Nov. 7, 2025

Cinderella Man (2005) / Bulleit 95 Rye

Cinderella Man (2005) / Bulleit 95 Rye
Cinderella Man (2005) / Bulleit 95 Rye
Film & Whiskey
Cinderella Man (2005) / Bulleit 95 Rye

Bob and Brad delve into the film 'Cinderella Man,' exploring its themes of redemption, the debated artistry of Ron Howard, and the emotional weight of the performances. They discuss the film's portrayal of the Great Depression, the significance of music in setting the tone, and the impact of sports as a metaphor for life's struggles.

Then, they sample Bulleit Rye, a lower-proof staple in liquor stores across America. At an affordable price point, is it worth picking up?


(0:00) Intro
(06:49) Brad Explains
(09:20) Performances, Themes
(34:29) Bulleit 95 Rye Review
(42:51) Two Facts and a Falsehood & Final Analysis
(55:32) Let’s Make It a Double and Final Scores

Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

1
00:00:00,080 --> 00:00:05,160
In 2005, director Ron Howard and
star Russell Crowe gave the

2
00:00:05,160 --> 00:00:09,520
world a feel good biopic about a
Depression era boxer.

3
00:00:10,600 --> 00:00:15,880
In 2025, we try a whiskey that
wants to be your number one with

4
00:00:15,880 --> 00:00:19,640
a bullet.
That's a good one, dude.

5
00:00:19,640 --> 00:00:20,920
I.
Like it?

6
00:00:21,640 --> 00:00:24,280
Thank you so much.
That probably came out around

7
00:00:24,280 --> 00:00:27,720
2005, right?
I mean, we'll, we'll find out I

8
00:00:27,720 --> 00:00:30,400
guess, huh?
Yeah, the film is Cinderella,

9
00:00:30,400 --> 00:00:33,360
man.
The whiskey is Bullet Rye.

10
00:00:33,720 --> 00:00:38,240
And we'll review them both.
This is the Film and Whiskey

11
00:00:38,240 --> 00:00:57,920
podcast.
Welcome to the Film and Whiskey

12
00:00:57,920 --> 00:01:01,080
podcast, where each week we
review a classic movie and a

13
00:01:01,080 --> 00:01:03,280
glass of whiskey.
I'm Bob Book.

14
00:01:03,680 --> 00:01:07,880
I'm Brad G, the bulldog of
Parma.

15
00:01:12,120 --> 00:01:16,560
Brad, today we are looking at
the film Cinderella Man and can

16
00:01:16,560 --> 00:01:20,440
I just say as we set the stage
here, I love this movie so much.

17
00:01:20,440 --> 00:01:22,280
Brad.
I just freaking love this movie.

18
00:01:22,760 --> 00:01:26,040
What a great film.
I feel like this is one of those

19
00:01:26,040 --> 00:01:30,440
movies that got like, lots of
people have seen this movie, no

20
00:01:30,440 --> 00:01:33,680
one goes to bat for this movie.
Like there is just no cultural

21
00:01:33,680 --> 00:01:36,720
footprint for this film.
And I don't understand why,

22
00:01:36,720 --> 00:01:40,000
'cause it's just like to me it's
just one of the best sports

23
00:01:40,000 --> 00:01:42,960
movies of this century or of any
century.

24
00:01:42,960 --> 00:01:45,760
Brad Yeah.
And it's weird because I, I'm

25
00:01:45,760 --> 00:01:51,400
100% with you, but it does have
like a 8.1 on IMDb.

26
00:01:51,520 --> 00:01:53,600
That's like, that's a really
good score.

27
00:01:53,600 --> 00:01:57,920
Maybe not quite top 150, but
very close, like top 200 for

28
00:01:57,920 --> 00:02:00,840
sure.
And yet I don't hear anybody

29
00:02:00,840 --> 00:02:04,200
ever talk about it.
It it just doesn't do anything.

30
00:02:04,200 --> 00:02:07,640
And honestly, it's a minute ago
I said what a great film.

31
00:02:07,640 --> 00:02:09,120
I'm like, I don't know if it's a
great film.

32
00:02:09,280 --> 00:02:12,920
It's a great flick.
Like this is a great flick, Bob.

33
00:02:13,280 --> 00:02:16,560
It is so entertaining.
It is so much fun.

34
00:02:16,800 --> 00:02:20,000
It's got a little bit of
overacting from everybody in the

35
00:02:20,000 --> 00:02:23,240
kind of way that makes you go
like, yeah, they really liked

36
00:02:23,640 --> 00:02:25,800
pretending like they were in the
Great Depression.

37
00:02:26,080 --> 00:02:32,120
That Bruce Mcgillis is just.
Yeah, it's it's the best man.

38
00:02:32,920 --> 00:02:36,960
It's freaking fantastic dude.
Now, OK, I think as we get into

39
00:02:36,960 --> 00:02:39,760
talking about Cinderella Man,
first of all folks, welcome into

40
00:02:39,760 --> 00:02:41,640
film and whiskey.
If this is your first time

41
00:02:41,640 --> 00:02:44,360
joining us, we talk about
movies, we talk about whiskey.

42
00:02:44,640 --> 00:02:47,520
This season we've been going
back and re watching all the

43
00:02:47,520 --> 00:02:52,240
movies from season #1 to try to
get some better quality episodes

44
00:02:52,240 --> 00:02:54,920
out there into the world.
We're a little over halfway

45
00:02:54,920 --> 00:02:57,960
through the season.
I am highly enjoying it so far.

46
00:02:57,960 --> 00:02:59,280
Brad, this has been a lot of
fun.

47
00:03:00,240 --> 00:03:03,720
I will say, like, I don't know
that our opinion has changed

48
00:03:03,720 --> 00:03:06,400
about a ton of these movies.
A couple of them we've come up a

49
00:03:06,400 --> 00:03:10,040
few points or down a few points,
but I think what this proves is

50
00:03:10,040 --> 00:03:13,560
that we have had impeccable
taste from the very beginning on

51
00:03:13,560 --> 00:03:17,080
film at whiskey.
Absolutely, man, that that taste

52
00:03:17,080 --> 00:03:20,680
once given it, it's cemented in
for all time.

53
00:03:21,480 --> 00:03:26,080
And honestly, dude, just going
back to these movies, we had a

54
00:03:26,080 --> 00:03:29,760
heck of a season one, man.
What like what a great line up

55
00:03:29,760 --> 00:03:32,880
of films.
Yeah, I remember trying to like,

56
00:03:32,920 --> 00:03:35,480
I, I put these into like some
sort of a randomizer 'cause I

57
00:03:35,480 --> 00:03:38,080
had a list of like what, what
did we start with, like 150

58
00:03:38,080 --> 00:03:41,120
movies?
Because when we started this

59
00:03:41,120 --> 00:03:46,280
podcast, ChatGPT was not a
thing, 'cause now, 'cause tell

60
00:03:46,280 --> 00:03:50,720
me that if you had that exact
same 250 movie list now, you

61
00:03:50,720 --> 00:03:54,640
wouldn't throw that in and be
like, all right, ChatGPT, we're

62
00:03:54,640 --> 00:03:57,920
starting a podcast.
What would be the most engaging

63
00:03:57,920 --> 00:04:02,720
first 32 movies to pick?
No dude, we've been at this from

64
00:04:02,720 --> 00:04:05,720
the beginning.
I put my blood We used Bob GPT

65
00:04:05,840 --> 00:04:09,920
to generate this list man and I.
Tried though you just said like

66
00:04:09,920 --> 00:04:12,520
you use the randomizer.
I did.

67
00:04:13,000 --> 00:04:16,279
Well, I mean, yes, but I I made
the list and then I said put

68
00:04:16,279 --> 00:04:18,320
these in random order Internet.
Yeah.

69
00:04:18,320 --> 00:04:21,600
So I tried to find like a good
varied group of movies for our

70
00:04:21,600 --> 00:04:24,360
first season just in case.
Like we didn't go any farther

71
00:04:24,360 --> 00:04:26,600
past that.
And I'm really glad that I did

72
00:04:26,600 --> 00:04:29,480
stick a movie like Cinderella
Man in here because again, this

73
00:04:29,480 --> 00:04:31,640
is not like it didn't win best
picture.

74
00:04:31,760 --> 00:04:34,320
I think it was only nominated
for one or two Oscars.

75
00:04:34,600 --> 00:04:37,280
But it's a crowd pleasing movie.
And you have to have movies like

76
00:04:37,280 --> 00:04:41,000
that to break up sometimes the
monotony of us watching like

77
00:04:41,000 --> 00:04:45,920
these high Oscari movies.
Now, I will say, Brad, you've

78
00:04:45,920 --> 00:04:48,760
already mentioned that there's
definitely some overacting in

79
00:04:48,760 --> 00:04:50,600
this movie.
And I think that this movie is

80
00:04:50,600 --> 00:04:55,880
kind of the victim of that mid
2000s Oscar bait type movie.

81
00:04:56,400 --> 00:04:58,880
I also kind of wonder, I'm gonna
talk about a movie that I don't

82
00:04:58,880 --> 00:05:04,240
think you've ever seen before,
but The Walk Hard, the Dewey Cox

83
00:05:04,240 --> 00:05:08,000
story starring John C Reilly.
Still have not seen it yet I I

84
00:05:08,000 --> 00:05:10,360
know that it.
It's like it used to be more and

85
00:05:10,360 --> 00:05:12,360
more relevant as time goes on,
you know?

86
00:05:12,400 --> 00:05:15,480
It was spoofing movies like Walk
the Line, which also came out in

87
00:05:15,480 --> 00:05:18,760
O 5.
And I think that now music

88
00:05:18,760 --> 00:05:23,800
biopics try so hard not to fall
into like we're just remaking

89
00:05:23,800 --> 00:05:26,480
Dewey Cox, that they're trying
to do different things.

90
00:05:26,800 --> 00:05:30,520
I kind of feel like this is the
same like sports movies have,

91
00:05:30,920 --> 00:05:34,880
like they we haven't gotten like
a Dewey Cox spoof movie, but I

92
00:05:34,880 --> 00:05:37,800
feel like now they don't want to
follow this like paint by

93
00:05:37,800 --> 00:05:42,640
numbers kind of wrote thing.
And I will say like it doesn't

94
00:05:42,640 --> 00:05:44,640
hit every beat you expect it to
hit.

95
00:05:44,720 --> 00:05:48,080
It absolutely does.
But sometimes I don't mind a

96
00:05:48,080 --> 00:05:51,200
formulaic movie.
Like sometimes it's just nice to

97
00:05:51,200 --> 00:05:54,200
have a story where you can tell
exactly where it's going to go

98
00:05:54,440 --> 00:05:57,120
and it still makes you feel
incredible and you walk out of

99
00:05:57,120 --> 00:05:58,720
the theater like floating on
air.

100
00:05:58,720 --> 00:06:01,040
And this is one of those movies.
And it's also one of those

101
00:06:01,040 --> 00:06:03,880
movies where you can go to
Wikipedia afterwards read about

102
00:06:03,880 --> 00:06:09,000
the life of the actual now
what's what's Russell Crowe's

103
00:06:09,000 --> 00:06:12,560
name?
James J Braddock, the Bulldog of

104
00:06:12,560 --> 00:06:15,920
Bergen.
You can read about the actual

105
00:06:15,920 --> 00:06:19,360
James J Braddock.
They pretty much nail it like

106
00:06:19,600 --> 00:06:22,600
story beat by story beat.
They hit his life pretty well.

107
00:06:23,240 --> 00:06:26,360
And so to have an inspiring
story that's not just created,

108
00:06:26,360 --> 00:06:29,480
that is an actual human being
who live like it's nice, it

109
00:06:29,480 --> 00:06:32,920
feels good, it's inspiring, it's
interesting.

110
00:06:33,200 --> 00:06:35,800
You, you get to see things that
you don't really think about on

111
00:06:35,800 --> 00:06:39,160
a normal day-to-day basis.
So I, I'm, I'm with you, man.

112
00:06:39,160 --> 00:06:42,200
I I really enjoyed coming back
to Cinderella Man.

113
00:06:43,320 --> 00:06:46,040
Well, I think that's a great
time for us to segue into our

114
00:06:46,040 --> 00:06:49,320
first segment of the day, which
we call, Brad explains.

115
00:06:49,840 --> 00:06:53,080
Brad's going to give us the
movie plots with only 60 seconds

116
00:06:53,120 --> 00:06:56,800
taken on the clock, so let's go
ahead and do your take with this

117
00:06:56,840 --> 00:06:59,560
little segment that we call,
Brad explains.

118
00:06:59,920 --> 00:07:02,800
Brad Explains is the part of the
show where Brad breaks down the

119
00:07:02,800 --> 00:07:06,160
plot of the movie that he has
just seen for at least the

120
00:07:06,160 --> 00:07:09,920
second time this season.
Brad, have you revisited

121
00:07:09,920 --> 00:07:12,840
Cinderella Man in the interim
between season 1 and now?

122
00:07:13,320 --> 00:07:17,040
No, like, like you said, I love
this movie.

123
00:07:17,560 --> 00:07:19,800
I don't think about this movie.
It's not something that comes up

124
00:07:19,800 --> 00:07:22,200
in my head.
Unless for some reason, we're

125
00:07:22,200 --> 00:07:25,240
thinking about Renee Zellweger.
And then, naturally.

126
00:07:25,320 --> 00:07:27,120
Sure.
This movie pops into my.

127
00:07:27,360 --> 00:07:31,520
Head this This movie exists in
one of those sub genres though

128
00:07:31,640 --> 00:07:34,120
which is like I should watch
this movie more.

129
00:07:34,280 --> 00:07:36,680
Every time I see this movie I'm
like I should this should be

130
00:07:36,680 --> 00:07:39,560
like a a holiday movie or
something like I need to put

131
00:07:39,560 --> 00:07:44,240
this on once a year and enjoy
the bulldog of Bergen once more.

132
00:07:45,560 --> 00:07:46,560
I'm trying to think, I don't
know man.

133
00:07:46,640 --> 00:07:51,200
The for Boxing Day every year.
The Bulldog of Bergen for

134
00:07:51,200 --> 00:07:52,160
boxing.
Day there.

135
00:07:53,200 --> 00:07:54,320
There you go.
That's perfect.

136
00:07:54,880 --> 00:07:58,160
All right, Brad, so you get one
minute to break down the plot of

137
00:07:58,160 --> 00:08:00,600
the film Cinderella Man with
full spoilers.

138
00:08:00,800 --> 00:08:03,520
Now, folks, this is a movie
based on a true story which

139
00:08:03,520 --> 00:08:06,800
happened nearly 100 years ago.
The movie is 20 years old.

140
00:08:06,920 --> 00:08:09,440
So if you don't want the movie
spoiled for you, I mean, go

141
00:08:09,440 --> 00:08:11,920
watch it and then come back and
listen to the rest of the

142
00:08:11,920 --> 00:08:13,640
episode.
But we're going full spoilers

143
00:08:13,640 --> 00:08:17,040
here, Brad, so one minute on the
clock and go.

144
00:08:17,600 --> 00:08:21,840
Cinderella Man is a film that
follows the story of real life

145
00:08:21,840 --> 00:08:26,440
boxer James J Braddock, the
Bulldog of Bergen as as we

146
00:08:26,440 --> 00:08:31,440
mentioned before, as he hits
near the pinnacle of his career

147
00:08:31,440 --> 00:08:36,120
in the late 20s, has his entire
career derailed by an injury on

148
00:08:36,120 --> 00:08:39,840
one hand, the Great Depression
on the other, and he finds

149
00:08:39,840 --> 00:08:42,400
himself trying to scrape
together a living for his

150
00:08:42,400 --> 00:08:44,520
family.
Working as a longshoreman in the

151
00:08:44,520 --> 00:08:48,760
docks of New York.
He eventually is given a chance

152
00:08:48,760 --> 00:08:52,320
at redemption by taking a crap
fight where they just need a a

153
00:08:52,320 --> 00:08:56,000
warm body to fight a person
who's on his way to the top.

154
00:08:56,240 --> 00:09:00,760
He ends up beating him, being
reinstated into the the boxing

155
00:09:00,760 --> 00:09:05,360
ring, fights his way to the top,
defeats Max Baer for the world

156
00:09:05,360 --> 00:09:08,920
champion and becomes champion of
the world.

157
00:09:09,160 --> 00:09:11,480
I, I know that it would be
anachronistic, but I kind of

158
00:09:11,480 --> 00:09:15,040
wish, I kind of wish that they
played We Are the Champions at

159
00:09:15,040 --> 00:09:18,880
the end, because I, I just think
that would have been incredible.

160
00:09:19,640 --> 00:09:21,960
If Tarantino made this movie, he
would have done that.

161
00:09:22,000 --> 00:09:24,880
All right, Brad, I I have a lot
of thoughts on the movie.

162
00:09:25,120 --> 00:09:26,960
Full disclosure Film and Whiskey
Nation.

163
00:09:27,000 --> 00:09:30,880
Brad and I watched this movie
almost two weeks ago thinking

164
00:09:30,880 --> 00:09:32,600
that we would get this episode
recorded.

165
00:09:32,840 --> 00:09:36,800
And so now it just kind of lives
in the memory in like in waves,

166
00:09:36,800 --> 00:09:38,880
you know what I mean?
Like I'm just getting like vibes

167
00:09:38,880 --> 00:09:41,600
off this movie.
It's kind of an abstract, like

168
00:09:41,840 --> 00:09:44,720
our avant-garde reality at this
point.

169
00:09:45,640 --> 00:09:48,200
Which is kind of nice because
sometimes like your immediate

170
00:09:48,200 --> 00:09:51,080
reactions could be a little like
overstated.

171
00:09:51,320 --> 00:09:53,560
And now it's like I've been
living with this movie in my

172
00:09:53,560 --> 00:09:55,760
head for two weeks.
So whatever's still there must

173
00:09:55,760 --> 00:09:59,360
really have left an impression.
And I, I think one of the things

174
00:09:59,360 --> 00:10:02,080
that I did through all the
chaff, yes.

175
00:10:02,360 --> 00:10:05,120
And, and one of the things I
want to talk about is Ron Howard

176
00:10:05,560 --> 00:10:08,880
comma filmmaker, which we do
every time we have a Ron Howard

177
00:10:08,880 --> 00:10:11,760
movie on the podcast.
And I think that it has been a

178
00:10:11,760 --> 00:10:13,360
career of ups and downs for
sure.

179
00:10:13,880 --> 00:10:15,720
He's not regarded as like an
auteur.

180
00:10:16,280 --> 00:10:20,120
And yet I do feel like he he
typically tends to make movies

181
00:10:20,120 --> 00:10:21,800
about the same types of
subjects.

182
00:10:22,160 --> 00:10:27,600
Like he very much lives in the
Clint Eastwood and Steven

183
00:10:27,600 --> 00:10:31,320
Spielberg realm, where they are
constantly making movies about

184
00:10:31,520 --> 00:10:34,360
competent men doing their job
well.

185
00:10:34,880 --> 00:10:37,920
And I think Spielberg and
Eastwood definitely have

186
00:10:37,920 --> 00:10:40,440
different intentions for what
they're trying to say about

187
00:10:40,440 --> 00:10:42,160
America with those types of
people.

188
00:10:42,480 --> 00:10:46,120
Ron Howard's definitely more on
the Spielberg side of things.

189
00:10:46,640 --> 00:10:50,360
But I would say even more than
Spielberg, Ron Howard tends to

190
00:10:50,360 --> 00:10:55,440
focus more on normal, everyday
people accomplishing big things.

191
00:10:55,440 --> 00:10:57,640
Whereas Spielberg will make a
movie about, like, Abraham

192
00:10:57,640 --> 00:10:58,440
Lincoln.
Right?

193
00:10:58,440 --> 00:11:01,360
Like, typically Ron Howard's not
that guy.

194
00:11:01,720 --> 00:11:03,800
Yeah.
And I think that when I went

195
00:11:03,800 --> 00:11:07,440
back and watched it this time, a
couple things.

196
00:11:07,640 --> 00:11:09,920
AI think Ron Howard is still a
better film maker than he gets

197
00:11:09,920 --> 00:11:14,120
credit for.
And BI was really impressed at

198
00:11:14,480 --> 00:11:19,600
how well they filmically
captured the era.

199
00:11:19,600 --> 00:11:22,960
Like it didn't feel fake.
And I don't know if it's just

200
00:11:22,960 --> 00:11:26,440
because we were still shooting
on film in 2005 and not digital,

201
00:11:27,320 --> 00:11:30,040
but like when a Netflix movie
comes out that's set in the

202
00:11:30,040 --> 00:11:33,160
1930s now it just looks and
feels like everyone's playing

203
00:11:33,160 --> 00:11:35,240
dress up.
And this movie felt.

204
00:11:36,600 --> 00:11:39,080
It looks like an episode of
Bridgerton or something.

205
00:11:39,080 --> 00:11:43,840
Yeah, dude, everything's just.
Fake and overproduced, it felt

206
00:11:44,040 --> 00:11:48,760
realistically lived in and grimy
and gritty, and I just really

207
00:11:48,760 --> 00:11:51,040
appreciated a movie that I
didn't.

208
00:11:51,200 --> 00:11:54,080
I wasn't thinking about the set
design or anything like that,

209
00:11:54,400 --> 00:11:57,000
but it was definitely an
achievement in that area.

210
00:11:57,680 --> 00:12:02,920
Yeah, I mean, for me, I think
about the the courtyard that

211
00:12:02,920 --> 00:12:09,840
they live in in New Jersey that
like has a West Side Story, rear

212
00:12:09,840 --> 00:12:13,600
window kind of vibe, but it
feels lived in and real.

213
00:12:13,920 --> 00:12:18,560
And like the scene where
Zellweger is getting back home

214
00:12:19,080 --> 00:12:22,280
and the dude is there shutting
off the electricity to her house

215
00:12:22,280 --> 00:12:25,720
and the little like spat that
they get in where both of them

216
00:12:25,720 --> 00:12:29,440
are like incredibly desperate.
They're she's trying to keep her

217
00:12:29,440 --> 00:12:31,720
kids alive.
He's trying to make enough money

218
00:12:31,720 --> 00:12:34,480
to keep his kids alive.
And they're at direct.

219
00:12:35,280 --> 00:12:37,240
I, I don't know, there's
something about that scene that

220
00:12:37,240 --> 00:12:41,360
like the snow and the grime on
the walls and the interaction

221
00:12:41,360 --> 00:12:45,040
that they have of like both of
these people are in the same

222
00:12:45,040 --> 00:12:48,920
position and on the same team,
and yet they're opposed to each

223
00:12:48,920 --> 00:12:52,640
other because of how desperate
times are.

224
00:12:52,880 --> 00:12:55,880
And there's something about all
that put together, the the

225
00:12:55,880 --> 00:12:59,720
visuals and the the way they
interact with one another that

226
00:12:59,720 --> 00:13:04,120
makes it feel you feel the
desperation of the era and it's

227
00:13:04,120 --> 00:13:08,000
just incredibly well done.
Yeah, for sure.

228
00:13:08,560 --> 00:13:13,000
Now, I think part of that is the
Thomas Newman score to this

229
00:13:13,000 --> 00:13:14,840
movie.
And we just talked about Thomas

230
00:13:14,840 --> 00:13:17,240
Newman again two weeks ago in
American Beauty.

231
00:13:17,600 --> 00:13:20,840
And I say all the time, every
one of his soundtracks sounds

232
00:13:20,840 --> 00:13:23,840
the same, but there's like just
slight little degrees of

233
00:13:23,840 --> 00:13:25,480
difference.
And this, this definitely has

234
00:13:25,480 --> 00:13:28,720
more of like a Celtic 'cause
he's Irish, you know.

235
00:13:28,960 --> 00:13:30,720
Yep.
And, and I remember a couple

236
00:13:30,720 --> 00:13:33,440
years before this movie came
out, he also did the score for a

237
00:13:33,440 --> 00:13:37,160
movie called Road to Perdition,
which was Sam Mendes follow up

238
00:13:37,160 --> 00:13:39,200
to American Beauty.
And that's a movie that's also

239
00:13:39,200 --> 00:13:42,360
set in the 1920s.
I think that was set in Chicago,

240
00:13:42,560 --> 00:13:44,920
but following the Irish mob.
And so there's a lot of

241
00:13:44,920 --> 00:13:46,600
similarities in those two
soundtracks.

242
00:13:46,600 --> 00:13:51,440
But I think what the reason I
wanted to talk about Ron Howard

243
00:13:51,960 --> 00:13:55,640
is that all of the pieces he's
using, the cinematography, the

244
00:13:55,640 --> 00:14:00,160
set design, the way he's using
the composer creates such an

245
00:14:00,160 --> 00:14:03,400
effective tone and mood for this
movie.

246
00:14:04,000 --> 00:14:06,600
Where like we will talk about
some of the things in the script

247
00:14:06,600 --> 00:14:08,600
that are a little hokey or
things they could have tightened

248
00:14:08,600 --> 00:14:11,480
up.
But he's creating such an

249
00:14:11,480 --> 00:14:16,800
environment filmically.
I guess that like I, I can

250
00:14:16,800 --> 00:14:19,880
forgive a lot of what's going on
in the script because the

251
00:14:19,880 --> 00:14:23,960
performances are really good and
there's just this pervasive tone

252
00:14:24,000 --> 00:14:25,880
of, you said the best
desperation.

253
00:14:25,960 --> 00:14:28,960
It's like people are desperate
to survive in this movie.

254
00:14:29,520 --> 00:14:32,840
Then I found myself so often,
like, on the verge of tears.

255
00:14:32,960 --> 00:14:35,640
Like, there's so many scenes
that, like, I wasn't a full out

256
00:14:35,640 --> 00:14:37,920
cry, but it was like getting me
choked up.

257
00:14:37,920 --> 00:14:41,200
Because it's just like parents
trying to protect their kids, a

258
00:14:41,200 --> 00:14:44,120
guy trying to protect his
family, people trying to protect

259
00:14:44,120 --> 00:14:47,000
their legacy and their
reputation and their scrapping.

260
00:14:47,000 --> 00:14:49,560
And they're fighting and they
don't know where the answers are

261
00:14:49,560 --> 00:14:52,160
gonna come from.
And I just think that Ron

262
00:14:52,160 --> 00:14:55,920
Howard, for his part, does such
a good job at capturing all of

263
00:14:55,920 --> 00:14:58,120
that.
And I, I think part of it is

264
00:14:58,120 --> 00:15:03,160
like stage of life, like he was
probably in his 30s when he,

265
00:15:03,160 --> 00:15:06,920
when this movie's going on, late
20s, early 30s, which happens to

266
00:15:06,920 --> 00:15:09,320
be where we're at in our life.
And so I'm watching this movie

267
00:15:09,320 --> 00:15:14,000
going like, man, what would I do
to keep my kids in the house and

268
00:15:14,000 --> 00:15:18,080
from having to go stay with, you
know, an aunt or an uncle, Like

269
00:15:18,480 --> 00:15:20,480
how, how many shifts would I
work?

270
00:15:20,760 --> 00:15:24,560
The, the scenes where she's
taking off his boots because

271
00:15:24,560 --> 00:15:26,600
he's already asleep in the bed
when he gets home.

272
00:15:26,600 --> 00:15:30,120
You're like, it just, it just
reeks of that.

273
00:15:30,280 --> 00:15:35,200
I, I can't imagine the
difficulties that they are

274
00:15:35,200 --> 00:15:38,080
facing.
And, and Howard captures it all

275
00:15:38,400 --> 00:15:40,720
really, really well.
And you're right, I, I think the

276
00:15:40,720 --> 00:15:45,360
performances do it.
But even when you look at the

277
00:15:45,360 --> 00:15:51,240
boxing scenes, like the way the
camera moves and follows Russell

278
00:15:51,240 --> 00:15:57,240
around the ring, I think does an
excellent job of showcasing his

279
00:15:57,840 --> 00:16:02,720
determination and grit that has
been purchased on the streets

280
00:16:02,720 --> 00:16:04,520
rather than like found in the
ring.

281
00:16:06,120 --> 00:16:08,080
Yeah.
And well, I spent a lot of this

282
00:16:08,080 --> 00:16:10,920
movie, I would, I would say I
had to press pause around the

283
00:16:10,920 --> 00:16:14,000
halfway mark and I came back and
and watch the rest of it later.

284
00:16:14,520 --> 00:16:18,160
And when I press pause, I was
like, I don't think there's

285
00:16:18,160 --> 00:16:19,920
enough boxing in this boxing
movie.

286
00:16:20,040 --> 00:16:21,920
Like he's he's barely been in
the rent.

287
00:16:22,440 --> 00:16:24,240
Dude, I remember.
A few times the.

288
00:16:24,240 --> 00:16:27,880
First time I saw this movie, I,
I remember being bored by it.

289
00:16:27,880 --> 00:16:31,720
I like, I, I liked it, but I was
like 15 or 16 and was like,

290
00:16:32,000 --> 00:16:33,440
yeah, that was kind of boring.
I don't know.

291
00:16:33,440 --> 00:16:38,680
There wasn't enough like boxing.
Well, and I think, OK, so like

292
00:16:38,680 --> 00:16:41,520
watching it now, I actually do
think that that's a feature and

293
00:16:41,520 --> 00:16:44,880
not a bug of the movie.
Like it's not a movie about

294
00:16:44,880 --> 00:16:47,280
boxing.
Like boxing is a core component

295
00:16:47,280 --> 00:16:48,800
of the movie and it's a sports
movie.

296
00:16:49,120 --> 00:16:52,320
And I'll talk about why I think
it's such a great sports movie.

297
00:16:52,320 --> 00:16:56,320
But like you need all that build
up to make those final couple

298
00:16:56,320 --> 00:16:59,000
fights matter.
And even when they're kind of

299
00:16:59,000 --> 00:17:02,240
like breezing through some of
those fights, the whole last

300
00:17:02,240 --> 00:17:04,680
half hour of this movie is the
Max Baer fight.

301
00:17:04,839 --> 00:17:08,079
Like they put you in the ring
literally for like 30 minutes at

302
00:17:08,079 --> 00:17:10,040
the end of the movie.
It's incredible.

303
00:17:10,760 --> 00:17:13,720
It's so well edited, you don't
even notice how much time that

304
00:17:13,720 --> 00:17:16,640
you spent there because they've
done such a good job ramping up

305
00:17:16,640 --> 00:17:19,359
to it.
And I think that that if they

306
00:17:19,359 --> 00:17:23,040
had front loaded it with the
boxing stuff, it wouldn't have

307
00:17:23,040 --> 00:17:25,760
worked as well 'cause then it
becomes like $1,000,000 baby,

308
00:17:25,839 --> 00:17:27,839
right?
Like the reason $1,000,000 baby

309
00:17:27,839 --> 00:17:31,760
works is because it it like
reverses this, it's all boxing.

310
00:17:31,760 --> 00:17:33,520
And then it's like, here's the
rug pull.

311
00:17:33,760 --> 00:17:36,440
And now how do we grapple with
the loss of that?

312
00:17:36,560 --> 00:17:38,960
Don't you mean this one?
Don't you mean the plug pull

313
00:17:39,040 --> 00:17:43,000
Bob?
The the the stool, the stool

314
00:17:43,000 --> 00:17:44,880
pull.
Right.

315
00:17:47,160 --> 00:17:50,160
Yikes, Big old Yikes on
$1,000,000 baby here, Brad.

316
00:17:51,720 --> 00:17:55,160
But yeah, I I think that the
structure of this movie is done

317
00:17:55,160 --> 00:17:57,800
pretty well.
I do think before we get into

318
00:17:57,800 --> 00:18:01,560
the performances, we should
probably talk about like the

319
00:18:01,560 --> 00:18:04,440
things that didn't work, because
I think that there are some

320
00:18:04,440 --> 00:18:07,880
things in the film that that
just don't work for me.

321
00:18:07,880 --> 00:18:10,920
It's mostly script stuff.
But I want to ask you first,

322
00:18:11,080 --> 00:18:14,880
what was the biggest detractor
for you in the movie?

323
00:18:14,880 --> 00:18:19,360
I.
It's got to be Renee Zellweger's

324
00:18:19,360 --> 00:18:22,160
overacting.
Like everybody overacts in this

325
00:18:22,160 --> 00:18:24,960
movie.
Renee Zellweger has a few

326
00:18:24,960 --> 00:18:27,400
moments where I'm like, you're
nailing it.

327
00:18:27,400 --> 00:18:29,160
You're killing it.
The conversation with the

328
00:18:29,160 --> 00:18:32,560
electrical guy, there's a few
with between her and Russell

329
00:18:32,560 --> 00:18:34,080
Crowe.
When they're at their darkest

330
00:18:34,080 --> 00:18:37,440
times, she nails it.
It's when she's like happy and

331
00:18:37,440 --> 00:18:42,320
excited that I'm like, oh, like
ROM com Renee Zellweger's coming

332
00:18:42,320 --> 00:18:44,120
through.
And that just doesn't.

333
00:18:44,640 --> 00:18:50,000
I can't imagine ROM com Renee
Zellweger in the 1930s

334
00:18:50,000 --> 00:18:52,600
Depression era.
It's just doesn't vibe for me.

335
00:18:53,720 --> 00:18:56,120
Yeah, it's funny because I think
the scenes where she's actually

336
00:18:56,120 --> 00:18:59,880
required to have, like, deep,
real emotion, she she does nail.

337
00:19:00,160 --> 00:19:01,680
Yeah.
Like the scene where she tells

338
00:19:01,680 --> 00:19:03,840
her kids, like, I've got to go
outside for a minute and she

339
00:19:03,840 --> 00:19:06,760
just goes and like, weeps like,
oh, it's so good.

340
00:19:06,760 --> 00:19:09,760
It's so heartbreaking.
My wife has never been through

341
00:19:09,800 --> 00:19:12,040
what what she had been through
in the Great Depression.

342
00:19:12,280 --> 00:19:14,720
I've seen my wife take a minute
to go outside and cry.

343
00:19:15,480 --> 00:19:17,160
Yeah, man.
For real, dude.

344
00:19:19,080 --> 00:19:22,520
And it's the scene for me, it's
like the very early scene after

345
00:19:22,520 --> 00:19:24,960
he wins the fight.
And they're trying to establish

346
00:19:24,960 --> 00:19:27,840
like the husband and wife
rapport in the script.

347
00:19:28,240 --> 00:19:31,000
And so they're like, let's go
sit outside and, and I'm going

348
00:19:31,000 --> 00:19:34,360
to be seductive and tell you
what a great man you are and how

349
00:19:34,440 --> 00:19:38,400
how proud I am of you.
And it's like, I don't need her

350
00:19:38,400 --> 00:19:40,880
to say all this out loud, to
know that she supports her

351
00:19:40,880 --> 00:19:44,560
husband and loves him 'cause it
just makes her like a tool of

352
00:19:44,640 --> 00:19:46,600
the script and a tool of the
plot.

353
00:19:47,040 --> 00:19:51,200
And to have her, like, cradling
his face 18 times in this movie

354
00:19:51,200 --> 00:19:54,760
and being like, you're the most
important thing, you're doing so

355
00:19:54,760 --> 00:19:57,160
much for our family.
It's like, it's just a little

356
00:19:57,160 --> 00:19:58,440
overkill.
Yeah.

357
00:19:58,440 --> 00:20:00,320
And I don't really blame her for
that.

358
00:20:00,320 --> 00:20:03,560
I blame the script for that.
Yeah, and and this is like a

359
00:20:03,560 --> 00:20:05,480
perfect example of show don't
tell.

360
00:20:05,880 --> 00:20:09,760
And and even there she could
just look him dead in the eyes,

361
00:20:09,760 --> 00:20:12,800
give her a full 3 seconds of
looking on him with like

362
00:20:13,240 --> 00:20:16,840
admiration and love.
And then just a really quiet,

363
00:20:17,080 --> 00:20:19,080
I'm proud of you kiss him on the
forehead.

364
00:20:19,080 --> 00:20:22,520
Done.
It works like she, she still

365
00:20:22,640 --> 00:20:25,040
says the line.
You're still telling some, but

366
00:20:25,040 --> 00:20:30,680
you get all of that without all
this extra stuff that makes it.

367
00:20:30,840 --> 00:20:33,520
I think the big problem, Bob, is
that it makes it feel unreal

368
00:20:33,960 --> 00:20:39,080
because I don't know any couple
that interacts like that in

369
00:20:39,080 --> 00:20:42,000
private or in public.
Like, it's just kind of a weird

370
00:20:42,600 --> 00:20:48,080
vibe, which makes it feel like
she's just there to prop him up.

371
00:20:48,600 --> 00:20:51,320
And I think the rest of the
script does such a great job of

372
00:20:51,320 --> 00:20:54,920
setting her up as her own
independent, like, strong

373
00:20:54,920 --> 00:21:00,080
married woman who's pulling wood
off of signs with her children

374
00:21:00,080 --> 00:21:03,440
to keep them warm in the winter.
Like, she's a strong character,

375
00:21:03,640 --> 00:21:06,120
but it's moments like that that
make it feel like she's just

376
00:21:06,120 --> 00:21:10,040
there to prop him up, which,
yeah, she's clearly not, but.

377
00:21:11,360 --> 00:21:13,200
But she also is.
Based on how the script.

378
00:21:13,280 --> 00:21:17,280
Got written now The funny thing
is like the most egregious

379
00:21:17,280 --> 00:21:21,600
example of that is the scene
where she calls him the bulldog

380
00:21:21,600 --> 00:21:24,800
of Bergen at the end of the
movie because like they build it

381
00:21:24,800 --> 00:21:26,880
up that she's like, I'm not
coming.

382
00:21:26,880 --> 00:21:29,520
I'm never going to come watch
you fight, you know, so you know

383
00:21:29,520 --> 00:21:32,320
she's going to come, right?
But then she like literally begs

384
00:21:32,320 --> 00:21:35,840
him, don't take this fight.
And then they cut to him being

385
00:21:35,840 --> 00:21:37,800
like, see you later.
I'm going to go take the fight.

386
00:21:37,800 --> 00:21:42,480
Like he's getting in a car and
the script does not interrogate

387
00:21:42,480 --> 00:21:45,720
him at all for this decision.
Like he's just like this stoic,

388
00:21:45,720 --> 00:21:47,480
like I'm a man, so I have to do
it.

389
00:21:48,040 --> 00:21:51,440
And he goes and does it, which
is a, a horrible thing to do

390
00:21:51,560 --> 00:21:53,600
'cause his wife is like, please,
I don't want you to die.

391
00:21:53,840 --> 00:21:56,720
And he's like, dad, what fellas
got to do what a fella's got to

392
00:21:56,720 --> 00:21:58,440
do?
So he goes off to fight.

393
00:21:59,000 --> 00:22:02,240
And then lo and behold, she
shows up in the in the locker

394
00:22:02,240 --> 00:22:05,080
room right before the fight and
she gives this speech.

395
00:22:05,080 --> 00:22:08,560
That is the most unrealistic
speech I have ever heard anybody

396
00:22:08,560 --> 00:22:12,360
give.
And yet because of the heavy

397
00:22:12,360 --> 00:22:15,680
lifting that they've done
throughout this movie to

398
00:22:15,680 --> 00:22:18,600
establish the stakes for
everyone involved.

399
00:22:18,920 --> 00:22:22,520
When she looks at him and starts
choking up and says, you're the

400
00:22:22,520 --> 00:22:24,840
bulldog of Bergen.
And then she's like, and the

401
00:22:24,840 --> 00:22:28,600
champion of my heart.
I'm like, I hate that line.

402
00:22:28,720 --> 00:22:32,680
And I'm still crying like I'm
I'm 100% bought in on this.

403
00:22:32,760 --> 00:22:34,120
Do you?
Do you want to know why, Bob?

404
00:22:34,920 --> 00:22:37,400
Because you want to be the
champion of a woman's heart,

405
00:22:38,200 --> 00:22:42,040
that's why.
Specifically, 1930s New Jersey

406
00:22:42,040 --> 00:22:45,720
Renee Zellweger.
That's that's the ideal.

407
00:22:46,040 --> 00:22:51,000
Yo Bob Book.
That bulldog of I love how every

408
00:22:51,000 --> 00:22:57,160
time we go dog gets more and
more like mob boss Duh bulldog

409
00:22:57,160 --> 00:22:58,720
of burg.
It's like it's almost turning

410
00:22:58,720 --> 00:23:00,960
into duh, bears.
Like, duh, bears.

411
00:23:02,360 --> 00:23:04,240
Well, you're saying earlier that
he gets in the cab.

412
00:23:04,560 --> 00:23:07,360
I'm like, I wish that instead of
getting in the cab to go there,

413
00:23:07,520 --> 00:23:10,800
he gets in the cab.
It fades and then it's like 20

414
00:23:10,800 --> 00:23:13,880
years later and him and her
sitting in a car and he's he's

415
00:23:13,880 --> 00:23:16,880
looking at, he goes, I could
have been a contender.

416
00:23:18,960 --> 00:23:23,520
And seen.
Yeah, maybe that's the SNL

417
00:23:23,520 --> 00:23:26,760
version, who knows.
Let's talk performances real

418
00:23:26,760 --> 00:23:28,280
quick before we go to break,
Brad.

419
00:23:28,280 --> 00:23:32,840
So I do think top to bottom, the
performances are pretty good and

420
00:23:32,880 --> 00:23:38,080
like the the issues that I have
with them are all script

421
00:23:38,080 --> 00:23:39,920
related, dialogue related,
right?

422
00:23:39,920 --> 00:23:42,720
So, you know, Russell Crowe's
doing his version of a New

423
00:23:42,720 --> 00:23:45,920
Jersey guy and Renee Zellweger's
doing her version of a New

424
00:23:45,920 --> 00:23:48,760
Jersey gal.
The only person that seems like

425
00:23:48,760 --> 00:23:52,080
they actually feel like lived in
is Paul Giamatti.

426
00:23:52,840 --> 00:23:55,720
Giamatti does get an Oscar
nomination for this movie.

427
00:23:56,320 --> 00:23:58,920
I, I, it may have been the
movie's only Oscar nomination.

428
00:23:58,920 --> 00:24:03,000
If not, it was like one of two.
It's totally deserved.

429
00:24:03,200 --> 00:24:06,880
And he's coming off of Sideways,
which was his big breakout

430
00:24:06,880 --> 00:24:09,360
starring role.
He's kind of like riding high.

431
00:24:09,720 --> 00:24:12,360
We'll talk a bit about how this
movie's Oscar chances got

432
00:24:12,360 --> 00:24:16,960
torpedoed by Russell Crowe.
But Giamatti even revisiting

433
00:24:16,960 --> 00:24:22,000
this, it's like, This is why The
Holdovers is such a perfect.

434
00:24:22,680 --> 00:24:25,760
Like, you can only get Paul
Giamatti for that because I've

435
00:24:25,760 --> 00:24:30,360
already seen him do this
tightrope walk of comedy,

436
00:24:30,480 --> 00:24:36,960
tragedy, outsized figure who is
using his, you know, braggadocio

437
00:24:37,280 --> 00:24:40,160
as a way of covering for some
real insecurity.

438
00:24:40,600 --> 00:24:44,400
And I just think he absolutely
ties the whole movie together.

439
00:24:44,960 --> 00:24:49,440
Dude, when When he invites Renee
Zellweger into their apartment

440
00:24:49,840 --> 00:24:53,160
and it's just completely barren.
Like it, it kind of reminds me

441
00:24:53,160 --> 00:24:56,680
of charade when when Audrey
Hepburn gets into her apartment

442
00:24:56,680 --> 00:25:00,160
and it's all gone and she's
like, what the heck happened

443
00:25:00,160 --> 00:25:02,920
here?
And and Renee walks in and just

444
00:25:02,920 --> 00:25:07,440
his matter of factness about
like, well, I was trying to hide

445
00:25:07,440 --> 00:25:09,880
it, but here we are.
Would you like some tea?

446
00:25:09,880 --> 00:25:15,160
And you're just like, I freaking
love Paul Giamatti in this when

447
00:25:15,160 --> 00:25:18,320
he when he freaks out over
Russell Crowe eating on an empty

448
00:25:18,320 --> 00:25:20,480
stomach.
Which, by the way, the sound

449
00:25:20,480 --> 00:25:25,800
effect, Russell Crowe's empty
stomach is the most overproduced

450
00:25:25,880 --> 00:25:29,000
sound effect in Hollywood
history, and I love it.

451
00:25:29,760 --> 00:25:32,560
And his reaction is just like,
what in the hell was that?

452
00:25:32,800 --> 00:25:36,040
Which, honestly, if I heard that
sound coming out of a man's

453
00:25:36,040 --> 00:25:40,160
stomach, I would freak out, man.
Just like, oh, this man has

454
00:25:40,160 --> 00:25:43,480
dysentery on the Oregon Trail.
Like rough.

455
00:25:44,960 --> 00:25:47,720
But dude, I I'm going to go back
to Russell Crowe for a second.

456
00:25:47,840 --> 00:25:50,320
I actually really liked Russell
Crowe in this.

457
00:25:50,400 --> 00:25:52,800
I think he's like too.
I think this is one of his

458
00:25:52,800 --> 00:25:57,320
better performances a because
somehow he had to have like tape

459
00:25:57,320 --> 00:26:01,800
behind his ears to make them
like more Irish looking and that

460
00:26:01,800 --> 00:26:06,160
had to be annoying and he still
just nails it and.

461
00:26:06,160 --> 00:26:08,840
B That might have been the most
racist thing you've said in the

462
00:26:08,840 --> 00:26:11,840
history of our podcast.
I I don't know what to is that a

463
00:26:11,840 --> 00:26:14,680
fact or you just guessing that
that's what Irish ears look

464
00:26:14,680 --> 00:26:18,800
like?
I I'm Irish, it's OK.

465
00:26:18,920 --> 00:26:24,040
Brad, please answer my question.
The other element of Crow's

466
00:26:24,040 --> 00:26:30,200
performance is so we'll use the
the word of the day is desperate

467
00:26:30,640 --> 00:26:34,920
and that like it's the moment
that he is looking at the at the

468
00:26:34,920 --> 00:26:38,880
bowl of hash, like bouncing,
like I got a freaking heat and

469
00:26:38,880 --> 00:26:41,120
he just shoves his face in and
starts eating.

470
00:26:42,360 --> 00:26:45,240
It's incredible.
Like I feel every ounce of

471
00:26:45,240 --> 00:26:48,120
desperation he has in his soul
in that moment.

472
00:26:48,120 --> 00:26:52,600
I I think Crow is just really,
really good in this movie.

473
00:26:53,720 --> 00:26:57,960
I don't I don't care if the
accent is not like accurate to

474
00:26:57,960 --> 00:27:00,120
New Jersey, like he's he's
trying something.

475
00:27:00,120 --> 00:27:03,160
Whatever set that aside.
I think he's better in this

476
00:27:03,160 --> 00:27:06,040
movie than he is in Gladiator,
which won him an Oscar.

477
00:27:06,040 --> 00:27:10,120
And he's he's doing the like
stoic man fighting in the ring

478
00:27:10,120 --> 00:27:12,080
for people's enjoyment thing
again here.

479
00:27:12,440 --> 00:27:16,160
But Gladiator that is not a real
person.

480
00:27:16,160 --> 00:27:20,000
Like, that's a man who is
consumed by revenge and shows no

481
00:27:20,000 --> 00:27:22,520
emotion.
And here he's a man who is like

482
00:27:22,520 --> 00:27:26,720
overcome with emotion all the
time and has to be made low and

483
00:27:26,720 --> 00:27:30,800
reduced to nothing repeatedly.
Like when he has when he goes to

484
00:27:31,960 --> 00:27:34,600
the boxing Commission with his
hat in his hand to like get

485
00:27:34,600 --> 00:27:37,720
changed from them.
It's it might be my favorite

486
00:27:37,720 --> 00:27:42,000
moment of both him and Giamatti
in the movie because he's he's

487
00:27:42,000 --> 00:27:44,320
like crying.
He's like choking back a SOB.

488
00:27:44,640 --> 00:27:48,240
And Giamatti does that voice
crack when he's like, what in

489
00:27:48,240 --> 00:27:49,960
the hell do you have to be sorry
about?

490
00:27:50,000 --> 00:27:54,600
And it's just like it.
It's to watch a person get

491
00:27:54,720 --> 00:27:58,600
embarrassed like that and to
understand that, like, this is

492
00:27:58,600 --> 00:28:01,320
not a unique situation to him.
This is what it was like in the

493
00:28:01,320 --> 00:28:04,760
Great Depression for everybody.
And that's why everybody liked

494
00:28:04,760 --> 00:28:08,280
this guy, because he had to go
through exactly what we've all

495
00:28:08,280 --> 00:28:10,880
been through.
I think Crow captures that

496
00:28:11,080 --> 00:28:12,920
perfectly, dude.
It might be my favorite

497
00:28:12,920 --> 00:28:16,800
performance of his, honestly.
And it's what makes it's moments

498
00:28:16,800 --> 00:28:20,720
like that that take him paying
back his money to the government

499
00:28:20,960 --> 00:28:26,280
not feel cheesy like the to to
know the depths of embarrassment

500
00:28:26,280 --> 00:28:29,680
that he goes through to do the
things that he has to do to take

501
00:28:29,680 --> 00:28:34,400
care of his family.
Also like talk about schmucks

502
00:28:34,640 --> 00:28:39,520
that Paul Giamatti has to cover
the rest like this room full of

503
00:28:39,520 --> 00:28:44,040
millionaires and he goes up and
GMI is like how much you

504
00:28:44,040 --> 00:28:46,200
missing?
And he's like, I still I'm still

505
00:28:46,200 --> 00:28:48,160
missing like $19.00.
What?

506
00:28:49,440 --> 00:28:52,120
You know what, though, I do
think that him getting his

507
00:28:52,120 --> 00:28:55,360
license revoked is a really
important plot point.

508
00:28:55,360 --> 00:28:58,600
And it's not just like piling on
like, oh, this poor guy.

509
00:28:59,040 --> 00:29:03,040
Like they don't like him because
they think that he was throwing

510
00:29:03,040 --> 00:29:06,440
fights and that he's like a
washed up schmuck to your point.

511
00:29:07,000 --> 00:29:09,400
And so like, they're not
incentivized even when he's down

512
00:29:09,400 --> 00:29:12,280
on his luck, they're like, I'm
pissed off at you because you

513
00:29:12,280 --> 00:29:14,440
have like sullied the name of
our sport.

514
00:29:14,840 --> 00:29:18,360
And I think that like having
that extra bit of I not only

515
00:29:18,360 --> 00:29:22,800
have to financially get my
family back, but I have to fight

516
00:29:22,800 --> 00:29:27,320
my way back into the good graces
of the sport that I love it.

517
00:29:27,320 --> 00:29:30,640
I think it adds A component to
the movie and it doesn't make it

518
00:29:30,640 --> 00:29:34,920
so like cheesy Oscar Beatty.
It actually has a driving kind

519
00:29:34,920 --> 00:29:38,960
of like mechanism to the plot.
Yeah, Now I know that we talked

520
00:29:38,960 --> 00:29:42,680
about our gripes earlier, Bob,
but I was just curious how you

521
00:29:42,680 --> 00:29:47,200
feel about his friend on the
docks that that helps him out

522
00:29:47,200 --> 00:29:49,560
from time to time.
They they go to church together.

523
00:29:49,560 --> 00:29:51,160
How how you feeling about him?
Sure.

524
00:29:52,640 --> 00:29:56,720
I think the character of Mike,
first of all, I, I, I am

525
00:29:56,720 --> 00:29:59,000
assuming Mike was not a real
person.

526
00:29:59,000 --> 00:30:01,120
And then this is like a
composite character that they

527
00:30:01,120 --> 00:30:03,640
put, you know, he's a plot
device character.

528
00:30:05,520 --> 00:30:09,400
It's, it's very much like
there's multiple things I hate

529
00:30:09,400 --> 00:30:12,800
about Mike.
And like, I think the first part

530
00:30:12,800 --> 00:30:15,160
that I hate about him is they
make him like the Forrest Gump

531
00:30:15,160 --> 00:30:21,520
character in that, like, Mike
being in Jim Braddock's life

532
00:30:21,720 --> 00:30:24,320
means that Jim Braddock will
encounter all these famous

533
00:30:24,320 --> 00:30:26,520
historical things that we
learned about in high school

534
00:30:26,600 --> 00:30:27,680
shanty.
Towns, OH.

535
00:30:28,400 --> 00:30:31,000
They call it the Hooverville,
the Hooverville.

536
00:30:31,000 --> 00:30:34,320
I guess I have to go to the
Hooverville now and we're all.

537
00:30:34,320 --> 00:30:37,640
The Hoover it's.
Like the Leonardo DiCaprio, like

538
00:30:39,160 --> 00:30:43,080
wow, the Hooverville.
Beyond that, I think that like

539
00:30:43,360 --> 00:30:48,760
if you look historically, pre
World War 2, like the idea of

540
00:30:48,760 --> 00:30:54,640
socialism and communism in
America was it, it had more of a

541
00:30:54,640 --> 00:30:57,120
hold on people than I think
sometimes we give credit to.

542
00:30:57,120 --> 00:30:59,720
It was a small minority of
people, but it was like a

543
00:30:59,760 --> 00:31:02,560
growing political party in
America, especially during the

544
00:31:02,560 --> 00:31:04,360
Depression when people were
super desperate.

545
00:31:04,920 --> 00:31:09,080
And so they give Mike this like
he's kind of like hinting at

546
00:31:09,080 --> 00:31:11,640
communism, but they won't go all
the way.

547
00:31:12,280 --> 00:31:14,920
And they just kind of say like,
we need to organize, we need to

548
00:31:14,920 --> 00:31:20,720
unionize and they make Jim
Braddock be like, no, like FD Rs

549
00:31:20,720 --> 00:31:25,160
got us and, and Mike's like
screw FDR organize, you know,

550
00:31:25,160 --> 00:31:28,960
like take the means of
production and all this kind of

551
00:31:28,960 --> 00:31:31,760
stuff.
And, and I what I hate about it

552
00:31:31,760 --> 00:31:36,920
is like, I don't even care if
the movie wants to say communism

553
00:31:36,920 --> 00:31:40,040
is not the way and we believe in
traditional American values.

554
00:31:40,480 --> 00:31:44,960
It's that like, they never
actually give the time to like,

555
00:31:44,960 --> 00:31:48,360
meeting Mike at what he's trying
to say and telling us why it's

556
00:31:48,360 --> 00:31:50,120
bad.
And if you're not going to do

557
00:31:50,120 --> 00:31:53,440
that, then you're just setting
up this weird straw man of like,

558
00:31:54,520 --> 00:31:58,480
communism bad, America good.
And like, it just becomes Rocky

559
00:31:58,480 --> 00:32:01,480
4 at that point.
And it's not as fun as Rocky 4,

560
00:32:01,760 --> 00:32:05,920
you know, No.
Dude, Rocky 4, if nothing else,

561
00:32:05,920 --> 00:32:11,360
is a very fun movie.
Which which engages with

562
00:32:11,360 --> 00:32:14,240
communism at a deeper level than
Cinderella Man does.

563
00:32:14,280 --> 00:32:16,680
It does.
And honestly, I I feel like a

564
00:32:16,680 --> 00:32:21,880
lot of movies from the mid 2000s
struggled with this, where the

565
00:32:21,880 --> 00:32:25,960
movie itself has nothing to do
with the political worlds of

566
00:32:25,960 --> 00:32:31,480
2005, let's say, and yet it
feels the need to comment on it.

567
00:32:31,480 --> 00:32:35,640
So it brings in these politics
and you're like Batman.

568
00:32:36,120 --> 00:32:41,280
The Dark Knight doesn't need a
surveillance subplot in it.

569
00:32:41,640 --> 00:32:44,960
This does not need a anti
communist subplot in it.

570
00:32:44,960 --> 00:32:47,720
It just feels like a lot of
movies around this time are

571
00:32:47,720 --> 00:32:51,520
great and then they have 1
little squeaky wheel that was

572
00:32:51,520 --> 00:32:55,680
like maybe just should have been
cut in pre production and yet it

573
00:32:55,680 --> 00:32:58,320
made it in and they filmed a few
scenes and they're like well

574
00:32:58,320 --> 00:33:01,160
we're not going to cut this this
guy out completely.

575
00:33:01,160 --> 00:33:03,320
So we're just giving me a few
things.

576
00:33:03,320 --> 00:33:08,280
Part of me is like, if you only
had the scene with Mike, the

577
00:33:08,320 --> 00:33:11,840
only scene with him was the one
at the church, and you don't

578
00:33:11,840 --> 00:33:14,120
even know who he is.
He's just a random guy that

579
00:33:14,120 --> 00:33:17,280
Russell Crowe tries to, like,
keep from hitting his wife in

580
00:33:17,280 --> 00:33:19,400
public.
That's all you need to know

581
00:33:19,600 --> 00:33:22,560
'cause it's telling you about
Russell Crowe's character.

582
00:33:22,920 --> 00:33:24,720
You don't need to know anything
about him.

583
00:33:24,720 --> 00:33:27,760
So I'm like, I, I think they
could have used him well, but as

584
00:33:27,760 --> 00:33:29,360
it is, he's in the movie too
much.

585
00:33:29,960 --> 00:33:34,640
And in one scene he's, you know,
maybe going to hit his wife and

586
00:33:34,640 --> 00:33:36,080
you get to learn more about
Russell.

587
00:33:36,360 --> 00:33:38,440
In another scene, he's Communist
Mike.

588
00:33:38,760 --> 00:33:41,760
And then in the other scene,
he's his buddy at the bar who's

589
00:33:41,760 --> 00:33:44,040
like, hey, everybody, shut up.
This is my boy.

590
00:33:44,360 --> 00:33:47,520
He's on the radio.
Well, that's the thing too is

591
00:33:47,520 --> 00:33:50,360
like they give him way too much
screen time to not engage with

592
00:33:50,360 --> 00:33:53,040
any of his ideas.
And so the way that they say

593
00:33:53,560 --> 00:33:57,360
ideas bad are like, we're going
to also make him a wife beater.

594
00:33:57,400 --> 00:34:00,640
And so you know that communism
is bad because the communist in

595
00:34:00,640 --> 00:34:02,720
the movie beats his wife and
and.

596
00:34:02,720 --> 00:34:05,680
He and he dies and.
Dies.

597
00:34:06,560 --> 00:34:08,639
It's it's like the the scene in
Mean Girls.

598
00:34:09,040 --> 00:34:12,480
If you have sex, you will get
chlamydia and you will die.

599
00:34:12,719 --> 00:34:15,440
If you support the Communist
Party, you will get.

600
00:34:15,440 --> 00:34:19,440
B, You will get trampled by a
horse in Central Park and you

601
00:34:19,520 --> 00:34:21,440
will die.
And on that note, Brad, it's

602
00:34:21,440 --> 00:34:24,400
time to drink some rye whiskey.
Let's go.

603
00:34:24,560 --> 00:34:26,360
Try this Bullet Rye, man.
What do you say?

604
00:34:26,639 --> 00:34:34,400
Let's get to it.
All right, so today we are

605
00:34:34,400 --> 00:34:40,360
checking out Bullet 95 Rye,
perhaps the most confusingly

606
00:34:40,360 --> 00:34:43,159
named of all whiskey names.
Brad.

607
00:34:43,159 --> 00:34:47,480
It's not like a super
complicated finished in this age

608
00:34:47,480 --> 00:34:51,560
double twice in this thing.
It's just Bullet 95 Rye, but

609
00:34:51,560 --> 00:34:56,880
it's called 95 rye because it's
the 95.5 mash bill that MGP

610
00:34:57,240 --> 00:35:00,640
popularized.
But it's not 95 proof, it's only

611
00:35:00,640 --> 00:35:03,040
90 proof.
It's a 90 proof whiskey that's

612
00:35:03,040 --> 00:35:06,640
called 95 rye and that really
pisses me off.

613
00:35:06,760 --> 00:35:10,800
Why can't you just do it at 95
proof and then it makes way more

614
00:35:10,800 --> 00:35:12,680
sense?
Yeah, yeah.

615
00:35:12,680 --> 00:35:19,320
Do it at 95 proof or like if any
whiskey ever has a number in the

616
00:35:19,320 --> 00:35:23,080
name, it's the proof across the
board.

617
00:35:23,160 --> 00:35:26,200
This is the only one I've ever
seen that doesn't do that, so

618
00:35:27,960 --> 00:35:29,680
that.
Would be like having like Rebel

619
00:35:29,680 --> 00:35:34,600
100, but the 100 refers to the
fact that it's 100% corn and

620
00:35:34,600 --> 00:35:36,560
it's only 80 proof.
You know what I mean like it

621
00:35:36,560 --> 00:35:41,520
just doesn't make any sense Yep
aside from that, listen, I do we

622
00:35:41,520 --> 00:35:45,680
care that this is an MGP product
or originated as an MGP product.

623
00:35:45,680 --> 00:35:47,720
We do not.
And Brad, you know, I don't want

624
00:35:47,720 --> 00:35:51,880
to immediately jump into the the
nosing on this, but Bullet has

625
00:35:51,880 --> 00:35:54,640
become a major player in
American whiskey.

626
00:35:54,640 --> 00:35:58,360
I'm sure most people here have
tried either Bullet Bourbon or

627
00:35:58,680 --> 00:36:01,360
Bullet Rye at some point.
So we're not going to give a ton

628
00:36:01,360 --> 00:36:03,160
of background on the company
itself.

629
00:36:03,640 --> 00:36:09,160
But I just took my first nosing
of this Brad, and it felt so

630
00:36:09,160 --> 00:36:11,480
familiar to me.
And I think it's because in the

631
00:36:11,480 --> 00:36:15,600
early days of the podcast, when
we hadn't tried much rye, most

632
00:36:15,600 --> 00:36:18,360
of the brands that we were
trying, unbeknownst to us at the

633
00:36:18,360 --> 00:36:22,920
time, we're sourcing MGP rye.
And so I smell this now and I'm

634
00:36:22,920 --> 00:36:26,880
like, oh man, this is what rye
smells like, 'cause this is how

635
00:36:26,880 --> 00:36:30,720
I got trained on drinking rye.
So like, I'm gonna give some

636
00:36:30,720 --> 00:36:35,360
very familiar nosing and tasting
notes probably on this rye.

637
00:36:35,760 --> 00:36:39,240
But it's because like, this is
how I learned what rye smelled

638
00:36:39,240 --> 00:36:41,960
and tasted like.
Yeah, absolutely there.

639
00:36:42,040 --> 00:36:46,960
There is a lot going on here
that feels like everything we

640
00:36:46,960 --> 00:36:50,880
had growing up in our in our
journey with whiskey.

641
00:36:51,120 --> 00:36:53,840
And I will say I'm going to
spoil a little bit where I'm

642
00:36:53,840 --> 00:36:56,400
going with this.
I don't know if I enjoy it

643
00:36:56,400 --> 00:36:59,200
anymore, Bob.
Oh, interesting.

644
00:36:59,480 --> 00:37:01,880
All right.
Well, Brad, on that note, let's

645
00:37:01,880 --> 00:37:03,680
just go ahead and dive right in.
I'll let you.

646
00:37:03,720 --> 00:37:06,240
You've already come in with a
hot take, so I'll let you keep

647
00:37:06,240 --> 00:37:08,040
going with your nosing notes
here.

648
00:37:08,560 --> 00:37:12,320
Yeah, I mean, this is a mint
bomb.

649
00:37:12,560 --> 00:37:15,640
Like it.
This is maybe the mintiest thing

650
00:37:15,640 --> 00:37:19,400
I have ever smelt in tasting
whiskey there.

651
00:37:19,400 --> 00:37:26,120
There is so much just like
overpowering toothpasty vibe

652
00:37:26,120 --> 00:37:30,000
going on here that I don't have
any other notes on the nose I

653
00:37:30,000 --> 00:37:32,720
like.
This is mint toothpaste through

654
00:37:32,720 --> 00:37:37,280
and through.
Yeah, I think for me it's, it

655
00:37:37,280 --> 00:37:40,400
smells a little bit young, like
I almost get a yeastiness to it

656
00:37:40,400 --> 00:37:43,240
that I wasn't expecting.
It's definitely covered up by

657
00:37:43,240 --> 00:37:46,960
all that dill and mint for me.
I do get almost a little bit of

658
00:37:46,960 --> 00:37:51,680
like a like pine needles on this
it, it tips a little bit more,

659
00:37:52,120 --> 00:37:54,440
even more herbaceous than just
saying mints.

660
00:37:54,440 --> 00:37:56,200
Like it's it's almost like
woodsy.

661
00:37:56,560 --> 00:38:00,840
I like it a lot, but I do think
that like some of those stronger

662
00:38:01,440 --> 00:38:04,560
notes we associate with a potent
rye are kind of covering up for

663
00:38:04,560 --> 00:38:06,600
the fact that this might be a
younger whiskey.

664
00:38:07,040 --> 00:38:10,600
I'm going to give it a 7 out of
10 just because I like the scent

665
00:38:10,600 --> 00:38:13,000
here.
Yeah, I, I give it a 6 1/2 out

666
00:38:13,000 --> 00:38:14,920
of 10.
It's not like horrific or

667
00:38:14,920 --> 00:38:17,520
anything.
It's just very overpoweringly

668
00:38:17,520 --> 00:38:20,680
minty for me.
On the palate, it is.

669
00:38:21,360 --> 00:38:22,800
This is where the youth comes
through.

670
00:38:22,800 --> 00:38:27,000
Bob This tastes like a very,
very young rye.

671
00:38:27,200 --> 00:38:29,880
It's very effervescent.
It kind of disappears somewhat

672
00:38:29,880 --> 00:38:32,360
quickly.
The a lot of the dill and mint

673
00:38:32,360 --> 00:38:36,440
toothpaste kind of stick around.
I don't really get a lot of

674
00:38:36,440 --> 00:38:40,080
other notes on this.
Bob It's very minty.

675
00:38:40,360 --> 00:38:43,360
The rye spice kind of comes
through, but not enough for me

676
00:38:43,360 --> 00:38:47,560
to get excited about it.
Man, I, I turned on this pretty

677
00:38:47,560 --> 00:38:49,240
quickly.
This is a non age stated

678
00:38:49,240 --> 00:38:51,960
product.
So I mean, we're supposedly we

679
00:38:51,960 --> 00:38:54,800
know what the age of the
youngest in the blend here is.

680
00:38:55,160 --> 00:38:56,800
This doesn't even drink like
that, Brad.

681
00:38:56,800 --> 00:39:01,320
This drinks like 2 year, one
year whiskey like it is very,

682
00:39:01,320 --> 00:39:06,200
very youthful, super grainy.
I'm not I'm not enjoying this

683
00:39:06,200 --> 00:39:07,440
man.
I'm just going to give it a 5

684
00:39:07,440 --> 00:39:11,920
out of 10 on the pallet here.
Yeah, I I gave it a 5 1/2 on the

685
00:39:11,920 --> 00:39:14,720
pallet.
I am not enjoying this.

686
00:39:14,720 --> 00:39:19,560
The finish is like the same.
It gets a little bit ashy near

687
00:39:19,560 --> 00:39:21,720
the end.
I think the youth starts to

688
00:39:21,720 --> 00:39:25,640
overpower everything else.
I'm going to drop down to a 5

689
00:39:25,640 --> 00:39:29,320
out of 10 on the finish.
I think the finish comes back up

690
00:39:29,320 --> 00:39:31,520
a bit, the youthfulness
dissipates a bit.

691
00:39:31,680 --> 00:39:35,400
I am left with a nice sweet note
here which I would expect from

692
00:39:35,400 --> 00:39:39,240
like a $20 rye like the finish
on this if I could just remove

693
00:39:39,240 --> 00:39:40,880
it from the rest of the drinking
experience.

694
00:39:41,120 --> 00:39:44,520
It's right in line with like
this is a $2025 rye.

695
00:39:44,880 --> 00:39:48,680
So I'm I'm not going to Ding it
based on the what I disliked

696
00:39:48,680 --> 00:39:51,320
before.
I'll come back up to A7 out of

697
00:39:51,320 --> 00:39:54,760
10 on the finisher.
I think balance wise I'll I'll

698
00:39:54,760 --> 00:39:58,680
give it a six out of 10.
I like they know what they're

699
00:39:58,680 --> 00:40:00,400
doing.
This is a consistent flavour

700
00:40:00,400 --> 00:40:02,760
experience throughout.
I don't enjoy it enough to give

701
00:40:02,760 --> 00:40:06,480
it a good balance score, but you
know, it is what it is.

702
00:40:07,400 --> 00:40:10,280
Yeah, I'll give it a six as well
here, Brad and I will say we

703
00:40:10,280 --> 00:40:13,960
were just at Bullet a a few
months ago and they did

704
00:40:13,960 --> 00:40:16,280
something really cool for us.
They drilled into a barrel and

705
00:40:16,280 --> 00:40:17,520
they let us drink out of the
barrel.

706
00:40:17,600 --> 00:40:21,400
I believe that was a rye that
they've been aging on premise

707
00:40:21,680 --> 00:40:23,480
and we came home with little
samples of that.

708
00:40:23,480 --> 00:40:25,840
It's, you know, obviously it's
not being sold yet so we're not

709
00:40:25,840 --> 00:40:29,080
reviewing it, but I like a lot
of what Bullet produces.

710
00:40:29,080 --> 00:40:32,080
I like Bullet bourbon.
I think that they're well aged

711
00:40:32,080 --> 00:40:33,480
rye.
They've got a 10 year rye.

712
00:40:33,760 --> 00:40:37,960
Yep, really good stuff.
Yes, this particular product is

713
00:40:37,960 --> 00:40:42,880
not doing it for me, Brad.
And when I look at MSRPI, think

714
00:40:43,160 --> 00:40:47,280
now this is from back in like 21
or 22, I'm I'm seeing a $40

715
00:40:47,280 --> 00:40:49,080
MSRPI.
Don't think it's quite that

716
00:40:49,080 --> 00:40:53,080
expensive anymore.
It is 20. $8 State of Ohio 28.

717
00:40:53,080 --> 00:40:56,440
OK, that's way better.
Yeah, I still think you can get

718
00:40:56,440 --> 00:40:59,040
better Ryze than this.
You know, you could get an old

719
00:40:59,040 --> 00:41:02,360
Overholt, the 86 or the 100
proof.

720
00:41:02,400 --> 00:41:06,840
You could get the Sazerac rye or
the 100 proof rye of Sazerac for

721
00:41:06,840 --> 00:41:10,160
around the same price.
So when you look at it against

722
00:41:10,160 --> 00:41:13,200
it's competitors, it Dings the
value for me.

723
00:41:13,240 --> 00:41:16,320
I don't think it's overpriced
like it's a fairly priced

724
00:41:16,320 --> 00:41:18,600
product.
It's just not the best in it's

725
00:41:18,600 --> 00:41:20,880
class.
So I'm just gonna give it a six

726
00:41:20,880 --> 00:41:24,200
out of 10 on value.
Yeah, I everything you said is

727
00:41:24,200 --> 00:41:25,680
accurate.
You can get.

728
00:41:25,680 --> 00:41:30,080
Other really good rise for right
at or a lower price, so I'm

729
00:41:30,080 --> 00:41:31,920
going to give it a 5 out of 10
on value.

730
00:41:32,840 --> 00:41:34,640
Oof.
Yeah, that's taking me to just a

731
00:41:34,640 --> 00:41:37,560
31 out of 50.
Brad, where are you falling on

732
00:41:37,560 --> 00:41:40,800
this one?
I'm sitting at a 28 out of 50.

733
00:41:41,280 --> 00:41:43,720
Yikes, that's your lowest score
in a while, man.

734
00:41:44,120 --> 00:41:46,760
Yeah, I've, we've drank a lot of
good whiskey, man.

735
00:41:46,800 --> 00:41:49,760
Even considering like, you know,
season 1, we're going back and

736
00:41:49,760 --> 00:41:53,640
doing a bunch of old whiskies.
I've overall enjoyed a lot of

737
00:41:53,640 --> 00:41:55,280
the whiskeys we've drank this
season.

738
00:41:56,040 --> 00:41:59,120
Bullet 95 isn't quite doing it
for me.

739
00:42:00,080 --> 00:42:03,920
Yeah, we're coming out to just a
59 out of 100 on this one or a

740
00:42:03,920 --> 00:42:09,560
29.5 out of 50 for reference.
A 35 is where we typically start

741
00:42:09,560 --> 00:42:13,360
giving our like soft or or Hardy
even recommendation.

742
00:42:13,680 --> 00:42:16,280
A-40 is a no brainer.
So this is not approaching that

743
00:42:16,280 --> 00:42:18,600
for me.
I would not recommend this one.

744
00:42:18,640 --> 00:42:21,280
I think if you really want to
try a pour of it at the bar for

745
00:42:21,320 --> 00:42:25,680
5 bucks, 6 bucks you can.
But even at this price point, I

746
00:42:25,680 --> 00:42:28,040
just don't think there's really
anything here to write home

747
00:42:28,040 --> 00:42:30,800
about Brad.
No, no, go buy.

748
00:42:30,840 --> 00:42:34,240
Go buy yourself some of the
Sazerac 100 and I think you'll

749
00:42:34,240 --> 00:42:36,920
have a good time.
All right, man.

750
00:42:37,280 --> 00:42:40,160
Well, let's get back to talking
about a movie that fared a lot

751
00:42:40,160 --> 00:42:42,520
better in our minds than this
whiskey did in Cinderella.

752
00:42:42,520 --> 00:42:45,680
Man, what do you say the.
Bulldog of Birkin.

753
00:42:48,800 --> 00:42:54,200
Let's get to it.
All right, everybody, That was

754
00:42:54,200 --> 00:42:58,040
Bullet 95 Rye, A not good
whiskey.

755
00:42:58,160 --> 00:43:00,560
Yeah.
Yeah, yeah.

756
00:43:00,680 --> 00:43:02,760
We like Bullet.
We just don't like that

757
00:43:02,760 --> 00:43:05,440
particular expression.
Yeah, I know Bullet puts out a

758
00:43:05,440 --> 00:43:09,480
lot of great product.
I I've I think I've realized

759
00:43:09,480 --> 00:43:15,560
Bob, I love rye so much that I I
am more picky when it comes to

760
00:43:15,560 --> 00:43:18,280
rye.
Like there there's even some

761
00:43:18,280 --> 00:43:22,480
like nicer and Ryze that I'm
like I've I I feel like I'm a

762
00:43:22,480 --> 00:43:24,680
little more sensitive to what I
really enjoy.

763
00:43:24,920 --> 00:43:27,000
And so something on this end,
I'm kind of.

764
00:43:28,040 --> 00:43:29,440
Yeah.
And we kind of said this in our

765
00:43:29,440 --> 00:43:31,840
review, too, but it's like, I
don't know if it's just that

766
00:43:31,840 --> 00:43:36,880
like, I had rye mapped out for
me by the early ryes we drank.

767
00:43:36,880 --> 00:43:41,440
And so my, my, like, wheelhouse
of what I consider good is much

768
00:43:41,440 --> 00:43:43,680
narrower than it is with
bourbon.

769
00:43:44,040 --> 00:43:46,280
Yeah.
So maybe it's me 100%.

770
00:43:46,400 --> 00:43:49,720
It probably is you, Bob.
I'm just.

771
00:43:49,720 --> 00:43:51,800
Slow.
On that note, Brad, I'm going to

772
00:43:51,800 --> 00:43:54,680
see if I can redeem myself when
it comes to our game for the

773
00:43:54,680 --> 00:43:56,800
day. 2 facts and a falsehood,
Brad.

774
00:43:57,760 --> 00:43:59,560
Is going to try to stump you
Bob.

775
00:44:03,120 --> 00:44:07,800
And what is wrong?
2 facts and a falsehood. 2 Facts

776
00:44:07,800 --> 00:44:10,360
and a Falsehood is the part of
the show where Brad presents me

777
00:44:10,360 --> 00:44:14,160
with three items as fact about
the making of this movie, one of

778
00:44:14,160 --> 00:44:18,840
which is a complete lie.
Brad, I am doing just incredibly

779
00:44:18,840 --> 00:44:20,920
poorly.
This I like I've it's got to be

780
00:44:20,920 --> 00:44:24,760
like a 2 to one loss to win
ratio for me right now.

781
00:44:25,160 --> 00:44:27,320
Yeah, it's hard.
The the reason we don't know

782
00:44:27,760 --> 00:44:31,840
peek behind the curtain.
We've filmed this season over

783
00:44:31,840 --> 00:44:35,360
quite a stretch of time, out of
order, and so we don't actually

784
00:44:35,360 --> 00:44:37,960
know what the record is.
We will tally it up by the end

785
00:44:37,960 --> 00:44:41,160
of the year.
I would probably vibe with you,

786
00:44:41,160 --> 00:44:43,560
Bob, just as we are vibing on
this movie.

787
00:44:43,720 --> 00:44:47,040
I think I would vibe with you
and say I think I might be

788
00:44:47,040 --> 00:44:48,680
winning.
Yeah, you have really hit your

789
00:44:48,680 --> 00:44:51,240
stride this season, man, with
your lying.

790
00:44:51,320 --> 00:44:53,280
You've gotten so much better at
lying, Brad.

791
00:44:53,720 --> 00:44:56,160
I'm clear for your family.
That's all I'm saying.

792
00:44:56,160 --> 00:44:57,560
I'm.
Bob, I don't know what you're

793
00:44:57,560 --> 00:44:58,880
talking about.
I'm a terrible liar.

794
00:44:59,080 --> 00:45:02,240
Not good at it at all.
Hit me with your two facts and a

795
00:45:02,240 --> 00:45:06,880
falsehood, my friend.
All right fact #1 The prop money

796
00:45:06,880 --> 00:45:09,680
that is used when Braddock is
counting out their last few

797
00:45:09,680 --> 00:45:13,240
dollars is not actually from the
early 1930's.

798
00:45:13,640 --> 00:45:17,040
The design of the dollar bill
used in the film is from a later

799
00:45:17,040 --> 00:45:19,680
period as it was changed in
1938.

800
00:45:19,680 --> 00:45:22,600
Under Secretary of the Treasury
Henry Morgenthau.

801
00:45:22,960 --> 00:45:28,640
June fact #2 Max Baer, whose
paternal grandfather was Jewish,

802
00:45:29,000 --> 00:45:33,640
boxed with a Star of David David
embroidered on his trunks, which

803
00:45:33,640 --> 00:45:37,160
is visible on Baer's red trunks
throughout his fight with Jimmy

804
00:45:37,160 --> 00:45:38,640
Braddock in the final fight
scene.

805
00:45:38,880 --> 00:45:43,600
Faction #3 Art Binkowski The
Box, a boxer in real life who

806
00:45:43,600 --> 00:45:47,240
played the role of Corn Griffin,
didn't want to be knocked down

807
00:45:47,240 --> 00:45:50,160
during the Corn Griffin versus
Jimmy Braddock fight scene.

808
00:45:50,440 --> 00:45:53,160
He'd never fallen in a real
fight, and he didn't want his

809
00:45:53,160 --> 00:45:56,600
opponents to think it was either
even remotely a possibility.

810
00:45:56,600 --> 00:46:00,640
I love that.
Do you know, you know what's

811
00:46:00,640 --> 00:46:03,400
really funny is the Korn Griffin
guy.

812
00:46:04,200 --> 00:46:08,320
I when I was watching the movie,
I pulled up his IMDb because I

813
00:46:08,320 --> 00:46:11,160
was like, I couldn't tell if he
looked familiar.

814
00:46:11,160 --> 00:46:14,760
He just looked like a boxer.
I was like, that dude is perfect

815
00:46:14,760 --> 00:46:17,480
casting and I don't because it's
been like 2 weeks now.

816
00:46:17,960 --> 00:46:21,520
He'd only made one other movie
and he played a boxer in that

817
00:46:21,520 --> 00:46:24,520
movie too.
So it was like the range on this

818
00:46:24,520 --> 00:46:29,400
guy, Art, Art Binkowski,
Binkowski, Binkowski.

819
00:46:29,480 --> 00:46:30,560
He probably.
Grew up just for.

820
00:46:30,560 --> 00:46:33,800
The sake of being able to talk
about art, I'm going to say that

821
00:46:33,800 --> 00:46:35,720
number 3 is true.
OK.

822
00:46:36,120 --> 00:46:40,440
And I think #2 is true too.
If it's not true, then you did a

823
00:46:40,440 --> 00:46:44,280
darn good job of creating a a
very innocuous sounding fact.

824
00:46:44,280 --> 00:46:48,840
So I'm pretty quickly, I'm just
going to circle #1 I don't have

825
00:46:48,840 --> 00:46:51,480
any reasoning for that.
I think that they all sounded

826
00:46:51,480 --> 00:46:55,840
pretty plausible today, Brad.
So my chances are, you know, 33%

827
00:46:55,840 --> 00:46:57,480
here.
We're going to go number one.

828
00:46:57,480 --> 00:46:59,320
I'm going to lock it in.
Who the hell cares?

829
00:46:59,320 --> 00:47:03,520
Final answer.
Bob, 33% of the time you're

830
00:47:03,520 --> 00:47:06,400
right every time.
Did I get a?

831
00:47:06,400 --> 00:47:11,760
Job, you got it all right.
Oh.

832
00:47:11,760 --> 00:47:14,120
Man, all right.
Are you ready for a second game,

833
00:47:14,240 --> 00:47:14,960
Bob?
Sure.

834
00:47:15,080 --> 00:47:18,120
This is a surprise.
This is a surprise second game,

835
00:47:18,120 --> 00:47:20,240
OK.
All right, Bob, I want you to, I

836
00:47:20,240 --> 00:47:21,680
want you to get into your
imagination.

837
00:47:21,680 --> 00:47:27,240
I want you to think you're a
world class boxer and you're

838
00:47:27,240 --> 00:47:30,400
you've trained, you're getting
ready, you are coming up and

839
00:47:30,400 --> 00:47:32,080
coming.
You're ready for the big fight.

840
00:47:32,080 --> 00:47:34,320
You're going to be the world
champion of the world.

841
00:47:34,800 --> 00:47:38,920
What supporting actor do you
want in your corner?

842
00:47:39,080 --> 00:47:42,600
Go, I mean, I've seen Paul
Giamatti like you've, it's got

843
00:47:42,600 --> 00:47:45,960
to be Paul Giamatti.
But if he's off the table, what

844
00:47:46,000 --> 00:47:46,880
supporting?
What about?

845
00:47:47,160 --> 00:47:49,440
A A Meredith Burgess.
Nah, I don't want him.

846
00:47:49,840 --> 00:47:52,280
Morgan Freeman.
Clint Eastwood.

847
00:47:54,040 --> 00:47:55,960
You know, I wouldn't want Morgan
Freeman.

848
00:47:56,040 --> 00:48:00,040
I might want Samuel L Jackson.
Like I want a guy in my corner

849
00:48:00,440 --> 00:48:02,240
who's just cussing out the other
guy.

850
00:48:02,400 --> 00:48:05,120
Like I need a hype man and a
trainer.

851
00:48:05,440 --> 00:48:08,400
So hear me out.
Samuel is a great choice.

852
00:48:09,000 --> 00:48:11,880
Joe Pesci, a tiny.
A tiny man.

853
00:48:11,880 --> 00:48:15,280
We've seen that in Raging Bull.
That did not end well for either

854
00:48:15,280 --> 00:48:18,760
of them.
I, I, I personally would think I

855
00:48:18,760 --> 00:48:22,680
would pick Joe Pesci because
like Samuel Jackson cussing you

856
00:48:22,680 --> 00:48:26,880
out is terrifying.
Joe Pesci cussing you out, you

857
00:48:26,880 --> 00:48:28,640
think he will actually murder
you?

858
00:48:29,440 --> 00:48:33,680
Like I I would be terrified if
he was cussing me out, which is

859
00:48:33,680 --> 00:48:36,640
why I want him in my corner as a
boxer.

860
00:48:36,680 --> 00:48:40,640
Now this is at least the 5th
boxing movie we've done on the

861
00:48:40,640 --> 00:48:43,600
podcast.
So to your point, let me turn

862
00:48:43,600 --> 00:48:46,960
this back around on you.
Yeah, of the of the five that I

863
00:48:46,960 --> 00:48:50,040
can think of, I guess I'm not
going to count on the Waterfront

864
00:48:50,040 --> 00:48:51,480
because he doesn't actually box
in that movie.

865
00:48:51,640 --> 00:48:55,200
Yeah, we've done this.
We've done Creed, we've done

866
00:48:55,200 --> 00:48:59,200
Rocky 4, we've done Raging Bull.
We've done $1,000,000, baby.

867
00:48:59,800 --> 00:49:01,680
I can't think of any others off
the top of my head.

868
00:49:01,680 --> 00:49:05,680
Have we done the original Rocky?
No, not yet, Bob, what have?

869
00:49:05,680 --> 00:49:07,960
We been doing, we got to do it
soon.

870
00:49:07,960 --> 00:49:09,960
Is this a film podcast?
What are we?

871
00:49:10,080 --> 00:49:11,720
What's?
Well, Rocky 4 is the most

872
00:49:11,720 --> 00:49:13,560
important of the bunch as we
know Brad.

873
00:49:13,720 --> 00:49:16,560
That is a given.
Of course he has a beard.

874
00:49:16,560 --> 00:49:21,240
Who is the best like sidekick
trainer among the five?

875
00:49:22,480 --> 00:49:25,880
Oh man, there's something about
Clint Eastwood, $1,000,000 baby.

876
00:49:25,880 --> 00:49:30,720
I'm a big fan of he he he's
he's, he's gruff and does what

877
00:49:30,720 --> 00:49:34,760
it takes to get get her done,
man.

878
00:49:35,400 --> 00:49:42,080
The thing is, we don't really
see Giamatti train him at all.

879
00:49:42,080 --> 00:49:45,520
Like, you know, that's true.
He seems more like a media guy.

880
00:49:46,120 --> 00:49:47,880
Honestly, I'm a promoter.
Yeah, yeah.

881
00:49:48,160 --> 00:49:51,560
He's more of a promoter.
I think I'd probably go with

882
00:49:51,560 --> 00:49:54,800
Barrett.
Yeah, well, no, we didn't say

883
00:49:54,800 --> 00:49:57,920
Rocky.
Who trains him in Rocky 4?

884
00:49:57,920 --> 00:50:01,360
I think he I think he is trained
by his own beard in that movie.

885
00:50:01,360 --> 00:50:05,680
Like he just trains himself and
then and then Adrian shows up in

886
00:50:05,680 --> 00:50:08,760
the corner at one point, right?
I would say it's either that or

887
00:50:08,760 --> 00:50:11,920
does his his brother-in-law
who's like having sex with a

888
00:50:11,920 --> 00:50:13,240
robot.
Is he?

889
00:50:13,520 --> 00:50:15,320
Oh yeah, train him.
Polly's gotta be.

890
00:50:15,760 --> 00:50:19,440
Maybe it was the robot.
I don't want to know what kind

891
00:50:19,440 --> 00:50:22,320
of working out they're doing.
I think with those five options,

892
00:50:22,560 --> 00:50:25,800
I am locking in Clint Eastwood
as my trainer.

893
00:50:26,600 --> 00:50:30,520
There you go all right, I'll
take it man Brad real quick.

894
00:50:30,720 --> 00:50:33,160
You know, we don't have to say
too much more about this movie

895
00:50:33,160 --> 00:50:37,920
aside from like, I I think it's
a great oscari Oscar bait movie.

896
00:50:37,960 --> 00:50:42,040
Like, sure, I wish that the
Oscar bait movies made today

897
00:50:42,440 --> 00:50:46,320
felt like these ones did because
these were just very much like a

898
00:50:46,320 --> 00:50:48,960
throwback to classic Hollywood
by the numbers.

899
00:50:48,960 --> 00:50:51,160
But I felt awesome walking out
of the theater.

900
00:50:51,160 --> 00:50:54,120
I wanna talk about this as a
sports movie and why I think

901
00:50:54,120 --> 00:50:59,200
it's one of the best ones.
And it's because watching this

902
00:50:59,200 --> 00:51:07,000
movie, you really get a sense of
why sports are a metaphor for

903
00:51:07,000 --> 00:51:12,000
like, the struggle of life and
why when a good sports story

904
00:51:12,000 --> 00:51:15,320
happens, we latch onto it.
I think it's just like, it

905
00:51:15,320 --> 00:51:21,760
perfectly exemplifies why people
feel the need to put their hopes

906
00:51:21,760 --> 00:51:24,960
and dreams on somebody else when
they're going through a

907
00:51:24,960 --> 00:51:27,520
struggle.
You know, when when Jim is in

908
00:51:27,520 --> 00:51:30,920
the back of that car pulling
into the the Madison Square

909
00:51:30,920 --> 00:51:34,640
Garden bowl at the end of the
movie and then recognize him and

910
00:51:34,640 --> 00:51:37,920
they're cheering for him.
And then as he starts fighting

911
00:51:37,920 --> 00:51:43,040
Max Baer, how quickly the crowd
turns in his favor and how badly

912
00:51:43,040 --> 00:51:47,360
everybody wants this for him.
It's, you know, obviously they

913
00:51:47,360 --> 00:51:50,240
want Jim to succeed.
And someone says it all.

914
00:51:50,240 --> 00:51:52,760
I think the priest says it at
one point, like they they see

915
00:51:52,760 --> 00:51:55,360
themselves in him.
It's made very explicit.

916
00:51:55,360 --> 00:51:59,600
It's not a subtle movie.
And yet it's it's so perfectly

917
00:51:59,600 --> 00:52:05,440
encapsulates why sports matter.
And I couldn't help thinking

918
00:52:05,440 --> 00:52:11,840
about the 2016 NBA Finals.
And I like, I tell people all

919
00:52:11,840 --> 00:52:14,800
the time, like it.
It is the stupidest thing that I

920
00:52:14,800 --> 00:52:19,040
say, and it's the most sincere.
It was maybe the happiest day of

921
00:52:19,040 --> 00:52:21,120
my entire life when we won that
championship.

922
00:52:21,920 --> 00:52:25,360
And like, people, you know,
people are like, oh, the birth

923
00:52:25,360 --> 00:52:27,560
of your children.
And I'm like, listen, I love my

924
00:52:27,560 --> 00:52:29,440
children more than I love that
championship.

925
00:52:29,520 --> 00:52:33,520
The instant gratification of
winning a championship is

926
00:52:33,520 --> 00:52:36,320
probably the happiest I've ever
felt in one moment of life,

927
00:52:36,480 --> 00:52:39,000
like.
And it's because I spent that

928
00:52:39,000 --> 00:52:44,040
whole day before game seven of
that finals where the city of

929
00:52:44,040 --> 00:52:47,440
Cleveland, which had a long
standing history of getting

930
00:52:47,440 --> 00:52:51,360
super close and losing and being
shat on by the country, was

931
00:52:51,360 --> 00:52:52,920
right back in that position
again.

932
00:52:52,960 --> 00:52:55,200
And it was still the closest
we'd ever gotten.

933
00:52:56,040 --> 00:52:59,280
And I drove around the city of
Akron, OH, where LeBron James is

934
00:52:59,280 --> 00:53:03,040
from, and there were signs out
in front of churches that were

935
00:53:03,040 --> 00:53:05,720
like, we're all in this
together, win or lose.

936
00:53:06,120 --> 00:53:08,840
I drove by Lebron's high School,
and they had a viewing party

937
00:53:08,840 --> 00:53:10,480
there, and there was a liner on
the block.

938
00:53:10,480 --> 00:53:13,240
And I just drove past and honked
at people that I don't know.

939
00:53:13,520 --> 00:53:17,200
We were all cheering.
And like, I got to go spend that

940
00:53:17,200 --> 00:53:19,880
game with my dad on Father's
Day.

941
00:53:20,040 --> 00:53:23,000
And we won a championship for
the first time since I've been

942
00:53:23,000 --> 00:53:25,600
alive.
And he was a child and it was

943
00:53:25,600 --> 00:53:32,880
like it was so immediately like
validating as a person who lived

944
00:53:32,880 --> 00:53:37,480
in Cleveland that like we matter
again on the national stage.

945
00:53:37,720 --> 00:53:40,720
And it's so silly if you come
from like, like if you're like a

946
00:53:40,720 --> 00:53:44,360
Yankees fan and you're used to
winning, you don't understand

947
00:53:44,360 --> 00:53:45,760
this.
Like, yeah, that too.

948
00:53:46,680 --> 00:53:50,120
When you're when you're like
from a down and out hard working

949
00:53:50,120 --> 00:53:54,080
blue collar environment, sports
matter because they are so

950
00:53:54,080 --> 00:53:58,600
validating to you as a person.
And I don't know how else to

951
00:53:58,600 --> 00:54:03,160
explain it beyond that man.
Dude I I sat on the couch of my

952
00:54:03,160 --> 00:54:08,960
best friend's house watching it
with his family and when LeBron

953
00:54:08,960 --> 00:54:10,800
sinks that free throw they go
down.

954
00:54:10,800 --> 00:54:13,880
Love is guarding staff and he
misses the shot.

955
00:54:14,200 --> 00:54:18,960
As time runs out I watch my best
friend's dad, who's I've known

956
00:54:18,960 --> 00:54:23,920
my entire life, fall to his
knees weeping and I just hear

957
00:54:23,920 --> 00:54:28,280
him as he's crying going.
I never thought I would see this

958
00:54:28,280 --> 00:54:30,920
day.
He was literally born like 2

959
00:54:30,920 --> 00:54:34,160
weeks after the Browns
championship in 64.

960
00:54:34,880 --> 00:54:38,440
And like he never thought that
in his lifetime he would see a

961
00:54:38,440 --> 00:54:41,480
Cleveland championship.
And we drove around town

962
00:54:41,480 --> 00:54:44,480
afterwards.
People are just out walking the

963
00:54:44,480 --> 00:54:49,040
streets of Parma honking their
horns, cheering and celebrating.

964
00:54:49,040 --> 00:54:52,440
Like it it is.
It was such a unifying and

965
00:54:52,440 --> 00:54:57,720
beautiful moment for the city.
I I still to this day, honestly,

966
00:54:57,720 --> 00:55:00,080
as you were talking about it, I
was like, oh, I can't wait.

967
00:55:00,400 --> 00:55:02,960
I don't know who they're going
to get to play LeBron like 30

968
00:55:02,960 --> 00:55:06,680
years from now, but I can't wait
for like the draft day.

969
00:55:07,240 --> 00:55:11,080
But like of an actual
championship, not of like, oh

970
00:55:11,120 --> 00:55:13,320
wow, we had a pretty decent
draft go Browns.

971
00:55:14,800 --> 00:55:17,840
Like no, like, like we actually
won a championship.

972
00:55:17,840 --> 00:55:20,720
This is incredible.
Yeah, man.

973
00:55:21,800 --> 00:55:23,040
All right.
I couldn't get us out of here

974
00:55:23,040 --> 00:55:25,520
without linking Jim Braddock to
LeBron James somehow.

975
00:55:25,600 --> 00:55:28,560
But on that note, Brad, it is
time for us to get into our

976
00:55:28,560 --> 00:55:32,000
final segment of the day, which
we call Let's Make it a double.

977
00:55:32,440 --> 00:55:35,640
We're near the end of the
episode, so thanks listening to

978
00:55:35,720 --> 00:55:38,520
the film and Whiskey show.
Let's pair another film with

979
00:55:38,520 --> 00:55:39,960
this one, even if it's
struggling.

980
00:55:39,960 --> 00:55:41,320
It's the final segment of the
day.

981
00:55:41,320 --> 00:55:43,800
Now let's make it a double.
Let's Make It a Double is the

982
00:55:43,800 --> 00:55:46,920
part of the show where we pick a
movie to pair up with this one

983
00:55:46,920 --> 00:55:48,560
to make the perfect double
feature.

984
00:55:49,160 --> 00:55:50,960
Brad I was going to just go
ahead and pair this up with

985
00:55:50,960 --> 00:55:53,960
Seabiscuit.
I think I've I've paired like 5

986
00:55:53,960 --> 00:55:55,480
movies this season with
Seabiscuit.

987
00:55:55,480 --> 00:55:58,320
It seems like that needs to be
on the list for sometime soon.

988
00:55:58,840 --> 00:56:02,640
But that's another movie where
it's like set during the

989
00:56:02,640 --> 00:56:06,280
depression, everyone puts their
hopes and dreams on this ragtag

990
00:56:06,520 --> 00:56:09,800
horse and all the people
surrounding it and feel

991
00:56:09,800 --> 00:56:11,400
validated At the end of the
movie.

992
00:56:11,880 --> 00:56:15,000
I I thought of maybe I could do
something more clever, but I

993
00:56:15,000 --> 00:56:17,440
really can't see this gets my
pairing for this movie.

994
00:56:17,440 --> 00:56:18,520
I'm.
Going to do something a little

995
00:56:18,520 --> 00:56:21,840
more clever, Bob.
I was, I was thinking about

996
00:56:21,840 --> 00:56:24,720
staying in the realm of sports
and if I did that, I would go

997
00:56:24,720 --> 00:56:26,560
with Rudy.
I'm not going to stay in the

998
00:56:26,560 --> 00:56:31,680
realm of sports.
I'm going to go with 2006, The

999
00:56:31,680 --> 00:56:36,800
Pursuit of Happiness.
Now, if I remember correctly,

1000
00:56:37,120 --> 00:56:39,080
you said you hate that movie at
one point.

1001
00:56:39,080 --> 00:56:39,840
Is that still true?
I don't.

1002
00:56:39,840 --> 00:56:43,680
Know if I don't know if hate, I
did not enjoy it the one time

1003
00:56:43,680 --> 00:56:47,920
that I watched it, but I do
remember that feeling of

1004
00:56:47,920 --> 00:56:54,840
desperation from Will Smith that
he just nails it and so that was

1005
00:56:54,840 --> 00:56:56,120
the.
Keeping best performance.

1006
00:56:56,280 --> 00:57:00,720
Yeah, I was like, oh, I remember
Will Smith just oozing like, I

1007
00:57:00,720 --> 00:57:02,920
have this son, I need to take
care of him.

1008
00:57:03,320 --> 00:57:06,040
I'm gonna do whatever it takes.
And that's what really connected

1009
00:57:06,040 --> 00:57:08,080
the pieces for me with
Cinderella Man.

1010
00:57:09,440 --> 00:57:13,600
Now 2005 is 1 of I think the
best year movie years of this

1011
00:57:13,600 --> 00:57:16,960
century.
The Oscar list is pretty good

1012
00:57:16,960 --> 00:57:19,360
but when you get down into the
non oscari movies it's even

1013
00:57:19,360 --> 00:57:21,480
better.
But, you know, Russell Crowe

1014
00:57:22,080 --> 00:57:26,160
famously had a huge temper and
had a big temper tantrum when he

1015
00:57:26,160 --> 00:57:28,320
was at a hotel in, I think, New
York City.

1016
00:57:28,520 --> 00:57:33,680
He threw a phone at the face of
the the bellman or the at the

1017
00:57:33,680 --> 00:57:37,000
desk and charged for assault.
It was a huge scandal.

1018
00:57:37,160 --> 00:57:39,680
For for you young people, I
think it was like an actual

1019
00:57:39,680 --> 00:57:42,840
phone that like had a cord and
everything they.

1020
00:57:42,840 --> 00:57:46,480
Brought like a hefty phone.
Yes, and he whipped it at them.

1021
00:57:46,920 --> 00:57:49,560
Yeah.
And it happened right before

1022
00:57:49,560 --> 00:57:52,200
this movie came out.
This movie was a pretty much a

1023
00:57:52,200 --> 00:57:55,960
flop at the box office, and it
tanked all of its Oscar chances

1024
00:57:55,960 --> 00:57:57,920
because it was such a big
scandal.

1025
00:57:58,160 --> 00:58:01,000
That's when Russell Crowe gets
parodied on South Park for

1026
00:58:01,000 --> 00:58:03,600
fighting around the world like
it was a big deal.

1027
00:58:03,920 --> 00:58:06,520
And it bums me out because I
would have liked to have seen

1028
00:58:06,720 --> 00:58:09,600
what kind of damage this could
have done in the Oscar race.

1029
00:58:09,600 --> 00:58:12,240
Remember, this is the year that
Crash wins.

1030
00:58:12,640 --> 00:58:14,400
Brokeback Mountain is another
nominee.

1031
00:58:14,840 --> 00:58:19,440
You've got Philip Seymour
Hoffman wins the Oscar for

1032
00:58:20,200 --> 00:58:22,880
Capote.
You've got Joaquin Phoenix for

1033
00:58:22,880 --> 00:58:24,960
Walk the Line hanging around in
this year.

1034
00:58:24,960 --> 00:58:28,320
It's good night and good luck.
It's just it's a really, really

1035
00:58:28,320 --> 00:58:34,200
good year for movies and it bums
me out that that scandal cost

1036
00:58:34,200 --> 00:58:36,480
this movie from competing in
some of those categories.

1037
00:58:36,760 --> 00:58:39,680
Do you know what happened, Bob?
What's that?

1038
00:58:39,680 --> 00:58:43,840
We didn't have thick Crow.
If he was thick.

1039
00:58:43,920 --> 00:58:46,920
If he was thick Crow, you think
he would throw that phone?

1040
00:58:47,400 --> 00:58:50,360
Thick Thick Crow doesn't care.
He doesn't get angry.

1041
00:58:50,360 --> 00:58:54,280
I don't know man, I feel like
Thick Crow probably has even

1042
00:58:54,280 --> 00:58:57,040
more power behind his throat
now, like, because there's just

1043
00:58:57,040 --> 00:58:59,440
so much more mass.
Yeah, but it's like, it's like

1044
00:58:59,440 --> 00:59:02,880
Mike Tyson when he's high and
like not in fighting shape, he's

1045
00:59:02,880 --> 00:59:06,760
just a happy go lucky dude.
You, you take him off marijuana,

1046
00:59:07,000 --> 00:59:09,720
get him training and get all his
testosterone going.

1047
00:59:09,720 --> 00:59:11,600
He's the most terrifying human
ever to live.

1048
00:59:12,200 --> 00:59:14,720
So like, you know, thick Crow,
just he, he doesn't care.

1049
00:59:14,720 --> 00:59:18,000
What does he have to care about?
He's fat and happy and you know.

1050
00:59:18,240 --> 00:59:21,320
I remember when I when I first
took a distillery tour, it was

1051
00:59:21,320 --> 00:59:24,240
at Woodford Reserve, and they
were talking about how Russell

1052
00:59:24,240 --> 00:59:26,000
Crowe had picked a barrel of
Woodford.

1053
00:59:26,320 --> 00:59:28,160
And that was back in the days
before you could just like

1054
00:59:28,160 --> 00:59:31,040
anyone could get barrels.
And they had like a plaque of

1055
00:59:31,040 --> 00:59:33,040
everyone who'd ever done it.
And it was like Russell Crowe

1056
00:59:33,040 --> 00:59:35,160
was on there.
And then I saw Thick Crow.

1057
00:59:35,160 --> 00:59:37,920
And I was like, that looks like
a guy who would pay him a whole

1058
00:59:37,920 --> 00:59:40,640
barrel of whiskey.
Yeah, 100%, man.

1059
00:59:41,680 --> 00:59:44,000
All right, dude, let's give this
movie some final scores.

1060
00:59:44,000 --> 00:59:46,920
I think objectively, this is
somewhere between an 8 and a

1061
00:59:46,920 --> 00:59:49,120
nine.
It's like an 8.5 movie that I

1062
00:59:49,120 --> 00:59:52,760
just really love and is more
effective on me than its score

1063
00:59:52,760 --> 00:59:54,840
would indicate.
So I'm going to give this a nine

1064
00:59:54,840 --> 00:59:56,680
out of 10.
Brad, I love this movie.

1065
00:59:57,280 --> 00:59:59,360
I I'm with you man.
I love this movie.

1066
00:59:59,360 --> 01:00:04,160
It is super fun.
The the acting is overacted just

1067
01:00:04,160 --> 01:00:07,720
enough to make you really like
laugh at certain parts, cringe

1068
01:00:07,720 --> 01:00:11,200
at certain parts.
It it's such a fun feel good

1069
01:00:11,200 --> 01:00:15,440
movie that has some rough edges.
I'm going to just a little bit

1070
01:00:15,440 --> 01:00:17,520
lower.
I'm going to give it an 8.5.

1071
01:00:18,920 --> 01:00:22,360
All right, so we're coming out
to an average of an 8.75 out of

1072
01:00:22,360 --> 01:00:24,120
10, but we'd like to hear from
you.

1073
01:00:24,120 --> 01:00:25,600
What do you think of Cinderella,
Man?

1074
01:00:25,600 --> 01:00:27,600
When was the last time you
watched this movie?

1075
01:00:27,840 --> 01:00:30,440
You can let us know on any of
our social media accounts,

1076
01:00:30,800 --> 01:00:35,320
Facebook, Twitter, Instagram,
Tiktok or YouTube at Film

1077
01:00:35,320 --> 01:00:37,200
Whiskey.
Or if you want to join the

1078
01:00:37,200 --> 01:00:41,000
conversation, we are on Discord
talking all things whiskey and

1079
01:00:41,000 --> 01:00:43,960
film, so if you want to jump
into that, you can find a link

1080
01:00:43,960 --> 01:00:46,800
to our discord at the end of
every single one of our show

1081
01:00:46,800 --> 01:00:49,920
notes.
We'll be back again next week

1082
01:00:49,920 --> 01:00:53,800
revisiting one of our Season 1
masterpieces, but until then,

1083
01:00:53,960 --> 01:00:55,880
I'm Bob Book.
I'm Brad G.

1084
01:00:56,400 --> 01:00:57,560
And we'll see you next time.