Cinderella Man (2005) / Bulleit 95 Rye
Bob and Brad delve into the film 'Cinderella Man,' exploring its themes of redemption, the debated artistry of Ron Howard, and the emotional weight of the performances. They discuss the film's portrayal of the Great Depression, the significance of music in setting the tone, and the impact of sports as a metaphor for life's struggles.
Then, they sample Bulleit Rye, a lower-proof staple in liquor stores across America. At an affordable price point, is it worth picking up?
(0:00) Intro
(06:49) Brad Explains
(09:20) Performances, Themes
(34:29) Bulleit 95 Rye Review
(42:51) Two Facts and a Falsehood & Final Analysis
(55:32) Let’s Make It a Double and Final Scores
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In 2005, director Ron Howard and
star Russell Crowe gave the
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world a feel good biopic about a
Depression era boxer.
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In 2025, we try a whiskey that
wants to be your number one with
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a bullet.
That's a good one, dude.
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I.
Like it?
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Thank you so much.
That probably came out around
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2005, right?
I mean, we'll, we'll find out I
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guess, huh?
Yeah, the film is Cinderella,
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man.
The whiskey is Bullet Rye.
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And we'll review them both.
This is the Film and Whiskey
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podcast.
Welcome to the Film and Whiskey
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00:00:57,920 --> 00:01:01,080
podcast, where each week we
review a classic movie and a
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glass of whiskey.
I'm Bob Book.
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I'm Brad G, the bulldog of
Parma.
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Brad, today we are looking at
the film Cinderella Man and can
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I just say as we set the stage
here, I love this movie so much.
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Brad.
I just freaking love this movie.
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What a great film.
I feel like this is one of those
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movies that got like, lots of
people have seen this movie, no
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one goes to bat for this movie.
Like there is just no cultural
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footprint for this film.
And I don't understand why,
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'cause it's just like to me it's
just one of the best sports
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movies of this century or of any
century.
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Brad Yeah.
And it's weird because I, I'm
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100% with you, but it does have
like a 8.1 on IMDb.
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That's like, that's a really
good score.
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Maybe not quite top 150, but
very close, like top 200 for
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sure.
And yet I don't hear anybody
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ever talk about it.
It it just doesn't do anything.
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And honestly, it's a minute ago
I said what a great film.
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I'm like, I don't know if it's a
great film.
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It's a great flick.
Like this is a great flick, Bob.
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It is so entertaining.
It is so much fun.
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It's got a little bit of
overacting from everybody in the
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kind of way that makes you go
like, yeah, they really liked
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pretending like they were in the
Great Depression.
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That Bruce Mcgillis is just.
Yeah, it's it's the best man.
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It's freaking fantastic dude.
Now, OK, I think as we get into
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talking about Cinderella Man,
first of all folks, welcome into
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film and whiskey.
If this is your first time
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joining us, we talk about
movies, we talk about whiskey.
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This season we've been going
back and re watching all the
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movies from season #1 to try to
get some better quality episodes
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out there into the world.
We're a little over halfway
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through the season.
I am highly enjoying it so far.
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Brad, this has been a lot of
fun.
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I will say, like, I don't know
that our opinion has changed
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about a ton of these movies.
A couple of them we've come up a
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few points or down a few points,
but I think what this proves is
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that we have had impeccable
taste from the very beginning on
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film at whiskey.
Absolutely, man, that that taste
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once given it, it's cemented in
for all time.
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And honestly, dude, just going
back to these movies, we had a
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heck of a season one, man.
What like what a great line up
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of films.
Yeah, I remember trying to like,
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I, I put these into like some
sort of a randomizer 'cause I
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had a list of like what, what
did we start with, like 150
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movies?
Because when we started this
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podcast, ChatGPT was not a
thing, 'cause now, 'cause tell
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me that if you had that exact
same 250 movie list now, you
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wouldn't throw that in and be
like, all right, ChatGPT, we're
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starting a podcast.
What would be the most engaging
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first 32 movies to pick?
No dude, we've been at this from
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the beginning.
I put my blood We used Bob GPT
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to generate this list man and I.
Tried though you just said like
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you use the randomizer.
I did.
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Well, I mean, yes, but I I made
the list and then I said put
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these in random order Internet.
Yeah.
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So I tried to find like a good
varied group of movies for our
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first season just in case.
Like we didn't go any farther
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past that.
And I'm really glad that I did
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stick a movie like Cinderella
Man in here because again, this
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is not like it didn't win best
picture.
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I think it was only nominated
for one or two Oscars.
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But it's a crowd pleasing movie.
And you have to have movies like
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that to break up sometimes the
monotony of us watching like
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these high Oscari movies.
Now, I will say, Brad, you've
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already mentioned that there's
definitely some overacting in
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this movie.
And I think that this movie is
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kind of the victim of that mid
2000s Oscar bait type movie.
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I also kind of wonder, I'm gonna
talk about a movie that I don't
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think you've ever seen before,
but The Walk Hard, the Dewey Cox
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story starring John C Reilly.
Still have not seen it yet I I
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know that it.
It's like it used to be more and
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more relevant as time goes on,
you know?
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It was spoofing movies like Walk
the Line, which also came out in
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O 5.
And I think that now music
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biopics try so hard not to fall
into like we're just remaking
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Dewey Cox, that they're trying
to do different things.
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I kind of feel like this is the
same like sports movies have,
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like they we haven't gotten like
a Dewey Cox spoof movie, but I
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feel like now they don't want to
follow this like paint by
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numbers kind of wrote thing.
And I will say like it doesn't
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hit every beat you expect it to
hit.
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It absolutely does.
But sometimes I don't mind a
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formulaic movie.
Like sometimes it's just nice to
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have a story where you can tell
exactly where it's going to go
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and it still makes you feel
incredible and you walk out of
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the theater like floating on
air.
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And this is one of those movies.
And it's also one of those
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movies where you can go to
Wikipedia afterwards read about
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the life of the actual now
what's what's Russell Crowe's
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name?
James J Braddock, the Bulldog of
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Bergen.
You can read about the actual
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James J Braddock.
They pretty much nail it like
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story beat by story beat.
They hit his life pretty well.
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And so to have an inspiring
story that's not just created,
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that is an actual human being
who live like it's nice, it
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feels good, it's inspiring, it's
interesting.
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You, you get to see things that
you don't really think about on
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a normal day-to-day basis.
So I, I'm, I'm with you, man.
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I I really enjoyed coming back
to Cinderella Man.
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Well, I think that's a great
time for us to segue into our
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first segment of the day, which
we call, Brad explains.
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Brad's going to give us the
movie plots with only 60 seconds
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taken on the clock, so let's go
ahead and do your take with this
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little segment that we call,
Brad explains.
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Brad Explains is the part of the
show where Brad breaks down the
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plot of the movie that he has
just seen for at least the
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second time this season.
Brad, have you revisited
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Cinderella Man in the interim
between season 1 and now?
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No, like, like you said, I love
this movie.
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I don't think about this movie.
It's not something that comes up
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in my head.
Unless for some reason, we're
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thinking about Renee Zellweger.
And then, naturally.
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Sure.
This movie pops into my.
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Head this This movie exists in
one of those sub genres though
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which is like I should watch
this movie more.
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Every time I see this movie I'm
like I should this should be
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like a a holiday movie or
something like I need to put
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this on once a year and enjoy
the bulldog of Bergen once more.
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I'm trying to think, I don't
know man.
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The for Boxing Day every year.
The Bulldog of Bergen for
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boxing.
Day there.
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There you go.
That's perfect.
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All right, Brad, so you get one
minute to break down the plot of
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the film Cinderella Man with
full spoilers.
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Now, folks, this is a movie
based on a true story which
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happened nearly 100 years ago.
The movie is 20 years old.
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So if you don't want the movie
spoiled for you, I mean, go
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watch it and then come back and
listen to the rest of the
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episode.
But we're going full spoilers
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here, Brad, so one minute on the
clock and go.
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Cinderella Man is a film that
follows the story of real life
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boxer James J Braddock, the
Bulldog of Bergen as as we
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mentioned before, as he hits
near the pinnacle of his career
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in the late 20s, has his entire
career derailed by an injury on
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one hand, the Great Depression
on the other, and he finds
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himself trying to scrape
together a living for his
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family.
Working as a longshoreman in the
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docks of New York.
He eventually is given a chance
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at redemption by taking a crap
fight where they just need a a
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warm body to fight a person
who's on his way to the top.
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He ends up beating him, being
reinstated into the the boxing
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ring, fights his way to the top,
defeats Max Baer for the world
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champion and becomes champion of
the world.
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I, I know that it would be
anachronistic, but I kind of
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wish, I kind of wish that they
played We Are the Champions at
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the end, because I, I just think
that would have been incredible.
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If Tarantino made this movie, he
would have done that.
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All right, Brad, I I have a lot
of thoughts on the movie.
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Full disclosure Film and Whiskey
Nation.
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Brad and I watched this movie
almost two weeks ago thinking
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that we would get this episode
recorded.
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And so now it just kind of lives
in the memory in like in waves,
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you know what I mean?
Like I'm just getting like vibes
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off this movie.
It's kind of an abstract, like
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our avant-garde reality at this
point.
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Which is kind of nice because
sometimes like your immediate
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reactions could be a little like
overstated.
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And now it's like I've been
living with this movie in my
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head for two weeks.
So whatever's still there must
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really have left an impression.
And I, I think one of the things
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that I did through all the
chaff, yes.
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And, and one of the things I
want to talk about is Ron Howard
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comma filmmaker, which we do
every time we have a Ron Howard
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movie on the podcast.
And I think that it has been a
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career of ups and downs for
sure.
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He's not regarded as like an
auteur.
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And yet I do feel like he he
typically tends to make movies
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about the same types of
subjects.
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Like he very much lives in the
Clint Eastwood and Steven
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Spielberg realm, where they are
constantly making movies about
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competent men doing their job
well.
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And I think Spielberg and
Eastwood definitely have
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different intentions for what
they're trying to say about
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America with those types of
people.
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Ron Howard's definitely more on
the Spielberg side of things.
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But I would say even more than
Spielberg, Ron Howard tends to
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focus more on normal, everyday
people accomplishing big things.
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Whereas Spielberg will make a
movie about, like, Abraham
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Lincoln.
Right?
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Like, typically Ron Howard's not
that guy.
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Yeah.
And I think that when I went
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back and watched it this time, a
couple things.
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AI think Ron Howard is still a
better film maker than he gets
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credit for.
And BI was really impressed at
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how well they filmically
captured the era.
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Like it didn't feel fake.
And I don't know if it's just
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because we were still shooting
on film in 2005 and not digital,
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but like when a Netflix movie
comes out that's set in the
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1930s now it just looks and
feels like everyone's playing
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dress up.
And this movie felt.
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It looks like an episode of
Bridgerton or something.
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Yeah, dude, everything's just.
Fake and overproduced, it felt
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realistically lived in and grimy
and gritty, and I just really
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appreciated a movie that I
didn't.
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I wasn't thinking about the set
design or anything like that,
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but it was definitely an
achievement in that area.
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Yeah, I mean, for me, I think
about the the courtyard that
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they live in in New Jersey that
like has a West Side Story, rear
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00:12:09,840 --> 00:12:13,600
window kind of vibe, but it
feels lived in and real.
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And like the scene where
Zellweger is getting back home
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and the dude is there shutting
off the electricity to her house
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00:12:22,280 --> 00:12:25,720
and the little like spat that
they get in where both of them
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00:12:25,720 --> 00:12:29,440
are like incredibly desperate.
They're she's trying to keep her
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00:12:29,440 --> 00:12:31,720
kids alive.
He's trying to make enough money
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to keep his kids alive.
And they're at direct.
219
00:12:35,280 --> 00:12:37,240
I, I don't know, there's
something about that scene that
220
00:12:37,240 --> 00:12:41,360
like the snow and the grime on
the walls and the interaction
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that they have of like both of
these people are in the same
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00:12:45,040 --> 00:12:48,920
position and on the same team,
and yet they're opposed to each
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other because of how desperate
times are.
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00:12:52,880 --> 00:12:55,880
And there's something about all
that put together, the the
225
00:12:55,880 --> 00:12:59,720
visuals and the the way they
interact with one another that
226
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makes it feel you feel the
desperation of the era and it's
227
00:13:04,120 --> 00:13:08,000
just incredibly well done.
Yeah, for sure.
228
00:13:08,560 --> 00:13:13,000
Now, I think part of that is the
Thomas Newman score to this
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movie.
And we just talked about Thomas
230
00:13:14,840 --> 00:13:17,240
Newman again two weeks ago in
American Beauty.
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00:13:17,600 --> 00:13:20,840
And I say all the time, every
one of his soundtracks sounds
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the same, but there's like just
slight little degrees of
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difference.
And this, this definitely has
234
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more of like a Celtic 'cause
he's Irish, you know.
235
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Yep.
And, and I remember a couple
236
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years before this movie came
out, he also did the score for a
237
00:13:33,440 --> 00:13:37,160
movie called Road to Perdition,
which was Sam Mendes follow up
238
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to American Beauty.
And that's a movie that's also
239
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set in the 1920s.
I think that was set in Chicago,
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but following the Irish mob.
And so there's a lot of
241
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similarities in those two
soundtracks.
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00:13:46,600 --> 00:13:51,440
But I think what the reason I
wanted to talk about Ron Howard
243
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is that all of the pieces he's
using, the cinematography, the
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00:13:55,640 --> 00:14:00,160
set design, the way he's using
the composer creates such an
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00:14:00,160 --> 00:14:03,400
effective tone and mood for this
movie.
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00:14:04,000 --> 00:14:06,600
Where like we will talk about
some of the things in the script
247
00:14:06,600 --> 00:14:08,600
that are a little hokey or
things they could have tightened
248
00:14:08,600 --> 00:14:11,480
up.
But he's creating such an
249
00:14:11,480 --> 00:14:16,800
environment filmically.
I guess that like I, I can
250
00:14:16,800 --> 00:14:19,880
forgive a lot of what's going on
in the script because the
251
00:14:19,880 --> 00:14:23,960
performances are really good and
there's just this pervasive tone
252
00:14:24,000 --> 00:14:25,880
of, you said the best
desperation.
253
00:14:25,960 --> 00:14:28,960
It's like people are desperate
to survive in this movie.
254
00:14:29,520 --> 00:14:32,840
Then I found myself so often,
like, on the verge of tears.
255
00:14:32,960 --> 00:14:35,640
Like, there's so many scenes
that, like, I wasn't a full out
256
00:14:35,640 --> 00:14:37,920
cry, but it was like getting me
choked up.
257
00:14:37,920 --> 00:14:41,200
Because it's just like parents
trying to protect their kids, a
258
00:14:41,200 --> 00:14:44,120
guy trying to protect his
family, people trying to protect
259
00:14:44,120 --> 00:14:47,000
their legacy and their
reputation and their scrapping.
260
00:14:47,000 --> 00:14:49,560
And they're fighting and they
don't know where the answers are
261
00:14:49,560 --> 00:14:52,160
gonna come from.
And I just think that Ron
262
00:14:52,160 --> 00:14:55,920
Howard, for his part, does such
a good job at capturing all of
263
00:14:55,920 --> 00:14:58,120
that.
And I, I think part of it is
264
00:14:58,120 --> 00:15:03,160
like stage of life, like he was
probably in his 30s when he,
265
00:15:03,160 --> 00:15:06,920
when this movie's going on, late
20s, early 30s, which happens to
266
00:15:06,920 --> 00:15:09,320
be where we're at in our life.
And so I'm watching this movie
267
00:15:09,320 --> 00:15:14,000
going like, man, what would I do
to keep my kids in the house and
268
00:15:14,000 --> 00:15:18,080
from having to go stay with, you
know, an aunt or an uncle, Like
269
00:15:18,480 --> 00:15:20,480
how, how many shifts would I
work?
270
00:15:20,760 --> 00:15:24,560
The, the scenes where she's
taking off his boots because
271
00:15:24,560 --> 00:15:26,600
he's already asleep in the bed
when he gets home.
272
00:15:26,600 --> 00:15:30,120
You're like, it just, it just
reeks of that.
273
00:15:30,280 --> 00:15:35,200
I, I can't imagine the
difficulties that they are
274
00:15:35,200 --> 00:15:38,080
facing.
And, and Howard captures it all
275
00:15:38,400 --> 00:15:40,720
really, really well.
And you're right, I, I think the
276
00:15:40,720 --> 00:15:45,360
performances do it.
But even when you look at the
277
00:15:45,360 --> 00:15:51,240
boxing scenes, like the way the
camera moves and follows Russell
278
00:15:51,240 --> 00:15:57,240
around the ring, I think does an
excellent job of showcasing his
279
00:15:57,840 --> 00:16:02,720
determination and grit that has
been purchased on the streets
280
00:16:02,720 --> 00:16:04,520
rather than like found in the
ring.
281
00:16:06,120 --> 00:16:08,080
Yeah.
And well, I spent a lot of this
282
00:16:08,080 --> 00:16:10,920
movie, I would, I would say I
had to press pause around the
283
00:16:10,920 --> 00:16:14,000
halfway mark and I came back and
and watch the rest of it later.
284
00:16:14,520 --> 00:16:18,160
And when I press pause, I was
like, I don't think there's
285
00:16:18,160 --> 00:16:19,920
enough boxing in this boxing
movie.
286
00:16:20,040 --> 00:16:21,920
Like he's he's barely been in
the rent.
287
00:16:22,440 --> 00:16:24,240
Dude, I remember.
A few times the.
288
00:16:24,240 --> 00:16:27,880
First time I saw this movie, I,
I remember being bored by it.
289
00:16:27,880 --> 00:16:31,720
I like, I, I liked it, but I was
like 15 or 16 and was like,
290
00:16:32,000 --> 00:16:33,440
yeah, that was kind of boring.
I don't know.
291
00:16:33,440 --> 00:16:38,680
There wasn't enough like boxing.
Well, and I think, OK, so like
292
00:16:38,680 --> 00:16:41,520
watching it now, I actually do
think that that's a feature and
293
00:16:41,520 --> 00:16:44,880
not a bug of the movie.
Like it's not a movie about
294
00:16:44,880 --> 00:16:47,280
boxing.
Like boxing is a core component
295
00:16:47,280 --> 00:16:48,800
of the movie and it's a sports
movie.
296
00:16:49,120 --> 00:16:52,320
And I'll talk about why I think
it's such a great sports movie.
297
00:16:52,320 --> 00:16:56,320
But like you need all that build
up to make those final couple
298
00:16:56,320 --> 00:16:59,000
fights matter.
And even when they're kind of
299
00:16:59,000 --> 00:17:02,240
like breezing through some of
those fights, the whole last
300
00:17:02,240 --> 00:17:04,680
half hour of this movie is the
Max Baer fight.
301
00:17:04,839 --> 00:17:08,079
Like they put you in the ring
literally for like 30 minutes at
302
00:17:08,079 --> 00:17:10,040
the end of the movie.
It's incredible.
303
00:17:10,760 --> 00:17:13,720
It's so well edited, you don't
even notice how much time that
304
00:17:13,720 --> 00:17:16,640
you spent there because they've
done such a good job ramping up
305
00:17:16,640 --> 00:17:19,359
to it.
And I think that that if they
306
00:17:19,359 --> 00:17:23,040
had front loaded it with the
boxing stuff, it wouldn't have
307
00:17:23,040 --> 00:17:25,760
worked as well 'cause then it
becomes like $1,000,000 baby,
308
00:17:25,839 --> 00:17:27,839
right?
Like the reason $1,000,000 baby
309
00:17:27,839 --> 00:17:31,760
works is because it it like
reverses this, it's all boxing.
310
00:17:31,760 --> 00:17:33,520
And then it's like, here's the
rug pull.
311
00:17:33,760 --> 00:17:36,440
And now how do we grapple with
the loss of that?
312
00:17:36,560 --> 00:17:38,960
Don't you mean this one?
Don't you mean the plug pull
313
00:17:39,040 --> 00:17:43,000
Bob?
The the the stool, the stool
314
00:17:43,000 --> 00:17:44,880
pull.
Right.
315
00:17:47,160 --> 00:17:50,160
Yikes, Big old Yikes on
$1,000,000 baby here, Brad.
316
00:17:51,720 --> 00:17:55,160
But yeah, I I think that the
structure of this movie is done
317
00:17:55,160 --> 00:17:57,800
pretty well.
I do think before we get into
318
00:17:57,800 --> 00:18:01,560
the performances, we should
probably talk about like the
319
00:18:01,560 --> 00:18:04,440
things that didn't work, because
I think that there are some
320
00:18:04,440 --> 00:18:07,880
things in the film that that
just don't work for me.
321
00:18:07,880 --> 00:18:10,920
It's mostly script stuff.
But I want to ask you first,
322
00:18:11,080 --> 00:18:14,880
what was the biggest detractor
for you in the movie?
323
00:18:14,880 --> 00:18:19,360
I.
It's got to be Renee Zellweger's
324
00:18:19,360 --> 00:18:22,160
overacting.
Like everybody overacts in this
325
00:18:22,160 --> 00:18:24,960
movie.
Renee Zellweger has a few
326
00:18:24,960 --> 00:18:27,400
moments where I'm like, you're
nailing it.
327
00:18:27,400 --> 00:18:29,160
You're killing it.
The conversation with the
328
00:18:29,160 --> 00:18:32,560
electrical guy, there's a few
with between her and Russell
329
00:18:32,560 --> 00:18:34,080
Crowe.
When they're at their darkest
330
00:18:34,080 --> 00:18:37,440
times, she nails it.
It's when she's like happy and
331
00:18:37,440 --> 00:18:42,320
excited that I'm like, oh, like
ROM com Renee Zellweger's coming
332
00:18:42,320 --> 00:18:44,120
through.
And that just doesn't.
333
00:18:44,640 --> 00:18:50,000
I can't imagine ROM com Renee
Zellweger in the 1930s
334
00:18:50,000 --> 00:18:52,600
Depression era.
It's just doesn't vibe for me.
335
00:18:53,720 --> 00:18:56,120
Yeah, it's funny because I think
the scenes where she's actually
336
00:18:56,120 --> 00:18:59,880
required to have, like, deep,
real emotion, she she does nail.
337
00:19:00,160 --> 00:19:01,680
Yeah.
Like the scene where she tells
338
00:19:01,680 --> 00:19:03,840
her kids, like, I've got to go
outside for a minute and she
339
00:19:03,840 --> 00:19:06,760
just goes and like, weeps like,
oh, it's so good.
340
00:19:06,760 --> 00:19:09,760
It's so heartbreaking.
My wife has never been through
341
00:19:09,800 --> 00:19:12,040
what what she had been through
in the Great Depression.
342
00:19:12,280 --> 00:19:14,720
I've seen my wife take a minute
to go outside and cry.
343
00:19:15,480 --> 00:19:17,160
Yeah, man.
For real, dude.
344
00:19:19,080 --> 00:19:22,520
And it's the scene for me, it's
like the very early scene after
345
00:19:22,520 --> 00:19:24,960
he wins the fight.
And they're trying to establish
346
00:19:24,960 --> 00:19:27,840
like the husband and wife
rapport in the script.
347
00:19:28,240 --> 00:19:31,000
And so they're like, let's go
sit outside and, and I'm going
348
00:19:31,000 --> 00:19:34,360
to be seductive and tell you
what a great man you are and how
349
00:19:34,440 --> 00:19:38,400
how proud I am of you.
And it's like, I don't need her
350
00:19:38,400 --> 00:19:40,880
to say all this out loud, to
know that she supports her
351
00:19:40,880 --> 00:19:44,560
husband and loves him 'cause it
just makes her like a tool of
352
00:19:44,640 --> 00:19:46,600
the script and a tool of the
plot.
353
00:19:47,040 --> 00:19:51,200
And to have her, like, cradling
his face 18 times in this movie
354
00:19:51,200 --> 00:19:54,760
and being like, you're the most
important thing, you're doing so
355
00:19:54,760 --> 00:19:57,160
much for our family.
It's like, it's just a little
356
00:19:57,160 --> 00:19:58,440
overkill.
Yeah.
357
00:19:58,440 --> 00:20:00,320
And I don't really blame her for
that.
358
00:20:00,320 --> 00:20:03,560
I blame the script for that.
Yeah, and and this is like a
359
00:20:03,560 --> 00:20:05,480
perfect example of show don't
tell.
360
00:20:05,880 --> 00:20:09,760
And and even there she could
just look him dead in the eyes,
361
00:20:09,760 --> 00:20:12,800
give her a full 3 seconds of
looking on him with like
362
00:20:13,240 --> 00:20:16,840
admiration and love.
And then just a really quiet,
363
00:20:17,080 --> 00:20:19,080
I'm proud of you kiss him on the
forehead.
364
00:20:19,080 --> 00:20:22,520
Done.
It works like she, she still
365
00:20:22,640 --> 00:20:25,040
says the line.
You're still telling some, but
366
00:20:25,040 --> 00:20:30,680
you get all of that without all
this extra stuff that makes it.
367
00:20:30,840 --> 00:20:33,520
I think the big problem, Bob, is
that it makes it feel unreal
368
00:20:33,960 --> 00:20:39,080
because I don't know any couple
that interacts like that in
369
00:20:39,080 --> 00:20:42,000
private or in public.
Like, it's just kind of a weird
370
00:20:42,600 --> 00:20:48,080
vibe, which makes it feel like
she's just there to prop him up.
371
00:20:48,600 --> 00:20:51,320
And I think the rest of the
script does such a great job of
372
00:20:51,320 --> 00:20:54,920
setting her up as her own
independent, like, strong
373
00:20:54,920 --> 00:21:00,080
married woman who's pulling wood
off of signs with her children
374
00:21:00,080 --> 00:21:03,440
to keep them warm in the winter.
Like, she's a strong character,
375
00:21:03,640 --> 00:21:06,120
but it's moments like that that
make it feel like she's just
376
00:21:06,120 --> 00:21:10,040
there to prop him up, which,
yeah, she's clearly not, but.
377
00:21:11,360 --> 00:21:13,200
But she also is.
Based on how the script.
378
00:21:13,280 --> 00:21:17,280
Got written now The funny thing
is like the most egregious
379
00:21:17,280 --> 00:21:21,600
example of that is the scene
where she calls him the bulldog
380
00:21:21,600 --> 00:21:24,800
of Bergen at the end of the
movie because like they build it
381
00:21:24,800 --> 00:21:26,880
up that she's like, I'm not
coming.
382
00:21:26,880 --> 00:21:29,520
I'm never going to come watch
you fight, you know, so you know
383
00:21:29,520 --> 00:21:32,320
she's going to come, right?
But then she like literally begs
384
00:21:32,320 --> 00:21:35,840
him, don't take this fight.
And then they cut to him being
385
00:21:35,840 --> 00:21:37,800
like, see you later.
I'm going to go take the fight.
386
00:21:37,800 --> 00:21:42,480
Like he's getting in a car and
the script does not interrogate
387
00:21:42,480 --> 00:21:45,720
him at all for this decision.
Like he's just like this stoic,
388
00:21:45,720 --> 00:21:47,480
like I'm a man, so I have to do
it.
389
00:21:48,040 --> 00:21:51,440
And he goes and does it, which
is a, a horrible thing to do
390
00:21:51,560 --> 00:21:53,600
'cause his wife is like, please,
I don't want you to die.
391
00:21:53,840 --> 00:21:56,720
And he's like, dad, what fellas
got to do what a fella's got to
392
00:21:56,720 --> 00:21:58,440
do?
So he goes off to fight.
393
00:21:59,000 --> 00:22:02,240
And then lo and behold, she
shows up in the in the locker
394
00:22:02,240 --> 00:22:05,080
room right before the fight and
she gives this speech.
395
00:22:05,080 --> 00:22:08,560
That is the most unrealistic
speech I have ever heard anybody
396
00:22:08,560 --> 00:22:12,360
give.
And yet because of the heavy
397
00:22:12,360 --> 00:22:15,680
lifting that they've done
throughout this movie to
398
00:22:15,680 --> 00:22:18,600
establish the stakes for
everyone involved.
399
00:22:18,920 --> 00:22:22,520
When she looks at him and starts
choking up and says, you're the
400
00:22:22,520 --> 00:22:24,840
bulldog of Bergen.
And then she's like, and the
401
00:22:24,840 --> 00:22:28,600
champion of my heart.
I'm like, I hate that line.
402
00:22:28,720 --> 00:22:32,680
And I'm still crying like I'm
I'm 100% bought in on this.
403
00:22:32,760 --> 00:22:34,120
Do you?
Do you want to know why, Bob?
404
00:22:34,920 --> 00:22:37,400
Because you want to be the
champion of a woman's heart,
405
00:22:38,200 --> 00:22:42,040
that's why.
Specifically, 1930s New Jersey
406
00:22:42,040 --> 00:22:45,720
Renee Zellweger.
That's that's the ideal.
407
00:22:46,040 --> 00:22:51,000
Yo Bob Book.
That bulldog of I love how every
408
00:22:51,000 --> 00:22:57,160
time we go dog gets more and
more like mob boss Duh bulldog
409
00:22:57,160 --> 00:22:58,720
of burg.
It's like it's almost turning
410
00:22:58,720 --> 00:23:00,960
into duh, bears.
Like, duh, bears.
411
00:23:02,360 --> 00:23:04,240
Well, you're saying earlier that
he gets in the cab.
412
00:23:04,560 --> 00:23:07,360
I'm like, I wish that instead of
getting in the cab to go there,
413
00:23:07,520 --> 00:23:10,800
he gets in the cab.
It fades and then it's like 20
414
00:23:10,800 --> 00:23:13,880
years later and him and her
sitting in a car and he's he's
415
00:23:13,880 --> 00:23:16,880
looking at, he goes, I could
have been a contender.
416
00:23:18,960 --> 00:23:23,520
And seen.
Yeah, maybe that's the SNL
417
00:23:23,520 --> 00:23:26,760
version, who knows.
Let's talk performances real
418
00:23:26,760 --> 00:23:28,280
quick before we go to break,
Brad.
419
00:23:28,280 --> 00:23:32,840
So I do think top to bottom, the
performances are pretty good and
420
00:23:32,880 --> 00:23:38,080
like the the issues that I have
with them are all script
421
00:23:38,080 --> 00:23:39,920
related, dialogue related,
right?
422
00:23:39,920 --> 00:23:42,720
So, you know, Russell Crowe's
doing his version of a New
423
00:23:42,720 --> 00:23:45,920
Jersey guy and Renee Zellweger's
doing her version of a New
424
00:23:45,920 --> 00:23:48,760
Jersey gal.
The only person that seems like
425
00:23:48,760 --> 00:23:52,080
they actually feel like lived in
is Paul Giamatti.
426
00:23:52,840 --> 00:23:55,720
Giamatti does get an Oscar
nomination for this movie.
427
00:23:56,320 --> 00:23:58,920
I, I, it may have been the
movie's only Oscar nomination.
428
00:23:58,920 --> 00:24:03,000
If not, it was like one of two.
It's totally deserved.
429
00:24:03,200 --> 00:24:06,880
And he's coming off of Sideways,
which was his big breakout
430
00:24:06,880 --> 00:24:09,360
starring role.
He's kind of like riding high.
431
00:24:09,720 --> 00:24:12,360
We'll talk a bit about how this
movie's Oscar chances got
432
00:24:12,360 --> 00:24:16,960
torpedoed by Russell Crowe.
But Giamatti even revisiting
433
00:24:16,960 --> 00:24:22,000
this, it's like, This is why The
Holdovers is such a perfect.
434
00:24:22,680 --> 00:24:25,760
Like, you can only get Paul
Giamatti for that because I've
435
00:24:25,760 --> 00:24:30,360
already seen him do this
tightrope walk of comedy,
436
00:24:30,480 --> 00:24:36,960
tragedy, outsized figure who is
using his, you know, braggadocio
437
00:24:37,280 --> 00:24:40,160
as a way of covering for some
real insecurity.
438
00:24:40,600 --> 00:24:44,400
And I just think he absolutely
ties the whole movie together.
439
00:24:44,960 --> 00:24:49,440
Dude, when When he invites Renee
Zellweger into their apartment
440
00:24:49,840 --> 00:24:53,160
and it's just completely barren.
Like it, it kind of reminds me
441
00:24:53,160 --> 00:24:56,680
of charade when when Audrey
Hepburn gets into her apartment
442
00:24:56,680 --> 00:25:00,160
and it's all gone and she's
like, what the heck happened
443
00:25:00,160 --> 00:25:02,920
here?
And and Renee walks in and just
444
00:25:02,920 --> 00:25:07,440
his matter of factness about
like, well, I was trying to hide
445
00:25:07,440 --> 00:25:09,880
it, but here we are.
Would you like some tea?
446
00:25:09,880 --> 00:25:15,160
And you're just like, I freaking
love Paul Giamatti in this when
447
00:25:15,160 --> 00:25:18,320
he when he freaks out over
Russell Crowe eating on an empty
448
00:25:18,320 --> 00:25:20,480
stomach.
Which, by the way, the sound
449
00:25:20,480 --> 00:25:25,800
effect, Russell Crowe's empty
stomach is the most overproduced
450
00:25:25,880 --> 00:25:29,000
sound effect in Hollywood
history, and I love it.
451
00:25:29,760 --> 00:25:32,560
And his reaction is just like,
what in the hell was that?
452
00:25:32,800 --> 00:25:36,040
Which, honestly, if I heard that
sound coming out of a man's
453
00:25:36,040 --> 00:25:40,160
stomach, I would freak out, man.
Just like, oh, this man has
454
00:25:40,160 --> 00:25:43,480
dysentery on the Oregon Trail.
Like rough.
455
00:25:44,960 --> 00:25:47,720
But dude, I I'm going to go back
to Russell Crowe for a second.
456
00:25:47,840 --> 00:25:50,320
I actually really liked Russell
Crowe in this.
457
00:25:50,400 --> 00:25:52,800
I think he's like too.
I think this is one of his
458
00:25:52,800 --> 00:25:57,320
better performances a because
somehow he had to have like tape
459
00:25:57,320 --> 00:26:01,800
behind his ears to make them
like more Irish looking and that
460
00:26:01,800 --> 00:26:06,160
had to be annoying and he still
just nails it and.
461
00:26:06,160 --> 00:26:08,840
B That might have been the most
racist thing you've said in the
462
00:26:08,840 --> 00:26:11,840
history of our podcast.
I I don't know what to is that a
463
00:26:11,840 --> 00:26:14,680
fact or you just guessing that
that's what Irish ears look
464
00:26:14,680 --> 00:26:18,800
like?
I I'm Irish, it's OK.
465
00:26:18,920 --> 00:26:24,040
Brad, please answer my question.
The other element of Crow's
466
00:26:24,040 --> 00:26:30,200
performance is so we'll use the
the word of the day is desperate
467
00:26:30,640 --> 00:26:34,920
and that like it's the moment
that he is looking at the at the
468
00:26:34,920 --> 00:26:38,880
bowl of hash, like bouncing,
like I got a freaking heat and
469
00:26:38,880 --> 00:26:41,120
he just shoves his face in and
starts eating.
470
00:26:42,360 --> 00:26:45,240
It's incredible.
Like I feel every ounce of
471
00:26:45,240 --> 00:26:48,120
desperation he has in his soul
in that moment.
472
00:26:48,120 --> 00:26:52,600
I I think Crow is just really,
really good in this movie.
473
00:26:53,720 --> 00:26:57,960
I don't I don't care if the
accent is not like accurate to
474
00:26:57,960 --> 00:27:00,120
New Jersey, like he's he's
trying something.
475
00:27:00,120 --> 00:27:03,160
Whatever set that aside.
I think he's better in this
476
00:27:03,160 --> 00:27:06,040
movie than he is in Gladiator,
which won him an Oscar.
477
00:27:06,040 --> 00:27:10,120
And he's he's doing the like
stoic man fighting in the ring
478
00:27:10,120 --> 00:27:12,080
for people's enjoyment thing
again here.
479
00:27:12,440 --> 00:27:16,160
But Gladiator that is not a real
person.
480
00:27:16,160 --> 00:27:20,000
Like, that's a man who is
consumed by revenge and shows no
481
00:27:20,000 --> 00:27:22,520
emotion.
And here he's a man who is like
482
00:27:22,520 --> 00:27:26,720
overcome with emotion all the
time and has to be made low and
483
00:27:26,720 --> 00:27:30,800
reduced to nothing repeatedly.
Like when he has when he goes to
484
00:27:31,960 --> 00:27:34,600
the boxing Commission with his
hat in his hand to like get
485
00:27:34,600 --> 00:27:37,720
changed from them.
It's it might be my favorite
486
00:27:37,720 --> 00:27:42,000
moment of both him and Giamatti
in the movie because he's he's
487
00:27:42,000 --> 00:27:44,320
like crying.
He's like choking back a SOB.
488
00:27:44,640 --> 00:27:48,240
And Giamatti does that voice
crack when he's like, what in
489
00:27:48,240 --> 00:27:49,960
the hell do you have to be sorry
about?
490
00:27:50,000 --> 00:27:54,600
And it's just like it.
It's to watch a person get
491
00:27:54,720 --> 00:27:58,600
embarrassed like that and to
understand that, like, this is
492
00:27:58,600 --> 00:28:01,320
not a unique situation to him.
This is what it was like in the
493
00:28:01,320 --> 00:28:04,760
Great Depression for everybody.
And that's why everybody liked
494
00:28:04,760 --> 00:28:08,280
this guy, because he had to go
through exactly what we've all
495
00:28:08,280 --> 00:28:10,880
been through.
I think Crow captures that
496
00:28:11,080 --> 00:28:12,920
perfectly, dude.
It might be my favorite
497
00:28:12,920 --> 00:28:16,800
performance of his, honestly.
And it's what makes it's moments
498
00:28:16,800 --> 00:28:20,720
like that that take him paying
back his money to the government
499
00:28:20,960 --> 00:28:26,280
not feel cheesy like the to to
know the depths of embarrassment
500
00:28:26,280 --> 00:28:29,680
that he goes through to do the
things that he has to do to take
501
00:28:29,680 --> 00:28:34,400
care of his family.
Also like talk about schmucks
502
00:28:34,640 --> 00:28:39,520
that Paul Giamatti has to cover
the rest like this room full of
503
00:28:39,520 --> 00:28:44,040
millionaires and he goes up and
GMI is like how much you
504
00:28:44,040 --> 00:28:46,200
missing?
And he's like, I still I'm still
505
00:28:46,200 --> 00:28:48,160
missing like $19.00.
What?
506
00:28:49,440 --> 00:28:52,120
You know what, though, I do
think that him getting his
507
00:28:52,120 --> 00:28:55,360
license revoked is a really
important plot point.
508
00:28:55,360 --> 00:28:58,600
And it's not just like piling on
like, oh, this poor guy.
509
00:28:59,040 --> 00:29:03,040
Like they don't like him because
they think that he was throwing
510
00:29:03,040 --> 00:29:06,440
fights and that he's like a
washed up schmuck to your point.
511
00:29:07,000 --> 00:29:09,400
And so like, they're not
incentivized even when he's down
512
00:29:09,400 --> 00:29:12,280
on his luck, they're like, I'm
pissed off at you because you
513
00:29:12,280 --> 00:29:14,440
have like sullied the name of
our sport.
514
00:29:14,840 --> 00:29:18,360
And I think that like having
that extra bit of I not only
515
00:29:18,360 --> 00:29:22,800
have to financially get my
family back, but I have to fight
516
00:29:22,800 --> 00:29:27,320
my way back into the good graces
of the sport that I love it.
517
00:29:27,320 --> 00:29:30,640
I think it adds A component to
the movie and it doesn't make it
518
00:29:30,640 --> 00:29:34,920
so like cheesy Oscar Beatty.
It actually has a driving kind
519
00:29:34,920 --> 00:29:38,960
of like mechanism to the plot.
Yeah, Now I know that we talked
520
00:29:38,960 --> 00:29:42,680
about our gripes earlier, Bob,
but I was just curious how you
521
00:29:42,680 --> 00:29:47,200
feel about his friend on the
docks that that helps him out
522
00:29:47,200 --> 00:29:49,560
from time to time.
They they go to church together.
523
00:29:49,560 --> 00:29:51,160
How how you feeling about him?
Sure.
524
00:29:52,640 --> 00:29:56,720
I think the character of Mike,
first of all, I, I, I am
525
00:29:56,720 --> 00:29:59,000
assuming Mike was not a real
person.
526
00:29:59,000 --> 00:30:01,120
And then this is like a
composite character that they
527
00:30:01,120 --> 00:30:03,640
put, you know, he's a plot
device character.
528
00:30:05,520 --> 00:30:09,400
It's, it's very much like
there's multiple things I hate
529
00:30:09,400 --> 00:30:12,800
about Mike.
And like, I think the first part
530
00:30:12,800 --> 00:30:15,160
that I hate about him is they
make him like the Forrest Gump
531
00:30:15,160 --> 00:30:21,520
character in that, like, Mike
being in Jim Braddock's life
532
00:30:21,720 --> 00:30:24,320
means that Jim Braddock will
encounter all these famous
533
00:30:24,320 --> 00:30:26,520
historical things that we
learned about in high school
534
00:30:26,600 --> 00:30:27,680
shanty.
Towns, OH.
535
00:30:28,400 --> 00:30:31,000
They call it the Hooverville,
the Hooverville.
536
00:30:31,000 --> 00:30:34,320
I guess I have to go to the
Hooverville now and we're all.
537
00:30:34,320 --> 00:30:37,640
The Hoover it's.
Like the Leonardo DiCaprio, like
538
00:30:39,160 --> 00:30:43,080
wow, the Hooverville.
Beyond that, I think that like
539
00:30:43,360 --> 00:30:48,760
if you look historically, pre
World War 2, like the idea of
540
00:30:48,760 --> 00:30:54,640
socialism and communism in
America was it, it had more of a
541
00:30:54,640 --> 00:30:57,120
hold on people than I think
sometimes we give credit to.
542
00:30:57,120 --> 00:30:59,720
It was a small minority of
people, but it was like a
543
00:30:59,760 --> 00:31:02,560
growing political party in
America, especially during the
544
00:31:02,560 --> 00:31:04,360
Depression when people were
super desperate.
545
00:31:04,920 --> 00:31:09,080
And so they give Mike this like
he's kind of like hinting at
546
00:31:09,080 --> 00:31:11,640
communism, but they won't go all
the way.
547
00:31:12,280 --> 00:31:14,920
And they just kind of say like,
we need to organize, we need to
548
00:31:14,920 --> 00:31:20,720
unionize and they make Jim
Braddock be like, no, like FD Rs
549
00:31:20,720 --> 00:31:25,160
got us and, and Mike's like
screw FDR organize, you know,
550
00:31:25,160 --> 00:31:28,960
like take the means of
production and all this kind of
551
00:31:28,960 --> 00:31:31,760
stuff.
And, and I what I hate about it
552
00:31:31,760 --> 00:31:36,920
is like, I don't even care if
the movie wants to say communism
553
00:31:36,920 --> 00:31:40,040
is not the way and we believe in
traditional American values.
554
00:31:40,480 --> 00:31:44,960
It's that like, they never
actually give the time to like,
555
00:31:44,960 --> 00:31:48,360
meeting Mike at what he's trying
to say and telling us why it's
556
00:31:48,360 --> 00:31:50,120
bad.
And if you're not going to do
557
00:31:50,120 --> 00:31:53,440
that, then you're just setting
up this weird straw man of like,
558
00:31:54,520 --> 00:31:58,480
communism bad, America good.
And like, it just becomes Rocky
559
00:31:58,480 --> 00:32:01,480
4 at that point.
And it's not as fun as Rocky 4,
560
00:32:01,760 --> 00:32:05,920
you know, No.
Dude, Rocky 4, if nothing else,
561
00:32:05,920 --> 00:32:11,360
is a very fun movie.
Which which engages with
562
00:32:11,360 --> 00:32:14,240
communism at a deeper level than
Cinderella Man does.
563
00:32:14,280 --> 00:32:16,680
It does.
And honestly, I I feel like a
564
00:32:16,680 --> 00:32:21,880
lot of movies from the mid 2000s
struggled with this, where the
565
00:32:21,880 --> 00:32:25,960
movie itself has nothing to do
with the political worlds of
566
00:32:25,960 --> 00:32:31,480
2005, let's say, and yet it
feels the need to comment on it.
567
00:32:31,480 --> 00:32:35,640
So it brings in these politics
and you're like Batman.
568
00:32:36,120 --> 00:32:41,280
The Dark Knight doesn't need a
surveillance subplot in it.
569
00:32:41,640 --> 00:32:44,960
This does not need a anti
communist subplot in it.
570
00:32:44,960 --> 00:32:47,720
It just feels like a lot of
movies around this time are
571
00:32:47,720 --> 00:32:51,520
great and then they have 1
little squeaky wheel that was
572
00:32:51,520 --> 00:32:55,680
like maybe just should have been
cut in pre production and yet it
573
00:32:55,680 --> 00:32:58,320
made it in and they filmed a few
scenes and they're like well
574
00:32:58,320 --> 00:33:01,160
we're not going to cut this this
guy out completely.
575
00:33:01,160 --> 00:33:03,320
So we're just giving me a few
things.
576
00:33:03,320 --> 00:33:08,280
Part of me is like, if you only
had the scene with Mike, the
577
00:33:08,320 --> 00:33:11,840
only scene with him was the one
at the church, and you don't
578
00:33:11,840 --> 00:33:14,120
even know who he is.
He's just a random guy that
579
00:33:14,120 --> 00:33:17,280
Russell Crowe tries to, like,
keep from hitting his wife in
580
00:33:17,280 --> 00:33:19,400
public.
That's all you need to know
581
00:33:19,600 --> 00:33:22,560
'cause it's telling you about
Russell Crowe's character.
582
00:33:22,920 --> 00:33:24,720
You don't need to know anything
about him.
583
00:33:24,720 --> 00:33:27,760
So I'm like, I, I think they
could have used him well, but as
584
00:33:27,760 --> 00:33:29,360
it is, he's in the movie too
much.
585
00:33:29,960 --> 00:33:34,640
And in one scene he's, you know,
maybe going to hit his wife and
586
00:33:34,640 --> 00:33:36,080
you get to learn more about
Russell.
587
00:33:36,360 --> 00:33:38,440
In another scene, he's Communist
Mike.
588
00:33:38,760 --> 00:33:41,760
And then in the other scene,
he's his buddy at the bar who's
589
00:33:41,760 --> 00:33:44,040
like, hey, everybody, shut up.
This is my boy.
590
00:33:44,360 --> 00:33:47,520
He's on the radio.
Well, that's the thing too is
591
00:33:47,520 --> 00:33:50,360
like they give him way too much
screen time to not engage with
592
00:33:50,360 --> 00:33:53,040
any of his ideas.
And so the way that they say
593
00:33:53,560 --> 00:33:57,360
ideas bad are like, we're going
to also make him a wife beater.
594
00:33:57,400 --> 00:34:00,640
And so you know that communism
is bad because the communist in
595
00:34:00,640 --> 00:34:02,720
the movie beats his wife and
and.
596
00:34:02,720 --> 00:34:05,680
He and he dies and.
Dies.
597
00:34:06,560 --> 00:34:08,639
It's it's like the the scene in
Mean Girls.
598
00:34:09,040 --> 00:34:12,480
If you have sex, you will get
chlamydia and you will die.
599
00:34:12,719 --> 00:34:15,440
If you support the Communist
Party, you will get.
600
00:34:15,440 --> 00:34:19,440
B, You will get trampled by a
horse in Central Park and you
601
00:34:19,520 --> 00:34:21,440
will die.
And on that note, Brad, it's
602
00:34:21,440 --> 00:34:24,400
time to drink some rye whiskey.
Let's go.
603
00:34:24,560 --> 00:34:26,360
Try this Bullet Rye, man.
What do you say?
604
00:34:26,639 --> 00:34:34,400
Let's get to it.
All right, so today we are
605
00:34:34,400 --> 00:34:40,360
checking out Bullet 95 Rye,
perhaps the most confusingly
606
00:34:40,360 --> 00:34:43,159
named of all whiskey names.
Brad.
607
00:34:43,159 --> 00:34:47,480
It's not like a super
complicated finished in this age
608
00:34:47,480 --> 00:34:51,560
double twice in this thing.
It's just Bullet 95 Rye, but
609
00:34:51,560 --> 00:34:56,880
it's called 95 rye because it's
the 95.5 mash bill that MGP
610
00:34:57,240 --> 00:35:00,640
popularized.
But it's not 95 proof, it's only
611
00:35:00,640 --> 00:35:03,040
90 proof.
It's a 90 proof whiskey that's
612
00:35:03,040 --> 00:35:06,640
called 95 rye and that really
pisses me off.
613
00:35:06,760 --> 00:35:10,800
Why can't you just do it at 95
proof and then it makes way more
614
00:35:10,800 --> 00:35:12,680
sense?
Yeah, yeah.
615
00:35:12,680 --> 00:35:19,320
Do it at 95 proof or like if any
whiskey ever has a number in the
616
00:35:19,320 --> 00:35:23,080
name, it's the proof across the
board.
617
00:35:23,160 --> 00:35:26,200
This is the only one I've ever
seen that doesn't do that, so
618
00:35:27,960 --> 00:35:29,680
that.
Would be like having like Rebel
619
00:35:29,680 --> 00:35:34,600
100, but the 100 refers to the
fact that it's 100% corn and
620
00:35:34,600 --> 00:35:36,560
it's only 80 proof.
You know what I mean like it
621
00:35:36,560 --> 00:35:41,520
just doesn't make any sense Yep
aside from that, listen, I do we
622
00:35:41,520 --> 00:35:45,680
care that this is an MGP product
or originated as an MGP product.
623
00:35:45,680 --> 00:35:47,720
We do not.
And Brad, you know, I don't want
624
00:35:47,720 --> 00:35:51,880
to immediately jump into the the
nosing on this, but Bullet has
625
00:35:51,880 --> 00:35:54,640
become a major player in
American whiskey.
626
00:35:54,640 --> 00:35:58,360
I'm sure most people here have
tried either Bullet Bourbon or
627
00:35:58,680 --> 00:36:01,360
Bullet Rye at some point.
So we're not going to give a ton
628
00:36:01,360 --> 00:36:03,160
of background on the company
itself.
629
00:36:03,640 --> 00:36:09,160
But I just took my first nosing
of this Brad, and it felt so
630
00:36:09,160 --> 00:36:11,480
familiar to me.
And I think it's because in the
631
00:36:11,480 --> 00:36:15,600
early days of the podcast, when
we hadn't tried much rye, most
632
00:36:15,600 --> 00:36:18,360
of the brands that we were
trying, unbeknownst to us at the
633
00:36:18,360 --> 00:36:22,920
time, we're sourcing MGP rye.
And so I smell this now and I'm
634
00:36:22,920 --> 00:36:26,880
like, oh man, this is what rye
smells like, 'cause this is how
635
00:36:26,880 --> 00:36:30,720
I got trained on drinking rye.
So like, I'm gonna give some
636
00:36:30,720 --> 00:36:35,360
very familiar nosing and tasting
notes probably on this rye.
637
00:36:35,760 --> 00:36:39,240
But it's because like, this is
how I learned what rye smelled
638
00:36:39,240 --> 00:36:41,960
and tasted like.
Yeah, absolutely there.
639
00:36:42,040 --> 00:36:46,960
There is a lot going on here
that feels like everything we
640
00:36:46,960 --> 00:36:50,880
had growing up in our in our
journey with whiskey.
641
00:36:51,120 --> 00:36:53,840
And I will say I'm going to
spoil a little bit where I'm
642
00:36:53,840 --> 00:36:56,400
going with this.
I don't know if I enjoy it
643
00:36:56,400 --> 00:36:59,200
anymore, Bob.
Oh, interesting.
644
00:36:59,480 --> 00:37:01,880
All right.
Well, Brad, on that note, let's
645
00:37:01,880 --> 00:37:03,680
just go ahead and dive right in.
I'll let you.
646
00:37:03,720 --> 00:37:06,240
You've already come in with a
hot take, so I'll let you keep
647
00:37:06,240 --> 00:37:08,040
going with your nosing notes
here.
648
00:37:08,560 --> 00:37:12,320
Yeah, I mean, this is a mint
bomb.
649
00:37:12,560 --> 00:37:15,640
Like it.
This is maybe the mintiest thing
650
00:37:15,640 --> 00:37:19,400
I have ever smelt in tasting
whiskey there.
651
00:37:19,400 --> 00:37:26,120
There is so much just like
overpowering toothpasty vibe
652
00:37:26,120 --> 00:37:30,000
going on here that I don't have
any other notes on the nose I
653
00:37:30,000 --> 00:37:32,720
like.
This is mint toothpaste through
654
00:37:32,720 --> 00:37:37,280
and through.
Yeah, I think for me it's, it
655
00:37:37,280 --> 00:37:40,400
smells a little bit young, like
I almost get a yeastiness to it
656
00:37:40,400 --> 00:37:43,240
that I wasn't expecting.
It's definitely covered up by
657
00:37:43,240 --> 00:37:46,960
all that dill and mint for me.
I do get almost a little bit of
658
00:37:46,960 --> 00:37:51,680
like a like pine needles on this
it, it tips a little bit more,
659
00:37:52,120 --> 00:37:54,440
even more herbaceous than just
saying mints.
660
00:37:54,440 --> 00:37:56,200
Like it's it's almost like
woodsy.
661
00:37:56,560 --> 00:38:00,840
I like it a lot, but I do think
that like some of those stronger
662
00:38:01,440 --> 00:38:04,560
notes we associate with a potent
rye are kind of covering up for
663
00:38:04,560 --> 00:38:06,600
the fact that this might be a
younger whiskey.
664
00:38:07,040 --> 00:38:10,600
I'm going to give it a 7 out of
10 just because I like the scent
665
00:38:10,600 --> 00:38:13,000
here.
Yeah, I, I give it a 6 1/2 out
666
00:38:13,000 --> 00:38:14,920
of 10.
It's not like horrific or
667
00:38:14,920 --> 00:38:17,520
anything.
It's just very overpoweringly
668
00:38:17,520 --> 00:38:20,680
minty for me.
On the palate, it is.
669
00:38:21,360 --> 00:38:22,800
This is where the youth comes
through.
670
00:38:22,800 --> 00:38:27,000
Bob This tastes like a very,
very young rye.
671
00:38:27,200 --> 00:38:29,880
It's very effervescent.
It kind of disappears somewhat
672
00:38:29,880 --> 00:38:32,360
quickly.
The a lot of the dill and mint
673
00:38:32,360 --> 00:38:36,440
toothpaste kind of stick around.
I don't really get a lot of
674
00:38:36,440 --> 00:38:40,080
other notes on this.
Bob It's very minty.
675
00:38:40,360 --> 00:38:43,360
The rye spice kind of comes
through, but not enough for me
676
00:38:43,360 --> 00:38:47,560
to get excited about it.
Man, I, I turned on this pretty
677
00:38:47,560 --> 00:38:49,240
quickly.
This is a non age stated
678
00:38:49,240 --> 00:38:51,960
product.
So I mean, we're supposedly we
679
00:38:51,960 --> 00:38:54,800
know what the age of the
youngest in the blend here is.
680
00:38:55,160 --> 00:38:56,800
This doesn't even drink like
that, Brad.
681
00:38:56,800 --> 00:39:01,320
This drinks like 2 year, one
year whiskey like it is very,
682
00:39:01,320 --> 00:39:06,200
very youthful, super grainy.
I'm not I'm not enjoying this
683
00:39:06,200 --> 00:39:07,440
man.
I'm just going to give it a 5
684
00:39:07,440 --> 00:39:11,920
out of 10 on the pallet here.
Yeah, I I gave it a 5 1/2 on the
685
00:39:11,920 --> 00:39:14,720
pallet.
I am not enjoying this.
686
00:39:14,720 --> 00:39:19,560
The finish is like the same.
It gets a little bit ashy near
687
00:39:19,560 --> 00:39:21,720
the end.
I think the youth starts to
688
00:39:21,720 --> 00:39:25,640
overpower everything else.
I'm going to drop down to a 5
689
00:39:25,640 --> 00:39:29,320
out of 10 on the finish.
I think the finish comes back up
690
00:39:29,320 --> 00:39:31,520
a bit, the youthfulness
dissipates a bit.
691
00:39:31,680 --> 00:39:35,400
I am left with a nice sweet note
here which I would expect from
692
00:39:35,400 --> 00:39:39,240
like a $20 rye like the finish
on this if I could just remove
693
00:39:39,240 --> 00:39:40,880
it from the rest of the drinking
experience.
694
00:39:41,120 --> 00:39:44,520
It's right in line with like
this is a $2025 rye.
695
00:39:44,880 --> 00:39:48,680
So I'm I'm not going to Ding it
based on the what I disliked
696
00:39:48,680 --> 00:39:51,320
before.
I'll come back up to A7 out of
697
00:39:51,320 --> 00:39:54,760
10 on the finisher.
I think balance wise I'll I'll
698
00:39:54,760 --> 00:39:58,680
give it a six out of 10.
I like they know what they're
699
00:39:58,680 --> 00:40:00,400
doing.
This is a consistent flavour
700
00:40:00,400 --> 00:40:02,760
experience throughout.
I don't enjoy it enough to give
701
00:40:02,760 --> 00:40:06,480
it a good balance score, but you
know, it is what it is.
702
00:40:07,400 --> 00:40:10,280
Yeah, I'll give it a six as well
here, Brad and I will say we
703
00:40:10,280 --> 00:40:13,960
were just at Bullet a a few
months ago and they did
704
00:40:13,960 --> 00:40:16,280
something really cool for us.
They drilled into a barrel and
705
00:40:16,280 --> 00:40:17,520
they let us drink out of the
barrel.
706
00:40:17,600 --> 00:40:21,400
I believe that was a rye that
they've been aging on premise
707
00:40:21,680 --> 00:40:23,480
and we came home with little
samples of that.
708
00:40:23,480 --> 00:40:25,840
It's, you know, obviously it's
not being sold yet so we're not
709
00:40:25,840 --> 00:40:29,080
reviewing it, but I like a lot
of what Bullet produces.
710
00:40:29,080 --> 00:40:32,080
I like Bullet bourbon.
I think that they're well aged
711
00:40:32,080 --> 00:40:33,480
rye.
They've got a 10 year rye.
712
00:40:33,760 --> 00:40:37,960
Yep, really good stuff.
Yes, this particular product is
713
00:40:37,960 --> 00:40:42,880
not doing it for me, Brad.
And when I look at MSRPI, think
714
00:40:43,160 --> 00:40:47,280
now this is from back in like 21
or 22, I'm I'm seeing a $40
715
00:40:47,280 --> 00:40:49,080
MSRPI.
Don't think it's quite that
716
00:40:49,080 --> 00:40:53,080
expensive anymore.
It is 20. $8 State of Ohio 28.
717
00:40:53,080 --> 00:40:56,440
OK, that's way better.
Yeah, I still think you can get
718
00:40:56,440 --> 00:40:59,040
better Ryze than this.
You know, you could get an old
719
00:40:59,040 --> 00:41:02,360
Overholt, the 86 or the 100
proof.
720
00:41:02,400 --> 00:41:06,840
You could get the Sazerac rye or
the 100 proof rye of Sazerac for
721
00:41:06,840 --> 00:41:10,160
around the same price.
So when you look at it against
722
00:41:10,160 --> 00:41:13,200
it's competitors, it Dings the
value for me.
723
00:41:13,240 --> 00:41:16,320
I don't think it's overpriced
like it's a fairly priced
724
00:41:16,320 --> 00:41:18,600
product.
It's just not the best in it's
725
00:41:18,600 --> 00:41:20,880
class.
So I'm just gonna give it a six
726
00:41:20,880 --> 00:41:24,200
out of 10 on value.
Yeah, I everything you said is
727
00:41:24,200 --> 00:41:25,680
accurate.
You can get.
728
00:41:25,680 --> 00:41:30,080
Other really good rise for right
at or a lower price, so I'm
729
00:41:30,080 --> 00:41:31,920
going to give it a 5 out of 10
on value.
730
00:41:32,840 --> 00:41:34,640
Oof.
Yeah, that's taking me to just a
731
00:41:34,640 --> 00:41:37,560
31 out of 50.
Brad, where are you falling on
732
00:41:37,560 --> 00:41:40,800
this one?
I'm sitting at a 28 out of 50.
733
00:41:41,280 --> 00:41:43,720
Yikes, that's your lowest score
in a while, man.
734
00:41:44,120 --> 00:41:46,760
Yeah, I've, we've drank a lot of
good whiskey, man.
735
00:41:46,800 --> 00:41:49,760
Even considering like, you know,
season 1, we're going back and
736
00:41:49,760 --> 00:41:53,640
doing a bunch of old whiskies.
I've overall enjoyed a lot of
737
00:41:53,640 --> 00:41:55,280
the whiskeys we've drank this
season.
738
00:41:56,040 --> 00:41:59,120
Bullet 95 isn't quite doing it
for me.
739
00:42:00,080 --> 00:42:03,920
Yeah, we're coming out to just a
59 out of 100 on this one or a
740
00:42:03,920 --> 00:42:09,560
29.5 out of 50 for reference.
A 35 is where we typically start
741
00:42:09,560 --> 00:42:13,360
giving our like soft or or Hardy
even recommendation.
742
00:42:13,680 --> 00:42:16,280
A-40 is a no brainer.
So this is not approaching that
743
00:42:16,280 --> 00:42:18,600
for me.
I would not recommend this one.
744
00:42:18,640 --> 00:42:21,280
I think if you really want to
try a pour of it at the bar for
745
00:42:21,320 --> 00:42:25,680
5 bucks, 6 bucks you can.
But even at this price point, I
746
00:42:25,680 --> 00:42:28,040
just don't think there's really
anything here to write home
747
00:42:28,040 --> 00:42:30,800
about Brad.
No, no, go buy.
748
00:42:30,840 --> 00:42:34,240
Go buy yourself some of the
Sazerac 100 and I think you'll
749
00:42:34,240 --> 00:42:36,920
have a good time.
All right, man.
750
00:42:37,280 --> 00:42:40,160
Well, let's get back to talking
about a movie that fared a lot
751
00:42:40,160 --> 00:42:42,520
better in our minds than this
whiskey did in Cinderella.
752
00:42:42,520 --> 00:42:45,680
Man, what do you say the.
Bulldog of Birkin.
753
00:42:48,800 --> 00:42:54,200
Let's get to it.
All right, everybody, That was
754
00:42:54,200 --> 00:42:58,040
Bullet 95 Rye, A not good
whiskey.
755
00:42:58,160 --> 00:43:00,560
Yeah.
Yeah, yeah.
756
00:43:00,680 --> 00:43:02,760
We like Bullet.
We just don't like that
757
00:43:02,760 --> 00:43:05,440
particular expression.
Yeah, I know Bullet puts out a
758
00:43:05,440 --> 00:43:09,480
lot of great product.
I I've I think I've realized
759
00:43:09,480 --> 00:43:15,560
Bob, I love rye so much that I I
am more picky when it comes to
760
00:43:15,560 --> 00:43:18,280
rye.
Like there there's even some
761
00:43:18,280 --> 00:43:22,480
like nicer and Ryze that I'm
like I've I I feel like I'm a
762
00:43:22,480 --> 00:43:24,680
little more sensitive to what I
really enjoy.
763
00:43:24,920 --> 00:43:27,000
And so something on this end,
I'm kind of.
764
00:43:28,040 --> 00:43:29,440
Yeah.
And we kind of said this in our
765
00:43:29,440 --> 00:43:31,840
review, too, but it's like, I
don't know if it's just that
766
00:43:31,840 --> 00:43:36,880
like, I had rye mapped out for
me by the early ryes we drank.
767
00:43:36,880 --> 00:43:41,440
And so my, my, like, wheelhouse
of what I consider good is much
768
00:43:41,440 --> 00:43:43,680
narrower than it is with
bourbon.
769
00:43:44,040 --> 00:43:46,280
Yeah.
So maybe it's me 100%.
770
00:43:46,400 --> 00:43:49,720
It probably is you, Bob.
I'm just.
771
00:43:49,720 --> 00:43:51,800
Slow.
On that note, Brad, I'm going to
772
00:43:51,800 --> 00:43:54,680
see if I can redeem myself when
it comes to our game for the
773
00:43:54,680 --> 00:43:56,800
day. 2 facts and a falsehood,
Brad.
774
00:43:57,760 --> 00:43:59,560
Is going to try to stump you
Bob.
775
00:44:03,120 --> 00:44:07,800
And what is wrong?
2 facts and a falsehood. 2 Facts
776
00:44:07,800 --> 00:44:10,360
and a Falsehood is the part of
the show where Brad presents me
777
00:44:10,360 --> 00:44:14,160
with three items as fact about
the making of this movie, one of
778
00:44:14,160 --> 00:44:18,840
which is a complete lie.
Brad, I am doing just incredibly
779
00:44:18,840 --> 00:44:20,920
poorly.
This I like I've it's got to be
780
00:44:20,920 --> 00:44:24,760
like a 2 to one loss to win
ratio for me right now.
781
00:44:25,160 --> 00:44:27,320
Yeah, it's hard.
The the reason we don't know
782
00:44:27,760 --> 00:44:31,840
peek behind the curtain.
We've filmed this season over
783
00:44:31,840 --> 00:44:35,360
quite a stretch of time, out of
order, and so we don't actually
784
00:44:35,360 --> 00:44:37,960
know what the record is.
We will tally it up by the end
785
00:44:37,960 --> 00:44:41,160
of the year.
I would probably vibe with you,
786
00:44:41,160 --> 00:44:43,560
Bob, just as we are vibing on
this movie.
787
00:44:43,720 --> 00:44:47,040
I think I would vibe with you
and say I think I might be
788
00:44:47,040 --> 00:44:48,680
winning.
Yeah, you have really hit your
789
00:44:48,680 --> 00:44:51,240
stride this season, man, with
your lying.
790
00:44:51,320 --> 00:44:53,280
You've gotten so much better at
lying, Brad.
791
00:44:53,720 --> 00:44:56,160
I'm clear for your family.
That's all I'm saying.
792
00:44:56,160 --> 00:44:57,560
I'm.
Bob, I don't know what you're
793
00:44:57,560 --> 00:44:58,880
talking about.
I'm a terrible liar.
794
00:44:59,080 --> 00:45:02,240
Not good at it at all.
Hit me with your two facts and a
795
00:45:02,240 --> 00:45:06,880
falsehood, my friend.
All right fact #1 The prop money
796
00:45:06,880 --> 00:45:09,680
that is used when Braddock is
counting out their last few
797
00:45:09,680 --> 00:45:13,240
dollars is not actually from the
early 1930's.
798
00:45:13,640 --> 00:45:17,040
The design of the dollar bill
used in the film is from a later
799
00:45:17,040 --> 00:45:19,680
period as it was changed in
1938.
800
00:45:19,680 --> 00:45:22,600
Under Secretary of the Treasury
Henry Morgenthau.
801
00:45:22,960 --> 00:45:28,640
June fact #2 Max Baer, whose
paternal grandfather was Jewish,
802
00:45:29,000 --> 00:45:33,640
boxed with a Star of David David
embroidered on his trunks, which
803
00:45:33,640 --> 00:45:37,160
is visible on Baer's red trunks
throughout his fight with Jimmy
804
00:45:37,160 --> 00:45:38,640
Braddock in the final fight
scene.
805
00:45:38,880 --> 00:45:43,600
Faction #3 Art Binkowski The
Box, a boxer in real life who
806
00:45:43,600 --> 00:45:47,240
played the role of Corn Griffin,
didn't want to be knocked down
807
00:45:47,240 --> 00:45:50,160
during the Corn Griffin versus
Jimmy Braddock fight scene.
808
00:45:50,440 --> 00:45:53,160
He'd never fallen in a real
fight, and he didn't want his
809
00:45:53,160 --> 00:45:56,600
opponents to think it was either
even remotely a possibility.
810
00:45:56,600 --> 00:46:00,640
I love that.
Do you know, you know what's
811
00:46:00,640 --> 00:46:03,400
really funny is the Korn Griffin
guy.
812
00:46:04,200 --> 00:46:08,320
I when I was watching the movie,
I pulled up his IMDb because I
813
00:46:08,320 --> 00:46:11,160
was like, I couldn't tell if he
looked familiar.
814
00:46:11,160 --> 00:46:14,760
He just looked like a boxer.
I was like, that dude is perfect
815
00:46:14,760 --> 00:46:17,480
casting and I don't because it's
been like 2 weeks now.
816
00:46:17,960 --> 00:46:21,520
He'd only made one other movie
and he played a boxer in that
817
00:46:21,520 --> 00:46:24,520
movie too.
So it was like the range on this
818
00:46:24,520 --> 00:46:29,400
guy, Art, Art Binkowski,
Binkowski, Binkowski.
819
00:46:29,480 --> 00:46:30,560
He probably.
Grew up just for.
820
00:46:30,560 --> 00:46:33,800
The sake of being able to talk
about art, I'm going to say that
821
00:46:33,800 --> 00:46:35,720
number 3 is true.
OK.
822
00:46:36,120 --> 00:46:40,440
And I think #2 is true too.
If it's not true, then you did a
823
00:46:40,440 --> 00:46:44,280
darn good job of creating a a
very innocuous sounding fact.
824
00:46:44,280 --> 00:46:48,840
So I'm pretty quickly, I'm just
going to circle #1 I don't have
825
00:46:48,840 --> 00:46:51,480
any reasoning for that.
I think that they all sounded
826
00:46:51,480 --> 00:46:55,840
pretty plausible today, Brad.
So my chances are, you know, 33%
827
00:46:55,840 --> 00:46:57,480
here.
We're going to go number one.
828
00:46:57,480 --> 00:46:59,320
I'm going to lock it in.
Who the hell cares?
829
00:46:59,320 --> 00:47:03,520
Final answer.
Bob, 33% of the time you're
830
00:47:03,520 --> 00:47:06,400
right every time.
Did I get a?
831
00:47:06,400 --> 00:47:11,760
Job, you got it all right.
Oh.
832
00:47:11,760 --> 00:47:14,120
Man, all right.
Are you ready for a second game,
833
00:47:14,240 --> 00:47:14,960
Bob?
Sure.
834
00:47:15,080 --> 00:47:18,120
This is a surprise.
This is a surprise second game,
835
00:47:18,120 --> 00:47:20,240
OK.
All right, Bob, I want you to, I
836
00:47:20,240 --> 00:47:21,680
want you to get into your
imagination.
837
00:47:21,680 --> 00:47:27,240
I want you to think you're a
world class boxer and you're
838
00:47:27,240 --> 00:47:30,400
you've trained, you're getting
ready, you are coming up and
839
00:47:30,400 --> 00:47:32,080
coming.
You're ready for the big fight.
840
00:47:32,080 --> 00:47:34,320
You're going to be the world
champion of the world.
841
00:47:34,800 --> 00:47:38,920
What supporting actor do you
want in your corner?
842
00:47:39,080 --> 00:47:42,600
Go, I mean, I've seen Paul
Giamatti like you've, it's got
843
00:47:42,600 --> 00:47:45,960
to be Paul Giamatti.
But if he's off the table, what
844
00:47:46,000 --> 00:47:46,880
supporting?
What about?
845
00:47:47,160 --> 00:47:49,440
A A Meredith Burgess.
Nah, I don't want him.
846
00:47:49,840 --> 00:47:52,280
Morgan Freeman.
Clint Eastwood.
847
00:47:54,040 --> 00:47:55,960
You know, I wouldn't want Morgan
Freeman.
848
00:47:56,040 --> 00:48:00,040
I might want Samuel L Jackson.
Like I want a guy in my corner
849
00:48:00,440 --> 00:48:02,240
who's just cussing out the other
guy.
850
00:48:02,400 --> 00:48:05,120
Like I need a hype man and a
trainer.
851
00:48:05,440 --> 00:48:08,400
So hear me out.
Samuel is a great choice.
852
00:48:09,000 --> 00:48:11,880
Joe Pesci, a tiny.
A tiny man.
853
00:48:11,880 --> 00:48:15,280
We've seen that in Raging Bull.
That did not end well for either
854
00:48:15,280 --> 00:48:18,760
of them.
I, I, I personally would think I
855
00:48:18,760 --> 00:48:22,680
would pick Joe Pesci because
like Samuel Jackson cussing you
856
00:48:22,680 --> 00:48:26,880
out is terrifying.
Joe Pesci cussing you out, you
857
00:48:26,880 --> 00:48:28,640
think he will actually murder
you?
858
00:48:29,440 --> 00:48:33,680
Like I I would be terrified if
he was cussing me out, which is
859
00:48:33,680 --> 00:48:36,640
why I want him in my corner as a
boxer.
860
00:48:36,680 --> 00:48:40,640
Now this is at least the 5th
boxing movie we've done on the
861
00:48:40,640 --> 00:48:43,600
podcast.
So to your point, let me turn
862
00:48:43,600 --> 00:48:46,960
this back around on you.
Yeah, of the of the five that I
863
00:48:46,960 --> 00:48:50,040
can think of, I guess I'm not
going to count on the Waterfront
864
00:48:50,040 --> 00:48:51,480
because he doesn't actually box
in that movie.
865
00:48:51,640 --> 00:48:55,200
Yeah, we've done this.
We've done Creed, we've done
866
00:48:55,200 --> 00:48:59,200
Rocky 4, we've done Raging Bull.
We've done $1,000,000, baby.
867
00:48:59,800 --> 00:49:01,680
I can't think of any others off
the top of my head.
868
00:49:01,680 --> 00:49:05,680
Have we done the original Rocky?
No, not yet, Bob, what have?
869
00:49:05,680 --> 00:49:07,960
We been doing, we got to do it
soon.
870
00:49:07,960 --> 00:49:09,960
Is this a film podcast?
What are we?
871
00:49:10,080 --> 00:49:11,720
What's?
Well, Rocky 4 is the most
872
00:49:11,720 --> 00:49:13,560
important of the bunch as we
know Brad.
873
00:49:13,720 --> 00:49:16,560
That is a given.
Of course he has a beard.
874
00:49:16,560 --> 00:49:21,240
Who is the best like sidekick
trainer among the five?
875
00:49:22,480 --> 00:49:25,880
Oh man, there's something about
Clint Eastwood, $1,000,000 baby.
876
00:49:25,880 --> 00:49:30,720
I'm a big fan of he he he's
he's, he's gruff and does what
877
00:49:30,720 --> 00:49:34,760
it takes to get get her done,
man.
878
00:49:35,400 --> 00:49:42,080
The thing is, we don't really
see Giamatti train him at all.
879
00:49:42,080 --> 00:49:45,520
Like, you know, that's true.
He seems more like a media guy.
880
00:49:46,120 --> 00:49:47,880
Honestly, I'm a promoter.
Yeah, yeah.
881
00:49:48,160 --> 00:49:51,560
He's more of a promoter.
I think I'd probably go with
882
00:49:51,560 --> 00:49:54,800
Barrett.
Yeah, well, no, we didn't say
883
00:49:54,800 --> 00:49:57,920
Rocky.
Who trains him in Rocky 4?
884
00:49:57,920 --> 00:50:01,360
I think he I think he is trained
by his own beard in that movie.
885
00:50:01,360 --> 00:50:05,680
Like he just trains himself and
then and then Adrian shows up in
886
00:50:05,680 --> 00:50:08,760
the corner at one point, right?
I would say it's either that or
887
00:50:08,760 --> 00:50:11,920
does his his brother-in-law
who's like having sex with a
888
00:50:11,920 --> 00:50:13,240
robot.
Is he?
889
00:50:13,520 --> 00:50:15,320
Oh yeah, train him.
Polly's gotta be.
890
00:50:15,760 --> 00:50:19,440
Maybe it was the robot.
I don't want to know what kind
891
00:50:19,440 --> 00:50:22,320
of working out they're doing.
I think with those five options,
892
00:50:22,560 --> 00:50:25,800
I am locking in Clint Eastwood
as my trainer.
893
00:50:26,600 --> 00:50:30,520
There you go all right, I'll
take it man Brad real quick.
894
00:50:30,720 --> 00:50:33,160
You know, we don't have to say
too much more about this movie
895
00:50:33,160 --> 00:50:37,920
aside from like, I I think it's
a great oscari Oscar bait movie.
896
00:50:37,960 --> 00:50:42,040
Like, sure, I wish that the
Oscar bait movies made today
897
00:50:42,440 --> 00:50:46,320
felt like these ones did because
these were just very much like a
898
00:50:46,320 --> 00:50:48,960
throwback to classic Hollywood
by the numbers.
899
00:50:48,960 --> 00:50:51,160
But I felt awesome walking out
of the theater.
900
00:50:51,160 --> 00:50:54,120
I wanna talk about this as a
sports movie and why I think
901
00:50:54,120 --> 00:50:59,200
it's one of the best ones.
And it's because watching this
902
00:50:59,200 --> 00:51:07,000
movie, you really get a sense of
why sports are a metaphor for
903
00:51:07,000 --> 00:51:12,000
like, the struggle of life and
why when a good sports story
904
00:51:12,000 --> 00:51:15,320
happens, we latch onto it.
I think it's just like, it
905
00:51:15,320 --> 00:51:21,760
perfectly exemplifies why people
feel the need to put their hopes
906
00:51:21,760 --> 00:51:24,960
and dreams on somebody else when
they're going through a
907
00:51:24,960 --> 00:51:27,520
struggle.
You know, when when Jim is in
908
00:51:27,520 --> 00:51:30,920
the back of that car pulling
into the the Madison Square
909
00:51:30,920 --> 00:51:34,640
Garden bowl at the end of the
movie and then recognize him and
910
00:51:34,640 --> 00:51:37,920
they're cheering for him.
And then as he starts fighting
911
00:51:37,920 --> 00:51:43,040
Max Baer, how quickly the crowd
turns in his favor and how badly
912
00:51:43,040 --> 00:51:47,360
everybody wants this for him.
It's, you know, obviously they
913
00:51:47,360 --> 00:51:50,240
want Jim to succeed.
And someone says it all.
914
00:51:50,240 --> 00:51:52,760
I think the priest says it at
one point, like they they see
915
00:51:52,760 --> 00:51:55,360
themselves in him.
It's made very explicit.
916
00:51:55,360 --> 00:51:59,600
It's not a subtle movie.
And yet it's it's so perfectly
917
00:51:59,600 --> 00:52:05,440
encapsulates why sports matter.
And I couldn't help thinking
918
00:52:05,440 --> 00:52:11,840
about the 2016 NBA Finals.
And I like, I tell people all
919
00:52:11,840 --> 00:52:14,800
the time, like it.
It is the stupidest thing that I
920
00:52:14,800 --> 00:52:19,040
say, and it's the most sincere.
It was maybe the happiest day of
921
00:52:19,040 --> 00:52:21,120
my entire life when we won that
championship.
922
00:52:21,920 --> 00:52:25,360
And like, people, you know,
people are like, oh, the birth
923
00:52:25,360 --> 00:52:27,560
of your children.
And I'm like, listen, I love my
924
00:52:27,560 --> 00:52:29,440
children more than I love that
championship.
925
00:52:29,520 --> 00:52:33,520
The instant gratification of
winning a championship is
926
00:52:33,520 --> 00:52:36,320
probably the happiest I've ever
felt in one moment of life,
927
00:52:36,480 --> 00:52:39,000
like.
And it's because I spent that
928
00:52:39,000 --> 00:52:44,040
whole day before game seven of
that finals where the city of
929
00:52:44,040 --> 00:52:47,440
Cleveland, which had a long
standing history of getting
930
00:52:47,440 --> 00:52:51,360
super close and losing and being
shat on by the country, was
931
00:52:51,360 --> 00:52:52,920
right back in that position
again.
932
00:52:52,960 --> 00:52:55,200
And it was still the closest
we'd ever gotten.
933
00:52:56,040 --> 00:52:59,280
And I drove around the city of
Akron, OH, where LeBron James is
934
00:52:59,280 --> 00:53:03,040
from, and there were signs out
in front of churches that were
935
00:53:03,040 --> 00:53:05,720
like, we're all in this
together, win or lose.
936
00:53:06,120 --> 00:53:08,840
I drove by Lebron's high School,
and they had a viewing party
937
00:53:08,840 --> 00:53:10,480
there, and there was a liner on
the block.
938
00:53:10,480 --> 00:53:13,240
And I just drove past and honked
at people that I don't know.
939
00:53:13,520 --> 00:53:17,200
We were all cheering.
And like, I got to go spend that
940
00:53:17,200 --> 00:53:19,880
game with my dad on Father's
Day.
941
00:53:20,040 --> 00:53:23,000
And we won a championship for
the first time since I've been
942
00:53:23,000 --> 00:53:25,600
alive.
And he was a child and it was
943
00:53:25,600 --> 00:53:32,880
like it was so immediately like
validating as a person who lived
944
00:53:32,880 --> 00:53:37,480
in Cleveland that like we matter
again on the national stage.
945
00:53:37,720 --> 00:53:40,720
And it's so silly if you come
from like, like if you're like a
946
00:53:40,720 --> 00:53:44,360
Yankees fan and you're used to
winning, you don't understand
947
00:53:44,360 --> 00:53:45,760
this.
Like, yeah, that too.
948
00:53:46,680 --> 00:53:50,120
When you're when you're like
from a down and out hard working
949
00:53:50,120 --> 00:53:54,080
blue collar environment, sports
matter because they are so
950
00:53:54,080 --> 00:53:58,600
validating to you as a person.
And I don't know how else to
951
00:53:58,600 --> 00:54:03,160
explain it beyond that man.
Dude I I sat on the couch of my
952
00:54:03,160 --> 00:54:08,960
best friend's house watching it
with his family and when LeBron
953
00:54:08,960 --> 00:54:10,800
sinks that free throw they go
down.
954
00:54:10,800 --> 00:54:13,880
Love is guarding staff and he
misses the shot.
955
00:54:14,200 --> 00:54:18,960
As time runs out I watch my best
friend's dad, who's I've known
956
00:54:18,960 --> 00:54:23,920
my entire life, fall to his
knees weeping and I just hear
957
00:54:23,920 --> 00:54:28,280
him as he's crying going.
I never thought I would see this
958
00:54:28,280 --> 00:54:30,920
day.
He was literally born like 2
959
00:54:30,920 --> 00:54:34,160
weeks after the Browns
championship in 64.
960
00:54:34,880 --> 00:54:38,440
And like he never thought that
in his lifetime he would see a
961
00:54:38,440 --> 00:54:41,480
Cleveland championship.
And we drove around town
962
00:54:41,480 --> 00:54:44,480
afterwards.
People are just out walking the
963
00:54:44,480 --> 00:54:49,040
streets of Parma honking their
horns, cheering and celebrating.
964
00:54:49,040 --> 00:54:52,440
Like it it is.
It was such a unifying and
965
00:54:52,440 --> 00:54:57,720
beautiful moment for the city.
I I still to this day, honestly,
966
00:54:57,720 --> 00:55:00,080
as you were talking about it, I
was like, oh, I can't wait.
967
00:55:00,400 --> 00:55:02,960
I don't know who they're going
to get to play LeBron like 30
968
00:55:02,960 --> 00:55:06,680
years from now, but I can't wait
for like the draft day.
969
00:55:07,240 --> 00:55:11,080
But like of an actual
championship, not of like, oh
970
00:55:11,120 --> 00:55:13,320
wow, we had a pretty decent
draft go Browns.
971
00:55:14,800 --> 00:55:17,840
Like no, like, like we actually
won a championship.
972
00:55:17,840 --> 00:55:20,720
This is incredible.
Yeah, man.
973
00:55:21,800 --> 00:55:23,040
All right.
I couldn't get us out of here
974
00:55:23,040 --> 00:55:25,520
without linking Jim Braddock to
LeBron James somehow.
975
00:55:25,600 --> 00:55:28,560
But on that note, Brad, it is
time for us to get into our
976
00:55:28,560 --> 00:55:32,000
final segment of the day, which
we call Let's Make it a double.
977
00:55:32,440 --> 00:55:35,640
We're near the end of the
episode, so thanks listening to
978
00:55:35,720 --> 00:55:38,520
the film and Whiskey show.
Let's pair another film with
979
00:55:38,520 --> 00:55:39,960
this one, even if it's
struggling.
980
00:55:39,960 --> 00:55:41,320
It's the final segment of the
day.
981
00:55:41,320 --> 00:55:43,800
Now let's make it a double.
Let's Make It a Double is the
982
00:55:43,800 --> 00:55:46,920
part of the show where we pick a
movie to pair up with this one
983
00:55:46,920 --> 00:55:48,560
to make the perfect double
feature.
984
00:55:49,160 --> 00:55:50,960
Brad I was going to just go
ahead and pair this up with
985
00:55:50,960 --> 00:55:53,960
Seabiscuit.
I think I've I've paired like 5
986
00:55:53,960 --> 00:55:55,480
movies this season with
Seabiscuit.
987
00:55:55,480 --> 00:55:58,320
It seems like that needs to be
on the list for sometime soon.
988
00:55:58,840 --> 00:56:02,640
But that's another movie where
it's like set during the
989
00:56:02,640 --> 00:56:06,280
depression, everyone puts their
hopes and dreams on this ragtag
990
00:56:06,520 --> 00:56:09,800
horse and all the people
surrounding it and feel
991
00:56:09,800 --> 00:56:11,400
validated At the end of the
movie.
992
00:56:11,880 --> 00:56:15,000
I I thought of maybe I could do
something more clever, but I
993
00:56:15,000 --> 00:56:17,440
really can't see this gets my
pairing for this movie.
994
00:56:17,440 --> 00:56:18,520
I'm.
Going to do something a little
995
00:56:18,520 --> 00:56:21,840
more clever, Bob.
I was, I was thinking about
996
00:56:21,840 --> 00:56:24,720
staying in the realm of sports
and if I did that, I would go
997
00:56:24,720 --> 00:56:26,560
with Rudy.
I'm not going to stay in the
998
00:56:26,560 --> 00:56:31,680
realm of sports.
I'm going to go with 2006, The
999
00:56:31,680 --> 00:56:36,800
Pursuit of Happiness.
Now, if I remember correctly,
1000
00:56:37,120 --> 00:56:39,080
you said you hate that movie at
one point.
1001
00:56:39,080 --> 00:56:39,840
Is that still true?
I don't.
1002
00:56:39,840 --> 00:56:43,680
Know if I don't know if hate, I
did not enjoy it the one time
1003
00:56:43,680 --> 00:56:47,920
that I watched it, but I do
remember that feeling of
1004
00:56:47,920 --> 00:56:54,840
desperation from Will Smith that
he just nails it and so that was
1005
00:56:54,840 --> 00:56:56,120
the.
Keeping best performance.
1006
00:56:56,280 --> 00:57:00,720
Yeah, I was like, oh, I remember
Will Smith just oozing like, I
1007
00:57:00,720 --> 00:57:02,920
have this son, I need to take
care of him.
1008
00:57:03,320 --> 00:57:06,040
I'm gonna do whatever it takes.
And that's what really connected
1009
00:57:06,040 --> 00:57:08,080
the pieces for me with
Cinderella Man.
1010
00:57:09,440 --> 00:57:13,600
Now 2005 is 1 of I think the
best year movie years of this
1011
00:57:13,600 --> 00:57:16,960
century.
The Oscar list is pretty good
1012
00:57:16,960 --> 00:57:19,360
but when you get down into the
non oscari movies it's even
1013
00:57:19,360 --> 00:57:21,480
better.
But, you know, Russell Crowe
1014
00:57:22,080 --> 00:57:26,160
famously had a huge temper and
had a big temper tantrum when he
1015
00:57:26,160 --> 00:57:28,320
was at a hotel in, I think, New
York City.
1016
00:57:28,520 --> 00:57:33,680
He threw a phone at the face of
the the bellman or the at the
1017
00:57:33,680 --> 00:57:37,000
desk and charged for assault.
It was a huge scandal.
1018
00:57:37,160 --> 00:57:39,680
For for you young people, I
think it was like an actual
1019
00:57:39,680 --> 00:57:42,840
phone that like had a cord and
everything they.
1020
00:57:42,840 --> 00:57:46,480
Brought like a hefty phone.
Yes, and he whipped it at them.
1021
00:57:46,920 --> 00:57:49,560
Yeah.
And it happened right before
1022
00:57:49,560 --> 00:57:52,200
this movie came out.
This movie was a pretty much a
1023
00:57:52,200 --> 00:57:55,960
flop at the box office, and it
tanked all of its Oscar chances
1024
00:57:55,960 --> 00:57:57,920
because it was such a big
scandal.
1025
00:57:58,160 --> 00:58:01,000
That's when Russell Crowe gets
parodied on South Park for
1026
00:58:01,000 --> 00:58:03,600
fighting around the world like
it was a big deal.
1027
00:58:03,920 --> 00:58:06,520
And it bums me out because I
would have liked to have seen
1028
00:58:06,720 --> 00:58:09,600
what kind of damage this could
have done in the Oscar race.
1029
00:58:09,600 --> 00:58:12,240
Remember, this is the year that
Crash wins.
1030
00:58:12,640 --> 00:58:14,400
Brokeback Mountain is another
nominee.
1031
00:58:14,840 --> 00:58:19,440
You've got Philip Seymour
Hoffman wins the Oscar for
1032
00:58:20,200 --> 00:58:22,880
Capote.
You've got Joaquin Phoenix for
1033
00:58:22,880 --> 00:58:24,960
Walk the Line hanging around in
this year.
1034
00:58:24,960 --> 00:58:28,320
It's good night and good luck.
It's just it's a really, really
1035
00:58:28,320 --> 00:58:34,200
good year for movies and it bums
me out that that scandal cost
1036
00:58:34,200 --> 00:58:36,480
this movie from competing in
some of those categories.
1037
00:58:36,760 --> 00:58:39,680
Do you know what happened, Bob?
What's that?
1038
00:58:39,680 --> 00:58:43,840
We didn't have thick Crow.
If he was thick.
1039
00:58:43,920 --> 00:58:46,920
If he was thick Crow, you think
he would throw that phone?
1040
00:58:47,400 --> 00:58:50,360
Thick Thick Crow doesn't care.
He doesn't get angry.
1041
00:58:50,360 --> 00:58:54,280
I don't know man, I feel like
Thick Crow probably has even
1042
00:58:54,280 --> 00:58:57,040
more power behind his throat
now, like, because there's just
1043
00:58:57,040 --> 00:58:59,440
so much more mass.
Yeah, but it's like, it's like
1044
00:58:59,440 --> 00:59:02,880
Mike Tyson when he's high and
like not in fighting shape, he's
1045
00:59:02,880 --> 00:59:06,760
just a happy go lucky dude.
You, you take him off marijuana,
1046
00:59:07,000 --> 00:59:09,720
get him training and get all his
testosterone going.
1047
00:59:09,720 --> 00:59:11,600
He's the most terrifying human
ever to live.
1048
00:59:12,200 --> 00:59:14,720
So like, you know, thick Crow,
just he, he doesn't care.
1049
00:59:14,720 --> 00:59:18,000
What does he have to care about?
He's fat and happy and you know.
1050
00:59:18,240 --> 00:59:21,320
I remember when I when I first
took a distillery tour, it was
1051
00:59:21,320 --> 00:59:24,240
at Woodford Reserve, and they
were talking about how Russell
1052
00:59:24,240 --> 00:59:26,000
Crowe had picked a barrel of
Woodford.
1053
00:59:26,320 --> 00:59:28,160
And that was back in the days
before you could just like
1054
00:59:28,160 --> 00:59:31,040
anyone could get barrels.
And they had like a plaque of
1055
00:59:31,040 --> 00:59:33,040
everyone who'd ever done it.
And it was like Russell Crowe
1056
00:59:33,040 --> 00:59:35,160
was on there.
And then I saw Thick Crow.
1057
00:59:35,160 --> 00:59:37,920
And I was like, that looks like
a guy who would pay him a whole
1058
00:59:37,920 --> 00:59:40,640
barrel of whiskey.
Yeah, 100%, man.
1059
00:59:41,680 --> 00:59:44,000
All right, dude, let's give this
movie some final scores.
1060
00:59:44,000 --> 00:59:46,920
I think objectively, this is
somewhere between an 8 and a
1061
00:59:46,920 --> 00:59:49,120
nine.
It's like an 8.5 movie that I
1062
00:59:49,120 --> 00:59:52,760
just really love and is more
effective on me than its score
1063
00:59:52,760 --> 00:59:54,840
would indicate.
So I'm going to give this a nine
1064
00:59:54,840 --> 00:59:56,680
out of 10.
Brad, I love this movie.
1065
00:59:57,280 --> 00:59:59,360
I I'm with you man.
I love this movie.
1066
00:59:59,360 --> 01:00:04,160
It is super fun.
The the acting is overacted just
1067
01:00:04,160 --> 01:00:07,720
enough to make you really like
laugh at certain parts, cringe
1068
01:00:07,720 --> 01:00:11,200
at certain parts.
It it's such a fun feel good
1069
01:00:11,200 --> 01:00:15,440
movie that has some rough edges.
I'm going to just a little bit
1070
01:00:15,440 --> 01:00:17,520
lower.
I'm going to give it an 8.5.
1071
01:00:18,920 --> 01:00:22,360
All right, so we're coming out
to an average of an 8.75 out of
1072
01:00:22,360 --> 01:00:24,120
10, but we'd like to hear from
you.
1073
01:00:24,120 --> 01:00:25,600
What do you think of Cinderella,
Man?
1074
01:00:25,600 --> 01:00:27,600
When was the last time you
watched this movie?
1075
01:00:27,840 --> 01:00:30,440
You can let us know on any of
our social media accounts,
1076
01:00:30,800 --> 01:00:35,320
Facebook, Twitter, Instagram,
Tiktok or YouTube at Film
1077
01:00:35,320 --> 01:00:37,200
Whiskey.
Or if you want to join the
1078
01:00:37,200 --> 01:00:41,000
conversation, we are on Discord
talking all things whiskey and
1079
01:00:41,000 --> 01:00:43,960
film, so if you want to jump
into that, you can find a link
1080
01:00:43,960 --> 01:00:46,800
to our discord at the end of
every single one of our show
1081
01:00:46,800 --> 01:00:49,920
notes.
We'll be back again next week
1082
01:00:49,920 --> 01:00:53,800
revisiting one of our Season 1
masterpieces, but until then,
1083
01:00:53,960 --> 01:00:55,880
I'm Bob Book.
I'm Brad G.
1084
01:00:56,400 --> 01:00:57,560
And we'll see you next time.