let it go.
445
00:25:04,080 --> 00:25:08,520
And man, let it go is such a
it's such a weird topic to talk
446
00:25:08,520 --> 00:25:10,400
about.
So I kind of want to broaden it
447
00:25:10,400 --> 00:25:12,080
and talk about the music in
general.
448
00:25:13,000 --> 00:25:18,760
This soundtrack went absolutely
bananas on the charts in 2013,
449
00:25:18,760 --> 00:25:20,560
2014.
Like people were buying this
450
00:25:20,560 --> 00:25:23,120
like crazy.
And, you know, a few years ago
451
00:25:23,120 --> 00:25:25,040
in Kanto, I feel like kind of
took off.
452
00:25:25,040 --> 00:25:27,320
But it it never got to the level
of Frozen.
453
00:25:27,320 --> 00:25:30,040
Frozen was the most popular
thing I'd seen from Disney since
454
00:25:30,040 --> 00:25:35,120
probably The Lion King.
And I just to this day, I've
455
00:25:35,120 --> 00:25:38,400
been trying to piece together
what is it about this soundtrack
456
00:25:38,480 --> 00:25:43,080
that appeals to people so much?
But I think when you're just
457
00:25:43,080 --> 00:25:45,880
watching it in the context of
the movie itself and Brad,
458
00:25:45,880 --> 00:25:48,320
you've already started talking
about this, it's kind of a
459
00:25:48,320 --> 00:25:52,800
muddled mess because none of the
songs are really designed to
460
00:25:52,800 --> 00:25:55,320
specifically address what's
happening in the movie.
461
00:25:55,920 --> 00:25:59,720
No, it's not talking about the
story that's being told.
462
00:26:00,280 --> 00:26:04,280
It's, I don't know, telling
ancillary little bits of
463
00:26:04,280 --> 00:26:08,720
information like, I don't know,
like we don't need a 4 minute
464
00:26:08,720 --> 00:26:13,720
background on this newly formed
and life breathed into character
465
00:26:13,720 --> 00:26:16,040
Olaf.
And we don't need to know his
466
00:26:16,040 --> 00:26:18,760
motivation for going on
vacation, right?
467
00:26:19,520 --> 00:26:21,560
We're in the middle of important
things here, guys.
468
00:26:21,600 --> 00:26:22,440
Come on.
Like, come on.
469
00:26:23,200 --> 00:26:26,520
I think that this soundtrack is
one of the first ones from
470
00:26:26,520 --> 00:26:30,840
Disney that shield away from
that old like Howard Ashman
471
00:26:30,840 --> 00:26:33,280
style of writing songs.
You know, we talked about Beauty
472
00:26:33,280 --> 00:26:35,600
and the Beast and how that's our
favorite soundtrack.
473
00:26:36,040 --> 00:26:39,080
And it's because the songs are
so specific to what's happening
474
00:26:39,080 --> 00:26:42,880
in that movie.
Even the the I want song of
475
00:26:42,880 --> 00:26:45,320
Belle where she's just I want
adventure in the great wide
476
00:26:45,320 --> 00:26:47,800
open.
That's not like a song you put
477
00:26:47,800 --> 00:26:50,600
on the radio.
It is very specific to the the
478
00:26:50,600 --> 00:26:53,720
musical style of that movie,
which is much more kind of
479
00:26:53,720 --> 00:26:58,040
classically Broadway and to the
characters of that movie.
480
00:26:58,280 --> 00:27:01,440
Whereas this movie is like they
sat down and they said, we want
481
00:27:01,440 --> 00:27:04,080
every single song in this movie
to get radio play.
482
00:27:04,080 --> 00:27:06,760
We want to be able to put this
on the radio.
483
00:27:07,080 --> 00:27:10,320
And in order to do that, we're
going to write in the vaguest
484
00:27:10,320 --> 00:27:13,400
possible terms so that when
you're watching the movie, what
485
00:27:13,400 --> 00:27:15,880
is coming out of these
characters mouths kind of fits.
486
00:27:16,160 --> 00:27:18,560
Sure.
But then you can also listen to
487
00:27:18,560 --> 00:27:21,680
it in your car and you can apply
it to whatever situation in in
488
00:27:21,680 --> 00:27:23,520
life.
And I was just talking to
489
00:27:23,520 --> 00:27:27,960
somebody about this movie today,
and I said that the soundtrack
490
00:27:27,960 --> 00:27:31,800
reminds me of like the
contemporary Christian worship
491
00:27:31,800 --> 00:27:35,520
music of Disney.
Like it's kind of about Jesus,
492
00:27:35,680 --> 00:27:38,360
but it could also kind of be
about my boyfriend if I wanted
493
00:27:38,360 --> 00:27:40,400
to, because we're talking about
it so vaguely.
494
00:27:40,880 --> 00:27:43,280
And I think that that's what
really frustrates me here.
495
00:27:43,440 --> 00:27:44,160
It's.
Yeah.
496
00:27:44,280 --> 00:27:48,680
It's good pop music.
It's terrible soundtrack to a
497
00:27:48,680 --> 00:27:51,920
musical music.
Yes, I I mean it.
498
00:27:51,960 --> 00:27:56,000
It set the stage for the
Greatest Showman. 100% dude
499
00:27:56,200 --> 00:27:58,400
like.
Yep, every single song in The
500
00:27:58,400 --> 00:28:02,640
Greatest Showman was like how
can we be the most poppy radio
501
00:28:02,640 --> 00:28:05,680
song that the world has ever
seen?
502
00:28:05,720 --> 00:28:07,680
And they all sound the same and
they all suck.
503
00:28:07,720 --> 00:28:10,200
Well, and The thing is, I don't
even care if it's pop music
504
00:28:10,200 --> 00:28:12,040
sounding and not classic
Broadway.
505
00:28:12,280 --> 00:28:15,800
You got to make it address
what's happening in the movie
506
00:28:16,360 --> 00:28:20,080
and in both of those movies,
it's not like the movie almost
507
00:28:20,080 --> 00:28:24,360
seems like placeholder visual
stuff for a song that's
508
00:28:24,360 --> 00:28:26,080
completely separate from the
movie.
509
00:28:26,840 --> 00:28:30,680
Yeah, and, and even like the
opening song is the most
510
00:28:30,760 --> 00:28:36,000
classical Broadway vibe in my
opinion, and it has nothing to
511
00:28:36,000 --> 00:28:40,200
do with the plot, but I don't
mind it because the plot hasn't
512
00:28:40,200 --> 00:28:42,880
started yet.
And so like the first time
513
00:28:42,880 --> 00:28:47,920
through, that song feels like it
could be the opening song of
514
00:28:47,920 --> 00:28:51,000
Beauty and the Beast, because
we're talking about the culture,
515
00:28:51,000 --> 00:28:55,640
we're talking about the
lifestyle of Arendelle and, and
516
00:28:55,640 --> 00:28:58,000
what it means to be an
Arendellian.
517
00:28:58,000 --> 00:29:02,240
And, and it feels like it's
setting up the mythos of the
518
00:29:02,240 --> 00:29:07,000
region.
And and then it's never brought
519
00:29:07,000 --> 00:29:10,640
up, It's never mentioned.
It's never like, you know, you
520
00:29:10,640 --> 00:29:14,320
have bells singing about this
poor provincial town, and then
521
00:29:14,320 --> 00:29:17,560
the poor provincial town takes
up pitchforks and torches and
522
00:29:17,560 --> 00:29:20,440
goes to kill the local beast
like that.
523
00:29:20,440 --> 00:29:24,520
Like it all fits together.
And here it's like, yeah, we cut
524
00:29:24,520 --> 00:29:29,440
ice for a living.
And then that has no impact on
525
00:29:29,440 --> 00:29:31,520
any of the characters
whatsoever.
526
00:29:31,520 --> 00:29:34,520
Right, other than a a throwaway
joke where the guy's like, I
527
00:29:34,520 --> 00:29:37,080
sell ice for a living, what am I
supposed to do now, you know?
528
00:29:37,080 --> 00:29:40,160
And yeah, but you don't really
understand the plight of the
529
00:29:40,160 --> 00:29:42,480
people living in the Kingdom.
You're you're absolutely right.
530
00:29:42,480 --> 00:29:44,480
And the music does nothing to
support that.
531
00:29:45,080 --> 00:29:48,440
And I think because the music is
operating in this sort of like
532
00:29:48,440 --> 00:29:53,120
vague pop genre, you get music
that sounds like early 2000's
533
00:29:53,120 --> 00:29:55,880
pop.
You get your classic Céline Dion
534
00:29:56,080 --> 00:29:59,160
style ballad songs.
You get, you know, stuff that
535
00:29:59,160 --> 00:30:02,040
sounds like it should be in
Moana, like it's it's all over
536
00:30:02,040 --> 00:30:05,000
the place.
And I it's funny to me because I
537
00:30:05,000 --> 00:30:07,120
think some of my favorite songs
from the movie are the ones that
538
00:30:07,120 --> 00:30:11,360
fit the least with this movie,
like the the duet that that they
539
00:30:11,360 --> 00:30:14,480
sing at the beginning.
Hans and Anna love is an open
540
00:30:14,480 --> 00:30:15,720
door.
It's great.
541
00:30:15,800 --> 00:30:18,000
It's great because it sounds
like it's from High School
542
00:30:18,000 --> 00:30:21,800
Musical, like it is.
It's like 100% dude.
543
00:30:21,880 --> 00:30:25,880
Like, yeah, I like the song that
the trolls sing, the fixer upper
544
00:30:25,880 --> 00:30:27,840
song, 'cause that sounds like it
should be in Hercules.
545
00:30:27,920 --> 00:30:30,760
It's a completely different
style of music.
546
00:30:31,400 --> 00:30:35,920
It just continually muddles up
this movie because this movie
547
00:30:35,920 --> 00:30:38,880
has no idea what it wants to be
or what it wants to say.
548
00:30:39,680 --> 00:30:43,520
Yeah, I I am with you 100%.
Man, I need to drink whiskey.
549
00:30:43,520 --> 00:30:46,040
Well, hold on, wait.
I'm gonna delay your whiskey for
550
00:30:46,080 --> 00:30:47,720
two seconds.
We've been crapping on this
551
00:30:47,720 --> 00:30:50,080
pretty hard.
And, like, I'm not gonna give it
552
00:30:50,080 --> 00:30:54,040
a high score, but I don't think
that there is, like, nothing to
553
00:30:54,040 --> 00:30:59,200
enjoy or appreciate about this
movie and us both being fans of
554
00:30:59,200 --> 00:31:01,400
the musical.
Brad, what were your favorite
555
00:31:01,400 --> 00:31:03,280
songs in the movie and what did
you like about them?
556
00:31:04,960 --> 00:31:08,480
Oh man, I what were my favorite
songs in the movie?
557
00:31:09,240 --> 00:31:11,360
I don't know, Bob.
I don't like the songs in this
558
00:31:11,360 --> 00:31:15,200
movie.
Like I I don't I don't want to
559
00:31:15,200 --> 00:31:18,600
be a Dick.
I just, the only one I really
560
00:31:18,600 --> 00:31:23,760
like is probably the opening
song and and probably the duet.
561
00:31:23,840 --> 00:31:27,640
And the reason I like both of
those is that, hey, the opening
562
00:31:27,640 --> 00:31:30,520
song feels like it's setting
something up even though it
563
00:31:30,520 --> 00:31:34,360
doesn't.
And the duet sets up the
564
00:31:34,360 --> 00:31:37,000
characters.
If there's one thing that this
565
00:31:37,000 --> 00:31:42,640
script does well, it sets up the
character of is it Hans?
566
00:31:42,760 --> 00:31:44,440
He's he's the bad guy, Yeah.
Yep.
567
00:31:45,400 --> 00:31:49,040
I think that it does an
incredible job of setting him up
568
00:31:49,040 --> 00:31:52,200
as a sincere, good hearted good
guy.
569
00:31:52,920 --> 00:31:57,120
Yeah, like, I do think the twist
is really well done because, you
570
00:31:57,120 --> 00:32:00,040
know, what I thought was coming
was she, You know, she gets
571
00:32:00,040 --> 00:32:01,360
stabbed in the heart by her
sister.
572
00:32:01,360 --> 00:32:02,680
And then she's like, you got to
kiss me.
573
00:32:02,680 --> 00:32:04,440
It's true love.
You know, I thought it was going
574
00:32:04,440 --> 00:32:07,120
to be the classic Disney thing
of he does kiss her, but it's
575
00:32:07,120 --> 00:32:09,880
not really true love.
And so then she has to go get
576
00:32:09,880 --> 00:32:11,840
whatever the hell his name is to
kiss her, Right?
577
00:32:12,320 --> 00:32:14,720
But instead they're like, hey,
let's make him a murderer.
578
00:32:14,800 --> 00:32:16,600
And I'm like, oh, OK, Like I'm
on board.
579
00:32:18,040 --> 00:32:21,440
Yes, and, and it's so well done
because you're right.
580
00:32:21,440 --> 00:32:25,960
Like you can feel as an audience
member watching the movie that
581
00:32:25,960 --> 00:32:29,360
the kiss isn't going to work,
but you think that it's going to
582
00:32:29,360 --> 00:32:32,480
happen.
And, and that's the, that's the
583
00:32:32,480 --> 00:32:37,200
incredible bit of writing, like,
so I, that I think that's why,
584
00:32:37,240 --> 00:32:39,160
to go back to your question
about the music, I think that's
585
00:32:39,160 --> 00:32:45,160
why I like the love is an open
door because it really sets up
586
00:32:45,160 --> 00:32:51,400
that childlike teenager first
crush, first love vibe.
587
00:32:51,400 --> 00:32:54,600
And, and once again that, you
know, going back to Anna, like,
588
00:32:54,800 --> 00:32:58,400
I think that's why I like her is
because she starts off as that
589
00:32:58,880 --> 00:33:04,200
1516 year old girl who is just
madly in love with the first set
590
00:33:04,200 --> 00:33:08,760
of beautiful eyes that she sees.
And, and, and he seemingly is
591
00:33:08,760 --> 00:33:11,040
the same way.
And I I like that it's well
592
00:33:11,040 --> 00:33:13,400
done.
All right, man, let's break for
593
00:33:13,400 --> 00:33:15,600
whiskey.
Let's let's cool our jets a
594
00:33:15,600 --> 00:33:17,920
little bit, then we'll come back
and talk about more things we
595
00:33:17,920 --> 00:33:20,600
dislike about the movie Frozen.
What do you say?
596
00:33:21,080 --> 00:33:29,160
Let's get to it.
All right, so today we are
597
00:33:29,160 --> 00:33:32,160
checking out Ezra Brooks
Distillers Collection.
598
00:33:32,160 --> 00:33:36,600
This is a high rye bourbon
whiskey from Lux Roe Distillery.
599
00:33:36,880 --> 00:33:40,040
This is, I believe, our 4th Ezra
Brooks product that we've tried
600
00:33:40,040 --> 00:33:42,360
on the show.
We've tried Ezra Brooks, we've
601
00:33:42,360 --> 00:33:47,000
tried Ezra Brooks 99, we've
tried Old Ezra 7 year, and now
602
00:33:47,000 --> 00:33:49,160
we're trying the Distillers
Collection.
603
00:33:49,680 --> 00:33:53,000
It follows roughly the same
pattern as their weeded bourbon
604
00:33:53,000 --> 00:33:55,160
Lion Rebel, which we really,
really love.
605
00:33:55,680 --> 00:33:59,560
I've always been a little bit
more mixed to muted on Ezra
606
00:33:59,560 --> 00:34:02,480
Brooks, Brad, and it might just
be my own preference for I like
607
00:34:02,480 --> 00:34:04,440
weeded bourbon better than high
rye bourbon.
608
00:34:04,920 --> 00:34:08,920
But I'm really hoping that this
distillers collection nails down
609
00:34:08,920 --> 00:34:12,440
for me what the flavor profile
of Ezra Brooks is supposed to,
610
00:34:12,440 --> 00:34:16,360
because for me, Rebel Distillers
collection, I think is the best
611
00:34:16,360 --> 00:34:20,400
thing in that entire line.
Oh bro, far far in a way.
612
00:34:20,600 --> 00:34:25,639
Rebels Distillers collection is
mind blowingly good.
613
00:34:25,800 --> 00:34:29,520
I I like if there's a reason to
go down to the Kentucky Bourbon
614
00:34:29,520 --> 00:34:35,199
Festival every year, it might be
just to buy that for what, 60-70
615
00:34:35,199 --> 00:34:37,159
dollars usually?
Yeah.
616
00:34:37,320 --> 00:34:40,239
It's it's such good stuff, man.
It's really, really good.
617
00:34:40,320 --> 00:34:42,880
And so the distillers collection
is this interesting thing that
618
00:34:42,880 --> 00:34:47,560
Lux Rd. does, which is a super
hyper small batch release.
619
00:34:47,560 --> 00:34:51,480
They release it every few weeks,
but the batches are like on the
620
00:34:51,480 --> 00:34:55,960
website it says 30 to 40 cases
of whiskey.
621
00:34:56,239 --> 00:34:59,200
So we're talking like only a
couple barrels Max depending on
622
00:34:59,200 --> 00:35:03,000
how old the whiskey is.
It is a blend that's made-up of
623
00:35:03,000 --> 00:35:05,960
hand selected barrels that are
chosen either by the master
624
00:35:05,960 --> 00:35:10,200
distiller or specifically
appointed employees, you know,
625
00:35:10,200 --> 00:35:12,640
at Lux Row.
So it's pretty cool that they
626
00:35:12,640 --> 00:35:14,680
they blend them that frequently.
They release them that
627
00:35:14,680 --> 00:35:17,800
frequently.
This one is clocking in at 107
628
00:35:17,800 --> 00:35:20,560
proof, which I think is like a
perfect proof point.
629
00:35:20,560 --> 00:35:23,160
Brad, I don't want to talk too
much more about it because I'm
630
00:35:23,160 --> 00:35:26,960
excited to dive in and see what
this brings about for us in
631
00:35:26,960 --> 00:35:29,960
terms of how we evaluate this
brand overall.
632
00:35:30,240 --> 00:35:33,400
So I'm drinking it live.
Brad, you've had it before.
633
00:35:33,480 --> 00:35:35,400
Why don't you kick us off with
your nosing notes?
634
00:35:36,000 --> 00:35:40,120
As I got into the nose on this
one, the the thing that popped
635
00:35:40,120 --> 00:35:44,600
out to me right away and stuck
with me after multiple nosings,
636
00:35:45,000 --> 00:35:48,040
it just really came across
astringent to me.
637
00:35:49,400 --> 00:35:53,440
The longer I stuck with it, the
more I got some caramel, there's
638
00:35:53,440 --> 00:35:57,400
some black pepper, there was
some apple notes coming through
639
00:35:57,400 --> 00:36:02,120
almost like a a red apple.
It's interesting and unique, but
640
00:36:02,120 --> 00:36:05,440
I I couldn't get away from that
astringency so I'm I'm going to
641
00:36:05,440 --> 00:36:08,560
give it a 6 1/2.
I got most of the same notes you
642
00:36:08,560 --> 00:36:11,120
did, but I like it a lot better.
I think the very first thing I
643
00:36:11,120 --> 00:36:15,480
noticed was like pink bubble gum
and then that led directly into
644
00:36:15,480 --> 00:36:18,880
Coca-Cola, but it was Coca-Cola
with like a ton of black pepper,
645
00:36:18,920 --> 00:36:23,160
like like ground right into it.
Like an Olive Garden server just
646
00:36:23,160 --> 00:36:27,000
grinded pepper in my Coke.
It was pretty spicy and I liked
647
00:36:27,000 --> 00:36:29,000
that to go with that sort of
bubble gum thing.
648
00:36:29,200 --> 00:36:32,280
I got a ton of red apple peel on
the very back end.
649
00:36:32,480 --> 00:36:35,760
So it's got this nice kind of
like, I don't know, it's, it's
650
00:36:35,760 --> 00:36:38,360
not quite apple pie.
It's a lot spicier than that.
651
00:36:38,360 --> 00:36:40,720
And I'm, I'm intrigued by where
it's going to go.
652
00:36:40,720 --> 00:36:43,080
I'm going to give it a 7.5 on
the nose.
653
00:36:43,920 --> 00:36:47,520
I think that the the palate
helps it out a little bit.
654
00:36:48,280 --> 00:36:52,080
It it got a little bit spicier.
There's some clove, the caramel
655
00:36:52,080 --> 00:36:56,440
comes through, the apple turns
into like a a really nice tart
656
00:36:56,440 --> 00:37:01,360
apple vibe that like this is a
really interesting whiskey that
657
00:37:01,360 --> 00:37:03,720
has good solid flavors coming
through.
658
00:37:04,120 --> 00:37:05,840
I'm going to give it a 7 out of
10 here.
659
00:37:06,240 --> 00:37:07,800
Yeah, I think I'm pretty much
with you, man.
660
00:37:07,800 --> 00:37:10,640
I I like this a lot.
There is definitely some
661
00:37:10,640 --> 00:37:13,800
Coca-Cola notes right up front
and then you're kind of
662
00:37:13,800 --> 00:37:15,880
overwhelmed with the sweetness
of it.
663
00:37:15,880 --> 00:37:20,320
It gets really like vanilla
extract kind of heavy for me to
664
00:37:20,320 --> 00:37:22,960
the point where I think like the
on the back of the pallet it
665
00:37:22,960 --> 00:37:24,600
might.
My palate was almost fighting
666
00:37:24,600 --> 00:37:26,160
against it.
It was like, oh, this is like
667
00:37:26,160 --> 00:37:30,200
sickly sweet, but it has a nice
layer of spice underneath it.
668
00:37:30,200 --> 00:37:32,120
The black pepper definitely
shines through.
669
00:37:32,360 --> 00:37:34,960
The ethanol comes through on the
back end of the pallet.
670
00:37:35,760 --> 00:37:38,920
I thought it was going to be
like mind blowingly good from
671
00:37:38,920 --> 00:37:42,360
the front of the pallet and then
it got a really kind of bitter
672
00:37:42,360 --> 00:37:46,440
herbal quality to it at the back
that kind of kind of soured me
673
00:37:46,440 --> 00:37:48,720
on the whole experience.
I went from I, I was going to
674
00:37:48,720 --> 00:37:52,840
give it like an 8 1/2 or a nine
down to I, I don't know, I guess
675
00:37:52,840 --> 00:37:59,000
I'll give it A7, But I, I feel
pretty strongly that my finish
676
00:37:59,000 --> 00:38:00,800
score is not even going to be
that high, Brad.
677
00:38:01,360 --> 00:38:04,040
Yeah, and I, I think that I'm
with you, man.
678
00:38:04,040 --> 00:38:09,400
The the finish falls off for me.
It doesn't last long enough, It
679
00:38:09,400 --> 00:38:12,720
stays peppery.
The oak starts to come through.
680
00:38:14,560 --> 00:38:17,960
6 out of 10 here.
Yeah, same thing, man.
681
00:38:18,160 --> 00:38:22,280
It's like overly spicy and
overly aggressive and overly
682
00:38:22,280 --> 00:38:26,360
bitter at the same time to the
point like, and I, I hate to say
683
00:38:26,360 --> 00:38:28,360
this 'cause I'm gonna make it
sound like I'm being dramatic.
684
00:38:28,840 --> 00:38:32,320
I almost had like a little bit
of a, not quite a gag reflex,
685
00:38:32,320 --> 00:38:34,200
but something close to that, you
know what I mean?
686
00:38:34,200 --> 00:38:37,920
Like, oh, this is this is very
bitter, almost like when you
687
00:38:37,920 --> 00:38:41,200
leave a a pill in your mouth for
too long and the taste of the
688
00:38:41,200 --> 00:38:43,080
medicine starts to go through
that coating.
689
00:38:43,600 --> 00:38:46,360
Yeah, not my favorite man.
I'm gonna give it a 5 1/2 on the
690
00:38:46,360 --> 00:38:48,920
finish.
And that really tanks my balance
691
00:38:48,920 --> 00:38:51,360
score because I thought the nose
and the taste were pretty well
692
00:38:51,360 --> 00:38:54,000
balanced.
But it get, it got really,
693
00:38:54,000 --> 00:38:57,200
really herbal and almost
medicinal for me on the back.
694
00:38:57,880 --> 00:39:02,560
I think I'm just gonna give it
a, let's call it a 6 1/2 on the
695
00:39:02,560 --> 00:39:05,440
balance.
Yeah, I, I'm at a six on the
696
00:39:05,440 --> 00:39:08,520
balance, Bob, that there's just
nothing to write home about
697
00:39:08,520 --> 00:39:13,640
here, unfortunately.
I, I really wanted to like this.
698
00:39:14,760 --> 00:39:17,720
I, I think the interesting thing
is that when it comes to value,
699
00:39:17,720 --> 00:39:23,880
this is only sitting at $35 and
I, I want to give it a decent
700
00:39:23,880 --> 00:39:28,440
score, but I don't know, even at
$35, Bob, I don't know if this
701
00:39:28,440 --> 00:39:31,120
is a good value.
Yeah, it's hard to say, man,
702
00:39:31,120 --> 00:39:34,160
because it's, again, it's a
blend of whiskeys, but it's got
703
00:39:34,160 --> 00:39:37,400
to be, I don't know, about seven
years old, six to seven years
704
00:39:37,400 --> 00:39:40,320
old probably.
It's 107 proof.
705
00:39:40,760 --> 00:39:45,440
It's super small batch.
Like man I it's hard to not
706
00:39:45,440 --> 00:39:50,560
recommend this at $35 if you
like very high rye bourbons
707
00:39:51,600 --> 00:39:54,560
because I would give the Rebel
A10 out of 10 on value.
708
00:39:54,640 --> 00:39:57,560
The value is OK here, the
whiskey itself is not.
709
00:39:58,120 --> 00:40:02,960
So that puts me in a weird spot.
I think even if you shelled out
710
00:40:02,960 --> 00:40:05,840
the money for this and then
didn't like it, I don't feel
711
00:40:05,840 --> 00:40:08,640
like you'd be that mad 'cause
you didn't shell out that much
712
00:40:08,640 --> 00:40:10,160
money.
And I think that's why I'm going
713
00:40:10,160 --> 00:40:13,280
to give it like above average on
the value.
714
00:40:13,640 --> 00:40:17,520
I'll give it a 6.5 with the
caveat that I I just don't like
715
00:40:17,520 --> 00:40:18,640
this whiskey that much.
Brad.
716
00:40:19,800 --> 00:40:22,120
Yeah, I I'm at a 5 out of 10,
Bob.
717
00:40:22,440 --> 00:40:25,200
Oof.
I I really didn't enjoy this
718
00:40:25,200 --> 00:40:28,960
enough to give it a good score.
I there's way too many whiskeys
719
00:40:28,960 --> 00:40:35,800
I like at 2025 thirty, $35 for
me to give this a high score.
720
00:40:35,800 --> 00:40:38,040
Yeah, yeah.
And it's unfortunate because the
721
00:40:38,040 --> 00:40:41,280
last two products we've had on
the show from Lux Row have not
722
00:40:41,280 --> 00:40:44,880
been our favorites, but we've
also been giving them like years
723
00:40:44,880 --> 00:40:48,960
worth of free Rebel publicity.
So like once again, let me say,
724
00:40:49,240 --> 00:40:51,760
go buy Rebel Distillers
Collection.
725
00:40:52,120 --> 00:40:54,760
It is phenomenal at a $40 price
tag.
726
00:40:55,400 --> 00:40:58,640
I'm coming out on this one to a
33 out of 50.
727
00:40:58,680 --> 00:41:00,080
Brad, where are you falling on
this?
728
00:41:00,800 --> 00:41:03,840
30.5.
Oh, 30.5.
729
00:41:03,840 --> 00:41:13,040
OK, so that takes us to a 31.75
or a 63.5 out of 100.
730
00:41:13,440 --> 00:41:15,960
That's not a very high score.
I'm not going to recommend this
731
00:41:15,960 --> 00:41:17,680
one.
It's not because it's an
732
00:41:17,680 --> 00:41:19,720
exorbitant price.
I actually think it it's more
733
00:41:19,720 --> 00:41:24,320
than fairly priced in a vacuum.
I just don't think the whiskey's
734
00:41:24,320 --> 00:41:28,120
quite up to par for what I have
come to expect from Lux Row.
735
00:41:29,000 --> 00:41:32,200
Agreed.
Yeah, I, I, I want to give this
736
00:41:32,200 --> 00:41:34,640
a good score.
I'm just rating it on the juice
737
00:41:34,640 --> 00:41:38,040
inside the bottle and it's just
not quite up to snuff.
738
00:41:38,960 --> 00:41:41,480
All right.
Well, man, we we are just
739
00:41:41,480 --> 00:41:43,560
Downers today, Brad.
Yeah.
740
00:41:43,720 --> 00:41:46,400
Crapping on the movie?
It's not Whiskey Nation.
741
00:41:46,400 --> 00:41:48,760
Liking the whiskey man.
What a way to celebrate our
742
00:41:48,760 --> 00:41:53,960
250th episode.
Let's get back into talking
743
00:41:53,960 --> 00:41:56,680
about Frozen Brad.
I'm so excited, Bob.
744
00:41:56,680 --> 00:42:03,720
Let's get to it.
All right, everybody, That was
745
00:42:03,720 --> 00:42:06,040
Ezra Brooks Distillers
Collection.
746
00:42:06,160 --> 00:42:07,440
You know what I was thinking
about, Bob.
747
00:42:07,840 --> 00:42:11,920
What's that, Brad?
At the end of the day, people on
748
00:42:11,920 --> 00:42:16,400
the Internet love complaining so
who knows, this might be like
749
00:42:16,400 --> 00:42:20,120
our highest rated episode ever.
Can you believe that this is the
750
00:42:20,120 --> 00:42:25,400
250th first regular?
Well, I mean, it's it's not even
751
00:42:25,400 --> 00:42:29,440
the 250th movie.
This is like probably our 270th
752
00:42:29,440 --> 00:42:32,640
movie when you consider all the
bad movie bonuses and everything
753
00:42:32,640 --> 00:42:34,160
else Cruise misses that we've
done.
754
00:42:35,320 --> 00:42:39,280
Thanksgiving.
But man, Brad 250, we made it
755
00:42:39,280 --> 00:42:41,640
here.
Yeah, we've done a lot.
756
00:42:41,640 --> 00:42:46,040
I My movie knowledge has come
such a long way.
757
00:42:46,440 --> 00:42:49,600
I'm pretty sure isn't that like
a direct Dwight Schrute quote
758
00:42:49,760 --> 00:42:54,480
when he's like I love movies
I've seen over 250 of them.
759
00:42:55,480 --> 00:42:59,280
I think that is actually.
That's that's you now, man.
760
00:42:59,680 --> 00:43:04,040
Oh, that is me now I was
thinking about it, I I feel like
761
00:43:04,040 --> 00:43:06,920
I referenced Fargo a lot.
It's a movie that pops up in my
762
00:43:06,920 --> 00:43:08,880
head.
I feel like I need to institute
763
00:43:08,880 --> 00:43:14,200
a new segment called like 6° of
Fargo where I take any movie
764
00:43:14,200 --> 00:43:19,320
that we watch and walk it back
to Fargo somehow and it's always
765
00:43:19,320 --> 00:43:21,440
going to end up with somebody in
a wood chipper.
766
00:43:21,880 --> 00:43:23,920
Perfect.
I'm I'm on board man.
767
00:43:24,120 --> 00:43:29,200
Institute it today.
Yeah, the entire writing team
768
00:43:29,200 --> 00:43:31,960
for Frozen.
Into the wood chipper.
769
00:43:32,240 --> 00:43:34,880
Fargoed.
All right dude, it's time for
770
00:43:34,880 --> 00:43:38,160
our actual game, which we call 2
facts and a falsehood.
771
00:43:38,320 --> 00:43:40,960
Brad is going to try to stump
your ball.
772
00:43:42,800 --> 00:43:48,000
Two are right and what is wrong?
2 facts and a falsehood.
773
00:43:48,400 --> 00:43:51,320
Two Facts and a falsehood is the
part of the show where Brad
774
00:43:51,320 --> 00:43:54,360
presents me with three items
about the making of this movie.
775
00:43:54,640 --> 00:43:56,200
All of them are presented as
fact.
776
00:43:56,400 --> 00:43:58,160
One of them is a complete
falsehood.
777
00:43:58,600 --> 00:44:02,000
Brad, I am sitting at 15 and 10
on the season.
778
00:44:02,280 --> 00:44:03,600
I'm on a losing streak here,
man.
779
00:44:03,600 --> 00:44:05,720
I think I've lost three of my
last five.
780
00:44:05,720 --> 00:44:08,200
This is not good.
It's great.
781
00:44:08,440 --> 00:44:10,800
In fact, not good.
Great.
782
00:44:11,120 --> 00:44:14,080
I'm loving it.
I want my 500 season locked up,
783
00:44:14,080 --> 00:44:16,040
man, and I hope that it happens
today.
784
00:44:16,160 --> 00:44:17,440
But I'm gonna be honest with
you, Brad.
785
00:44:17,720 --> 00:44:20,200
I did not research the making of
this film at all.
786
00:44:20,600 --> 00:44:24,520
What are you gonna do?
If you end up at 15 and 17, I
787
00:44:24,520 --> 00:44:28,080
don't know that that's that
would be the most the most
788
00:44:28,080 --> 00:44:30,920
Cleveland ending to a season for
you.
789
00:44:30,920 --> 00:44:35,640
Including today's episode, there
are 7 two facts and a falsehoods
790
00:44:35,640 --> 00:44:38,240
left.
So if I go oh and seven, I
791
00:44:38,240 --> 00:44:40,040
deserve it.
You do.
792
00:44:40,680 --> 00:44:42,600
All right, dude.
Well, let's see if you can start
793
00:44:42,600 --> 00:44:45,280
me on that streak today.
Hit me with your two facts and a
794
00:44:45,280 --> 00:44:49,360
falsehood.
Fact #1 The characters of Hans,
795
00:44:49,440 --> 00:44:53,920
Kristoff, Anna and Sven are a
reference to Hans Christian
796
00:44:53,920 --> 00:44:58,600
Andersen, the author of
Snendronagen the Snow Queen,
797
00:44:58,600 --> 00:45:00,280
which is the inspiration for
Frozen.
798
00:45:01,240 --> 00:45:04,880
Fact #2 In early designs, the
giant snow monster that Elsa
799
00:45:04,880 --> 00:45:09,040
creates is a big version of Olaf
who addressed him as little
800
00:45:09,040 --> 00:45:11,600
brother, but it was later
decided that although it was
801
00:45:11,600 --> 00:45:14,160
cute and funny, it looked a bit
dumb.
802
00:45:15,280 --> 00:45:17,920
As opposed to what they
actually, I'm sorry, I'm eating
803
00:45:17,920 --> 00:45:19,760
my doughnut now, this is
ridiculous.
804
00:45:20,400 --> 00:45:22,480
As opposed to what they actually
made.
805
00:45:22,760 --> 00:45:26,080
That thing looked terrible.
I couldn't believe that was 2014
806
00:45:26,080 --> 00:45:30,160
graphics.
Fact #3 Bob The CGI team at
807
00:45:30,160 --> 00:45:34,200
Disney created a custom
algorithm for Frozen called
808
00:45:34,200 --> 00:45:37,200
Blizzard, which helped create
the snow and ice magic used
809
00:45:37,200 --> 00:45:42,240
throughout the film.
I will say good job on the snow
810
00:45:42,240 --> 00:45:45,080
and ice magic.
Like I have a lot of complaints
811
00:45:45,080 --> 00:45:48,440
about the way this movie is
animated, but the snow and ice
812
00:45:48,720 --> 00:45:51,400
very good.
Brad, you got me today, dude.
813
00:45:51,400 --> 00:45:54,600
I have no idea.
They all sound true.
814
00:45:56,040 --> 00:45:58,360
Remind me what number one was
again?
815
00:45:59,400 --> 00:46:03,160
Oh, grounds.
Christian Andersen Hans
816
00:46:03,160 --> 00:46:06,120
Christian Andersen See See what
they did there?
817
00:46:06,360 --> 00:46:08,560
That's the falsehood.
That sounds too much like a Brad
818
00:46:08,560 --> 00:46:10,240
G creation.
I'm going to say number one.
819
00:46:10,600 --> 00:46:16,160
Number one's the falsehood.
Number one is not the falsehood.
820
00:46:16,160 --> 00:46:20,480
Robert, you sounded too proud of
yourself.
821
00:46:20,480 --> 00:46:23,960
You sounded like I totally wrote
this and I'm going to be like
822
00:46:24,400 --> 00:46:25,000
you get.
It.
823
00:46:26,760 --> 00:46:29,160
Wow, these writers really do
belong in the wood chipper.
824
00:46:32,240 --> 00:46:35,960
They really do.
Fact #2 is true as well.
825
00:46:36,920 --> 00:46:39,760
They originally designed a giant
Olaf.
826
00:46:40,560 --> 00:46:45,440
I would have preferred that.
Really, you could have had a you
827
00:46:45,440 --> 00:46:49,400
could have had a duet with them
as like a post credits scene of
828
00:46:49,400 --> 00:46:51,520
them both singing about being in
summer.
829
00:46:51,520 --> 00:46:55,040
Together, but the giant one has
like a really low bass voice,
830
00:46:55,040 --> 00:46:56,360
you know?
Yes.
831
00:46:57,960 --> 00:47:00,240
OK so Blizzard is not a thing
that was created.
832
00:47:00,720 --> 00:47:03,320
As soon as you said you liked
the ice magic in the movie, I
833
00:47:03,320 --> 00:47:06,560
was like, I got it.
I just, I got it so good.
834
00:47:06,920 --> 00:47:07,800
Damn.
All right.
835
00:47:07,800 --> 00:47:10,360
I'm at 15 and 11 now on the
season.
836
00:47:10,680 --> 00:47:13,040
The streak continues.
That's two losses in a row.
837
00:47:15,280 --> 00:47:17,200
Oh man, don't call it a
comeback, Bob.
838
00:47:17,680 --> 00:47:20,640
All right, let's talk a little
bit about that animation quality
839
00:47:20,760 --> 00:47:23,880
because Brad, one thing that I
really noticed, especially
840
00:47:23,880 --> 00:47:27,720
coming off of consecutive weeks
of Pixar films a few weeks ago,
841
00:47:28,400 --> 00:47:33,320
Up and Toy Story 3 is that
Disney at this point, you know,
842
00:47:33,320 --> 00:47:36,600
they've acquired Pixar, but
Pixar still operates
843
00:47:36,600 --> 00:47:38,680
independently as its own
production studio.
844
00:47:39,320 --> 00:47:42,520
And we have raved, especially
with Toy Story 3, about just the
845
00:47:42,600 --> 00:47:47,600
the depth of field and how
incredibly intricately textured
846
00:47:47,600 --> 00:47:50,760
everything is, even when it's
not in focus in a Pixar film.
847
00:47:50,800 --> 00:47:55,240
There's just it's mind blowing.
This movie you can see the
848
00:47:55,240 --> 00:47:59,600
cheats happening and I was
really shocked at even like even
849
00:47:59,600 --> 00:48:03,400
characters in the foreground.
The animation looks like what
850
00:48:03,400 --> 00:48:06,520
you would get on a really well
produced Disney plus show now.
851
00:48:07,240 --> 00:48:10,600
Like it looks like ATV show.
And there were multiple scenes
852
00:48:10,600 --> 00:48:15,200
like the the dance hall scene at
her coronation where they do the
853
00:48:15,200 --> 00:48:18,080
thing that they used to do with
hand drawn Disney where they
854
00:48:18,080 --> 00:48:21,080
would put the characters in the
foreground in focus and
855
00:48:21,080 --> 00:48:22,920
everybody in the background out
of focus.
856
00:48:23,160 --> 00:48:26,000
But it was a way of hiding that
they just more crudely animated
857
00:48:26,000 --> 00:48:29,320
those characters.
And they did it here like in in
858
00:48:29,320 --> 00:48:33,360
computer animation, those
characters were more crappily
859
00:48:33,360 --> 00:48:36,040
rendered than the other
characters in the movie.
860
00:48:36,440 --> 00:48:38,880
And that's not to say that like
you can't do that, obviously
861
00:48:38,880 --> 00:48:44,000
Disney's done it for decades.
But I think it showed the the
862
00:48:44,000 --> 00:48:48,640
chasm between how well rendered
everything is in a Pixar movie
863
00:48:48,640 --> 00:48:50,240
versus what they did here with
Frozen.
864
00:48:51,120 --> 00:48:55,000
And the other thing for me was
how bland the color palette was
865
00:48:55,000 --> 00:48:58,080
throughout the movie.
Like, it it's one thing to be
866
00:48:58,080 --> 00:49:02,040
chasing Elsa off in the snowy
wilderness and like, yeah,
867
00:49:02,040 --> 00:49:05,720
everything is snowy and you have
some green, you know, pine
868
00:49:05,720 --> 00:49:07,400
trees.
Like, you're not going to have a
869
00:49:07,400 --> 00:49:08,960
lot of colours.
That's OK.
870
00:49:09,960 --> 00:49:13,920
It's even better, in fact, to
have that blend of a pallet if
871
00:49:14,000 --> 00:49:17,680
the ball that they have at the
start that you just mentioned is
872
00:49:17,720 --> 00:49:20,840
a cacophony of beautiful bright
colours.
873
00:49:20,840 --> 00:49:26,480
Like tell me that the Be our
Guest scene from from beauty and
874
00:49:26,480 --> 00:49:31,440
the beast doesn't have a billion
more colors than the ball scene
875
00:49:31,520 --> 00:49:34,640
in this movie.
Like everything is brown and
876
00:49:34,640 --> 00:49:41,120
green and blue and it's all drab
and just nothing pops in this
877
00:49:41,120 --> 00:49:43,040
movie.
Even even on his hair.
878
00:49:43,040 --> 00:49:46,520
She's supposed to be this like
fiery redhead and even her hair
879
00:49:46,520 --> 00:49:51,840
doesn't have like a vibrancy to
it that that should like show
880
00:49:51,840 --> 00:49:55,240
what her character is like.
I I don't for me the colour
881
00:49:55,240 --> 00:49:57,440
palette on this film just irked
me through I.
882
00:49:57,440 --> 00:50:01,200
Think a good analogue is like
Pixar made a movie a few years
883
00:50:01,200 --> 00:50:04,680
after this, I believe after this
called Brave, which is set in
884
00:50:04,680 --> 00:50:07,400
Scotland.
And it's, it's a similar kind of
885
00:50:07,400 --> 00:50:10,120
palette, like they're, they're
both going for the like Kingdom
886
00:50:10,120 --> 00:50:12,440
of Rohan thing in, in those
movies.
887
00:50:12,720 --> 00:50:14,640
And it's accurate to the period,
right?
888
00:50:14,640 --> 00:50:18,760
But the way they render the red
hair in Brave, the way they
889
00:50:18,760 --> 00:50:22,560
render those earthy greens, it's
just so much more vibrant than
890
00:50:22,560 --> 00:50:24,920
what they're doing here.
I completely agree with you man.
891
00:50:25,520 --> 00:50:30,240
Yeah, there, there.
Hey, Bob, this movie sucks.
892
00:50:30,640 --> 00:50:34,040
It sucks so bad.
Can I go and it?
893
00:50:34,240 --> 00:50:34,720
Go ahead.
Sorry.
894
00:50:34,840 --> 00:50:36,080
Keep.
Yeah, go ahead.
895
00:50:36,080 --> 00:50:38,640
Keep going.
Can I go on my let it go rant
896
00:50:38,640 --> 00:50:41,640
now?
I hate that song.
897
00:50:41,760 --> 00:50:45,000
Yes, I mean, yeah, that song, I
called it a Céline Dion song
898
00:50:45,000 --> 00:50:48,320
because it was as ever present
as my heart will go on for a
899
00:50:48,320 --> 00:50:52,680
number of years there.
But you mentioned Beauty and the
900
00:50:52,680 --> 00:50:57,200
Beast a little while ago.
And I think that one of my main
901
00:50:57,200 --> 00:50:59,840
issues with this movie is that
it tries to do Beauty and the
902
00:50:59,840 --> 00:51:02,920
Beast, but it it neglects to
understand what made Beauty and
903
00:51:02,920 --> 00:51:06,520
the Beast work so well.
Like Belle is your main
904
00:51:06,520 --> 00:51:12,320
character in Beauty and the
Beast, and she helps the beast
905
00:51:12,400 --> 00:51:16,200
understand who he really is.
To overcome the obstacles.
906
00:51:16,200 --> 00:51:17,960
She goes on her own journey of
growth.
907
00:51:18,880 --> 00:51:22,520
And and so like the beast, I'm
sorry, the Belle TA Anna thing,
908
00:51:22,760 --> 00:51:26,040
that comparison, they, they
track pretty well together.
909
00:51:26,240 --> 00:51:31,200
Where this movie really fumbles
things is in making Elsa have to
910
00:51:31,200 --> 00:51:33,560
follow the path of quote UN
quote, the beast.
911
00:51:33,760 --> 00:51:36,400
Like, she's the one who is
burdened with this thing that's
912
00:51:36,400 --> 00:51:38,800
seen as a curse.
She's the one that shuts herself
913
00:51:38,800 --> 00:51:42,240
up in her own castle.
And what the movie seems to
914
00:51:42,240 --> 00:51:46,480
imply is like she has an
obstacle to overcome.
915
00:51:46,480 --> 00:51:48,400
She needs to learn something
about herself.
916
00:51:49,040 --> 00:51:51,680
But then the movie really
waffles back and forth on
917
00:51:51,680 --> 00:51:56,240
whether she actually is a flawed
person or if everybody else
918
00:51:56,240 --> 00:51:58,840
around her is flawed.
And so therefore she doesn't
919
00:51:58,840 --> 00:52:00,760
actually grow or change
anything.
920
00:52:01,320 --> 00:52:04,680
And it makes no sense when you
when you bring the song, let it
921
00:52:04,680 --> 00:52:07,920
go into the equation.
Like I'm gonna interrupt.
922
00:52:07,920 --> 00:52:12,720
Please do Please do.
We can all agree that her
923
00:52:12,720 --> 00:52:16,600
parents are the most flawed
people in the movie, whether or
924
00:52:16,600 --> 00:52:20,200
not anybody else is flawed.
We can all agree that her
925
00:52:20,200 --> 00:52:24,320
parents suck 'cause they are the
reason this entire movie
926
00:52:24,320 --> 00:52:25,040
happens.
Yeah.
927
00:52:25,400 --> 00:52:29,680
Never before have I said like,
wow, those people deserve to die
928
00:52:29,680 --> 00:52:35,920
at sea, Yeah.
I I mean, yeah, I thought it.
929
00:52:36,080 --> 00:52:39,560
Like yeah, and I think that like
the crazy thing about the the
930
00:52:39,560 --> 00:52:44,520
1st 25 ish minutes of the movie
here are like the most
931
00:52:46,160 --> 00:52:49,280
compelling like dramatic tension
that comes in that part of the
932
00:52:49,280 --> 00:52:54,200
movie is the realization like
everyone finds out that she is
933
00:52:54,480 --> 00:52:57,680
the beast quote UN quote right?
Like once her powers get
934
00:52:57,680 --> 00:53:00,960
revealed and everything hits the
fan, it's like, oh, this is
935
00:53:00,960 --> 00:53:02,600
gonna get to some really
interesting places.
936
00:53:02,600 --> 00:53:05,920
This is gonna go into Gaston
Beauty and the Beast territory.
937
00:53:05,920 --> 00:53:09,120
They're gonna chase her off.
And then it kind of just like,
938
00:53:09,800 --> 00:53:11,440
hey, first of all, it buries the
lead.
939
00:53:11,480 --> 00:53:13,560
Like we don't get to that for
1/2 hour.
940
00:53:14,120 --> 00:53:18,800
But then it's immediately the
next time we see Elsa, she's
941
00:53:18,800 --> 00:53:21,360
walking up the mountain and
she's singing Let It Go.
942
00:53:22,560 --> 00:53:27,880
And this song Let It Go is just
it's so frustrating, dude,
943
00:53:27,880 --> 00:53:32,520
because it's presented as this,
this anthem of liberation.
944
00:53:33,000 --> 00:53:37,640
Like I'm so glad to be free of
all of their expectations.
945
00:53:38,000 --> 00:53:40,200
I don't care what they're going
to say.
946
00:53:40,200 --> 00:53:42,720
Let the storm rage on.
Like I'm going to be who I am.
947
00:53:42,720 --> 00:53:47,680
It's very similar to this is me
from the greatest showman.
948
00:53:49,280 --> 00:53:54,240
However, like she's she's happy
to be free from all of their
949
00:53:54,240 --> 00:53:57,120
expectations.
But like she's only been queen
950
00:53:57,120 --> 00:53:59,920
for like 6 hours.
Like they have no expectations
951
00:53:59,920 --> 00:54:01,080
of her.
They don't they, they didn't
952
00:54:01,080 --> 00:54:03,600
know this about her.
They're not like hunting her
953
00:54:03,600 --> 00:54:06,240
down to kill her.
They, they got scared and she
954
00:54:06,240 --> 00:54:08,920
ran off, but they got scared for
a reason.
955
00:54:08,920 --> 00:54:13,400
Like she is injuring many people
on accident with these powers
956
00:54:13,400 --> 00:54:16,560
that she cannot control.
It's supposed to be this
957
00:54:16,560 --> 00:54:18,960
metaphor.
And I think it was interpreted,
958
00:54:19,320 --> 00:54:22,560
you know, culturally as a
metaphor because it's so vague
959
00:54:23,520 --> 00:54:28,600
for how young women in our
society are kind of boxed in and
960
00:54:28,600 --> 00:54:31,800
expected to act a certain way
and expected to kind of keep
961
00:54:31,800 --> 00:54:34,680
their emotions at Bay.
I know this character of Elsa
962
00:54:34,680 --> 00:54:38,880
has been like really championed
as like a queer icon.
963
00:54:38,880 --> 00:54:41,800
There's a very funny SNL sketch
where they talk about how gay
964
00:54:41,800 --> 00:54:44,480
Elsa is.
Like, I understand all that.
965
00:54:45,400 --> 00:54:49,000
But like in the context of the
movie, she's, you know, she's
966
00:54:49,000 --> 00:54:52,120
saying like we we need to let go
of all these expectations, but
967
00:54:52,120 --> 00:54:55,040
it gets completely undermined by
what she's actually doing.
968
00:54:55,560 --> 00:54:58,760
Like, if she's if she's shaking
off the constraints of society
969
00:54:58,760 --> 00:55:01,680
and the way that she's choosing
to do that is like, I'm not
970
00:55:01,680 --> 00:55:04,880
going to hide my powers anymore.
I'm going to be who I'm supposed
971
00:55:04,880 --> 00:55:06,280
to be.
The cold doesn't bother me.
972
00:55:06,520 --> 00:55:08,640
Then like, why are you still
hiding in the woods?
973
00:55:08,640 --> 00:55:11,760
Why are you building a castle
for yourself in seclusion?
974
00:55:12,160 --> 00:55:15,480
None of it makes any sense.
And then like, go ahead.
975
00:55:15,760 --> 00:55:17,400
You know how you make the song
work?
976
00:55:17,880 --> 00:55:21,600
Keep the parents alive.
Or make it like make it the song
977
00:55:21,600 --> 00:55:24,200
she sings at the end of the
movie where she's finally sure
978
00:55:24,240 --> 00:55:27,240
of these expect like she comes
back at the end of the movie
979
00:55:27,600 --> 00:55:30,560
because she has literally almost
killed her own sister.
980
00:55:31,240 --> 00:55:34,480
And then like, first of all,
magically now she can control
981
00:55:34,480 --> 00:55:35,800
her powers.
Like, what the hell is that
982
00:55:35,800 --> 00:55:37,960
about?
Are we to expect that you you
983
00:55:38,000 --> 00:55:40,520
aren't gonna accidentally kill
someone now?
984
00:55:41,840 --> 00:55:47,680
Here's here's the thing, if Let
it Go is sung as a response to
985
00:55:48,120 --> 00:55:52,160
Anna's love, setting her free
from the expectations of their
986
00:55:52,160 --> 00:55:55,000
parents.
Like I, I mean, I, I don't know
987
00:55:55,000 --> 00:55:58,960
if you've had this experience
with your siblings, Bob, but at
988
00:55:58,960 --> 00:56:01,600
a certain point in your
relationship with your siblings,
989
00:56:01,600 --> 00:56:05,440
you realize, oh, hey, like we're
on the same team.
990
00:56:05,480 --> 00:56:08,200
And like, mom and dad aren't
always right.
991
00:56:08,800 --> 00:56:12,200
And like, if they explored that
relationship and the, you know,
992
00:56:12,200 --> 00:56:17,360
the parents stay alive and and
initially Elsa runs away and,
993
00:56:17,520 --> 00:56:21,000
you know, maybe she sings let it
go as in like a giant FU to the
994
00:56:21,000 --> 00:56:24,960
parents and then Anna's love.
And like, yeah, our our parents
995
00:56:24,960 --> 00:56:27,440
were wrong.
They they treated you poorly.
996
00:56:27,440 --> 00:56:31,560
I but please come back because I
love you and we can be on a team
997
00:56:31,560 --> 00:56:33,520
and I like.
Which I think is what they're
998
00:56:33,520 --> 00:56:36,400
intending, but it gets so lost
in the sauce here.
999
00:56:36,440 --> 00:56:39,120
Yes, Yep.
I think that's actually 100%
1000
00:56:39,120 --> 00:56:42,320
what they're intending.
Because like, she is trying to
1001
00:56:42,320 --> 00:56:44,240
say, I'm not going to hide any
longer.
1002
00:56:44,240 --> 00:56:45,840
Mom and dad told me to conceal
it.
1003
00:56:46,240 --> 00:56:48,320
I can't do that.
Like I can't control this
1004
00:56:48,320 --> 00:56:50,000
anymore.
I can't hold it back anymore.
1005
00:56:50,000 --> 00:56:52,960
That's like part of the song,
but it's sung as a theme of
1006
00:56:52,960 --> 00:56:55,120
empowerment.
And it's not because she's still
1007
00:56:55,120 --> 00:56:58,440
like in a really in a state of
disequilibrium, right.
1008
00:56:58,480 --> 00:57:00,480
And so she's still hiding in the
woods.
1009
00:57:00,480 --> 00:57:02,160
She's still afraid.
She doesn't want to face the
1010
00:57:02,160 --> 00:57:04,160
reality of the the harm that
she's caused.
1011
00:57:04,160 --> 00:57:07,480
And at the end of the movie, she
becomes a much more complete,
1012
00:57:07,640 --> 00:57:11,920
healthy, emotional person.
But if that's the case, then
1013
00:57:11,920 --> 00:57:16,440
what they're saying is like, she
went from totally messed up to
1014
00:57:16,440 --> 00:57:20,000
coping's mechanism, which is let
it go to health.
1015
00:57:20,600 --> 00:57:24,920
But but if that's true, then
everything she said in the song,
1016
00:57:24,920 --> 00:57:28,120
Let it go, she was saying from a
place of unhealthiness.
1017
00:57:28,880 --> 00:57:31,080
And therefore it's not a song of
empowerment.
1018
00:57:31,200 --> 00:57:32,120
You know what I mean?
Like it.
1019
00:57:32,480 --> 00:57:35,560
I just think it really wants to
have it both ways and it can't
1020
00:57:35,560 --> 00:57:38,840
do that.
Yeah, yeah, it wants its cake
1021
00:57:38,840 --> 00:57:41,480
and to eat it too.
But at the end of the day, it's
1022
00:57:41,480 --> 00:57:45,840
moldy cake and like nobody
should be eating that cake.
1023
00:57:45,840 --> 00:57:49,320
And, and I think that's, I think
that's the problem with the
1024
00:57:49,320 --> 00:57:53,360
messaging here.
It's speaking a song.
1025
00:57:53,560 --> 00:57:58,480
It's speaking a message of
empowerment to people being
1026
00:57:58,480 --> 00:58:03,640
immature and unhealthy and
making decisions out of a place
1027
00:58:03,640 --> 00:58:07,560
of unhealth.
And and like that is not good
1028
00:58:07,560 --> 00:58:10,200
for any human being.
Like I like, I have no qualms
1029
00:58:10,200 --> 00:58:14,880
saying that the way that she
quote UN quote lets it go is is
1030
00:58:14,880 --> 00:58:18,200
poorly done and it's not good
for her and it doesn't lead to a
1031
00:58:18,200 --> 00:58:19,200
good place.
Right.
1032
00:58:19,200 --> 00:58:22,520
And I don't think the movie
wants to present, like, maybe
1033
00:58:22,520 --> 00:58:25,000
the writers didn't want to
present that as the solution.
1034
00:58:25,240 --> 00:58:29,280
But when you make that the
cornerstone song of your movie
1035
00:58:29,720 --> 00:58:32,520
and you write the song in such a
way that it can be vaguely
1036
00:58:32,520 --> 00:58:36,320
applied to any young person's
life who may be listening to
1037
00:58:36,320 --> 00:58:39,440
that song on the radio, then it
really loses the meaning that,
1038
00:58:39,440 --> 00:58:43,360
hey, she's actually not in a
good place when she's singing
1039
00:58:43,360 --> 00:58:46,480
this as her anthem.
And and so, like, I just feel
1040
00:58:46,480 --> 00:58:48,440
like you need that context in
the movie.
1041
00:58:48,440 --> 00:58:50,880
To your point, it wants to have
its cake and eat it too.
1042
00:58:51,520 --> 00:58:54,040
I've been rambling, Brad.
You know, I think maybe it's
1043
00:58:54,040 --> 00:58:58,120
just time for us to switch over
into let's make it a double on
1044
00:58:58,120 --> 00:59:01,400
this movie so we can talk about
other films besides Frozen.
1045
00:59:01,760 --> 00:59:05,160
We're near the end of the
episodes of Things, listening to
1046
00:59:05,160 --> 00:59:08,000
the film and Whiskey Show.
Let's pair another film with
1047
00:59:08,000 --> 00:59:09,400
this one, even if it's
struggling.
1048
00:59:09,400 --> 00:59:12,000
It's a final segment of the day.
Now let's make it a double.
1049
00:59:13,280 --> 00:59:16,440
I haven't even come close to
thinking about let's make it a
1050
00:59:16,440 --> 00:59:19,320
double Bob.
Let's Make It a double is the
1051
00:59:19,320 --> 00:59:22,480
part of the show where we pick a
movie to pair up with this one
1052
00:59:22,480 --> 00:59:24,120
to make the perfect double
feature?
1053
00:59:24,520 --> 00:59:25,960
Would you like me to go first,
Brad?
1054
00:59:26,600 --> 00:59:28,840
Yeah, go for it.
I'm going to pair this with a
1055
00:59:28,840 --> 00:59:32,400
movie that I recently came to
find out has just come out on
1056
00:59:32,400 --> 00:59:36,080
Netflix.
It's a movie about a a Kingdom,
1057
00:59:36,080 --> 00:59:40,400
a once mighty Kingdom that is
fighting against a monstrous
1058
00:59:40,400 --> 00:59:44,960
creation with what seems to be
magical powers that is keeping
1059
00:59:44,960 --> 00:59:47,760
them at Bay.
Pressing and suppressing them in
1060
00:59:47,760 --> 00:59:51,240
the way that those people rise
up and the way that they
1061
00:59:51,440 --> 00:59:54,720
overcome this monster by
ultimately sinking it to the
1062
00:59:54,720 --> 00:59:57,360
depths of the sea and and
encasing it in ice.
1063
00:59:57,960 --> 01:00:01,360
Similar to the story of Elsa.
And that is a movie called
1064
01:00:01,360 --> 01:00:06,360
Godzilla -1 Please go watch that
instead of Frozen.
1065
01:00:06,360 --> 01:00:10,880
It is so good.
Oh, that's really funny.
1066
01:00:10,880 --> 01:00:14,520
It's so good.
Go watch Godzilla -1 folks, I.
1067
01:00:14,800 --> 01:00:17,160
I'm going to go watch it, Bob.
I'm going to go watch it.
1068
01:00:17,520 --> 01:00:19,800
Maybe tonight, we'll see.
I might fall asleep.
1069
01:00:20,880 --> 01:00:23,000
I think that's a great pairing,
Bob.
1070
01:00:23,000 --> 01:00:26,280
I wish Godzilla would just rip
through Arendelle halfway
1071
01:00:26,280 --> 01:00:30,240
through this movie.
Go ahead.
1072
01:00:30,720 --> 01:00:34,800
Sorry, I'm going to pair this
movie with a film about a
1073
01:00:34,800 --> 01:00:39,000
protagonist who just wants to
live a simple life, who doesn't
1074
01:00:39,000 --> 01:00:43,520
want the pressures of society
weighing down on him, who wants
1075
01:00:43,520 --> 01:00:47,080
to be married and experience the
joys of what it means to be a
1076
01:00:47,080 --> 01:00:51,440
human but is forced upon him a
different life.
1077
01:00:52,240 --> 01:00:55,680
I'm going to pair this movie.
This is This is easily the most
1078
01:00:55,680 --> 01:00:58,480
ridiculous pairing I will ever
give on this podcast.
1079
01:00:58,920 --> 01:01:00,920
I'm going to pair this movie
with Braveheart, Bob and.
1080
01:01:05,400 --> 01:01:08,760
Appropriately drab color palette
combat.
1081
01:01:08,760 --> 01:01:11,400
That's thank you.
I I was kind of going for that.
1082
01:01:13,240 --> 01:01:15,800
OK, let me finish my doughnut.
Sorry.
1083
01:01:16,040 --> 01:01:17,280
How's your how's your doughnut?
It's.
1084
01:01:17,280 --> 01:01:19,200
Gone now.
I've been trying to eat it like
1085
01:01:19,200 --> 01:01:21,600
in in peace and quiet but I've
been talking so much this.
1086
01:01:21,720 --> 01:01:25,920
Episode I was gonna say man,
this if we had a rabid fan base
1087
01:01:25,920 --> 01:01:29,360
that kept track of statistics
for our podcast, I think this
1088
01:01:29,360 --> 01:01:32,400
will easily be the highest
percentage of.
1089
01:01:32,440 --> 01:01:36,120
Bob And it's so weird because I
don't like I don't feel so
1090
01:01:36,120 --> 01:01:39,000
strongly that I had to say XY
and Z.
1091
01:01:39,320 --> 01:01:43,200
But it's that weird alchemy of I
put thought into why I don't
1092
01:01:43,200 --> 01:01:47,200
like this movie and you don't
like this movie so much that
1093
01:01:47,200 --> 01:01:49,760
you're like, I refuse to give
this movie any more thought.
1094
01:01:49,760 --> 01:01:51,760
And so then.
Whoa, whoa, whoa, whoa, whoa.
1095
01:01:51,920 --> 01:01:54,280
I gave lots of deep thoughts on
this.
1096
01:01:54,280 --> 01:01:58,160
I talked about color palette and
the songs and all sorts of
1097
01:01:58,160 --> 01:01:58,960
things.
Robert.
1098
01:01:58,960 --> 01:02:00,480
You listen, you had some great
points.
1099
01:02:00,480 --> 01:02:03,800
They just only took up like 7
minutes of audio in our in our
1100
01:02:03,840 --> 01:02:05,120
hours long podcast.
I'm just.
1101
01:02:06,200 --> 01:02:07,680
A little more succinct than you,
that's.
1102
01:02:07,800 --> 01:02:10,320
That's very true.
That's the fatal flaw of me.
1103
01:02:10,360 --> 01:02:15,320
OK, so Brad, let's give this
movie some final scores.
1104
01:02:16,480 --> 01:02:21,400
I think that for all of the
faults of this movie, it is not
1105
01:02:21,400 --> 01:02:24,800
like an inept movie.
Like they're like, the animation
1106
01:02:24,800 --> 01:02:27,960
is good enough and the songs are
good enough.
1107
01:02:28,720 --> 01:02:33,320
Part of my visceral reaction is
this took off in a way that
1108
01:02:33,320 --> 01:02:37,040
better movies, more deserving
movies should have taken off.
1109
01:02:37,600 --> 01:02:39,320
And it's always kind of pissed
me off.
1110
01:02:39,360 --> 01:02:41,440
That's not really the fault of
the movie itself.
1111
01:02:41,440 --> 01:02:45,200
Like if this had come out and
made a couple 100 million and
1112
01:02:45,200 --> 01:02:47,200
made its money back, sure,
great.
1113
01:02:47,880 --> 01:02:51,800
It made like a billion dollars.
Everyone loved this movie and
1114
01:02:51,800 --> 01:02:54,240
it's it's kind of like the
greatest Showman where I'm like,
1115
01:02:54,240 --> 01:02:56,520
do you people understand how not
good this is?
1116
01:02:56,520 --> 01:03:01,440
Like what's going on America?
I think when I try to get a hold
1117
01:03:01,440 --> 01:03:06,080
of myself at the end of the day,
this is like a 5 1/2 movie.
1118
01:03:07,120 --> 01:03:09,600
I probably hate it more than the
five and a half.
1119
01:03:09,600 --> 01:03:13,640
I want it to be like a 3 1/2 but
it's like it is just mediocre
1120
01:03:14,600 --> 01:03:19,320
enough to get a 5 1/2.
Oh, Bob, the five and a half is
1121
01:03:19,320 --> 01:03:21,240
a really high score for this
movie.
1122
01:03:21,360 --> 01:03:22,960
It's.
Not that bad, dude.
1123
01:03:26,120 --> 01:03:31,000
I'll give it a four and a half.
I I can't get, I can't bring
1124
01:03:31,000 --> 01:03:33,320
myself to give this movie A5.
Here's the thing.
1125
01:03:33,320 --> 01:03:35,200
I I'm going to say something
nice about the movie.
1126
01:03:35,880 --> 01:03:39,880
Like I actually got a little bit
emotional at the end.
1127
01:03:39,960 --> 01:03:43,520
I I think that the Blizzard as
they're running across the lake
1128
01:03:43,520 --> 01:03:48,600
with the frozen ships and Olaf
or not Olaf Kristoff, who we
1129
01:03:48,600 --> 01:03:52,880
didn't even talk about Kristoff
and his his gay reindeer.
1130
01:03:53,240 --> 01:03:57,080
Kristoff, played by Jonathan
Groff, one of the more famous,
1131
01:03:57,320 --> 01:03:59,600
you know, Broadway actors of the
last decade.
1132
01:03:59,600 --> 01:04:03,840
You would know him, Brad, as the
King in Hamilton.
1133
01:04:04,680 --> 01:04:07,720
I do know him.
He is a fantastic actor.
1134
01:04:07,720 --> 01:04:09,000
I mean, he's been in a ton of
stuff.
1135
01:04:09,000 --> 01:04:10,920
I had no idea that was him until
this time around.
1136
01:04:10,920 --> 01:04:13,360
I saw it on IMDb.
So yes, let's give a shout out
1137
01:04:13,360 --> 01:04:16,760
to Kristoff.
Yes, I want to get finish your
1138
01:04:16,760 --> 01:04:19,080
point please.
I I was just going to say, like,
1139
01:04:19,720 --> 01:04:22,160
I was emotionally moved at the
end of the film.
1140
01:04:22,160 --> 01:04:27,320
Like the the through line of
Anna's love for Elsa is powerful
1141
01:04:27,320 --> 01:04:33,600
and meaningful and the idea that
a story would end where true
1142
01:04:33,600 --> 01:04:37,200
Love's kiss is actually, you
know, well, and I like that they
1143
01:04:37,200 --> 01:04:40,960
phrase it differently, that they
say like an act of true love and
1144
01:04:40,960 --> 01:04:44,240
everybody goes, oh, true Love's
kiss and and it turns out to be
1145
01:04:44,240 --> 01:04:49,000
an act of self sacrificial love.
Like, I I am all about that
1146
01:04:49,080 --> 01:04:55,040
great ending to the film, but
man, it's really rough getting
1147
01:04:55,040 --> 01:04:58,240
there.
Yeah, really, really bad this.
1148
01:04:58,240 --> 01:05:01,560
Could have been a really good
movie if they had just clarified
1149
01:05:01,560 --> 01:05:05,280
their intentions with it.
They wanted to be 100 things and
1150
01:05:05,280 --> 01:05:09,000
it can't be all those things.
That is what makes me so angry
1151
01:05:09,000 --> 01:05:13,840
about this movie is that it
could have been so much and it
1152
01:05:13,840 --> 01:05:15,600
wasn't and.
It like.
1153
01:05:16,360 --> 01:05:19,160
I don't know, I, I feel like
that's Disney's problem is that
1154
01:05:19,160 --> 01:05:23,200
it gets caught up in trying to
be so many different things.
1155
01:05:23,240 --> 01:05:27,000
Like I don't know, you, you hear
about films that kind of balloon
1156
01:05:27,000 --> 01:05:30,480
out of control and I feel like
Disney as a studio has ballooned
1157
01:05:30,480 --> 01:05:33,360
out of control where it's like,
you know, I, who knows?
1158
01:05:33,360 --> 01:05:37,560
I don't know the behind the
scenes, like was the the music
1159
01:05:37,560 --> 01:05:40,960
team, the sound team not in
enough conversation with the
1160
01:05:40,960 --> 01:05:44,920
animation team and the scripting
team to like make everything
1161
01:05:44,920 --> 01:05:48,480
match up well enough?
I like, I don't know, but there
1162
01:05:48,480 --> 01:05:53,040
is so many mixed messages going
on in this movie that it just, I
1163
01:05:53,040 --> 01:05:54,760
can't give it a good score.
Bob.
1164
01:05:56,520 --> 01:05:58,160
I will say a couple nice things
as well.
1165
01:05:58,760 --> 01:06:02,800
The the Big Summer blowout guy
is my favorite character in the
1166
01:06:02,800 --> 01:06:04,480
whole movie.
He's freaking hilarious.
1167
01:06:04,600 --> 01:06:11,320
The guy in the in the little
like big summer Blowout, he's
1168
01:06:11,360 --> 01:06:14,280
also out.
I also, you know, a few weeks
1169
01:06:14,280 --> 01:06:17,560
ago you talked about how Robin
Williams in night at the Museum
1170
01:06:17,560 --> 01:06:20,280
provided you or no, it was Dick
Van Dyke provided you with a
1171
01:06:20,280 --> 01:06:24,000
quote that you always say, which
is moving on, moving on.
1172
01:06:24,400 --> 01:06:27,360
Olaf in this movie provided me
with a quote that I say a lot,
1173
01:06:27,360 --> 01:06:29,560
which is when he turns around
and looks at the giant
1174
01:06:29,560 --> 01:06:33,040
abominable snowman and says, oh,
hey, we were just talking about
1175
01:06:33,040 --> 01:06:34,920
you.
All good things, all good
1176
01:06:34,920 --> 01:06:38,280
things.
I say all good things a lot.
1177
01:06:38,280 --> 01:06:40,600
I just think it's really funny.
That one always makes me laugh.
1178
01:06:40,600 --> 01:06:44,280
But yeah, man, apart from those
few moments, this was this was
1179
01:06:44,280 --> 01:06:46,480
not an enjoyable watch for me.
Folks.
1180
01:06:46,480 --> 01:06:50,360
Are we too harsh on Frozen?
Are our hearts frozen?
1181
01:06:50,640 --> 01:06:52,640
Do they need to be thought out
towards this film?
1182
01:06:52,880 --> 01:06:55,240
You can let us know what you
think of this movie and its
1183
01:06:55,240 --> 01:06:58,680
songs and all of the merchandise
that came out of it by finding
1184
01:06:58,680 --> 01:07:03,400
us on social media, Facebook,
Twitter, Instagram, Tiktok and
1185
01:07:03,400 --> 01:07:07,560
YouTube at Film Whiskey.
Or you can join the conversation
1186
01:07:07,560 --> 01:07:09,360
on Discord.
We will be trash.
1187
01:07:09,640 --> 01:07:11,480
I'm going to be trashing Frozen
tonight.
1188
01:07:12,040 --> 01:07:16,640
You can go back and read the
conversation when this when this
1189
01:07:16,640 --> 01:07:19,480
episode comes out.
But man, join the conversation
1190
01:07:19,480 --> 01:07:21,640
to Discord.
You can find a link to it at the
1191
01:07:21,640 --> 01:07:23,280
end of every single one of our
show notes.
1192
01:07:23,440 --> 01:07:26,760
Well, while Brad is rage
posting, I will be preparing for
1193
01:07:26,760 --> 01:07:29,400
next week, which is perhaps the
most interesting episode we're
1194
01:07:29,400 --> 01:07:31,160
going to get for the remainder
of this season.
1195
01:07:31,640 --> 01:07:34,800
A movie that came out of nowhere
to dominate the box office.
1196
01:07:34,800 --> 01:07:37,120
And it is once again, because I
don't think Americans
1197
01:07:37,120 --> 01:07:42,080
interpreted it correctly, 2014's
Clint Eastwood film American
1198
01:07:42,080 --> 01:07:44,600
Sniper.
So we'll see you next week with
1199
01:07:44,600 --> 01:07:47,640
Bradley Cooper, but until then,
I'm Bob Book.
1200
01:07:48,080 --> 01:07:50,600
I'm Brad G.
And we'll see you next time.